Search results for ""Author Henry David Thoreau""

Volume two of the Journal includes Thoreau's extensive reminiscences of his 1839 excursion with his brother John along the Concord and Merrimack rivers and all his first impressions and observations entered in journals during the famous Walden sojourn. Collectively, these journals illustrate the middle stage of Thoreau's literary career--a stage noteworthy for his "devotion to the mastery of his craft" as evidenced by the progressive, intermingled drafts of A Week on the Concord and Merrimack Rivers and Walden, "Thomas Carlyle and His Works," "Wendell Phillips Before Concord Lyceum," and "Ktaadn, and the Maine Woods." More than half of the material presented in Journal 2 is previously unpublished.

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This is the inaugural volume in the first full-scale scholarly edition of Thoreau's correspondence in more than half a century. When completed, the edition's three volumes will include every extant letter written or received by Thoreau--in all, almost 650 letters, roughly 150 more than in any previous edition, including dozens that have never before been published. Correspondence 1 contains 163 letters, ninety-six written by Thoreau and sixty-seven to him. Twenty-five are collected here for the first time; of those, fourteen have never before been published. These letters provide an intimate view of Thoreau's path from college student to published author. At the beginning of the volume, Thoreau is a Harvard sophomore; by the end, some of his essays and poems have appeared in periodicals and he is at work on A Week on the Concord and Merrimack Rivers and Walden. The early part of the volume documents Thoreau's friendships with college classmates and his search for work after graduation, while letters to his brother and sisters reveal warm, playful relationships among the siblings. In May 1843, Thoreau moves to Staten Island for eight months to tutor a nephew of Emerson's. This move results in the richest period of letters in the volume: thirty-two by Thoreau and nineteen to him. From 1846 through 1848, letters about publishing and lecturing provide details about Thoreau's first years as a professional author. As the volume closes, the most ruminative and philosophical of Thoreau's epistolary relationships begins, that with Harrison Gray Otis Blake. Thoreau's longer letters to Blake amount to informal lectures, and in fact Blake invited a small group of friends to readings when these arrived. Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, cited, or alluded to, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau's life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the significance of letter-writing in the mid-nineteenth century and the history of the publication of Thoreau's letters. Finally, a thorough index provides comprehensive access to the letters and annotations.

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From 1837 to 1861 Thoreau kept a journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Covering an annual cycle from spring 1852 to late winter 1853, Journal 5 finds Thoreau intensely concentrating on detailed observations of natural phenomena and on "the mysterious relation between myself & these things" that he always strove to understand. Increasingly, the Journal attempts to balance a new found scientific professionalism and the accurate recording of phenological data with a firmly rooted belief in the spiritual correspondences that Nature reveals. Fittingly, the year of observation ends with Thoreau pondering an invitation to join the Association for the Advancement of Science, an invitation he ultimately declined in order to pursue his own life studies.

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As a unique feature, the Third Edition includes generous excerpts from Thoreau's journal, reprinted by special arrangements with Princeton University Press from the definitive edition of his writings. Spanning the years 1845-54, these selections vividly display Thoreau's intensive exploration of his local landscape; the fusion of literary and natural history field work that informs Walden, "Walking," and "Wild Apples"; and the growth of his environmental imagination. “Reviews and Posthumous Assessments” for this edition collects eight new reviews of Thoreau's antislavery and late environmental essays as well as of Walden. To the influential portraits of Thoreau by Ralph Waldo Emerson and James Russell Lowell, the Third Edition adds John Burroughs's "Another Word on Thoreau," his response to them and to his great predecessor. ”Recent Criticism” includes eighteen selections of the best historical, political, philosophical, poststructuralist, and environmental criticism of Thoreau's writing since the mid-twentieth century. To classic pieces by E. B. White, Leo Marx, Barbara Johnson, and Stanley Cavell, the Third Edition adds essays by nine new contributors, among them Laurence Buell, Laura Dassow Walls, Evan Carton, Robert A. Gross, Albert J. von Frank, Steven Fink, and William Rossi. A Chronology of Thoreau's life and work, new to the Third Edition, and an expanded and updated Selected Bibliography are also included.

