Search results for ""Author Julian Barnes""

Now a major film starring Academy Award nominees Jim Broadbent (Iris) and Charlotte Rampling (45 Years)Winner of the Man Booker Prize for Fiction in 2011 Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.

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'BARNES'S MASTERPIECE' - OBSERVERIn May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.‘Stunning’ Sunday Times‘A profound meditation on power and the relationship of art and power… It is a masterpiece of sympathetic understanding… I don’t think Barnes has written a finer, more truthful or more profound book’ Scotsman‘A tour de force by a master novelist at the top of his game’ Daily Express

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The Sunday Times Bestseller from the Winner of the Booker PrizeShe will change the way you see the world . . . 'I'll remember Elizabeth Finch when most other characters I've met this year have faded' The TimesElizabeth Finch was a teacher, a thinker, an inspiration. Neil is just one of many who fell under her spell during his time in her class. Tasked with unpacking her notebooks after her death, Neil encounters once again Elizabeth's astonishing ideas on the past and on how to make sense of the present.But Elizabeth was much more than a scholar. Her secrets are waiting to be revealed . . . and will change Neil's view of the world forever.'Enthralling . . . A connoisseur and master of irony himself, [Barnes] fills this book with instances of its exhilarating power' Sunday Times'A lyrical, thoughtful and intriguing exploration of love, grief and the collective myths of history' Booklist

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From the winner of the 2011 Man Booker Prize for Fiction comes a novel of profound insight and comic flare.Shy, sensible banker Stuart has trouble with women; that is, until a fortuitous singles night, where he meets Gillian, a picture restorer recovering from a destructive affair. Stuart's best friend Oliver is his complete opposite - a language teacher who 'talks like a dictionary', brash and feckless. Soon Stuart and Gillian are married, but it is not long before a tentative friendship between the three evolves into something far different.Talking it Over is a brilliant and intimate account of love's vicissitudes. It begins as a comedy of errors, then slowly darkens and deepens, drawing us compellingly into the quagmires of the heart.

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Winner of the Man Booker Prize for Fiction 2011Stoyo Petkanov, the deposed Party leader of a former Soviet satellite country, is on trial. His adversary, the prosecutor general, stands for the new government's ideals and liberal certainties, and is attempting to ensare Petkanov with the dictator's own totalitarian laws. But Petkanov is not beaten yet. He has been given his chance to fight back and he takes it with a vengeance, to the increasing discomfort and surprise of those around him.

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Shortlisted for the Man Booker Prize for FictionFlaubert's Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality.

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A new edition of the Booker Prize winner Penelope Fitzgerald’s best-loved novel of romance in post-war Italy, with a new introduction by Julian Barnes. The Ridolfis are a Florentine family of long lineage and little money. It is 1955, and the family, like its decrepit villa and farm, has seen better days. Only eighteen-year-old Chiara shows anything like vitality. Chiara has set her heart on Salvatore, a young and brilliant doctor who resolved long ago to be emotionally dependent on no one. Faced with this, she calls on her English girlfriend Barney to help her make the impossible match…

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The story of the title deals with a little boy named Larry and his feelings towards his father. When his father returns home from World War II, Larry is resentful and jealous of losing his mother's undivided attention, and finds himself in a constant struggle to win back her affections.

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Alphonse Daudet was a highly popular nineteenth-century French novelist, whose work radiated humour and good cheer. Few knew that for his entire adult life he suffered from syphilis, a disease both unmentionable and incurable at the time. What even fewer realised was that he kept an intimate notebook in which he recorded the development and terrifying effects of the disease. Describing a life in pain, and the sometimes alarming treatments he underwent, Daudet's journal is unique for its comic zest, lucid self-examination and stoicism.Translated by the Booker Prize-winning writer Julian Barnes.

