Search results for ""English Heritage""

The gigantic barns built by the major landowners of medieval England are among our most important historic monuments. Impressive structurally and architecturally, they have much to tell us about the technology of the time and its development, and are buildings of great and simple beauty. But, unlike houses, castles and churches, barns were centres of production, where grain crops were stored and threshed, and allow us to glimpse a very different side of medieval life – the ceaseless round of the farming year on which the lives of rich and poor depended. The Great Barn at Harmondsworth, built in 1425–7 for Winchester College, rescued and restored by English Heritage and Historic England in the last decade, is one of the most impressive and interesting of them all. Prefaced by an exploration of the ancient estate to which it belonged and of its precursor buildings, this book explores why, how and when the barn was built, the ingenuity and oddities of its construction, and the trades, materials and people involved. Aided by an exceptionally full series of medieval accounts, it then examines the way the barn was actually used, and the equipment, personnel, processes and accounting procedures involved – specifically relating to Harmondsworth, but largely common to all great barns. Finally, it covers its later history, uses and ownership, and the development of scholarly and antiquarian interest in this remarkable building.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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Late 1930s. When World War II was declared, Mavis Batey, previously studying German Romanticism, abandoned her studies to do her duty for her country. At Bletchley Park, Britain’s best kept secret, she became one of the first women codebreakers, a pioneer and a star, breaking codes vital to bringing peace. Mavis Batey, a unique biography, delves into the life of one of Britain’s best female codebreakers, taking the reader through the war and to the arrival of peace, when Mavis turned her attention from breaking codes to the conservation and preservation of gardens. Mavis became an important figure in conservation, becoming President of the Garden History Society, which, under her watch, became an academic society and campaigning force for the protection of landscapes, parks, and gardens of historic interest. She also lobbied Parliament, fighting threats of encroachment and misuse of land. Acts of Parliament were passed, English Heritage was established, and grants were introduced. Historic gardens became officially recognised as essential components of European culture and her National Register of Historic Gardens came to fruition. Mavis’s passion was writing and she wrote many books. Mavis was finally awarded the RHS Veitch Memorial Medal and the MBE for Services to the preservation and conservation of historic landscapes. Mavis never did retire: her final project was to inspire an American Garden Trail for Bletchley Park which she signed off just a few months before her death in November 2013.

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Please note: This product is a map. It was more than just a wall: it was a whole military zone designed to control movement across the northern frontier of the Roman province of Britannia. Great earthwork barriers survive, along with the remains of forts and temporary camps; watch-towers and fortified gates; civilian settlements, temples, cemeteries, bath-houses, roads and bridges. Stretching across the spine of England from the North-East coast to the Irish Sea, the line of the frontier extends for over 100 miles through every type of landscape: from the streets of urban Tyneside, through arable fields; along the crags of the wild Whin Sill; to the sands of the Solway, and down the coast of Cumbria. Drawing upon the extensive expertise and unrivalled archives of English Heritage, and those of its partners, this map depicts the fruits of modern archaeological research: in field survey, geophysics, excavation, and the analysis of aerial photographs. Using Ordnance Survey 1:25,000 data - the ideal scale for walkers - this revised new map shows with great clarity all the elements of Hadrian’s Wall, and distinguishes between those features that are visible and those that have been levelled through time. A brief text explains the remains on the ground, and how to use the map to find them – including the museums and the best places to visit. This World Heritage Site is now more accessible than ever before, so see the landscape through new eyes.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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This is the story of William Mitchell’s life – his career and body of work from an early age to a life of art with international commissions offered 80 years later. Bill’s zest for life, his love of London, his determination to cover the world with sculptures, murals and decoration are main themes, as his work in Qatar, Los Angeles, San Francisco, Paris and Hawaii testifies. He worked with famous architects such as Basil Spence and Sir Freddie Gibberd who designed the Liverpool Metropolitan Cathedral of Christ the King where Bill created the famous bronze sculpted doors and designed the Portland Stone frontispiece. He also produced the Stations of the Cross at Clifton Cathedral, Bristol and the Grade II listed Corn King and Spring Queen figures at Wexham and has had a total of nine works of art listed Grade II by English Heritage – more than any other artist. Included are stories about his discussions on art with Princess Margaret, his clashes with Prince Philip, his battles with Mohamed Al Fayed and the phenomenal success of the Egyptian Hall and Escalator in Harrods. He designed the Hall and executed the carving on all 300 panels cladding the walls – no mean achievement for any sculptor but Bill was by then 75 years old. Self Portrait contains a vast array of illustrations of Bill’s work and in so doing reveals the man – a true creative genius, who invariably had a smile or comic story, and whose energy carried projects to completion despite the many challenges. It’s a brilliant and inspiring story.