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The ultimate gift edition of Walden for bibliophiles, aficionados, and scholars “Replaces all other available editions of Walden as the most attractive and reliable way to approach this great American book.”—Joel Porte, author of Consciousness and Culture: Emerson and Thoreau Reviewed This is the authoritative edition of an American literary classic: Henry David Thoreau’s Walden, an elegantly written record of his experiment in simple living. With this edition, Thoreau scholar Jeffrey S. Cramer has meticulously corrected errors and omissions from previous editions of Walden and provided illuminating notes on the biographical, historical, and geographical contexts of the great nineteenth-century writer and thinker’s life. Cramer’s newly edited text is based on the original 1854 edition of Walden, with emendations taken from Thoreau’s draft manuscripts, his own markings on the page proofs, and notes in his personal copy of the book. In the editor’s notes to the volume, Cramer quotes from sources Thoreau actually read, showing how he used, interpreted, and altered these sources. Cramer also glosses Walden with references to Thoreau’s essays, journals, and correspondence. With the wealth of material in this edition, readers will find an unprecedented opportunity to immerse themselves in the unique and fascinating world of Thoreau. Anyone who has read and loved Walden will want to own and treasure this gift edition. Those wishing to read Walden for the first time will not find a better guide than Jeffrey S. Cramer.

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This book offers a selection of superb photographs by the famous turn-of-the-century photographer Herbert Gleason. Retracing one of Thoreau's early journeys, Gleason produced moving and dramatic pictures of life along the rivers of New England. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of his interior life and of his monumental studies of the natural history of his native Concord, Massachusetts. Unlike earlier editions, the Princeton edition reproduces the Journal in its original and complete form, in a reading text free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 8: 1854 is edited from the 467-page notebook that Thoreau kept February 13-September 3, 1854. It reveals him as an increasingly confident taxonomist creating lists that distill his observations about plant leafing and seasonal birds. Two particularly significant public events took place in his life in the summer of 1854. On July 4, at an antislavery rally at Framingham, Massachusetts, Thoreau appeared for the first time in the company of prominent abolitionists, delivering as heated a statement against slavery as he had yet made. And on August 9, Ticknor and Fields published Walden, the book Thoreau had been working on since 1846. In Journal 8 Thoreau indicates that these public accomplishments, though satisfying, took a toll on his creative life and did not fully compensate him for the hours spent away from the woods.

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Thoreau's Walden, ostensibly a simple account of a year spent alone in a cabin by a pond in the woods, is one of the most influential and complex books in American literature. After eight years in the writing,the first edition of 1854 was largely ignored, and it was not reprinted until 1862, the year of Thoreau's death. But by 1900 Walden was acclaimed by many as a classic, among the finest prose works of the century. It has been increasingly recognized as an important document of social criticism and dissent. It has been seen as a religious testament, with a kinship to oriental mysticism. It has been described as a mythic book,and it has been used as a Freudian key to the mind of its iconoclastic author. Thoreau's words have become increasingly significant in modern times. Anticipating the evils of modern society and the problems of modern man, Walden's meanings seem more relevant every day.

