Search results for ""Guernica Editions,Canada""

Socrates looked expectantly to the afterlife, when he would be able to converse with the wisest of the honored dead. Jüri Talvet has elected not to wait, but instead to begin his conversations with the wise in this life. In these ten letters, Talvet has entered into conversation with one of those wise predecessors, Michel de Montaigne. Talvet?s ruminations place contemporary issues into a long historical perspective, and a rich literary context. These letters offer an uncompromising critique of current global tendencies, but Talvet?s critique is matched by ? or perhaps it is ? a vision of hope.

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In 2019 Barbie turns 60. Never only a toy, she defines the stellar. In Plastic's Republic, Giovanna Riccio delves into Barbie's impact on female beauty highlighting how plasticity in body and persona have allowed the doll to remain top-diva. Other poems bring to life, Mattel's movers-n-shakers who created Barbie to be their in-house money maker. Riccio's Plastications lyrics illustrate how Barbie's mouldable nature lets Mattel position their high achiever as ever-relevant, arguably, by exploiting social trends, political movements and historical events. In the Human Barbies section, Barbie becomes plastic surgery's prophet, spawning "plastic-positive" people who see their bodies as raw material suitable for actual and virtual surgical "doctoring." Riccio's witty, inimitable poems portray Barbie as a complex, contradictory global celebrity, but also explore the philosophical, feminist and body-image issues that this plastic goddess engenders. In the finale, the poems naturally segue to silicone sex dolls and a plastic-smothered ocean.

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When Alexandra attempts to end an abusive marriage, her husband Tareq abducts their infant daughters from their Montreal home and deposits them with his family in a primitive village in Jordan. Trying to retrieve them through legal means, Alexandra comes face to face with Arab cultures where children belong to the father's family and women have no rights to them. She puts a promising career as a medical researcher on hold, sets off alone to Jordan and succeeds in an audacious plan to smuggle her daughters back home. But upon returning to Canada, she finds a judicial system that is unable to protect her children from being kidnapped again -- this time for good, forcing her back to a life with the abusive husband. For the next twenty years, while achieving a PhD and working as a respected scientist, she submits to her husband's tyranny for the sake of her daughters. Her coping mechanism is to dissociate herself from constant verbal and emotional abuse and live as an observant stranger trapped in a life not of h

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Throughout human history, great and free nations have been built on noble dreams. Recently, in some once promising nations, dreams of betterment and possibility, have been effectively compromised. The current political landscape, featuring cold partisan interest, calculated distraction, divisive fear mongering, negativity, and voter disillusionment, has enabled a perfect storm of toxic dysfunction. To make matters worse, personal integrity and accountability have become almost non-existent in political leaders. In such an environment, dreams of social, economic and ecological justice can easily be thwarted. Progress can become much more selective, favouring power and privilege. This handbook integrates critical thinking and media literacy to refocus democratic dreams on more constructive collective pursuits, to re-energize dreamers, and to help hold elected leaders more accountable for their actions and omissions. It is important to speak truth to power, and justice to privilege, in order to empower dreamers

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Combining eloquent lyrics and edgy anti-lyrics, the poems in Poetry is Blood both rehearse and flout conventions of lyric poetry to speak with deep-rooted melancholy about family and tribal history, ancient walls, paintings, monuments, martyred poets, and genocidal madness. These pieces have the wide cross-stylistic reach of elegy yet fearlessly resist any redemptive rhetoric.

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I Sleep in the Arms of Your Eyes is a reflection on love, freely given and loss fully lived. These poems are a contemplation on family life, and on the navigation through attachment, devotion and attempts at connection. They convey in brave simplicity of grounded language a sense of self where it belongs: "nose-touching-close," "sustained and articulate."

