Search results for ""Bitter Lemon Press""

It is just the beginning of a convulsed week, where danger lurks behind army headquarters, down sordid streets, and in the frightening Presidium of the Criminal Police. Bora is unexpectedly ordered by SS General Arthur Nebe, head of Kripo, to investigate the murder of a dazzling showman and clairvoyant, a major star since the days of the Weimar Republic. Bora’s inquiry, supported by police inspector and former S.A member Florian Grimm, resurrects memories of the excessive and brilliant world of Jazz Age cabarets and locales. Around them, in the oppressive summer heat, constant allied bombing, war-weary Berlin teems with refugees and nearly a million foreign labourers. Soon enough the perceptive Bora realizes to his dismay that there is much more at stake than murder in a paranoid city where everyone suspects everyone, and where insistent rumours whisper about a conspiracy aimed at the very heart of the Nazi hierarchy. And then there is charming Emmy Pletsch, who works for Stauffenberg: could she be a key to understanding? Trying to solve the murder of the Weimar Prophet takes Martin Bora into the deadly whirlwind of an anguishing moral dilemma, as a German soldier and as a man. The 20 July plot and its dramatic implications as never told before.

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•The first in a series of novels by Olguín starring the journalist Veronica Rosenthal. It is set in Buenos-Aires and has been made into a TV series currently showing in Argentina. •Veronica is a successful young journalist, beautiful, unmarried, with a healthy appetite for bourbon and men. She is a fascinating and complicated heroine, driven by a sense of justice but also by lust and ambition. •Sensual and terse, the novel is also fiercely critical of a system that tolerates the powerful and wealthy of Buenos Aires putting the lives of young boys at risk for their entertainment. When she hears about the suicide of a local train driver who has jumped off the roof of a block of flats, leaving a suicide note confessing to four mortal `accidents’ on the train tracks, she decides to investigate. For the police the case is closed (suicide is suicide), for Veronica it is the beginning of a journey that takes her into an unfamiliar world of grinding poverty, junkie infested neighborhoods, and train drivers on commuter lines haunted by the memory of bodies hit at speed by their locomotives in the middle of the night. Aided by a train driver informant, a junkie in rehab and two street kids willing to risk everything for a can of Coke, she uncovers a group of men involved in betting on working-class youngsters convinced to play Russian roulette by standing in front of fast-coming trains to see who endures the longest. With bodies of children crushed under tons of steel, those of adults yielding to relentless desire, the resolution of the investigation reveals the deep bonds which unite desire and death.

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Hella Mauzer was the first ever woman Inspector in the Helsinki Homicide Unit. But her superiors deemed her too `emotional’ for the job and had her reassigned. Now, two years later, she is working in Lapland for the Ivalo police department under Chief Inspector Järvi, a man more interested in criminal statistics and his social life than police work. They receive a letter from Irja Waltari, a priest’s wife from the village of Käärmela on the Soviet border, informing them of the disappearance of Erno Jokinen, a local. Hella jumps at the chance to investigate. Järvi does not think that a crime is involved. After all, people disappear all the time in the snows of Finland. When she arrives, Hella stays the village priest and his wife, who have taken in Erno’s grandson who refuses to tell anyone his grandfather’s secret. A body is then discovered in the forest and she realizes that she was right; a crime has been committed. A murder. But what Hella doesn’t know, is that the small village of Käärmela is harbouring another crime, a crime so evil, it is beyond anything any of them could have ever imagined.

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Jimmy Henderson, retired, in his 70s, a man without much of a history, is found mutilated (tongue cut out, eyes gouged) in his Ford pick-up truck, bang in the middle of Watertown, Massachusetts. Paul McCarthy is the town sheriff and in charge of the investigation. Like Watertown he's rather featureless and unimaginative, married, two children, a man desperately trying to keep some sort of boundary between the sordidness of his investigations and his family life. Soon, Franck, a young private detective visiting from NY, takes an interest in the case. Paul and Franck come to the same conclusion; perhaps a psychopath is at work, a conclusion reinforced when a second, similar murder is committed. It looks like the work of an artist, killing purely to escape suburban ennui. Franck dominates the story, a disturbing, edgy, totally decadent character, always over dressed, an actor with too much make-up, a man always rushing to the bathroom for another line of coke, revealing the darker workings of Watertown and of the case with a blood curdling laugh.

