Search results for ""Author Joyce"

In 1968, Conn Curran summed up his life-long companionship with Joyce, including the 1904 photograph he took of his friend in his family's back garden. With this re-issue of Curran's book, another group of University College Dubliners takes a new look at his work, delving into the Curran-Laird collection at the James Joyce Library. Side by side with Joyce, Curran, arts critic, and Helen Laird Curran, his activist partner, come into clearer view; writer-critic adventurers Padraic and Mary Maguire Colum return again; savant Paul Leon, in Paris, takes his place too. The literary, cultural, and political context widens: the Irish wars, erupting again in 1922 as Ulysses begins circulating; the Paris-Dublin rescue operation of this group's papers at Joyce's death, suspended - and accomplished - in this time of violence. The 2022 collective edition offers an uncommon picture of this inventive and committed cohort, their work, and their worlds. With essays by Hugh Campbell, Diarmaid Ferriter, Anne Fogarty, Margaret Kelleher and Helen Solterer. The UCD Curran-Laird collection presented by Eugene Roche and Evelyn Flanagan. This is a full colour, highly illustrated book with special edition design features throughout.

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This book follows the increasing focus on Irish identity in Joyces major works of prose. This study traces the development of the idea of Ireland, the concept of Irishness, the formation of a national identity and the need to deconstruct a nationalistic self-conception of nation in Joyces work. Through close reading of Dubliners, A Portrait of the Artist as a Young Man, Stephen Hero and Ulysses, Joyce articulates the problems that colonialism poses to a nation-state that cannot create its identity autonomously. Furthermore, this reading uncovers Joyces conception of national identity as increasingly sophisticated and complicated after Irish independence was won. From here, Halloran argues that Joyce presents his readers with ideas and suggestions for the future of Ireland. As Irish studies become increasingly imbricated with postcolonial discourse, the need for re-examination of classic texts becomes necessary. This book provides a new approach for understanding the dramatic development of Joyces oeurve by providing a textual analysis guided by postcolonial theory.

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Tim Conley’s Useless Joyce provocatively analyses Joyce’s Ulysses and Finnegans Wake and takes the reader on a journey exploring the perennial question of the usefulness of literature and art. Conley argues that the works of James Joyce, often thought difficult and far from practical, are in fact polymorphous meditations on this question. Examinations of traditional textual functions such as quoting, editing, translating, and annotating texts are set against the ways in which texts may be assigned unexpected but thoroughly practical purposes. Conley’s accessible and witty engagement with the material views the rise of explication and commentary on Joyce’s work as an industry not unlike the rise of self-help publishing. We can therefore read Ulysses and Finnegans Wake as various kinds of guides and uncover new or forgotten “uses” for them. Useless Joyce invites new discussions about the assumptions at work behind our definitions of literature, interpretation, and use.

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Joyce Mansour (1928-1986) is widely considered to be one of the most important of the woman Surrealists. Her work has gained more recognition every year since her death. Following the release in France of a 700 page critically acclaimed anthology (in French), this anthology features Mansour's writings.

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La vida y la obra de una de las mentes más singulares y poderosas del siglo XX. Centrándose en "Dublineses", "Retrato del artista adolescente" y "Ulises", tres de sus obras principales, explora el trasfondo, los temas, las imágenes y las técnicas que los unifican. El ameno texto de Frank Startup analiza no sólo el argumento, la construcción o los personajes, sino la obra de Joyce en su totalidad. Nos refiere cómo se consideraron y se consideran las obras de Joyce y nos dice por qué hay que leer hoy a Joyce.

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This study of the works of James Joyce, from Dubliners to Finnegans Wake, finds an Aristotelian underpinning for much of Joyce’s thinking on language and representation. In much of his writing, Joyce deals with the tension between visual and auditory modes of experiencing and representing.