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Stone Woman is a saga of Blossom's unconventional family of five women, whose lives are bound by a Vietnam-War draft dodger David, immersed in the Yorkville subculture of the hippie daze of Toronto. The novel draws the reader into a web of liaisons -- into David's love affair with Blossom's mother Liza, his covert dealings with her friend Anna, as well as the mysterious Helena. The story is brought to the present through the lives of the women's daughters who discover that their family secrets have been sculpted -- literally -- into an art form that imparts a sense of homecoming and alludes to a more hopeful future.

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Mothers of the 1950s were wasp-waisted, dutiful, serene, and tied to the kitchen with apron strings. Or so we thought. This collection of searing and startling poetry and prose unties the stereotype and reveals women who were strong, wild, talented, wise, mad, creative, desperate, angry, courageous, bitter, tenacious, reckless and beautiful, sometimes all at once. The fifty-six contributors from across Canada and the world include multi-award-winning poets, novelists, and essayists, as well as compelling new literary voices. Authors include Judy Fong Bates, Denise Chong, Marjorie Doyle, Isabel Huggan, Jeanette Lynes, Alice Major, Daphne Marlatt, Diane Schoemperlen, Betsy Struthers, Sharon Thesen, Patricia Young, and more.

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In the original introduction to Pascal D'Angelo's Son of Italy, the renowned literary critic Carl Van Doren praised D'Angelo's autobiography as an impassioned story of his "enormous struggles against every disadvantage." In his narrative of his fruitless labor as a "pick and shovel" worker in America, D'Angelo, who immigrated from the Abruzzi region of Italy, describes the harsh, often inhumane working conditions that immigrants had to endure at the beginning of the twentieth century. However, interested in more than just material success in America, D'Angelo quit working as a laborer to become a poet. He began submitting his poetry to some of America's most prestigious literary and cultural journals until he finally succeeded. But in his quest for acceptance, D'Angelo unwittingly exposed the complexities of assimilation. Like the works of many other immigrant writers at the time, D'Angelo's autobiography is a criticism of some of the era's most important social themes. Kenneth Scambray's afterword is an analysis of the complexities of this multifaceted autobiographical voice, which has been read as a simplistic immigrant narrative of struggle and success. Guernica's edition of Son of Italy is its first English reprint since its original publication in 1924.

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Jamison Everett, a shy and lonely man with few friends, is a retired high school English teacher. When his artist sister, Monna, who is suffering from Parkinson's Disease, calls and asks for his help, he reluctantly agrees to leave his apartment in Minneapolis and temporarily relocate to her remote Montana town. Perhaps, in caring for his sister, he will find the friendship he longs for. But Monna's fiercely independent husband, Ben, has a different game plan. Parkinson's has robbed Monna of her ability to paint, and if the doctors won't cure her, then by god he'll do it by sheer force of will. Jamison, summoning his courage, offers to help, and an alliance is born. Yet neither man can know how much their nascent friendship will ask of them. Only Monna senses what is coming.

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What you will find in Echoes of Growing up Italian are accounts of the immigrant experience as told through the eyes of women. The Italian diaspora is one of the most significant of the 20th century, with a far-reaching impact in the Americas, Australia and Northern Europe. The Italian immigration narrative is a universal one. The stories in this book of the Italian woman in North America and how she learned to survive as she lived with two cultures in her heart and home. This collection provides the reader with a candid glimpse into the lives of sixteen women from across North America: some were born and raised in Italy while some have only been there on holidays; some are mothers and grandmothers and some are single; some only know a few words of Italian, while others are fluent, but we all have a discerning perspective on what it means to live with two cultures.

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A Blueprint for Survival begins in wildfire season, charting a long-distance relationship against the increasing urgency of climate change in the boreal, then shifts to a long sequence, Seeds, which thinks about forms of resistance, survival, and emergence in the context of the sixth mass extinction. Each seed functions as blueprint, whether simple human-made tool or complex organism driven by its DNA to adapt to and respond to our current existential threat, each showing a different way of being in the world: lentil, snowdrop, chinook salmon, codex, tardigrade, honeybee, the beautiful cell.

