Search results for ""Broadview Press""

The concept and values of wilderness, along with the practice of wilderness preservation, have been under attack for the past several decades. In Rethinking Wilderness, Mark Woods responds to seven prominent anti-wilderness arguments. Woods offers a rethinking of the received concept of wilderness, developing a positive account of wilderness as a significant location for the other-than-human value-adding properties of naturalness, wildness, and freedom. Interdisciplinary in approach, the book combines environmental philosophy, environmental history, environmental social sciences, the science of ecology, and the science of conservation biology.

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Logical Options introduces the extensions and alternatives to classical logic which are most discussed in the philosophical literature: many-sorted logic, second-order logic, modal logics, intuitionistic logic, three-valued logic, fuzzy logic, and free logic. Each logic is introduced with a brief description of some aspect of its philosophical significance, and wherever possible semantic and proof methods are employed to facilitate comparison of the various systems. The book is designed to be useful for philosophy students and professional philosophers who have learned some classical first-order logic and would like to learn about other logics important to their philosophical work.

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The Rebel of the Family (1880) is the first New Woman novel by Eliza Lynn Linton. Perdita Winstanley, the novel’s protagonist, struggles to balance the competing demands of her snobbish, conservative mother and sisters, her radical friends in the women’s rights movement, and an admirable but low-born chemist and his family. The Rebel of the Family also includes what is perhaps the first literary portrait of the late-Victorian lesbian community in London, featuring Bell Blount and her “little wife” Connie. This Broadview edition includes a critical introduction and appendices that help to set the work in its historical and literary contexts.

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The Monk is the most sensational of Gothic novels. The main plot concerns Ambrosio, an abbot of irreproachable holiness, who is seduced by a woman (or perhaps a demon) disguised as a novice, and who goes on to sell his soul to the Devil. An extravagant blend of sex, death, politics, Satanism, and poetry, the work greatly appealed to the Marquis de Sade.The Broadview edition includes a critical introduction and appendices of historical materials that address the novel's literary sources (in English, German, and Greek literature), historical contexts (the French Revolution, slavery and abolition debates, sexuality), critical reception, and influence.

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One of Joseph Conrad’s greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as ‘Tuan Jim.’ Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized.This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad’s source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

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There are numerous introductions to poetry and prosody available, but none at once so comprehensive and so accessible as this. With the increasing emphasis on free verse, the past generation has developed a widespread impression that the study of poetic meter is old fashioned—or even that form ‘doesn’t matter’ in poetry. It is an impression that has not been dispelled by the emphasis of some of the existing texts in the area on forms that are now rare or outmoded. The irony is that simultaneously in the past decade interest in formal matters among many poets and literary scholars has been on the increase; the reality is that prosody is today on the cutting edge of literary studies.Stephen Adams’ text provides a full treatment of traditional topics, from the iambic pentameter through other accentual-syllabic rhythms (trochaic, dactylic and so on) and covering as well other metrical types, stanza structure, the sonnet and other standard forms. Adams also includes a variety of topics not covered in most other introductions to the topic; perhaps most significantly, he provides a full chapter on form in free verse. Moreover, he treats rhyme extensively and includes a comprehensive chapter on literary figures. Poetic Designs is thus much more that an introduction to prosody; it is a concise but comprehensive introduction to the nature of poetry in English. It is a book for the general reader and the aspiring writer as well as for the student, a book intended (in the words of the author) to help ‘heighten the experience of poetry.’

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The Broadview Anthology of Victorian Poetry and Poetic Theory is the most comprehensive collection of poetry from the period ever published. Included are generous selections from the work of all major poets, and a representation of the work of virtually every poet of significance, from Thomas Ashe at the beginning of the era to Charlotte Mew at its end. The work of Victorian women poets features very prominently, with extensive selections not only from canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, but also from poets such as Augusta Webster for which high claims have recently been made by critics. The anthology reflects (and will contribute to) the ongoing reassessment of the canon that is central to English Studies today; in all, sixty-six poets are represented.The editors have included complete works wherever feasible — including the complete texts of Tennyson’s In Memoriam and of a number of other long poems. A headnote by the editors introduces the work of each poet, and each selection has been newly annotated.The inclusion of twenty-five selections of the poetic theory from the period is an important feature rounding out the anthology.This anthology is also available in a concise edition.