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`The mass of men lead lives of quiet desperation' In 1845 Henry David Thoreau left his home town of Concord, Massachusetts to begin a new life alone, in a rough hut he built himself a mile and a half away on the north-west shore of Walden Pond. Walden is Thoreau's classic autobiographical account of this experiment in solitary living, his refusal to play by the rules of hard work and the accumulation of wealth and above all the freedom it gave him to adapt his living to the natural world around him. This new edition of Walden traces the sources of Thoreau's reading and thinking and considers the author in the context of his birthplace and his sense of its history - social, economic and natural. In addition, an ecological appendix provides modern identifications of the myriad plants and animals to which Thoreau gave increasingly close attention as he became acclimatized to his life in the woods by Walden Pond. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This new paperback edition of Henry D. Thoreau's compelling account of Cape Cod contains the complete, definitive text of the original. Introduced by American poet and literary critic Robert Pinsky--himself a resident of Cape Cod--this volume contains some of Thoreau's most beautiful writings. In the plants, animals, topography, weather, and people of Cape Cod, Thoreau finds "another world" Encounters with the ocean dominate this book, from the fatal shipwreck of the opening chapter to his later reflections on the Pilgrims' landing and reconnaissance. Along the way, Thoreau relates the experiences of fishermen and oystermen, farmers and salvagers, lighthouse-keepers and ship captains, as well as his own intense confrontations with the sea as he travels the land's outermost margins. Chronicles of exploration, settlement, and survival on the Cape lead Thoreau to reconceive the history of New England--and to recognize the parochialism of history itself.

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From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. This volume spans a period of rapid change in Thoreau's life and literary career, including the publication of his first book and a crisis in his friendship with Emerson, during which the Journal assumes its mature form as the extensive, regular, and dated record of his studies of and reflections on the natural and human life of the Concord region.

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"Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of each." Modernity rules our lives by clock and calendar, dividing the stream of time into units and coordinating every passing moment with the universal globe. Henry David Thoreau subverted both clock and calendar, using them not to regulate time's passing but to open up and explore its presence. This little volume thus embodies, in small compass, Thoreau's own ambition to "live in season"--to turn with the living sundial of the world, and, by attuning ourselves to nature, to heal our modern sense of discontinuity with our surroundings. Ralph Waldo Emerson noted with awe that from flowers alone, Thoreau could tell the calendar date within two days; children remembered long into adulthood how Thoreau showed them white waterlilies awakening not by the face of a clock but at the first touch of the sun. As Thoreau wrote in Walden, "Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is." Drawn from the full range of Thoreau's journals and published writings, and arranged according to season, The Daily Henry David Thoreau allows us to discover the endless variation and surprise to be found in the repetitions of mundane cycles. Thoreau saw in the kernel of each day an earth enchanted, one he honed into sentences tuned with an artist's eye and a musician's ear. Thoreau's world lives on in his writing so that we too may discover, even in a fallen world, a beauty worth defending.

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This illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "the simple beauty of New England," became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described--all of them still looking much as they had when Thoreau knew them--and photographed them. Gleason became so interested in the project that he continued to photograph Thoreau country for more than forty years. Most of the photographs reproduced here were chosen by Gleason himself for an edition of Walden he planned but never published. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Maine Woods is a characteristically Thoreauvian book: a personal account of exploration, of exterior and interior discovery in a natural setting, conveyed in taut, workmanlike prose. Thoreau's evocative renderings of the life of the primitive forest--its mountains, waterways, fauna, flora, and inhabitants--are valuable in themselves. But his impassioned protest against despoilment in the name of commerce and sport, which even by the 1850s threatened to deprive Americans of the "tonic of wildness," makes The Maine Woods an especially vital book for our time. This edition presents Thoreau's fullest account of the wilderness as he intended it.

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Henry D. Thoreau's classic A Week on the Concord and Merrimack Rivers is published now as a new paperback edition and includes an introduction by noted writer John McPhee. This work--unusual for its symbolism and structure, its criticism of Christian institutions, and its many-layered storytelling--was Thoreau's first published book. In the late summer of 1839, Thoreau and his older brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Thoreau began to prepare a memorial account of their excursion. He wrote two drafts of this story at Walden Pond, which he continued to revise and expand until 1849, when he arranged for its publication at his own expense. The book's heterodoxy and apparent formlessness troubled its contemporary audience. Modern readers, however, have come to see it as an appropriate predecessor to Walden, with Thoreau's story of a river journey depicting the early years of his spiritual and artistic growth.

