Search results for ""Author Ming"

These eight tales from the Song and Ming Dynasties present readers with a colorful tapestry of adventure and misadventure, erotic romance, crafty intrigue, supernatural fantasy, comedies of errors, and crimes and punishment in sixteenth and seventeenth century China.

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A forgotten century marks the years between the Ming dynasty's (1368–1644) turbulent founding and its sixteenth-century age of exploration and economic transformation. In this period of social stability, retired scholar-official Lu Rong chronicled his observations of Chinese society in Miscellaneous Records from the Bean Garden (Shuyuan zaji). Openly expressing his admirations and frustrations, Lu provides a window into the quotidian that sets Bean Garden apart from other works of the biji genre of "informal notes." Mark Halperin organizes a translated selection of Lu's records to create a panorama of Ming life. A man of unusual curiosity, Lu describes multiple social classes, ethnicities, and locales in his accounts of political intrigues, farming techniques, religious practices, etiquette, crime, and family life. Centuries after their composition, Lu's words continue to provide a richly textured portrait of China on the cusp of the early modern era. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

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One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built is the first book-length study devoted to the architectural projects of a single Chinese emperor. Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time. Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.

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Slapping the Table in Amazement is the unabridged English translation of the famous story collection Pai’an jingqi by Ling Mengchu (1580–1644), originally published in 1628. The forty lively stories gathered here present a broad picture of traditional Chinese society and include characters from all social levels. We learn of their joys and sorrows, their views about life and death, and their visions of the underworld and the supernatural. Ling was a connoisseur of popular literature and a seminal figure in the development of Chinese literature in the vernacular, which paved the way for the late-imperial Chinese novel. Slapping the Table in Amazement includes translations of verse and prologue stories as well as marginal and interlinear comments.

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"If you buy only one work on pre-modern Chinese history this year, make it this one."—W. S. Atwell, HistoryWinner of the American Book Award for History In 1587, the Year of the Pig, nothing very special happened in China. Yet in the seemingly unspectacular events of this ordinary year, Ray Huang finds exemplified the roots of China's perennial inability to adapt to change. Through fascinating accounts of the lives of seven prominent officials, he fashions a remarkably vivid portrayal of the court and the ruling class of late imperial China. In revealing the subtle but inexorable forces that brought about the paralysis and final collapse of the Ming dynasty, Huang offers the reader perspective into the problems China has faced through the centuries.

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A brilliant approach to the queerness of one of Taiwan’s greatest auteurs A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.

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Iconoclastic scholar Li Zhi (1527–1602) was a central figure in the cultural world of the late Ming dynasty. His provocative and controversial words and actions shaped print culture, literary practice, attitudes toward gender, and perspectives on Buddhism and the afterlife. Although banned, his writings were never fully suppressed, because they tapped into issues of vital significance to generations of readers. His incisive remarks, along with the emotional intensity and rhetorical power with which he delivered them, made him an icon of his cultural moment and an emblem of early modern Chinese intellectual dissent. In this volume, leading China scholars demonstrate the interrelatedness of seemingly discrete aspects of Li Zhi’s thought and emphasize his far-reaching impact on his contemporaries and successors. In doing so, they challenge the myth that there was no tradition of dissidence in premodern China. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

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Stories to Caution the World is the first complete translation of Jingshi tongyan, the second of Feng Menglong's three collections of stories which were pivotal in the development of Chinese vernacular fiction. These tales, whose importance in the Chinese literary canon and in world literature is without question, have been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women in their everyday surroundings -- merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, servants and maids, thieves and imposters -- the stories in this collection provide a vivid panorama of the bustling world of imperial China before the end of the Ming dynasty. Feng Menglong collected popular stories from a variety of sources (some dating back centuries) and circulated them via the flourishing seventeenth-century publishing industry. He not only saved them from oblivion but elevated the status of vernacular literature and provided material for authors of the great late-Ming and Qing novels to draw upon. As in their translation of the first collection of Feng's trilogy, Stories Old and New, Shuhui and Yunqin Yang include all forty stories as well as Feng's interlinear and marginal comments and all of the verse woven throughout the stories. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html

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The Ming period of Chinese history is often depicted as one of cultural aridity, political despotism, and social stasis. Recent studies have shown that the arts continued to flourish, government remained effective, people enjoyed considerable mobility, and China served as a center of the global economy. This study goes further to argue that China’s perennial quest for cultural centrality resulted in periodic political changes that permitted the Chinese people to retain control over social and economic developments. The study focuses on two and a half million people in three prefectures of northeast Henan, the central province in the heart of the “central plain”—a common synecdoche for China. The author argues that this population may have been more representative of the Chinese people at large than were the residents of more prosperous regions. Many diverse individuals in northeast Henan invoked historical models to deal with the present and shape the future. Though they differed in the lessons they drew, they shared the view that the Han dynasty was particularly relevant to their own time. Han and Ming politics were integral parts of a pattern of Chinese historical development that has lasted to the present.

