Search results for ""Author Victoria"

Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily ExpressSHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023‘A writer at the peak of her powers’ The TelegraphTruth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel.Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter.Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems.Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise.Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task.‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction? Or such a range of living, breathing, surprising characters with such an idiosyncratically structured narrative?’ Michael Frayn‘As always it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself. Dickens may be dead, but Smith, thankfully, is alive’ New York Times‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ GuardianInstant Sunday Times bestseller, September 2023

Read more less

The first full-length study of the reception of Wordsworth's poetry and theory. William Wordsworth, often regarded as the High Priest of British Romantic Poetry, certainly had the longest career of the Romantics, one extending from his days as a schoolboy almost to the end of his life in 1850, from the Lyrical Ballads and descriptive poetry of 1790s to the late poetry of the 1840s. With this long career came a remarkable history of critical reception: from the reviews of his contemporaries in journals and magazines; to the major statements of Matthew Arnold, John Stuart Mill, and others; to the amazing variety of books, essays, and theoretical approaches of the twentieth century. Although there have been a number of studies about the critical receptionof Wordsworth's poetry and critical theory, Professor Mahoney's book is the first full-length study of how critics -- from the earliest reviewers to the major Victorian voices, to the enormous 20th-century response -- have approached the many facets of the great English Romantic's work. Mahoney does not aim primarily at following the course of Wordsworth's life and career, as many admirable and recent biographies have done, but rather follows the course of a critical reputation as it has evolved from the poet's earliest probes to the present day. Thus Wordsworth and the Critics offers an engaging narrative of the reputation of this most prominent of Romantic poets. Professor Mahoney's book offers an engaging narrative of the reputation of a poet. John L. Mahoney is Thomas F. Rattigan Professor of English at Boston College and has written extensively on Wordsworth and English Romanticism.

Read more less

Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.

Read more less

This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

Read more less

This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

Read more less

'She sells sea shells on the sea shore' - and she really did! This rhyme is thought to have been written about Mary Anning, an amazing fossilist and dinosaur expert, who was almost unknown at the time she lived. This biography explores the life of Mary Anning, from her first fossil finds at the age of ten to her sales of important discoveries to wealthy scientists. Mary's fossil finds made a great contribution to what scientist understood about pre-historic life. Through the story of Mary Anning, readers learn about life and society in the 1800s and Victorian Britain. We learn what it was like to be born into a poor family and about the roles of women in society and in the field of science. Readers will learn to draw conclusions from the evidence provided - a great basis for class discussions.History VIP biographies each look at the life of a famous Briton telling the stories of these Very Important People with clear, lively text. Amazing facts are added with feature panels and lively illustrations give visual information of the time and society the VIP lived in. With these key biographies students learn how individual people's actions have shaped the course of history. Key terms are defined in an easy-to-use glossary encouraging readers to use historical terms in their own work. History VIPs biographies focus on key subjects in the history curriculum for Key Stages 2 and 3, exploring the impact of exceptional figures in history and the society and culture in Britain at the time that they lived. Features include:In other news - these panels give context and help readers to understand the society and events of the wider world in which the subject livedTrue or False - questions lead students to question information and to interact with the facts they are presented with. What they said - quote features bring the subjects to life using their own words!WOW! - Boxes add humorous or amazing information to astound the reader and bring out the hilarious side of history

Read more less

Celebrated novelist, biographer and critic Peter Ackroyd paints a vivid picture of one of the world's greatest cities in this brilliant and original work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset – reflecting the incandescent light of a city that never truly goes dark? We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals.Colours of London shows us that colour is everywhere in the city, and each one holds myriad links to its past. The colours of London have inspired artists (Whistler, Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). And from the city’s first origins, Ackroyd shows how colour is always to be found at the heart of London’s history, from the blazing reds of the Great Fire of London to the blackouts of the Blitz to the bold colours of royal celebrations and vibrant street life. This beautifully written book examines the city's fascinating relationship with colour, alongside specially commissioned colourised photographs from Dynamichrome, which bring a lost London back to life. London has been the main character in Ackroyd's work ever since his first novel, and he has won countless prizes in both fiction and non-fiction for his truly remarkable body of work. Here, he channels a lifetime of knowledge of the great city, writing with clarity and passion about the hues and shades which have shaped London's journey through history into the present day. A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city.