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These thirteen selections from the polemical writings of Henry D. Thoreau represent every stage in his twenty-two years of active writing. This edition, introduced by writer and historian Howard Zinn, is a microcosm of Thoreau's literary career. It allows the reader to achieve a full sense of Thoreau's evolution as a writer and thinker. Most famous of these essays is "Resistance to Civil Government," better known as "Civil Disobedience." Still a standard text in American high schools, it has long inspired nonviolent protest around the world. It influenced those who opposed apartheid in South Africa and motivated international anti-war demonstrators during 1960s and 1970s. "Civil Disobedience" will surely continue to influence generations of readers for years to come.

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The first collection of Thoreau’s writings on the flowering plants of Concord, with more than 200 drawings by renowned artist Barry Moser Some of Henry David Thoreau’s most beautiful nature writing was inspired by the flowering trees and plants of Concord. An inveterate year-round rambler and journal keeper, he faithfully recorded, dated, and described his sightings of the floating water lily, the elusive wild azalea, and the late autumn foliage of the scarlet oak. This inviting selection of Thoreau’s best flower writings is arranged by day of the year and accompanied by Thoreau’s philosophical speculations and his observations of the weather and of other plants and animals. They illuminate the author’s spirituality, his belief in nature’s correspondence with the human soul, and his sense that anticipation—of spring, of flowers yet to bloom—renews our connection with the earth and with immortality. Thoreau’s Wildflowers features more than 200 of the black-and-white drawings originally created by Barry Moser for his first illustrated book, Flowering Plants of Massachusetts. This volume also presents “Thoreau as Botanist,” an essay by Ray Angelo, the leading authority on the flowering plants of Concord.

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Thoreau's compelling account of Cape Cod is here presented in the complete and definitive text. His trips to the Cape, he wrote, were intended to afford "a better view than I had yet had of the ocean." In the plants, animals, topography, weather, people, and human works of Massachusetts' long projection into the Atlantic, he finds "another world." Encounters with the ocean dominate the book, from the fatal shipwreck of the opening episode to the late reflections on the Pilgrims' Cape Cod landing and reconnaissance. Along the way, Thoreau relates the experiences of fishermen and oystermen, farmers and salvagers, lighthouse-keepers and ship-captains, as well as his own intense confrontations with the sea as he travels the land's outermost margins. Chronicles of exploration, settlement, and survival on the Cape lead Thoreau to reconceive the history of New England and to recognize the parochialism of history itself.

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Excursions presents texts of nine essays, including some of Henry D. Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography. In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

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Part of the Norton Library series The Norton Library edition of Walden and Other Writings features the complete text of the 1906 edition of Walden and a selection of Thoreau’s most famous antislavery writings: “Civil Disobedience,” “Slavery in Massachusetts,” and “A Plea for Captain John Brown.” An introduction by Jedediah Britton-Purdy offers historical and biographical context for Thoreau’s writings and prepares readers to engage with his spiritual and activist reflections on a modern life freely lived. The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime. Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence. Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed. An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition. About the Editor: Jedediah Britton-Purdy is the Beinecke Professor at Columbia Law School and a scholar of environmental and constitutional law. His books on environmental themes include After Nature and This Land Is Our Land. He has also written about Henry David Thoreau in venues including The Atlantic, The Nation, and n+1.

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Henry D. Thoreau traveled to the backwoods of Maine in 1846, 1853, and 1857. Originally published in 1864, and published now with a new introduction by Paul Theroux, this volume is a powerful telling of those journeys through a rugged and largely unspoiled land. It presents Thoreau's fullest account of the wilderness. The Maine Woods is classic Thoreau: a personal story of exterior and interior discoveries in a natural setting--all conveyed in taut, masterly prose. Thoreau's evocative renderings of the life of the primitive forest--its mountains, waterways, fauna, flora, and inhabitants--are timeless and valuable on their own. But his impassioned protest against the despoilment of nature in the name of commerce and sport, which even by the 1850s threatened to deprive Americans of the "tonic of wildness," makes The Maine Woods an especially vital book for our own time.

