Search results for ""British Museum Press""

Displaying the beauty and skill of Chinese ink paintings through a selection of highlights from the British Museum's collection, Modern Chinese Ink Paintings features hanging scrolls, hand scrolls, large-scale paintings and album leaves to explore the innovative contributions of individual masters from the twentieth and twenty-first centuries.

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Cats were first domesticated – or, more likely, noticed a warm fireside and chose to domesticate themselves – many thousands of years ago. Over the centuries they have performed a useful role as pest controllers, but much more as friends and companions of humans. Cats have always inspired writers and artists. They appear in Egyptian papyri and tomb paintings, in Roman mosaics, in Japanese prints, in Old Master drawings and engravings. At different times and places they have been worshipped, mummified, associated with superstition and black magic, and bred as domestic pets. This delightful illustrated anthology includes a selection of the many poems, anecdotes and quotations about cats which have been written over the centuries: the charming, the funny, the sad, the exasperated, and the heartfelt. In a fresh new paperback format with a selection of new images, this is an irresistible gift for anyone who likes cats.

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The fragile beauty of glass has ensured its popularity through the ages in forms ranging from simple beakers to ornate decorative masterpieces. This beautifully illustrated book traces the story of glass from its origins in Mesopotamia some 5000 years ago, to the creation of the elegant vessels of the Islamic Near East, the superb mastery of Renaissance Venice and the creation of modern glassware for daily use.

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The ultimate picture book – packed with wonderful, quirky, amusing and delightful images from the British Museum. There is no text at all: the pictures, and combinations of pictures, speak for themselves. This makes the book accessible to all ages. Young children will enjoy examining and talking about the pictures; even adult visitors familiar with the museum’s galleries will find much to surprise and entertain them. Every reader is likely to be surprised at the breadth and variety of images, all of which come from the British Museum.

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The British Museum is the most magnificent treasure-house in the world. The wealth and range of its collections is unequalled by any other national museum. The Rosetta Stone, the Parthenon sculptures, Egyptian mummies, drawings by Botticelli and Michelangelo, Assyrian reliefs, the Lewis Chessmen and the Sutton Hoo treasure are all to be found here. Treasures of the British Museum reveals and delights the reader with the intriguing stories behind these treasures and many more. This timely new edition brings the story up to date, with chapters on important acquisitions made by the Museum in the last fifteen years, including the Warren Cup and the ‘Queen of the Night’. A beautiful redesign incorporating full colour photography throughout gives this classic volume a fresh new look.

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For nearly three hundred years, the Vikings set out on voyages from Scandinavia reaching every corner of the northern world. As raiders, traders, explorers and colonizers, they had a profound impact on those cultures with which they came into contact. The archaeological evidence of their settlements, burials and hoards, as well as the literature of their later sagas reveal a complex and fascinating culture.The Vikings represent a dramatic time in the history of northern Europe and their legacy forms an important part of the cultural heritage of Britain and Ireland. This book explores Viking raids, conquest and settlement across these islands from the end of the eighth century to the raids of Magnus Barelegs, king of Norway, around 1100, examining their impact, their towns and society, language, trading activities and beliefs.Written by three authors specializing in a range of disciplines, and drawing on the superb collection of the British Museum, together with finds, sites and monuments, The Vikings in Britain and Ireland is a well-illustrated introduction to the culture, daily life and times of the Vikings, and their legacy which is still visible today.

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Featuring a rich array of magnificent artworks from the British Museum and beyond, the book showcases some of the most exquisite works of wood, stone, ceramics, beadwork, textiles and metalwork from Africa – from the Mediterranean coast to the Cape and from the Atlantic to the Indian Ocean. Beginning with an introduction to the very nature of African art, each of the artworks is then explored within its wider cultural and historical context, with chapters relating to contemporary art, masquerade, specific materials such as cloth, precious metals, wood and iron, gender, tools, and arms and armour. Close-up views of individual details will allow the reader to see these pieces in a new way, while the author points out unexpected juxtapositions across a wide range of cultures, periods and media. Presenting a spectacular view of African art, this stunning book also offers tremendous insight in to African culture.

