Search results for ""Author Joseph Roth""

'A masterly performance' Evening StandardJoseph Roth's dark fable about a man torn between resolve and restlessness in Eastern Europe's borderlandsIn the twilight of the Austro-Hungarian Empire, Anselm Eibenschütz is appointed inspector of weights and measures in a remote border town. There he encounters a shadowy world of gamblers and smugglers - and discovers his wife is pregnant by another man. Right and wrong prove hard to judge, as Eibenschütz is drawn into a destructive affair of his own. In this late masterpiece, Joseph Roth depicts the slow corruption of a decent man at the lawless edge of a crumbling world.Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe.Translated by David Le Vay.JOSEPH ROTH (1894-1939) was born into a Jewish family in the small town of Brody in the former Austro-Hungarian Empire. He studied first in Lemberg

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'Every man had not only a weak spot but also a criminal one'At his wife's insistence, upstanding citizen and artillery officer Anselm Eibenschütz leaves his beloved Austro-Hungarian army and takes up a civilian post, as Inspector of Weights and Measures in a remote backwater near the Russian border. At first he does everything by the book, but gradually he finds himself adrift in a world of petty corruption, bribery and drunkenness - and undone by his passion for the beautiful gypsy Euphemia. A haunting evocation of Eastern Europe's borderlands in the early twentieth century, Weights and Measures is also the story of the disintegration of a good man.Translated by David Le Vay

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In The Spider's Web, his first novel, Roth paints a chillingly realistic picture of the conspiracies of the radical right that were to undermine the Weimar Republic and pave the way for Hitler and National Socialism.

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The legendary Austro-Hungarian novelist and essayist, Joseph Roth, was born in Ukraine in 1894 and died tragically in Paris in 1939. These letters span the breadth of Roth's life, from the schoolboy to the veteran of 44, marked by war, poverty, alcoholism, the loss of his wife through madness, and two decades of prolific work. It is a deeply moving portrait of the life of the writer as an outsider, in exile from a world he no longer recognized as his own.

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The Emperor's Tomb is a magically evocative, haunting elegy to the vanished world of the Austro-Hungarian Empire, and to the passing of time and the loss of youth and friends. Prophetic and regretful, intuitive and exact, Roth's acclaimed novel is the tale of one man's struggle to come to terms with the uncongenial society of post-First World War Vienna and the first intimations of Nazi barbarities.

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NEW STATESMAN BOOKS OF THE YEAR 2015 'Sublime ... it inspires a kind of evangelical cult passion among its devotees' Simon Schama'Roth is Austria's Chekhov' William Boyd Strauss's Radetzky March, signature tune of one of Europe's most powerful regimes, presides over Joseph Roth's account of three generations of the Trotta family in the years preceding the Austro-Hungarian collapse in 1918. Grandfather, son and grandson are equally dependent on the empire: the first for his enoblement; the second for the civil virtues that make him a meticulous servant of an administration whose failure he can neither comprehend nor survive; the third for the family standards of conduct which he cannot attain but against which he is too enfeebled to rebel.

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Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”

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The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

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Rebellion is the story of Great War veteran Andreas Pum, who loses a leg and gains a medal. He marries, plays a barrel organ and is happy. But hen he is imprisoned after a fight, life seems unbearably altered. A chance encounter with an old comrade who has made his fortune introduces Pum to a world where he has a transfiguring experience of justice.

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In January 1933, on the very day Hitler seized power in Germany, Joseph Roth fled to Paris. There, in what he called the 'hour before the end of the world', he wrote a series of articles. The end he foresaw would soon come to pass in the full horror of Hitler's barbarism, the Second World War and most crucially for Roth, the final irreversible destruction of a pan-European consciousness. Incisive and ironic, the writing evokes Roth's bitterness, frustration and morbid despair at the coming annihilation of the free world while displaying his great nostalgia for the Habsburg Empire into which he was born and his ingrained fear of nationalism in any form.

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'One of the greatest novels ever written' Philippe Sands Roth's masterpiece: an epic, moving account of the final days of the Austro-Hungarian empire, told through the fortunes of one family. Set against the doomed splendour of the Austro-Hungarian Empire, The Radetzky March tells the story of the celebrated Trotta family, tracing their rise and fall over three generations. Theirs is a sweeping history of heroism and duty, desire and compromise, tragedy and heartbreak, a story that lasts until the darkening eve of World War One, when all is set to fall apart. Rich, epic and profoundly moving, The Radetzky March is Joseph Roth's timeless masterpiece. 'For sheer, epic sweep, I love reading The Radetzky March by Joseph Roth, set in imperial Vienna. I can't recommend it highly enough' Jeremy Paxman 'Timeless... I re-read this book every two or three years, captivated anew by its low-key melancholia and its wry take on the human predicament' William Boyd, Mail on Sunday 'He saw, he listened, he understood. The Radetzky March is a dark, disturbing novel of eccentric beauty... If you have yet to experience Roth, begin here, and then read everything' Irish Times

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The Hotel Years gathers sixty-four feuilletons: on hotels; pains and pleasures; personalities; and the deteriorating international situation of the 1930s. Never before translated into English, these pieces begin in Vienna just at the end of the First World War, and end in Paris near the outbreak of the Second World War. Roth, the great journalist of his day, needed journalism to survive: in his six-volume collected works in German, there are three of fiction and three of journalism. Beginning in 1921, Roth wrote mostly for the liberal Frankfurter Zeitung who sent him on assignments throughout Germany - the inflation, the occupation, political assassinations - and abroad, to the USSR, Italy, Poland and Albania. And always: “I celebrate my return to lobby and chandelier, porter and chambermaid.”