Read more less

On December 18, 1867, the Buffalo and Erie Railroad’s eastbound New York Express derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York, on the shores of Lake Erie. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers. The other car was badly smashed. About fifty people died at the bottom of the gorge or shortly thereafter, and dozens more were injured. Rescuers from the small rural community responded with haste, but there was almost nothing they could do but listen to the cries of the dying—and carry away the dead and injured thrown clear of the fiery wreck. The next day and in the weeks that followed, newspapers across the country carried news of the "Angola Horror," one of the deadliest railway accidents to that point in U.S. history. In a dramatic historical narrative, Charity Vogel tells the gripping, true-to-life story of the wreck and the characters involved in the tragic accident. Her tale weaves together the stories of the people—some unknown; others soon to be famous—caught up in the disaster, the facts of the New York Express’s fateful run, the fiery scenes in the creek ravine, and the subsequent legal, legislative, and journalistic search for answers to the question: what had happened at Angola, and why? The Angola Horror is a classic story of disaster and its aftermath, in which events coincide to produce horrific consequences and people are forced to respond to experiences that test the limits of their endurance. Vogel sets the Angola Horror against a broader context of the developing technology of railroads, the culture of the nation’s print media, the public policy legislation of the post–Civil War era, and, finally, the culture of death and mourning in the Victorian period. The Angola Horror sheds light on the psyche of the American nation. The fatal wreck of an express train nine years later, during a similar bridge crossing in Ashtabula, Ohio, serves as a chilling coda to the story.

Read more less

'Erudite, original and surprisingly moving ... This Christmas, as at every Christmas, millions of listeners will have relished the ethereal King's choir ... Day's meticulous history of a special choral sound investigates the creation of a style, and the evolution of a tradition, that now feels as anciently English as the stonework of King's chapel itself' Boyd TonkinThe sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries?It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century.The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition.I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.

Read more less

Living Opposite to the Hospital of St John: Excavations in Medieval Northampton 2014 presents the results of archaeological investigations undertaken on the site of new county council offices being built between St. John’s street and Angel Street, Northampton in 2014. The location was of interest as it lay directly opposite the former medieval hospital of St. John, which influenced the development of this area of the town. Initially open ground situated outside the Late Saxon burh, the area was extensively quarried for ironstone during the earlier part of the 12th century, and by the mid-12th century, a few dispersed buildings began to appear. Domestic pits and a bread oven were located to the rear of Angel Street along with a carver’s workshop, which, amongst other goods, produced high-quality antler chess pieces. This workshop is currently without known parallel. The timber workshop was refurbished once and then replaced in stone by the mid-13th century. During the late 12th and early part of the 13th centuries, brewing and baking were undertaken in the two plots adjacent to the workshop. A stone building with a cobbled floor lay towards the centre of the St. John’s street frontage, and behind the building were four wells, a clay-lined tank for water drawn from the well, and several ovens, including at least two bread ovens and three malting ovens. This activity ceased at around the time that the carver’s workshop was replaced in stone, and much of the frontage was cleared. Subsequently, although there was still one building standing on St. John’s street in the early 15th century, the former cleared ground was gradually incorporated back into the plots, perhaps as gardens adjoining the surviving late medieval tenement. The stone tenement was extended and refurbished in the late 15th century and was occupied until c. 1600. Another building was established on Fetter Street after c. 1450 but had disappeared by c. 1550. However, this is the first archaeological indication for the existence of Fetter Street, and further demarcation occurred in this period with a rear boundary ditch being established along the back of the Angel Street plot, separating the land to the south. In the 17th–18th centuries, the area was covered by the dark loamy soils of gardens and orchards until the construction of stables and terraced buildings on the site, which would stand into the Victorian period and beyond.