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The Far Shore (1976), made under the direction of celebrated visual artist and experimental filmmaker Joyce Wieland, is one of Canada's most innovative contributions to cinema. The film borrows elements from the life of Canadian painter Tom Thomson, who is represented by the character of Tom McLeod. The main character, however, is not Tom, but the fictional creation of Eulalie de Chicoutimi, the married Qu b coise woman who loves him. Using Eulalie's perspective, Wieland was able to re-frame Thomson's life and story as a romantic melodrama while infusing it with subversive commentary on gender, nature and nationalism, and ultimately, on the value of art. Here, Wieland specialist Johanne Sloan offers a fascinating new perspective on The Far Shore, making it more accessible by discussing Wieland's utopian fusion of art and politics, the importance of landscape within Canadian culture, and the on-going struggle over the meaning of the natural environment.

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The Celtic Unconscious offers a vital new interpretation of modernist literature through an examination of James Joyce’s employment of Scottish literature and philosophy, as well as a commentary on his portrayal of shared Irish and Scottish histories and cultures. Barlow also offers an innovative look at the strong influences that Joyce’s predecessors had on his work, including James Macpherson, James Hogg, David Hume, Robert Burns, and Robert Louis Stevenson. The book draws upon all of Joyce’s major texts but focuses mainly on Finnegans Wake in making three main, interrelated arguments: that Joyce applies what he sees as a specifically “Celtic” viewpoint to create the atmosphere of instability and skepticism of Finnegans Wake; that this reasoning is divided into contrasting elements, which reflect the deep religious and national divide of post-1922 Ireland, but which have their basis in Scottish literature; and finally, that despite the illustration of the contrasts and divisions of Scottish and Irish history, Scottish literature and philosophy are commissioned by Joyce as part of a program of artistic “decolonization” which is enacted in Finnegans Wake. The Celtic Unconscious is the first book-length study of the role of Scottish literature in Joyce’s work and is a vital contribution to the fields of Irish and Scottish studies. This book will appeal to scholars and students of Joyce, and to students interested in Irish studies, Scottish studies, and English literature.

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The year is 1904 in the city of Dublin. Gretta and Gabriel Conroy attend the Morkan Sisters annual dinner on the Feast of the Epiphany and the last day of Christmas. An evening of laughter, music and dance ends in an epiphany for Gabriel.Recognised as a masterpiece, The Dead, the short story from James Joyce's Dubliners, is dramatised by Frank McGuinness. The play premiered at the Abbey Theatre, Dublin, in December 2012.

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"James Joyce and the Mythology of Modernism" examines anew how myth exists in Joyce's fiction. Using Joyce's idiosyncratic appropriation of the myths of Catholicism, this study explores how the rejected religion still acts as a foundational aesthetic for a new mythology of the Modern age starting with "A Portrait of the Artist as a Young Man" and maturing within "Ulysses". Like the mythopoets before him-Homer, Dante, Milton, Blake-Joyce consciously sets out to encapsulate his vision of a splintered and rapidly changing reality into a new aesthetic which alone is capable of successfully rendering the fullness of life in a meaningful way. Already reeling from the humanistic implications of an impersonal Newtonian universe, the Modern world now faced an Einsteinian one, a re-evaluation which includes Stephen's awakening from the "nightmare" of history, a re-definition of deity, and Bloom's urban identity. Written with both the experienced Joycean and the beginner in mind, this book tells how the Joycean myth is our own conception of the human being, and our place in the universe becomes (re)defined as definitively Modernist, yet still, through Molly Bloom's final affirmation, profoundly human.

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Investigates how the cinematic tendency of Joyce's writing developed from media predating film In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science. The book reveals Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows. Close analyses of his works show how his techniques elaborated and critiqued their effects on modernity's 'media-cultural imaginary'.

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This innovative study locates Joyce’s work in the context of politics and philosophy. This text examines Joyce’s response to the dominant linguistic and philosophical systems that, because of their inner logics of exclusion, inevitably produce economic, religious, and sexual victims.

