Search results for ""Author Charlotte"

Quite apart from her position as the wife and model of Lovis Corinth (1858–1925), Charlotte Berend-Corinth (1880–1967) shone as an artist and was, like Käthe Kollwitz, one of the few women members of the Berlin Secession. This bibliophile monograph is dedicated to the highly gifted, successful and unfairly neglected artist and presents an impressive synopsis of her oeuvre. Berend-Corinth pursued a remarkable career with ultra-modern, radical subjects in the Berlin of the 1910s and 1920s until her Jewish descent compelled her to leave Germany and to emigrate to the United States. Her early work, in which she captured the permissive mood of the Berlin art and theatre scene during the 1910s and 1920s, represents one main area of focus, as do the later portraits of famous personalities of her time and some of her remarkable self-portraits, still lifes and landscape pictures.

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In an atmosphere of abolition and revolution, Queen Charlotte Sophia, Britain's most famous (possibly) mixed-race Princess comes alive in this reimagined story of her life where romance, adventure and politics collide. From a German backwater to the capital city of the most prolific Empire in the world, we journey with Queen Charlotte as she tries to discover the truth of her family's secret heritage, guided by an amulet and wooden chest left to her upon her father's death. Armed with a birthmark and bearing a complexion that reveals her silenced lineage, Queen Charlotte charges through the royal court of London, seeking answers, making allies and guarding secrets.With the weight of the amulet around her neck, Queen Charlotte learns what happens when love and legacy are at odds. On one side, is her secret true love Johann Christian Bach and the passionate life he offers, and on the other, her husband King George III and the impactful life her relationship with him provides.A daughter. A lover. A fighter. A Queen. Tina Andrews's Queen Charlotte Sophia: A Royal Affair, offers a fantastic portrait of a woman, whose life continues to fascinate the world.

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Charlotte Perkins Gilman offers the definitive account of this controversial writer and activist's long and eventful life. Charlotte Anna Perkins Stetson Gilman (1860–1935) launched her career as a lecturer, author, and reformer with the story for which she is best-known today, "The Yellow Wallpaper." She was hailed as the "brains" of the US women's movement, whose focus she sought to broaden from suffrage to economics. Her most influential sociological work criticized the competitive individualism of capitalists and Social Darwinists, and touted altruistic service as the prerequisite to both social progress and human evolution. By 1900, Gilman had become an international celebrity, but had already faced a scandal over her divorce and "abandonment" of her child. As the years passed, her audience shrunk and grew more hostile, and she increasingly positioned herself in opposition to the society that in an earlier, more idealistic period she had seen as the better part of the self. In her final years, she unflinchingly faced breast cancer, her second husband's sudden death, and finally, her own carefully planned suicide— she "preferred chloroform to cancer" and cared little for a single life when its usefulness was over. Charlotte Perkins Gilman presents new insights into the life of a remarkable woman whose public solutions often belied her private anxieties. It aims to recapture the drama and complexity of Gilman's life while presenting a comprehensive scholarly portrait.

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This book examines the life of Lady Charlotte Guest Schreiber, who provided the first complete translation of the Mabinogion and ran her late husband’s ironmongery. This book examines how collecting porcelain, playing cards, and fans allowed her to create a series of private signifying systems that countered the prevailing Victorian discourse assigned to women.

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Cosmopolitan: “Most Anticipated Books for 2018” Elle: “Best Books to Read This Summer” Goop: “15 Books We’re Reading This Summer” People: “Best Summer Books” PopSugar: “25 Best New Books to Put in Your Beach Bag This Summer” Refinery29: “Brilliant Books to Bring to the Beach This Summer” Vulture: “18 Books We Can't Wait to Read This Summer” “The essential political novel for the 2018 midterms.” —Salon “This political novel is comically accurate.” —New York Post From Jo Piazza, the bestselling author of The Knock Off, How to Be Married, and Fitness Junkie, comes an exciting, insightful novel about what happens when a woman wants it all—political power, a happy marriage, and happiness—but isn’t sure just how much she’s willing to sacrifice to get it.Charlotte Walsh is running for Senate in the most important race in the country during a midterm election that will decide the balance of power in Congress. Still reeling from a presidential election that shocked and divided the country and inspired by the chance to make a difference, she’s left behind her high-powered job in Silicon Valley and returned, with her husband Max and their three young daughters, to her downtrodden Pennsylvania hometown to run in the Rust Belt state. Once the campaign gets underway, Charlotte is blindsided by just how dirty her opponent is willing to fight, how harshly she is judged by the press and her peers, and how exhausting it becomes to navigate a marriage with an increasingly ambivalent and often resentful husband. When the opposition uncovers a secret that could threaten not just her campaign but everything Charlotte holds dear, she has to decide just how badly she wants to win and at what cost. A searing, suspenseful story of political ambition, marriage, class, sexual politics, and infidelity, Charlotte Walsh Likes to Win is an insightful portrait of what it takes for a woman to run for national office in America today. In a dramatic political moment like no other with more women running for office than ever before, Jo Piazza’s novel is timely, engrossing, and perfect for readers on both sides of the aisle.