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The Ming dynasty (1368–1644) is regarded as China’s ‘golden age’, equivalent in British history to the Elizabethan era. Through the themes of people and places and a wealth of objects, this beautifully illustrated little book provides a concise and fascinating introduction to the Ming period. The colourful and rich nature of life for the emperors and their families within the vast palaces of Nanjing, Beijing and beyond is captured in the exquisite imperial portraits, paintings, costumes and jewellery. Beyond the courts, outdoor spaces were enjoyed by many people, and journeys into the countryside undertaken for different purposes. Parties were held in gardens with friends and sports such as football and golf kept people fit. Amongst other goods, Chinese porcelain and silk were highly regarded throughout the world at this time. The author looks at the main production centres, the extensive distribution networks, and the roles of craftsmen, salesmen and customers. As so much of our knowledge of Ming China derives from archaeology, tombs of royals and non-royals are featured and major finds from them illustrated. Religious sites – monasteries, temples and mosques – are also explored; rare surviving examples of architecture from the Ming period. The book concludes with an introduction to some of the imagined spaces of the Ming, including realms for various gods. Here are palaces and parks; tombs and temples; silk-production sites and sacred mountains; emperors and empresses; soldiers and salesmen; princes and potters: a visual feast that captures the flavour of the remarkable Ming dynasty.

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One of the best known figures from Roman history, Nero (r. AD 54–68) is most often characterised as a tyrannical and ineffectual ruler, who fiddled while Rome burnt. Such a reputation has, however, been shaped by ancient literary sources written by his adversaries and enemies and, in light of new research, can be considered crudely reductive. This publication, and the exhibition it accompanies, redresses the balance and provides a more nuanced interpretation of Nero’s reign and Roman society of the time, reflecting on the traditional perceptions of his rule and revealing the challenges with which the young heir to Claudius’ empire had to contend. The period during which Nero ruled over Roman society was one of profound change. The extent of the empire at the time was vast, having grown significantly during the previous century through conquest and annexation, and peace and prosperity followed years of bloody war. The role of Nero’s mother Agrippina in his accession to the throne is well-documented, but her expectations of great influence once Nero was in post were not met and the role of women, and family more widely, is considered in detail in this book. In addition to familial conflict, Nero also had to confront the threat of rival powers and the assimilation of newly conquered territories, which provided him with the opportunity to prove himself as a strong military leader. Alongside military campaigns, he adopted ‘populist’ policies, was preoccupied with the beautification of the heart of his empire, which was subsequently devastated by fire, and enthusiastically engaged in theatre and entertainment. Nero’s rule was curtailed by military rebellion in AD 68 and the embattled emperor ultimately committed suicide. His death brought to an end the reign of the Julio-Claudian dynasty, and the subsequent vilification of his memory and the removal and desecration of his image are an enduring, but misleading, legacy.

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Sicily’s central location and natural resources have meant that various peoples have sought to conquer, control and settle on the island throughout its 3000-year history. Its Italian identity, with which we are familiar today, emerges only comparatively recently. It was under the rule of the ancient Greeks and medieval Normans that Sicily really flourished – golden eras when it became a serious political player and one of the wealthiest and most culturally prosperous places in Europe. Through an engaging text, exploring themes such as art, architecture and culture, and a remarkable selection of objects, from monumental metopes and beautiful mosaics to reliquary pendants and chess pieces (many revealing a distinct Sicilian character and style), this book provides a visually stunning insight into the key periods of Sicily’s extraordinary past.

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The powerful image that the kings of Egypt presented to their subjects was so awe-inspiring and captivating that people today are still impressed by the compelling stories and imposing statuary of the Pharaoh. But the reality of Egyptian kingship was often much more complex, as Pharaoh: King of Egypt seeks to reveal.

