Search results for ""Author James Joyce""

James Joyce's collection of fifteen short stories portrays the lives of Dublin's middle class during the turn of the twentieth century. Structured from childhood, adolescence, adulthood, and death, each story shows people paralyzed by the mundaneness of everyday life.

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"The most consistent of all series in terms of language control, length, and quality of story." David R. Hill, Director of the Edinburgh Project on Extensive Reading.

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This collection brings together all the poems published by James Joyce in his lifetime, most notably "Chamber Music" and "Pomes Penyeach". It also includes a large body of his satiric or humorous occasional verse, much of which is fugitive and little known to the general reader. In addition, the volume provides the text of the surviving prose "Epiphanies, Giacomo Joyce" - the fascinating Trieste notebook that Joyce compiled while finishing "A Portrait of the Artist" and beginning "Ulysses", in which he first explored the world of his autobiographical novel.

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James Joyce's startlingly modern portrait of a marriage. Back in Dublin after nine years abroad, Richard and Bertha have to confront two other people who love them, and ask themselves questions about guilt and responsibility. Will infidelity hold them together? Exiles is based in part on Joyce's own relationship with Nora Barnacle. His only play, it was written in 1914 during his own self-imposed exile from Ireland, between A Portrait of the Artist as a Young Man and Ulysses.

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James Joyce is most celebrated for his remarkable novel Ulysses, and yet he was also an accomplished poet. Chamber Music, his debut collection, fused the styles of the Celtic Revival with his own brand of ironic exuberance. Pomes Penyeach, a collection written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man, explores intimate themes of adultery, jealousy, and betrayal that would reappear transformed in the later Ulysses. Joyce's occasional verse includes the well-known "Ecce Puer," written for his newborn grandson, and his satirical poems "The Holy Office" and "Gas from a Burner." These poems are brought together here with Joyce's play, Exiles--about an unconventional couple involved in a love triangle--in a beautiful, accessible hardcover edition for the general reader.

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James Joyce’s astonishing masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom’s voluptuous wife, Molly, commits adultery. Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its Modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience.

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It is only James Joyce's towering genius as a novelist that has led to the comparative neglect of his poetry and sole surviving play. And yet, argues Mays in his stimulating and informative introduction, several of these works not only occupy a pivotal position in Joyce's career; they are also magnificently assured achievements in their own right. Chamber Music is 'an extraordinary début', fusing the styles of the nineties and the Irish Revival with irony and characteristic verbal exuberance. Pomes Penyeach and Exiles (highly acclaimed in Harold Pinter's 1970 staging) were written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man. Both confront painfully personal issues of adultery, jealousy and betrayal and so pave the way for the more detached and fully realized treatment in Ulysses. Joyce's occasional verse includes 'Ecce Puer' for his new-born grandson, juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge. All are brought together in this scholarly, fully annotated yet accessible new edition.

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'I will not serve that in which I no longer believe, whether it call itself my home, my fatherland or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use -- silence, exile, and cunning.'James Joyce's supremely innovative fictional autobiography is also, in the apt phrase of the biographer Richard Ellmann, nothing less than 'the gestation of a soul.' For as he describes the shabby, cloying, and sometimes terrifying Dublin upbringing of his alter ego, Stephen Dedalus, Joyce immerses the reader in his emerging consciousness, employing language that ranges from baby talk to hellfire sermon to a triumphant artist's manifesto. The result is a novel of immense boldness, eloquence, and energy, a work that inaugurated a literary revolution and has become a model for the portrayal of the self in our time.The text of this edition has been newly edited by Hans Wal

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Estos maravillosos cuentos son un excelente punto de partida para comenzar a adentrarse en el universo del gran escritor irlandé s y encarar luego la lectura de tí tulos de mayor complejidad como el mí tico Ulises.A principios del siglo XX hubo un escritor, considerado el fundador de la modernidad literaria, cuya obra supuso un punto de ruptura con todo lo que se habí a escrito hasta el momento, un literato que experimentó con los gé neros y la sintaxis, creó neologismos, incorporó la té cnica de la asociació n libre y fue un verdadero maestro del monó logo interior. Con todo ello, alteró el panorama de las letras de su tiempo y marcó a las generaciones subsiguientes. Luego de é l y de su obra, la literatura ya no volvió a ser la misma. Ese hombre fue James Joyce. Dublineses es un conjunto de quince cuentos má s descriptivos que narrativos, en los cuales atmó sferas y estados de á nimo prevalecen por sobre las peripecias y los acontecimientos que suelen tener un final abierto, y que son un clá sico de la literatura en lengua inglesa.