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A brilliant approach to the queerness of one of Taiwan’s greatest auteurs A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.

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How climate change ushered in the collapse of one of history’s mighty empiresIn 1644, after close to three centuries of relative stability and prosperity, the Ming dynasty collapsed. Many historians attribute its demise to the Manchu invasion of China, but the truth is far more profound. The Price of Collapse provides an entirely new approach to the economic and social history of China, exploring how global climate crisis spelled the end of Ming rule.The mid-seventeenth century witnessed the deadliest phase of the Little Ice Age, when temperatures and rainfall plunged and world economies buckled. Timothy Brook draws on the history of grain prices to paint a gripping portrait of the final tumultuous years of a once-great dynasty. He explores how global trade networks that increasingly moved silver into China may have affected prices and describes the daily struggle to survive amid grain shortages and famine. By the early 1640s, as the subjects of the Ming found themselves caught in a deadly combination of cold and drought that defied all attempts to stave off disaster, the Ming price regime collapsed, and with it the Ming political regime.A masterful work of scholarship, The Price of Collapse reconstructs the experience of ordinary people under the immense pressure of unaffordable prices as their country slid from prosperity to calamity and shows how the market mediated the relationship between an empire and the climate that turned against it.

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This volume addresses cultural and literary transformation in the late Ming (1550-1644) and late Qing (1851-1911) eras. Although conventionally associated with a devastating sociopolitical crisis, each of these periods was also a time when Chinese culture was rejuvenated. Focusing on the twin themes of crisis and innovation, the seventeen chapters in this book aim to illuminate the late Ming and late Qing as eras of literary-cultural innovation during periods of imperial disintegration; to analyze linkages between the two periods and the radical heritage they bequeathed to the modern imagination; and to rethink the "premodernity" of the late Ming and late Qing in the context of the end of the age of modernism. The chapters touch on a remarkably wide spectrum of works, some never before discussed in English, such as poetry, drama, full-length novels, short stories, tanci narratives, newspaper articles, miscellanies, sketches, familiar essays, and public and private historical accounts. More important, they intersect on issues ranging from testimony about dynastic decline to the negotiation of authorial subjectivity, from the introduction of cultural technology to the renewal of literary convention.

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-- Asian Thought and Society

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As American critic Tom Disch quipped of many vintage poets: 'friends and pets die, the garden takes on a new significance.' There are poems in this collection about Dutch Masters, the remembered voice of a deceased soprano, a waterfall, ancient Chinese artefacts, victims of the World Wars, kites and flowers; but each piece is sensitively imbued not only with the poet's awareness of impending death but also with the incorrigible fragility of life. While Dallas is at home in a number of different modes, her high regard for literary tradition as a form of spiritual realism makes her eminently readable as a disciplined watcher of the seasons.

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Playwriting in many forms flourished during the late Ming and early Qing dynasties. Shorter theatrical genres in particular offered playwrights opportunities for experimentation with both dramatic form and social critique. Despite their originality and wit, these short plays have been overshadowed by the lengthy masterpieces of the southern drama tradition.A Topsy-Turvy World presents English translations of shorter sixteenth-to-eighteenth-century plays, spotlighting a lesser-known side of Chinese drama. Satirical and often earthy, these mostly one-act plays depict deceit, dissembling, reversed gender roles, and sudden upending of fortunes. With zest and humor, they portray henpecked husbands, supercilious and lustful monks, all-too-human sage kings, disgruntled officials, and overreaching young scholars. These plays provide a glimpse of Chinese daily life and mores even as they question or subvert the boundaries of social, moral, and political order.Each translation is preceded by a short introduction that describes the play’s author, context, formal qualities, and textual history. A Topsy-Turvy World offers a new view of a significant period in the development of the Chinese theatrical tradition and provides insight into the role of drama as cultural critique.