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Every few decades a book is published that shapes Jewish consciousness. One thinks of Wiesel's Night or Levi's Survival in Auschwitz. But in 1927, years before these works were written, Joseph Roth (1894-1939) composed The Wandering Jews. In these stunning dispatches written when Roth was a correspondent in Berlin during the whirlwind period of Weimar Germany, he warned of the false comforts of Jewish assimilation, laid bare the schism between Eastern and Western Jews, and at times prophesied the horrors posed by Nazism. The Wandering Jews remains as vital today as when it was first published. "[A] book of impassioned reportage and polemic...it is impossible not to feel a sympathetic wonder."—Michael Andre Bernstein, The New Republic "In these disturbing yet strikingly illuminating pages, the truth of Jewish destiny from long ago vibrates and sings..."—Elie Wiesel "No other writer...has come so close to achieving the wholeness that Lukacs cites as our impossible aim."—Nadine Gordimer "What a marvelous writer! Read him now. You can thank me later."—Michael Dirda, Washington Post Book World "[C]aptures and encapsulates Europe in those uncertain hours before the upheaval of a continent and the annihilation of a civilization."—Cynthia Ozick, author of Quarrel and Quandary "[A] writer well worth adding to the short list of giants such as Thomas Mann, Elie Wiesel, and Primo Levi."—Hadassah Magazine, Sanford Pinsker

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'A hugely significant and wonderfully haunting collection' William Boyd In the 1920s and 1930s, Joseph Roth travelled extensively in Europe, living in hotels and writing about the towns through which he passed and the people he encountered. Collected in one volume, his experiences in Italy, Germany, Russia, Albania and Ukraine form a series of tender vignettes that capture life in the inter-war years. Evocative, curious and sharply observed, these literary postcards document a continent clinging to tradition while on the brink of further upheaval.

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Joseph Roth, the greatest European newspaper correspondent of his age, left the splintering Weimar Republic for Paris in 1925 and, as an Austrian Jew, was exiled there for the rest of his life. Collected together here for the first time in English, these exhilarating pieces evoke a world of suppleness, beauty and promise. From the port town of Marseilles to the Riviera of Nice and Monte Carlo, to the exotic hill country around Avignon, from the socialist workers and cattlemen with whom Roth ate breakfast, to prostitutes and Sunday bullfighters, The White Cities is not only a swan song to a European order that could no longer hold but also a beautifully crafted and revelatory work.

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'Many years ago there lived in Zuchnow, in Russia, a man named Mendel Signer. He was pious, God-fearing and ordinary, an entirely commonplace Jew...' So Roth begins his novel about the loss of faith and the experience of suffering. His modern Job goes through his trials in the ghettos of Tsarist Russia and on the unforgiving streets of New York. Mendel Singer loses his family, falls terribly ill and is badly abused. He needs a miracle...

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Joseph Roth's sensibility-both clear-eyed and nostalgic, harshly realistic and tenderly humane-produced some of the most distinctive fiction of the twentieth century. This collection of his most essential stories, in exquisite new translations by Ruth Martin, showcases the astonishing range and power of his short stories and novellas. In prose of aching beauty and precision, Roth shows us isolated souls pursuing lost ideals and impossible desires. Forced to remove a bust of the fallen Austrian emperor from his house, an eccentric old count holds a funeral for it and intends to be buried in the same plot himself; a humble coral merchant, dissatisfied with his life and longing for the sea, chooses to adulterate his wares with false coral, with catastrophic results; young Fini, just entering the haze of early sexuality, falls into an unsatisfying relationship with an older musician. With the greatest craft and sensitivity, Roth unfolds the many fragilities of the human heart.

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In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political writings that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants - the Jewish immigrants, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the threat posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty, creating in the process an unforgettable portrait of a city.

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At the end of the Great War, Andreas Pum has lost a leg but at least he has a medal and a barrel-organ which he plays on the streets of Vienna. At first the simple-minded veteran is satisfied with his lot, and he even finds an ample widow to marry. But then a public quarrel with a respectable citizen on a tram turns Andreas's life onto a rapid downward trajectory. As he loses first his beggar's permit, then his new wife, and even his freedom, he is finally provoked into rejecting his blind faith in the benevolence of both government and God.

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