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Skater Girl is a collection of intensely personal essays, an archaeology of the self. Robin Pacific sifts through the midden of consciousness to find shells, potsherds, a broken piece of mirror. Themes of art, spirituality and social justice run like a current through otherwise disconnected pieces and fragments, many as short as one paragraph. Further, ideas about aging, loss and mortality colour many of them. The book is about the formation of Robin Pacific's many selves, about creativity, spiritual seeking, and the dream of a more equal society.

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The Walled Garden is a unique collection of short essays addressing a wide variety of subjects. From an exploration of the films of Andrei Tarkovsky and Federico Fellini to an update on the linguistic theories of Ernest Fenollosa, from a look into the true nature of time and the present moment to a discussion of 'psychic birthplaces', from reflections on Paleolithic caves, poetry and art, The Walled Garden includes the wild, the tamed and the stunningly unusual.

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In Zanzibar, in 2008, George Elliott Clarke began to write his "Canticles," an epic poem treating the Transatlantic Slave Trade, Imperial and colonial conquest, and the resistance to all these evils. That is the subject of Canticles I (MMXVI) and (MMXVII). In Canticles II (MMXIX) and (MMXX), Clarke rewrites significant scriptures from an oral and "African" or "Africadian" perspective. Now, in Canticles III (MMXXII) and (MMXXIII), Clarke shifts focus—from world history and theology — to the specific history and bios associated with the creation of the African ("Africadian") Baptist Association of Nova Scotia. By so doing he concludes the most remarkable epic ever essayed in Canadian letters — an amalgam of Pound and Walcott — but entirely and inimitably his own.

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Seeker: A Sea Odyssey is the story of two people who meet in Mexico and fall in love. Rita is an American part-time English language teacher and freelance reporter for an English language tourist magazine struggling to raise two young boys on her own. Bernard is a French geologist under contract to the Mexican government to search for underground thermal springs. She dreams of finding Shangri-la after witnessing a bloody government crackdown from which she barely escapes. He dreams of having a yacht and sailing the world. Their dreams mesh, and they immigrate to Canada to earn the money to build their boat.

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This story follows three generations of a Vietnamese family as they struggle through major events of the 20th century. From the War of Independence against the French colonial power to the Vietnam War, the novel depicts a family's resilience in the face of tragedy, as told through the voice of a young girl attempting to understand family scandals within an historical context. At the novel's core is the death from AIDS in the early 1980s of the narrator's half French, half Vietnamese cousin Daniel, a beautiful rebel who is stricken down following a summer escapade in Provincetown. His family of three generations of physicians cannot bear to call the disease by its true name. Daniel dies alone in his Montreal hospital room.

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Like his three siblings, 32-year-old Alfredo Freddy Flowers Falconi has led two lives: the idyllic one before The Incident -- his mother's 1984 death -- and the complicated one afterward. He was just eight-years-old when his father abandoned the family, and nine when his oldest brother, Small Carm, covered up the circumstances of Rosa Falconi's demise to keep the family's honour intact. Twenty-three years later, that lie has become a black hole: hidden at the centre of all of their lives, it's supremely powerful force that, when uncovered by Freddy, threatens to tear them apart. Set against the backdrop of the Falconi family's shuttered tractor showroom on Toronto's pulsating and ethnically diverse Spadina Avenue, Falconi's Tractor explores the Italo-Canadian experience, Catholicism, family dynamics, the fall of a family business, infidelity, and mental health—all with a red Falconi tractor and a Ferrari sports car as bookends to the action.

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Revolt/Compassion gathers together six important works by Michael Springate: Historical Bliss, Dog and Crow, The Consolation of Philosophy, Freeport Texas, Kareena, and Kut: Shock and Awe. Written and produced over a twenty-five year period, they capture an expansive range of interests and influences, and reflect the artistic interdisciplinarity which has been a defining feature of his career.

