Search results for ""Author Richard"

THE GRIPPING NEW PSYCHOLOGICAL THRILLER FROM THE BESTSELLING AUTHOR OF RICHARD & JUDY BOOK CLUB PICK THE WHISPER MAN'Hugely atmospheric and deliciously creepy' Alex Michaelides, bestselling author of The Silent Patient'A surprising and moving finale that will live long in the memory' Daily Express_______THE VICTIM WAS YOUR FRIENDIt was just a silly game to start with. Paul never really believed in it.He never dreamed Charlie would take it so far.SO WAS THE MURDERERFor twenty years, Paul's tried to put his past behind him, but now his mother is dying, and he can't run any longer.But home isn't just full of bad memories. It's also the last place anyone saw Charlie alive.And Paul starts to wonder if Charlie might come back to finish what he started . . ._______'Alex North has outdone himself. The Shadow Friend is the work of a writer who is an absolute master of his craft' Jane Casey'Absorbing, headlong reading . . . As with all the best illusions, you are left feeling not tricked, but full of wonder' New York Times'Echoes of the chilling Slender Man myth' Crime Monthly Praise for Alex North 'The best crime novel of the decade' Steve Cavanagh, bestselling author of Thirteen 'First it's spooky. Then it's scary. Then it's terrifying. And then... well, dear reader, proceed at your own risk. An ambitious, deeply satisfying thriller - a seamless blend of Harlan Coben, Stephen King, and Thomas Harris. My flesh is still crawling' A. J. Finn, no.1 bestselling author of The Woman in the Window 'Alex North has achieved the seemingly impossible. The Whisper Man is a thriller that is both terrifying and utterly heartbreaking. Mesmerising and masterful' Mark Billingham 'A dark, creepy, thriller with a huge amount of heart. Damn, but Alex North can write!' Stuart MacBride

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The heroic true story of Major Richard Bong, America’s greatest fighter pilot of the Pacific War and the nation’s top flying ace of World War IIArriving as a fresh US Army Air Forces pilot in New Guinea in late 1942, Richard Bong wasted no time taking on the Japanese, shooting down two planes in an early skirmish—an action that earned him a Silver Star. Over the next two years, Bong would amass the US armed forces’ most impressive record of aerial victories of the entire war, surpassing even the great Eddie Rickenbacker’s World War I tally and notching forty kills. In December 1944, he was personally awarded the Medal of Honor by General Douglas MacArthur. Now acclaimed author Don Keith recounts the remarkable saga of Bong’s war years as well as his tragic death while serving as a test pilot.

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'A story of life, love and hope - the perfect antidote to today's world. Phenomenal' CLARE MACKINTOSHThe incredible, life-affirming new novel by the author of A BOY MADE OF BLOCKS.Tom, devoted single father to Hannah, is the manager of a tiny local theatre. On each of her birthdays, its colourful cast of part-time actors have staged a fantastical production just for her - a day of wonder.But there is a reason for these shows . . . Hannah has a heart condition and Tom wants to make every moment magical for her. Now, as she approaches adulthood and begins to spread her wings, and with the theatre under threat of closure, Hannah and Tom have to learn a new way of living. But maybe, just maybe, one final day of magic might just save them both.A story about finding joy in everyday life, DAYS OF WONDER is the most beautiful and uplifting novel you'll read all year.'DAYS OF WONDER is a heartwarming and magical story. A wonderful read' LIBBY PAGE, AUTHOR OF THE LIDO'So powerful, yet incredibly gentle and poignant. Utterly and completely beautiful' JOANNA CANNON'Utterly enchanting . . . a truly beautiful story' RUTH HOGAN'This is the most emotionally powerful book we've read all year' HEAT'Tugs at your heart' DAILY MAIL'Fans of Jojo Moyes' Me Before You will love Days of Wonder. Made me laugh and cry in turn' GOOD HOUSEKEEPING'A lovely, funny and very moving novel' SUN'It's a long time since a book made me laugh out loud and cry so much' TRACY REES'A beautiful read' CLOSER'The publishing sensation of the year' MAIL ON SUNDAY ON A BOY MADE OF BLOCKS'An uplifting read, full of humour and heart' SUNDAY MIRRORREADERS LOVE DAYS OF WONDER:'Beautiful. Powerful. Emotional. Heartwarming. Bold. Touching. Heartbreaking. Wonderful. Outstanding. Brave. A must buy. A must read' BETWEEN THE PAGES BOOK CLUB'I didn't think Keith's novel A BOY MADE OF BLOCKS could be topped, but he's done it' GOODREADS REVIEWER'This is a truly wonderful story, and I recommend it to anyone with a heart - broken or otherwise' GOODREADS REVIEWER'I can't stress how amazing this book is. I truly believe that 2018's must-read novel has arrived'WHISPERING STORIES'Catapulted itself into my top five reads of all time' GOODREADS REVIEWER'Brilliantly done and backed up with a cast of lovely characters. I adore this book' GOODREADS REVIEWER'Just

