Search results for ""Author Austin""

Many years after their divorce, Susan Morrow receives a strange gift from her ex-husband. A manuscript that tells the story of a terrible crime: an ambush on the highway, a secluded cabin in the woods; a thrilling chiller of death and corruption. How could such a harrowing story be told by the man she once loved? And why, after so long, has he sent her such a disturbing and personal message...?

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Rights and rights talk have a long and storied history and have occupied a crucial place in the ideology of liberal legalism. With the development of Critical Legal Studies in the 1970s and 80s, rights were subject to extensive critique. Yet not long after that critique rights were rehabilitated by feminists and Critical Race Theorists. Today, scholars are investigating the role of rights in social movements, in legal consciousness, in organizations, in the international arena, etc. This volume of "Studies in Law, Politics, and Society" contains a Special Issue on rights. It brings together the work of leading scholars to think about the nature, utility and limits of rights. This work takes stock of the field, charts its progress and points the way for its future development.

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This volume of Studies in Law, Politics and Society examines the contribution of ethnography to our understanding of contemporary legal and political phenomena, with a particular focus on how it enables us to make sense of modern life under conditions of post-colonialism and globalization. Through the examination of case studies such as affirmative action at the University of Michigan, the US government and tribal consultations, the California Current Large Marine Ecosystem, and freedom of speech on campus, this edited volume demonstrates the value of ethnography as a method of scholarly investigation within law and politics. Written by an impressive group of interdisciplinary scholars, this book will prove invaluable to students and researchers in the fields of law and politics.

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As a college president, Thomas Westerly, 72, was a paragon of virtue, a crusader for everything from civil rights to ecology. Now, as he lies dying surrounded by his children, he asks them to go through his papers and destroy anything deemed embarrassing. The children are stunned by the request. But as they leaf through his diaries and records, they discover scandals, neuroses and deviance, leaving them to ask just how well we know the people that we love...

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This volume of "Studies in Law, Politics, and Society" contains an international and interdisciplinary array of legal scholarship. Presenting diverse theoretical perspectives and methodological approaches, this work illuminates the law's response to its social context as well as the way law shapes that context. It shows how legal scholars contribute to public debate about contemporary issues as well as how they articulate the nature of rights and the limits of law.

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This volume Studies in Law, Politics and Society contains a symposium on indigenous peoples in Latin America. It examines the ways rights are negotiated between those groups and the states in which they live. The articles in the symposium show the different ways the complex politics of rights play out in Latin American nations. They ask us to consider the way context is reflected in the political and legal life of indigenous peoples, and they consider various theoretical paradigms for understanding rights.

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Blood in the Streets' investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts.

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Instead of running multiple uncoordinated pipelines, OpenTelemetry provides users with a single integrated stream of data, providing multiple sources of high-quality telemetry data: tracing, metrics, logs, RUM, eBPF, and more. This practical guide shows you how to set up, operate, and troubleshoot the OpenTelemetry observability system.

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This volume of "Studies in Law, Politics, and Society" includes a special collection of chapters entitled "Making Sense of the Past: When History Meets Law." The articles in this symposium consider the ways in which history has shaped law and how we make sense of past events. In addition, the volume contains general articles that explore pressing legal issues such as the prison boom, First Amendment controversies, and the work of cause lawyers. As has long been the tradition with this series, Volume 53 illustrates the vibrancy of interdisciplinary legal scholarship throughout.

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Security and risk have become central to how cities are planned, built, governed, and inhabited in the twenty-first century. In Endangered City, Austin Zeiderman focuses on this new political imperative to govern the present in anticipation of future harm. Through ethnographic fieldwork and archival research in Bogotá, Colombia, he examines how state actors work to protect the lives of poor and vulnerable citizens from a range of threats, including environmental hazards and urban violence. By following both the governmental agencies charged with this mandate and the subjects governed by it, Endangered City reveals what happens when logics of endangerment shape the terrain of political engagement between citizens and the state. The self-built settlements of Bogotá’s urban periphery prove a critical site from which to examine the rising effect of security and risk on contemporary cities and urban life.

