Search results for ""Author Thomas, Graham A"

As US-Russian relations scrape the depths of cold-war antagonism, the promise of partnership that beguiled American administrations during the first post-Soviet decades increasingly appears to have been false from the start. Why did American leaders persist in pursuing it? Was there another path that would have produced more constructive relations or better prepared Washington to face the challenge Russia poses today? With a practitioner's eye honed during decades of work on Russian affairs, Thomas Graham deftly traces the evolution of opposing ideas of national purpose that created an inherent tension in relations. Getting Russia Right identifies the blind spots that prevented Washington from seeing Russia as it really is and crafting a policy to advance American interests without provoking an aggressive Russian response. Distilling the Putin factor to reveal the contours of the Russia challenge facing the United States whenever he departs the scene, Graham lays out a compelling way to deal with it so that the United States can continue to advance its interests in a rapidly changing world.

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Fun and educational, these unique playing cards are beautifully illustrated with detailed cells and cellular structures - perfect for science lovers and cell biologists of all ages! Card faces features favorite illustrations from the textbook Cell Biology by Thomas D. Pollard et al. - from the clathrin triskelion and its three-fold symmetry on the 3 to mitotic chromosome structure on the Queen! Standard 52-card deck with illustrations of echinospherium, seipin ring, muscle thin filament with troponin-tropomyosin, and more. Jokers feature illustrations of cdk2-cyclin A (red joker) and endoplasmic reticulum (black joker). Fourteen different card faces in all featuring the well-loved cellular illustrations of Graham Johnson!

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In our post-9/11 world of shoe bombers and cyberterrorism, a crude nuclear device no larger than a baseball could devastate a major city. As we live in fear of attacks of unknown proportion, why do people remain confused and complacent in the face of potential disaster? Ambassador Thomas Graham Jr. believes that a tide of misinformation has led to the public’s lack of understanding of the vital issues. Here, in a straightforward and comprehensible style, Graham concisely provides the background necessary to understand the news and opinions surrounding WMDs. Common Sense on Weapons of Mass Destruction presents accessible, up-to-date facts on: -nuclear proliferation and nuclear terrorism -chemical and biological weapons -land mines and small arms -missile defense and WMDs in outer space -WMDs in the Middle East and Asia

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In 2000, a sixteenth-century manuscript containing a copy of a previously unknown play in Middle Cornish, probably composed in the second half of the fifteenth century, was discovered among papers bequeathed to the National Library of Wales, Aberystwyth. This eagerly awaited edition of the play, published in association with the National Library of Wales, offers a conservatively edited text with a facing-page translation, and a reproduction of the original text at the foot of the page – vital for comparative purposes. Also included are a complete vocabulary, detailed linguistic notes, and a thorough introduction dealing with the language of the play, the hagiographic background of the St Kea material and the origins of other parts in the work of Geoffrey of Monmouth. The theme of the play is the contention between St Kea, patron of Kea parish in Cornwall, and Teudar, a local tyrant. This is combined with a long section dealing with the dispute over tribute payments between King Arthur and the Emperor Lucius Hiberius; Queen Guinevere’s adultery with Arthur’s nephew Modred; the latter’s invitation to Cheldric and his Saxon hordes to come to Britain to assist him in his conflict with his uncle; and Arthur’s battle with Modred. Winner of the 2008 Holyer An Gof Award for Cornish language publications.

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During the Allied advance across northwest Europe in 1944, the opening up of the key port of Antwerp was a pivotal event, yet it has been neglected in histories of the conflict. The battles in Normandy and on the German frontier have been studied often and in detail, while the fight for the Scheldt estuary, Walcheren and Antwerp itself has been treated as a sideshow. Graham Thomas's timely and graphic account underlines the importance of this aspect of the Allied campaign and offers a fascinating insight into a complex combined-arms operation late in the Second World War. Using operational reports and vivid first-hand eyewitness testimony, he takes the reader alongside 21 Army Group as it cleared the Channel ports of Calais, Boulogne and Dunkirk, then moved on to attack the Scheldt and the island stronghold of Walcheren. Overcoming entrenched German resistance there was essential to the whole operation, and it is the climax of his absorbing narrative.

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Shortlisted for the Scottish Poetry Book of the Year 2021. This first anthology of 'Apocalyptic' or neo-romantic poetry since the nineteen-forties includes over 150 poets, many well known (Dylan Thomas, W.S. Graham), and others quite forgotten (Ernest Frost, Paul Potts). Over forty of the poets are women, of whom Edith Sitwell is among the most exuberant. Much of the contents has never previously been anthologised; many poems are reprinted for the first time since the 1940s. The poetry of the Second World War appears in a new context, as do early Tomlisnon and Hill. Here readers can enjoy an overview of the visionary-modernist British and Irish poetry of the mid-century, its antecedents and its aftermath. As a period style and as a body of work, Apocalyptic poetry will come as a revelation to most readers.

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'The terror's exquisite. Fracassi's got his hand on the chisel going into your chest' Stephen Graham Jones, author of The Only Good Indians'THE MOST FRIGHTENING NOVEL OF THE YEAR' EsquireThe Exorcist meets Lord of the Flies, by way of Midnight Mass, Boys in the Valley is a chilling folk horror set in a remote orphanage in turn of the century Pennsylvania.St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future. . . a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives - and perhaps their eternal souls - are at risk.Praise for Boys in the Valley:'Fracassi makes terror read so damn beautifully' Victor LaValle, author of The Changeling'An unrelenting and highly entertaining show of horrors' Thomas Olde Heuvelt, author of Hex'A smart and deftly-written tale instilled with the kind of creeping, claustrophobic horror I enjoy' Nick Cutter, author of The Troop'As poignant as it is chilling, with a fast-paced, unflinching ending' Alma Katsu, author of The Hunger'The most unsettling novel I have read all year. Cold dread clings to every page' Ronald Malfi, author of Black Mouth'Harrowing and claustrophobic' Christopher Golden, author of Road of Bones'Fracassi. . . builds his horrific tales slowly and carefully...he's especially skilful at creating, and sustaining, suspense' The New York Times'Gut-wrenching, heart breaking, and terrifying' Andy Davidson, author of The Boatman's Daughter'Horror readers will be hooked' Publishers Weekly'A riveting, and horrifying, tale of survival set against a punishing and vivid backdrop.' Victor LaValle'Fracassi. . . brings a depth of understanding to his monsters, human and otherwise' Guardian'Fracassi's storytelling is. . . horror with a big, broken heart' Esquire'His range, prolific output, and fast-paced prose are all set to put him on the shelf next to names such as King, Straub, and Thomas Harris' Signal Horizon

