Search results for ""Author Robert"

An intensely intellectual painter, Robert Motherwell is renowned for his distinctive Abstract Expressionist style. The seminal artist permeated his gestural works with an expressionism and austerity reflective of the human psyche; at the same time his oeuvre addressed political and humanitarian themes. Robert Motherwell: Pure Painting is an in-depth exploration of his artistic practice. Leading art scholars examine the American artist’s turn from Surrealism to abstraction and analyze the major series that developed over his fifty-year career. The catalogue studies the dialogue between Motherwell’s art and the nineteenth-century French painting tradition, investigates his relationship to Spanish techniques and processes, with an emphasis on their underlying political significance, and delves into Motherwell’s use of ochre pigment, with its evocation of both deep geological time and avant-garde practices.

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Life of one of the greatest British Prime Ministers - by an author who knows the scene from his years as a senior Minister in Margaret Thatcher's Cabinet.Robert Peel, as much as any man in the nineteenth century, transformed Great Britain into a modern nation. He invented our police force, which became a model for the world. He steered through the Bill which allowed Catholics to sit in Parliament. He reorganised the criminal justice system. Above all he tackled poverty by repealing the Corn Laws. Thanks to Peel the most powerful trading nation chose free trade and opened the door for our globalised world of today.Peel was not all politics. He built two great houses, filled them with famous pictures and was devoted to a beautiful wife. Many followers never forgave him for splitting his Party. But when in 1850 he was carried home after a fall from his horse crowds gathered outside, mainly of working people, to read the medical bulletins. When he died a few days later, factories closed, flags flew at half mast and thousands contributed small sums to memorials in his honour. He was the man who provided cheap bread and sacrificed his career for the welfare of ordinary people.

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Robert Polidori is known for his large format photographs of habitats and rooms saturated with the traces of human intervention. In EYE and I, he turns the lens around to reveal the portraits of people he has encountered in his work of over thirty years photographing around the world, particularly in the Middle East and India. These instantaneous portraits of mutual recognition reveal the photographed subject and the photographer intersecting with each other in a fleeting gaze of mutual regard. Robert Polidori was born in Montreal in 1951 and lives in New York City. His work has been the subject of exhibitions in New York, London, Brazil, Montreal, among other places. He received the World Press Photo Award in 1997, the Alfred Eisenstaedt Award for Magazine Photography in 1999 and 2000, and Communication Arts awards in 2007 and 2008. In 2006, Polidori’s series of photographs of New Orleans after Hurricane Katrina was exhibited at the Metropolitan Museum of Art. His bestselling books Havana (2003), Zones of Exclusion—Pripyat and Chernobyl (2003), After the Flood (2006), Parcours Muséologique Revisité (2009) and Some Points in Between... Up Till Now (2010) are published by Steidl.

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Robert Engman's distinctive sculptures developed from his training and fellowship with some of the mid-twentieth century's most renowned art teachers and famous sculptors. As shown here in over 600 color photos, his beautiful curved, minimal surfaces and clean abstract designs evolved as he sought his own voice with bronze, steel, aluminum, and plastics. Engman's commissions stand in Boston, New York, Philadelphia, Washington, D.C., Atlanta, and Jerusalem. They are also found in the Hirshhorn, MOMA, Whitney, and numerous college museums. He was a professor at Yale and Penn, significantly influencing today's American sculptors. Engman continues to explore the relationships of planes and produces dynamic sculptures in series, with warped surfaces of curvilinear shapes. This book's insightful text, organized chronologically, exposes the influences, opportunities, experiences, and challenges he met. Major chapters cover his training, teaching, and sculpture, with a timeline, resume, bibliography, and index. The photos reveal his stages of development and progression of sculpture construction. Robert Engman's warm character is shared with readers to reflect his teaching style as a popular professor and resident artist.

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For most of his life, Robert Kennedy stood in the shadow cast by his older brother, John; only after President Kennedy's assassination did the public gain a complete sense of Robert (\u0022Bobby,\u0022 we called him) as a committed advocate for social justice and a savvy politician in his own right. In this comprehensive biography, James W. Hilty offers a detailed and nuanced account of how Robert was transformed from a seemingly unpromising youngster, unlikely to match the accomplishments of his older brothers, to the forceful man who ran \u0022the family business,\u0022 orchestrating the Kennedy quest for political power.