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This stunning book offers an introduction to and an exceptional view of an imposing collection of arts from across the Islamic world, highlighting outstanding examples of design, workmanship and craft in paintings and manuscripts, calligraphy, metalwork, ceramics, jade, glass, wood and ivory. The book opens with an explanation of the characteristics common to artistic creativity stretching back to the seventh century, from Spain to Indonesia. Works of superlative quality are then organised into chapters relating to central themes such as religion and belief, the supernatural and natural worlds, feasting, the hunt, war, music and power. The author explores each magnificent artwork in turn, providing cultural context and pointing out special features. By showing the complete artwork as well as enlarged details – sometimes virtually invisible to the naked eye – intriguing comparisons can be drawn and juxtapositions made between seemingly unrelated media. The selection of illustrations evokes the hand and eye of the most accomplished artists of the Islamic world.

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From AD 500–1000, the Indian Ocean emerged as a global commercial centre, and by around 750–800 a sophisticated trade network had been established involving the movement of goods from Japan and China in the east, to southern Africa and Spain in the west. However, the Indian Ocean’s commercial system has been relatively understudied, with many of the key assumptions regarding its development based on narrative textual sources and selective archaeological evidence.This study sets out the case for the unique significance of quantified ceramic finds as an indicator of long-term changes in the scale and volume of maritime exchange in a period for which few other sources of systematic economic history survive. The publication presents archaeological data from thirteen sites distributed across the western Indian Ocean, including Siraf (Iran), Anuradhapura (Sri Lanka) and Manda (Kenya). The ceramic assemblages are considered in terms of their general compositional characteristics and the distinctions between local, regional and long-distance exchange. The volume concludes with a discussion of how this data can be used to address the broader issues of long-term economic change and the relationship between state power in the Middle East and the commercial networks of the Indian Ocean operating via the Persian Gulf.

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This groundbreaking volume brings together scholars of the art and archaeology of late antiquity (c. 200−1000), across cultures and regions reaching from India to Iberia, to discuss how objects can inform our understanding of religions. During this period major transformations are visible in the production of religious art and in the relationships between people and objects in religious contexts across the ancient world. These shifts in behaviour and formalising of iconographies are visible in art associated with numerous religious traditions including, but not limited to, Buddhism, Christianity, Hinduism, Islam, Judaism, Zoroastrianism, religions of the Roman Empire, and paganism in northern Europe. Studies of these religions and their material culture, however, have been shaped by Eurocentric and post-Reformation Christian frameworks that prioritised Scripture and minimised the capacity of images and objects to hold religious content. Despite recent steps to incorporate objects, much academic discourse, especially in comparative religion, remains stubbornly textual. This volume therefore seeks to explore the ramifications of placing objects first and foremost in the comparative study of religions in late antiquity, and to consider the potential for interdisciplinary conversation to reinvigorate the field.

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This text explains simply, step-by-step, how even inexperienced amateurs can achieve excellent results when they embark on porcelain restoration. Would-be restorers are introduced to the many options available and encouraged to discover which techniques suit their individual needs.

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John Cherry recently retired as Keeper of the medieval collections in the British Museum. He is the author of Medieval Decorative Art and Goldsmiths (Medieval Craftsmen series) and editor of The British Museum Book of Mythical Beasts.

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One of the best known figures from Roman history, Nero (r. AD 54–68) is most often characterised as a tyrannical and ineffectual ruler, who fiddled while Rome burnt. Such a reputation has, however, been shaped by ancient literary sources written by his adversaries and enemies and, in light of new research, can be considered crudely reductive. This publication, and the exhibition it accompanies, redresses the balance and provides a more nuanced interpretation of Nero’s reign and Roman society of the time, reflecting on the traditional perceptions of his rule and revealing the challenges with which the young heir to Claudius’ empire had to contend. The period during which Nero ruled over Roman society was one of profound change. The extent of the empire at the time was vast, having grown significantly during the previous century through conquest and annexation, and peace and prosperity followed years of bloody war. The role of Nero’s mother Agrippina in his accession to the throne is well-documented, but her expectations of great influence once Nero was in post were not met and the role of women, and family more widely, is considered in detail in this book. In addition to familial conflict, Nero also had to confront the threat of rival powers and the assimilation of newly conquered territories, which provided him with the opportunity to prove himself as a strong military leader. Alongside military campaigns, he adopted ‘populist’ policies, was preoccupied with the beautification of the heart of his empire, which was subsequently devastated by fire, and enthusiastically engaged in theatre and entertainment. Nero’s rule was curtailed by military rebellion in AD 68 and the embattled emperor ultimately committed suicide. His death brought to an end the reign of the Julio-Claudian dynasty, and the subsequent vilification of his memory and the removal and desecration of his image are an enduring, but misleading, legacy.