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These letters to (and from) Finlay's friend, the English poet and scholar, Stephen Bann, centre on the initial development of the garden at Stonypath, near Edinburgh, later to become the world renowned 'Little Sparta'. They cover Finlay's turn away from poetry towards sculpture and garden design, and the thinking behind, and consequences of, this development. This book, edited, introduced and annotated by Bann himself as was Midway, its companion volume of letters, completes the portrait of the man who is now recognized not only as a great poet, but also as a major artist and one of the most original garden designers of modern times."...Bann's superb two volume set of Finlay's correspondence...These handsomely printed volumes, amply footnoted, with biographical and historical commentary leading readers up and down the stony path, are an extended conversation with one of twentieth-century Britain's most unexpected artists." -Times Literary Supplement Read the full review here

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Tito Ihaka, the unkempt, overweight Maori cop was demoted to Sergeant due to insubordination and pigheadedness. He investigates the unsolved killing of 17 year old girl at an election night party in a ritzy villa near Auckland. Ihaka is also embroiled in a very personal mystery. A freelance journalist has stumbled across information that Ihaka's father Jimmy, a trade union firebrand and renegade Marxist, didn't die of natural causes. The stories weave themselves into an exciting climax in an atmosphere of political maneuvering and intrigue surrounding the USA's confrontation with New Zealand over its anti-nuclear stance.

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Cuban writer Ivan Cardenas Maturell meets a mysterious foreigner on a Havana beach who is always in the company of two Russian wolfhounds. Ivan quickly names him "the man who loved dogs". The man eventually confesses that he is actually Ramon Mercader, the man who killed Leon Trotsky in Mexico City in 1940, and that he is now living in a secret exile in Cuba after being released from jail in Mexico. Moving seamlessly between Ivan's life in Cuba, Mercader's early years in Spain and France, and Trotsky's long years of exile, The Man Who Loved Dogs is Leonardo Padura's most ambitious and brilliantly executed novel yet. It is the story of revolutions fought and betrayed, the ways in which men's political convictions are continually tested and manipulated, and a powerful critique of the role of fear in consolidating political power.

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Ian Hamilton Finlay (1925-2006) was one of Scotland's leading twentieth century public intellectuals, and famously one of its most brilliant and combative correspondents. His letters raise issues of particular and widespread interest both within Scotland and further afield. His correspondence with Stephen Bann, the English poet and academic have a very special place in this context. These letters present in a clear and commensurable form the development of his ideas about poetry and art, and increasingly about sculpture and gardening, over this critical five year period of his creative life.

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On assignment Eduard and Borja check out an exclusive meditation centre in the ritziest part of Barcelona, only to discover the director murdered, whacked in the head with a statuette of the Buddha. The violent death of a neighbour - who happens to be a CIA agent - simultaneously drags them into an international conspiracy complicated by Borja's attempt to smuggle a priceless Assyrian figurine, the "Lioness of Baghdad".

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Three bodies lie at the bottom of a swimming pool in a gated country estate near Buenos Aires. It's Thursday night at the magnificent Scaglia house. Behind the locked gates, shielded from the crime, poverty and filth of the people on the streets, the Scaglias and their friends hide lives of infidelity, alcoholism, and abusive marriage. Claudia Pineiro's novel eerily foreshadowed a criminal case that generated a scandal in the Argentine media. But this is more than a story about crime. The suspense is a by-product of Pineiro's hand at crafting a psychological portrait of a professional class that lives beyond its means and leads secret lives of deadly stress and despair. It takes place during the post 9/11 economic melt-down in Argentina but it's a universal story that will resonate among credit-crunched readers of today.

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A visitor from Georgia, a country torn apart by civil war, ends the peaceful existence of a school teacher's family in Germany. Christian Kestner has all but forgotten his stay in Tbilisi seven years before. He begins to worry when he receives a letter from David Ninochvili announcing his visit to Germany. Why is David coming? To seek revenge from Christian, guilty of flirting at the time with David's wife? What are the ties of this unwelcome guest to the different factions now vying for the control of Georgia? Christian becomes intensely suspicious of David's secretive ways, of his attraction to Christian's wife and even to his teenage son. Fear turns into panic, so corrosive that it can transform even the most rational individual into a monster.