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In 1906, two years after the appearance of her best-known novel, The Imperialist, Duncan published its darker twin, an Anglo-Indian novel which returns to political themes but with a deeper and more clinical irony than in her previous work. Set in Authority is about illusions: the imperial illusions of those who rule and are ruled; the illusions of families about their members; the illusions of men and women about each other. The setting moves between the political drawing rooms of London and the English station at Pilaghur in the province of Ghoom, where the murder of a native by an English soldier changes the lives of a cast of ruthlessly observed characters.Duncan, who grew up in Ontario, led a remarkably varied life, working as a political correspondent (writing for the Washington Post, the Toronto Globe and the Montreal Star) and living in India for over twenty years. She is increasingly being regarded as deserving of a place among the first rank of nineteenth- and early twentieth-century novelists; the re-publication of Set in Authority will do nothing to dispel that view.

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The Discourse on the Method for Reasoning Well and for Seeking Truth in the Sciences offers a concise presentation and defense of René Descartes' method of intellectual inquiry - a method that greatly influenced both philosophical and scientific reasoning in the early modern world. Descartes's timeless writing strikes an uncommon balance of novelty and familiarity, offering arguments concerning knowledge, science, and metaphysics (including the famous ""I think, therefore I am"") that are as compelling in the 21st century as they were in the 17th.Ian Johnston's new translation of the original French text is modern, clear, and thoroughly annotated, ideal for readers unfamiliar with Descartes' intellectual context. An approachable introduction engages both the historical and the philosophical aspects of the text, helping the reader to understand the concepts and arguments contained therein.

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How much should we trust the polls on the latest electoral campaign? When a physician tells us that a diagnosis of cancer is 90% certain or a nutritionist tells us what is healthy to eat, what should we believe? Questions such as these are greatly important, yet many of us have only a vague sense of how to answer them. In Is That a Fact?, Mark Battersby aims not only to explain how to identify misleading statistics and research, but also to give readers the understanding necessary to evaluate and use statistical information in their own decision making. This second edition is revised and updated throughout and includes a new chapter on weighing risk in personal and public decision making.

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Book History has emerged as one of the most exciting new interdisciplinary fields of study in the humanities. By focusing on the production, circulation and reception of the book in all its forms, it has transformed the study of history, literature and culture. The Broadview Book History Reader is the most complete and up-to-date introduction available to this area of study.The reader reprints 33 key essays in the field, grouped conceptually and provided with headnotes, explanatory footnotes, an introduction, a chronology, and a glossary of terms.

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Composed in French in twelfth-century England, these twelve brief verse narratives center on the joys, sorrows, and complications of love affairs in a context that blends the courtly culture of tournaments and hunting and otherworldly elements such as self-steering boats, shape-shifting lovers, and talking animals. Popular with readers across countries and languages since their composition, the Lais have made their author, Marie, one of the most famous women writers of the Middle Ages, renowned for her brilliant use of language and cultural allusion as well as her keen eye for human behavior.This new edition provides a complete facing-page edition with the original text alongside a new modern English translation. A single manuscript, Harley 978, is used as the copy text. Appendices include contemporary literature on love, animals, and courtly life, as well as a list of textual variants in other manuscripts.