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A fascinating look at one of photography's most controversial and beloved iconsThe legacy of Robert Mapplethorpe (1946-1989) is rich and complicated, triggering controversy, polarizing critics, and providing inspiration for many artists who followed him. One of the most influential figures of his time, today Mapplethorpe stands as an example to emerging photographers who continue to experiment with the boundaries of acceptability and concepts of the beautiful.Robert Mapplethorpe: The Photographs offers a timely and rewarding examination of his oeuvre and influence. Drawing from the extraordinary collection jointly acquired in 2011 by the J. Paul Getty Museum and the Los Angeles County Museum of Art from the Robert Mapplethorpe Foundation, as well as the Mapplethorpe Archive housed at the Getty Research Institute, the authors were given the unique opportunity to explore new resources and present fresh perspectives. The result is a fascinating introduction to Mapplethorpe's career and legacy, accompanied by a rich selection of illustrations covering the remarkable range of his photographic work.All of these beautifully integrated elements contribute to what promises to become an essential point of access to Mapplethorpe's work and practice. This publication is issued on the occasion of the exhibition Robert Mapplethorpe: The Perfect Medium on view at both the J. Paul Getty Museum and at the Los Angeles County Museum of Art from March 15 through July 31, 2016; at the Musee des Beaux-Arts de Montreal from September 9, 2016, through January 7, 2017; and at the Art Gallery of New South Wales, Sydney, from October 2017 through February 2018.

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Robert Morgan (b. 1944) is one of the most distinguished writers in southern and Appalachian literature, celebrated for his novels, poetry, short fiction, and historical and biographical writing, totaling more than thirty volumes. Morgan’s work gives voice to the traditionally underrepresented people of southern Appalachia, and his appearances in such popular venues as The Oprah Winfrey Show, National Public Radio’s Morning Edition, and the New York Times Bestseller List have contributed to his wide readership and successful dismantling of Hollywood stereotypes that still dog the region in the nation’s larger consciousness. His writing makes a case for the dignity of work, the beauty and terror of the landscape, and the essential value of creating a community and learning to live in the world. The interviews in Conversations with Robert Morgan provide readers and scholars the first stand-alone book on Morgan’s long and fascinating career as a master of multiple genres, and make a significant contribution to the understanding of American, southern, and Appalachian literature and culture. Collected here are five decades of interviews that cover such topics as literary influence, the impact of war on family and community, poetic and narrative craft, the role of environmentalism in American literature, and the journey from impoverished North Carolina mountain boy to award-winning Ivy League professor. Morgan is Kappa Alpha Professor of English at Cornell University, where he has taught since 1971. Readers will learn about writing across multiple genres, craft that can be learned and practiced by a writer, and studying the past for those present truths that create what Morgan values most in literature, "a community across time.

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After his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. Contrasting Duncan's daringly frank homosexuality with Rumaker's own then-closeted life, Robert Duncan in San Francisco conjures up with harrowing detail an era of police prosecution of a clandestine gay community struggling to survive in the otherwise "open city" of San Francisco. This expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. "This is a wonderfully revealing account of a series of lifechanging collisions between a young writer (Rumaker), an older writer (Duncan), a still older mentor for both (Charles Olson), a city (San Francisco), and an important era in American literature (the 1950s), when it was being turned upside down by these individuals and their friends. It's also a tender and intelligent account of a young man's coming to grips with being gay in the midst of this upheaval. Much more than memoir; it's history." --Russell Banks, author of Cloudsplitter Robert Duncan in San Francisco offers a surprising portrait of a mentor in all his witty, wicked, luminous, and vulnerable complexity. Straddling the lines of memoir and cultural history, Michael Rumaker gives a rare and delightful view of Duncan at home in the gay community while also documenting the struggles of that community in 1950s America." --Lisa Jarnot, author of Robert Duncan, The Ambassador from Venus "In this fine memoir of this 16 months in San Francisco, Rumaker learns many lessons about being at home with who he is, in what he calls 'Robert's city.'" --Joanne Kyger, About Now: Collected Poems Michael Rumaker has written several novels and short story collections, as well as the memoir Black Mountain Days. He was born in Philadelphia and is a graduate of Black Mountain College -- where Duncan served as his outside thesis advisor--and Columbia University. He taught at City University of New York and the New School for Social Research. Robert Duncan (1919-1988) was an American poet and well-known as a key figure in the San Francisco Renaissance. City Lights published a book of his poetry titled Selected Poems.