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Could the child once accused of murder really be innocent?'So good . . . Ballantyne makes it look easy' NEW YORK TIMES'Beautifully told' DAILY MAIL'Thought-provoking and unsettling' ALEX GRAY'A breathless thriller' WOMAN'S OWN'Had me turning the pages late into the night' C. J. COOPER________InnocentTen years ago, Sebastian Croll was found not guilty of murdering his playmate.Criminal solicitor Daniel Hunter defended the eleven-year-old in a trial that gripped the nation, but the past is unearthed when Daniel gets a call from his old client.Or guilty?Sebastian's university professor has been brutally murdered and everyone who knew her is in the frame. As Daniel steps in to represent Sebastian for the second time, rumour of his client's identity spreads like wildfire.The media swarm. Threats begin to arrive. And the question on everyone's lips:Could the child once accused of murder really be innocent?________What everyone is saying about Lisa Ballantyne's thrillers:'Gripping' CLARE MACKINTOSH'Sophisticated, suspenseful' LEE CHILD'Tense' SUNDAY TIMES'Unsettling and compulsive' ROSAMUND LUPTON'Moving' GUARDIAN'Emotionally intense' RICHARD AND JUDY BOOKCLUB'Grips like a vice' DAILY MAIL'Thought-provoking' GILLY MACMILLAN'Tense' RACHEL ABBOTT'A page-turner' DAILY EXPRESS'I couldn't get this book out of my head' JENNY COLGAN

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'It's BRILLIANT. I enjoyed it hugely' Marian Keyes*****Two people. Two lives. One chance to see the same world differently. Louis and Louise are the same person born in two different lives. One was born female, and one male.They have the same best friends, the same red hair, the same dream of being a writer, the same excellent whistle. They both suffer one catastrophic night, with life-changing consequences.Thirteen years later, they are both coming home . . . A tender, insightful and timely novel about the things that bring us together - and those which separate us, from the author of Richard & Judy recommended book Together *****A NOVEL PEOPLE CAN'T STOP TALKING ABOUT...'Not often does a story remind us of what beautifully complex creatures we are. Julie Cohen has given us that rare gift' Christina Dalcher, author of VOX'Louis and Louise is Julie Cohen at her absolute best. So cleverly done and authentic, and you feel as if you live in the town with the characters and have been in the story with them.' A J Pearce'Louis & Louise is moving and beautiful, but it will also make you wonder and question, and it will stretch out your thinking so very beautifully' Joanna Cannon'Elegant, thoughtful and powerful' Daisy Buchanan'Fierce, intricate and intriguing' Fanny Blake'Hugely original and heartbreakingly real' Rosie Walsh'A timely read that will stay with you long after you put it down' Libby Page'What a brave, warm and wise book this is. I loved it' Tamar Cohen'Beautifully written and thought-provoking' Kate Eberlen'A cobweb of a book: beautifully intricate and delicate' Veronica Henry'Wow. What a beautiful, ballsy and brilliant book' Sinead Moriarty'A beautifully written, heartbreaking and important novel about gender, self, family and, ultimately, love' Claire Frost, reviewer'A powerful and memorable story of small town secrets, family dynamics and the sense that some things are just meant to be' Sunday Express'Emotional and seriously powerful' Fabulous'An engaging, moving novel, at its most arresting in the pivotal scenes when she explores the personal fallout of industrial and class conflict in Louis/Louise's beleaguered hometown' Sunday Times 'A modern take told with heart' Grazia'The premise here is radical, but worth the effort... this elegantly written novel also examines much that is universal' Daily Mail****** Fabulous pick for 2019's Best Books ** Woman & Home Pick of the Month * * Good Housekeeping Book of the Month * * Emerald Street January's Best Books * * Stylist 2019's Hottest Books * * THE POOL Recommended Books 2019 *