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This volume includes the text of Twelfth Night as prepared and annotated by David Swain for The Broadview Anthology of British Literature, and is accompanied by the excellent introduction and supplementary materials from the anthology. The diverse and extensive appendices acquaint readers with Shakespeare’s sources and contextualize the play within Elizabethan society. The appendices include an excerpt from Barnabe Riche’s “Of Apollonius and Silla,” Shakespeare’s primary source of inspiration for the play; selections from Galen, Plato, and others illustrating Elizabethan attitudes toward gender and sexuality; excerptions illuminating contemporary moral discomfort with the theatre, such as Philip Stubbes’s “Of Stage-plays and Interludes, with their wickedness”; and pieces on music and duelling that illustrate cultural conventions important to the interpretation of Twelfth Night.This is one of several Broadview Anthology of British Literature Editions being released this year; those wishing to teach the text will have the option of including the convenient stand-alone book as part of a specially-priced shrink-wrapped package together with a volume of the anthology.

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Robinson Crusoe is one of the most famous literary characters in history, and his story has spawned hundreds of retellings. Inspired by the life of Alexander Selkirk, a sailor who lived for several years on a Pacific island, the novel tells the story of Crusoe's survival after shipwreck on an island, interaction with the mainland's native inhabitants, and eventual rescue. Read variously as economic fable, religious allegory, or imperialist fantasy, Crusoe has never lost its appeal as one of the most compelling adventure stories of all time.In addition to an introduction and helpful notes, this Broadview Edition includes a wide range of appendices that situate Defoe's 1719 novel amidst castaway narratives, economic treatises, reports of cannibalism, explorations of solitude, and Defoe's own writings on slavery and the African trade. A final appendix presents images of Crusoe's rescue of Friday from a dozen of the most significant illustrated editions of the novel published between 1719 and 1920.

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This is a new critical edition of Berkeley’s 1734 (third edition, first 1713) Three Dialogues, a text that is deservedly one of the most challenging and beloved classics of modern philosophy. The heart of the work is the dispute between materialism and idealism, two fundamentally opposed positions that are embodied by Hylas and Philonous, the characters in this philosophical drama. The book is packed with brilliant arguments and counter-arguments of an extraordinarily sophisticated nature. Amid all this philosophical swordplay one would think that there could be scant room for the characters to develop any sort of personality. Yet in Berkeley’s hands, and with his literary gifts, the interlocutors are both vivid and funny.The dialogue deals with some of the most important perennial problems of philosophy, including: the materialism-idealism dispute, skepticism in rationalist and empiricist epistemology, the conflict over apriorism and aposteriorism, rationalism versus empiricism, the existence and nature of God, the philosophy of science, philosophy of mathematics, abstract general ideas, the role of perception in human knowledge, and the metaphysics of causation.This edition combines a usefully annotated version of Berkeley’s complete original text with a substantial critical introduction, a chronology of events in Berkeley’s life and career, and supplementary annotated appendices of original sources from thinkers relevant to Berkeley’s work.

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The Basset Table follows the fortunes of Lady Reveller, who runs a table where her friends play the card game basset, and her struggle to avoid marrying Lord Worthy. Meanwhile, Lady Reveller's cousin, Valeria, spends her time conducting scientific experiments and dissections, but her father intends to marry her off to the bluff sea-captain Hearty. How can Lady Reveller be persuaded to forego the delights of gambling? And how can Valeria avoid an unwanted marriage? This witty play paints a seductive picture of the thrills of the Restoration gaming table and challenges contemporary stereotypes of the learned lady.Appendices to this Broadview Edition include materials on female education, gambling, and writing for the stage, as well as eighteenth- and nineteenth-century critical writing on Centlivre and The Basset Table.

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Born to a petty thief in London’s notorious Newgate prison and determined to make her way in a rapacious and materialistic society, Moll Flanders recounts the “fortunes and misfortunes” of her turbulent life in this 1722 novel. Though Moll Flanders was shaped by the conventions of criminal biography, Defoe also drew on other literary traditions and his own rich background to create a remarkably original—and still controversial—work. In addition to a critical introduction and substantial footnotes, this Broadview edition provides a wide range of writings by Defoe as well as contemporary responses to Moll Flanders. Other appendices include a selection of eighteenth-century writings on crime, prisons, and the Virginia colony.