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From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 6 comprises a single manuscript notebook of nearly five hundred pages that Thoreau filled between March 9 and August 18, 1853. During this period, Thoreau divided his energies among his increasingly professional studies as a naturalist in Concord, the revision of his Walden manuscript, and surveying, which provided him a living and established him more securely as a contributing member of the Concord community. Thoreau's writing and his understanding of natural history were enriched by surveying, which gave him the opportunity to regularly observe seasonal occurrences and other natural events in and around Concord. Thoreau recorded these observations in his Journal, making both literary and scientific use of them. Substantial passages from Journal 6 were incorporated into the sixth draft of Walden, and its observations formed the basis for later compilations of field ecology. They are made available here, along with Journal entries, completely unrevised. This volume will delight all custodians of literary and natural history and be an essential addition to the libraries of all Thoreau devotees.

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One of the most influential and compelling books in American literature, Walden is a vivid account of the years that Henry D. Thoreau spent alone in a secluded cabin at Walden Pond. This edition--introduced by noted American writer John Updike--celebrates the perennial importance of a classic work, originally published in 1854. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces from the lively "Where I Lived, and What I Lived For" and "Brute Neighbors" to the serene "Reading" and "The Pond in the Winter." Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden--as close to Thoreau's original intention as all available evidence allows. This is the authoritative text of Walden and the ideal presentation of Thoreau's great document of social criticism and dissent.

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From 1837 to 1861, Henry D. Thoreau kept a Journal that would become the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of his interior life and of his monumental studies of the natural history of his native Concord, Massachusetts. Unlike earlier editions, the Princeton edition reproduces Thoreau's Journal in its original and complete form, in a text free of editorial interpolations and keyed to a comprehensive scholarly apparatus. This seventh volume of the Journal is edited from the 454-page manuscript that Thoreau kept from August 19, 1853, through February 12, 1854. During the six months covered here, Thoreau continued to add to his store of observations about local animals, plants, and weather. Most of the Journal is dedicated to describing natural phenomena, such as changes in leaf color and the ripening of berries, in the context of seasonal cycles. His observations create a detailed portrait of Concord and the surrounding areas that will be of interest to ecologists and others who study phenological patterns and variations. In addition, Thoreau integrates these observations with ethical reflections about living in harmony with nature, following the model of the Roman agricultural writers. The volume also includes Thoreau's account of a September 1853 trip to the Maine woods that appeared in 1858 as "Chesuncook"; the draft is published here for the first time.

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This collection of fifty-three early pieces by Thoreau represents the full range of his youthful imagination. Collected, arranged, and carefully edited for the first time here, the writings date from 1828 to 1852 and cover a broad range of subjects: learning, morals, literature, history, politics, and love. Included is a major essay on Sir Walter Raleigh that was not published during the author's lifetime and a fragmentary college piece here published for the first time. Titles of essays published in the volume are given below. Early Essays * The Seasons * Anxieties and Delights of a Discoverer * Men Whose Pursuit Is Money * Of Keeping a Private Journal *"We Are Apt to Become What Others ...Think Us to Be" * Forms, Ceremonies, and Restraints of Polite Society * A Man of Business, a Man of Pleasure, a Man of the World * Musings * Kinds of Energetic Character * Privileges and Pleasures of a Literary Man * Severe and Mild Punishments * Popular Feeling * Style May ...Offend against Simplicity * The Book of the Seasons * Sir Henry Vane * Literary Digressions * Foreign Influence on American Literature * Life and Works of Sir W. Scott * The Love of Stories * Cultivation of the Imagination * The Greek Classic Poets * The Meaning of "Fate" * Whether the Government Ought to Educate * Travellers & Inhabitants * History ...of the Roman Republic * A Writer's Nationality and Individual Genius * L'Allegro & Il Penseroso * All Men Are Mad * The Speeches of Moloch & the Rest * People of Different Sections * Gaining or Exercising Public Influence * Titles of Books * Sublimity * The General Obligation to Tell the Truth *"Being Content with Common Reasons" * The Duty, Inconvenience and Dangers of Conformity * Moral Excellence * Barbarities of Civilized States * T. Pomponius Atticus * Class Book Autobiography *"The Commercial Spirit of Modern Times" Miscellanies * * DIED ...Miss Anna Jones * Aulus Persius Flaccus * The Laws of Menu * Sayings of Confucius * Dark Ages * Chinese Four Books * Homer. Ossian. Chaucer. * Hermes Trismegistus ...From the Gulistan of Saadi * Sir Walter Raleigh * Thomas Carlyle and His Works * Love * Chastity & Sensuality