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Richard III ruled England for a mere twenty-six months, yet few English monarchs remain as compulsively fascinating, and none has been more persistently vilified. In his absorbing and universally praised account, Charles Ross assesses the king within the context of his violent age and explores the critical questions of the reign: why and how Richard Plantagenet usurped the throne; the belief that he ordered the murder of "the Princes in the Tower"; the events leading to the battle of Bosworth in 1485; and the death of the Yorkist dynasty with Richard himself. In a new foreword, Professor Richard A. Griffiths identifies the attributes that have made Ross's account the leading biography in the field, and assesses the impact of the research published since the book first appeared in 1981. "A fascinating study on a perennially fascinating topic… the base against which will be measured any future research."--Times Higher Education Supplement

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What if someone wanted your family dead?-------- 'I was hooked from beginning to end' Claire Douglas'Confirms her place in the front rank of British crime writers' Sunday Times It's one of the most disturbing cases DI Fawley has ever worked. The Christmas holidays, and two children have just been pulled from the wreckage of their burning home in North Oxford. The toddler is dead, and his brother is soon fighting for his life. Why were they left in the house alone? Where is their mother, and why is their father not answering his phone? Then new evidence is discovered, and DI Fawley's worst nightmare comes true. Because this fire wasn't an accident. It was murder. And the killer is still out there... Sunday Times best 100 novels since 1945 Sunday Times Best Crime Fiction of 2019The third twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell. -------- Authors can't get enough of Cara Hunter 'Gripping' Ian Rankin, The Dark Remains 'Your next riveting, twisty read!' Shari Lapena, Not A Happy Family 'The new queen of the cliffhanger' John Marrs, The Vacation'Cancel everything. You're not going anywhere until you finish this' Emily Koch, If I Die Before I Wake 'The new DI Fawley novel is the best yet - and that's saying something!' Simon Lelic, The House 'My heart was in my mouth' Sarah J. Naughton, Tattle Tale 'A cracking detective novel that pulsates with authenticity' Michelle Francis, The Girlfriend And readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

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Richard II is one of the most enigmatic of English kings. Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book—the first full-length biography of Richard in more than fifty years—offers a radical reinterpretation of the king.Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address, and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear.A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in the politics and culture of the English middle ages.

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‘Richard Marsh’ (Richard Bernard Heldmann, 1857–1915) was a bestselling, versatile and prolific author of gothic, crime, adventure, romantic and comic fiction. This book, the first on Marsh, establishes his credentials as a significant agent within the fin de siècle gothic revival. Marsh’s work spans a range of gothic modes, including the canonical fin de siècle subgenres of urban and imperial gothic and gothic-inflected sensation and supernatural fiction, but also rarer hybrid genres such as the comic gothic and the occult romance. His greatest success came in 1897 when he published his bestselling invasion narrative The Beetle: A Mystery, a novel that articulated many of the key themes of fin de siècle urban gothic and outsold its close rival, Bram Stoker’s Dracula, well into the twentieth century. The present work extends studies of Marsh’s literary production beyond The Beetle, contending that, in addition to his undoubted interest in non-normative gender and ethnic identities, Marsh was a writer with an acute sense of spatiality, whose fiction can be read productively through the lens of spatial theory.