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A dazzling, prize-winning graphic biography of one of the world's most revered writers. Winner of Spain's National Comic Prize and published to acclaim in Ireland, here is an extraordinary graphic biography of James Joyce that offers a fresh take on his tumultuous life. With evocative anecdotes and hundreds of ink-wash drawings, Alfonso Zapico invites the reader to share Joyce's journey, from his earliest days in Dublin to his life with his great love, Nora Barnacle, and their children, and his struggles and triumphs as an artist. Joyce experienced poverty, rejection, censorship, charges of blasphemy and obscenity, war, and crippling ill-health. A rebel and nonconformist in Dublin and a harsh critic of Irish society, he left Ireland in self-imposed exile with Nora, moving to Paris, Pola, Trieste, Rome, London, and finally Zurich. He overcame monumental challenges in creating and publishing Dubliners, Portrait of an Artist as a Young Man, Ulysses, and Finnegan's Wake. Along the way, he encountered a colorful cast of characters, from the Irish nationalists Charles Parnell and Michael Collins to literary greats Yeats, Proust, Hemingway, and Beckett, and the likes of Carl Jung and Vladimir Lenin.

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In this volume the author compares James Joyce’s aesthetic theories, as explicated by Stephen Dedalus in A Portrait of the Artist as a Young Man and in the ‘Scylla and Charybdis’ chapter of Ulysses, with the theories of the early German Romantics.

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James Joyce's Leopold Bloom--the atheistic Everyman of Ulysses, son of a Hungarian Jewish father and an Irish Protestant mother--may have turned the world's literary eyes on Dublin, but those who look to him for history should think again. He could hardly have been a product of the city's bona fide Jewish community, where intermarriage with outsiders was rare and piety was pronounced. In Jewish Ireland in the Age of Joyce, a leading economic historian tells the real story of how Jewish Ireland--and Dublin's Little Jerusalem in particular--made ends meet from the 1870s, when the first Lithuanian Jewish immigrants landed in Dublin, to the late 1940s, just before the community began its dramatic decline. In 1866--the year Bloom was born--Dublin's Jewish population hardly existed, and on the eve of World War I it numbered barely three thousand. But this small group of people quickly found an economic niche in an era of depression, and developed a surprisingly vibrant web of institutions. In a richly detailed, elegantly written blend of historical, economic, and demographic analysis, Cormac O Grada examines the challenges this community faced. He asks how its patterns of child rearing, schooling, and cultural and religious behavior influenced its marital, fertility, and infant-mortality rates. He argues that the community's small size shaped its occupational profile and influenced its acculturation; it also compromised its viability in the long run. Jewish Ireland in the Age of Joyce presents a fascinating portrait of a group of people in an unlikely location who, though small in number, comprised Ireland's most resilient immigrant community until the Celtic Tiger's immigration surge of the 1990s.

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"This book was crying out to be written." The Irish Times "Scandalously readable." Literary Review James Joyce's relationship with his homeland was a complicated and often vexed one. The publication of his masterwork Ulysses - referred to by The Quarterly Review as an "Odyssey of the sewer" - in 1922 was initially met with indifference and hostility within Ireland. This book tells the full story of the reception of Joyce and his best-known book in the country of his birth for the first time; a reception that evolved over the next hundred years, elevating Joyce from a writer reviled to one revered. Part reception study, part social history, this book uses the changing interpretations of Ulysses to explore the concurrent religious, social and political changes sweeping Ireland. From initially being a threat to the status quo, Ulysses became a way to market Ireland abroad and a manifesto for a better, more modern, open and tolerant, multi-ethnic country.