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Increasingly Aphra Behn—the first woman professional writer—is also regarded as one of the most important writers of the 17th century. The Rover, her most famous and most accomplished play, is in many ways firmly in the tradition of Restoration drama; Willmore, the title character, is a rake and a libertine, and the comedy feeds on sexual innuendo, intrigue and wit. But the laughter that the play insights has a biting edge to it and the sexual intrigue an unsettling depth. Anne Russell points out in her introduction to this edition, there are three options for women in the society represented in The Rover: marriage, the convent, or prostitution. In this marriage economy the witty and pragmatic virgin Hellena learns how to survive, while the prostitute Angellica Bianca can retain her autonomy only so long as she remains free from romantic love. It seems that in this world women can only be free by the anonymity of disguise—yet the mask is also the mark of the prostitute. And, paradoxically, disguise is the device that in many ways drives the plot towards marriage.Enormously popular through the eighteenth century, The Rover is now once again widely performed. Filled with the play of ideas, it is one of the most amusing, entertaining—and unsettling—of comedies.

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Delarivier Manley is increasingly coming to the fore as a prominent figure in early eighteenth-century fiction, and The Adventures of Rivella in particular has been attracting attention not only as an important example of amatory fiction, but also as an early autobiographical novel. At one level, Sir Charles Lovemore tells the story of Rivella’s life to his friend, the Chevalier d’Aumont; at another, Manley uses the male persona to portray herself as an unrivalled literary goddess of love, repudiating conventional equations of woman, writer, and whore, and refusing to confuse chastity with moral integrity.

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Using Beaumont’s classic story as a touchstone, this work shows how “Beauty and the Beast” takes on different meanings as it is analyzed by psychologists, illustrated in picture books, adapted to the screen, and rewritten by contemporary writers.The Meanings of “Beauty and the Beast” provides expert commentary on the tale and on representative critical approaches and contemporary adaptations. This book also includes a variety of original source materials and twenty-three colour illustrations.The Meanings of “Beauty and the Beast” is for any reader who wishes to explore this classic, endlessly rich fairy tale.

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Anatomy of a Liberal Victory: Making Sense of the Vote in the 2000 Canadian Election provides a compressive account of the factors that led Canadians to vote the way they did in the Fall 2000 Canadian election, which resulted in a third consecutive Liberal majority government. The book explains the overall impact that these factors had on how well or poorly each of the parties did in the election. The authors address in particular the following questions: Why was turnout so low? What were Canadians' perceptions of the economy and how much impact did these perceptions have on vote choice? What were voters' opinions on the major issues of the day and did these opinions affect their decision on election day? What did voters think of the leaders and how much weight did these evaluations have on their choice? The study is based on mass surveys, involving more than 3,000 respondents, conducted both during the campaign and after the election. It also draws on a detailed content analysis of the parties' messages and nightly news broadcasts throughout the campaign and its aftermath. Academics please note that this is a title classified as having a restricted allocation of complimentary copies; complimentary copies remain readily available to adopters and to academics very likely to adopt this title in the coming academic year. When adoption possibilities are less strong and/or further in the future, academics are requested to purchase the title at an academic discount, with the provison that University of Toronto Press will happily refund the purchase price (with or without a receipt) if the book is indeed adopted.

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International Economics in the Age of Globalization provides the intellectual basis for an understanding of the increasingly integrated world economy. The requisite background is not solely economic theory, but includes the history and the purposes and workings of the organizations, laws, instruments, and customary practices in the international economy. Economic theory is not limited to the abstract; its concern with institutions has both a practical and theoretical base. How can one evaluate a criticism of the World Trade Organization, a fear of the dangers of financial derivatives, the supposed freedom of a multinational firm, or the presumed unfairness of dumping without knowing both theory and institutions? Where did these institutions come from? What problems are they solving-as well as creating? This book's balance between theory and institutions is akin to texts in Public Expenditure or Money and Banking. The leading international economics texts, in contrast, push the real world into the background and present the subject as a more specialized intermediate theory course, accessible only to people who have a solid theoretical background. The result is that good discussions of many of the key issues in modern international economics simply are not available in the curriculum, or accessible to any but economics majors. This book aims to remedy that failing, challenging economics majors and non-majors alike. It will also be of value to students of business and public affairs and to the economic-literate general public.