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This deeply informed and lavishly illustrated book is a comprehensive introduction to the modern study of Middle English manuscripts. It is intended for students and scholars who are familiar with some of the major Middle English literary works, such as The Canterbury Tales, Gawain and the Green Knight, Piers Plowman, and the romances, mystical works or cycle plays, but who may not know much about the surviving manuscripts. The book approaches these texts in a way that takes into account the whole manuscript or codex—its textual and visual contents, physical state, readership, and cultural history. Opening Up Middle English Manuscripts also explores the function of illustrations in fashioning audience response to particular authors and their texts over the course of the fourteenth and fifteenth centuries. Kathryn Kerby-Fulton, Linda Olson, and Maidie Hilmo—scholars at the forefront of the modern study of Middle English manuscripts—focus on the writers most often taught in Middle English courses, including Geoffrey Chaucer, William Langland, the Gawain Poet, Thomas Hoccleve, Julian of Norwich, and Margery Kempe, highlighting the specific issues that shaped literary production in late medieval England. Among the topics they address are the rise of the English language, literacy, social conditions of authorship, early instances of the "Alliterative Revival," women and book production, nuns’ libraries, patronage, household books, religious and political trends, and attempts at revisionism and censorship. Inspired by the highly successful study of Latin manuscripts by Raymond Clemens and Timothy Graham, Introduction to Manuscript Studies (also published by Cornell), this book demonstrates how the field of Middle English manuscript studies, with its own unique literary and artistic environment, is changing modern approaches to the culture of the book.

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The exciting tales of these fifty boys who were used by God will inspire young readers. The stories of Billy Graham, C.S. Lewis, Martin Luther and many others are brought to life by award–winning author Irene Howat. Each book contains the stories of ten boys who grew up to be used by God in amazing ways. Readers will not only be amazed at the bravery, cleverness and faith of these boys, but will be inspired to look to the God who worked through each of them. The books contain ten easy to read chapters of equal length. Each character’s chapter begins with an incident or memory from their childhood, reminding the reader that people who grew up to do amazing things were once children just like them. The chapters have a fact file, a keynote, a think spot and a prayer to help think through and apply what has been learned in the chapter. The books also conclude with a quiz to see how much the reader remembers. This box set contains all five Ten Boys books in a cardboard slipcase. The set includes: Ten Boys Who Changed the World (Brother Andrew; John Newton; Billy Graham; Eric Liddell; William Carey; David Livingstone; Nicky Cruz; Adoniram Judson; George Muller; and Luis Palau) Ten Boys Who Used Their Talents (Wilfred Grenfell; C.S. Lewis; James Clerk Maxwell; Ghillean Prance; Paul Brand; Johann Sebastian Bach; Samuel Morse; George Washington Carver; C.T. Studd; and John Bunyan) Ten Boys Who Made History (Samuel Rutherford; John Owen; Jonathan Edwards; George Whitefield; Robert Murray McCheyne; Dwight L. Moody; Billy Sunday; Charles H. Spurgeon; Aiden W. Tozer; and Martyn Lloyd–Jones) Ten Boys Who Didn’t Give In (Polycarp; Alban; Sir John Oldcastle; Thomas Cranmer; George Wishart; James Chalmers’ Dietrich Bonhoeffer; Nate Saint; Ivan Moiseyev; and Graham Staines) Ten Boys Who Made a Difference (Augustine of Hippo; Jan Hus; Martin Luther; Ulrich Zwingli; William Tyndale; Hugh Latimer; John Calvin; John Knox; Lord Shaftesbury; and Thomas Chalmers) The Lightkeepers introduces readers aged 8–12 to the enjoyment of reading Christians biographies. The series also includes Ten Girls Who Changed the World; Ten Girls Who Used Their Talents; Ten Girls Who Made History; Ten Girls Who Didn’t Give In; Ten Girls Who Made a Difference; and Lightkeepers Girls Box Set.

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*** Join the residents of Larkford for a festive fling as the snow falls, secrets are revealed and romance blossoms under the mistletoe! *** 'Full of humour, warmth and characters you care about - this is a festive read you're sure to love' Woman's Weekly Larkford Surgery is the heart of a tightknit community in the Cotswolds, as well as a hotbed of drama, rivalry, resentment and romance - and that's just the doctors … Dr Holly Graham is finding life with two sets of twins exhausting. Even with husband Dr Taffy Jones and devoted friend Elsie by her side, she is completely outnumbered. Making the transition back to work will be no easy feat but a regular slot on Radio Larkford as their on-air doctor might be the perfect stepping stone, until an unexpected job offer changes everything. Dr Alice Walker’s new canine clinic at Larkford Surgery with Coco, her assistance dog, has been a storming success. If only shipping her best friend, Dr Tilly Grainger, in from South America to cover for Holly had been such a smooth transition. It seems that Tilly isn’t finding life in the peaceful Cotswolds valley as rewarding as she’d hoped, and she is causing chaos ... Curl up with the wonderful new novel from the bestselling author of Out of Practice and winner of the RNA Romantic Comedy Award 2017.***Also published in eBook and paperback as Snowed in With You*** Praise for Penny Parkes 'Hugely enjoyable’ Catherine Isaac ‘Larkford is still my happy place’ Katie Fforde 'Delightfully warm' Jo Thomas ‘Has everything: warmth, humour, drama, laughter and a few tears’ Milly Johnson ‘A pure delight’ Julie Cohen

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Multinational Firms and International Relocation addresses the impact of inward foreign direct investment on the host country and the extent to which it displaces jobs at home. Multinational firms in the United States, Japan and the European Union are focused on by a distinguished group of international business scholars who include Giovanni Balcet, Pierre-Andre Buigues, Wong Yu Ching, John H. Dunning, Edward M. Graham, F. Harianto, Thomas Hatzichronglou, Alexis Jacquemin, Terutomo Ozawa, E. Safarian, Philippe Saucier, Yoko Sazanami and Hideki Yamawaki. Issues addressed include European industrial relocations in low wage countries, US direct investments abroad, the strategies of Japanese multinationals, the impact of foreign investment on the domestic manufacturing industry of OECD countries, and multinationals and technology diffusion in South East Asia.International business scholars, business strategists and policy makers will welcome Multinational Firms and International Relocation for the combination of insights and analysis it offers on the strategies of multinational firms, the impacts of their relocation policies and the evolution of the delocalization debate.