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Playwriting in many forms flourished during the late Ming and early Qing dynasties. Shorter theatrical genres in particular offered playwrights opportunities for experimentation with both dramatic form and social critique. Despite their originality and wit, these short plays have been overshadowed by the lengthy masterpieces of the southern drama tradition.A Topsy-Turvy World presents English translations of shorter sixteenth-to-eighteenth-century plays, spotlighting a lesser-known side of Chinese drama. Satirical and often earthy, these mostly one-act plays depict deceit, dissembling, reversed gender roles, and sudden upending of fortunes. With zest and humor, they portray henpecked husbands, supercilious and lustful monks, all-too-human sage kings, disgruntled officials, and overreaching young scholars. These plays provide a glimpse of Chinese daily life and mores even as they question or subvert the boundaries of social, moral, and political order.Each translation is preceded by a short introduction that describes the play’s author, context, formal qualities, and textual history. A Topsy-Turvy World offers a new view of a significant period in the development of the Chinese theatrical tradition and provides insight into the role of drama as cultural critique.

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org.Huizhou studies the construction of local identity through kinship in the prefecture of Huizhou, the most prominent merchant stronghold of Ming China. Employing an array of untapped genealogies and other sources, Qitao Guo explores how developments in the sociocultural, religious, and gender realms from the fifteenth to sixteenth centuries intertwined to shape Huizhou identity as a land of "prominent lineages." This gentrified self-image both sheltered and guided the development of mercantile lineages, which were further bolstered by the gender regime and the local religious order. As Guo demonstrates, the discrepancy between representation and practice helps explain Huizhou's triumphs. The more active the economy became, the more those central to its commercialization embraced conservative sociocultural norms. Home lineages embraced neo-Confucian orthodoxy even as they provided the financial and logistical support to assure the success of Huizhou merchants. The end result was not "capitalism" but a gentrified mercantile lineage culture with Chinese—or Huizhou—characteristics.

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Chen Cheng naquit en 1365 sous le regne du dernier empereur mongol Shundi (1333-1367). Il connut dans son enfance les desordres de la fin des Yuan et l'avenement de la dynastie Ming (1368-1644). Laureat du concours du palais, il servit comme fonctionnaire du corps des envoyes diplomatiques sous les trois premiers empereurs Ming. Il mourut apres une longue retraite en 1457. Cette recherche vise a retrouver la trace de ce personnage pour lui redonner vie dans son epoque. Elle tente de presenter la vision des royaumes etrangers que pouvait avoir un voyageur chinois de cette epoque fortement marque par sa propre tradition. La politique de Yongle (1405-1424), fils du fondateur de la dynastie, tira son originalite d'une ouverture accrue sur le monde chinois, jusque vers un Occident lointain, ou les envoyes imperiaux se rendirent par voies de terre et de mer. La notoriete de Chen Cheng tient surtout a ses relations de voyages en Asie centrale. Sous le regne de Yongle, l'envoye imperial se rendit par trois fois aupres du fils de Tamerlan, Shahrukh, en sa capitale Herat. Au retour de sa premiere mission, en 1415, il presenta a la cour le "Journal de voyage dans les terres d'Occident" et le "Memoire sur les royaumes indigenes des terres d'Occident". Pour compenser la secheresse de son Journal et comme pour s'humaniser davantage a nos yeux, Chen Cheng nous offrit ses "Poemes de route". Si le chemin a travers les deserts et les montagnes n'est pas decrit minitieusement, on peut y suivre de loin en loin le cheminement mental de l'auteur et ressentir avec lui quelques emotions du voyage: joies, deconvenues, surprises, inquietudes mais aussi l'amusement de decouvrir. Chen Cheng n'est pas une figure dominante du pantheon des lettres chinois, mais il est surement representatif d'une elite talentueuse et cultivee de son temps, fidelement devouee a l'institution imperiale.

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Li Mengyang (1473–1530) was a scholar-official and man of letters who initiated the literary archaist movement that sought to restore ancient styles of prose and poetry in sixteenth-century China. In this first book-length study of Li in English, Chang Woei Ong comprehensively examines his intellectual scheme and situates Li’s quest to redefine literati learning as a way to build a perfect social order in the context of intellectual transitions since the Song dynasty.Ong examines Li’s emergence at the distinctive historical juncture of the mid-Ming dynasty, when differences in literati cultures and visions were articulated as a north-south divide (both real and perceived) among Chinese thinkers. Ong argues that this divide, and the ways in which Ming literati compartmentalized learning, is key to understanding Li’s thought and its legacy. Though a northerner, Li became a powerful voice in prose and poetry, in both a positive and negative sense, as he was championed or castigated by the southern literati communities. The southern literati’s indifference toward Li’s other intellectual endeavors—including cosmology, ethics, political philosophy, and historiography—furthered his utter marginalization in those fields.