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The complete text of James Joyce's dream masterpiece, one of the great works of twentieth-century literature. This copyright edition incorporates Joyce's own alterations and corrections to the first printing in 1939.'Here words are not the polite contortions of twentieth-century printer's ink. They are alive. They elbow their way on to the page, and glow and blaze and fade and disappear.' Samuel Beckett

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First published in 1914, Dubliners depicts middle-class Catholic life in Dublin at the start of the twentieth century. Themes within the stories include the disappointments of childhood, the frustrations of adolescence, and the importance of sexual awakening. James Joyce was twenty-five years old when he wrote this collection of short stories, among which 'The Dead' is probably the most famous. Considered at the time as a literary experiment, Dubliners contains moments of joy, fear, grief, love and loss, which combine to form one of the most complete depictions of a city ever written, and the stories remain as refreshingly original and surprising in this century as they did in the last.This Macmillan Collector's Library edition of Dubliners features an afterword by dramatist Peter Harness.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Having done the longest day in literature with his monumental Ulysses, James Joyce set himself even greater challenges for his next book — the night."A nocturnal state...That is what I want to convey: what goes on in a dream, during a dream." The work, which would exhaust two decades of his life and the odd resources of some sixty languages, culminated in the 1939 publication of Joyce's final and most revolutionary masterpiece, Finnegans Wake.A story with no real beginning or end (it ends in the middle of a sentence and begins in the middle of the same sentence), this "book of Doublends Jined" is as remarkable for its prose as for its circular structure. Written in a fantantic dream language, forged from polyglot puns and portmanteau words, the Wake features some of Joyce's most brilliant inventive work. Sixty years after its original publication, it remains, in Anthony Burgess's words, "a great comic vision, one of the few books of the world that can make us laugh aloud on nearly every page."For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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His stories are fillled with the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience. The stories all centre around the city of Dublin and its inhabitants at the beginning of the twentieth century. They offer a moving portrait of an entire world and era long since disappeared.

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As James Joyce was working on Finnegans Wake, he asked his friend T.S. Eliot to shepherd an early extract, simply known as 'Work in Progress' into print. This celebrated episode, Anna Livia Plurabelle, was the first part of Joyce's extraordinary text to be published in England, printed in pamphlet form in 1930. It became the best-known section of Finnegans Wake, and one of Joyce's favourites; revised and published independently more times than any other piece. This new edition in the Faber Modern Classics series includes a new foreword by Edna O'Brien.'His writing is not about something; it is that something itself.' Samuel Beckett

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A definitive edition of perhaps the greatest short story collection in the English languageJames Joyce’s Dubliners is a vivid and unflinching portrait of “dear dirty Dublin” at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as “Araby,” “Grace,” and “The Dead,” delve into the heart of the city of Joyce’s birth, capturing the cadences of Dubliners’ speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from all known proofs, manuscripts, and impressions to reflect the author’s original wishes.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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In Dubliners, James Joyce takes us on an extraordinary journey with the ordinary men and women from the city of his birth. In 'Araby' a young boy struggles with everyday tasks in the face of a growing infatuation with his neighbour's sister; in 'The Boarding House' a single mother orchestrates a marriage proposal for her daughter; in 'The Dead' the ideas of birth and decay are played out over the course of a dinner. From short, lyrical stories to the novella-length masterpiece which concludes this collection, Dubliners is as alive with feeling as it was when first published.

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'Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo ' So begins one of the most significant literary works of the twentieth century, and one of the most innovative. Its originality shocked contemporary readers on its publication in 1916 who found its treating of the minutiae of daily life indecorous, and its central character unappealing. Was it art or was it filth? The novel charts the intellectual, moral, and sexual development of Stephen Dedalus, from his childhood listening to his father's stories through his schooldays and adolescence to the brink of adulthood and independence, and his awakening as an artist. Growing up in a Catholic family in Dublin in the final years of the nineteenth century, Stephen's consciousness is forged by Irish history and politics, by Catholicism and culture, language and art. Stephen's story mirrors that of Joyce himself, and the novel is both startlingly realistic and brilliantly crafted. For this edition Jeri Johnson, editor of the acclaimed Ulysses 1922 text, has written an introduction and notes which together provide a comprehensive and illuminating appreciation of Joyce's artistry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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For Joyce, literature 'is the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerization, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirms its standing as an imperishable monument to the human condition. Declan Kiberd says in his introduction that Ulysses is 'an endlessly open book of utopian epiphanies. It holds a mirror up to the colonial capital that was Dublin on 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments.'This Annotated Student Edition has full explanatory notes and line numbers for critical reference.