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Love poems and not-love poems: fierce and gentle, passionate and bitter, pushing at the boundaries of minimalist language, Michelene Wandor's latest poetry collection from Arc certainly packs an emotional punch despite the brevity of many of the poems and the economies of space on the page. As the poet urges us: Read and feel.'Technically, there's nothing startlingly modernistic about Michelene Wandor's poetry it's the whole focus of attention which places it alongside an older achievement in Anglophone poetry from Eliot and Pound to Thomas and Graham and those who have survived the so-called revival' in the 1960s. These poets were not willing to accept the singular view of human experience there is a restless searching extension towards greater boundaries, a multiplication of significance at any point allowing units of meaning to float' off towards glimpsed affinities.. In Wandor's poetry, these units of meaning stand alone, contributing to the continuing address but separable and re

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Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's 'Inside the Whale', providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carré, Raymond Carver, Philip Roth and Thomas Pynchon among others.Profound, passionate and insightful, Imaginary Homelands is a masterful collection from one of the greatest writers working today.

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Classical Modernism is an inexhaustible source of inspiration for the generations of artists that followed. This catalogue sheds new light on the relationship between modern and contemporary art across the generations and across the genres, through the encounter between the artists featured in two outstanding collections. In the early twentieth century the avant-garde prepared the way for a free treatment of colour, line and space and created new community models. Many contemporary artists have studied the legacy of modernism and pose new questions concerning the treatment of body, gender and identity. The new presentation of the modern art collection in the Pinakothek der Moderne shows these new ideas in cooperation with the Sammlung Goetz. Works of art from both collections as well as the Stiftung Ann und Jürgen Wilde enter into a new kind of dialogue. Artists: Francis Bacon, Max Beckmann, Huma Bhabha, Louise Bourgeois, Max Ernst, Peter Fischli and David Weiss, Rodney Graham, Florence Henri, Wassily Kandinsky, Ernst Ludwig Kirchner, Kathe Kollwitz, Jonathan Lasker, Sarah Lucas, Franz Marc, Henri Matisse, Paulina Olowska, Pablo Picasso, Thomas Schütte, Kiki Smith and Wolfgang Tillmans et. al.

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On 2 August 1708 Captain Woodes Rogers set sail from Bristol with two ships, the Duke and Dutchess, on an epic voyage of circumnavigation that was to make himfamous. His mission was to attack, plunder and pillage Spanish ships wherever he could. And, as Graham Thomas shows in this tense and exciting narrative, after a series of pursuits and sea battles he returned laden with booty and with a reputation as one of the most audacious and shrewd fighting captains of the age. He was then appointed governor of the Bahamas by George I with the task of suppressing the pirates who roamed this corner of the Caribbean and preyed on its shipping. He was equally successful as a privateer and pirate-hunter in an age when brutality and ruthlessness were the law of the sea. This study of Woodes Rogers is the first modern biography of an extraordinary adventurer. It is fascinating reading.

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Available again in paperback, this study offers a rigorous critical re-reading of fictions of humanity, history, technology and postmodern culture.Taking psychoanalysis into cyberspace, the book develops an innovative theoretical perspective on the relationship between bodies and machines to offer a focused re-examination of notions of desire, metaphor, sexed identity and difference and the process of technological transformation.The book unravels one figure in a detailed, lucid and extensive revision of Lacanian psychoanalysis in association with postmodern theory, feminism and deconstruction. Problematising the easy conjunction of human bodies and inhuman technology, the navel opens into networks of desire, history, culture and machines. Linked to the unconscious, to jokes and dreams, navels appear on the bodies of replicants and in the technological matrix, a strange excess in a future imagined in terms of corporeal ‘meat’ or posthuman machine. Exploring the significance of this omphalic excess, the book closely examines postmodern and cyberpunk texts (by Thomas Pynchon, Graham Swift, Julian Barnes, William Gibson, Rudy Rucker) alongside detailed readings of contemporary cultural critics and theorists.

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When R.S. Thomas died in 2000, two seminal studies of modern art were found on his bookshelves - Herbert Read's Art Now (1933) and Surrealism (1936), edited by Read and containing essays by key figures in the Surrealist movement. Some three dozen previously unknown poems handwritten by Thomas were then discovered between the pages of the two books, poems written in response to a selection of the many reproductions of modern art in the Read volumes, including works by Henry Moore, Edvard Munch, George Grosz, Salvador Dali, Rene Magritte and Graham Sutherland - many of whom were Thomas's near contemporaries. These poems are published here for the first time - alongside the works of modern art that inspired them. Thomas's readings of these often unsettling images demonstrate a willingness to confront, unencumbered by illusions, a world in which old certainties have been undermined. Personal identity has become a source of anguish, and relations between the sexes a source of disquiet and suspicion.Thomas's vivid engagements with the works of art produce a series of dramatic encounters haunted by the recurring presence of conflict and by the struggle of the artist who, in a frequently menacing world, is 'too brave to dream'. At times we are offered an unflinching vision of 'a landscape God / looked at once and from which / later he withdrew his gaze'.