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Britain’s tiny Jewish community (about 263,000 people) is the oldest non-Christian minority in the country. In 1656 Jews returned to England after an absence of nearly 400 years and the Jewish community has enjoyed a history of continuous settlement in England since 1656, a record unmatched anywhere else in Europe. Jewish Heritage in Britain and Ireland celebrates in full colour the undiscovered heritage of Anglo-Jewry. First published in 2006, it remains the only comprehensive guide to historic synagogues and sites in the British Isles, based on an authoritative survey carried out with the support of English Heritage and the Heritage Lottery Fund. The guide is simple to use, covering more than 300 sites, organised on a region-by-region basis. Each section highlights major Jewish landmarks, ranging from Britain’s oldest synagogue, Bevis Marks Synagogue in the City of London, through the Georgian gems of the West Country to the splendid High Victorian “cathedral synagogues” of Birmingham, Brighton, Liverpool and Glasgow. Relics of Anglo-Jewry’s medieval past are explored in York, Lincoln and Norwich, and venerable burial grounds with Hebrew inscriptions are found in the unlikeliest of places. Curious oddities are not to be missed, including a 19th-century private penthouse synagogue in Brighton and an Egyptian-style Mikveh [ritual bath] in Canterbury. The new edition has been completely revised and features many new images including, for the first time, of sites in Wales, Scotland, Ireland, the Channel Islands and the Isle of Man. The easy-to-follow heritage trails around former Jewish quarters in the major cities have been updated and full postcodes are now given for SatNav users.

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This is the first published overview of the archaeology of urban common land. By recognising that urban common land represents a valid historical entity, this book contributes towards successful informed conservation. It contains a variety of interesting and illuminating illustrations, including contemporary and archive photographs. Historically, towns in England were provided with common lands for grazing the draft animals of townspeople engaged in trade and for the pasturing of farm animals in an economy where the rural and the urban were inextricably mixed. The commons yielded wood, minerals, fruits and wild animals to the town's inhabitants and also developed as places of recreation and entertainment, as extensions of domestic and industrial space, and as an arena for military, religious and political activities. However, town commons have been largely disregarded by historians and archaeologists; the few remaining urban commons are under threat and are not adequately protected, despite recognition of their wildlife and recreational value. In 2002, English Heritage embarked upon a project to study town commons in England, to match its existing initiatives in other aspects of the urban scene. The aim was to investigate, through a representative sample, the archaeological content and Historic Environment value of urban commons in England and to prompt appropriate conservation strategies for them. The resulting book is the first overview of the archaeology of town commons - a rich resource because of the relatively benign traditional land-use of commons, which preserves the physical evidence of past activities, including prehistoric and Roman remains as well as traces of common use itself. The recognition of town commons as a valid historical entity and a valued part of the modern urban environment is an important first step towards successful informed conservation. An important consideration for the future is maintaining the character of town commons as a different sort of urban open space, distinct from parks and public gardens.