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Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. James Joyce’s first novel, A Portrait of the Artist as a Young Man (1916) is a captivating evocation of the emotional, intellectual and creative coming of age of the young Stephen Dedalus, essentially Joyce’s alter ego. The originality and inventiveness of its modernist style prefigures Joyce’s yet more experimental masterpiece Ulysses and offers a profound, poetic insight into Joyce himself as well as a personal journey of awakening and rebellion.

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As he was finishing Finnegans Wake, Joyce proclaimed, “I have discovered I can do anything with language I want.” Indeed, with his last book, which took him seventeen years to write, Joyce takes literary modernism to new territories by harvesting from as many as eighty different languages to create a wordscape that is both precise and impressionistic, a work that is intellectual, avant-garde, but also sad, funny, earthy and brimming with humanity. This edition includes an introduction by Dr Sam Slote of Trinity College Dublin.

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The greatest novel of the twentieth century, now in a beautiful Clothbound Classics centenary edition Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'.

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'That is my fear. That I stand between her and any moments of life that should be hers...' Set against the backdrop of the Home Rule Crisis of 1912, Exiles is James Joyce's only surviving play. It tells the story of writer Richard Rowan and his common-law wife Bertha, characters drawn from Joyce's own life with Nora Barnacle. After a decade of absence from Dublin, Richard and Bertha have returned home from Rome, still unmarried, with their young son Archie. Richard hopes that he will be greeted as a returning genius and rewarded with a comfortable university position. But this aspiration ends up taking a back seat to the erotic crisis that is unleashed by the couple's return to the place where they first met, and their encounters with two old flames and friends. In this play, Joyce revisits his own agonizing feelings of jealousy that were precipitated by similar trips home to Dublin. In the introduction and notes, Keri Walsh provides a comprehensive look issues of gender, sexuality, and performance as well as considering the nationalist and sectarian contexts of Dublin in 1912, the year of the play's setting.

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'- What is your nation if I may ask, says the citizen. - Ireland, says Bloom. I was born here. Ireland.' Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable introduction, notes, and appendices, republishes without interference, the original 1922 text. Jeri Johnson's commentary guides the reader through this highly allusive novel in an edition acclaimed by scholars and general readers alike. This updated edition includes new explanatory notes, a revised introduction, and expanded bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A daring work of experimental, Modernist genius, James Joyce's Finnegans Wake is one of the greatest literary achievements of the twentieth century, and the crowning glory of Joyce's life. The Penguin Modern Classics edition of includes an introduction by Seamus Deane'riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs'Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness.If you enjoyed Finnegans Wake, you might like Virginia Woolf's The Waves, also available in Penguin Classics.'An extraordinary performance, a transcription into a miniaturized form of the whole western literary tradition'Seamus Deane

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That James Joyce’s “The Dead” forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, “The Dead” may equally well be read as a novella—arguably, one of the finest novellas ever written.“The Dead,” a “story of public life,” as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their “unnecessary harsh[ness].” Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James’s brother and confidant), “the nostalgic love of a rejected exile.”The present volume highlights “The Dead” for readers who wish to focus on that great work in a concise volume—and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.

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'I may not be the Jesus Christ I once fondly imagined myself, but I think I must have a talent for journalism' James Joyce's non-fictional writings address diverse issues: aesthetics, the functions of the press, censorship, Irish cultural history, England's literature and empire. This collection includes newspaper articles, reviews, lectures, and propagandizing essays that are consciously public, direct, and communicative. It covers forty years of Joyce's life and maps important changes in his opinions about politics, especially Irish politics, about the relationship of literature to history, and about writers who remained important to him such as Mangan, Blake, Defoe, Ibsen, Wilde, and Shaw. These pieces also clarify and illuminate the transformations in Joyce's fiction, from Dubliners and A Portrait of the Artist as a Young Man to the first drafts of Ulysses. Gathering together more than fifty essays, several of which have never been available in an English edition, this volume is the most complete and the most helpfully annotated collection. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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James Joyce's first novel follows the life of Stephen Dedalus, an artistic and fiercely individual young man. Along the way, Stephen learns to negotiate the 'snares of the world', to avoid the pitfalls of his dysfunctional family, his terrifying and repressive boarding school, and the various beautiful young ladies who capture his heart. A Portrait of the Artist as a Young Man is an unforgettable depiction of childhood and adolescence, as well as a lyrical evocation of life in Ireland over a century ago. It shocked readers on its publication in 1916 and it is now regarded as one of the most significant literary works of the twentieth century.This beautiful Macmillan Collector's Library edition of A Portrait of the Artist as a Young Man features an afterword by Peter Harness.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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'I regret to see that my book has turned out un fiasco solenne' James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would 'retard the course of civilisation in Ireland'. Joyce's aim was to tell the truth - to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a death, an encounter, an opportunity not taken, a memory rekindled - and collectively they paint a portrait of a nation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Confronting a host of assumptions, misprisions, and prejudices, A. Nicholas Fargnoli and Michael Patrick Gillespie contend that Joyce's play, Exiles, deserves the same serious study as his fiction and stands on the cutting edge of modern drama.