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The perfect introduction to the life and work of Robert Rauschenberg

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First published in 1930 to an unprecedented storm of protest, Catherine Carswell's The Life of Robert Burns remains the standard work on its subject.Carswell deliberately shakes the image of Burns as a romantic hero - exposing the sexual misdemeanours, drinking bouts and waywardness that other, more reverential, biographies choose to overlook.Catherine Carswell's real achievement is to bring alive the personality of a great man: passionate, hard-living, generous, melancholic, morbid and triumphant . . . the very archetype of the supreme creative artist.

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A lively and accessible introduction to the life and work of Robert Rauschenberg (1925-2008), one of the most inventive and influential artists of the post-war period. An important influence on Pop artists in the 1960s, Rauschenberg worked across a variety of media - painting, drawing, photography, sculpture, silkscreen, lithography, and performance - and actively collaborated with musicians, choreographers and dancers, and with engineers and scientists to pursue the potentials offered by new technologies. Part of the Tate Introduction series, this book offers a concise and engaging account of Rauschenberg's life, his art, and the ongoing debates concerning his significance.

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Robert Hodgins is a celebrated and highly respected South African artist. Hodgin's paintings and works on paper are highly sought after on both the local and international market. At 88, Hodgins is still producing witty and satirical works. He has been producing ceramic works for almost 2 decades, however these works have received very little exposure and the last exhibition of his ceramic works was about 18 years ago. Retief van Wyk is a ceramicist who has worked closely with Hodgins in the production of these ceramic works. Their association spans nearly 2 decades. In this title van Wyk documents the ceramic works produced by Hodgins with his assistance and the well researched essays explore the influences which form Hodgins' art and the nature of the ceramic works.

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A meditative portrayal of land and sea along an Oregon trail, from the leading figure of the New Topographics For more than 50 years, ever since his landmark photobook The New West, Robert Adams (born 1937) has numbered among America’s foremost modern photographers and chroniclers. Here, he returns to the landscape near his home on the Oregon coast, presenting photographs largely made on Nehalem Spit, a four-mile stretch of sand, seagrass and pines that divides the Pacific Ocean from Nehalem Bay. Recording changing light on the land and the sea, the black-and-white photographs, made between 2008 and 2019, and beautifully reproduced in this large-format volume, suggest questions to which Adams has often returned, about the meaning of our relationship to nature, and the precarity and brevity of our place in it.

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Schon zu Lebzeiten wurde der Schriftsteller und Abenteurer Robert Louis Stevenson (1850 –1894) zum Mythos. Bis auf 'Die Schatzinsel' und 'Der seltsame Fall des Dr. Jekyll und Mr. Hyde' gerieten seine Werke jedoch in Vergessenheit. Stevenson wird vor allem als Verfasser von Jugendbüchern und Schauergeschichten wahrgenommen, woran er einen gewissen Anteil trägt. Er liebte es zu posieren und bediente die Vorstellungen seiner Leser vom todgeweihten, aber waghalsigen Autor, der die Südsee bereiste. Michael Rölcke folgt dem herausragenden Stilisten englischer Literatur nicht nur auf seinen Lebenspfaden, sondern taucht in seine Phantasiewelt ein. Was er dabei entdeckt, sind seelische Abgründe, ein Hohelied auf eine Moral ohne Gott und taghelle Romantik.