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‘Isn’t it lovely to have moments in your life where you think, oh, nothing can beat that. Nothing.’ George GrahamAnfield, May 26th 1989. The final day of the Division One season. An iconic underdog story.Set against the backdrop of Hillsborough disaster, and during an emotional era in football long before the Premier League as we now know it, 89 is an oral history of a sporting moment so unusual it felt instantly historic. Drawing on years of research, writer Amy Lawrence brings together fascinating and never-before seen testimony from the voices who were there, on the pitch, off it, and beyond. 89 creates a definitive and kaleidoscopic portrait of a match that changed English football forever. ‘Once it hits the net I’m just thinking ecstasy really. It’s incredible. I’ve done what I wanted to do. That’s that feeling. I’ve done it.’ Michael Thomas

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THE BRAND NEW BESTSELLER FROM THE AUTHOR OF OUT OF PRACTICELove and laughter with the residents of Larkford is exactly what the doctor ordered! Dr Alice Walker has become accomplished at presenting a façade to the world – to anyone watching, she is the epitome of style, composure and professionalism. But perhaps it was to be expected that the cracks might begin to show at some point. Thankfully Grace is on hand to offer both friendship and support when it’s needed most. Meanwhile, Dr Holly Graham has her hands full both professionally and personally. Planning a wedding with Taffy Jones is challenging enough, even before some surprising news changes everything. At least beloved Larkford resident, Elsie, still has a few tricks left up her sleeve! Dr Dan Carter, on the other hand, has decided to throw himself into his career – the best antidote he’s found to unrequited love. When tragedy strikes in the heart of Larkford, Dan makes it his mission to help the community.Praise for Penny Parkes ‘A wonderful setting, characters you care about, a page-turning plot, laugh-out-loud funny. I loved it’ Katie Fforde 'Delightfully warm' Jo Thomas Penny Parkes' first novel, Out of Practice, won the RNA's ROMANTIC COMEDY OF THE YEAR AWARD in 2016.

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The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology so well-known from Jonathan Demme's Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris's novels and Demme's film adaptation, little critical attention has been paid to this newest iteration of the character and narrative.Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show's themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal's distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.

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The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology so well-known from Jonathan Demme's Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris's novels and Demme's film adaptation, little critical attention has been paid to this newest iteration of the character and narrative.Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show's themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal's distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.

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THE BRAND NEW BESTSELLER FROM THE AUTHOR OF OUT OF PRACTICELove and laughter with the residents of Larkford is exactly what the doctor ordered! Dr Alice Walker has become accomplished at presenting a façade to the world – to anyone watching, she is the epitome of style, composure and professionalism. But perhaps it was to be expected that the cracks might begin to show at some point. Thankfully Grace is on hand to offer both friendship and support when it’s needed most. Meanwhile, Dr Holly Graham has her hands full both professionally and personally. Planning a wedding with Taffy Jones is challenging enough, even before some surprising news changes everything. At least beloved Larkford resident, Elsie, still has a few tricks left up her sleeve! Dr Dan Carter, on the other hand, has decided to throw himself into his career – the best antidote he’s found to unrequited love. When tragedy strikes in the heart of Larkford, Dan makes it his mission to help the community.Praise for Penny Parkes ‘A wonderful setting, characters you care about, a page-turning plot, laugh-out-loud funny. I loved it’ Katie Fforde 'Delightfully warm' Jo Thomas Penny Parkes' first novel, Out of Practice, won the RNA's ROMANTIC COMEDY OF THE YEAR AWARD in 2017.

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"Thoroughly updated and revised, this new edition of Understanding Health Inequalities, edited by Hilary Graham, remains a welcome and timely contribution. Replete with thoughtful essays on health inequities analyzed in relation to societal structure, social position and geography ... the volume provides important insights into how class, racial/ethnic, gender, and spatial health inequities are produced - and how they can be rectified. The world economic crisis launched by the implosion of unregulated financial markets in the fall of 2008 only serves to underscore the volume's central conclusion: that government regulation and intervention, premised on a commitment to equity, is essential for tackling health inequalities. Health professionals, students, and any and all working for healthy and sustainable ways of living will benefit from this collection."Nancy Krieger, Harvard School of Public Health, USAUnderstanding Health Inequalities second edition provides an accessible and engaging exploration of why the opportunity to live a long and healthy life remains profoundly unequal. Hilary Graham and her contributors outline the enduring link between people’s socioeconomic circumstances and their health and tackle questions at the forefront of research and policy on health inequalities. These include: How health is influenced by circumstances across people's lives and by the areas in which they live How health is simultaneously shaped by inequalities of gender, ethnicity and socioeconomic position How policies can impact on health inequalities All the chapters have been specially written for the new edition by internationally-recognised researchers in social and health inequalities. The book provides an authoritative guide to these fields as well as presenting new research.Contributors Karl Atkin, Mel Bartley, G. David Batty, David Blane, Bo Burström, Danny Dorling, Anne Ellaway, Hilary Graham, Barbara Hanratty, Kate Hunt, Saffron Karlsen, Catherine Law, Sally Macintyre, James Nazroo, Naomi Rudoe, Bethan Thomas, Rachel Thomson, Margaret Whitehead

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This epoch-marking anthology presents a map of poetry from Britain and Ireland which readers can follow. You will not get lost here as in other anthologies – with their vast lists of poets summoned up to serve a critic’s argument or to illustrate a journalistic overview. Instead, Edna Longley shows you the key poets of the century, and through interlinking commentary points up the connections between them as well as their relationship with the continuing poetic traditions of these islands. Edna Longley draws the poetic line of the century not through culture-defining groups but through the work of the most significant poets of our time. Because her guiding principle is aesthetic precision, the poems themselves answer to their circumstances. Readers will find this book exciting and risk-taking not because her selections are surprising but because of the intensity and critical rigour of her focus, and because the poems themselves are so good. This is a vital anthology because the selection is so pared down. Edna Longley has omitted showy, noisy, ephemeral writers who drown out their contemporaries but leave later or wiser readers unimpressed. Similarly there is no place here for the poet as entertainer, cultural spokesman, feminist mythmaker or political commentator. While anthologies survive, the idea of poetic tradition survives. An anthology as rich as Edna Longley’s houses intricate conversations between poets and between poems, between the living and the dead, between the present and the future. It is a book which will enrich the reader’s experience and understanding of modern poetry. The anthology covers the work of 70 poets: Thomas Hardy, W.B. Yeats, Edward Thomas, D.H. Lawrence, Siegfried Sassoon, Edwin Muir, T.S. Eliot, Ivor Gurney, Isaac Rosenberg, Hugh MacDiarmid, Wilfred Owen, Charles Hamilton Sorley, Robert Graves, Austin Clarke, Basil Bunting, Stevie Smith, Patrick Kavanagh, Norman Cameron, William Empson, W.H. Auden, Louis MacNeice, John Hewitt, Robert Garioch, Norman MacCaig, R.S. Thomas, Henry Reed, Dylan Thomas, Alun Lewis, W.S. Graham, Keith Douglas, Edwin Morgan, Philip Larkin, Ian Hamilton Finlay, John Montague, Thom Gunn, Ted Hughes, Geoffrey Hill, Sylvia Plath, Fleur Adcock, Tony Harrison, Seamus Heaney, Michael Longley, Derek Mahon, Douglas Dunn, Eiléan Ní Chuilleanáin, Paul Durcan, Tom Leonard, Carol Rumens, Selima Hill, Ciaran Carson, James Fenton, Medbh McGuckian, Paul Muldoon, Jo Shapcott, Ian Duhig, Carol Ann Duffy, Kathleen Jamie, Simon Armitage and Don Paterson.