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When, in later years, Sergeant Studer told the story of the Chinaman, he also called it the story of the three places as the case unfolded in a country inn, in a poorhouse and in a horticultural college, all in Pfrundisberg, a Swiss village - three places but also two murders. Anna Hungerlott, supposedly dead of a gastric influenza, left behind handkerchiefs with traces of arsenic. And one foggy November morning, the enigmatic James Farny, nicknamed the Chinaman by Studer, was found lying on Anna's grave, murdered with a single pistol shot to the heart that did not hole his clothing. Did the fact that the poorhouse inmates had to survive on watery cabbage soup while the Warden drank vintage wines have anything to do with the murders? Perhaps. Studer must reconstitute the Chinaman's story, a voyage through asylums, reform schools and institutions for the destitute that, incidentally, were an integral part of Glauser's short life.

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Antoine's life is good. During the day, he hangs pictures for the most fashionable art galleries in Paris. Evenings, he dedicates to the silky moves and subtle tactics of billiards, his true passion. But when Antoine is attacked by an art thief in a gallery his world begins to fall apart. His maverick investigation triggers two murders - he finds himself the prime suspect for one of them - as he uncovers a cesspool of art fraud. A game of billiards decides the outcome of this violently funny tale, laced with brilliant riffs about the world of modern art and the parasites that infest it. "You know, you can see parallels in the histories of crime and painting. At first, men painted as they kill, with bare hands. Raw art, you could say...Instinct before technique. Then came instruments, the stick, the brush. One fine day, painting with knives began. Look at the work of Jack the Ripper...And then the gun was invented. Painting with a gun brought something final and radical. And today, in the age of terrorism, they paint with bombs, in cities, in the metros. Anonymous graffiti that explode on street corners..."

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This is a beautifully crafted thriller set in a European world of small-town hypocrisy. Erika, an attractive local heiress, is married to Wallmann. When she falls to her death near their lakeside villa, the police conclude it as a tragic accident. Scholten, a long time employee of Erika's, knows a thing or two about the true state of her marriage. He suspects an almost perfect crime. Scholten's maverick investigation soon buys him a ticket for a most dangerous ride.

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The star male dancer of the Moulin Rouge and a beautiful young woman have been murdered. Their naked bodies are found entwined in a blood splattered dressing room. A squatter is killed in a nearby flat, his throat chewed open, the teeth marks human. Seemingly unconnected deaths that reveal a sinister pattern of Montmartre property scams fuelled by crack dealing and prostitution. Inspector Maurice Laice is plagued by a lesbian boss who bombards him with tales of her sexual adventures. Yet they make a good team, each obsessed for different reasons by the crimes at hand. The investigation takes Maurice from murky dealings at the cabaret to the world of organized crime in Corsica and back.

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It all began with an unusual assignment, a job better suited for Marlowe than for counsel for the defence Guido Guerrieri. Could he find new evidence to force the police to reopen their investigation about the disappearance of Manuela, the daughter of a rich couple living in Bari? The stories of Manuela's druggy university friends don't quite add up. Her best friend, Caterina, too beautiful and certainly too young for Guerrieri, is a temptation he doesn't need. While the investigation proceeds, Guido fights his loneliness by talking to the punching bag hanging in his living-room and by walking the streets of Bari late at night, often visiting a colourful bar owned by a former client and ex-prostitute. She somehow provides the clue that explains Manuela's disappearance.

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The month, November. Glittering worldliness and dubious shabbiness overlap, passion and suspicion intertwine in a three-day Venetian adventure, bookended by the arrival of a plane and the departure of a ship.It begins with a troubling encounter on a flight to Venice. She is an elegant Roman signora on the search for undervalued paintings and he a mysterious tour guide. She is invited to cosmopolitan parties by Venetian social and art glitterati. Mr. Silvera, a guide whose erudition and distinction are in sharp contrast with his beat-up suitcase and stain-spotted raincoat, drags his shabby tourists from monument to monument.Their passion will last three days, long enough to be exposed to unscrupulous art dealers and other scammers, passing off worthless paintings as part of a famous collection. Silvera seems to know every language and all secrets. But who is he really? Around them, the canals and lagoons of Venice, a city which becomes a character in the novel in its own right.'Doyens of the Italian detective story, Fruttero and Lucentini, offer a perfect blend of the comedy of manners and the macabre…' — Tim Parks, author of Hotel Milano'A labyrinth full of shapeshifting and ambiguity, sometimes sinister, often hilarious, for which Venice offers the perfect setting.' — Jonathan Keates, author of La Serenissima: The Story of Venice'An undiscovered gem, finally available in English...witty, moving and enthrallingly atmospheric.' — Philip Gwynne Jones, author of The Venetian Legacy

