Search results for ""Author Gregory""

“From its highly original premise to its deliciously isolated setting, Gregory Bastianelli’s SHADOW FLICKER hooked me and kept me squirming until the very last page. An entertaining and emotional read. I had a blast!” — Jonathan Janz, Author of THE SIREN AND THE SPECTER and THE RAVEN Investigator Oscar Basaran travels to Kidney Island off the coast of Maine to document the negative effects of shadow flicker from wind turbines on residents living near the windmills, but is unprepared for what he encounters from the islanders. Oscar’s research shows that sleep deprivation, light deficiency and ringing headaches brought on by the noise and constant strobe-like effect of the sun filtered through the spinning blades of the turbines brings on hallucinatory episodes for the closest neighbors to the machines. Melody Larson’s elderly father nearly chokes to death after stuffing dandelion heads into his mouth. The Granberrys' pregnant cow repeatedly runs headlong into a fence post. Tatum Gallagher mourns her young son who vanished more than a year ago, presumed swept out to sea by a wave while fishing on the rocky shore, but several people claim to see him appear only in the glimmer of the shadow flicker. Aerosource, the energy corporation that owns the turbines, hired Oscar to investigate the neighbors’ claims, but the insurance agent shows no allegiance to the conglomerate, especially after learning a previous employee sent to the island a year before has disappeared without a trace. When Oscar meets former island school science teacher Norris Squires, fired for teaching his students about the harmful effects of shadow flicker, he learns a theory regarding Aerosource that sounds too preposterous to believe. While it seems the shadow flicker effect has driven some of the island’s animals crazy, is it possible it’s caused an even worse mental breakdown among the human inhabitants? Or is something more nefarious at work on the island? As Oscar’s investigation deepens, he discovers the turbines create an unexpected phenomena kept secret by a select group of people on Kidney Island who have made a scientific breakthrough and attempt to harness its dark power. FLAME TREE PRESS is the imprint of long-standing independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices.

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What does your dog really think about you? To find out, Gregory Berns became the first neuroscientist to persuade dogs to lie in an MRI machine wide awake. Now we know more about our best friends than ever before – how varying capacities for self-control and different value systems set them apart as individuals, and how deeply they understand the words we speak to them. Berns’ discoveries have profound implications for how we communicate with and treat these beloved animals. But he didn’t stop there. Berns also delves into the inner lives of sea lions, bats, dolphins, and even the extinct Tasmanian tiger. His revolutionary explorations are essential reading for animal lovers of all stripes.

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A comprehensive blueprint for building and selling a successful startup from idea to exit, bypassing failure, and making the planet a better, more equitable place. Due to a range of frequent and unavoidable mistakes, only 10% of startups make it beyond 5 years. In this game-changing guide, startup veteran and serial entrepreneur Gregory Shepardcombines 12 startup exits, 4 private equity awards, anddecades' worth of expert insight and industry experienceincluding interviews with real entrepreneurs, Navy SEALs,Air Force Fighter Pilots, and moreto present you with straightforward, actionable strategies for mapping out yourstartupand achieving success.The Startup Lifecycle is here to empower entrepreneurs and help you avert common mishaps by providing an easy-to-follow path through 7 key phases, leading you from your initial vision to your lucrative exitand along the way, improving the world for future generations:Phase One: Vision & North Star, Focusing on the End GamePhase Two: Prototy

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John James Audubon's The Birds of America stands as an unparalleled achievement in American art, a huge book that puts nature dramatically on the page. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. In this fresh approach to Audubon's art and science, Gregory Nobles shows us that Audubon's greatest creation was himself. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description. He sought status with the "gentlemen of science" on both sides of the Atlantic, but he also embraced the ornithology of ordinary people. In pursuit of popular acclaim in art and science, Audubon crafted an expressive, audacious, and decidedly masculine identity as the "American Woodsman," a larger-than-life symbol of the new nation, a role he perfected in his quest for transatlantic fame. Audubon didn't just live his life; he performed it. In exploring that performance, Nobles pays special attention to Audubon's stories, some of which—the murky circumstances of his birth, a Kentucky hunting trip with Daniel Boone, an armed encounter with a runaway slave—Audubon embellished with evasions and outright lies. Nobles argues that we cannot take all of Audubon's stories literally, but we must take them seriously. By doing so, we come to terms with the central irony of Audubon's true nature: the man who took so much time and trouble to depict birds so accurately left us a bold but deceptive picture of himself.