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Neil Gascoigne provides the first comprehensive introduction Richard Rorty’s work. He demonstrates to the general reader and to the student of philosophy alike how the radical views on truth, objectivity and rationality expressed in Rorty’s widely-read essays on contemporary culture and politics derive from his earliest work in the philosophy of mind and language. He avoids the partisanship that characterizes much discussion of Rorty’s work whilst providing a critical account of some of the dominant concerns of contemporary thought. Beginning with Rorty’s early work on concept-change in the philosophy of mind, the book traces his increasing hostility to the idea that philosophy is cognitively privileged with respect to other disciplines. After the publication of Philosophy and the Mirror of Nature, this led to a new emphasis on preserving the moral and political inheritance of the enlightenment by detaching it from the traditional search for rational foundations. This emerging project led Rorty to champion ‘ironic’ thinkers like Foucault and Derrida, and to his attempt to update the liberalism of J. S. Mill by offering a non-universalistic account of the individual’s need to balance their own private interests against their commitments to others. By returning him to his philosophical roots, Gascoigne shows why Rorty’s pragmatism is of continuing relevance to anyone interested in ongoing debates about the nature and limits of philosophy, and the implications these debates have for our understanding of what role the intellectual might play in contemporary life. This book serves as both an excellent introduction to Rorty’s work and an innovative critique which contributes to ongoing debates in the field.

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‘Rescuing Richard’ is a breathless quest that sweeps the reader from the blood-soaked battlefields of Zululand to the corridors of power in Regency London. Richard is astonished when Shaka appoints him to his inner council, where he vies for influence with his friend, Napoleon Bonaparte. Drawn to a feisty, intelligent young Zulu woman, Richard wrestles with his conscience while confronting betrayal and colonial adventurers exploiting the land he is sworn to protect. Having helped equip the Zulu army with artillery, he is sent as ambassador to the court of King George, where he defends Zulu interests while trying to help an old acquaintance escape an abusive relationship.

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Playwright Migdalia Cruz breathes new life into Richard III. Nuyorican playwright Migdalia Cruz unpacks and repositions Shakespeare’s Richard III for a twenty-first-century audience. She presents a contemporary English verse translation, faithfully keeping the poetry, the puns, and the politics of the play intact, with a rigorous and in-depth examination of Richard III—the man, the king, the outsider—who is still the only English king to have died in battle. In the Wars of the Roses, his Catholic belief in his country led to his slaughter at Bosworth’s Field by his Protestant rivals. In reimagining this text, Cruz emphasizes Richard III’s outsider status—exacerbated by his severe scoliosis, which twisted his spine—by punctuating the text with punk music from 1970s London. Cruz’s Richard is no one’s fool or lackey. He is a new kind of monarch, whose dark sense of humor and deep sense of purpose leads his charge against the society which never fully accepted him because he looked different. This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.

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A thrilling tale of murder and mystery in a city where history has run a little differently -- from the bestselling author of Golden Hill.In a city that never was, in an America that never was, on a snowy night at the end of winter, two detectives find a body on the roof of a skyscraper.It's 1922, and Americans are drinking in speakeasies, dancing to jazz, stepping quickly to the tempo of modern times. Beside the Mississippi, the ancient city of Cahokia lives on - a teeming industrial metropolis, containing every race and creed. Among them, peace holds. Just about. But that body on the roof is about to spark off a week that will spill the city's secrets, and bring it, against a soundtrack of wailing clarinets and gunfire, either to destruction or rebirth.The multiple-award-winning Francis Spufford returns, with a lovingly created, richly pleasure-giving, epically scaled tale set in the golden age of wicked entertainments.

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'Gripping . . . Just brilliant' Clare Mackintosh'Emotionally compelling' Chris Brookmyre THERE'S A FINE LINE BETWEEN GOOD AND BAD . . .'Big George' McLaughlin is a bad person. He's snatched a little girl from her family, and he's not planning on giving her back. But George is also inherently good. He loves this little girl and has kidnapped her with pure intentions. She's his daughter and he wouldn't do a thing to hurt her. So when being together feels so right, why is it so terribly wrong? Is there such a thing as good bad love? From the Richard & Judy Book Club and international bestselling author of The Guilty One comes a suspenseful, gritty and emotionally charged journey of an estranged father and daughter, exploring the strength of family ties and our huge capacity for forgiveness.Praise for Lisa Ballantyne:'Thought-provoking, brave, challenging, compulsive' Rosamund Lupton'A page-turner with real emotional depth' Daily Express'Sophisticated, suspenseful, unsettling' Lee Child'Moving, insightful' Guardian'Will touch your heart, even as it leaves you unsettled' Hallie Ephron'Grips like a vice' Daily Mail'Thought-provoking and clever' Gilly Macmillan'Tense' Sunday Times'A tense and moving story that I will remember for a long time' Rachel Abbott'I couldn't get this book out of my head. It kept me up all night and guessing the whole way through. I loved it' Jenny Colgan