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Things are looking bad for disgraced spy August Drummond. In emotional free fall after the death of his wife, fired for a series of unprecedented security breaches… and now his neighbor on the flight to Istanbul won’t stop talking. The only thing keeping him sane is the hunch that there’s something not quite right about the nervous young man several rows ahead – a hunch that is confirmed when August watches him throw away directions to an old European cemetery seconds before being detained by Turkish police. A reckless August decides to go to the cemetery, where he meets a mysterious figure from the dark heart of the Islamic State and quickly finds himself drawn into a shadowy plot to murder an Iranian scientist in Istanbul. But nothing is what it seems, and before long August realises he has gone too far to turn back. As he struggles to break free from the clutches of Islamic State and play off British intelligence against their Turkish counterparts, he will find his resourcefulness, ingenuity and courage tested to the very limit of what he can endure. The second novel in a trilogy about loyalty and betrayal in the modern world, How to Betray Your Country is an authentic thriller about the thin line between following your conscience and following orders.

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When two women are "accidently" killed by gas leaks, Sergeant Studer investigates the thinly disguised double murder in Bern and Basel. The trail leads to a geologist dead from a tropical fever in a Moroccan Foreign Legion post and a murky oil deal involving rapacious politicians and their henchmen. With the help of a hashish-induced dream and the common sense of his stay-at-home wife, Studer solves the multiple riddles on offer. But assigning guilt remains an elusive affair. "Fever", a European crime classic, was first published in 1936. It has been translated into four languages. This is its first publication in English and the third in the "Sergeant Studer" series published by Bitter Lemon Press.

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An elegant young Lebanese man carrying diamonds in his bag is on the train from Frankfurt to Basel, a drug mule on the return journey. At the Basel train station, Hunkeler is waiting for him after a tipoff from the German police. The courier manages to get to the station toilet and flushes the stones away. Erdogan, a young Turkish sewage worker, finds the diamonds in the pipes under the station. To him they mean wealth and the small hotel he always wanted to buy near his family village. To his older Swiss girl-friend Erika, employed at a supermarket checkout counter, the stones signify the end of their life together. She knows that Erdogan has a wife and children in Turkey. For the courier, finding the stones is a matter of life and death. His employers are on their way to "tidy things up". For Hunkeler the stones are the only way to get to the people behind the drug trade. They turn out to include not only the bottom-feeding drug gangs but bankers and politicians very high up the Basel food chain.

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He is the self-appointed sheriff of Raufarhöfn, a sleepy town in northern Iceland, and has everything under control. There’s no need to worry. Day by day, he treks the wide plains which surround the almost deserted village, hunts Arctic foxes and lays shark bait in the sea — to process the fish into the Icelandic fermented delicacy, hákarl. But inside Kalmann’s head, the wheels sometimes spin backwards. One winter, after he discovers a pool of human blood in the snow, the swiftly unfolding events threaten to overwhelm him. But with his naive wisdom and pure-hearted courage, he makes sure everything takes a turn for the better. There’s no need to worry. "It can get pretty dark under a polar bear." Kalmann

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From the author of The Aosawa Murders, one of the NYT Notable Books of 2020. The WSJ commented: "Part psychological thriller, part murder mystery-it is audacious in conception and brilliant in execution." The Globe and Mail said the book was "emerging as one of the most praised novels of the year." Set in a Tokyo flat over the course of one night, Aki and Hiro spend one last night together before going their separate ways. Each believes the other to be a murderer and is determined to extract a confession before the night is over. Who has been killed and why? Which one is the killer? In an intense battle of wills over the course of a night, the true nature of the pair's relationship and the chain of events leading up to this night are gradually revealed in this gripping psychological thriller that keeps the reader in suspense to the very end. The thriller--buried in a literary whodunit--explores the mysteries of romantic love, memory and attaining self-knowledge. Like the best Japanese crime writing, it is an unflinching foray into the darker recesses of the soul, quietly suspenseful and elegantly constructed.

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It is the end of October, the city of Basel is grey and wet. It could be December. It is just after midnight when Police Inspector Peter Hunkeler, on his way home and slightly worse for wear, spots old man Hardy sitting on a bench under a street light. He wants to smoke a cigarette with him, but the usually very loquacious Hardy is silent-his throat a gaping wound. Turns out he was first strangled and his left earlobe slit, the diamond stud he usually wore there missing. The media and the police come quickly to the same conclusion: Hardy's murder was the work of a gang of Albanian drug smugglers. But for Hunkeler that seems too obvious a resolution. After all, Barabara Amsler, a prostitute, was also recently found strangled, her ear slit. He follows his own intuition and methods which lead him deep into a seedy world of bars and night clubs. More ominously, he soon must face the consequences of certain events in recent Swiss history that those in power would prefer to keep far from the public eye.