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It is 1955, and the three Fayette sisters have lived their whole lives in the enchanting French Quarter of New Orleans. Though neglected by their parents, they share a close bond with one another--from afternoons in their small, shared bedroom, to trying to speak with ghosts beneath the sweeping trees in their garden. When the middle sister Constance disappears, the family believes she has run away, as she has done before; it is only the youngest--thirteen-year-old Bonavere (known as Bonnie)--who suspects there is more to it. Met only with grief from her family and resistance from the police, Bonnie embarks on a journey to bring her sister home, venturing through fabled Red Honey Swamp, and the city's vibrant and brutal history. Unravelling the layers of her sister's secret life, Bonnie discovers a pattern of girls found half-mad in the Louisiana swampland, and a connection to the wealthy, notorious Lasalle family. To rescue her sister, she must confront the realities of true violence, and the very nature of insanity.

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Every family has rules, routines, and rituals that hold it together. But sometimes those are the very things that tear them apart. THE FAMILY CODE is an intense and gritty, family drama featuring the troubled and chaotic life of Hannah Belenko, a young woman dogged by the brutality of past traumas, and a code of silence that she must crack in order to be free. It unabashedly reveals the power and perils of parenting both under the public microscope and behind the suburban facade. The state permanently removes Hannah's daughter, sending her into flight mode with her remaining son at stake. She is unable to learn that no matter how hard she tries, she cannot outrun herself or her upbringing. She flees from Ottawa to Dartmouth and meets up with others on the precipice of life. Driven by a desperation to survive and the elusiveness of hope, she makes an enormous gamble, risking her son and her sanity.

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Posing the question: who packed the baggage we carry from birth?Don't Ask poses the question: who packed the suitcase we carry from birth? In this literary thriller, a woman agonizes over her mother's suicide and is thrown into turmoil over her attraction to a German. Hannah Baran is 45, a successful Montreal real estate broker with a highly lucrative client who, like her parents, is a Holocaust survivor. Born in a German DP camp, she is the only child of Rokhl and the late Barak. One day, she arrives to take her mother to the doctor's but Rokhl is gone, leaving behind a mystifying note that reads: I am not her. Throughout Hannah's life, Rokhl's notes have been all the guidance she received from a laconic, distant mother, a foil to Hannah's voluble father who rescued Rokhl from Auschwitz. When Hannah announces that she must travel to Germany on business, Rokhl threatens that should Hannah 'go to that land of murderers,' it would be over her dead body. Three days later, Hannah locates her missing mother in the morgue. Secreted away in a confessional letter for Hannah to find one day is the story of Rokhl's life filled with loss, betrayal, and guilt. It is woven into the intrigue of the plot about contested land and a love affair weighted down by the baggage of history.

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Mel Buckworth, dependable family man, loses his manufacturing job through recession. Having lost his sense of purpose, his pride sidelines him as he discerns his lack of digital skills so apparent in his children’s generation. He is galled by his daughter Dani’s university friend, Stanley Best, who is about to achieve fame in the fields of nano technology and artificial intelligence. As Mel desperately attempts to find equilibrium he estranges his family, leaves his wife and enlists the help of a greedy grad student. Will Baker teaches Mel the skills he will need to wreak revenge on a system seemingly discarding him. As his aptitudes grow he begins to use the internet, the very thing he despised, as a weapon to inflict his reprisals. Slowly he turns terrorist to deliver his message: that humans will succumb to machines and the social system controlling them. As his acts grow more lethal, Mel knows he must make an indelible declaration. A “manifesto” to be remembered.

