Search results for ""Author Javier Marías""

Dark Back of Time is a compelling story of the way in which reality blurs into fiction by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. It is translated by Esther Allen in Penguin Modern Classics. 'We lose everything because everything remains except us', says the mysterious narrator of this extraordinary novel, which meditates on the transience, chance and fragility of life. As a man called Javier Marías recalls the strange events and people that shaped his past, including ghostly literary figures, a pilot, an adventurer, a brother who died as a child and the king of an island in the Caribbean, we begin to question the nature of time, memory and reality itself. Here the writer is both a keeper of memories and a purveyor of illusions, destined to be lost in the dark back of time.Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne.'I was enthralled by his strange mix of made-up memories, lost experiences and real-life fantasies' Marina Warner, Guardian 'He uses language like an anatomist uses a scalpel to lay bare the innermost secrets of that strangest of species, the human being' W. G. Sebald, author of Austerlitz

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En las páginas de Donde todo ha sucedido. Al salir del cine, Javier Marías plasma sus opiniones más personales, sus filias y fobias, en torno al séptimo arte. Se recuperan aquí los artículos que el autor escribió sobre cine entre 1992 y 2004 para revistas como Nosferatu o Nickel Odeon, además de las columnas que publicó en El País o El Semanal. Siempre arrojando luz y juzgando con hondura, huyendo de la crítica cinematográfica más dogmática e inflexible, y sin renunciar jamás a la ironía de un estilo que lo ha encumbrado entre nuestros escritores más afamados, Javier Marías ofrece nuevas visiones de clásicos del cine como Campanadas a medianoche, de Orson Welles, o El fantasma y la señora Muir, de Joseph L. Mankiewicz, una de sus películas favoritas. Un libro indispensable para quienes no renuncian a observar algunos aspectos de la vida desde un patio de butacas...Javier no es propiamente lo que hoy se considera un crítico cinematográfico, pero en cambio sabe muy bien que en el cine, c

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'Your Face Tomorrow is already being compared with Proust and rightly so' Observer'One of contemporary literature's major works ... you have to open this book' Ali SmithThe concluding part in Javier Marías' spy trilogy masterwork Jacques Deza is back in London and once again working for the secret intelligence agency run by Bertram Tupra. Deza finds himself forced to watch Tupra's collection of incriminating videotapes of important public figures. The recordings document unconventional private lives - and horrific acts. The scenes enter him like a poison, contaminating everything good, yet he is powerless to counteract them. Set against a background of brutality, Poison, Shadow and Farewell asks whether violence can ever be justified and completes the extraordinary journey that has led us on a descent into hell and a re-emergence, not entirely unscathed, into life.

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“It all happened because of Elvis Presley.” Elvis, down south of the border to film a movie, has insisted his producers hire a proper Spaniard so that he can pronounce his few lines in Spanish with a Castillian accent. But Ruibérriz has taken on much more than he bargained for. One fatal night, horseplay in a local bar goes too far: a fatuous drunken American insults the local kingpin, and when the thug insists that Ruibérriz translate, Elvis himself adds an even more stinging comment—and who must translate that?

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Slippery figures in anomalous situations – ghosts, spies, bodyguards, criminals– haunt these stories by Javier Marías: the characters come bearing their strange and special secrets, and never leave our minds. In one story, a man obsessed with his much younger lover endlessly videotapes her every move,and then confides his surprising plans for her; in another, a ghost can’t stop resigning from his job. Masterfully, Marías manages in a small space to perplex and delight. “The short story fits Marías like a glove,” as Le point noted. His stories have been hailed as “formidably intelligent” (The London Review of Books), “a bracing tonic” (The Chicago Tribune), and “startling” (The New York Times Book Review).