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The story is set in Uruguay, it starts in a Montevideo prison where Diego waits for his lawyer, the slick Dr Antinucci, always raybanned, chain-smoking, never frisked by the prison guards. Diego, betrayed by his partner in crime, was arrested for kidnapping a businessman. But charges will not be pressed. The businessman and his wife have described Diego as duped by his partner, certainly no master criminal, so he will be let out. But Antonucci has plans for him, a favour must be returned for his surprising freedom, he must join forces with the psychopath El Roto and hold up an armoured truck in Montevideo. The mad and hilarious caper includes the robbery of course which degenerates into appalling violence, a few murders, and the general bungling of affairs by all the men involved. It is the belittled women, including Police Inspector Lima, who end up the true heroines of the story. This seemingly classic lowlife crime story has a powerful message: never, ever underestimate the women. All told with excoriating wit and humour from the Rio de la Plata.

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‘You haunt me everywhere.’ So wrote Edward Burne-Jones to Frances Graham, his muse for the last 25 triumphant years of his life: ‘I haven’t a corner of my life or my thoughts where you are not’. He drew her obsessively, included her in some of his most famous paintings, and showered her with gifts. Even when she betrayed him to marry, he would return to her. To him ’all the romance and beauty of my life means you.’ This is the first biography of his muse. In a discreet, subtle, human way, her life is a study in power – artistic, social, political, familial, local – and all the more fascinating for being played out from a perennial position of weakness. What makes a muse? The word conjures up for the artist a human cocoon of sexual allure and worship: part inspiration, part lover and protector. Yet however beguiling, demanding and volatile a muse could be, it remained a life surrendered to the art of another. In Victorian England, this was especially so with the hierarchies between the sexes so firmly entrenched. The life of a muse to a Pre-Raphaelite artist was no different: Ruskin and Effie Gray, Rossetti and Lizzie Siddal, both powerfully destructive relationships that ended respectively in divorce and death. The one who survived was Frances Graham. She had a restless, irrepressible intelligence, able to mix at her small dinners politicians and aristocrats with writers, artists and the up and coming, be they Oscar Wilde or Albert Einstein. In time, she became the confidante of three government ministers, including Asquith, the Liberal leader. 'The Portrait of a Muse' is the tale of a remarkable woman living in an age on the cusp of modernity.

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Spain, summer 1937. The civil war between Spanish nationalists and republicans rages. On the bloody sierras of Aragon, among Generalissimo Franco’s volunteers is Martin Bora, the twenty-something German officer and detective whose future adventures will be told in Lumen, Liar Moon, The Road to Ithaca and others in the Bora series. Presently a lieutenant in the Spanish Foreign Legion, Bora lives the tragedy around him as an intoxicating epic, between idealism and youthful recklessness. The first doubts, however, rise in Bora’ s mind when he happens on the body of Federico Garcia Lorca, a brilliant poet, progressive and homosexual. Who murdered him? Why? The official version does not convince Bora, who begins a perilous investigation. His inquiry paradoxically proceeds alongside that which is being carried out by an “enemy”: Philip Walton, an American member of the International Brigades. Soon enough the German and the New Englander will join forces, and their cooperation will not only culminate in a thrilling chase after a murderer, but also in a very human, existential face-to-face between two adversaries forever changed by their crime-solving encounter...

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The summer of 1992 had been exceptionally cold in southern Italy. But that’s not the reason why it is still remembered. On May 23, 1992, a roadside explosion killed the Palermo judge Giovanni Falcone, his wife and three police officers. A few weeks later judge Paolo Borsellino and five police officers were killed in the center of Palermo. These anti-mafia judges became heroes but the violence spread to the region of Bari in Puglia, where we meet a new, memorable character, Maresciallo Pietro Fenoglio, an officer of the Italian Carabinieri. Fenoglio, recently abandoned by his wife, must simultaneously deal with his personal crisis and the new gang wars raging around Bari. The police are stymied until a gang member, accused of killing a child, decides to collaborate, revealing the inner workings and the rules governing organised crime in the area. The story is narrated through the actual testimony of the informant, a trope reminiscent of verbatim theatre which Carofiglio, an ex-anti-mafia judge himself, uses to great effect. The gangs are stopped but the mystery of the boy’s murder must still be solved, leading Fenoglio into a world of deep moral ambiguity, where the prosecutors are hard to distinguish from the prosecuted.