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The next step in your creative journey. How to use this journal 1. Carry it with you wherever you go. 2. Do at least one exercise every day. 3. Repeat the first two steps until the pages are full.From the New York Times bestselling author of Steal Like an Artist, Show Your Work!. and Keep Going, an interactive journal and all-in-one logbook to get your creative juices flowing, and keep a record of your ideas and discoveries.The Steal Like an Artist Journal includes page after page of ideas, prompts, quotes, and exercises are like a daily course in creativity. There are lists to fill in—Ten Things I Want to Learn, Ten Things I Probably Think About More Than the Average Person. Challenges to take. Illustrated creative exercises—Make a Mixtape (for someone who doesn’t know you) and Fill in the Speech Balloons. Pro and con charts—What Excites You?/What Drains You? Includes an elastic band for place-marking and a special pocket in the back—a “swipe file” to store bits and pieces of inspiration. Because if you want to steal like an artist, you need a place to keep your loot.

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See how Austin went from being a kid from a small town in Texas singing and messing around on YouTube with his friends to headlining his own shows around the world. Complete with exclusive photos and stories from his childhood as well as lots of behind-the-scenes fun, Austin's first official book will give you the glimpse into his life you can't get by following him on Twitter. Mahomies, this book is for you!

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A new collection about violence and the rural Midwest from a poet whose first book was hailed as “memorable” (Stephanie Burt, Yale Review) and “impressive” (Chicago Tribune)Flyover Country is a powerful collection of poems about violence: the violence we do to the land, to animals, to refugees, to the people of distant countries, and to one another. Drawing on memories of his childhood on a dairy farm in Illinois, Austin Smith explores the beauty and cruelty of rural life, challenging the idea that the American Midwest is mere “flyover country,” a place that deserves passing over. At the same time, the collection suggests that America itself has become a flyover country, carrying out drone strikes and surveillance abroad, locked in a state of perpetual war that Americans seem helpless to stop.In these poems, midwestern barns and farmhouses are linked to other lands and times as if by psychic tunnels. A poem about a barn cat moving her kittens in the night because they have been discovered by a group of boys resonates with a poem about the house in Amsterdam where Anne Frank and her family hid from the Nazis. A poem beginning with a boy on a farmhouse porch idly swatting flies ends with the image of people fleeing before a drone strike. A poem about a barbwire fence suggests, if only metaphorically, the debate over immigration and borders. Though at times a dark book, the collection closes with a poem titled “The Light at the End,” suggesting the possibility of redemption and forgiveness.Building on Smith’s reputation as an accessible and inventive poet with deep insights about rural America, Flyover Country also draws profound connections between the Midwest and the wider world.

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Almanac is a collection of lyrical and narrative poems that celebrate, and mourn the passing of, the world of the small family farm. But while the poems are all involved in some way with the rural Midwest, particularly with the people and land of the northwestern Illinois dairy farm where Austin Smith was born and raised, they are anything but merely regional. As the poems reflect on farm life, they open out to speak about childhood and death, the loss of tradition, the destruction of the natural world, and the severing of connections between people and the land. This collection also reflects on a long poetic apprenticeship. Smith's father is a poet himself, and Almanac is in part a meditation about the responsibility of the poet, especially the young poet, when it falls to him to speak for what is vanishing. To quote another Illinois poet, Thomas James, Smith has attempted in this book to write poems "clear as the glass of wine / on [his] father's table every Christmas Eve." By turns exhilarating and disquieting, this is a remarkable debut from a distinctive new voice in American poetry. ______ From Almanac: THE MUMMY IN THE FREEPORT ART MUSEUM Austin Smith Amongst the masterpieces of the small-town Picassos and Van Goghs and photographs of the rural poor and busts of dead Greeks or the molds of busts donated by the Art Institute of Chicago to this dying town's little museum, there was a mummy, a real mummy, laid out in a dim-lit room by himself. I used to go to the museum just to visit him, a pharaoh who, expecting an afterlife of beautiful virgins and infinite food and all the riches and jewels he'd enjoyed in earthly life, must have wondered how the hell he'd ended up in Freeport, Illinois. And I used to go alone into that room and stand beside his sarcophagus and say, "My friend, I've asked myself the same thing."