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Lineages Embedded in Temple Networks explores the key role played by elite Daoists in social and cultural life in Ming China, notably by mediating between local networks—biological lineages, territorial communities, temples, and festivals—and the state. They did this through their organization in clerical lineages—their own empire-wide networks for channeling knowledge, patronage, and resources—and by controlling central temples that were nodes of local social structures.In this book, the only comprehensive social history of local Daoism during the Ming largely based on literary sources and fieldwork, Richard G. Wang delineates the interface between local organizations (such as lineages and temple networks) and central state institutions. The first part provides the framework for viewing Daoism as a social institution in regard to both its religious lineages and its service to the state in the bureaucratic apparatus to implement state orthodoxy. The second part follows four cases to reveal the connections between clerical lineages and local networks. Wang illustrates how Daoism claimed a universal ideology and civilizing force that mediated between local organizations and central state institutions, which in turn brought meaning and legitimacy to both local society and the state.

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The jade in this collection covers those which have never been buried underground, as well as excavated finds. Excavated jades retain their original palettes, and examples are found in the collections of international museums and institutions involved with archaeological excavations. In contrast, jades that have never been buried have gone through time suffering the effects of handling, dying, and exposure to air. These two aforenamed varieties have different qualities, and preference is a matter of a collector's individual taste. Originally published in 2011, this new edition includes the collector's most recent acquisitions.

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Iconoclastic scholar Li Zhi (1527–1602) was a central figure in the cultural world of the late Ming dynasty. His provocative and controversial words and actions shaped print culture, literary practice, attitudes toward gender, and perspectives on Buddhism and the afterlife. Although banned, his writings were never fully suppressed, because they tapped into issues of vital significance to generations of readers. His incisive remarks, along with the emotional intensity and rhetorical power with which he delivered them, made him an icon of his cultural moment and an emblem of early modern Chinese intellectual dissent. In this volume, leading China scholars demonstrate the interrelatedness of seemingly discrete aspects of Li Zhi’s thought and emphasize his far-reaching impact on his contemporaries and successors. In doing so, they challenge the myth that there was no tradition of dissidence in premodern China. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

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China’s sixteenth and seventeenth centuries saw an unprecedented explosion in the production and circulation of woodblock-printed books. What can surviving traces of that era’s print culture reveal about the makers and consumers of these books? Home and the World addresses this question by carefully examining a wide range of late Ming books, considering them not merely as texts, but as material objects and economic commodities designed, produced, and marketed to stand out in the distinctive book marketplace of the time, and promising high enjoyment and usefulness to readers. Although many of the mass-market commercial imprints studied here might have struck scholars from the eighteenth century on as too trivial, lowbrow, or slipshod to merit serious study, they prove to be an invaluable resource, providing insight into their readers’ orientations toward the increasingly complex global stage of early modernity and toward traditional Chinese conceptions of textual, political, and moral authority. On a more intimate scale, they tell us about readers’ ideals of a fashionable and pleasurable private life. Through studying these works, we come closer to recapturing the trend-conscious, sophisticated, and often subversive ways readers at this important moment in China’s history imagined their world and their place within it.

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Slapping the Table in Amazement is the unabridged English translation of the famous story collection Pai’an jingqi by Ling Mengchu (1580–1644), originally published in 1628. The forty lively stories gathered here present a broad picture of traditional Chinese society and include characters from all social levels. We learn of their joys and sorrows, their views about life and death, and their visions of the underworld and the supernatural. Ling was a connoisseur of popular literature and a seminal figure in the development of Chinese literature in the vernacular, which paved the way for the late-imperial Chinese novel. Slapping the Table in Amazement includes translations of verse and prologue stories as well as marginal and interlinear comments.

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Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.

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In seventeenth- and eighteenth-century China, Buddhists and Confucians alike flooded local Buddhist monasteries with donations. As gentry numbers grew faster than the imperial bureaucracy, traditional Confucian careers were closed to many; but visible philanthropy could publicize elite status outside the state realm. Actively sought by fundraising abbots, such patronage affected institutional Buddhism.After exploring the relation of Buddhism to Ming Neo-Confucianism, the growth of tourism to Buddhist sites, and the mechanisms and motives for charitable donations, Timothy Brook studies three widely separated and economically dissimilar counties. He draws on rich data in monastic gazetteers to examine the patterns and social consequences of patronage.