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Mark Girouard has, he claims, scarcely ever thrown away a letter that he has received, and here he selects and reproduces 29 of them, ranging from his early childhood during the war to recent years, and uses them to characterise and memorialise their authors who range from the grand, the distinguished and the once or still famous, to the entirely ordinary, and from minor British gentry to Belgian monks, from American businessmen to African street traders. In the process a selective autobiography emerges as he discusses his relationship with this diverse crowd, and at the same time he paints a riveting picture of Bohemian cultural life in post-war Britain and Ireland. And the point of it all is that friendship has nothing at all to do with fame, success or wealth, but entirely with that sudden click of reciprocity, or pleasure in companionship, that makes life worth living. So the reader can savour walks with John Betjeman through the ruins of blitzed London, or with Denys Lasdun through the concrete dramas of the National Theatre; be regaled with stories about the Gorbals by Ruby Milton, champion child dancer from Glasgow; eat disgusting rook pie off Bourbon gold plate with the Duke of Wellington; be touched by the surprising love life of Sir John Summerson, loftiest of scholars; grieve at the decline of Mariga Guiness, gifted, drunken and loveable queen of the Irish Georgians; and hear how a Chelsea landlady modelled half-naked for the figure of Fame riding her chariot on top of the arch at Hyde Park Corner, and myriad other life stories, poignant, moving and compelling in turn.

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A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author. In 1939, the Saint Louis sails from Hamburg into Havana's port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear.Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel's son to travel to Cuba to track down the story of his family's lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana.In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt's gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura's novel is as compelling, mysterious, and enduring as the painting at its centre.

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While on a business trip to Kobe, Tsuneo Asai receives the news that his wife Eiko has died of a heart attack. Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife-who was shy and withdrawn, and only left their house twice a week to go to haiku meetings-ended up dead in a small shop in a shady Tokyo neighborhood? When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife's death he discovers that she led a double life. He eventually confronts her lover, and, in a moment of panic, kills him. The police are stymied, however Tsuneo, the brilliant bureaucrat who usually leaves nothing to chance but is now hunted as a common murderer, feels the pressure and starts making mistakes.

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For thirty years, until 2015, Richard Dorment was the art critic of the Daily Telegraph. Writing almost every week it was his job to introduce, to explain and to criticise for a popular newspaper the most significant current art exhibitions, mainly in London, but ranging throughout the UK, and frequently in Paris, Amsterdam and in New York and Washington. The result is an extraordinary collection of around a thousand essays, of which he has selected 106, and which distil and commemorate in terms appropriate to a serious but unscholarly audience, some of the finest and most memorable cultural events of the last three decades. Ranging from early prehistoric art of the Ice Age to the performance art of today, and taking in nearly all the significant art in between, the book is an astonishingly readable and accessible introduction to the work of the world's finest artists.

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Ukraine, 1943. Having barely escaped the inferno of Stalingrad, Major Martin Bora is still serving on the Russian front as a German counterintelligence officer. At a time when weariness, disillusionment, and battle fatigue are a soldier's daily fare, Bora seems to be one of the few whose sanity is not marred by the horrors of war. Two Russian generals in his custody die within twenty-four hours of each other. Everything appears to exclude the likelihood of foul play, but Bora begins an investigation, a stubborn attempt to solve a mystery that will come much too close for comfort.

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How would you make sense of your life if you thought it might end tomorrow? In this captivating and best-selling memoir Vesna Goldsworthy tells the story of herself, her family and her early life in her lost country. There follows marriage, a move to England and a successful media and academic career, then a cancer diagnosis and its unresolved consequences. A profoundly moving, comic and original account by a stunning literary talent.

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Ihaka is in the wilderness, having fallen foul of the new regime at Auckland Central. Called back to follow up a strange twist in the unsolved case that got him into trouble in the first place, Ihaka finds himself hunting a shadowy hitman who could have several notches on his belt. His enemies want him off the case, but the bodies are piling up. Ihaka embarks on a quest to establish whether police corruption was behind the shooting of an undercover cop and--to complicate matters-- he becomes involved with an enigmatic female suspect who could hold the key to everything.