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The Infatuations is a critically acclaimed novel by the great Spanish writer Javier Marías.Every day, Maria Dolz stops for breakfast at the same café. And every day she enjoys watching a handsome couple who follow the same routine. Then one day they aren't there, and she feels obscurely bereft.It is only later, when she comes across a newspaper photograph of the man, lying stabbed in the street, his shirt half off, that she discovers who the couple are. Some time afterwards, when the woman returns to the café with her children, who are then collected by a different man, and Maria approaches her to offer her condolences, an entanglement begins which sheds new light on this apparently random, pointless death.With The Infatuations, Javier Marías brilliantly reimagines the murder novel as a metaphysical enquiry, addressing existential questions of life, death, love and morality.Praise for The Infatuations:'Mesmerising . . . chillingly clear and hypnotically eerie . . . At this very fine and disturbing novel's core is a compelling meditation on love in all its ramifications' Herald'Keeps us guessing until almost the last page' Financial Times'Few writers have sustained such an engagement with the classic (Anglophone) canon. As a translator he has rendered into Spanish work by Hardy, Yeats, Conrad, Nabokov, Faulkner, Updike, Salinger and many others. As a novelist, he has threaded his work with traces of these writers, and is explicitly underpinned by an empathy with Shakespeare and Sterne, as well as Cervantes and Proust' GuardianJavier Marías was born in Madrid in 1951. He has published thirteen novels, two collections of short stories and several volumes of essays. His work has been translated into forty-two languages and won a dazzling array of international literary awards.Margaret Jull Costa has been a literary translator for over twenty-five years and has translated many novels and short stories by Portuguese, Spanish and Latin American writers, including Javier Marías, Fernando Pessoa, José Saramago, Bernardo Atxaga and Ramón del Valle-Inclán.

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BOOK OF THE YEAR 2023 ACCORDING TO GUARDIAN AND THE SPECTATOR THE FINAL NOVEL FROM THE GREATEST SPANISH WRITER OF HIS GENERATION, JAVIER MARÍAS'The most subtle and gifted writer in contemporary Spanish literature' Boston GlobeSpain in the 1990s is beset by a simmering campaign of terror from Basque separatists ETA, with periodic atrocities shattering an illusory calm. Against this backdrop, retired British Secret Service member Tomás Nevinson - now living a quiet life in his hometown Madrid - is approached by his sinister former handler, Bertram Tupra, with an offer to bring him back in from the cold, for one last assignment: a favour for Tupra, for old times' sake, which is also a favour for a powerful Spanish friend.His mission: to go back undercover, in a small Spanish town, to find out which of three women who moved there a decade ago is in fact an ETA terrorist, on loan from the IRA, now on the run and living there incognito.Everything about the assignment is shadowy - from who exactly Nevinson will be working for to the question of what 'justice' he may need to mete out if he is somehow able to unmask one of the three women. But, still in his forties and lured by the appeal of once again being on the inside, he accepts the job.As he gets closer to the three women, his task becomes ever harder. How - or who - to choose between these three? Intimately involved with each of them, as lover, colleague or friend, he can find no firm clue to resolve the question. But under increasing pressure from his paymasters, choose - and act - he apparently must . . .Charting a world where right and wrong, and good and evil, are irreparably blurred, Javier Marías takes us on a journey of rare and unforgettable suspense in this, the final novel written before his untimely passing in 2022.PRAISE FOR JAVIER MARÍAS:'Unquestionably the most significant Spanish writer of his generation' Observer'[Marías] uses language like an anatomist uses a scalpel to lay bare the innermost secrets of that strangest of species, the human being' W. G. Sebald'One of the greatest contemporary novelists' Le Monde'A great writer' Salman Rushdie

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An essential companion for every traveller to Venice, this is the hidden city revealed in a gorgeous non-fiction account by one of Europe's greatest living writers, Javier MaríasCentury after century, the essence of Venice is unchanging. It is a place of contradictions, equal parts glamour and chaos. As a young man, Javier Marías made the city his home; since then he has left and returned many times, drawn back to its labyrinth of blind alleys, its pearly green canals, its imagined spaces.His love affair with the city has lasted over thirty years - he has traced every inch of its endless interior, has lived among the Venetians and lived apart from them. In Venice, An Interior, Marías sets out to uncover the heart of this strange and enchanting place.

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