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And Along Came Alexis is a book about choices and consequences. The author's youngest daughter, Alexis, was born in 1978 with multiple disabilities, including blindness, an intractable seizure disorder and spastic quadriplegia. The choice to keep her at home despite medical advice resulted in a limiting of career opportunities for her parents and educational and other enrichment opportunities for her siblings. However, it also introduced the family to a whole community of earnest and interesting people dealing with similar challenges that they would never have known otherwise, and it provided rich perspectives on a different way of living. As for Alexis, she thrived far better than had been predicted and developed into a sweet, trusting person with a clear sense of self and an appreciation for the people in her life. The book describes the story of her life to date from her mother's viewpoint: its victories and setbacks, its grim moments and its funny moments. Overall, it is a positive story, demonstrating what is possible, even under very challenging circumstances.

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Kaidenberg's Best Sons is an enthralling portrait of a community starting over in a new land. In a series of linked stories, author Jason Heit explores the lives and fortunes of people bound together by tradition, heritage and history, yet riven by envy, greed and lust. When a community of Eastern European settlers in North Dakota learn that there is promising farmland available in the newly established province of Saskatchewan they load their wagons and head north. Along with their furnishings, they also pack up their resentments, desires and ambitions and bring them to a new, unsettled land. Heit deftly captures both the promise of a new start in a new land and the long shadow of the past that is cast over the characters as they rebuild their lives.

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Through these far-reaching and searching poems, J. J. Steinfeld's work continues to not only orbit a multitude of realities and multifaceted worlds, but to interrogate various aspects of being, whether they appear as the worldly or the otherworldly, the ordinary or the extraordinary, the physical or the spiritual. As Steinfeld concludes in his poem "The End of the World," somewhat confronting the absurd and somehow embracing the existential: "I want a poem with a good ending / all the thoughts and uncertainties / and missed opportunities / tied together with metaphoric hope / even if that poem is about the end of the world / preposterous and ludicrous / as it might be."

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Not in Vain You've Sent Me Light begins with a provocative, sometimes humorous exposé of two lovers and their collisions and triumphs, and evolves into a high-voltage portrait gallery, depicting heroes and artists, scientists and politicians, mothers and their conflicted daughters. Cora Siré draws on a multi-dimensional palette to deepen her exploration of identity, displacement and the cosmic powers of love and art.

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Long-listed for the 2022 Leacock Medal for HumourWhen King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He's been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime. As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Eurasian history. Call Me Stan is the story of a man endlessly struggling to adjust as the world keeps changing around him. It is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love. Or almost everyone.

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Continuing from Desire Lines, Shifting Paradigms is a collection of essays on art, poetry and culture--both high and low--gathered from the astute critical work of Toronto writer Ewan Whyte. Included: essays on Yayoi Kusama, Anish Kapoor, Janet Cardiff, Damien Hirst, Viktor Mitic, Anne Carson and a number of other Canadian artists and poets.

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The Archeology of a Good Ragù offers a unique take on the recovery narrative. A damaged but savvy author finds new wholeness by way of a fascinating old city: Naples, Italy. John Domini's exploration of the place— little known to North Americans, yet rich in culture and challenge— draws on decades of research, living with local friends and family. His work has appeared previously in the New York Times and elsewhere, and he's published award-winning Neapolitan novels. This memoir will take readers into the back alleys and hidden beaches. It will examine intricacies of both romance and crime, and provide insight into the latest Naples immigrants, African refugees. Overall, Archeology of a Good Ragù turns the city into a prism that throws its colors across both urban and spiritual experience, everywhere.

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Swimming Toward the Sun: Collected Poems 1968-2018 gathers together five decades of poetry of the accomplished Canadian poet Laurence Hutchman. He invites us to take a poetic odyssey, starting in the late 1960's enriched by his travels to Europe, leading us through the turbulent times in cosmopolitan Montreal of the 1970's, to a long residence in New Brunswick and finally his return to Ontario. Through a powerful and daring use of language and a haunting musicality of lines, Hutchman explores the relationship between real and imaginative landscape as he bears witness to his place and time.