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'Sympathetic and wonderfully perceptive . . . a heartbreaking read'NICK COHEN, Critic'Wise, witty and empathetic . . . outstanding'JIM CRACE'A fascinating treatment of the age-old problem of writers and drink which displays the same subtle qualities as William Palmer's own undervalued novels'D. J. TAYLORAn 'enjoyable exploration of an enduringly fascinating subject . . . [Palmer] is above all a dispassionate critic, and is always attentive to, and unwaveringly perceptive about the art of his subjects as well as their relationship with alcohol . . . [his] treatment is even-handed and largely without judgement. He tries to understand, without either condoning or censuring, the impulses behind often reprehensible behaviour'SOUMYA BHATTACHARYA, New Statesman'A vastly absorbing and entertaining study of this ever-interesting subject'ANDREW DAVIES, screenwriter and novelist'In Love with Hell is a fascinating and beautifully written account of the lives of eleven British and American authors whose addiction to alcohol may have been a necessary adjunct to their writing but ruined their lives. Palmer's succinct biographies contain fine descriptions of the writers, their work and the times they lived in; and there are convincing insights into what led so many authors to take to drink.'PIERS PAUL READWhy do some writers destroy themselves by drinking alcohol? Before our health-conscious age it would be true to say that many writers drank what we now regard as excessive amounts. Graham Greene, for instance, drank on a daily basis quantities of spirits and wine and beer most doctors would consider as being dangerous to his health. But he was rarely out of control and lived with his considerable wits intact to the age of eighty-six. W. H. Auden drank the most of a bottle of spirits a day, but also worked hard and steadily every day until his death. Even T. S. Eliot, for all his pontifical demeanour, was extremely fond of gin and was once observed completely drunk on a London Tube station by a startled friend. These were not writers who are generally regarded as alcoholics. 'Alcoholic' is, in any case, a slippery word, as exemplified by Dylan Thomas's definition of an alcoholic as 'someone you dislike who drinks as much as you.' The word is still controversial and often misunderstood and misapplied. What acclaimed novelist and poet William Palmer's book is interested in is the effect that heavy drinking had on writers, how they lived with it and were sometimes destroyed by it, and how they described the whole private and social world of the drinker in their work.He looks at Patrick Hamilton ('the feverish magic that alcohol can work'); Jean Rhys ('As soon as I sober up I start again'); Charles Jackson ('Delirium is a disease of the night'); Malcolm Lowry ('I love hell. I can't wait to go back there'); Dylan Thomas ('A womb with a view'); John Cheever ('The singing of the bottles in the pantry'); Flann O'Brien ('A pint of plain is your only man'); Anthony Burgess ('Writing is an agony mitigated by drink'); Kingsley Amis ('Beer makes you drunk'); Richard Yates ('The road to Revolutionary Road'); and Elizabeth Bishop ('The writer's writer's writer').

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Examines the theoretical achievements and the political impact of the new materialisms Materialism, a rich philosophical tradition that goes back to antiquity, is currently undergoing a renaissance. In The Government of Things, Thomas Lemke provides a comprehensive overview and critical assessment of this “new materialism”. In analyzing the work of Graham Harman, Jane Bennett, and Karen Barad, Lemke articulates what, exactly, new materialism is and how it has evolved. These insights open up new spaces for critical thought and political experimentation, overcoming the limits of anthropocentrism. Drawing on Michel Foucault’s concept of a “government of things”, the book also goes beyond new materialist scholarship which tends to displace political questions by ethical and aesthetic concerns. It puts forward a relational and performative account of materialities that more closely attends to the interplay of epistemological, ontological, and political issues. Lemke provides definitive and much-needed clarity about the fascinating potential—and limitations—of new materialism as a whole. The Government of Things revisits Foucault’s more-than-human understanding of government to capture a new constellation of power: “environmentality”. As the book demonstrates, contemporary modes of government seek to control the social, ecological, and technological conditions of life rather than directly targeting individuals and populations. The book offers an essential and much needed tool to critically examine this political shift.

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Globalization: Key Thinkers offers a critical commentary on the leading thinkers in the contemporary globalization debate, as well as new arguments about the future direction of globalization thinking. The book guides the reader through the key arguments of leading thinkers, explaining their place in the wider globalization debate and evaluating their critical reception. Eleven thematic chapters focus on one or two key thinkers covering every aspect of the globalization debate including the theoretical arguments of Anthony Giddens and Manuel Castells, to the positive arguments of Thomas Friedman and Martin Wolf and the reforming ideas of Joseph Stiglitz. Other chapters variously address the ideas of Immanuel Wallerstein, Arjun Appadurai, Paul Hirst, Naomi Klein, Grahame Thompson, David Held, Anthony McGrew, Michael Hardt, Antonio Negri, Saskia Sassen and Peter Dicken. Each chapter also provides some carefully selected recommendations for further reading for the thinkers discussed. The book ends with a concluding chapter that examines how thinking about globalization is likely to develop in future. Whilst individual chapters can stand alone, the book is designed as a whole to enhance the reader's understanding of how different thinkers' ideas relate and contrast to each other.