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James Joyce's Leopold Bloom--the atheistic Everyman of Ulysses, son of a Hungarian Jewish father and an Irish Protestant mother--may have turned the world's literary eyes on Dublin, but those who look to him for history should think again. He could hardly have been a product of the city's bona fide Jewish community, where intermarriage with outsiders was rare and piety was pronounced. In Jewish Ireland in the Age of Joyce, a leading economic historian tells the real story of how Jewish Ireland--and Dublin's Little Jerusalem in particular--made ends meet from the 1870s, when the first Lithuanian Jewish immigrants landed in Dublin, to the late 1940s, just before the community began its dramatic decline. In 1866--the year Bloom was born--Dublin's Jewish population hardly existed, and on the eve of World War I it numbered barely three thousand. But this small group of people quickly found an economic niche in an era of depression, and developed a surprisingly vibrant web of institutions. In a richly detailed, elegantly written blend of historical, economic, and demographic analysis, Cormac O Grada examines the challenges this community faced. He asks how its patterns of child rearing, schooling, and cultural and religious behavior influenced its marital, fertility, and infant-mortality rates. He argues that the community's small size shaped its occupational profile and influenced its acculturation; it also compromised its viability in the long run. Jewish Ireland in the Age of Joyce presents a fascinating portrait of a group of people in an unlikely location who, though small in number, comprised Ireland's most resilient immigrant community until the Celtic Tiger's immigration surge of the 1990s.

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All Future Plunges to the Past explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or "translations," of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment.

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Subjectivity and Nationhood in Yeats, Joyce, and Beckett: Nietzschean Constellations reconceptualises Friedrich Nietzsche’s position in the intellectual history of modernism and substantively refigures our received ideas regarding his relationship to these Irish modernists. Building on recent developments in new modernist studies, the book demonstrates that Nietzsche is a modernist writer and a modernist philosopher by drawing new parallels between his engagement with established philosophical theories and the aesthetic practices that Ezra Pound and T. S. Eliot identified as quintessentially modernist. With specific reference to key Nietzschean philosophemes – eternal recurrence, the Übermensch, transnationalism, cultural paralysis, and ethical perspectivism – it challenges the longstanding assumption that Yeats, who repeatedly acknowledged his admiration for Nietzsche, is the most 'Nietzschean' of these Irish modernists. While showing how both Joyce and Beckett are in many important ways more 'Nietzschean' than Yeats, this interdisciplinary study makes a number of significant and timely contributions to the fields of Irish studies and modernist studies.

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Equipped with an encyclopedic knowledge of boxing, a young Joyce Brothers competed on The $64,000 Question and became the first woman to win the top prize money. That triumphant debut in 1955 was the initial step toward a career as a media pioneer. Through her own advice programs and perennial appearances on talk shows—as well as episodic television—Brothers became one of the most well-known figures of the 20th century. For more than four decades, viewers could count on her authoritative, calm response to almost any issue, from marital and financial woes to the Space Shuttle disaster. In Dr. Joyce Brothers: The Founding Mother of TV Psychology, Kathleen Collins explores how a clever businesswoman provided a mass-scale service for a never-ending demand: helping viewers understand themselves. Collins explains how Brothers’ longevity on television was in large part afforded by her symbiotic relationship with the medium. She played other roles in addition to–and interdependent on–that of media psychologist. Her numerous appearances on variety shows, sitcoms, and dramas kept her on the screen and in the public eye, creating both a persona as celebrity professional as well as professional celebrity. This portrait of Brothers’ multi-layered career also provides a means by which to observe U.S. cultural history, addressing cultural preoccupations with television and self-help obsessed audiences looking for guidance in reality TV. Drawing on primary sources from Brothers’ personal papers and published interviews—as well as interviews the author conducted with several of Joyce’s former colleagues and her daughter, Lisa Arbisser—Collins provides an engaging, informative, and thought provoking look at this iconic figure.