Read more less

A history of post-Disruption Scottish Presbyterian dissent and its religious, political, and social influence Emphasises the role of the underexplored United Presbyterian Church in influencing Scottish religious identity in the mid-nineteenth century, thus moving post-Disruption historiography beyond simple comparisons between the Established and Free churches and opening up possibilities for further research into Scottish dissent Argues that the changing relationships within Scottish dissent between 1843 and 1863 had a lasting and fundamental impact on Scottish religion for much of the next century, culminating in the formation of the United Free Church in 1900 and the 1929 reunion of the Church of Scotland Discusses the important role Scotland's dissenters played in the major ecclesiastical, political, and social issues of the mid-nineteenth century, such as the debates over the church-state relationship, electoral politics, anti-popery controversies, education reform, and poor law reform Based on extensive archival research, including church minutes and financial records, newspapers, and private correspondence between the leading religious and political figures of the period such as Thomas Chalmers The Disruption of the Church of Scotland was one of the most important events in Victorian Britain and had a profound and lasting impact on Scottish religion, politics and society. This book provides the first detailed account of the two major non-established Presbyterian denominations in the two decades after 1843, which together accounted for roughly half of Scotland's churchgoers: the Free Church, formed by those who left the Established Church at the Disruption, and the United Presbyterian Church, a consolidation of the various secessions of the previous century. It explores how the relationship between these churches developed from the bitter feuds over the church-state connection prior to the Disruption to co-operation in the major ecclesiastical, political, and social matters of the day, paving the way to negotiations for merger commencing in 1863. The period between 1843 and 1863 redefined conceptions of what it meant to be Presbyterian and Scottish. By examining a key transitional period in Scottish history, this monograph charts how definitions of Presbyterianism, the Kirk, and dissent evolved as Scotland's national religion slowly moved from the divisions of the previous century towards eventual reunion in 1929.

Read more less

The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

Read more less

'Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it' Ruth Ware, Book of the MonthWhat was it like? Living in that house.Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into a rambling Victorian estate called Baneberry Hall. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a memoir called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon.Now, Maggie has inherited Baneberry Hall after her father's death. She was too young to remember any of the events mentioned in her father's book. But she doesn't believe a word of it. Ghosts, after all, don't exist.But when she returns to Baneberry Hall to prepare it for sale, her homecoming is anything but warm. People from the pages of her father's book lurk in the shadows, and locals aren't thrilled that their small town has been made infamous. Even more unnerving is Baneberry Hall itself - a place that hints of dark deeds and unexplained happenings. As the days pass, Maggie begins to believe that what her father wrote was more fact than fiction. That, either way, someone - or something - doesn't want her here. And that she might be in danger all over again . . . THE INSTANT NEW YORK TIMES BESTSELLEROne of . . .Huff Post's "10 Of The Most Anticipated Book Releases Of June 2020" - Good Housekeeping's "The 35 Best Books of 2020 to Add to Your Reading List" - Travel + Leisure's "20 Most Anticipated Summer 2020 Books" - PopSugar's 17 Most Anticipated Summer Thrillers - Working Mother's "The 20 Most Anticipated Books of 2020" - Newsweek's 20 most anticipated summer reads - Publishers Weekly's "Summer Reads 2020" - BookPage's "2020 Most Anticipated Thrillers and Mysteries" - Today.com's "16 highly anticipated summer reads" - The Star Tribune's "Great Escapes" summer reads - BookPage's "Private Eye July" - USA Today's"Summer reading guide: 20 new books you won't want to miss" - CrimeReads "10 New Books Coming Out This Week" - Buzzfeed "17 New Thrillers That Will Keep Your Summer Exciting" - The Everygirl "30 Books That Should Be on Your Summer Reading List."

Read more less

Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

Read more less

England during the Middle Ages was at the forefront of European antisemitism. It was in medieval Norwich that the notorious "blood libel" was first introduced when a resident accused the city’s Jewish leaders of abducting and ritually murdering a local boy. England also enforced legislation demanding that Jews wear a badge of infamy, and in 1290, it became the first European nation to expel forcibly all of its Jewish residents. In The Accommodated Jew, Kathy Lavezzo rethinks the complex and contradictory relation between England’s rejection of "the Jew" and the centrality of Jews to classic English literature. Drawing on literary, historical, and cartographic texts, she charts an entangled Jewish imaginative presence in English culture. In a sweeping view that extends from the Anglo-Saxon period to the late seventeenth century, Lavezzo tracks how English writers from Bede to Milton imagine Jews via buildings—tombs, latrines and especially houses—that support fantasies of exile. Epitomizing this trope is the blood libel and its implication that Jews cannot be accommodated in England because of the anti-Christian violence they allegedly perform in their homes. In the Croxton Play of the Sacrament, Marlowe’s The Jew of Malta and Shakespeare’s The Merchant of Venice, the Jewish house not only serves as a lethal trap but also as the site of an emerging bourgeoisie incompatible with Christian pieties. Lavezzo reveals the central place of "the Jew" in the slow process by which a Christian "nation of shopkeepers" negotiated their relationship to the urban capitalist sensibility they came to embrace and embody. In the book’s epilogue, she advances her inquiry into Victorian England and the relationship between Charles Dickens (whose Fagin is the second most infamous Jew in English literature after Shylock) and the Jewish couple that purchased his London home, Tavistock House, showing how far relations between gentiles and Jews in England had (and had not) evolved.