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A lavishly illustrated account of the buildings of the friars in the middle ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist at English Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturer in Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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As part of the Property Development Programme for Kenilworth Castle in Warwickshire, English Heritage created an ambitious reconstruction of the Elizabethan garden which formerly stood on the north side of the castle keep. In order to achieve a reliable representation of the original garden, a programme of archaeological trenching, open area excavation and watching brief was carried out by Northamptonshire Archaeology (now MOLA) from 2004 to 2008. This report discusses the results of the excavations which uncovered for the first time the foundation and culverts of an octagonal fountain basin, described by Robert Langham in a contemporary letter relating to Queen Elizabeth I’s visit in 1575. The results of the excavation also clarified to some extent the original dimensions of the garden and the foundation level upon which the fine surfacing detail would have been applied. Contributions to understanding the geometry of the garden’s architectural features are made by the identification of a series of rubble-and-mortar-filled pits, which probably formed bases for plinths for structures or other structural elements. The terrace which formed a viewing promenade over the garden was shown to have undergone substantial alteration. The impact of Civil War defences and slighting on the north of the keep and outer bailey wall were investigated. Following this, the area was subsequently cultivated as a kitchen garden and orchard from at least the beginning of the eighteenth century. Twentieth-century activity included consolidation of the castle fabric, the construction of paths and the remodelling of the terrace, and the remains of an ornamental knotwork garden created in 1975. The archaeology of the garden and its surroundings are discussed from the remnants of medieval features through to the present day.

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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building, was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. Built in 1934 in response to the question ‘How do we want to live now?’ it was England’s first modernist apartment building and was hugely influential in pioneering the concept of minimal living. During the mid-1930s and 1940s its flats, bar and dining club became an extraordinary creative nexus for international artists, writers and thinkers. Jack Pritchard employed Gropius, Breuer and Moholy-Nagy in his newly formed Isokon design company and the furniture, architecture and graphic art the three produced in pre-war England helped shape Modern Britain. This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and infamous dinner parties. Isokon resident Agatha Christie features in the book, as does Charlotte Perriand who Jack Pritchard commissioned for a pavilion design in 1930. The book is beautifully illustrated with largely unseen archive photography, and includes the work of photographer and Soviet spy Edith Tudor-Hart, as well as plans and sketches, menus, postcards and letters from the Pritchard family archive. In Spring 2018, the Isokon building and Breuer, Gropius and Moholy-Nagy were honoured with a Blue Plaque from English Heritage.

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This new, thoroughly updated second edition of Bradt's best-selling, comprehensive guide to Northumberland including Newcastle, Hadrian's Wall & the Coast remains the reliable source of information for discovering the far northeast of England, an area which is home to Europe's largest area of protected night sky - and England's first Dark Sky Park, a 572-square-mile expanse in Northumberland National Park. Now including over 40 walks along beaches, over hills and through valleys, as well as dedicated chapters on Northumberland National Park, Hadrian's Wall, the coast and Newcastle, among others, Bradt's Northumberland including Newcastle, Hadrian's Wall & the Coast is the ideal companion for a successful visit. Northumberland is well-known for its beaches, castles, wildlife, islands and desolate upland scenery, but despite all the attention and accolades ('most tranquil county', 'darkest night skies in England', 'Best UK County/Region [Silver Award']), Northumberland remains for the most part wonderfully crowd-free. It is the ultimate place in England to get away from it all, where you can walk all afternoon over moorland and not meet anyone, skinny-dip in lakes, or picnic on pristine sands with no one else around. Northumberland is also home to Hadrian's Wall, 'the most important Roman monument in Britain' (English Heritage), while heritage enthusiasts will find a number of world firsts and unique museums such as Tanfield Railway, where you can marvel at 19th-century steam engines in the oldest engine shed in the world. Bradt's Northumberland encourages visitors to slow down and explore the green lanes, footpaths, rivers and cycle trails that link Northumberland's 'Castle Coast' with the heather-topped hills, Roman fortresses and villages of the interior. A guide to Newcastle is found in the chapter on Tyne & Wear. Local knowledge of historic towns, heritage sites, wildlife-watching spots and countryside walks, and words and tips from local heritage experts make this an authoritative guide - and as much an entertaining armchair read as a practical guide, perfect for walkers, birdwatchers, cyclists, families, and those interested in Roman archaeology, industrial heritage and medieval castles.

