Search results for ""Author Walt"

One Great Author. One Great CD.A poem by Whitman may be whoops and hollers, or beating of drums, or the ebb of the tide singing to itself among the stones, or laments in the night or cries of ecstasy. Indeed, Whitman was the wind which blew poetry from its moorings in tradition and sent it into fresher waters; his poems celebrating the grandness of the human condition are cadenced for the voice and meant to be spoken aloud. In this recording drawn from the Caedmon archives, reader Ed Begley, Sr. performs selections from Whitman’s lifelong work, Leaves of Grass.

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Walt Whitman's short stint in New Orleans during the spring of 1848 was a crucial moment of literary and personal development, with many celebrated poems from Leaves of Grass showing its influence. Walt Whitman's New Orleans is the first book dedicated to republishing his writings about the Crescent City, including numerous previously unknown pieces. Often spending his afternoons strolling through the vibrant city with his brother in tow, the young Whitman translated his impressions into short prose sketches that cataloged curious sights, captured typical characters one might meet on the levee, and joked about the strangeness of urban life. Including the first complete run of a fictional, multipart series titled "Sketches of the Sidewalks and Levee," Walt Whitman's New Orleans pairs his glimpses of the city with historical illustrations, supplementary texts, detailed annotations, and an introduction by editor Stefan Schöberlein that offers new insights on the poet's southern sojourn. Whitmanites, history enthusiasts, and lovers of New Orleans will find much to treasure in these humorous, evocative scenes of antebellum city life.

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Published in conjunction with an eponymous Grolier Club exhibition, this catalogue presents the story of Walt Whitman’s coming of age as a poet through a unique assemblage of rare books, manuscripts, and artifacts, many never before seen, from the Whitman Collection of Susan Jaffe Tane, archives such as the Feinberg Collection at the Library of Congress and the New York Public Library's Berg Collection, private family collections, and forgotten treasures from Bryn Mawr College's Special Collections and the Brooklyn College Library.

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The eagerly anticipated second volume featuring more thrills, chills and epic quests of the iconic Mickey Mouse.

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How Walt Disney and the Disney Studios wove the aesthetics of French decorative arts into the fairy-tale worlds of beloved animated films, from Cinderella to Beauty and the Beast and beyond Pink castles, talking sofas, and objects coming to life: what may sound like the fantasies of Hollywood dream-maker Walt Disney were in fact the figments of the colorful salons of Rococo Paris. Exploring the novel use of French motifs in Disney films and theme parks, this publication features forty works of eighteenth-century European design—from tapestries and furniture to Boulle clocks and Sèvres porcelain—alongside 150 Disney film stills, drawings, and other works on paper. The text connects these art forms through a shared dedication to craftsmanship and highlights references to European art in Disney films, including nods to Gothic Revival architecture in Cinderella (1950); bejeweled, medieval manuscripts in Sleeping Beauty (1959); and Rococo-inspired furnishings and objects brought to life in Beauty and the Beast (1991). Bridging fact and fantasy, this book draws remarkable new parallels between Disney’s magical creations and their artistic inspirations.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (December 10, 2021–March 6, 2022)Wallace Collection, London (April 6–October 16, 2022)Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA (December 10, 2022–March 27, 2023)

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On November 18, 1928, the world’s most famous mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney’s and Ub Iwerks’s most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney’s vast historical collections as well as public and private collections, the authors bring Mickey’s success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Unfinished projects, many of them presented for the first time through original storyboard drawings, unveil a Mickey that might have been. Extensive archival research sheds new light on little-known chapters of Mickey’s career, such as his pioneering radio shows, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, César Ferioli, and Noel Van Horn.Mickey Mouse has left an indelible mark on everyday culture. As Walt Disney once said: “I only hope that we never lose sight of one thing—that it was all started by a mouse.” And an end to the success story is nowhere in sight. Today, 90 years after his creation, Mickey remains as lovable and popular as ever. Let’s pay tribute to the little fellow, his legend, and his legacy with a monument to the one and only Mickey Mouse.Copyright © 2023 Disney Enterprises, Inc.

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Gasoline Alley clearly belongs in the cannon as a deeply American masterwork of cartooning. -Time.comWalt and Skeezix: Book Two collects the Gasoline Alley strips by the great American cartoonist Frank King from 1923 to 1924. King was the first cartoonist to have his characters age in real time and have modern story lines, a landmark conception for comic strips in the early twentieth century. There is a new eighty-page introduction by journalist Jeet Heer.