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"Gender", as an idea or concept "defines the feminist critical project." It is in the spirit of this project that Barbara Marshall undertakes a critical examination of gender as a constitutive category, not only in feminist social theory but also in recent political debates. This brief book focuses on how the idea of gender has developed both in scholarship and in the public mind, for the notion of gender has, as the author notes, "taken up residence in the public consciousness, and become one of the lenses through which we seek to understand ourselves and our everyday lives, as well as to comprehend the public issues of the day." Gender has become a critical social fact but a fact (like all such facts) constantly reconstituted as those who fight the social issues through which it travels, adopt it for their own purpose. Feminists have defined critiques of patriarchal society according to their understanding of gender divisions. In so doing, they have also critiqued more traditional liberal and Marxist theories for their blind spots with respect to gender. In turn, Western feminists have been challenged by a new and diverse range of voices that have entered the conversation more recently. Others have deployed the idea of gender to undermine feminist politics, rendering gender a pejorative term for those in dissident feminist, anti-feminist, or conservative circles. Marshall also sets the politicization of gender in a larger context, examining the ways in which gender is continually reconstructed in global processes of economic and political change. She concludes with an attempt to reassess the status of gender as a key concept for both feminist and sociological analysis and suggests strategies for reconfiguring our understanding of gender in a more contextualized and pragmatic way.

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In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field.The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes.In the revised third edition of this volume, the term 'Anglo-Saxon' has been removed from our editorial apparatus - a change made in response to recent scholarly work that has drawn attention to the term's historical and current usage by white supremacists. We have also taken the opportunity to implement a small number of additional improvements. We have also taken the opportunity to implement a small number of additional improvements; the pagination, however, remains the same.

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This book gives students an answer to the question, “What does my professor want from this essay?” Using a single poem by William Carlos Williams as the basis for the process of writing a paper, it walks students through the processes of reading, brainstorming, researching secondary sources, gathering evidence, and composing and editing the paper.Writing Essays About Literature is designed to strengthen argumentation skills and deepen understanding of the relationships between the reader, the author, the text, and critical interpretations. Its lessons about clarity, precision, and the importance of providing evidence will have wide relevance for student writers. The second edition has been updated throughout and provides three new complete sample essays showing varying approaches to the final essay.

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Based on historical events, Tolstoy's beloved final novella tells the story of the rebel leader Hadji Murat-whom Tolstoy described as 'the leading daredevil of the Caucasus'-and of the precarious alliance he forged with his enemies during his final days. Set during the Russian conquest of the Caucasus in the 1850s and expressing empathy for the resistance of the native peoples of Dagestan and Chechnya, Hadji Murat raises significant questions of power, imperialism, and betrayal, and remains moving and relevant today. This richly annotated edition features a selection of illuminating background materials that help situate the novella in its historical and literary context.

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Universally recognized today as one of the most important and influential Americans of the nineteenth century, Frederick Douglass rose to prominence in the national abolitionist movement before and during the Civil War by virtue of the vividness and power with which, drawing on his personal experiences of enslavement and freedom, he spoke and wrote against American slavery and he continued to propound his vision of an America that would afford freedom, equality, and opportunity to all long after slavery was formally abolished. This edition offers a selection of Douglass's most significant writing and oratory from throughout his long career, including the complete texts of Narrative of the Life of Frederick Douglass, an American Slave, which has become a classic example of the slave narrative genre, and The Heroic Slave, Douglass's only published work of fiction, together with excerpts from Douglass's other autobiographical writings and key speeches he gave both before and after the Civil War. The edition also provides clear and thorough annotations for the assistance of the student reader and a range of contextual materials, including responses to Douglass's Narrative and photographs of Douglass. As an introduction to Douglass's life and work that balances breadth and concision, this edition is well suited for a variety of undergraduate courses in American history and literary studies. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts.