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Richard Mille, 54, has devoted his career to haute horology. His love for high-precision mechanism and his passion for technological perfection have inspired his creations. Thousands of hours devoted to engineering research in a state-of-the-art workshop in the Swiss Jura resulted in the realisation and marketing in 2001 of a wristwatch which was the most ergonomic and the most technically sophisticated watch of its time. Since then, about ten new models have been created and launched successfully. In a Richard Mille watch, the concept dictates the components, and not the other way round. Therefore there is no "standard" part. Carbon fibre, silicon, metallic and non-metallic alloys and ceramics are no longer exclusive to the car, aeronautics or aerospace industries. These materials offer haute horology fabulous possibilities and new technical solutions, provided it accepts the challenge of their adaptation to watchmaking. These costly materials must be tried and tested many times before their full potential to watchmaking is appreciated and understood by the tool-makers and watch-mechanics. It can be considered therefore that Richard Mille watches are futuristic high-tech works of art.

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JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works (Palgrave Macmillan, 2008). He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare.' In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and

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Richard Cosway was once a more famous artist than Gainsborough. His portraits of the fashionable were the rage in Regency London. From 1785 he became First Painter to the Prince of Wales - the only artist ever to have been accorded such a title. He and his wife Maria entertained everybody who was anybody. Herself a talented artist in her own right, she was also a composer, musician and authority on girls' education. Thomas Jefferson fell in love with her; Napoleon doted on her. And yet, save for Richard Coswayís pre-eminence as a miniaturist, he and Maria have long been neglected by the public, their reputation tarnished by rumour and misrepresentation. Here, Gerald Barnett seeks to present them in a truer and clearer light, emphasising their achievements as artists and individuals and rehabilitating them as major figures in the artistic history of eighteenth-century England. Richard Cosway was the subject of major exhibitions at the Scottish National Portrait Gallery (Edinburgh) and the National Portrait Gallery (London) from August 1995. Richard and Maria Cosway feature prominently as characters in the Merchant-Ivory film Jefferson in Paris.

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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of King Richard III, Janis Lull has added a new section to her introduction, in which she focuses on contemporary productions of the play as well as recent scholarly criticism. Lull emphasises the importance of women's roles in this popular drama but shows how the text has frequently been cut, rewritten and reshaped by directors and actors to enhance the role of Richard, often at the expense of female characters. The special relationship between King Richard III and Macbeth is also explored while the notes detail the play's language in terms that are easily accessible to contemporary readers.

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'Effortlessly blends the brutal and the tender, the dark and the light. Aector McAvoy is a true original. So is David Mark.' Mick Herron, author of Dead LionsDS Aector McAvoy's brother-in-law Valentine is missing. In New York City, half the world away.And the two men he travelled with have just been found in an open grave upstate: one dead, one as good as. McAvoy doesn't believe Valentine killed them. He does believe he's in trouble. And so he follows him to New York, determined to find out what happened. But Valentine is in more danger than McAvoy could have imagined. And McAvoy's walking into it right after him: into the darkness of murder, revenge, and a forty-year-old crime...

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Richard III, the most notorious and most discussed of English kings, was also unusual among his contemporaries in regularly signing his books. This characteristic, among others, has enabled Anne Sutton and Livia Visser-Fuchs to reconstruct his library, and link it to the culture and reading habits of his generation.The books of Richard III are typical of what was available to and popular with the medieval reader religion, chivalry, history, genealogy, advice on how to govern, romance and prophecy and allow us to draw an interesting overview of fifteenth-century opinions.Each type of book is examined on its own terms and then related to the known preoccupations of Richard himself, his associates and to the political practices of his time. Containing valuable biographical material, insights into the history and politics of the later fifteenth century, and much detail on late medieval piety and other important aspects of contemporary culture, this fully