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Inspired by American playwright Sarah Ruhl's 100 Essays I Don't Have Time to Write, this collection is a series of miniature reflections, meditations, and ruminations on subjects encompassing matters of theatre and poetry, two subjects very close to Garebian's heart. Perceptive, witty, and intimate, the mini musings bubble with a sense of wonder, excitement, and intimacy. A vibrant, provocative series of mini musings that also affords insight into a particular artistic sensibility as several pieces are really slices of memoir and autobiography.

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I Will Be Corrupted is a collection of poems about a man who suffers from serious depression but is able to appear normal and live somewhat of a normal life. And yet what he sees and experiences in his everyday become poems and an insight into the mind of a kind and gentle person who wants to understand why he is here.

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On a quest to rescue his community from a fiery demise, possum and poet Zak, seeks assistance from rodents in the North and sets out on a journey into an ancient forest. But separated from his own surroundings and his bob-cat companion, Sena, he quickly loses his sense of direction and becomes hopelessly lost in the wilderness. Here, Zak enters a world of self-discovery as he struggles to survive starvation, predation, drowning, illness and ice. Meanwhile, his forest-folk comrades he left behind suffer the menace of drought, wildfire and the malicious deeds of Mungo, an indomitable villain actively ravaging precious ecosystems. As Zak's feathered and furry friends await such an uncertain future, they formulate the theory that Mungo and the others of his species have lost cognizance of what they are, causing them to become "familiar" and bring havoc upon the forest -- all, because they were never taught to use their noses as a reference. But unbeknownst to everyone, the havoc originates inside a dark world whose terrifying resident has, itself, become familiar; and Zak will play a key role in events that ultimately end in a savage showdown.

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The poems in A Map of Rain Days address the beauty and shadows of life while navigating the realities of racism, addiction, suicide, rape, abuse and death. Ecstasy and loneliness, romance and terror are juxtaposed. Love is brutal and intoxicating, adolescence is "the carcass of youth." Yet still we live and love and come out kicking.The poems in A Map of Rain Days span a lifetime, moving backwards from the loss of a mother to when the speaker was a "tiny girl in a third-floor walk-up." The title of the book comes from the poem of the same name, in which the speaker walks "down the corridors/in [her] mother's bruised shoes;" when she describes her mother's toes as "crooked and curled/in a misguided, arthritic map/of rain days," the speaker is describing the life she has lived.Winter is a metaphor for isolation, darkness and death. The speaker lives in a country that "is an ice storm." Aunty and Uncle are "hidden in rock/and snow." Death and winter are inextricably linked: "Mother floats around the car/with the snow" and "snow...caresses a man who struggles/with his foolproof design/for suicide." Even love and longing are locked in winter: "bent over you/I become the stillness of night, the snow itself."Love and loss feature in the poems: love for a mother and a daughter, longing for a lover, and the loss of a best friend. Love is overpowering. When the speaker has to move her mother out of her apartment on the eve of her daughter's birthday, "Love fills [her] up like a ballooon,/so full and stretched and thin [is she]." When her daughter moves across the continent, the speaker holds "tight to the pillow/that [she] laid [her] head upon/as if it were love/itself." When a friend dies unexpectedly, the speaker cannot let him go, and there is "a can of Diet Coke/that [she is] keeping for the next time/[he stops] by."Love is both brutal and intoxicating. The speaker longs for a man who, "when [she pauses] to wipe/the sand from [her] eyes...[is] gone." Romance "has been chewed/out of [her]/kisses carved away," yet still she listens to a lover's "breath fall/and the cacophony of sheets/against [their] skin."There is violence in love: a controlling husband who would "cut [her] breasts off/so no man/can look at them" and a lover who "turned [her] to ash that stuck/to the soles of [his] feet/during [his] tirades/and blackouts." In all of this, the speaker becomes "the thin voice itself/and little more." When she tries to escape, she turns around "to find him:/in his hands he holds all of me." Living in exile is another motif in the book. Born and raised in Montreal, the speaker, whose background is South Asian, experiences "the swill and gore" of adolescence in a hostile Toronto suburb. Struggling to live in a world where "sticks and stones broke all of [her]," she wonders how her father learned "to put his feet down/on unfamiliar soil." But it is possible to look racism in the eye; responding to the racist taunts of a man on a bus, the speaker tells him "my mother's black coat/against the winter-white paysage is always/and only home/and he/should be so lucky." When the speaker has finally begun to feel that "in [her] tiny radius/of the world/[she is] almost white," Donald Trump wins the American election, and racism rears its ugly head full on. However, despite all the hardships life throws at the speaker, life goes on, and she lives and loves and comes out stronger.