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Pop Culture for Beginners promotes reflective engagement with the world around us and provides a set of tools for thinking critically about how meaning is created, reinforced, and circulated. Privileging a semiotic approach, the book’s first part, “The Pop Culture Toolbox,” outlines the development of pop culture studies; explains the semiotic framework; introduces students to a variety of critical lenses including Marxism, feminism, postcolonialism, and Critical Race Theory; and then offers an overview of several pop culture “pivot points” including authenticity, convergence culture, intersectionality, intertextuality, and subculture. The book’s second part provides a series of units, prepared in consultation with subject area experts, built around topics central to popular culture studies: television and film, music, comics, gaming, social media, and fandom. Each chapter includes “Your Turn” activities and discussion questions, as well as possible assignments and suggestions for further reading. The unit chapters in part two also include enabling questions as beginning points for thinking critically and sample readings demonstrating relevant scholarly approaches to popular culture; important vocabulary terms throughout are included in a substantive glossary at the end.

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Written in an encouraging and accessible way, this textbook is about how to compose with sound—to make powerful soundwriting like podcast episodes, audio essays, personal narratives, and documentaries. Using ideas and language from rhetoric and writing studies as well as the authors’ personal experiences with soundwriting, this book teaches soundwriters how to approach the world with a listening ear and body, determine a writing process that feels right, target the perfect audience, use such rhetorical tools as music and sound effects, and work in an audio editor. The many exercises throughout the book and the supportive resources on the companion website will further help budding makers to strengthen their skills and their understanding of what it takes to make compelling audio projects.

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Grammar by Diagram is a book designed for anyone who wishes to improve grammatical understanding and skill. Using traditional sentence diagraming as a visual tool, the book explains how to expand ten basic patterns for simple sentences into compound, complex, and compound-complex sentences, and how to employ verbals (infinitives, gerunds, and participles), other specialized structures, and even punctuation for additional versatility. The Grammar by Diagram Workbook provides practice exercises to accompany each chapter, including cumulative exercises with which students can check their progress at key points, a summary of concepts for each chapter, and a complete answer key.

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This Language, A River is an introduction to the history of English that recognizes multiple varieties of the language in both current and historical contexts. The book aims to enable students to both grasp traditional histories of English, and to extend and complicate those histories. Exercises throughout provide opportunities for puzzling out concepts, committing terms and data to memory, and applying ideas. A comprehensive glossary and up-to-date bibliographies help to guide further study.This accompanying workbook includes exercises keyed to each chapter of the textbook. Exercises are graded into beginning, intermediate and advanced groupings, which will aid in making the textbook appropriate for different levels of students.

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Reading Children’s Literature: A Critical Introduction offers insights into the major discussions and debates currently animating the field of children's literature. Informed by recent scholarship and interest in cultural studies and critical theory, it is a compact core text that introduces students to the historical contexts, genres, and issues of children’s literature. A beautifully designed and illustrated supplement to individual literary works assigned, it also provides helpful apparatus that makes it a complete resource for working with children’s literature both during and after the course.The second edition includes a new chapter on children's literature and popular culture (including film, television, and merchandising) and has been updated throughout to reflect recent scholarship and new offerings in children’s media.

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Joining the Dialogue offers an exciting new approach for teaching academic research writing to introductory students by drawing on communication ethics. Holding to the current view that academic writing means situating ourselves in a research community and learning how to join the research conversations going on around us, Joining the Dialogue proposes that how we engage in dialogue with other researchers in our community matters. We not only read, acknowledge, and build on the research of others as we compose our work; we also engage openly, attentively, critically, and responsively to their ideas as we articulate our own. With this in mind, Joining the Dialogue is geared to helping students discover the key ethical practices of dialogue-receptivity and responsivity-as they join a research conversation. It also helps students master the dialogic structure of research essays as they write in and for their academic communities. Combining an ethical approach with accessible prose, dialogic structures and templates, practical exercises, and ample illustrations from across the disciplines, Joining the Dialogue not only teaches students how to write research essays, but how to write those essays ethically as a dialogue with other researchers and readers.