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Launched in January 2018, the Overwatch League (OWL) is the first large-scale concerted effort to build a competitive, global framework for an eSport that can rival the largest pro sports leagues. $3.5 million in prize money, a broadcasting deal with ESPN, and the purchase of OWL teams by celebrity owners including Robert Kraft, owner of the New England Patriots, and Stan Kroenke, owner of the Los Angeles Rams, set the stakes for the launch. The first season ended in a tense round of playoffs that climaxed in a suspenseful championship series in a sold-out Barclay's Center.Austin Moorhead, a gamer who found himself fascinated by the emerging world of pro players, embedded himself during OWL's debut season with multiple teams, including the London Spitfire, which would go on to become Overwatch's first world champion. In Young Guns, he takes readers behind the scenes of the wild first season of a competition that just might become as ingrained in our culture as Sunday football, revealing a high-stakes, pressure-cooker world of profane teenagers who earn six-figure salaries, TV executives and traditional sports owners struggling to understand and conquer youth culture, and a game whose innovation progresses so fast that fans watch their favourite gamers practice for hours just to keep up with it. Told with perspective on the subculture and unrivalled access into how both the OWL and the teams that compose it have built themselves to succeed, Young Guns is a fascinating look at the ascendance of competitive gaming and the future of sports.

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All eye care providers should be proficient in evaluating the optic nerve for glaucoma in their patients. The Optic Nerve Evaluation in Glaucoma: An Interactive Workbook, gives you the practice you need to make sure your abilities are up to speed. This practical primer takes you from learning to applying – by creating a visually rich, interactive experience.Features: Briefly review key principles/pearls for evaluating the optic nerve in glaucoma with a quick summary at the beginning of each section. Study full-color clinical photographs demonstrating the appearance of a full range of optic nerve findings. Practice your recognition skills by drawing your own discograms depicting the key features and pathologic findings related to glaucoma. Half of all proceeds will be donated to support the education and outreach initiatives of The Optometric Glaucoma Society Foundation.Your book purchase includes a complimentary download of the enhanced eBook for iOS, Android, PC & Mac. Take advantage of these practical features that will improve your eBook experience: The ability to download the eBook on multiple devices at one time — providing a seamless reading experience online or offline Powerful search tools and smart navigation cross-links that allow you to search within this book, or across your entire library of VitalSource eBooks Multiple viewing options that enable you to scale images and text to any size without losing page clarity as well as responsive design The ability to highlight text and add notes with one click

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This is the story of the great con game that was the late twentieth century, of American history's worst presidency, of how I learned to lie. It is not history as you know it. There are at least three sides to this story, and I'm telling both of mine. I promise you I will show the same contempt for the historical record that it has shown for me.My name is Richard Milhous Nixon. I swore an oath to preserve, protect and defend the Constitution, and I have seen the devil walk.An alternate history, a horror novel, a political satire and a study of what people will sacrifice to succeed, CROOKED is the ultimate inside story of the strange, all-too-human monsters at the heart of American power.

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An elegant, enchanting guide to the culture and cuisine of Thailand's southfeaturing the region's quintessential recipes

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The world is crazy. Creative work is hard. And nothing is getting any easier! In his previous books - Steal Like an Artistand Show Your Work!, New York Times bestsellers with over a million copies in print combined - Austin Kleon gave readers the key to unlock their creativity and then showed them how to share it. Now he completes his trilogy with his most inspiring work yet. Keep Going gives the reader life-changing, illustrated advice and encouragement on how to stay creative, focused, and true to yourself in the face of personal burnout or external distractions. Here is how to Build a Bliss Station - a place or fixed period where you can disconnect from the world. How to see that Every Day Is Groundhog Day - yesterday's over, tomorrow may never come, so just do what you can do today. How to Forget the Noun, Do the Verb - stop worrying about being a "painter" and just paint. Keep working. Keep playing. Keep searching. Keep giving. Keep living. Keep Going. It's exactly the message all of us need, at exactly the right time.

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This special issue is the second of a two-part edited collection on the privatisation of migration. The central thrust of the special issue is a critical analysis of modern day manifestations of private participation in immigration control such as through companies which run detention and deportation programmes and individual landlords, medical professionals and employers who become part of immigration enforcement. In the chapters the authors examine the role of private stakeholders and the political economy in migration control.