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Charlotte Perriand was one of great designers of the twentieth century. A pioneer of modernism, her work was often overshadowed by her more famous male collaborators, who included Le Corbusier, Pierre Jeanneret and Jean Prouvé. However, in recent years her reputation as a furniture designer and architect has matched the stature of her peers – her furniture in particular has become highly prized by collectors. From the 1920s onwards, Perriand was instrumental in bringing the modernist aesthetic to interiors. But she also believed in the synthesis of the arts, and was friends with visual artists such as Pablo Picasso and Fernand Léger. This book will explore Perriand’s journey from the machine aesthetic to her adoption of natural forms, and from modular furniture systems to major architectural projects such as Les Arcs ski resort. Featuring some of her most famous interiors, as well as her original furniture, her photography and her personal notebooks, this book sheds new light on Perriand’s creative process and her place in design history. It will accompany the forthcoming Design Museum exhibition of the same title, which will coincide with the twenty-fifth anniversary of Perriand’s last significant presentation in London, held at the Design Museum in 1996.

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A long-awaited, new interpretation of Charlotte Salomon’s singular and complex modern artwork, Life? or Theatre? Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art‑historical study sheds new light on the remarkable combination of image, text, and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and the painter’s self‑consciously deployed modernist engagements with artists such as Van Gogh, Munch, and Kollwitz. Additionally, Griselda Pollock draws attention to affinities in Salomon’s work with that of others who shared her experience of statelessness and menaced exile in Nazi‑dominated Europe, including Hannah Arendt, Sigmund Freud, and Walter Benjamin. Confronting new evidence for the extremity of the young artist’s last months, Pollock examines this significant work for its equally profound testimony to the crimes of the everyday: the sexual abuse of women in their own families. Seeking to reconcile the grandeur of this project’s sweep of a violent history with its unique testimony to the anguish of women, Pollock challenges the prevailing interpretations of Salomon’s paintings as a kind of visual autobiography by threading into her detailed and illuminating visual analyses of the painter’s philosophical art-making a dynamic range of insights from feminist and Jewish studies of modern subjectivity, story-telling, memory work, and historical trauma.

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In this groundbreaking and unconventional biography, Lyndall Gordon dismantles the insistent image of Charlotte Bronte as a modest Victorian lady, the slave to duty in the shadow of tombstones, revealing instead a strong and fiery woman who shaped her own life and transformed it into art. 'Sensitive, open-minded, vivid, full of psychological insight, [Gordon's] book is a brilliant reappraisal of Charlotte Bronte's life, work, and the flow between the two . . . It is also a deeply moving story' Jackie Wullschlager, Financial Times

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The animals of the forest are all getting sick and no one can figure out why. Determined to get to the bottom of the mystery and help her friends and family, Charlotte dives into some serious medical science. But when the doctors and other scientists don’t take her work seriously, she sets out to find a cure on her own, determined to show that she can make a difference. This empowering story about a smart, confident bunny encourages girls to be persistent and believe in themselves.

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It’s 'captivating from the very start and entertaining to the very end” (India Holton, The League of Gentlewomen Witches) as family secrets and scandalous mystery combine in this delightfully witty historical rom-com—perfect for fans of Evie Dunmore, Enola Holmes, and Netflix's Bridgerton! Lady Charlotte Lovett should have never run away upon discovering her betrothal. But when one has been promised to a man who, rumor has it, killed his previous two wives, one does what one must. The only thing that can get her out of this engagement is proving that Viscount Hawley is as sinister as she thinks he is. And the person who would know best is his very own brother. In many ways, Dr. Matthew Talbot is the exact opposite of his sibling—scholarly, shy, and shunned by society. But like his brother, he has secrets, and he doesn’t need Charlotte exposing them in her quest to take down the viscount. It only seems prudent to help her