Read more less

Sir Hardy Amies was one of Britain’s foremost fashion designers who led a fascinating double life as a couturier and an intelligence officer during the Second World War. Sir Hardy’s work for the Belgian resistance effort as part of the Special Operations Executive, was so significant that he was awarded l’Ordre de la Couronne, or Order of the Crown, by the Belgian Government in 1948. Not only did Sir Hardy conduct these operations, but he also simultaneously developed his burgeoning fashion business through the British Board of Trade’s drive to promote UK manufacturing throughout the conflict. He was a man who at once epitomised and challenged the reality of being homosexual in an era when society was deeply unaccepting. He was thrust into what was an overtly macho and potentially hostile environment and, against that backdrop, made a valuable and courageous contribution to the war effort. Born into what we would consider a lower middle-class family, he was handsome, cultured and gregarious and effortlessly traversed the post-war world of high society, launching his haute couture house to great acclaim, gaining clients ranging from film stars to royalty. His work for Queen Elizabeth II saw him awarded the CVO in 1977 and this was elevated to the KCVO, Knight Commander of the Victorian Order in 1989. Her Majesty’s warmth of feeling towards Sir Hardy is evident in the many hand-written thank-you letters she sent him over the course of their long working relationship. Sir Hardy, who lived until the age of 93, could have been dismissed as a lightweight character from the frivolous world of fashion. However, despite a not-particularly extensive formal education, he was highly intelligent, extremely well-travelled and spoke three languages, and his story encapsulates the extraordinary cultural and societal turbulence of the twentieth century.

Read more less

“At last we reached a circular enclosure among the grass and scanty trees. We rushed in and it was like getting into a tropical greenhouse with the roof off. There were tall trees and long creepers making monkey ropes, large flowers hanging, great cactus trees, aloes and all sorts of beautiful things crowded together, so that one could hardly squeeze through. I should have liked to stop and stare at the vegetation but on we rushed, over walls and to the tower we had heard of, which is close to the outer wall. We did not stay even to walk round the tower but out we rushed again, like people who were taking a stolen look into an enchanted garden and were afraid of being bewitched if we remained… It was quite dark and we had to be guided by shouts to our camp and got home in a state of great wonder and delight and hope of profitable work and full assurance of the great antiquity of the ruins. Theodore was not very well and had to take quinine.” [M.V.A. Bent, 4 June 1891] Thus a few lines from Mabel (Mrs J. Theodore) Bent’s 1891 African travel diary on her arrival at ‘Great Zimbabwe’ (in present-day Zimbabwe), written for her family, serve to evoke the romance and hardships of colonial exploration for a Victorian audience. Of particular importance are Mabel’s previously unpublished notebooks covering the couple’s arduous wagon trek to these famous ruins, in part sponsored by the ambitious Cecil Rhodes. Theodore Bent’s interpretations of these wonderful monuments sparked a controversy (one of several this maverick archaeologist was involved in over his short career) that still divides scholars today. Mabel Bent was probably the first woman to visit there and help document this major site. As tourists in Egypt and explorers in the Sudan, Ethiopia, and Southern Africa, anyone interested in 19th-century travel will want to follow the wagon tracks and horse trails of the Bents across hundreds of miles of untouched African landscape. Contents: Personal diaries, travel accounts and letters relating to the Bents’ travels and explorations in: Egypt (1885); Zimbabwe (1891); Ethiopia (1893); Sudan (1896); Egypt (1898). Includes extended contributions on the archaeological background to ‘Great Zimbabwe’ by Innocent Pikirayi, and ‘The Stone Birds of Great Zimbabwe’ by William J. Dewey. Additional documents, maps, and Mabel Bent’s own photographs contribute to this important insight into the lives of two of the great British travellers of the nineteenth century. The Travel Chronicles of Mrs J. Theodore Bent. Mabel Bent's diaries of 1883-1898, from the archive of the Joint Library of the Hellenic and Roman Societies, London. Published in three volumes: Volume I – Greece and the Levantine Littoral (2006); Volume II: The African Journeys (2012); Vol III – Southern Arabia and Persia (2010). "...Brisch and Archaeopress have done a major service by reproducing these hidden gems and rescuing Mabel Bent from relative obscurity. This collection is a valuable primary source and will be of immense interest to those interested in female travelogues, historical archaeology, or the daily experiences of European women in colonial Africa." (Reviewed in 'Journal of African History', Vol. 55/2, 2014, 296-298)