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Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the intermedia experimentation and the related destruction of the line between art and society pushed art to the frontlines of a broad socio-political battle of the collective imagination of Vancouver. Finding Nothing traces the rise of the radical avant-garde in Vancouver, from the initial salvos of the Tish group, through Blewointment’s spatial experiments, to radical Surrealisms and new feminisms. Incorporating images, original texts, and interviews, Gregory Betts shows how the VanGardes signalled a remarkable consciousness of the globalized forces at play in the city, impacting communities, orientations, races, and nations.

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The tragedy that occurred in the United States on September 11, 2001 brought enhanced emergency preparedness among first responders to the forefront of public awareness. Since those events — and despite significant progress made in many of the areas previously deemed deficient — some response areas are still woefully inadequate. Cross-Training for First Responders highlights these weaknesses that, in many cases, still remain in the response community. The book presents concrete solutions that arm first responders with vital knowledge so that they are better prepared in the event of another major incident.Innovative trainingThe author demonstrates that the best way responders can prepare for, react to, and mitigate an incident is to require them to train outside their traditional responsibilities — thereby developing an understanding of other first responder agencies’ terms, methods, and operational procedures. Despite this enhanced situational training, communication gaps can occur during cross-response and across regions. The book explains the kind of training required to prevent a lack of situational awareness by those thrust into unfamiliar territory during crisis events or mass disasters. Other topics include ways to curtail the inherent tensions that arise between voluntary and career responders, how to turn conflicts between various responding agencies into collaboration, innovative training strategies, grant opportunities to pay for training and equipment, and the rising trend of on-line training courses.Testing readiness before an incident occursFinally, the book covers mechanisms for testing first responders’ ability to apply their new cross-training techniques, demonstrates how to plan and conduct a "tabletop" drill, and explains how to review the drill results to determine the areas in which participants are still deficient.By identifying problem areas and offering concrete solutions, this book enables first responders to harness every possible advantage so that they are prepared and ready to confront the next crisis, no matter where it may strike.

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Few legal cases in American history are as riveting as the controversy surrounding the will of Virginia Senator John Randolph (1773–1833), which—almost inexplicably—freed all 383 of his slaves in one of the largest and most publicised manumissions in American history. So famous is the case that Ta-Nehisi Coates has used it to condemn Randolph’s cousin, Thomas Jefferson, for failing to free his own slaves. With this ground-breaking investigation, historian Gregory May now reveals a more surprising story, showing how madness and scandal shaped John Randolph’s wildly shifting attitudes toward his slaves—and how endemic prejudice in the North ultimately deprived the freedmen of the land Randolph had promised them. Sweeping from the legal spectacle of the contested will through the freedmen’s dramatic flight and horrific reception in Ohio, A Madman’s Will is an extraordinary saga about the alluring promise of freedom and its tragic limitations.

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This self-study training guide puts the power of participative leadership into the hands of every manager, trainer, consultant, and team member struggling to help teams succeed. Packed with more than eighty new and field-tested tools, Tools for Team Leadership solves the mystery of why some teams-regardless of talent-succeed while others fail and delivers everything you need to master the "X-factor" skills of team leadership.

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This book investigates the anti-Semitic foundations of Nazi curricula for elementary schools, with a focus on the subjects of biology, history, and literature. Gregory Paul Wegner argues that any study of Nazi society and its values must probe the education provided by the regime. Schools, according to Wegner, play a major role in advancing ideological justifications for mass murder, and in legitimizing a culture of ethnic and racial hatred. Using a variety of primary sources, Wegner provides a vivid account of the development of Nazi education.

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John James Audubon's The Birds of America stands as an unparalleled achievement in American art, a huge book that puts nature dramatically on the page. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. In this fresh approach to Audubon's art and science, Gregory Nobles shows us that Audubon's greatest creation was himself. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description. He sought status with the "gentlemen of science" on both sides of the Atlantic, but he also embraced the ornithology of ordinary people. In pursuit of popular acclaim in art and science, Audubon crafted an expressive, audacious, and decidedly masculine identity as the "American Woodsman," a larger-than-life symbol of the new nation, a role he perfected in his quest for transatlantic fame. Audubon didn't just live his life; he performed it. In exploring that performance, Nobles pays special attention to Audubon's stories, some of which—the murky circumstances of his birth, a Kentucky hunting trip with Daniel Boone, an armed encounter with a runaway slave—Audubon embellished with evasions and outright lies. Nobles argues that we cannot take all of Audubon's stories literally, but we must take them seriously. By doing so, we come to terms with the central irony of Audubon's true nature: the man who took so much time and trouble to depict birds so accurately left us a bold but deceptive picture of himself.