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Ideal for children aged 6 - 12, this colour illustrated book explains the early life of Robert Burns and how he grew up to be Scotland's best known poet and lyricist. Suitable for schools and homework projects, this book explains his early life in Alloway. Today, Burns is widely regarded as the national poet of Scotland and is celebrated worldwide. Known best for poems such as Auld Lang Syne and My Love is Like a Red Red Rose, Burns is the best known of the poets who have written in the Scots language, and he is seen as a leader of the Romantic movement. After his death he was a source of inspiration to the founders of liberalism and socialism and today he is a cultural icon not just in Scotland. His work is taught in many countries such as Russia and Canada. He is regarded as one of the greatest Scots and known for world-famous songs such as Auld Lang Syne and the world-famous poem 'A Red, Red Rose' and 'Tam o' Shanter'.

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A major new work, Tenancy is comprised of 42 photographs by Robert Adams (born 1937) made in Nehalem Bay State Park, Oregon, between 2013 and 2015, with short texts by the artist. The book’s theme of tenancy expresses the idea of “temporary possession of what belongs to another”—specifically, the natural environment. Adams’ recent photographs of the landscape reference the current and imminent threats of clearcutting, environmental degradation and natural disasters along the Northwestern coast of the US. The black-and-white photographs include poignant images of massive tree stumps on the beach—a product of the cutting of first and early second growth—as well as shimmering stretches of coastline protected for endangered birds previously thought to have abandoned northern Oregon.

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Michel Lefebvre has written numerous articles and books on Robert Capa, and is an expert on the Spanish Civil War.

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Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school - Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others - during a period when their work was often reviled for its departure from traditional representation. As founder of the "Documents of Modern Art" series (later renamed the "Documents of Twentieth-Century Art"), Motherwell gave modern artists a voice at a time when very few people understood their theories or work. This authoritative new edition of the artist's writings about art includes public lectures, essays, and interviews. Impeccably edited, with an informative introductory essay and rigorous annotation, it is illustrated with black-and-white images that elucidate Motherwell's writings.

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The enormous, photorealistic charcoal drawings by American artist Robert Longo (*1953 in Brooklyn, New York) show the beauty and horror of the present day and age. His large-format works contrast the innocence of sleeping toddlers, the tranquil grandiosity of Earth and the planets, roses in bloom, and Gothic cathedrals with threatening images of atom bomb explosions, fighter pilots, monster waves, sharks, and the muzzles of revolvers. Inexorably and seismographically precise, the winner of the 2005 Goslar Kaiserring and 2010 inductee into the French Order of Arts and Letters records the state of our world. Longo’s powerful motifs give form and expression to the feelings of fear and longing felt by people in the twenty-first century, and affect the viewer with the full force of the medium.This large-format, elaborately designed book, printed on natural paper using a tritone process, bound in half cloth and distributed in four different cover designs, has been created in close collaboration with the artist and affords a comprehensive overview of his charcoal drawings from the past decade. Exhibition schedule: Kunsthalle Weishaupt, Ulm, November 28, 2010–September 25, 2011

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16 Pictures is the latest in a series of photobooks by American artist Robert Grosvenor (born 1937). Included here are color photographs of vehicles, scale models and ordinary objects. Sometimes blurry, sometimes overexposed, and very often brightly colorful, the photographs depict scenes that may be staged or chanced upon.

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The paintings of Robert C. Jackson are introduced by Philip Eliasoph in the artist’s first monograph. Using paintings from artists as diverse as Andrew Wyeth and Jasper Johns, Eliasoph’s extensive knowledge of American art places Jackson’s artwork into a historical context. This beautifully illustrated book includes more than 130 images of the artist’s paintings with details, photographs of the artist at work, sketchbook reproductions, and an interview with the artist himself. Eliasoph colorfully proclaims, “The paintings we are about to examine are inescapably a bundle of contradictions, satirical complexities, and witty subterfuge. Essentially, Jackson is a uniquely self-realized painter. His feisty independence is fortified with healthy dosages of non-conforming eccentricity, with a small touch of screwball nuttiness.” The foreword by Professor Henry Adams reveals a similar sentiment, “Notably, this is also the sort of strange mix of sensibilities one finds in the best American novelists, such as Mark Twain.”