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The Philebus is the only Platonic dialogue that takes as its central theme the fundamental Socratic question of the good, understood as that which makes for the best or happiest life. It offers an extended psychological and epistemological investigation of such topics as sensation, memory, desire, anticipation, the truth and falsity of pleasures, and the types and gradations of knowledge, as well as a methodological exposition of dialectic and a metaphysical schema—found nowhere else in the dialogues—that is intended to illuminate the nature of mixture. In its interweaving of ethical, metaphysical, and epistemological issues, the Philebus offers a unique opportunity to assess the relation of these topics in Plato’s mature thought and so to gain insight into his philosophical vision as a whole. This edition also includes parallel passages from other Platonic dialogues and related material from Aristotle, the Stoics, and Epicurus.

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Writing Science in the Twenty-First Century offers guidance to help writers succeed in a broad range of writing tasks and purposes in science and other STEM fields. Concise and current, the book takes most of its examples and lessons from scientific fields, such as the life sciences, chemistry, physics, and geology, but some examples are taken from mathematics and engineering. The book emphasizes building confidence and rhetorical expertise in fields where diverse audiences, high ethical stakes, and multiple modes of presentation present unique writing challenges. Using a systematic approach—assessing purpose, audience, order of information, tone, evidence, and graphics—it gives readers a clear road map to becoming accurate, persuasive, and rhetorically savvy writers.

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Since antiquity, opposed concepts such a s t he One and the Many, the Finite and the Infinite, and the Absolute and the Relative, have been a driving force in philosophical, scientific, and mathematical thought. Yet they have also given rise to perplexing problems and conceptual paradoxes which continue to haunt scientists and philosophers. In Oppositions and Paradoxes, John L. Bell explains and investigates the paradoxes and puzzles that arise out of conceptual oppositions in physics and mathematics. In the process, Bell not only motivates abstract conceptual thinking about the paradoxes at issue, he also offers a compelling introduction to central ideas in such otherwise-di¬ cult topics as non-Euclidean geometry, relativity, and quantum physics.These paradoxes are often as fun as they are flabbergasting. Consider, for example, the Tristram Shandy paradox: an immortal man composing an autobiography so slowly as to require a year of writing to describe each day of his life—he would, if he had infinite time, never complete the work, although no individual part of it would remain unwritten … Or imagine an English professor who time-travels back to 1599 to offer a printing of Hamlet to William Shakespeare, so as to help the Bard overcome writer’s block and author the play which will centuries later inspire an English professor to travel back in time … These and many other of the book’s paradoxes straddle the boundary between physics and metaphysics, and demonstrate the hidden difficulty of many of our most basic concepts.

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From the predatory same-sex desire in “Carmilla” to the ghostly hallucinations in “Green Tea,” the five supernatural stories in In a Glass Darkly reflect a profound and deeply disturbing uncertainty about the nature of humanity. Originally published separately in magazines, the stories are framed and linked in this collection as case notes in the papers of the fictional Dr. Hesselius. Sheridan Le Fanu’s approach to the supernatural reworks traditional Irish oral storytelling and combines it with nineteenth-century adaptations of the eighteenth-century Gothic novel. Appendices include Le Fanu’s correspondence about the stories, posthumous assessments of his life and work, and twentieth-century critical commentaries by M.R. James and Elizabeth Bowen. Engravings from the original serial publications of several stories are also included.

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In April 1888, Friedrich Engels wrote a letter to the English novelist and journalist Margaret Harkness, expressing his appreciation for her first novel, A City Girl: A Realistic Story, and calling it “a small work of art.” A City Girl was one of many slum novels set in the East End of London in the 1880s. It tells the story of a young East Ender, Nelly Ambrose, who is seduced and abandoned by a middle-class politician. After the birth of her child and betrayal by her family, Nelly is rescued by two outside forces: the Salvation Army and a sympathetic local man, George, who marries her despite her “fallen” status. While Nelly’s relative passivity and social ignorance distinguishes her from contemporary New Woman heroines, Harkness’s sympathy for Nelly’s position and refusal to judge her morally make A City Girl a fascinating and original novel.This Broadview Edition includes contemporary reviews of A City Girl along with historical documents on London’s East End, fallen women in late-Victorian fiction, and reform organizations for East End women.