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Have you ever wished that you could read the beautiful hieroglyphic script of ancient Egypt for yourself? Now you can, with the help of this practical step-by-step guide. It is suitable for complete beginners, or for anyone who would like to improve their knowledge of the language and culture of ancient Egypt. Mark Collier and Bill Manley have many years of experience teaching non-specialists at courses around the UK, so their approach is tried and tested. From the very beginning you will be introduced to genuine texts from ancient monuments. Each chapter introduces a new aspect of the ancient Egyptian language's hieroglyphic script and encourages you to develop your growing reading skills with practical exercises. The authors concentrate on a fascinating and rewarding group of monuments – funerary inscriptions, coffins and tomb scenes. The texts and supporting notes offer a first-hand insight into topics such as the pharaonic administration, family life in ancient Egypt, and ancient Egyptian approaches to death and the afterlife. With this book as your guide, you will be able to read with confidence the monuments reproduced in this book, and Egyptian monuments on display around the world.

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An illustrated adventure telling the story of King Harald Sigurdsson, the last king of the Vikings Based on a true story, Harald’s adventure takes him from a frightened teenager to wealthy and powerful warrior and finally, to a ruthless and tyrannical king, whose ambition leads him to a futile, yet glorious death at the battle of Stamford Bridge in 1066. In this exciting and action-packed story, Harald journeys across the world from Scandinavia to Russia, Byzantium, Sicily, Turkey, Palestine and finally England. Travelling overland and by sea he gathers wealth, recongition and power, and along the way meets a range of famous and flamboyant historical figures including Cnut the Great, Prince Jaroslav of Kiev, the Empress Zoe and King Harold of England.

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A fascinating insight into the living history of Africa. African textiles are patterned with stories that range far beyond the time of the creation or the lifetime of their creator. In Africa, cloth is used to commemorate important events, people or political struggles that in other parts of the world might be recorded in writing, or marked by a plaque or monument. This beautifully illustrated book deciphers these hidden stories, whilst also revealing the relevance of African textiles today, exploring how the dynamic traditions in African cloth-making have provided inspiration for the continent's foremost contemporary artists and photographers. Africa's long engagement with the peoples of the Mediterranean and the islands of the Atlantic and Indian Oceans provides a story of change and continuity, showing how ideas, techniques, materials and markets have adapted and flourished. Accompanied by 200 stunning illustrations revealing the rich variety of textile traditions throughout Africa, this new work showcases some of the world's finest examples of textile arts.

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Praise for the exhibition ***** The Telegraph ***** The Times ***** Daily Telegraph **** The Evening Standard “Plunge into the infinity pool of ancient Egyptian history with this dizzying array of artworks” - Waldemar Januszczack, Sunday Times Culture magazine Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts. The British Museum’s exhibition Hieroglyphs: unlocking ancient Egypt and this accompanying publication tell the story of the Rosetta Stone and of countless other objects that were key to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was the key to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilisations through the understanding of their writing. Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to the most significant code breaking moment in history.