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Set in the small town of Grenville, Ontario, a setting perhaps familiar to the reader from the author's previous novel Cadillac Road, this story progresses from the 1950s through the 1980s. In 1940, five-year-old Martin Thorton fell from the family's apartment balcony, suffering catastrophic and permanent injuries. His accident plays a role in everything that happens afterwards -- his marginalization growing up a disabled person, his mother's guilt and unfailing devotion, his sister's alienation. Told from the point of view of his sister Gretchen, and his friend Donna, this is Martin's story.

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Bewilderness explores urban and suburban wildernesses--threshold places--in a darkly comedic, surreal set of prose poems. In Bewilderness, urban and suburban landscapes come to life as shape-shifting places, enchanted places, mundane places of magical thinking, as the reader explores the heterotopias of playgrounds and backyards, lakefront parks, splintery subdivisions, and semi-industrial wastelands. Creatures that inhabit these edged-out corners of land take on the features and neuroses of their human co-habitants in poems that are direct, declarative missives with offbeat instructions for navigating and inhabiting these liminal worlds.

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This story--part memoir, part historical fiction--spans a period of one hundred years, from 1914 to 2014, with the main emphasis being on the years of the two World Wars. It concentrates on the lives of real people--the author's parents, the author, a young pilot from New Jersey in WW1, and others--as well as some fictional characters, who all lived through one or both of the wars and were profoundly affected personally by them. Arise the Dead II focuses on World War Two where the home of the author's parents was bombed in late 1940 during the 'blitz' on London.

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Ramya immigrated to Canada from India with her husband about fifteen years ago. She typifies the first generation immigrant - a person who straddles two cultures, two countries, two continents, even perhaps two different worlds altogether.The novel has two intertwined threads of narration simultaneously unspooling. The one set in the present is about Ramya's battle to rebuild her life. The other, a series of sorties into the past, examines Ramya's sundry relationships. One narrative skein is Canadian, modern and multicultural, while the other is Indian, steeped in myth and mysticism. They are the two sides of the same coin, the obverse and the reverse - the world as seen through the bi-focal lens of immigrant reality.

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Flesh - a composite of poems perceived, evoked, discovered, moving between and among sensory boundaries as they eschew forward, backward or around exterior life to interior. Here Flesh of person, nature, language, spaces meet separate and become one. Flesh as surfaces, layers, textures, beings with sense memory perceptions of an unforgiving Flesh that scars and the forgiving Flesh that rebuilds itself.

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Finalist for the 2019 Governor General's Literary AwardMyth, folklore, and magic permeate the stories in Marianne Micros' collection Eye. Set in ancient and modern Greece, and in contemporary Europe and North America, these tales tell of evil-eye curses, women healers, ghosts, a changeling, and people struggling to retain or gain power in a world of changing beliefs. Here you will find stories of a nymph transformed into a heifer, a young soldier who returns home to discover that his brother is a changeling, an ancient temple uncovered during the construction of a church, a betrayed woman lost in a labyrinth, a wise woman confronting changes to her position when modern technology comes to her village. Some stories show that people still seek refuge in myth and folk beliefs; the ways of the past are not gone. The paving of a village does not destroy the power of the evil eye or the ability to repel it. A temple in honour of the old gods comes again to the surface. An unfinished musical composition for piano magically completes itself whenever it is played.