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Socrates, one of the first of the great philosophers, left no written works. What survives of his thought are second-hand descriptions of his teachings and conversations—including, most famously, the accounts of his trial and execution composed by his friend, student, and philosophical successor, Plato. In Euthyphro, Socrates examines the concept of piety and displays his propensity for questioning Athenian authorities. Such audacity is not without consequence, and in the Apology we find Socrates defending himself in court against charges of impiety and corruption of the youth. Crito depicts Socrates choosing to accept the resulting death sentence rather than escape Athens and avoid execution. All three dialogues are included here, as is the final scene of Phaedo, in which the sentence is carried out.

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The Broadview Anthology of British Satire, 1660-1750 provides instructors and students with a thorough introduction to the highpoint of British literary satire. Reflecting current pedagogical practice and scholarship, the anthology presents works by thirty satirists, including eleven women. The contents are expansive: they include canonical, frequently taught texts, less anthologized works by major satirists, and works by writers who have been traditionally excluded from anthologies. Biographical headnotes, crisp footnotes, and carefully edited texts make the book suitable for use in both undergraduate and graduate classrooms. By turns raucous, piercing, acerbic, winking, vexatious, and sly, the satires in the anthology will provoke fresh, dynamic approaches to this crucial literary period.

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In his autobiography, David Hume famously noted that A Treatise of Human Nature “fell dead-born from the press.” Yet it is now widely regarded as one of the greatest philosophical works written in the English language. Within, Hume offers an empirically informed account of human nature, addressing a range of topics such as space, time, causality, the external world, personal identity, passions, freedom, necessity, virtue, and vice. This edition includes not only the full text of the Treatise but also Hume’s summarizing Abstract, as well as selections drawn from critical book reviews which showcase the work’s reception in Hume’s own time. Angela Coventry’s expert introduction and annotations serve to contextualize the book’s themes and arguments for modern readers.

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D.L. Macdonald and Kathleen Scherf’s edition of Frankenstein has been widely acclaimed as an outstanding edition of the novel—for the general reader and the student as much as for the scholar. The editors use as their copy-text the original 1818 version, and detail in an appendix all of Shelley’s later revisions. They also include a range of contemporary documents that shed light on the historical context from which this unique masterpiece emerged. New to this edition is a discussion of Percy Shelley’s role in contributing to the first draft of the novel. Recent scholarship has provoked considerable interest in the degree to which Percy Shelley contributed to Mary Shelley’s original text, and this edition’s updated introduction discusses this scholarship. A new appendix also includes Lord Byron’s “A Fragment” and John William Polidori’s The Vampyre, works that are engaging in their own right and that also add further insights into the literary context of Frankenstein.

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The first edition of The Morality of War was one of the most widely-read and successful books ever written on the topic. In this second edition, Brian Orend builds on the substantial strengths of the first, adding important new material on: cyber-warfare; drone attacks; the wrap-up of Iraq and Afghanistan; conflicts in Libya and Syria; and protracted struggles (like the Arab-Israeli conflict). Updated and streamlined throughout, the book offers new research tools and case studies, while keeping the winning blend of theory and history featured in the first edition. This book remains an engaging and comprehensive examination of the ethics, and practice, of war and peace in today’s world.

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Marvelous Transformations is an anthology of tales and original critical essays that moves beyond canonized “classics” and old paradigms, documenting the points of historical connection between literary tales and field-based collections.This innovative anthology reflects current interdisciplinary scholarship on oral traditions and the cultural history of the print fairy tale. In addition to the tales, original critical essays, newly written for this volume, introduce readers to differing perspectives on key ideas in the field.

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