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This volume of Studies in Law, Politics, and Society brings together an international and interdisciplinary array of scholars to explore issues around citizenship and the law. Topics covered include the constitutive nature of citizenship laws and the often complex and unsettled evolutionary journeys such laws take, how undocumented migrants in the United States have coped with being 'unlawful', the close connection between immigration enforcement and citizenship rights in the United States, a sociological and historical reconstruction of the emergence of citizenship as a source of legitimacy for political institutions, and a study of the expressive components of humanitarian activism in the context of immigration enforcement on the border between the United States and Mexico. Through its valuable contribution to our understanding of the relationship between law and citizenship, this volume is essential reading for legal scholars worldwide.

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In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit. Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history.

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A new collection about violence and the rural Midwest from a poet whose first book was hailed as “memorable” (Stephanie Burt, Yale Review) and “impressive” (Chicago Tribune)Flyover Country is a powerful collection of poems about violence: the violence we do to the land, to animals, to refugees, to the people of distant countries, and to one another. Drawing on memories of his childhood on a dairy farm in Illinois, Austin Smith explores the beauty and cruelty of rural life, challenging the idea that the American Midwest is mere “flyover country,” a place that deserves passing over. At the same time, the collection suggests that America itself has become a flyover country, carrying out drone strikes and surveillance abroad, locked in a state of perpetual war that Americans seem helpless to stop.In these poems, midwestern barns and farmhouses are linked to other lands and times as if by psychic tunnels. A poem about a barn cat moving her kittens in the night because they have been discovered by a group of boys resonates with a poem about the house in Amsterdam where Anne Frank and her family hid from the Nazis. A poem beginning with a boy on a farmhouse porch idly swatting flies ends with the image of people fleeing before a drone strike. A poem about a barbwire fence suggests, if only metaphorically, the debate over immigration and borders. Though at times a dark book, the collection closes with a poem titled “The Light at the End,” suggesting the possibility of redemption and forgiveness.Building on Smith’s reputation as an accessible and inventive poet with deep insights about rural America, Flyover Country also draws profound connections between the Midwest and the wider world.

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This volume of "Studies in Law, Politics, and Society" contains a Special Issue on crime and criminal justice. It brings together the work of scholars whose work usefully illuminates central questions in about how we define and process those who violate the criminal law and about the technologies of policing and punishment. The articles published here exemplify the exciting and innovative work now being done in interdisciplinary legal scholarship.

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Set in Barbados in the 1940s, this is a novel of Caribbean childhood with several key features, in addition to the fresh vigour of the young Austin Clarke's style. It is one of the most angry books on the attempted destruction of innocence and hope by the colonial education system in which savage beatings play a distressing part. It is one of the first novels of childhood to focus on the role of emigration on parental absence. Milton Sobers' father is in the USA and his stories of Harlem make Milton want to leave Barbados and join him. Milton's response is to run away in the hope that he can escape his stepfather and even reach Harlem.Austin C. Clarke is hailed as a pioneer of Caribbean-Canadian literature and is one of Canada's most prolific, if not well known, writers.

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Studies in Law, Politics, and Society provides a vehicle for the publication of scholarly articles within the broad parameters of interdisciplinary legal scholarship. In this latest edition of this highly successful research series, chapters examine a diverse range of legal issues and their impact on and intersections with society. This volume focusses on Law and the Imagining of Difference with each chapter examining how law responds to the claims of difference, how and when it recognizes difference and accommodates it, as well as when and why such recognition and accommodation is resisted. Topics covered include disability, same-sex marriage and gender equality. This volume brings together leading scholars and will be vital reading for all those researching in this subject area.

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'Austin Duffy's uniquely dry, laconic style adds a subversive and compelling charge to this moving and intense story of the relationship between a father and daughter. A terrific novel' William Boyd Wolf travels to New York with his daughter to scatter the ashes of his recently estranged wife, Miriam. Buffeted by the loss, his fraught relationship with his daughter and the antagonism of Miriam's conservative Jewish family, Wolf is also coming to terms with a burgeoning concern of his own: growing dislocations in his mind, and the hollowing out of his memories. Set across the High Holy Days of Rosh Hashanah and Yom Kippur, Ten Days is a tender, nuanced and beautifully crafted story of a father's reckoning with his daughter and a profound, compelling meditation on family, time and the bonds of marriage. 'An absolutely beautiful book about time and mortality, love and memory, in which heartbreaking sadness and dry humour are held in exquisite tension' Carys Davies

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This volume of Studies in Law, Politics and Society brings together the work of scholars of several different generations and several different national contexts. The articles published here feature both cutting edge issues of major interest to policy makers and activists as well as those that address venerable issues in the interdisciplinary study of law. They illuminate family law, the way law deals with children, international human rights, and the way law deals with injury and damages claims.