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Immortal Water offers a unique portrayal of the very human fear of ageing. The novel depicts two men from two time periods: the Spanish conquistador Juan Ponce de Leon in the 16th Century and a retired teacher named Ross Porter in contemporary times, both in the midst of life altering crises. Inside parallel plots the two men form an obsession with a quixotic search for the mythical fountain of youth. The protagonists sparkle into fullness as each is depicted in his struggle to remain vital while age slowly steals his significance away.

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There are unseen forces in our lives that shape who we are and what we become. How we respond to those forces determines our futures. These stories examine how characters respond to the unexpected. Do we carry our memories of the beautiful moments of life with us into death? And, ultimately, what do we value in life that defines us--from a hat to the shadow of a figure in a window reminding us of what we have lost or need to hold onto.

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Poets attribute an array of roles and capacities to the involuntary muscle and catalyst of our storied lives. The heart becomes a repository of erotic and familial love and a sanctuary for memory. In this collection, poets explore the flux of the heart's responses and instigations: the heart's tender overtures, its joyous pulse, its mating call for the other, its changeable temperament, its final tick in freeze-frame. Among the poets featured: Kenneth Sherman, Lorna Crozier, Marilyn Bowering, Roo Borson, Patrick Lane, Charles Bukowski, Rita Dove, Eugénio de Andrade, John Barton, Robyn Sarah, and Mary di Michele.

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At the age of twenty, Sheyda Porrouya's life is almost over. She was born in Iran on the day staunchly orthodox mullas declared the birth of the Islamic Republic and set about summarily purging the country of all things Western and un-Islamic. To make matters worse, as she matured, Sheyda seemed increasingly unable to distinguish between fairy tale and reality. She began to exhibit disturbing behavior. When Sheyda is accused of killing her mother, she is immediately jailed and sentenced to death by hanging. The narrative jumps back and forth from Sheyda's childhood to her current life in one of Iran's most notorious prisons, where she awaits either release or execution.

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Three Canadian soldiers awaiting deployment to the war in Afghanistan beat a homeless man to death on the steps of their armoury after a night of heavy drinking. The poet, whose downtown Toronto home overlooks the armoury and surrounding park, describes the crime, its perpetrators, the victim, and a cast of homeless witnesses that includes the woman, a prostitute, who first alerts police. The subsequent trial evokes reflection on the immigrant experience the poet shares with one of the accused, and on the agony of that young soldier? mother. From Kandahar to Bridgetown to Mississauga, Ontario, Where the Sun Shines Best encompasses a tragedy of epic scope, a lyrical meditation on poverty, racism and war, and a powerful indictment of the ravages of imperialism.

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Abandoned as a child, Melanie Forsythe seeks stability and belonging after her mom's boyfriend is left to raise her. Despite her raw deal, Melanie grows up to have a head on her shoulders and a strong bond with her stepdad. But her dream of having a family of her own is shattered when she suffers tragedy and betrayal. Forced to confront the kind of dysfunction that robbed her of a conventional upbringing, Melanie must choose between giving up on her dream of having a family or embracing a different form of motherhood.

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The Confessions of Joseph Blanchard is a contemporary story of obsessive love, sexual transgression and tragic loss. Bachelor and professional accountant Joseph Blanchard has led a socially active though emotionally cautious life into his late thirties. When he discovers that his beautiful nineteen-year-old cousin Sophie, a talented concert pianist, is in love with him, he finds he is helpless to resist her youthful charms, and against his better judgment embarks upon a passionate affair. As a safeguard against causing pain to her parents, the two lovers conspire to keep their relationship secret. For a while they are happy. But Sophie's performing career compels her to spend time in the company of other musicians, many of them young men. Consumed by jealousy, Joseph allows rage to seize control, with tragic results. Grieving, he sets about to destroy all evidence of the affair. But when a family secret is exposed, it reveals the past in a new light. In the end, his health in decline and with nothing left but memories, he discloses his secret to a confidant.

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