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How do things come to stand for something other than themselves? An understanding of the ontology of relations allows for a compelling account of the action of signs. The Primacy of Semiosis is concerned with the ontology of relations and semiosis, the action of signs. Drawing upon the work of Gilles Deleuze, John Deely, and John Poinsot, Paul Bains focuses on the claim that relations are 'external' to their terms, and seeks to give an ontological account of this purported externality of relations. Bains develops the proposition, first made in 1632 by John Poinsot (John of St. Thomas), that, ontologically, signs are relations whose whole being is in esse ad ('being-toward'). Furthermore, relations are found to be univocal in their being as relations. This univocity of being is antecedent to the division between 'ens rationis' and 'ens reale'. The ontology of relations Bains presents is thus neither mind-dependent nor mind-independent insofar as the rationale of the relation is concerned. The book includes chapters on Deleuze and Deely on relations, Jacob von Uexkull and Heidegger on Umwelten (self-worlds), Maturana and Varela on Autopoieis. It provides the vicarious causality, by way of the scholastic doctrine of the 'species', that is now being resuscitated by Graham Harman and the emerging school of 'object oriented ontology'. The Primacy of Semiosis provides a semiotic that subverts the opposition between realism and idealism; one in which what have been called 'nature' and 'culture' interpenetrate in an expanding collective of human and non-human. Bains' work promises to be a touchstone for semiotic discussion for years to come.

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This book aims to help readers make sense of our changing world by sharing the views of global thought leaders on some of the most important issues of our time, from US-China relations and global governance to climate change and the COVID-19 pandemic. The ten dialogues in this book were part of the “China and the World” series of online discussions hosted by the Center for China and Globalization (CCG). The series features CCG President Huiyao Wang in conversation with experts from a range of fields, from renowned scholars of international relations, economics, and history, to journalists, policymakers, and business leaders. The speakers featured in this book are Graham Allison, David Blair, Kerry Brown, Anne Case, Li Chen, Wendy Cutler, Angus Deaton, Thomas L. Friedman, Valerie Hansen, Pascal Lamy, Kishore Mahbubani, Joseph S. Nye Jr., Adam Posen, J. Stapleton Roy, John L. Thornton, Huiyao Wang, Martin Wolf, and Zhu Guangyao. These wide-ranging discussions offer unique insights and perspectives on key trends shaping our world in the 21st century. These include the rise of China and shifts in geopolitics, as well as the evolving nature of globalization, transnational threats, and multilateralism.This is an open access book.This is an open access book.

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The streets of Brighton and Hove have some incredible tales to tell. In eight unique walks you will visit the grave of the legendary Phoebe Hessel (who spent 17 years in the army disguised as a man and lived to be Brighton’s oldest resident), learn about the remarkable rise and fall of Thomas Reed Kemp while exploring the area that bears his name and discover a plaque to Tom Sayers, who grew up in the slums of Brighton, to become the last great bare-knuckle boxing champion. On the Old Steine, find out about The Battle of Tar Tub, when the authorities attempted to stop Guy Fawkes night celebrations and visit a café in a former Art Deco tram shelter. With this book in hand you will visit Graham Greene’s favourite pubs and pass the location of one of the notorious Trunk Murders of the 1930s to find out how one guilty man escaped justice. Walking Brighton & Hove will surprise both seasoned residents and first time visitors alike with the remarkable story of how two sleepy fishing villages became today’s vibrant city. • 8 illustrated walks • details on the best cafés & pubs • information on local attractions, museums and galleries • maps – to help you navigate

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This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers - some of whom have been notably active in political life - it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community's recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, it shows - contrary to a good deal of clichéd polemic and safe scholarly assessment - that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St. John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers highlights mutual themes and insights on their identity, as if part of some grander tapestry of alternative twentieth-century Protestant culture. Ulster Protestantism's consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.

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The Allied landings at Dieppe in German-occupied France in August 1942 are one the most famous amphibious operations of the Second World War and many books have been written about them, mostly from the Allied point of view. The German side of the story has been neglected, and that is why Graham Thomas's fresh account is so valuable. He reconstructs the immediate response of the Germans to the landings, gives a graphic detailed description of their actions throughout, and looks at the tactical and strategic lessons they drew from them. Each phase and aspect of the action is depicted using a broad range of sources including official reports, correspondence and recollections - the preliminary British commando attacks on the gun batteries, the landings themselves, the German defences and preparations, and their counter-attacks, and the associated naval and air campaigns. The result is a finely balanced and incisive reassessment of this remarkable operation. It also offers the reader an engrossing account of one of the most dramatic episodes in the war in Western Europe.

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London has the greatest literary tradition of any city in the world. Its roll-call of story-tellers includes cultural giants who changed the way the world thought about writing, like Shakespeare, Defoe and Dickens. But there has also been an innumerable host of writers who have sought to capture the essence of London and what it meant for the people who lived there or were merely passing through. They found a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy; and they faithfully transcribed what they saw and felt in the stories they told of London town. They are stories of fact and fiction and occasionally something in between. Some voices will be familiar to many readers and others practically unknown. But all give us insights into these writers’ very varied Londons; and all tell their stories gratifyingly well.Authors include John Evelyn, Thomas de Quincey, W. M. Thackeray, Henry Mayhew, Sir Arthur Conan Doyle, George Gissing, J. B. Priestley, Jean Rhys, Graham Greene, Muriel Spark, Maeve Binchy, Doris Lessing, Hanif Kureishi and Shena Mackay.

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Leading scholars address the myriad ways in which America’s attitudes about race informed the production of Hollywood films from the 1920s through the 1960s. From the predominantly white star system to segregated mise-en-scènes, Hollywood films reinforced institutionalized racism. The contributors to this volume examine how assumptions about white superiority and colored inferiority and the politics of segregation and assimilation affected Hollywood’s classic period.Contributors: Eric Avila, UCLA; Aaron Baker, Arizona State U; Karla Rae Fuller, Columbia College; Andrew Gordon, U of Florida; Allison Graham, U of Memphis; Joanne Hershfield, U of North Carolina; Cindy Hing-Yuk Wond, College of Staten Island, CUNY; Arthur Knight, William and Mary; Sarah Madsen Hardy, Bryn Mawr; Gina Marchetti, U of Maryland; Gary W. McDonogh; Chandra Mukerji, UC, San Diego; Martin F. Norden, U of Massachusetts; Brian O'Neil, U of Southern Mississippi; Roberta E. Pearson, Cardiff U; Marguerite H. Rippy, Marymount U; Nicholas Sammond; Beretta E. Smith-Shomade, U of Arizona; Peter Stanfield, Southampton Institute; Kelly Thomas; Hernan Vera, U of Florida; Karen Wallace, U of Wisconsin, Oshkosh; Thomas E. Wartenberg, Mount Holyoke; Geoffrey M. White, U of Hawai’i; and Jane Yi.