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Volume 56 of "Studies in Law, Politics, and Society" presents the latest scholarship on human rights. The work contained in this volume examines both the theoretical dimensions and dilemmas of human rights in the modern world and particular cases in which the problems and possibilities of human rights are examined. Taken together the contributions point to a need for more searching examination of the way human rights work and highlight the contribution of human rights to the advancement of claims for justice. "Studies in Law, Politics, and Society" is a leading socio-legal publication that truly embraces innovative, theoretically informed, interdisciplinary legal scholarship.

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From one of the pioneers of pub trivia, Jeopardy! champion Austin Rogers, comes the complete resource for playing and running an uproariously entertaining trivia night, whether you're hanging out with friends and family, spicing up a party, or hosting an official event at your local pub.More than a random collection of facts, The Ultimate Book of Pub Trivia features over 300 rounds of ten-question quizzes. Each one is carefully curated to encourage a night of lively competition. The result? Hours and hours of fun as you and your friends answer challenging questions on everything from Bad Movie Descriptions to Winter Sports to the Kardashians to Brit Lit.

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Celebrate the 10th anniversary of a groundbreaking book on creativity with this limited anniversary hardcover, with a new afterword, color endpapers pulled from Austin Kleon’s sketchbooks, and a ribbon marker. Ten years after its initial publication, the message of Steal Like an Artist remains powerful: embrace influence, follow interests wherever they take us, forget old clichés like writing about what you know—instead, write the book that you want to read, make the movie you want to watch. And above all, find the space you need to be wild and daring in your imagination and your work. This 10th anniversary edition includes a new afterword by the author, discussing the book’s influence and how “stealing” has been misunderstood, and offering a unique, personal perspective on a book that’s touched so many. Unlock your creativity 1.Steal like an artist. 2.Don’t wait until you know who you are to get started. 3.Write the book you want to read. 4.Use your hands. 5.Side projects and hobbies are important. 6.The secret: Do good work and share it with people. 7.Geography is no longer our master. 8.Be nice. (The world is a small town.) 9.Be boring. (It’s the only way to get work done.) 10.Creativity is subtraction.

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Gruesome Spectacles tells the sobering history of botched, mismanaged, and painful executions in the U.S. from 1890 to the present. Since the book's initial publication in 2014, the cruel and unusual executions of a number of people on death row, including Clayton Lockett in Oklahoma and Joseph Wood in Arizona, have made headlines and renewed vigorous debate surrounding the death penalty in America. Austin Sarat's book instantly became an essential resource for citizens, scholars, and lawmakers interested in capital punishment—even the Supreme Court, which cited the book in its recent opinion, Glossip v. Gross. Now in paperback, the book includes a new preface outlining the latest twists and turns in the death penalty debate, including the recent galvanization of citizens and leaders alike as recent botched executions have unfolded in the press. Sarat argues that unlike in the past, today's botched executions seem less like inexplicable mishaps and more like the latest symptoms of a death penalty machinery in disarray. Gruesome Spectacles traces the historical evolution of methods of execution, from hanging or firing squad to electrocution to gas and lethal injection. Even though each of these technologies was developed to "perfect" state killing by decreasing the chance of a cruel death, an estimated three percent of all American executions went awry in one way or another. Sarat recounts the gripping and truly gruesome stories of some of these deaths—stories obscured by history and to some extent, the popular press.

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The purpose of this special issue of "Studies in Law, Politics, and Society" is to examine the situation of law and literature. Once hailed as a promising new way to think about law and as opening a vital conversation about literature the question today is whether the law and literature enterprise has lived up to its initial promise. Has it succeeded in establishing a new interdiscipinarity or lost energy as law and literature courses become part of the mainstream both in legal and literary studies? Has the study of law and literature given way or been incorporated into boarder interdisciplinary configurations? What, if any, new paradigms of literary study of legal phenomena are on the horizon?This is a contemporary study of law and literature. It includes contributions by an international group of leading scholars.