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'As a mayor, I am responsible for the upkeep of rural roads; as poet, I prefer to see them neglected.'Jules Renard was a French literary figure of the late nineteenth century. Not a Parisian but a committed countryman, he was elected mayor in 1904 of the tiny village of Citry-le-Mines in a remote part of northern Burgundy. He had the soul of a rustic bourgeois but the ambition of a metropolitan, and his wife's money allowed him to move in elevated circles, though he seemed an awkward customer, a badger, and looked like one. He wrote fiction, journalism and drama, very successfully, but the Journal is Renard's masterpiece, the least categorizable work of the French fin de siècle.The Journal constitutes a profusion of entries, without stitching or pattern: mordant reflections on style, literature and theatre; portraits of family, friends and the Parisian literary scene; quasi-ethnographical observations on village life and notations of the natural world which are unlike anything except themselves.Samuel Beckett spoke of Renard in the same breath as Proust and Celine, wrote of the Journal that 'for me it is as inexhaustible as Boswell ' and believed his style was learnt from despair. Gide said the Journal was 'not a river but a distillery'. Sartre wrote that 'He invented the literature of silence'. But above all it is a moving and splintery piece of self-scrutiny.Julian Barnes has admired the Journal for many years and has made this new selection from the twelve hundred page Pléiade edition. Theo Cuffe's translation will help bring this fierce judge of human foibles to a new generation of readers.

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'As a mayor, I am responsible for the upkeep of rural roads; as poet, I prefer to see them neglected.'Jules Renard was a French literary figure of the late nineteenth century. Not a Parisian but a committed countryman, he was elected mayor in 1904 of the tiny village of Citry-le-Mines in a remote part of northern Burgundy. He had the soul of a rustic bourgeois but the ambition of a metropolitan, and his wife's money allowed him to move in elevated circles, though he seemed an awkward customer, a badger, and looked like one. He wrote fiction, journalism and drama, very successfully, but the Journal is Renard's masterpiece, the least categorizable work of the French fin de siècle.The Journal constitutes a profusion of entries, without stitching or pattern: mordant reflections on style, literature and theatre; portraits of family, friends and the Parisian literary scene; quasi-ethnographical observations on village life and notations of the natural world which are unlike anything except themselves.Samuel Beckett spoke of Renard in the same breath as Proust and Celine, wrote of the Journal that 'for me it is as inexhaustible as Boswell ' and believed his style was learnt from despair. Gide said the Journal was 'not a river but a distillery'. Sartre wrote that 'He invented the literature of silence'. But above all it is a moving and splintery piece of self-scrutiny.Julian Barnes has admired the Journal for many years and has made this new selection from the twelve hundred page Pléiade edition. Theo Cuffe's translation will help bring this fierce judge of human foibles to a new generation of readers.

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Selected and Introduced by Booker-Prize winner Julian Barnes'Reading Cheever is a restless pleasure, the work never settles: these brilliant stories make me get up and walk around the room' Anne Enright John Cheever - the 'Chekhov of the suburbs' - forever altered the landscape of contemporary literature. In a career that spanned nearly fifty years, his short stories, often published in the New Yorker, gave voice to the repressed desires and smouldering disappointments of 1950s America as it teetered on the edge of spiritual awakening and sexual liberation in the ensuing decades.Selected for the first time, these satirical, fantastical, sad and transcendent stories show Cheever in all his brilliance and continue to speak directly to the heart of human experience. Winner of the Pulitzer Prize and the National Book Award

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Ford Madox Ford's great masterpiece exploring love and identity during the First World War, in a Penguin Classics edition with an introduction by Julian Barnes. A masterly novel of destruction and regeneration, Parade's End follows the story of aristocrat Christopher Tietjens as his world is shattered by the First World War. Tracing the psychological damage inflicted by battle, the collapse of England's secure Edwardian values - embodied in Christopher's wife, the beautiful, cruel socialite Sylvia - and the beginning of a new age, epitomized by the suffragette Valentine Wannop, Parade's End is an elegy for both the war dead and the passing of a way of life.'The finest English novel about the Great War'Malcolm Bradbury'The best novel by a British writer ... It is also the finest novel about the First World War. It is also the finest novel about the nature of British society'Anthony Burgess'There are not many English novels which deserve to be called great: Parade's End is one of them'W.H. Auden'The English prose masterpiece of the time'William Carlos Williams

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