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This book addresses James Joyce’s borderlessness and the ways his work crosses or unsettles boundaries of all kinds. The essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work. Contributors begin by exploring the circulation of Joyce’s writing in Latin America via a transcontinental network of writers and translators, including José Lezama Lima, José Salas Subirat, Leopoldo Marechal, Eduardo Desnoës, Guillermo Cabrera Infante, and Augusto Monterroso. Essays then consider Joyce through the lens of the sciences, presenting theoretical interventions on posthumanist parasitology in Ulysses; on Giordano Bruno’s coincidence of opposites in Finnegans Wake; and on algorithmic agency in the Wake. Cutting-edge cognitive narratology is applied to the “Penelope” episode. Next, the volume features innovative essays on Joyce in relation to early animated film and comics, engaging with animated film in the “Circe” episode, Joyce’s points of contact with George Herriman’s cartoon strip Krazy Kat, and structural affinities between open-world gaming and Finnegans Wake. The final essays focus on abiding human concerns, offering new research on Joyce’s creative use of “spicy books”; a Lacanian consideration of “The Dead” alongside Katherine Mansfield’s “The Stranger” and Haruki Murakami’s “Kino”; and a meditation on Joyce’s uncertainties about the boundary between life and death. For Joyce, borders are problems—but ones that provided precious fodder for his art. And as this volume demonstrates, they encourage brilliant reflections on his work, from new scholars to leading luminaries in the field.

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The tradition of Christian epics, born out of Biblical stories and Homeric poems, counts among its most influential exponents Dante, Malory, Tasso, Spenser, Milton, Blake, Goethe, and Joyce (along with Virgil as its "founding father"). Balsamo's Rituals of Literature is devoted to Joyce's and Dante's special contributions to this tradition. By highlighting the integrated nature of its typical tropes, Joyce and Dante establish the historical identity of the Christian epic as a distinct literary genre.

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A 100 day devotional to accompany Joyce's bestselling title BATTLEFIELD OF THE MIND

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A mouse-sized kid tackles giant-sized tasks in this classic picture book from the brilliant mind that brought you The Fantastic Flying Books of Mr. Morris Lessmore.

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Nietzsche and Joyce Carol Oates explores the American novelist's The Wonderland Quartet through a reading of the German philosopher's seminal works. In the four books of The Wonderland Quartet – A Garden of Earthly Delights (1967), Expensive People (1968), the National Book Award-winning Them (1969), and Wonderland (1971) – Oates aestheticizes cultural experiments after the Nietzschean proclamation of "God is dead" permeated American culture from about 1950. What may be delineated as Oates's original literary scholarship is her ability to reflect on the cultural reception of Walter Kaufmann's work on Nietzsche in her fiction, while enabling her characters to find their purposes. Echoing Nietzsche, her characters are not limited by normative standards. The author's narrative techniques allow her characters' polyphonic voices to dominate the flow.

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This volume contains all of the extant letters written to each other by the renowned Joyce scholars, Hugh Kenner and Adaline Glasheen, between 1953 and 1984. In these frank letters, we are offered the opportunity to visit the creative process. The letters have been carefully annotated so that we can follow how their ideas are absorbed into their published writings. They do not hesitate to try out ideas on each another and they do not hesitate to express uncomfortable opinions. Their contributions to the common cause spark off each other. This book will be a compulsive read for Joyce scholars, for scholars of literary modernism, and for those interested in the history of literary criticism.

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The first book-length treatment of Joyce and hospitality Assesses Joyce's employment of the Lukan Good Samaritan parable in relation to his short fiction and Ulysses Articulates how Joyce teaches us to be more charitable readers James Joyce and Samaritan Hospitality reads Dubliners and Ulysses through studies of hospitality, particularly that articulated in the Lukan parable of the Good Samaritan. It traces the origins of the novel in part to the physical attacks on Joyce in 1904 Dublin and 1907 Rome, showing how these incidents and the parable were incorporated into his short story 'Grace' and throughout Ulysses, especially its last four episodes. Richard Rankin Russell discusses the rich theory of hospitality developed by Joyce and demonstrates that he sought to make us more charitable readers through his explorations and depictions of Samaritan hospitality.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

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Tracing the history of the Catholic-authored novel in nineteenth-century Ireland, this work offers a tour of Ireland's literary landscape from its early origins during the Catholic political resurgence of the 1820s to the transformative zenith brought on by James Joyce's Ulysses in 1922.

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