Search results for ""Franz Liszt""

The second of 2 volumes of Hungarian Rhapsodies which makes up the second volume of Liszt''s Piano Works. Edited by Emil von Sauer, this edition contains Rhapsodies 9-19.Der zweite Band der Ungarischen Rhapsodien von Franz Liszt, herausgegeben von Emil von Sauer, enthält die Rhapsodien 9-19

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The first of 2 volumes of Hungarian Rhapsodies which makes up the first volume of Liszt''s Piano Works. Edited by Emil von Sauer, this edition contains Rhapsodies 1-8.Der erste Band der Ungarischen Rhapsodien von Franz Liszt, herausgegeben von Emil von Sauer, enthält die Rhapsodien 1-8.

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A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries. In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity. Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll. Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.

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Menahem Pressler is a world-renowned piano soloist, master class teacher, and member of the acclaimed Beaux Arts Trio. In this companion to his first book, Menahem Pressler: Artistry in Piano Teaching, Pressler's former student William Brown brings together Pressler's teachings on an additional 37 piano masterworks by Johann Sebastian Bach, Samuel Barber, Ludwig van Beethoven, Johannes Brahms, Frédéric Chopin, Claude Debussy, George Frideric Handel, Franz Joseph Haydn, Franz Liszt, Felix Mendelssohn, Wolfgang Amadeus Mozart, Sergei Prokofiev, Sergei Rachmaninoff, Maurice Ravel, Franz Schubert, and Robert Schumann. With over 200 musical examples and measure-by-measure lessons on masterpieces of the piano repertoire as well as instructions on phrasing, fingering, imagery, dynamic contrasts, pianistic touches, articulation, and practice drills, pianists of all levels will benefit from Pressler's expertise.

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The ‘A-side’ of Cheltenham’s history as a fashionable Regency spa and subsequent reinvention as a town of colleges, churches and festivals is well documented, but what about its ‘flip-side’? Much of the town’s fascinating history has either been overlooked or lies hidden below the surface. Well-known local author David Elder delves into Cheltenham’s lost, forgotten and hidden histories, unearthing fascinating facts and recounting some remarkable stories. Learn, for example, about some of Cheltenham’s minor celebrities and local characters – from the man who sold his wife for little more than 18 pence to the concert pianist who claimed to be the reincarnation of Franz Liszt, while not forgetting the person who led to the ‘discovery’ of Jeeves not long before perishing at the Battle of the Somme. Secret Cheltenham reveals the lesser-known aspects of this remarkable town.

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Winner of New Keyboard Publication of the Year at the Presto Music Awards 2023The composer and pedagogue Adolph von Henselt (18141889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt's Etudes the equal of those by Liszt and Chopin for their great beauty.Henselt's music was well-known in his time, and in the repertoire of the greatest virtuosos of the 19th century, including Clara Schumann (who premiered his F minor Concerto with Mendelssohn conducting), Franz Liszt, Hans von Bülow, Vladimir de Pachmann and Alexander Scriabin.The two sets of Etudes Opp. 2 and 5 were composed just before Henselt moved permanently to Russia and each set was originally published as two books of six études. This new Edition Peters Urtext edition collects each set in its own volume, together with,

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An enthralling biography about one of the most intriguing women of the Victorian age: the first self-invented international social celebrity.Lola Montez was one of the most celebrated and notorious women of the nineteenth century. A raven-haired Andalusian who performed her scandalous “Spider Dance” in the greatest performance halls across Europe, she dazzled and beguiled all who met her with her astonishing beauty, sexuality, and shocking disregard for propriety. But Lola was an impostor, a self-invention. Born Eliza Gilbert, the beautiful Irish wild child escaped a stifling marriage and reimagined herself as Lola the Sevillian flamenco dancer and noblewoman, choosing a life of adventure, fame, sex, and scandal rather than submitting to the strictures of her era.Lola cast her spell on the European aristocracy and the most famous intellectuals and artists of the time, including Alexandre Dumas, Franz Liszt, and George Sand, and became the obsession o

