Search results for ""Author Mary Elizabeth""

With an Introduction and Notes by Esther Saxey The flaxen-haired beauty of the childlike Lady Audley would suggest that she has no secrets. But M.E. Braddon’s classic novel of sensation uncovers the truth about its heroine in a plot involving bigamy, arson and murder. It challenges assumptions about the nature of femininity and investigates the narrow divide between sanity and insanity, using as its focus one of the most fascinating of all Victorian heroines. Combining elements of the detective novel, the psychological thriller and the romance of upper class life, Lady Audley’s Secret was one of the most popular and successful novels of the nineteenth century and still exerts a powerful hold on readers.

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Weathering critical scorn, Lady Audley's Secret quickly established Mary Elizabeth Braddon as the leading light of Victorian 'sensation' fiction, sharing the honour only with Wilkie Collins. Addictive, cunningly plotted and certainly sensational, Lady Audley's Secret draws on contemporary theories of insanity to probe mid-Victorian anxieties about the rapid rise of consumer culture. What is the mystery surrounding the charming heroine? Lady Audley's secret is investigated by Robert Audley, aristocrat turned detective, in a novel that has lost none of its power to disturb and entertain.

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`Isabel Gilbert was not a woman of the world. She had read novels while other people perused the Sunday papers...she believed in a phantasmal world created out of the pages of poets and romancers.' The Doctor's Wife is Mary Elizabeth Braddon's rewriting of Flaubert's Madame Bovary in which she explores her heroine's sense of entrapment and alienation in middle-class provincial life married to a good natured but bovine husband who seems incapable of understanding his wife's imaginative life and feelings. A woman with a secret, adultery, death and the spectacle of female recrimination and suffering are the elements which combine to make The Doctor's Wife a classic women's sensation novel. Yet, The Doctor's Wife is also a self-consciously literary novel, in which Braddon attempts to transcend the sensation genre. This is the only edition of a fascinating and engrossing work, and reproduces uncut the first three-volume edition of 1864. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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More than just an expression of religious authority or an instrument of social control, the Inquisition was an arena where cultures met and clashed on both shores of the Atlantic. This pioneering volume examines how cultural identities were maintained despite oppression. Persecuted groups were able to survive the Inquisition by means of diverse strategies—whether Christianized Jews in Spain preserving their experiences in literature, or native American folk healers practicing medical care. These investigations of social resistance and cultural persistence will reinforce the cultural significance of the Inquisition.Contributors: Jaime Contreras, Anne J. Cruz, Jesús M. De Bujanda, Richard E. Greenleaf, Stephen Haliczer, Stanley M. Hordes, Richard L. Kagan, J. Jorge Klor de Alva, Moshe Lazar, Angus I. K. MacKay, Geraldine McKendrick, Roberto Moreno de los Arcos, Mary Elizabeth Perry, Noemí Quezada, María Helena Sanchez Ortega, Joseph H. Silverman This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

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Mary Elizabeth Braddon’s shocking and suspenseful novel Lady Audley’s Secret was one of the most popular examples of the “sensation fiction” craze of the 1860s. Within a year of the novel appearing in book form, no less than three theatrical adaptations appeared on the London stage. Braddon took strong issue with two of these, but she approved of the adaptation by Robert Walters (writing under the pseudonym “George Roberts”); this edition presents that version, which enjoyed a two season run at the Royal St. James Theatre. Entertaining in itself, the play also provides a fascinating example of how the suspense and the powerful characterizations of sensation fiction were heightened still further for the stage.Together with the annotated text of the play itself, this edition includes an introduction addressing the life and work of Mary Elizabeth Braddon and placing Lady Audley’s Secret: A Drama in Two Acts in the context of the sensation fiction phenomenon. Appendices include a substantial selection of reviews of Lady Audley’s Secret—of the novel as well as of its dramatic adaptations—as well as a selection from the novel for comparison with the play.