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From male bisexuality to religion in pop, Little Richard spent the 1950s pioneering ideas that are still too challenging for the mainstream. As a Black multimillionaire rock star, he was the most exciting person on the planet between 1955 and 1957, the years in which his seismic debut album was created. Featuring new interviews with famous fans including Sir Elton John, Dave Grohl, Joan Jett and Nile Rodgers, this is the first in-depth look at Here’s Little Richard since Richard Penniman’s death in May 2020. The book explores his roots in the queer underground of the American South, a scene so progressive you’d scarcely believe it thrived seven decades ago, and early rebel music such as jump blues, which soon collided with the emerging juggernaut that was rock’n’roll. When that weird alchemy occurred, the self-proclaimed Living Flame was ready to spark the likes of The Beatles, David Bowie and Prince into existence. Those close to the tale pinpoint the ways in which ‘Long Tall Sally’ and ‘Tutti Frutti’ remain omnipresent – and why the latter was the ‘WAP’ of its day. This is the story of how Little Richard changed the world in 28 minutes and 30 seconds. A-wop-bop-a-loo-bop-a-lop-bam-boom!

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Richard III has the status of a monster, in British culture, and the continuous popularity of Shakespeare’s play has done much to foster this. Deformity and distortion operate through this myth on many levels. This study is an essay in five ‘distortions’, tracking the way the play manipulates and explores fundamental human concerns; the body, history,, theatre, childhood and family and the mirrors and shadows of individual identity and self-knowledge.

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Dynamic composition and strong color form a common thread in the diverse, career-spanning works of midcentury American artist Richard Diebenkorn. One of the most influential artists during the decades after World War II, his work encompassed three major artistic evolutions: the Sausalito, Albuquerque, Urbana, and early Berkeley periods of Abstract Expressionism (1947-1955); the Berkeley figurative/representational period (1955-1966); and the Ocean Park (1967-1988) and Healdsburg (1988-1992) series of abstractions. The 12 paintings in this calendar were created during the Ocean Park years.

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An incisive analysis of a popular American filmmaker

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A sumptuous, large-format photographic homage to the end of the analog era Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity and nuance. Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s 1969 book, Notations, which compiles music scores as art, Misrach here envisages the photographic image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result is a series of immense beauty unlike any previous Misrach publication. Richard Misrach (born 1949) is one of the most influential photographers working today. For the past five decades, he has used visually stunning, large-scale color vistas to address human intervention in the natural world. He lives and works in Berkeley, California.

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A major biography-intimate, gripping, revelatory-of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family's brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he'd known. He brought that trembling vitality to Hollywood, where his movie career-Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar-flowed directly out of his spirit of creative improvisation. The major studios considered him dangerous. Audiences felt plugged directly into the socket of life. Becoming Richard Pryor brings the man and his comic genius into focus as never before. Drawing upon a mountain of original research-interviews with family and friends, court transcripts, unpublished journals, screenplay drafts-Scott Saul traces Pryor's rough journey to the heights of fame: from his heartbreaking childhood, his trials in the Army, and his apprentice days in Greenwich Village to his soul-searching interlude in Berkeley and his ascent in the "New Hollywood" of the 1970s. Becoming Richard Pryor illuminates an entertainer who, by bringing together the spirits of the black freedom movement and the counterculture, forever altered the DNA of American comedy. It reveals that, while Pryor made himself a legend with his own account of his life onstage, the full truth of that life is more bracing still.

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Die vorliegende Lebenschronik Richard Wagners, die erste seit Jahrzehnten, zeichnet Leben und Schaffen umfangreich Tag für Tag, Monat für Monat, Jahr für Jahr in seinem wechselvollen Gang mit allen Höhen und Tiefen auf. Die Datenfolgen werden angereichert durch zahlreiche Eigenzitate Wagners, durch Zeugnisse von Freunden und Zeitgenossen sowie durch Einbindung in wichtige Zeitereignisse. Wagners Entwicklung, spannungsvoll zwischen Kunst und Politik, Theater und Revolution gelagert, wird an seinen einzelnen Lebensstationen, seinen musiktheatralischen Werken und seinen kunstästhetischen wie kunstpolitischen Schriften umfangreich dokumentiert. Die Chronik kann so auch als neue Biographie Wagners gelten.

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This wide-ranging anthology includes a collection of reviews tracing Foreman's reception from the 1960s to today, a series of informative interviews, a section of critical essays and a selection of Foreman's writings (including the complete text of My Head Was a Sledgehammer). The book also offers a detailed chronology of Foreman's career, a current bibliography and 19 photographs from his plays.