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Kati Hirschel, in her thirties, is the proud owner of Istanbul's only crime bookshop. She has learned the corrupt ways of her adored city and soon takes possession of an apartment obtained with the help of a generous bribe to a government official. All is well until a man is found murdered in her dream apartment and Kati becomes the police's primary suspect. In her second novel Esmahan Aykol takes us to the alleys and boulevards of cosmopolitan Istanbul, to posh villas and seedy basement flats, to the property agents and lawyers, to Islamist leaders and city officials - in fact everywhere that baksheesh helps move things along.

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It is spring 2009, and prosecutor Szacki is no longer working in Warsaw - he has said goodbye to his family and to his career in the capital and moved to Sandomierz, a picturesque town full of churches and museums. Hoping to start a "brave new life", Szacki instead finds himself investigating a strange murder case in surroundings both alien and unfriendly. The victim is found brutally murdered, her body drained of blood. The killing bears the hallmarks of legendary Jewish ritual slaughter, prompting a wave of anti-Semitic paranoia in the town, where everyone knows everyone. The murdered woman's husband is bereft, but when Szacki discovers that she had a lover, the husband becomes the prime suspect. Before there's time to arrest him, he is found murdered in similar circumstances. In his investigation Szacki must wrestle with the painful tangle of Polish-Jewish relations and something that happened more than sixty years earlier.

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During the period known as the Days of Awe that lead up to Yom Kippur, Ariel Kafka, inspector in the Violent Crime Unit of the Helsinki police and one of two Jewish policemen in Finland, is confronted with the most difficult case of his career. Two Arabs are killed near the capital and, shortly after, Kafka discovers two more bodies at an Iraqi-owned garage. Are these deaths evidence of gang warfare or international terrorism? When it transpires that an Israeli Minister will make an unofficial visit to Helsinki, matters become truly complicated. The Finnish Security Police and Mossad all have a role to play and Kafka is on a trail that leads back to his youth.

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A haunting work, reminiscent of Albert Camus, which portrays with exquisite psychological detail the emotional crisis in the life of a young Swiss schoolteacher. His father's prodigious vitality and virility had crushed his family and ruined his son's childhood. Even after his death the parental ogre haunts his son, sucking him into a vortex of despair. Fits with the contemporary success of autobiographical novels, focused on a tormented childhood, parental persecution and the loneliness of the outlier. Chessex's book is based on the character of his own father, his totalitarian and austere Calvinist upbringing and his escape to the sensual world of serial seduction. These motifs and the meditation on death have informed most of his fiction, especially "The Tyrant", his most successful book by far with 450,000 copies sold.

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Young lawyer Alex Zabel defends industrialist Herbert Klofft in a case for wrongful dismissal being brought against him by his former employee and mistress. She is thirty-four, he seventy-eight, a despot, now wheelchair bound and dying of cancer. Alex must deal with a hopeless case, his growing empathy with a repulsive client and his sexual attraction to Klofft's elderly wife.

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Havana, 2003, fourteen years since Mario Conde retired from the police force and much has changed in Cuba. He now makes a living trading in antique books bought from families selling off their libraries in order to survive. In the house of Alcides de Montes de Oca, a rich Cuban who fled after the fall of Batista, Conde discovers an extraordinary book collection and, buried therein, a newspaper article about Violeta del Rio, a beautiful bolero singer of the 1950's, who disappeared mysteriously.Conde's intuition sets him off on an investigation that leads him into a darker Cuba, now flooded with dollars, populated by pimps, prostitutes, drug dealers and other hunters of the night. But this novel also allows Padura to evoke the Havana of Batista, the city of a hundred night clubs where Marlon Brando and Josephine Baker listened to boleros, mambos and jazz. Probably Padura's best book, "Havana Fever" is many things: a suspenseful crime novel, a cruel family saga and an ode to literature and his beloved, ravaged island.

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Bologna in August. Unbearable heat, an empty city. Claudia is a young student in a hurry to return home from her work as a waitress and get out of the uniform she hates. Tomas is a young man on his way to elope with his girlfriend Francesca and rescue her from her dysfunctional family. Aldo is a husband and father with an uncanny resemblance to Elvis Presley, anxious to get to an apartment filled with guilty secrets. All three have an urgent need to be somewhere else. Instead, they are trapped in a lift in a deserted building on a holiday weekend...and one of the trio is a serial killer. This dark, twist-packed psychological thriller has been adapted as a film by Mexican director, Rigoberto Castaneda, who made last year's Mexican/Spanish co-production "Kilometro 31", screened at the London Film Festival.