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Count Robert of Paris, condemned by Scott's printer as 'altogether a failure', was later prepared for publication by his son-in-law, J. G. Lockhart , and his publisher Robert Cadell. What appeared was a bowdlerised, tamed and tidied version of what Scott had written and dictated. This edition, the first to have returned to the manuscript and to the many surviving proofs, realises Scott's original intentions. Scott's last full novel has many roughnesses, but it also challenges the susceptibilities of his readers more directly than any other and in that lay its fault in the eyes of the lesser men who condemned it.

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Is there anything new to say about Robert Burns? John Cairney says it''s time to trash Burns the Brand and come on the trail of the real Robert Burns. He is the best of travelling companions on this entertaining journey to the heart of the Burns story. Internationally known as ''the face of Robert Burns'', John Cairney believes that the traditional Burns tourist trail urgently needs to find a new direction. In an acting career spanning forty years he has often lived and breathed Robert burns on stage. On the Trail of Robert Burns shows just how well he has got under the skin of Burn''s complex character. This fascinating journey around Scotland is a rediscovery of Scotlands national bard as a flesh and blood genius. On the Trail of Robert Burns outlines five tours, mainly in Scotland. Key sites include: Alloway - Burn''s birthplace. Tam O'' Shanter draws on the Alloway Kirk witch-stories first heard by Burns in his childhood; Mossgiel - Between 1784 and 1786 in a p

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For three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was by one of Switzerland’s most famous contemporary artists—Thomas Hirschhorn—and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen Bühler began doing field research in Biel, the city of Robert Walser’s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children’s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.

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An exclusive look into the preparations behind the Naples in Paris exhibition at the Louvre, beautifully captured by the renowned photographer Robert Polidori.From June 2023 to January 2024, the Musée du Louvre in Paris welcomed sixty major masterpieces from the Museo di Capodimonte, on loan for the exhibition Naples in Paris: The Louvre Hosts the Museo di Capodimonte. The former Italian royal palace, which once served as a hunting lodge for Bourbon monarchs, is now one of the largest museums in Italy holding one of the continent’s most important collections of Italian paintings, drawings, and sculptures. Among the artworks featured are the famously enigmatic Antea by Parmigianino, a poignant painting of the Crucifixion by Masaccio, The Transfiguration of Christ by Giovanni Bellini, and preparatory cartoons by Raphael and Michelangelo.On the occasion of this historic artistic exchange, acclaimed photographer Robert Polidori was granted exclusive access to the preparations of the exhibition in the Louvre’s prestigious Grand Galerie. Known for his unique images of architecture and interiors, Polidori exquisitely captures the process and inner workings of the arrival, set-up, and display of the artworks. Part photography monograph, part art history book, this unique publication reveals the hidden workings behind one of the most significant collaborative efforts among major museums in recent years.

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A Companion to Robert Altman presents myriad aspects of Altman’s life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman’s work. The most expansive and wide-ranging book yet published on Altman, providing a comprehensive account of Altman’s complete career Provides discussion and analysis of generally neglected aspects of Altman’s career, including the significance of his work in television and industrial film, the importance of collaboration, and the full range and import of his aesthetic innovations Includes essays by key scholars in “Altman studies”, bringing together experts in the field, emerging scholars and writers from a broad range of fields Multi-disciplinary in design and draws on a range of approaches to Altman’s work, being the first substantial publication to make use of the recently launched Robert Altman Archive at the University of Michigan Offers specific insights into particular aspects of film style and their application, industrial and aesthetic film and TV history, and particular areas such as the theorisation of space, place, authorship and gender

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The poet and author Robert Graves (1895-1985), now best known for his historical novels "I, Claudius" and "Claudius the God", thanks to the legendary BBC TV adaptation, was recognised as one of the better Edwardian and First World War poets, although for a time his work was somewhat sidelined by the Modernists. Graves' writings and life belong to a period where the values and beliefs of the past were rejected or no longer felt sustainable: his unconventional life, bizarre domination by a series of strong-willed women and search for poetic rejuvenation through a series of muses can be seen as a rejection of Victorian values', caused by his childhood experiences and his service in the First World War, where he was seriously wounded on the Somme. His autobiography "Good-Bye to All That", published in 1929, is one of the landmark memoirs of the war in the trenches on the Western Front. By the time of his death, Graves was internationally famous, seen as one of the 20th century's best poets, and whose prose works were sold all over the world. This first single-volume biography over a decade will shed new light on this intriguing and unparalleled life.