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Walt Whitman has served as a crucial figure within the tradition of Jewish American poetry. But how did Whitman, a non-Jewish, American-born poet, become so instrumental in this area of poetry, especially for poets whose parents, and often they themselves, were not “born here?” Dara Barnat presents a genealogy of Jewish American poets in dialogue with Whitman, and with each other, and reveals how the lineage of Jewish American poets responding to Whitman extends far beyond the likes of Allen Ginsberg. From Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, Alicia Suskin Ostriker, and Gerald Stern, this book demonstrates that Whitman has been adopted by Jewish American poets as a liberal symbol against exclusionary and anti-Semitic elements in high modernist literary culture. The turn to Whitman serves as a mode of exploring Jewish and American identity.

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A los doscientos años de su nacimiento, la figura de Walt Whitman destaca aún como la voz poética más importante de la era moderna. Este libro recorre su vida el entorno urbano e intelectual en el que se movió, así como su trabajo voluntario en los hospitales durante la guerra civil y su obra, desde la escritura y autopromoción de Hojas de hierba hasta el trascendentalismo de Redobles de tambor.

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Mark Doty has always felt haunted by Walt Whitman’s bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty—a poet, a New Yorker, and an American—keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work. What is it then between us? Whitman asks. In search of an answer, Doty explores spaces—both external and internal—where he finds the poet’s ghost. He meditates on desire, love, and the mysterious wellsprings of the poet’s enduring work: a radical experience of transformation and enlightenment, queer sexuality, and an obsession with death, as well as unabashed love for a great city and for the fresh, rowdy character of American speech. In riveting close readings threaded with personal memoir and illuminated by awe, Doty reveals the power of Whitman’s persistent presence in his life and in the American imagination at large. How does a voice survive death? What Is the Grass is a conversation across time and space, a study of the astonishment one poet finds in the accomplishment of another, and an attempt to grasp Whitman’s deeply hopeful vision of human possibility.

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This introductory guide to Walt Whitman weaves together the writer’s life with an examination of his works. · An innovative introductory guide to Walt Whitman. · Weaves together the writer’s life with an examination of his works. · Focuses especially on Whitman’s evolving masterpiece Leaves of Grass. · Examines the material conditions and products of Whitman’s “scripted life”, including his original manuscripts. · Investigates Whitman’s “life in print” – his belief that he could literally embody himself in his books. · Linked to a large electronic archive of Whitman’s work at www.whitmanarchive.org

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This special Birnbaum guide offers honest advice and reviews directly from kids, Hidden Mickey alerts, maps, and character autograph pages. Trust Birnbaum as your 2024-2025 guide for: insider tips for young readers; kid-friendly descriptions of all theme park shows and attractions; colorful maps, photos, Disney character illustrations, and more! Inside this book, find out how to: join an all-new musical journey with Tiana''s Bayou Adventure!; zoom aboard TRON Lightcycle/Run the fastest indoor coaster ever built at a Disney park; cook up some fun at Remy''s Ratatouille Adventure; fly the Millennium Falcon starship and join the Resistance in Star Wars: Galaxy''s Edge; swoop and soar on Slinky Dog Dash - a kid-pleasing roller coaster in Toy Story Land; meet your favorite Disney characters, including Mickey Mouse!; preserve your memories in a special scrapbook section. (There is room for character autographs, too).

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Lonely Planet's Pocket Orlando Walt Disney World Resort is your guide to the city's best experiences and local life - neighborhood by neighborhood. Meet iconic Disney heroes, have an adventure at Legoland and unwind in Winter Park; all with your trusted travel companion. Uncover the best of Orlando and Disney World and make the most of your trip!Inside Lonely Planet's Pocket Orlando & Walt Disney World Resort:Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020's COVID-19 outbreakFull-color maps and travel photography throughoutHighlightsand itineraries help you tailor a trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential infoat your fingertips - hours of operation, phone numbers, websites, transit tips, pricesHonest reviews for all budgets - eating, sightseeing, going out, shopping, hidden gems that most guidebooks missConvenient pull-out Orlando map (included in print version), plus over 24 color neighborhood mapsUser-friendly layout with helpful icons, and organized by neighborhood to help you pick the best spots to spend your timeCovers Walt Disney World Resort, Universal Studios, Legoland, Downtown Orlando, Loch Haven, Winter Park and moreThe Perfect Choice:Lonely Planet's Pocket Orlando & Walt Disney World Resort, an easy-to-use guide filled with top experiences - neighborhood by neighborhood - that literally fits in your pocket. Make the most of a quick trip to Orlando and Disney World with trusted travel advice to get you straight to the heart of the area.Looking for more extensive coverage? Check out Lonely Planet's Eastern USA guide for a comprehensive look at all that the region has to offer.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travelers. You'll also find our content online, and in mobile apps, videos, 12 international magazines, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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A rich and detailed look at the man behind the iconic Walt Disney name.