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Aurora Floyd is one of the leading novels in the genre known as ‘sensation fiction’—a tradition in which the key texts include Wilkie Collins’s The Woman in White, Ellen Wood’s East Lynne, and Dickens’s Great Expectations. When Aurora Floyd was first published in serial form in 1862-63, Fraser’s magazine asserted that “a book without a murder, a divorce, a seduction, or a bigamy, is not apparently considered either worth writing or reading; and a mystery and a secret are the chief qualifications of the modern novel.”The novel depicts a heroine trapped in an abusive and adulterous marriage, and effectively dramatizes the extra-legal pressures which kept many such unhappy marriages out of the courts: fear of personal scandal, and of betraying one’s family through the publicity and expense of the process. Aurora’s bigamous marriage dramatizes the need for expeditious divorce without the enormous social cost, but the overt sexuality of the heroine shocked contemporary critics. “What is held up to us as the story of the feminine soul as it really exists underneath its conventional coverings, is a very fleshy and unlovely record,” wrote Margaret Oliphant.Braddon’s text is studded with references to contemporary events (the Crimean War, the Divorce Act of 1857) and the text has been carefully annotated for modern readers in this edition, which also includes a range of documents designed to help set the text in context.

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With Lady Audley's Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of `sensation novelists'. Aurora Floyd (1862-3), following hot on its heels, achieved almost equal popularity and notoriety. Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions. Passionate, sometimes violent, Aurora does succeed in enjoying them, her desires scarcely chastened by her disastrous first marriage. She represents a challenge to the mid-Victorian sexual code, and particularly to the feminine ideal of simpering, angelic young ladyhood. P. D. Edward's introduction evaluates the novel's leading place among `bigamy-novels' and Braddon's treatment of the power struggle between the sexes, as well as considering the similarities between the author and her heroine. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The contributors of Contesting Archives challenge the assumption that an archive is a neutral, immutable, and a historical repository of information. Instead, these historians view it as a place where decisions are made about whose documents--and therefore whose history--is important. Finding that women's voices and their texts were often obscured or lost altogether, they have developed many new methodologies for creating unique archives and uncovering more evidence by reading documents "against the grain," weaving together many layers of information to reveal complexities and working collectively to reconstruct the lives of women in the past. Global in scope, this volume demonstrates innovative research on diverse women from the sixteenth century to the present in Spain, Mexico, Tunisia, India, Iran, Poland, Mozambique, and the United States. Addressing gender, race, class, nationalism, transnationalism, and migration, these essays' subjects include indigenous women of colonial Mexico, Muslim slave women, African American women of the early twentieth century, Bengali women activists of pre-independence India, wives and daughters of Qajar rulers in Iran, women industrial workers in communist Poland and socialist Mozambique, and women club owners in modern Las Vegas. A foreword by Antoinette Burton adroitly synthesizes the disparate themes woven throughout the book.Contributors are Janet Afary, Maryam Ameli-Rezai, Antoinette Burton, Nupur Chaudhuri, Julia Clancy-Smith, Mansoureh Ettehadieh, Malgorzata Fidelis, Joanne L. Goodwin, Kali Nicole Gross, Daniel S. Haworth, Sherry J. Katz, Elham Malekzadeh, Mary Elizabeth Perry, Kathleen Sheldon, Lisa Sousa, and Ula Y. Taylor.

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Over the course of the past two decades, Tony Abou-Ganim has earned his reputation as one of the leaders in the craft cocktail movement. Through his work with food and hospitality legends like Mario Batali, Steve Wynn, and Harry Denton, Abou-Ganim has earned his reputation as "the Modern Mixologist," someone bringing the traditional art of mixology into the 21st century. Now, in The Modern Mixologist, Abou-Ganim has established the new standard in cocktail books -- a must-have guide to home mixology in a beautiful, coffee-table--suitable format. Featuring gorgeous full-color photography throughout by the award-winning Tim Turner, this book instantly becomes the most beautiful guide to creating cocktails available anywhere. If you carry one high-end cocktail book, this is it -- sure to be a terrific gift item all year round.

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Roots and Wings recounts Virginia Tanner's remarkable career as a dance artist, educator, and founder of the University of Utah's Tanner Dance Program. From her early experiences assisting at Evelyn Davis's dance school in Washington, D.C., to the creation of the Tanner Dance Program at the University of Utah, her influence in the field was pervasive. She channelled children's energy, sharpened their senses, and encouraged youthful, authentic dance expression. Tanner's work endures, continuing to echo with sensitivity and spirit in the bodies of young dancers throughout the United States and abroad. By revealing both the broader and specific themes of Tanner's career and legacy, this narrative fills an important void. While exploring Tanner's story, it also recognizes the value of unique instructional methodologies for teaching dance to young children and the vital role the arts play in children's lives.

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