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Essays on Milton's developing ideas on liberty, and his republicanism, as expressed in his writings over his lifetime. In his Second Defence of the English People (1654), reflecting on his career as a prose writer, prior to embarking on the composition of Paradise Lost, John Milton identified 'three varieties of liberty without whichcivilized life is scarcely possible, namely ecclesiastical liberty, domestic or personal liberty, and civil liberty'. In retrospect he was able to find in his earlier writings a systematic exposition of the grounds of freedom, and a commitment to expanding its domain through publication and polemic. Taking initiative from both the history of political thought and historicist aesthetics, the essays in this collection (which derive from the International Milton symposium at York) consider the conditions of liberty in Milton's writings, and the contested development of his republicanism, through his career as a civil servant and prose writer, through his great poems, to his posthumous reputation and the appropriation of his works; and they extend laterally to typologies of liberty, the realm of law, prosody, and religious faith and persecution.Winner of the 2002 Irene Samuel Prize for best composite work onMilton. The contributors are: THOMAS CORNS, JOHN CREASER, MARTIN DZELZAINIS, KATSUHIRO ENGETSU, STEPEHN FALLON, BARBARA LEWALSKI, JANEL MUELLER, CHRISTOPHER ORCHARD, GRAHAM PARRY, JOAD RAYMOND, JOHN RUMRICH, QUENTIN SKINNER, ANNE-JULIA ZWIERLEIN.GRAHAM PARRY is Professor of English, University of York; JOAD RAYMOND lectures in the School of English and American Studies, University of East Anglia.

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A groundbreaking re-reading of the literary response to a decade of trauma and transformation This new study undoes the customary division of the 1940s into the Second World War and after. Instead, it focuses on the thematic preoccupations that emerged from writers' immersion in and resistance to the conflict. Through seven chapters - Documenting, Desiring, Killing, Escaping, Grieving, Adjusting and Atomizing - the book sets middlebrow and popular writers alongside residual modernists and new voices to reconstruct the literary landscape of the period. Detailed case studies of fiction, drama and poetry provide fresh critical perspectives on writers as diverse as Margery Allingham, Alexander Baron, Elizabeth Bowen, Keith Douglas, Graham Greene, Henry Green, Georgette Heyer, Alun Lewis, Nancy Mitford, George Orwell, Mervyn Peake, J. B. Priestley, Terrence Rattigan, Mary Renault, Stevie Smith, Dylan Thomas and Evelyn Waugh. Arguing that the postwar is a concept that emerges almost simultaneously with the war itself, and that 'peace' is significant only by its absence in an emergent post-Atomic cold war era, this book reclaims the complexity of a decade all too often lost in the fault-lines between pre-war modernism and the emergence of the postmodern. Key Features: *Detailed, theoretically informed case studies of canonical writers such as Bowen, Orwell, Greene and Waugh *Detailed case studies and critical re-evaluations of popular genre writers, and forgotten writers.

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New essays on Chaucer's engagement with religion and the religious controversies of the fourteenth century. How do critics, religious scholars and historians in the early twenty-first century view Chaucer's relationship to religion? And how can he be taught and studied in an increasingly secular and multi-cultural environment? The essays here, on [the Canterbury Tales, Troilus and Criseyde, lyrics and dream poems, aim to provide an orientation on the study of the the religions, the religious traditions and the religious controversies of his era - and to offer new perspectives upon them. Using a variety of theoretical, critical and historical approaches, they deal with topics that include Chaucer in relation to lollardy, devotion to the saint and the Virgin Mary, Judaism andIslam, and the Bible; attitudes towards sex, marriage and love; ethics, both Christian and secular; ideas on death and the Judgement; Chaucer's handling of religious genres such as hagiography and miracles, as well as other literary traditions - romance, ballade, dream poetry, fablliaux and the middle ages' classical inheritance - which pose challenges to religious world views. These are complemented by discussion of a range of issues related to teachingChaucer in Britain and America today, drawn from practical experience. Contributors: Anthony Bale, Alcuin Blamires, Laurel Broughton, Helen Cooper, Graham D. Caie, Roger Dalrymple, Dee Dyas, D. Thomas Hanks Jr., Stephen Knight, Carl Phelpstead, Helen Phillips, David Raybin, Sherry Reames, Jill Rudd.

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Rafe Khatchadorian is getting the Hollywood treatment in a film version of Middle School: The Worst Years of My Life starring Griffin Gluck, Lauren Graham, Rob Riggle and Thomas Barbusca.Rafe Khatchadorian has enough problems at home without throwing his first year of middle school into the mix. Luckily, he's got an ace plan for the best year ever, if he can pull it off. With his best friend Leonardo the Silent awarding him points, Rafe tries to break every rule in his school's oppressive Code of Conduct. Chewing gum in class - 5,000 points! Running in the hallway - 10,000 points! Pulling the fire alarm - 50,000 points! But when Rafe's game starts to catch up with him, he'll have to decide if winning is all that matters, or if he's finally ready to face the rules, bullies, and truths he's been avoiding.

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Rafe Khatchadorian is getting the Hollywood treatment in a film version of Middle School: The Worst Years of My Life starring Griffin Gluck, Lauren Graham, Rob Riggle and Thomas Barbusca.After a rough summer, Rafe is heading back to the dreaded Hills Village Middle School, the site of the very worst years of his life. And as if that's not bad enough, Rafe's learned that he's going to be held back a year unless he can prove himself on an outdoor survival excursion – complete with dangerous white-water rafting, dizzying rock climbing and military style counsellors. Rafe and the rest of the pack of 'delinquent' trainees are forced to cooperate as they prepare for the final test: a solo excursion in the deep woods.Can Rafe come out of the experience in one piece? And if he does, will anyone recognise him as the kid they once knew?