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From the 1960s drawing assumed a prominent position in the practice of a rising generation of post-war artists in Germany and Austria. This publication examines works on paper by four artists still comparatively little known in the UK. While Georg Baselitz and Gerhard Richter, household names in German contemporary art, are well known for their large and commanding works, a quieter and more reflective strand is found in the work of Rudi Tröger (b. 1929), Karl Bohrmann (1928–1998) and Carl-Heinz Wegert (1926–2007). Small and intimate in scale, their drawings focus on the abstracted, minimalist figure, the studio interior and landscapes, through a sensitive use of line and a spare, self-effacing gesturalism. By contrast, the Austrian actionist Hermann Nitsch (1938–2022) presents visceral depictions of the human anatomy in his large lithographs, which come out of his notorious actionist performances. This publication celebrates a second major gift to the British Museum from the German collector Count Christian Duerckheim, whose first gift featured in Germany Divided: Baselitz and his generation, published by the British Museum Press in 2014.

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In 1898, Baron Ferdinand de Rothschild bequeathed to the British Museum the contents from the New Smoking Room at Waddesdon Manor, a collection of nearly 300 objects to be known as the Waddesdon Bequest. The Bequest contains some of the most beautiful examples of medieval and Renaissance craftsmanship, including exquisite pieces of jewellery, silver plate, painted enamels of Limoges, glass and microcarvings in boxwood. It is the only permanent collection to have a gallery to itself in the British Museum, one that has been redesigned for the 21st century which opened to great acclaim in 2015. To coincide with the new gallery supported by the Rothschild Foundation, a conference was held that opened up this remarkable collection to leading specialists who spoke on all areas of the Bequest. Subjects included new attributions for sculptures, a detailed discussion of the making and marketing of forgeries by Salomon Weininger, Frédéric Spitzer and Alfred André as well as new research on jewellery and its presentation both at Waddesdon Manor and in the new gallery at the BM. The collecting tastes of French and English Rothschilds were compared and contrasted, and a line of Arabic poetry enamelled on the Palmer Cup newly identified. This book presents these findings and positions the Waddesdon Bequest within a wider intellectual and historical context for the first time.

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This volume considers how the discovery of Etruscan sites and artefacts has inspired artists, architects, statesmen, collectors, scholars and travellers to Italy from the 16th through to the 20th century, from Ferdinando de' Medici to Piranesi and Federico Fellini. Subjects include the reclaiming of Etruscan identity and its influence on Italian political history, the collecting and reproduction of Etruscan artefacts, as well as new insights into the lives and activities of early British Etruscologists and the pleasures and perils which they encountered on their travels. Other essays look at Etruscan concepts in jewellery, gems and pottery. The extent of Etruscan influence on European culture has often been underestimated, but still less well known till now is how knowledge of certain aspects of Etruscan civilisation spread to the United States of America, as demonstrated, for example, by the tomb of a Civil War officer which was inscribed with an intriguing Etruscan-like inscription. A key theme under consideration is the impact that Etruscan discoveries have had on the public imagination, in particular the Campanari display of reconstructed Etruscan tombs staged in Pall Mall in 1837 - the first archaeological ‘blockbuster’ exhibition of its kind. The British Museum acquired much of this material, and the excavation of Etruscan tombs with their stunning wall-paintings was to have a lasting impression on displays in the major museums of Europe. But before that, Etruscan material was among Sir Hans Sloane’s collection, the founding collection of the British Museum, and it has been on display since the Museum first opened its doors to the public in 1759.

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Discovered in Suffolk in 1942, the Mildenhall Treasure is one of the most important collections of Late Roman silver tableware from the Roman Empire, and one of the British Museum’s most iconic finds. It features some of the finest pieces of Roman craftsmanship known from throughout the Roman Empire. This book offers new perspectives on the Treasure and its significance with the wider Roman world, and is essential reading for archaeologists, historians, and those with an interest in Roman Britain.

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Publication of the proceedings of a conference held to mark the 150th anniversary of the British Museum's Department of Coins and Medals in 2011. The publication spells out ways forward for numismatic activity and the roles UK museums may play in developing the discipline in the 21st century.

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The first full publication of the monumental granite naos of King Nekhthorheb (360-343 BC), originally 3.5m tall. The naos is an important source for late religious iconography and relief carving, as it bears extensive depictions of divine figures, arranged in registers, carved in exquisite detail on a small scale.