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PRE-ORDER THE LAST DAYS OF KIRA MULLAN, COMING SPRING 2025! A RICHARD & JUDY BOOK CLUB PICK 'One of their very best. Compelling, moving and beautifully written . . .  an absolute winner' Observer ‘Classic Nicci French: an unputdownable missing-persons thriller that’s also a searing examination of family, memory and grief. A big-skied, full-blooded, broken-hearted book' Erin KellyShe’s loved by all who meet her. But someone wants her gone . . .Then  When beautiful and vivacious Charlotte Salter fails to turn up to her husband Alec’s 50th birthday party, her kids are worried, but Alec is not. As the days pass and there’s still no word from Charlie, her daughter, Etty, and her sons, Niall, Paul and Ollie, all struggle to come to terms with her disappearance. How can anyone just vanish without a tra

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Feisty young governess Charlotte Markham discovers a dark alternate world called The Ending, the place for things that cannot die, in which the deceased mother of the two boys under her care has been waiting. She invites them into the ominous House of Darkling, a wondrous, dangerous place filled with enchantment, mystery and strange creatures that are not quite human...

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Charlotte Lennox (c.1729-1804) was an eighteenth-century London author whose most celebrated novel, The Female Quixote (1752), is just one of eighteen works published over forty-three years. Her stories of independent women influenced Jane Austen, especially in her novels Northanger Abbey and Sense and Sensibility. Susan Carlile's biography places Lennox in the context of intellectual and cultural history and focuses on her role as a central figure in the professionalization of authorship in England. Lennox participated in the most important literary and social discussions of her time, including debates concerning female authorship, the elevation of Shakespeare to national poet, and the role of periodicals as didactic texts for an increasingly literate population. Lennox also contributed to making Greek drama available for English-language audiences and pioneered the serialization of novels in magazines. Carlile's work is the first biographical treatment to consider a new cache of correspondence released in the 1970s and reveals how Lennox was part of an ambitious and progressive literary and social movement.

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‘A wonderfully twisty maze’ JAMES OSWALD A missing boy. A brutal killer. D.I. Charlotte Savage is ready . . . DI Charlotte Savage has been warned to lay low. After a string of high profile cases, her infamous reputation precedes her. But when a vulnerable child goes missing, for Savage, it’s too close to home. She’s not the kind of detective who can sit back and watch events unfold. Then a second child is snatched – echoing a terrifying incident that happened over two decades before. It soon becomes apparent that there is a more chilling motive behind the disappearances. History looks set to repeat itself. It’s down to Savage to seek out the cold blooded killer. Before it’s third time unlucky. Before it’s too late . . .

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When her new-born daughter Charlotte was diagnosed with a rare and deadly leukaemia, Pia de Jong and her husband made a momentous decision: they rejected chemotherapy and instead choose to "wait for what will come". As the following year unfolded, they entered a disorienting world of doctors, medical procedures, and a cast of neighbours and protectors in Amsterdam. de Jong’s house became her inner sanctum, where she gave Charlotte the unfiltered love and strength she needed. Their decision, now known as "watchful waiting", has become the standard medical protocol for Charlotte’s type of leukaemia. This deeply felt memoir reveals the galvanizing impact one child can have on a family, a neighbourhood and a worldwide medical community. Vivid and immersive, Saving Charlotte is also a portrait of a woman’s brave voyage of love, hope and, in its inspiring climax, self-discovery.

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The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

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PRE-ORDER THE LAST DAYS OF KIRA MULLAN, COMING SPRING 2025! 'One of their very best. Compelling, moving and beautifully written . . .  an absolute winner' Observer ‘Classic Nicci French: an unputdownable missing-persons thriller that’s also a searing examination of family, memory and grief. A big-skied, full-blooded, broken-hearted book' Erin KellyShe’s loved by all who meet her. But someone wants her gone . . .Then  When beautiful and vivacious Charlotte Salter fails to turn up to her husband Alec’s 50th birthday party, her kids are worried, but Alec is not. As the days pass and there’s still no word from Charlie, her daughter, Etty, and her sons, Niall, Paul and Ollie, all struggle to come to terms with her disappearance. How can anyone just vanish without a trace? Left with no answers and in limbo,

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PRE-ORDER THE LAST DAYS OF KIRA MULLAN, COMING SPRING 2025! A RICHARD & JUDY BOOK CLUB PICK 'One of their very best. Compelling, moving and beautifully written . . .  an absolute winner' Observer ‘Classic Nicci French: an unputdownable missing-persons thriller that’s also a searing examination of family, memory and grief. A big-skied, full-blooded, broken-hearted book' Erin KellyShe’s loved by all who meet her. But someone wants her gone . . .Then  When beautiful and vivacious Charlotte Salter fails to turn up to her husband Alec’s 50th birthday party, her kids are worried, but Alec is not. As the days pass and there’s still no word from Charlie, her daughter, Etty, and her sons, Niall, Paul and Ollie, all struggle to come to terms with her disappearance. How can anyone just vanish without a tra