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Following in the committed political footsteps of the late, great Adrian Mitchell, and delighting in the kind of punk wordplay that brought fame to John Cooper Clarke, Sai Murray has built an enthusiastic audience for his dramatic poetry performances. Challenging the status quo, his poems take on the age of consumerism and, as befitting a reformed ad-man, the worlds of advertising and shopping. He also delivers parodies of the language of the Red Tops, the clichés of our political rulers, the trivialisations of Facebook, and the burying of history in a Caribbean made fit for tourists.Sai Murray's poems range wide, but all have at their centre the desire to cauterise the deceits of language, and find a world full of wit and warmth, liberty and fraternity."A captivating performer, and a brilliant, thought-provoking, wordsmith." Dorothea Smartt"A truly original voice."Courttia NewlandSai Murray is a writer, poet and graphic designer of Bajan/Afrikan/English heritage. In a former life he worked in advertising – he has been clean for over 13 years and now works with selected grassroots community organisations through his artist/activist promotions agency, Liquorice Fish. The first part of his debut novel, Kill Myself Now: The True Confessions of An Advertising Genius was published by the Inscribe imprint of Peepal Tree Press (2008).Sai is currently a member of digital arts collective Virtual Migrants; a resident poet at Numbi; a facilitator on Platform's youth arts and campaigning project Shake!; creative writing facilitator/mentor with mental health arts charity Artists in Mind; the Arts and Politics Editor of Sable LitMag; and Artistic Director of Scarf magazine.He has performed and collaborated with musicians across the UK, Barbados and USA; and has been poet coach of winning slam teams at Leeds Young Authors' Voices of a New Generation 2009 and 2010, and the GSAL Speak Up Slam 2012. In 2012 he coached his school team to win the biggest ever national UK youth slam, Shake the Dust.Find him online at saimurai.wordpress.com and ad-liberation.tumblr.com.

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Eltham Palace is famous for its links with royalty and national events over a period of three and a half centuries, between the reigns of Edward I and James I. This richly illustrated book follows these important moments in the building’s history, along with the parallel stories of its architecture, gardens, vineyards and parks. The staff responsible for its upkeep and the effects on the local community of having a royal building in its midst are also chronicled here. What remains of the Palace’s former splendour today are the moat bridge, part of its outer court and the magnificent great hall, built for Edward IV, which survived long years of use as a barn after the Civil Wars. A 1930s mansion now adjoins the hall and both buildings are administered by English Heritage. Eltham Palace was central to its local community as well as to the aristocratic levels of international society. While the court was at Eltham the palace was the centre of administration for the whole country as far as that part of the royal government which travelled round the country with the monarch was concerned. During such visits a great many people came to Eltham on official and personal business, the largest numbers arriving at Easter when alms were distributed to the poor. Surviving records are numerous and document many aspects of the royal manor and the parish, including sports and ceremonies and the activities of the home farm. The book traces the palace from its medieval and Tudor beginnings, with court visits, the arrivals of foreign royalty and ambassadors, and the tournaments and festivities, through the unfortunate destruction of many of its royal buildings in the 17th century, up to Eltham Palace’s state and purpose today. Containing many details concerning the palace and people of Eltham which do not appear in earlier descriptions of its history, this vivid and in-depth work will be of great interest to local and tourists, as well as those interested in such a rich royal heritage and architectural history.