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Arguably the most formidable of powers the world has ever seen, the Roman Empire in its prime stretched from Spain to Iraq and from Germany to Egypt, encompassing all the territory in between. By AD 117, it had engulfed almost fifty countries we know today, marrying a fascinating range of cultures and traditions. This beautifully illustrated book explores the diverse peoples of the Roman Empire: how they viewed themselves and others as Romans and examining their enduring legacy today, from the languages we speak, to the legal systems we live by, the towns and cities we live in, and even to our table manners. Featuring some of the finest pieces from the Roman period in the British Museum collection, including sculpture from the villas of the Emperors Tiberius and Hadrian, coins from the famous Hoxne treasure, beautiful jewellery and even near - perfectly preserved children’s clothing, Roman Empire: Power and People demonstrates that although the wealth and might of the Empire rendered it irresistible and often unstoppable, provincial traditions and heritage flourished in the face of overwhelming change.

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This world-renowned sculpture is a unique figure in Polynesian art. An image of a deified ancestor, A’a was created sometime before 1821 on the island of Rurutu. Thirty dynamic figures stud his body, and the excellence of his craftsmanship suggests that his hollow interior once contained something of great cultural importance. Research undertaken ahead of the forthcoming exhibition revealed a small red feather lodged inside the statue and encouraged the curators to begin a range of scientific tests that had been unavailable to previous generations. Their revelations about the meaning and function of A’a are published here for the first time. A’a has been inspiring visitors since its arrival at the Museum in 1890, as much for its dramatic backstory as for its workmanship. The missionary John Williams saved the statue from being burned, but met an untimely end himself in the course of his work. The statue was a sensation when it arrived in England and inspired artists and poets for decades – Picasso was so struck by it that he had a copy made for himself. A’a is an idol in every sense of the word, and this book aims to inspire a new audience with his story.

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The British Museum watch collection is unsurpassed anywhere in the world, and tells the story of the watch which spans an incredible 500 years. Within the collection are examples ranging from sixteenth-century early stackfreed watches made in south Germany to exquisite decorative watches of the seventeenth century. Everyday watches from the eighteenth century and precision-made chronometers from the eighteenth and nineteenth centuries are included, as are examples from the modern era. All the major makers of Europe and America will be represented, including Thomas Tompion, whose reputation stretched far and wide even in his own time, and the Swiss-born Abraham Louis Breguet, who lived and worked in Paris supplying the best that money could buy to the crown heads and aristocratic families of the western world. In contrast to the high precision of the horological giants, the Museum has a growing collection of wristwatches, including those with automatic winding systems. There are also extensive collections of pin-pallet lever watches made for the mass market during the nineteenth and twentieth centuries by companies such as Waterbury and Ingersoll. The collections are brought up to the minute with the inclusion of early examples of electro-mechanical watches and the quartz revolution.

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This practical guide is split into seven main sections, each covering a key geographical area or historical period: Africa, the Americas, Ancient Egypt, Ancient Greece and Rome, Asia, Europe, and the Middle East. An introduction to the collections in each of these areas is followed by a curated selection of key objects, arranged by room number to help orientate your visit. Following this are seven themed galleries: Enlightenment, Collecting the World, the Waddesdon Bequest, Living and Dying, Clocks and Watches, Money, and Prints and Drawings. Fully illustrated in colour, there is a complete map of the Museum at the front of the guide, which gives detailed directions. This is a perfect companion for visitors who want to savour the highlights of the collection.

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The Lacock Cup is a rare object with a unique English history. Made in the 1430s, it is one of a handful of pieces of secular silver from the Middle Ages, which both survived the changing culture of Tudor fashion and the turmoil of the Reformation. Originally created as a drinking cup for feasting in the fifteenth century, the Cup later became a sacred chalice for the community of Lacock in Wiltshire at the parish church of Saint Cyriac. With an unbroken local heritage of over 400 years, this piece was a central feature of religious ceremony until the late twentieth century. The remarkable story of this special cup is brought to life in this short and accessible book. Its history, from drinking vessel to holy chalice, opens a window into the culture of late medieval England and having survived the centuries in near perfect condition, it acts as a witness to these times of great change. Charting the journey of the Cup, from fifteenth century medieval society, through the Reformation and later Civil War to the present day, this book will also explore the Cup’s role as a communion vessel in its local setting of Lacock, and its treatment at the British Museum where it has been on loan since 1962. The Cup remained in irregular use by the parish until the 1980s, and this story of over 500 years of outstanding care and use provides a fitting conclusion to one of England’s most important silver objects.