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Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience. In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you adopt such a lifestyle—and only then can you reenter society, as an enlightened being. These simple but profound musings—as well as “Civil Disobedience,” his protest against the government’s interference with civil liberty—have inspired many to embrace his philosophy of individualism and love of nature. More than a century and a half later, his message is more timely than ever. With an Introduction by W.S. Merwin and an Afterword by Will Howarth

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This is the second volume in the first full-scale scholarly edition of Thoreau’s correspondence in more than half a century. When completed, the edition’s three volumes will include every extant letter written or received by Thoreau—in all, almost 650 letters, roughly 150 more than in any previous edition, including dozens that have never before been published.Correspondence 2 contains 246 letters, 124 written by Thoreau and 122 written to him. Sixty-three are collected here for the first time; of these, forty-three have never before been published. During the period covered by this volume, Thoreau wrote the works that form the foundation of his modern reputation. A number of letters reveal the circumstances surrounding the publication of A Week on the Concord and Merrimack Rivers in May 1849 and Walden in August 1854, as well as the essays “Resistance to Civil Government” (1849; now known as “Civil Disobedience”) and “Slavery in Massachusetts” (1854), and two series, “An Excursion to Canada” (1853) and “Cape Cod” (1855). Writing and lecturing brought Thoreau a small group of devoted fans, most notably Daniel Ricketson, an independently wealthy Quaker and abolitionist who became a faithful correspondent. The most significant body of letters in the volume are those Thoreau wrote to Harrison Gray Otis Blake, a friend and disciple who elicited intense and complex discussions of the philosophical, ethical, and moral issues Thoreau explored throughout his life.Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau’s life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the history of the publication of Thoreau’s correspondence. Proper names, publications, events, and ideas found in both the letters and the annotations are included in the index, which provides full access to the contents of the volume.

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This first volume of the Journal covers the early years of Thoreau's rapid intellectual and artistic growth. The Journal reflects his reading, travels, and contacts with Ralph Waldo Emerson, Margaret Fuller, and other Transcendentalists. With characteristic reticence, Thoreau mentions only a few episodes in his emotional history: an ill-fated romance, the death of his elder brother, and an unhappy sojourn on Staten Island, where he tried to write for New York periodicals. Parts of Thoreau's Journal have been published, but always with large omissions of text and with considerable grooming of its erratic manuscript style. This edition presents the entire surviving manuscript in a text preserving Thoreau's words as he originally wrote them.

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From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Despite activities as time-consuming and varied as urveying for the town of Concord and helping a fugitive slave escape to Canada, Thoreau wrote nearly eight hundred manuscript pages in his Journal during the eight months covered by this volume. Confirmed in his vocation as a natural historian, he began to compile the richly detailed records of Concord's woods, fields, and streams that would occupy him for the rest of his life, and he consciously shaped the Journal to reflect his new aims as a writer. He also began major revisions of his Walden that would lead to its publication in 1854.

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