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Winner, 2023 Morris D. Forkosch Prize, Journal of the History of IdeasThe scholarly culture of Ming dynasty China (1368–1644) is often seen as prioritizing philosophy over concrete textual study. Nathan Vedal uncovers the preoccupation among Ming thinkers with specialized linguistic learning, a field typically associated with the intellectual revolution of the eighteenth century. He explores the collaboration of Confucian classicists and Buddhist monks, opera librettists and cosmological theorists, who joined forces in the pursuit of a universal theory of language.Drawing on a wide range of overlooked scholarly texts, literary commentaries, and pedagogical materials, Vedal examines how Ming scholars positioned the study of language within an interconnected nexus of learning. He argues that for sixteenth- and seventeenth-century thinkers, the boundaries among the worlds of classicism, literature, music, cosmology, and religion were far more fluid and porous than they became later. In the eighteenth century, Qing thinkers pared away these other fields from linguistic learning, creating a discipline focused on corroborating the linguistic features of ancient texts.Documenting a major transformation in knowledge production, this book provides a framework for rethinking global early modern intellectual developments. It offers a powerful alternative to the conventional understanding of late imperial Chinese intellectual history by focusing on the methods of scholarly practice and the boundaries by which contemporary thinkers defined their field of study.

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Five Hundred Years of Chinese Poetry offers the only historical survey, in any language, of this important span of Chinese poetry. Written by the foremost Japanese sinologist of this century, and translated here in a lucid analogue to his famous prose style, the work provides a brief but comprehensive review of the period's literary history, a sketch of its political and social history in relation to literature, and a rendering of more than one hundred and fifty poems. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Ming, born in a bleak outpost of Sichuan province, finds an unexpected glimpse of the world beyond when she meets a talking monkey with golden eyes and supernatural abilities—the immortal Monkey King, with whom Ming’s destiny is inextricably intertwined. Determined to become a writer, Ming finds her way to New York, but to make ends meet she goes to work for a crime ring and returns to China on the lam. Hope arrives in the form of her American friend Zoe. Together, they travel to the village of Ming’s birth, where the clouds writhe like phantoms and the rain never stops, where Ming and Zoe join forces with a certain down-and-out immortal who has an ambitious plan to save the world from capitalism run amok. When a nation of tycoons and financiers suddenly and inexplicably decide that the key to happiness lies in sharing one’s wealth and pursuing a contemplative life, nobody suspects the newly formed tech company run by Ming, Zoe, and William Sun. Hyper-capitalist China rapidly becomes a paradise for artists, thinkers, and lovers—a rollicking playground where the air is clean and the strangest words you can hear are, “I can’t afford it!” But it’s a short-lived Xanadu once human nature begins to intervene. In Ms. Ming’s Guide to Civilization, as in life and politics, every action provokes an equal and opposite reaction.

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In this colorfully illustrated multicultural children's book a little boy and his father get lost on a visit to the Great Wall!After Ming's exciting adventures in the Forbidden City, Ming and his father travel to the Great Wall to learn more about the creation of the longest structure ever build by humans. On their way, they take a wrong turn, leading to a great adventure as Ming and his father get to tour the wall and encounter all sorts of important figures from history and literature!The patron saint of the Great Wall shows Ming all the important passes and Ming even gets to meet the very emperor who had the Great Wall built! But when the emperor runs into a tricky situation at the beacon tower, it's up to Ming and some important information to save the day.Children will love to travel the wall with Ming as this delightful adventure brings to life the Great Wall and how it has influenced China over its 2000-year life span.

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In this colorfully illustrated multicultural children's book a boy of today and a Little Emperor from the past find adventure and fun in the Forbidden City!On a visit to the Forbidden City, Xiao Ming somehow manages to lose his father. During his search, Ming finds a strange set of stairs. Perhaps his father went down them? Off he goes—down the stairs, across a strange pathway and through a hall where, rather than finding his father, Ming finds himself in the midst of the Qing Dynasty!The awed little boy is discovered by Imperial Bodyguards who take him to meet the Little Emperor. Ming described the airplanes and cars of the future and the Little Emperor shows Ming his treasures. The new friends are admiring a bronze dragon when suddenly the dragon comes to life and carries the Little Emperor and Ming up into the sky! The two boys and the dragon fly over the whole city, until Ming slips and falls from the dragon's tail into the city moat, bringing him back to the present—and his anxious father.A delightful tale of past meets present, Ming's Adventures in the Forbidden City will surely capture the imagination of children and parents alike.

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With beautiful illustrations this multicultural children's book takes readers on a tour of China's most famous caves!The sandstorm was blowing hard over the Gobi Desert. Xiao Ming got separated from his parents on their way to the Mogao Caves. As it was getting dark Xiao Ming, along with the other travelers who were separated from the group, were huddling in the sand helplessly. In the darkness of the Gobi Desert, Xiao Ming vaguely saw a little light flashing in the dust. The light got closer and closer and, finally, he saw a deer with nine shades of color in his fur. His antlers were as white as snow and his body was wrapped with a touch of bright light. The nine-colored deer told Xiao Ming to follow him. The story unfolds with Ming being guided to the caves where ancient paintings come to life!

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