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The Rosetta Stone contains a decree written three times in Greek, Demotic and hieroglyphic that provided the key to the mysterious hieroglyphic script of ancient Egypt, and opened up 3,000 years of the country's history and culture. This book tells the fascinating story of one of archaeology's icons, from its creation in the second century BC, to its discovery in 1799 during Napoleon's Egyptian campaign, to the subsequent race to decipher its hieroglyphic text. Undertaken by two brilliant scholars - the Frenchman Jean-Francois Champollion, and the English physicist Thomas Young - it was the former who eventually succeeded in making the crucial breakthrough. Today the Rosetta Stone stands in the Museum as an enduring symbol of human understanding and communication through the ages.

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The mummified forms, along with beautifully painted masks and coffins, of animals, scribes, viziers, noblemen and women, priests, pharaohs and queens from the Pharaonic period, all feature in this miniature but magnificent introduction to the world of the Ancient Egyptian mummy.

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The Parthenon in Athens is the most famous Greek temple in the world and an icon of Ancient Greek art. It was built to house a colossal statue of the goddess Athena, and the temple itself was decorated with sculptures and reliefs of the most magnificent quality. These sculptures are now on display in London and Athens, and are admired by thousands of visitors each year. This book explores in detail these lovely carvings, with the aid of new detailed digital photography. Who are the people, animals, and gods and goddesses shown on the frieze and what are they doing? Why were they shown on a temple? How were the sculptures made, and how did the carvers give such an amazing illusion of ranks of horsemen, chariots and people in carvings only a few centimetres deep? Ian Jenkins, a world expert on Ancient Greek sculpture, describes and explains these wonderful sculptures in a vivid and simple way for children, and puts them in the context of Ancient Greek religion, life and art. Children will enjoy discovering the wonders of the Parthenon sculptures for themselves but in the process they will also gain a much greater understanding of the people who created the Parthenon and of the world of classical Athens.

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Discover the real story behind The Dig, streaming now on Netflix, starring Carey Mulligan and Ralph Fiennes The objects unearthed in 1939 from an Anglo-Saxon ship-burial at Sutton Hoo, Suffolk, rank among the most splendid treasures in the collection of the British Museum. Bringing together fine craftsmanship from England, Germany, Scandinavia, Alexandria and far Byzantium, the spectacular finds included gold and garnet jewellery, silverware, drinking vessels with silver-gilt fittings, a lyre and a sceptre, as well as the iconic helmet, all deliberately buried in the early seventh century as grave-goods for an important, though unidentified, warrior. The Sutton Hoo ship-burial was one of the most exciting discoveries ever made in British archaeology. This beautifully designed introduction to the treasure details the most significant pieces contained within it and explores the circumstances of its burial, discovery and excavation, as well as its lasting legacy and fame.

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Tracing the final 30 years of Michelangelo's career, this book examines how the great master used art and faith to explore the common human experience of ageing in a rapidly changing world. This fascinating and beautifully illustrated catalogue demonstrates the creativity of Michelangelo's late years in a way that is both accessible and scholarly.' Jill Burke, author of How to be a Renaissance Woman and The Italian Renaissance Nude Michelangelo Buonarroti (14751564) was one of the greatest artists of the Renaissance. He was not the isolated, tortured genius of artistic myth, but a man who maintained a close circle of friends and associates into old age. He developed collaborative working relationships with younger artists, thereby maintaining his fame and reputation even as he aged, relinquishing the hardest physical work to others. His late drawings offer a powerful insight into his psychology, reflecting his Catholic faith, his commanding intellectual engagement and his hope for

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