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In this path-breaking new work, Gregory Jusdanis asks why literature matters. Why are we afraid to admit our pleasures of reading, to defend the arts to the school board, to discuss the importance of literature in life? Drawing on a wealth of references from Aristophanes to Eudora Welty, from Fernando Pessoa to Orhan Pamuk, from Cavafy to hypertext stories, Jusdanis reminds us that the arts have always been under attack. Instead of despair, however, he offers a pragmatic defense of literature, arguing that it performs a social function in dramatizing the break between illusion and reality, life and the life-like, permanence and metamorphosis. The ability to distinguish between the actual and the imaginary is essential to human beings. Our capacity to imagine something new, to project ourselves into the mind of another person, and to fight for a new world is based on this distinction. Literature allows us to imagine alternate possibilities of human relationships and political institutions, even in the watery world of the Internet. At once daring and lucid, Fiction Agonistes considers the place of art today with passion and optimism.

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"Naven" is the name of a peculiar ritual practiced by Iatmul, a head-hunting tribe of New Guinea.Th e ceremony is performed to congratulate members of the tribe upon the completion of notable accomplishments, among which homicide ranks highest. Ordinarily this tribe insists upon an extreme contrast between the sexes, but in the "naven" ceremony, tranvestitism and ritual homosexuality are represented. The "naven" serves in this book as a motive around which the author has constructed one of the most influential works of field anthropology ever written.

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Following the disappearance of the Soviet Union, scholars across the political spectrum tackled the world-historical significance of the end of communism. This book addresses the balance-sheets of modern political history offered by three writers -- Francis Fukuyama, Eric Hobsbawm and Perry Anderson -- comparing them with the future projected by Marx in The Communist Manifesto. Gregory Elliott argues that Marx is central to all three accounts and that, along with the Manifesto, they form a quartet of analyses of the results and prospects of capitalism and socialism, which are of enduring significance for the Left. This book provides a readable survey of key historical and political thinkers that will appeal to anyone interested in modern political thought.

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Who doesn't enjoy a plate of NUTELLA® on toast? In this Official Nutella® Cookbook, the universally popular hazelnut cocoa spread that is a staple of the breakfasts and snacks of our childhood is taken to a new level here by Chef Grégory Cohen in 60 mouthwatering recipes. Discover a delicious array of cakes, pastries and desserts made with the classic store cupboard ingredient. Bakes include Nutella® mixed berry muffins, babka and orange cake, alongside delights such as Tarte Tatin, vanilla & praline éclairs and Yule log. With techniques and recipes to suit every level of expertise, this book will appeal to everyone with a shared love of the World-famous spread.

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How the utopian tradition offers answers to today’s environmental crisesIn the face of Earth’s environmental breakdown, it is clear that technological innovation alone won’t save our planet. A more radical approach is required, one that involves profound changes in individual and collective behavior. Utopianism for a Dying Planet examines the ways the expansive history of utopian thought, from its origins in ancient Sparta and ideas of the Golden Age through to today's thinkers, can offer moral and imaginative guidance in the face of catastrophe. The utopian tradition, which has been critical of conspicuous consumption and luxurious indulgence, might light a path to a society that emphasizes equality, sociability, and sustainability.Gregory Claeys unfolds his argument through a wide-ranging consideration of utopian literature, social theory, and intentional communities. He defends a realist definition of utopia, focusing on ideas of sociability and belonging as central to utopian narratives. He surveys the development of these themes during the eighteenth and nineteenth centuries before examining twentieth- and twenty-first-century debates about alternatives to consumerism. Claeys contends that the current global warming limit of 1.5C (2.7F) will result in cataclysm if there is no further reduction in the cap. In response, he offers a radical Green New Deal program, which combines ideas from the theory of sociability with proposals to withdraw from fossil fuels and cease reliance on unsustainable commodities.An urgent and comprehensive search for antidotes to our planet’s destruction, Utopianism for a Dying Planet asks for a revival of utopian ideas, not as an escape from reality, but as a powerful means of changing it.