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She's loved by all who meet her. But someone wants her gone . . .ThenWhen beautiful and vivacious Charlotte Salter fails to turn up to her husband Alec's 50th birthday party, her kids are worried, but Alec is not. As the days pass and there's still no word from Charlie, her daughter, Etty, and her sons, Niall, Paul and Ollie, all struggle to come to terms with her disappearance.How can anyone just vanish without a trace?Left with no answers and in limbo, the Salter children try and go on with their lives, all the while thinking that their mother's killer is potentially very close to home.NowAfter years away, Etty returns home to the small East Anglian village where she grew up to help move her father into a care home. Now in his eighties, Alec has dementia and often mistakes his daughter for her mother.Etty is a changed woman from the trouble-free girl she was when Charlie was still around - all the Salter children have spent decades running and hiding from their mother's disappearance

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For fans of Longbourn and The Other Bennet Sister, this beautifully told story of marriage, duty and friendship follows Charlotte's story from where Pride and Prejudice ends.Everybody believes that Charlotte Lucas has no prospects. She is unmarried, plain, poor and reaching a dangerous age.But when she stuns the neighbourhood by accepting the proposal of buffoonish clergyman Mr Collins, her fortunes change. Her best friend Lizzy Bennet is appalled by her decision, yet Charlotte knows this is the only way to provide for her future.What she doesn't know is that her married life will propel her into a new world: not only of duty and longed-for children, but secrets, grief, unexpected love and friendship, and a kind of freedom.------Praise for Charlotte'Sparkling . . . Will delight Jane Austen fans' Louisa Treger'Beautifully written . . . paint[s] a vivid picture of female life in the 19th Century' Rebecca Mascull'An utterly compelling read' Laura Carlin'Astonishing' Stylist

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For fans of Longbourn, The Other Bennet Sister and Bridgerton, this beautifully told story of marriage, duty and friendship follows Charlotte's story from where Pride and Prejudice ends.Everybody believes that Charlotte Lucas has no prospects. She is unmarried, plain, poor and reaching a dangerous age.But when she stuns the neighbourhood by accepting the proposal of buffoonish clergyman Mr Collins, her fortunes change. Her best friend Lizzy Bennet is appalled by her decision, yet Charlotte knows this is the only way to provide for her future.What she doesn't know is that her married life will propel her into a new world: not only of duty and longed-for children, but secrets, grief, unexpected love and friendship, and a kind of freedom.------Praise for Charlotte'Sparkling . . . Will delight Jane Austen fans' Louisa Treger'Beautifully written . . . paint[s] a vivid picture of female life in the 19th Century' Rebecca Mascull'An utterly compelling read' Laura Carlin'Astonishing' Stylist

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When Lady Charlotte Blennerhassett died in the middle of the First World War in 1917, she was mourned by contemporaries on both sides of the front as the "last European". In fact, her life was shaped by the great religious-cultural and political-social lines of conflict between the founding of the Reich and World War II - and this from a genuinely European transnational perspective: the Bavarian noblewoman and Anglo-Irish woman by marriage led a life between Munich, Paris and London, that should make her an "enemy alien" in her own hometown during the World War. Her constant struggle for self-assertion as an author and scientist was not only intellectually motivated, but also an economic imperative given the family's economic and social decline. Last but not least, the student of the controversial church historian Ignaz von Döllinger was committed for life as a combative liberal Catholic for freedom of science and conscience.

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The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

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Charlotte Moss inspires readers to imbue everyday life with elegance and romance. Moss focuses on events as small as breakfast in bed or tea in the afternoon or as elaborate as a festive Christmas luncheon or large dinner party and the artifacts of our lives (china, silver, linen) to create the backdrop for a life well lived. Moss celebrates the day-to-day by bringing her enthusiasm and impeccable style to every domestic activity. Setting the table becomes a joy when putting together stylish combinations of place mats, monogrammed linens, china, tableware, curios, and flowers. From tasteful meals for one to grand occasions for friends and family, Moss chronicles her own aptitude for hospitality. Style icons are conjured for their entertaining savvy: Pauline de Rothschild for her pioneering tabletop decoration, Marjorie Merriweather Post for her organizational precision, Lesley Blanch for her introduction of exotic delights to the table, and Elsie de Wolfe for her always-right recipes. Butlers pantries are explored. Linen closets are catalogued. Flowers are collected from the garden and artfully arranged for a memorable meal. Moss invites you into her world to discover how to make everyday an occasion.

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