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Since the 1979 publication of The Writings of Robert Smithson, Robert Smithson's significance as a spokesman for a generation of artists has been widely acknowledged and the importance of his thinking to contemporary artists and art critics continues to grow. In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs. Together these provide a full picture of his wide-ranging views on art and culture.

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Along with Mary Shelley, Bram Stoker and Oscar Wilde, Robert Louis Stevenson brought to life the monstrous nature that hides within humanity. For his masterpiece The Strange Case of Dr. Jekyll and Mr Hyde, the clever manipulator of the dark and gothic mood revealed the duality of human nature with a tale that resonates still today. This new selection gathers together 'The Body Snatcher', 'A Lodging for the Night', 'The Isle of Voices', 'The Bottle Imp', 'Story of the Physician and the Saratoga Trunk', and many other chilling and thrilling stories for readers who delight in the shadows and the mysterious. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Robert the Bruce (1274–1329) famously defeated the English at Bannockburn and became the hero king responsible for Scottish independence. In this fascinating new biography of the renowned warrior, Michael Penman focuses on Robert’s kingship in the fifteen years that followed his triumphant victory and establishes Robert as not only a great military leader but a great monarch. Robert faced a slow and often troubled process of legitimating his authority, restoring government, rewarding his supporters, accommodating former enemies, and controlling the various regions of his kingdom, none of which was achieved overnight. Penman investigates Robert’s resettlement of lands and offices, the development of Scotland’s parliaments, his handling of plots to overthrow him, his relations with his family and allies, his piety and court ethos, and his conscious development of an image of kingship through the use of ceremony and symbol. In doing so, Penman repositions Robert within the context of wider European political change, religion, culture, and national identity as well as recurrent crises of famine and disease.

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Robert Rodriguez stands alone as the most successful U.S. Latino filmmaker today, whose work has single-handedly brought U.S. Latino filmmaking into the mainstream of twenty-first-century global cinema. Rodriguez is a prolific (eighteen films in twenty-one years) and all-encompassing filmmaker who has scripted, directed, shot, edited, and scored nearly all his films since his first breakout success, El Mariachi, in 1992. With new films constantly coming out and the launch of his El Rey Network television channel, he receives unceasing coverage in the entertainment media, but systematic scholarly study of Rodriguez’s films is only just beginning.The Cinema of Robert Rodriguez offers the first extended investigation of this important filmmaker’s art. Accessibly written for fans as well as scholars, it addresses all of Rodriguez’s feature films through Spy Kids 4 and Machete Kills, and his filmmaking process from initial inspiration, to script, to film (with its myriad visual and auditory elements and choices), to final product, to (usually) critical and commercial success. In addition to his close analysis of Rodriguez’s work, Frederick Luis Aldama presents an original interview with the filmmaker, in which they discuss his career and his relationship to the film industry. This entertaining and much-needed scholarly overview of Rodriguez’s work shines new light on several key topics, including the filmmaker’s creative, low-cost, efficient approach to filmmaking; the acceptance of Latino films and filmmakers in mainstream cinema; and the consumption and reception of film in the twenty-first century.

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Best known for his 1947 memoir L'Espece humaine, Robert Antelme (1917-1990) is a central figure in the history of the European response to the Nazi concentration camps. In this first study in any language to be devoted to Antelme's work, Martin Crowley reveals the author's vital yet insufficiently recognized influence on recent thought in France and elsewhere about such questions as the nature of community and the indivisibility of humanity. He explores the conclusions Antelme drew from his deportation and his involvement with the post-war French left, and provides the first detailed textual criticism of L'Espece humaine. Examining the responses to the author's writing by such figures as Blanchot, Perec, Agamben, Nancy and Derrida, Crowley demonstrates Antelme's key contribution to the development of modern European thought.

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