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In this controversial look at nationalism, Gregory Jusdanis offers a sweeping defense of the nation as a protector of cultural difference and a catalyst for modernization. Since the end of the Cold War, the nation-state has undergone intense scrutiny among critics in the media and the academy. Many believe that civic nationalism may be fruitful but that cultural nationalism fosters xenophobia and backward thinking. Jusdanis, however, emphasizes the positive collaboration between nation-building and culture. Through a series of critical readings of multicultural, postcolonial, and globalization theories, the author reveals how nationalism enables people to defend their distinctive ways of life, to fight colonial oppression, and to build an independent society of citizens. He explains why people over the last two hundred years have politicized their ethnic identities and have sought a union of culture and power within an autonomous nation-state. While seeking to defend nationalism, Jusdanis also examines its potential to unleash extraordinary violence into the world. He thus proposes federalism as a political solution to the challenges posed by nationalism and globalization. Jusdanis applies the tools of disciplines ranging from anthropology to philosophy, as he explores the nation-building projects of numerous and diverse countries around the world. What emerges is a fresh perspective on the subjects of national culture, identity, political nations, globalization, postcolonialism, and diaspora.

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Emphasising the increasingly regional or national approach to the legacies of colonialism, this Reader provides an entirely new way for students to engage with an important and complex area of discourse.

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We are living in a time of great panic about “sex trafficking”—an idea whose meaning has been expanded beyond any real usefulness by evangelicals, conspiracy theorists, anti-prostitution feminists, and politicians with their own agendas. This is especially visible during events like the FIFA World Cup and the Olympic Games, when claims circulate that as many as 40,000 women and girls will be sex trafficked. Drawing on extensive fieldwork in Brazil as well as interviews with sex workers, policymakers, missionaries, and activists in Russia, Qatar, Japan, the UK, and South Africa, Gregory Mitchell shows that despite baseless statistical claims to the contrary, sex trafficking never increases as a result of these global mega-events—but police violence against sex workers always does. While advocates have long decried this myth, Mitchell follows the discourse across host countries to ask why this panic so easily embeds during these mega-events. What fears animate it? Who profits? He charts the move of sex trafficking into the realm of the spectacular—street protests, awareness-raising campaigns, telenovelas, social media, and celebrity spokespeople—where it then spreads across borders. This trend is dangerous because these events happen in moments of nationalist fervor during which fears of foreigners and migrants are heightened and easily exploited to frightening ends.

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In the century from the death of Captain James Cook in 1779 to the rise of the sugar plantations in the 1870s, thousands of Kanaka Maoli (Native Hawaiian) men left Hawai‘i to work on ships at sea and in na ‘aina ‘e (foreign lands)—on the Arctic Ocean and throughout the Pacific Ocean, and in the equatorial islands and California. Beyond Hawai‘i tells the stories of these forgotten indigenous workers and how their labor shaped the Pacific World, the global economy, and the environment. Whether harvesting sandalwood or bird guano, hunting whales, or mining gold, these migrant workers were essential to the expansion of transnational capitalism and global ecological change. Bridging American, Chinese, and Pacific historiographies, Beyond Hawai‘i is the first book to argue that indigenous labor—more than the movement of ships and spread of diseases—unified the Pacific World.

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From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects – lacquer, metalwork, ceramics, enamels and other decorative items – excited, stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868–1912) were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Whistler, Monet, Manet, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan.

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From this acclaimed American poet come three gorgeous poetic sequences. In the first, “Eden and After,” Gregory Orr retells the story of Adam and Eve. The second sequence, “The City of Poetry,” evokes and explores a visionary metropolis where “every poem is a house, and every house a poem.” The final sequence, “River Inside the River,” focuses on redemption through the mysterious power of language to resurrect the beloved and recover what is lost. River Inside the River combines Orr’s characteristic spirituality and meditative lyricism with storytelling and myth-making. These are poems that will sustain, console and give hope, from a poet at the height of his powers.

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In Complicity and Moral Accountability, Gregory Mellema presents a philosophical approach to the moral issues involved in complicity. Starting with a taxonomy of Thomas Aquinas, according to whom there are nine ways for one to become complicit in the wrongdoing of another, Mellema analyzes each kind of complicity and examines the moral status of someone complicit in each of these ways. Mellema’s central argument is that one must perform a contributing action to qualify as an accomplice, and that it is always morally blameworthy to perform such an action. Additionally, he argues that an accomplice frequently bears moral responsibility for the outcome of the other’s wrongdoing, but he distinguishes this case from cases in which the accomplice is tainted by the wrongdoing of the principal actor. He further distinguishes between enabling, facilitating, and condoning harm, and introduces the concept of indirect complicity. Mellema tackles issues that are clearly important to any case of collective and shared responsibility and yet are rarely discussed in depth, and he always presents his arguments clearly, concisely, and engagingly. His account of the nonmoral as well as moral qualities of complicity in wrongdoing—especially of the many and varied ways in which principles and accomplices can interact—is highly illuminating. Liberally sprinkled with helpful and nuanced examples, Complicity and Moral Accountability vividly illustrates the many ways in which one may be complicit in wrongdoing.