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Franz Liszt is well known for his early years as ''super-star'' pianist who excited audiences throughout Europe, but his later life is also of great interest. In his final 25 years he sought to achieve his life''s aims of promoting new forms of music and giving stronger witness to his Christian faith, while continuing to support his stalwart life partner Princess Carolyne. However, he was to face unexpected problems in the continued negative reception of his music and recrimination in his closest relationship.Drawing on detailed analysis of Liszt''s correspondence from his fiftieth year onwards, Peter G. Coleman approaches his later life as a case study of an older person grappling with a succession of often disturbing life experiences. These included the deaths of two of his children, political upheaval and war within Europe, and a growing realisation of his own past failings. Liszt suffered frequent bouts of depression but never ceased composing music nor steadfastly heeding Christ''

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Arguably the greatest of all piano virtuosi, Liszt was one of the few composers of his day who had the technique to perform his own compositions. A child prodigy pianist who could read music before he could recite the alphabet, Franz Liszt is one of the most outrageously gifted and most controversial figures in classical music. Unconventional in both his approach to composing and his personal life, he had a reputation for courting hostility and riding rough-shod over other people's feelings, particularly those of his musical peers. This lavishly illustrated book chronicles Liszt's life and times with the help of many rare photographs and contemporary prints. With numerous quotations from the people who knew him best, extracts from personal letters and diaries, this remarkable book gives an intimate picture of the composer's private life, and also investigates the complex religious and emotional forces which inspired his music. Includes a CD featuring a selection of recordings by the composer.

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In a series of lively essays that tell us much not only about the phenomenon that was Franz Liszt but also about the musical and cultural life of nineteenth-century Europe, Alan Walker muses on aspects of Liszt's life and work that he was unable to explore in his acclaimed three-volume biography of the great composer and pianist. Topics include Liszt's contributions to the Lied, the lifelong impact of his encounter with Beethoven, his influence on students who became famous in their own right, his accomplishments in transcribing and editing the works of other composers, and his innovative piano technique. One chapter is devoted to the Sonata in B Minor, perhaps Liszt's single most celebrated composition. Walker draws heavily on Liszt's astonishingly large personal correspondence with other composers, critics, pianists, and prominent public figures. All the essays reveal Walker's broad and deep knowledge of Liszt and Romantic music generally and, in some cases, his impatience with contemporary performance practice.

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Franz Liszt is well known for his early years as 'super-star' pianist who excited audiences throughout Europe, but his later life is also of great interest. In his final 25 years he sought to achieve his life's aims of promoting new forms of music and giving stronger witness to his Christian faith, while continuing to support his stalwart life partner Princess Carolyne. However, he was to face unexpected problems in the continued negative reception of his music and recrimination in his closest relationship. Drawing on detailed analysis of Liszt's correspondence from his fiftieth year onwards, Peter G. Coleman approaches his later life as a case study of an older person grappling with a succession of often disturbing life experiences. These included the deaths of two of his children, political upheaval and war within Europe, and a growing realisation of his own past failings. Liszt suffered frequent bouts of depression but never ceased composing music nor steadfastly heeding Christ's command to bear one's cross. This sensitive treatment of an extraordinary individual will appeal to the scholar and general reader alike.

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Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.

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Franz Liszt is most well-known for his compositions for piano and orchestra, but his influence is also strong in chamber music, choral music, and orchestral transcriptions. This new collection of essays presents a scholarly overview of all of the composer's work, providing the most comprehensive and current treatment of both his oeuvre and the immense amount of secondary literature written about it. Highly regarded critics and scholars write for both a general and academic audience, covering all of Liszt's major compositions as well as the neglected gems found among his choral and chamber works. Following an outline of the subject's life, The Liszt Companion goes on to detail Liszt's critical reception in the German press, his writings and letters, his piano and orchestral works, his neglected secular choral works, and his major organ compositions. Also explored here are his little-known chamber pieces and his songs. An exhaustive bibliography and index of works conclude the volume. This work will both elucidate aspects of Liszt's most famous work and revive interest in those pieces that deserve and require greater attention.

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