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The arrival of aerial photography came at a particularly significant moment in terms of the visual appearance of England. This selection of photographs makes use of the Aerofilms collection, acquired by English Heritage in 2007 and subsequently digitised and made available on the Britain from Above website. When Aerofilms fliers first went up in the skies in 1919, they captured a country that, with the obvious exception of some large scale structures such as aircraft hangers and munitions factories, had more or less been preserved in aspic in 1914. What we are looking at in many of the earliest photographs in this book is essentially Edwardian England, with towns and villages generally quite compact, with fields reaching almost up to the High Streets in many cases, and little sign of the sprawl that was to engulf them in the 1920s and 30s. The streets of many towns, especially the seaside resorts that provided the aerial photographers with many of their earliest subjects, have an orderly, almost pristine appearance to them, with the Victorian and Edwardian houses undisturbed by any out of place redevelopment. The purpose of this book is to show just how radically that position changed over the ensuing half century. We trace the outward expansion of places brought about by the availability of the car: the new suburbs and ribbon development. We see how new arterial roads came into being to meet the needs of motor transport and how the centre of cities start to be rebuilt to accommodate it. We witness the growth of sprawl around road junctions on the edge of built up areas and the arrival of new types of building there to service both cars and people: the filling station, the roadhouse. We see how the car encouraged more people to go further afield for sport and pleasure: to the seaside, the races or to new forms of attractions such as the amusement park in the country. And we see how public transport changes over the period from trams to buses with the advent of new facilities such as bus stations. The scale of traffic congestion becomes apparent by the late 1930s. In addition, the impact on the landscape of large motor factories and provision for motor sport is made clear.

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The Marlborough Mound has recently been recognised as one of the most important monuments in the group around Stonehenge. It was also a medieval castle and a feature in a major 17th century garden. This is the first comprehensive history of this extraordinary site. Marlborough Mound, standing among the buildings of Marlborough College, has attracted little attention until recently. Records showed it to be the motte of a Norman castle, of which there were no visible remains. The local historians and archaeologists who had investigated it had found very little in the way of archaeological evidence beyond a few prehistoric antler picks, the odd Roman coin, and a scatter of medieval pottery. It was to be archaeology which provided the most dramatic discovery after the Mound Trust began to restore the mound in 2003. English Heritage were investigating Silbury Hill, and arranged to take cores from the Mound for dating purposes. The results were remarkable, as they showed that the Mound was almost a twin of Silbury Hill and therefore belonged to the extraordinary assembly of prehistoric monuments centred on Stonehenge. For the medieval period, this book brings together for the first time all that we know about the castle from the royal records and from chronicles. These show that it was for a time one of the major royal castles in the land. Most of the English kings from William I to Edward III spent time here. For Henry III and his queen Eleanor of Provence, it was their favourite castle after Windsor. It marks the end of the first stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research. As to its final form as a garden mound next to the house of the dukes of Somerset, in the eighteenth century, this emerges from letters and even poems, and from the recent restoration. Much of this has been slow and painstaking work, however, involving the removal of the trees which endangered the structure of the Mound, the recutting of the spiral path and the careful replanting of the whole area with suitable vegetation. By doing this, the shape of the Mound as a garden feature has re-emerged, and can now be seen clearly. This book marks the end of the first stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research.

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Today Kensington Palace is synonymous with young royals; it is the official home of TRH The Duke and Duchess of Cambridge and their family, and of TRH The Duke and Duchess of Sussex. It is also famous for being the residence of Diana, Princess of Wales, during the last years of her life, and visitors still flock to the palace to learn about her story. But the history of Kensington stretches back much further. It boasts more than three centuries of continuous royal occupation, making it unique among the Historic Royal Palaces. Formerly a private house enlarged by Christopher Wren in the late 17th century to suit the needs of William and Mary, Kensington Palace was the favoured home of five sovereigns until the death of George II in 1760. Even after its conversion into a royal residence, the palace remained a rather unprepossessing building, fashioned out of reddish-grey brick. However, this belied its architectural significance, for it was shaped and decorated by some of the country's leading architects, artists, craftsmen and designers, and is now a major national monument. The palace's social and political significance is arguably even greater. Kensington has played host to some of the most important personalities and events in the long history of the royal family. It was the birthplace and childhood home of Queen Victoria, and it was here that she held her first council meeting as monarch in 1837. During the previous century, Kensington had been divided into apartments for the younger generation of royals - an arrangement that continues today. From the late 19th century onwards, it became a visitor attraction, a museum and home to the Royal Ceremonial Dress Collection. Today the palace attracts more than 400,000 visitors a year. In this new illustrated account, Tracy Borman tells the fascinating story of Kensington from private residence to modern-day royal palace, describing not only the development of the building and its magnificent gardens, but also the dramas and intrigues of court life. Its history is set against a backdrop of events that shaped both Britain and its monarchy: from the Jacobite uprisings of the mid-18th century to the rise of industrialisation in the 19th, and the turbulence of world war in the 20th. Here, in the domestic surrounds of the palace, the monarchy evolved and modernised in tandem with the times. The story of Kensington Palace is, in short, the story of the modern monarchy. AUTHOR: Tracy Borman is joint Chief Curator of Historic Royal Palaces. She has worked for various national heritage organisations, including the Heritage Lottery Fund, the National Archives and English Heritage. An acclaimed writer and historian 200 illustrations, 1 plan