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In 1971, a man calling himself D.B. Cooper hijacked a flight, claimed his ransom without harming a soul and vanished. He parachuted out of the plane over the dense woods of the Pacific Northwest with $200,000 strapped to his body. Elwood Reid uses this true story as a starting point, imagining Cooper as Phil Fitch, a Vietnam vet with a failed marriage who decides the time has come to do something that will save him from a life of punching time cards and wondering what could have been. Fitch ends up in Mexico, where he drifts until a turn of bad luck forces him to return home. Meanwhile, retired FBI agent Frank Marshall, struggling with his new life of leisure - fishing, drinking too much, tempted to embark on an affair with a female witness - decides to help a young agent determined to solve the case of D.B. Cooper. This is an odyssey, a manhunt, a gripping and frequently hilarious tale.

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"Know why she's smiling?" he asked, pointing a small torch at the corpse. "Fish hooks. Two fish hooks at the corners of her mouth, a bit of nylon, pull it round the back of the head and tie a knot." Amaldi noticed the metallic glint at the corners of the taut mouth. Inspector Amaldi had enough problems. A city choked by a rubbish strike, a beautiful student harassed by a telephone stalker, an arson case at the city orphanage. Then the mutilated bodies begin to appear.

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Stratos Gazis hates being called a contract killer. What he is, is a conscientious fixer. He fixes problems that are only mentioned in whispers. That very few can fix. Things that people are willing to pay handsomely to get done, without wanting to know about the small stuff - just that the job was carried out. Stratos is their man, provided that his meticulous research shows him that the targets deserve their fate. As he says, "I'm a kind of Robin Hood. I hunt down the villains. And I rob them. Of their lives." But now, in the midst of the Greek economic crisis and political turmoil, during a melancholy winter which makes life in Athens even more unbearable than usual, this film-noir loving caretaker with the strict moral code is about to get involved in the most high-profile case of his contract killer career. He finds himself caught between the most beloved lawyer in Greece, known as "the guardian of the poor", and his actress and model wife, the most desirable woman in the country. They are both in dire need of his killing services, but which one is telling the truth? Helped by three childhood friends, Costas Dragas, a homicide cop, Teri, a transsexual high-class hooker and Maria, the passion of his life, he discovers that truth, in shattered loves and broken families, is, as ever, a relative thing.

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Leila is young, beautiful and a hustler. She robs hapless men picked up in the trendy nightclubs of Bologna. Easy money, until she ends up with a document at the centre of a carefully crafted plot of political blackmail. In an atmosphere of intense underworld paranoia she is pursued simultaneously by two secret service operatives, a goon hired by the blackmailer and the police. They are after the document and a suitcase full of dollars meant to be the pay-off. Chased through the streets of Bologna she comes across Francesco, a bus driver and gambling addict who spends most of his time running from the Bear, a terrifying debt collector for the mob. Suitcases and blackmail notes change hands at a frenetic pace against a background of murder and other violence beyond the fringe. A savagely funny crime adventure with an Italian twist.

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The morning after a gruelling psychotherapy session in a Warsaw monastery, Henryk Telak is found dead, a roasting spit stuck in one eye. The case lands on the desk of State Prosecutor Teodor Szacki. World-weary, suffering from bureaucratic exhaustion and marital ennui, Szacki feels that life has passed him by, but this case changes everything. He must steer his way among a gallery of colourful characters: a flirtatious young journalist, an eccentric psychiatrist, a lecherous police colleague and a paranoid historian. Szacki's search for the killer unearths another murder that took place twenty years earlier, before the fall of Communism. The trail leads to facts that, for his own safety, he'd be better off not knowing.

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Tokyo, 1958. Teiko marries Kenichi Uhara, ten years her senior, an advertising man recommended by a go-between. After a four-day honeymoon, Kenichi vanishes. Teiko travels to the coastal and snow-bound city of Kanazawa, where Kenichi was last seen, to investigate his disappearance. When Kenichi’s brother comes to help her, he is murdered, poisoned in his hotel room. Soon, Teiko discovers that her husband’s disappearance is tied up with the so-called “pan-pan girls”, women who worked as prostitutes catering to American GIs after the war. Now, ten years later, as the country is recovering, there are those who are willing to take extreme measures to hide that past.

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