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As Homer remains an indispensable figure in the canons of world literature, interpreting the Homeric text is a challenging and high stakes enterprise. There are untold numbers of variations, imitations, alternate translations, and adaptations of the Iliad and Odyssey, making it difficult to establish what, exactly, the epics were. Gregory Nagy's essays have one central aim: to show how the text and language of Homer derive from an oral poetic system. In Homeric studies, there has been an ongoing debate centering on different ways to establish the text of Homer and the different ways to appreciate the poetry created in the language of Homer. Gregory Nagy, a lifelong Homer scholar, takes a stand in the midst of this debate. He presents an overview of millennia of scholarly engagement with Homer's poetry, shows the different editorial principles that have been applied to the texts, and evaluates their impact.

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While much attention has been paid in recent years to heterosexual prostitution and sex tourism in Brazil, gay sex tourism has been almost completely overlooked. In Tourist Attractions, Gregory C. Mitchell presents a pioneering ethnography that focuses on the personal lives and identities of male sex workers who occupy a variety of roles in Brazil's sexual economy. Mitchell takes us into the bath houses of Rio de Janeiro, where rent boys cruise for clients, and to the beaches of Salvador da Bahia, where African American gay men seek out hustlers while exploring cultural heritage tourist sites. His ethnography stretches into the Amazon, where indigenous fantasies are tinged with the erotic at eco-resorts, and into the homes of "kept men," who forge long-term, long-distance, transnational relationships that blur the boundaries of what counts as commercial sex. Mitchell asks how tourists perceive sex workers' performances of Brazilianness, race, and masculinity, and, in turn, how these two groups of men make sense of differing models of racial and sexual identity across cultural boundaries. He proposes that in order to better understand how people experience difference sexually, we reframe prostitution-which Marxist feminists have long conceptualized as sexual labor-as also being a form of performative labor. Tourist Attractions is an exceptional ethnography poised to make an indelible impact in the fields of anthropology, gender, and sexuality, and research on prostitution and tourism.

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An epic journey from New Zealand to Spain, celebrating the enduring romance of travel by train.The journey of The Antipodean Express takes in 89 days of travel, on 33 trains, through 19 countries. It begins in New Zealand''s North Island, weaves past the volcanoes of Java, through East Asia and on into Europe. From hilarious miscommunications in China to cultural immersion at the Bolshoi Ballet, there are stop-offs with half a world's worth of impressions, people, history, food, music and culture. Hill also describes most of the great trains of the Eurasian hemisphere, from New Zealand's Northern Explorer to the Eurostar, and everything in between.The culmination is a day spent in the obscure Spanish village of Alaejos, locating the exact antipode of the author's living room. The perfect end to a vast adventure.

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An essential companion to help students master one of the most important areas of their Religious Studies course in Ethics: knowing the key thinkers. // Provides an overview of each thinker's life and their ideas, with key dates, social context and why they are important. // Helps students understand the thinkers' main arguments and how they justified their approach to ethics, allowing students to evaluate the theories them for themselves. // Exam guidance section in each chapter provides a focus for revision and includes advice on how different types of questions could be tackled. // Encourages students to explore each area of scholarly knowledge required by the specification, from grasping key ideas to knowing how to best criticise a thinker's approach. // Puts ideas and theories into contemporary contexts to help students build their evaluation skills. // Timeline displaying an overview of the key dates for each thinker in relation to world events. // Key thinkers covered include Thomas Aquinas, John Stuart Mill, Thomas Hobbes and Jeremy Bentham.

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The first collection of its kind, Chartist Drama makes available four plays written or performed by members of the Chartist movement of the 1840s. Emerging from the lively counter-culture of this protest campaign for democratic rights, these plays challenged cultural as well as political hierarchies by adapting such recognisable genres as melodrama, history plays, and tragedy for performance in radically new settings. They include poet-activist John Watkins’s John Frost, which dramatises the gripping events of the Newport rising, in which twenty-two Chartists lost their lives in what was probably a misfired attempt to spark a nationwide rebellion. Gregory Vargo’s introduction and notes elucidate the previously unexplored world of Chartist dramatic culture, a context that promises to reshape what we know about early Victorian popular politics and theatre.