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With a career spanning more than five decades, Ian McKeever is one of Britain’s most senior artists working on the international stage. This publication documents the Henge paintings – a series started in 2017 and completed over the course of five years, inspired by prehistoric standing stones in the county of Wiltshire, England, and continuing the artist’s long-standing investigation into the languages and possibilities of abstract painting.Comprising thirty paintings along with numerous works on paper, the genesis of the series was a visit by McKeever to the world-famous neolithic site in the village of Avebury in 2016, where he took black and white photographs of the large stones that form three discrete circles: two smaller ones contained within the largest. Erected some 4500 years ago, Avebury is the largest stone circle in Britain, and forms part of what English Heritage asserts to be ‘a set of neolithic and Bronze Age ceremonial sites that seemingly formed a vast sacred landscape.’Art historian and curator Paul Moorhouse, in his essay commissioned for the publication, describes how McKeever ‘framed each megalith in close-up, their edges visible at the extremity of the resulting images,’ explaining how ‘the experience of moving around Avebury and responding to the huge stones’ monumental presence made an abiding impression that resonated with deep-seated preoccupations.’ McKeever’s resulting body of work is an earnest and considered exploration into how paint can convey universal forces and properties such as mass, gravity and time, and how colour, texture and abstraction can converse with three-dimensional space, form and materiality.The relationship between painting and sculpture in McKeever’s work is discussed by means of an in-conversation between the artist and Dr Jon Wood. ‘My interest in alluding to early megalithic sites in titling the group of paintings Henge paintings,’ says McKeever, ‘was in touching that deeper sense of time, time’s weight, so to speak. How to imbue a painting with its own weight of time, forsake the immediacy of the here and now.’Designed and produced by Tim Harvey, the publication has been printed by Narayana Press in Odder, Denmark. It is published by Anomie, London, with support from Galleri Susanne Ottesen, Copenhagen, and Heather Gaudio Fine Art, New Canaan, Connecticut. The publication accompanies exhibitions of selected works from the Henge paintings at both galleries in 2022.Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003. He has held several teaching positions including Guest Professor at the Städel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting.Recent public solo exhibitions include Ian McKeever / Tony Cragg – Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Paintings 1992–2018, Ferens Art Gallery, Hull, UK (2018); Hours of Darkness, Hours of Light, Kunstmuseet i Tønder, Denmark (2015); Between Darkness and Light, National Gallery of the Faroe Islands, Tórshavn, Faroe Islands (2015); Hours of Darkness, Hours of Light, Kunst-Station Sankt Peter Köln, Cologne, Germany (2014); and Hartgrove. Malerei und Fotografie, Josef Albers Museum, Bottrop, Germany (2012). McKeever’s work is represented in leading international public collections, including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst (mumok), Vienna; Museum of Fine Arts, Budapest; Louisiana Museum of Modern Art, Humlebæk; Glyptotek, Copenhagen; Museum of Contemporary Art, Helsinki; Brooklyn Museum of Art, New York; Metropolitan Museum of Art, New York; Boston Museum of Fine Art and Yale Center for British Art, Connecticut.

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