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The complete and unedited edition of Thomas Merton's famous autobiography, one of the greatest works of spiritual pilgrimage ever written. Travelling in his early years with his artist father in the United States, France and England, Thomas Merton prided himself on his worldly accomplishments. His year at Clare College, Cambridge, was indulgent, and although Columbia University to which he went next suited his temperament better, it did nothing to assuage his restlessness. Gradually Merton recognized his need for faith and became a Catholic. With his baptism he began entertaining thoughts of monasticism but his desire to enter the priesthood in a Franciscan monastery came to nothing, and he remained a lay teaching member of the order for some time. However, when he was twenty-seven he made a retreat to a Trappist monastery in Kentucky. This momentous experience convinced him that the silence of the Cistercian Order was what he craved. The Seven Storey Mountain tells the story of Merton's search for faith and peace in a world which first fascinated and then appalled him. It is written with the profound insight of a man who has seen himself clearly. ‘The Seven Storey Mountain is a book one reads with a pencil so as to make it one’s own.’ Graham Greene ‘A remarkable book, a classic of its kind, written in a vivid, rich and alert style which ranges from crisp vernacular to passionate eloquence, full of picturesque incident and passing at times into religious ecstasy.’ The Times Literary Supplement ‘A book which may well prove to be of permanent interest in the history of religious experience.’ Evelyn Waugh

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In this addition to the Short Studies in Systematic Theology series, Thomas R. Schreiner examines the biblical and historical background of the doctrine of justification.

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Annual collection of essays, this year treating works by Donne, Shakespeare, Marvell, and Spenser, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house. Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton. M. Thomas Hester is professor of English at North Carolina State University

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Come back from every setback a stronger and better leader.If you read nothing else on mental toughness, read these ten articles by experts in the field. We've combed through hundreds of articles in the Harvard Business Review archive and selected the most important ones to help you build your emotional strength and resilience--and to achieve high performance.This book will inspire you to: Thrive on pressure like an Olympic athlete Manage and overcome negative emotions by acknowledging them Plan short-term goals to achieve long-term aspirations Surround yourself with the people who will push you the hardest Use challenges to become a better leader Use creativity to move past trauma Understand the tools your mind uses to recover from setbacks This collection of articles includes "How the Best of the Best Get Better and Better," by Graham Jones; "Crucibles of Leadership," by Warren G. Bennis and Robert J. Thomas; "Building Resilience," by Martin E.P. Seligman; "Cognitive Fitness," by Roderick Gilkey and Clint Kilts; "The Making of a Corporate Athlete," by Jim Loehr and Tony Schwartz; "Stress Can Be a Good Thing If You Know How to Use It," by Alla Crum and Thomas Crum; "How to Bounce Back from Adversity," by Joshua D. Margolis and Paul G. Stoltz; "Rebounding from Career Setbacks," by Mitchell Lee Marks, Philip Mirvis, and Ron Ashkenas; "Realizing What You're Made Of," by Glenn E. Mangurian; "Extreme Negotiations," by Jeff Weiss, Aram Donigian, and Jonathan Hughes; and "Post-Traumatic Growth and Building Resilience," by Martin Seligman and Sarah Green Carmichael.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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THE NEW YORK TIMES BESTSELLERFeed your fears with the terrifying classic that introduced cannibalistic serial killer Hannibal Lecter.FBI agent Will Graham once risked his sanity to capture Hannibal Lecter, an ingenious killer like no other. Now, he’s following the bloodstained pattern of the Tooth Fairy, a madman who’s already wiped out two families. To find him, Graham has to understand him. To understand him, Graham has only one place left to go: the mind of Dr. Lecter.

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Rafe Khatchadorian is getting the Hollywood treatment in a film version of Middle School: The Worst Years of My Life starring Griffin Gluck, Lauren Graham, Rob Riggle and Thomas Barbusca.Readers get a chance to participate in James Patterson's wildly successful Middle School series in this interactive book featuring more than 80 hilarious anecdotes from dueling siblings Rafe and Georgia Khatchadorian – plus dozens of fun-filled activities!The Khatchadorian kids are an opinionated duo, and as readers of the Middle School stories know, they don't exactly see eye to eye. But when wild-card Rafe and mostly-straight-laced Georgia go at it, the only thing more fun than their ranting is getting to join in! Their back-and-forth banter on a range of topics – from bullying to cafeteria food to school dress codes – introduces more than 40 writing and drawing prompts and other games, along with room for readers to share their own points of view. (Includes over 200 illustrations.)

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Rafe Khatchadorian is getting the Hollywood treatment in a film version of Middle School: The Worst Years of My Life starring Griffin Gluck, Lauren Graham, Rob Riggle and Thomas Barbusca.After sixth grade, the very worst year of his life, Rafe Khatchadorian thinks he has it made in seventh grade. He's been accepted to art school in the big city and imagines a math-and-history-free fun zone. Wrong! It's more competitive than Rafe ever expected, and to score big in class, he needs to find a way to turn his boring life into the inspiration for a work of art. His method? Operation: Get a Life! Anything he's never done before, he's going to do it, from learning to play poker to going to a modern art museum. But when his newest mission uncovers secrets about the family Rafe's never known, he has to decide if he's ready to have his world turned upside down.James Patterson's winning follow-up to Middle School: The Worst Years of My Life is another riotous and heart-warming story about living large.

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`Billig′s is a fascinating work of brilliant scholarship. It is written in an elegant style, spiced with humour, and gives one the feeling that it was a labour of love. It can be recommended without reservation′ - Journal of Community and Applied Social Psychology `This is a quite extraordinary and original book. Billig has managed seamlessly to interweave History of Philosophy, History of Psychology, Critical Psychology and a deep grasp of the social nature of language and, moreover, do so in a very readable fashion′ - Graham Richards, Formerly Professor of History of Psychology, Staffordshire University and Director of the British Psychological Society History of Psychology Centre, London `I can′t quite capture how much I enjoyed this book. In beautiful, witty prose and through exemplary scholarship, Billig has produced an historical work that engages with profoundly important ideas not just for contemporary critical psychology but for psychology in general. Books as good as this are rare′ - Alan Collins, Senior Lecturer in Psychology, Lancaster University Today new forms of critical psychology are challenging the cognitive revolution that has dominated psychology for the past three decades. This book explores the historical roots of these new psychologies. It demonstrates that their ideas are not quite as new as is often supposed. In the early modern period, thinkers like the Earl of Shaftesbury and Thomas Reid reacted against Locke′s cognitive psychology in ways that were surprisingly modern, if not post-modern. However, until now, they have been virtually written out of psychology′s history. It is now time to recognize the great originality of their psychological thinking. Writing in a non-technical style, Michael Billig seeks to overturn the dominant views of psychology′s history. In so doing, he gives a fascinating account of the times, bringing psychology′s hidden past vividly back to life.

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