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Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.

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Gregory Maertz has written extensively on Romantic and Modern literature, art, and ideas. In these nine related essays, he investigates the expression of Romanticism in literature, philosophy, and cultural politics from the Renaissance to Modernism. The comparative essays in Part One examine the affinity between the religious logic of Sir Thomas Browne and Søren Kierkegaard; Tolstoys enduring attraction to Schopenhauers thought; Rilkes debts to the sculptor Rodin; the identification of an early novel by William Godwin as the chief precursor text to Mary Shelleys Frankenstein; and the corresponding literary projects of Osip Mandelstam, Rilke, and David Jones. In Part Two the essays are clustered around the literary activity of writers and philosophers associated with radicalism in Britain and transcendentalism in America: a reconsideration of the life of William Godwin; the central role played by English radicals in the transmission of German literature; Godwins innovations in travel fiction; and the crystallization of authorial identity around the influence of Goethe in the work of women writers such as Mary Wollstonecraft, Margaret Fuller, and George Eliot.

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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With a surprisingly popular and victorious nationwide strike at the United Parcel Service in 1997, hopes have risen for a new labour movement in the U.S.A. But have unions broken sufficiently from the politics and practices of the past to reverse their long decline in membership? How is labour responding to a workforce increasingly made up of women and people of colour? What are the best tactics for organizing and mobilizing? What political alliances and international policies should labour pursue? This collection charts the possibilities for a more vibrant, inclusive and democratic labour movement. Participants include union leaders and rank-and-file activists, representing a variety of industrial, clerical and service employees; scholars, teachers and intellectuals; and both labour radicals and labour moderates.

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An informative and entertaining look at why plants have been used in magic and what that tells us about people and plants in a post-magic world.

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A human expedition into deep space encounters a gigantic bowl-shaped object with a star at the center. A landing party is sent to investigate, and they find a variety of strange creatures populating the Bowl. The landing party is separated into two groups - one is captured by the alien inhabitants, the other is pursued across the deadly terrain.

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Environmental Ethics provides an accessible, lively, and up-to-date introduction to the central issues and controversies in environmental ethics. Requiring no previous knowledge of philosophy or ethical theory, the book will be of interest to students, environmental scientists, environmental policy makers, and anyone curious to know what philosophers are saying today about the urgent environmental challenges we face. The book is divided into two parts.Part One deals with theoretical issues in environmental philosophy, examining a variety of ethical and environmental theories that provide diverse and thought-provoking perspectives on critical ecological issues. Part Two turns to applied environmental ethics, addressing current debates on topics such as climate change, biodiversity loss, wilderness preservation, responsibilities to future generations, population growth, overconsumption, food ethics, and ecological activism. Features include: Clear explanations of key concepts and theories that lie at the heart of current debates in environmental ethics. A mix of theory of practice that permits readers to apply diverse theoretical perspectives to key environmental debates. A wealth of pedagogical aids, including chapter summaries, discussion questions, suggested readings, and a glossary of important terms.

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According to Lt. Edmund Patterson of the 9th Alabama Infantry, “one know… nothing at all about [combat] until he has participated in it.” Patterson’s observations and host of others by soldiers North and South shed some light on the subject of Civil War battles and the conduct and experiences of the soldiers who fought them in The Civil War Infantryman. Historian Greg Coco’s expert handling of the material conveys what food they ate, the uniforms they wore, and the equipment and weapons they carried and used, and much more. The themes cover everything from recruitment, training and marches, to camp life, combat, and mustering out. Soldiers discuss wounds, field hospitals, and burials of friends and foe alike.

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Can an orthodox Christian, committed to the historic faith of the Church and the authority of the Bible, be a universalist? Is it possible to believe that salvation is found only by grace, through faith in Christ, and yet to maintain that in the end all people will be saved? Can one believe passionately in mission if one does not think that anyone will be lost forever? Could universalism be consistent with the teachings of the Bible? This book argues that the answer is 'yes' to all of these questions. Weaving together philosophical, theological and biblical considerations, the author shows that being a universalist is consistent with the central teachings of the Bible and of historic Christian theology.

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