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Mark Doty has always felt haunted by Walt Whitman’s perennially new American voice, and by his equally radical claims about body and soul. In What Is the Grass, Doty effortlessly blends biography, criticism, and memoir to keep company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.

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In influx & efflux Jane Bennett pursues a question that was bracketed in her book Vibrant Matter: how to think about human agency in a world teeming with powerful nonhuman influences? “Influx & efflux”—a phrase borrowed from Whitman's "Song of Myself"—refers to everyday movements whereby outside influences enter bodies, infuse and confuse their organization, and then exit, themselves having been transformed into something new. How to describe the human efforts involved in that process? What kinds of “I” and “we” can live well and act effectively in a world of so many other lively materialities? Drawing upon Whitman, Thoreau, Caillois, Whitehead, and other poetic writers, Bennett links a nonanthropocentric model of self to a radically egalitarian pluralism and also to a syntax and style of writing appropriate to the entangled world in which we live. The book tries to enact the uncanny process by which we “write up” influences that pervade, enable, and disrupt us.

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Collage of Myself presents a groundbreaking account of the creative story behind America’s most celebrated collection of poems. In the first book-length study of Walt Whitman’s journals and manuscripts, Matt Miller demonstrates that until approximately 1854 (only a single year before the first publication of Leaves of Grass), Whitman—who once speculated that Leaves would be a novel or a play—was unaware that his ambitions would assume the form of poetry at all. Collage of Myself details Whitman’s discovery of a remarkable new creative process that allowed him to transform a diverse array of texts into poems such as “Song of Myself” and “The Sleepers.” Whitman embraced an art of fragments that encouraged him to “cut and paste” his lines into ever-evolving forms based on what he called “spinal ideas.” This approach to language, Miller argues, represents the first major use in the Western arts of the technique later known as collage, an observation with significant ramifications for our reception of subsequent artists and writers. Long before the modernists, Whitman integrated found text and ready-made language into a revolutionary formulation of artistic production that anticipates much of what is exciting about modern and postmodern art. Using the Walt Whitman Archive’s collection of digital images to study what were previously scattered and inaccessible manuscript pages, Miller provides a breakthrough in our understanding of this great American literary icon.

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Why is Walt Whitman’s face as familiar as his poetry? In answering this question, Ruth Bohan tells a story of self-invention and portraiture. Whitman approached successive editions of Leaves of Grass as opportunities to establish close, dynamic links between his poetry and visual representation. Bohan shows as well that Whitman, who sought out friendships with numerous artists, left a legacy absorbed after his death into the fabric of American modernism.Looking into Walt Whitman provides ample evidence that the poet’s engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Through discussion of Whitman’s gradual emergence as an American, democratic, and radical figure, the book opens new ways to assess his impact upon such artists as Thomas Eakins, Joseph Stella, and Marsden Hartley.Biography, art history, and the history of literature come together in Bohan’s rich, suggestive book. Based on years of research, it presents valuable information about Whitman portraiture; the publishing of his masterpiece, Leaves of Grass; artists’ responses to his transgressive persona; and Robert Coady’s work on The Soil, among other pivotal topics.The many images, reproduced in color or as duotones, will be of significance both to Whitman specialists and to readers seeking an introduction to Whitman’s role as a poet who vitally shaped both the visual and literary arts of America.