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'Beautifully written, incredibly evocative with a real sense of place and of the sea. Heart-stoppingly tense' Catherine Cooper, Sunday Times bestselling author of THE CHALET'Fiendishly clever' Sunday TimesThe new pulse-pounding thriller from the bestselling author of THE MEMORY WOOD.******HOW DID IT COME TO THIS?The news doesn't strike cleanly, like a guillotine's blade. Nothing so merciful. This news is a slovenly traveller, dragging its feet, gradually revealing its horrors. And it announces itself first with violence - the urgent hammering of fists on the front door.Life can change in a heartbeat.Lucy has everything she could wish for: a beautiful home high on the clifftops, a devoted husband and two beloved children.Then one morning, time stops. Their family yacht is recovered, abandoned far out at sea. Lucy's husband is nowhere to be found and as the seconds tick by, she begins to wonder - what if he was the one who took the boat? And if so, where is he now?As a once-in-a-generation storm frustrates the rescue operation, Lucy pieces together what happened onboard. And then she makes a fresh discovery. One that plunges her into a living nightmare . . .Wherever her husband is, he isn't alone. Because their children are missing, too.******Praise for Sam Lloyd:'Lloyd is a rare new thriller talent.' Daily Mail'Stunning prose and compulsive reading.' Lesley Kara'An intense, atmospheric, and truly original thriller.' Shari Lapena'A beautifully written, fast-paced thriller.' Heat'A darkly chilling and original novel . . . a series of twists keeps readers captivated until a shocking climax.' Daily Express'Brilliant writing, a terrifying story, and characters so real it feels like you know them.' Samantha Downing'A truly chilling story.' Woman & Home

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The title of Richard Rezac's Renaissance Society exhibition, Address, plays on the multivalent quality of the word. As a noun, it refers to a unique identifier of a precise location. As a verb, it refers to a form of communication crafted for a specific people, time, and place. This exhibition drew upon both elements of the word's two meanings: the artist deliberately created and selected works in response to the architecture of the Renaissance Society's gallery space, and the title also nods to the sculptures' relationship to their presumptive audience. This book showcases twenty pieces featured in the exhibition that are made of a wide range of materials including cherry wood, cast bronze, and aluminum and that span Rezac's career--including newly commissioned pieces.s Through the concept of address, the exhibit and book explore the artist's ongoing engagement with both tangible, mathematical ordering systems and the elusive mechanisms of memory and interpretation. This publication continues Rezac's address, extending it to a greater audience of readers through a generous selection of images, a conversation between the artist and curator Solveig vsteb , and new texts by Matthew Goulish, Jennifer R. Gross, and James Rondeau.

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FROM THE BESTSELLING AUTHOR OF RICHARD & JUDY THRILLER PICK NO ONE HOME He got on the train. He didn't get off. So where did he go?On a normal London moening, Sam Wren gets onto a tue triain - and then never gets off again.No eyewitnesses. No trace of him on security cameras. Six months later, he's still missing.Out of options and desperate for answers, Sam's wife Julia hires David Raker to track him down. Raker has made a career out of finding the lost. He knows how they think. And, in missing person cases, the only certainty is that everyone has something to hide.But in this case the secrets go deeper than anyone imagined . . .From the bestselling author behind the chart-topping podcast Missing, this mystery is perfect for fans of Clare Mackintosh's I See You and Jo Nesbo's The Thirst.'Weaver's books get better each time - tense, complex, written with flair as well as care' Guardian'A fluent and assured piece of crime fiction . . . Tim Weaver ties in the apparently divergent events with convincing ease' Crime Fiction Lover

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In this updated edition of King Richard II, Claire McEachern provides a fresh introductory section in which she discusses the most important productions and scholarly criticism of recent years. Paying particular attention to the focus on religion in contemporary interpretations of the play, McEachern also analyses the increasing number of performances on stage and screen. Andrew Gurr's acclaimed introduction guides the reader through the play's action and politics, providing a thorough and engaging grounding in its structure, language and staging. An updated reading list completes the edition.