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Law punishes violence, yet law depends on violence. In this book, a group of leading interdisciplinary legal scholars seeks to map the inexorable but unstable relationship of law to violence. What does it mean to talk about the violence of law? Do high incarceration rates and increased reliance on capital punishment indicate that U.S. law is growing more violent at a time when violence is being restrained in other legal systems? How is the violence of law represented in popular culture and does this affect law's actual legitimacy? Does violence express or distort the essence of law? Does law's violence serve justice? In deeply original essays, the authors build on the seminal work of Robert Cover--one of the few legal scholars ever to consider the question of law and violence. In striving to situate his insights within current political, social, economic, and cultural contexts, they contemplate diverse and interrelated subjects surrounding the theme of law and violence. Among these are the purpose of law as punishment, the increasing number of executions in the United States, prison violence, racial disparity in sentencing, and the meaning of torture. The result is a remarkable volume that stimulates us to reconsider connections that we too often leave unexplored. In addition to the editor, the contributors are Marianne Constable, Peter Fitzpatrick, Thomas R. Kearns, Peter Rush, Jonathan Simon, Shaun McVeigh, and Alison Young.

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Becoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari’s concept of becoming-animal, Donna Haraway’s definitions of multispecies becoming-with, and Mladen Dolar’s ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O’Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle’s opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates “through the labyrinths of the cultural and the creatural,” not only across species but also beyond the limits of the human.Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn’s book enlightening and edifying.

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This first volume in a new series of essays from the archive of the British journal Radical Philosophy reflects upon the rich and troubled history of the Enlightenment concept of critique as it has been extended, transformed, translated and betrayed in Marxism, feminism and post-colonial theory. The editors, Austin Gross, Matt Hare and Marie Louise Krogh, are PhD candidates in the Centre for Research in Modern European Philosophy (CRMEP), Kingston University London.

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This second volume of a new series of essays from the archive of the British journal Radical Philosophy reflects upon the seemingly inextricable connection of philosophy – in Europe and beyond – to discourses of the nation: its shifting historical meanings and functions, implications and consequences, political significance and limits. The editors, Austin Gross, Matt Hare and Marie Louise Krogh, are PhD candidates in the Centre for Research in Modern European Philosophy (CRMEP), Kingston University London.

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READ THE THRILLING, ACERBIC AND HILARIOUS NOVEL FROM THE AUTHOR OF SOON I WILL BE INVINCIBLE ''The Avengers meets The Breakfast Club wry and engaging'' James Swallow, Sunday Times bestselling author of Nomad''A spiky, fierce, erudite riff on the wonderful world of silver age superheroes'' Charles Stross, bestselling author of The Atrocity Archives''Blending the lurid, anything-goes madness of Silver Age comic books with emotionally complicated characters and realistic consequences on a cosmic scale'' SFX----Dr Rick Tower is a mild-mannered English professor easing into middle-age at a medium-sized New England college. A genial blur, he thinks. Even his vices are unremarkable.But it wasn't always like this. Not until they changed his name, altered his looks and told him: pretend you were never different'.Because, decades earlier after a

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Secret Wars is the first book to systematically analyze the ways powerful states covertly participate in foreign wars, showing a recurring pattern of such behavior stretching from World War I to U.S.-occupied Iraq. Investigating what governments keep secret during wars and why, Austin Carson argues that leaders maintain the secrecy of state involvement as a response to the persistent concern of limiting war. Keeping interventions “backstage” helps control escalation dynamics, insulating leaders from domestic pressures while communicating their interest in keeping a war contained.Carson shows that covert interventions can help control escalation, but they are almost always detected by other major powers. However, the shared value of limiting war can lead adversaries to keep secret the interventions they detect, as when American leaders concealed clashes with Soviet pilots during the Korean War. Escalation concerns can also cause leaders to ignore covert interventions that have become an open secret. From Nazi Germany’s role in the Spanish Civil War to American covert operations during the Vietnam War, Carson presents new insights about some of the most influential conflicts of the twentieth century.Parting the curtain on the secret side of modern war, Secret Wars provides important lessons about how rival state powers collude and compete, and the ways in which they avoid outright military confrontations.

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Austin Kleon is a cartoonist and poet from Austin, Texas, who takes a page from an existing newspaper and blacks out words until he finds a new hidden meaning in the text. Hilarious and profound, silly and contemplative, the poems in this collection will provide readers with a sense of satisfaction and much-needed comic relief during these tough times.

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