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Joined together in an “economic development marriage,” Walt Disney World and Orlando, Florida, have become the world’s most popular tourist destination. This intriguing book traces the evolution of the relationship between the Disney Co. and the surrounding community since it began in the 1960s. Like most close relationships, the Disney-Orlando union has involved conflict and compromise. Richard Foglesong shows that this evolving relationship validates the adage: whom you marry affects what you may become. Foglesong explains how Orlando leaders seduced the Disney Co. with big road projects, how the Disney Co. shielded its property from government regulation, and how the company has used the governmental powers it acquired. In short, Disney World has become a “Vatican with Mouse ears,” the author declares. In a balanced and thorough analysis of the Disney-Orlando story, Foglesong offers a critical account of how Disney has used - and also abused - its governmental immunities from the beginning of Disney World to the present under chairman Michael Eisner. Orlando’s experience with its biggest local employer raises broad questions about urban development policy. Can local leaders resist the demands of global corporations? Do privatization and deregulation offer a viable strategy for economic development? And is it possible to escape the weight of previous economic development decisions that seem to lock in, for example, more tourism and low wages, while locking out other opportunities?

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Hack your next Disney vacation to make the most magical place on earth the absolute happiest it can be with this updated guide to getting the most out of your visit.Did you know… -Some attractions inflate their wait time at the end of the day to discourage riders from entering the line when they’re preparing to close? Check the rides in person...you might be able to cut your wait time in half since there might not actually be a long line! -Although pricier, Genie+ can sometimes come with extra “freebies”—if you know where to look? A great benefit is free digital downloads of select Disney PhotoPass attraction photos. -Packing something as simple as an extra pair of socks can really save your Disney day? Whether you’re met with unexpected weather or are just tired from miles (literally!) of walking, switching out your socks halfway through the day can provide a much-needed refresh. Hack your nex

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In the midst of a crisis of democracy, we have much to learn from Walt Whitman’s journey toward egalitarian selfhood.Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself.Esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach.In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self and nation.

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One of the most creative minds of the 20th century, Walt Disney built a unique and unrivaled imaginative universe. Like scarcely any other classics of cinema, his astonishing collection of animated cartoons revolutionized storytelling on screen and enchant to this day across geographies and generations. In this most expansive illustrated publication on Disney animation, some 1,500 images and essays by eminent Disney experts take us to the beating heart of the studio’s “Golden Age of Animation.” This landmark book traces Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and the pioneering artistic experiment Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967). With extensive research conducted through the historical collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life. Masterful cel setups provide highly detailed illustrations of famous film scenes while rare pictures taken by Disney photographers and excerpts from story conferences between Walt and his staff bring a privileged insider’s view to the studio’s creative process. Each of the major animated features that were made during Walt’s lifetime—including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, Lady and the Tramp, and One Hundred and One Dalmatians—are given their own focus chapter, without forgetting less familiar gems such as the experimental short films of the Silly Symphonies series and underappreciated episodic musical films such as Make Mine Music and Melody Time, all of which receive the same meticulous research and attention. Many unfinished projects, among them the proposed sequels to the legendary musical Fantasia or a homage to Davy Crockett by painter Thomas Hart Benton, are also highlighted with rarely seen artworks, many of them previously unpublished. Throughout, contributions from leading Disney specialists detail the evolution of each respective film. Realizing the Disney style was a collective project and, as much as the master himself, The Walt Disney Film Archives acknowledges the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Carl Barks, Mary Blair, Sylvia Holland, Tyrus Wong, Ken Anderson, Eyvind Earle, and Walt Peregoy. Copyright © 2021 by Disney Enterprises, Inc.

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American literature and culture are inconceivable without the towering presence of Walt Whitman. Expansive, ecstatic, original in ways that continue to startle and to elicit new discoveries, Whitman’s poetry is a testament to the surging energies of 19th-century America and a monument to the transforming power of literary genius. His incantatory rhythms, revolutionary sense of Eros, and generous, all-embracing vision invite renewed wonder at each reading. Although he has been a defining influence for many poets—Garcia Lorca, Fernando Pessoa, Robinson Jeffers, and Allen Ginsberg—his style is ultimately inimitable, and his achievement unsurpassed in American poetry.“One always wants to start out fresh with Whitman,” writes Harold Bloom in his introduction, “and read him as though he never has been read before.” In a selection that ranges from early notebook fragments and the complete “Song of Myself” to the valedictory “Good-bye My Fancy!,” Bloom has chosen 47 works to represent “the principal writer that America—North, Central, or South—has brought to us.”About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

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