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'The most addictive book I've read in ages - so slick and disquieting and clever. Just brilliant.'LISA JEWELL'I was obsessed with Everyone Here is Lying . . . Fast paced, tightly-plotted and with twists so well executed they floored me. Loved every word!'CLAIRE DOUGLAS'A smart, unguessable mystery set among a cast of satisfyingly flawed characters. Shari Lapena is an auto-buy for me - I always know I'll be in for a treat!'LOUISE CANDLISHThe gripping new thriller from the #1 Sunday Times bestselling author of THE COUPLE NEXT DOORWelcome to Stanhope - a safe neighbourhood. A place for families.William Wooler is a family man, on the surface. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter Avery unexpectedly home from school, William loses his temper.Hours later, Avery's family declares her missing.Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, Avery's neighbours become increasingly unhinged.Who took Avery Wooler?Nothing will prepare you for the truth.OUT NOW!_______Praise for Everyone Here is Lying:'Shari Lapena is a modern master of the psychological thriller, and all of her considerable talents are at work in Everyone Here Is Lying.' Steve Cavanagh 'A taut, clever, chilling ride of manipulation and family secrets . . . Prepare to be consumed!' Ashley Audrain'Shari Lapena is the queen of the "just one more chapter" read. A chilling exploration of the worst-case repercussions and extensive fallout of a brief affair.' Sarah Vaughan'I inhaled Everyone Here Is Lying. The pace never flags, the twists are fiendishly clever, and the writing is as perfect as can be.' Liz Nugent'Genius. I loved it.' Andrea Mara'You simply can't put it down' Robert Gold'I defy you to put it down until you know what happened to Avery Wooler' Gilly Macmillan'Shari Lapena is an expert in both pace and the placing of clues and misdirections' Literary Review'A fast-paced read with jaw-dropping twists' The i

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On August 8, 1974, millions sat stunned as they watched Richard Nixon on TV when he announced he was stepping down as the President of the United States. He’d participated in a scandal that included secret tape recordings, a burglary, and a cover-up, and now his secrets and lies were catching up to him. How could Nixon, a man who had been reelected in a landslide victory just two years earlier, now be leaving office in disgrace? Author Megan Stine takes readers through President Nixon’s life - from his childhood and military experiences during World War II - to his long political career and the Watergate scandal that tarnished his legacy and deepened American’s mistrust of the government.

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Richard III remains one of the most controversial rulers in history. Whether he was guilty of murdering his nephews or not is a mystery that perhaps will never be solved. Even the location of the battlefield where, on 22 August 1485, Richard was struck down has been a matter of debate. This book leads you on a journey through the landscape of Richard’s time. Following Richard’s trail, you will visit resplendent castles, towering cathedrals, manor homes and chapels associated with Richard. The Middle Ages come alive again as you visit Tewkesbury Abbey, where Richard helped his brother secure his throne. Witness the stunning vista of Wensleydale as you visit Middleham Castle, Richard’s adopted childhood home. Each location is brought to life through engaging narrative and an extensive collection of photographs, floor plans and images.

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Perfect for fans of One Day in December and Notting Hill, this is an unforgettable love story about sliding doors and chance encounters by the Richard & Judy Book Club bestselling author.'I raced through this sweet, emotionally satisfying rom-com' Good Housekeeping'I was enamoured with this story' Prima__________________________________________What if you've already crossed paths with the love of your life?Cora and Jacob live in London's vast metropolis; he at one end of the Central Line, she at the other.Their paths have crossed a thousand times without them knowing.When a chance encounter on the underground brings them together, it seems they're destined to fall in love.But although they live in the same city, their worlds are miles apart.Jacob's life is uncluttered, while Cora's is full of complications. And as events begin to divide them, they start to wonder:Are they meant to be together, or were they never meant to meet?__________________________________________Readers are falling in love with Saskia Sarginson's novels . . .'With echoes of David Nicholls's One Day, this romance has just the right mix of heart-melting moments and heart-rending near misses' Good Housekeeping'Intensely romantic' Sunday Mirror'A wonderful, heart-tugging romance' Prima'A raw, emotional book about love in all its guises' Sun'A gorgeous story of what-ifs and maybes' Miranda Dickinson'Heartbreaking' Bella'Timeless and moving' Holly Miller'So much more than a love story' Lisa Ballantyne'Have tissues to hand' Best'Touching, deftly written' Ella Allbright

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