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Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. The fifteen short stories collected in Dubliners are the best by renowned Modernist writer James Joyce. They were written between 1904 and 1907 and published much later in 1914. The stories explore themes of different life stages and provide a vivid depiction of gritty, day-to-day life in Dublin. The first story, ‘The Sisters’, sets the tone for the collection, exploring childhood. ‘The Dead’, which is the final story in the collection, takes place around the events of a Christmas party, culminating in a profound epiphany. It is widely considered by critics and readers alike to be a work of outstanding literary skill.

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This group of fifteen brief narratives connected by a place and a time, the city of Dublin at the beginning of the twentieth century, was written when James Joyce was a precocious young graduate of University College. With great subtlety and artistic restraint, Joyce suggests what lies beneath the pieties of Dublin society and its surface drive for respectability, suggesting the difficulties and despairs that were being endured on a daily basis in homes, pubs, streets, and offices of the city: underemployment, domestic violence, alcoholism, poverty, hunger, emotional and sexual repression. No writer ever took more seriously the details, history, and culture of a particular place than Joyce did with his home city, and these stories combine dark humor with compassion and a searching eye for the causes of suffering.This new edition's historical appendices include contemporary reviews (including one by Ezra Pound) and materials on religion, the struggle for Irish independence, and Dublin's musical and performance culture.

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'Like an artist working an empty sky into a busy cityscape, or an empty chair into a crowded family portrait, Joyce creates spaces where the reader is left to themselves' Patrick McGuinness, from his Preface to Dubliners.Set in the late 19th and early 20th-century, Dubliners is made up of fifteen stories, which all sit within the realm of realism, with easily identifiable streets and a cartographic identity of the city. Alike Joyce's other works, the collection was repeatedly rejected by publishers and he received accusations of obscurity and obscenity before it finally appeared in print on 15 June 1914. This was five years after a contract was signed, six weeks before the outbreak of World War One, and at a time when Ireland was under British Home Rule. We find an intricate account of the lives of the city's inhabitants in Joyce's haunted and bleak vision of Dublin.Discover these stories for the first time here, or read them afresh, and marvel at the unique stories that Joyce was able to capture, and make timeless, for us all.

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Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler’s edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners’ complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners—"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng.

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'Everybody knows now that Ulysses is the greatest novel of the century' Anthony Burgess, ObserverFollowing the events of one single day in Dublin, the 16th June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'.'The most important expression which the present age has found; it is a book to which we are all indebted, and from which none of us can escape' T. S. Eliot'Intoxicating ... a towering work, in its word play surpassing even Shakespeare' Guardian

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Exam board: Cambridge Assessment International EducationLevel & Subject: A Level English LiteratureFirst teaching: September 2020Next exams: 2024

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'It is not that Ulysses excludes us; it is, rather, that it includes us in ways that no other work prepares us for. The question is not 'what is a novel?', but what can a novel be? Ulysses is the answer'Patrick McGuinness from his preface to Ulysses: The Restored TextInitially rejected by several printers in Dublin and London for containing 'obscene' content, Ulysses was first published in book form in a limited-edition printing of 1000 copies by Shakespeare and Company in Paris in 1922. A subsequent printing was impounded by US customs and for a period the novel was famed for its notoriety rather than its literary achievement.Like its author, Ulysses exists in a complicated push-pull relationship with its language - English - and its setting - Ireland. Joyce returns to the themes that had preoccupied him in previous works, including nationalism and empire, religion, identity and sex in a novel which gloriously brings Dublin on June 16th 1904 to the page.This edition of Ulysses: The Restored Text includes the revisions that Joyce made to the novel during his lifetime.

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