Read more less

A comprehensive presentation of the provocative, modernist graphic works of Britain’s creator of Art Nouveau This is the first book to bring together the recorded works of the English artist Aubrey Beardsley. Despite his early death from tuberculosis in 1898, at the age of 25, these amount to nearly 1100 completed works of art (plus many related sketches) as well as more than 100 sketches in his letters and the books he owned, and this book includes over 50 that have never previously been published. In his brief career Beardsley made a defining contribution to Art Nouveau in Britain and abroad. He also influenced the early history of modern art, attracting the attention of the young Picasso, for example. His distinctive and innovatory graphic style, combined with highly provocative, often sexual subject matter, outraged critics and led to a period of intense notoriety. Beardsley's drawings span the grotesque, the delicately beautiful, the subtly erotic, and the frankly bawdy, and challenged the moral norms of Victorian society. They enthralled artists and art lovers the world over and continue to enthral today. Linda Gertner Zatlin's text presents Beardsley's drawings with a full record of their making, provenance, exhibition history and references in the art historical literature. This material record is accompanied by often extensive discussions of their themes, motifs and symbolism, as well as their critical reception. Unprecedented in its scope and thoroughness, this study presents Beardsley's work and explores its meanings more comprehensively than any previous work on him; it is likely to remain definitive. This superbly illustrated two volume catalogue, beautifully presented as a boxed set, is both an essential reference for specialists and an accessible and enchanting delight for Beardsley enthusiasts.Published for the Paul Mellon Centre for Studies in British Art

Read more less

The eighth action-packed Victorian military adventure featuring hero Jack Lark: soldier, leader, imposter. Expect hard fighting, dangerous bandoleros and double-crossing aplenty as Jack arrives in Mexico. A must-read military adventure for fans of Bernard Cornwell and Simon Scarrow. Dusty deserts, showdowns under the blistering sun, bloodthirsty bandoleros, rough whisky and rougher men. Bullets fly, emotions run high and treachery abounds in The Lost Outlaw. This is classic Jack Lark in a classic western...an exceptionally entertaining historical action adventure' In the midst of civil war, America stands divided. Jack Lark has faced both armies first hand, but will no longer fight for a cause that isn't his. 1863, Louisiana. Jack may have left the battlefield behind, but his gun is never far from reach, especially on the long and lonely road to nowhere. Soon, his skill lands him a job, and a new purpose.Navy Colt in hand, Jack embarks on the dangerous task of escorting a valuable wagon train of cotton down through Texas to Mexico. Working for another man, let alone a man like the volatile Brannigan, isn't going to be easy. With the cargo under constant attack, and the Deep South's most infamous outlaws hot on their trail, Jack knows he is living on borrowed time. And, as they cross the border, Jack soon discovers that the usual rules of war don't apply. He will have to fight to survive, and this time the battle might prove one he could lose. Praise for the Jack Lark series:'Brilliant' Bernard Cornwell'Enthralling' The Times 'You feel and experience all the emotions and the blood, sweat and tears that Jack does... I devoured it in one sitting' Parmenion Books

Read more less

'The lamps are going out all over Europe. We shall not see them lit again in our life-time.' The words of Sir Edward Grey, looking out from the windows of the Foreign Office at the end of August 1914, are amongst the most famous in European history, and encapsulate the impending end of the nineteenth-century world.The man who spoke them was Britain's longest-ever serving Foreign Secretary (in a single span of office) and one of the great figures of late Victorian and Edwardian Britain. Statesman of Europe describes the three decades before the First World War through the prism of his biography, which is based almost entirely on archival sources and presents a detailed account of the main domestic and international events, and of the main personalities of the era. In particular, it presents a fresh understanding of the approach to war in the years and months before its outbreak, and Grey's role in the unfolding of events.Yet Grey's life was not all public affairs, momentous as those were. He disliked being in London, much preferring country life at Fallodon, his family estate in Northumberland, and displayed none of the ambition of his contemporaries (or successors). He attended assiduously to his duties as director of the Great North Eastern Railway, one of the transformative enterprises in industry and communications of the period, and wanted to spend as much time as he could fishing. Apart from his memoirs, the only book he wrote was called The Charm of Birds. This hinterland gave quality to his judgements, and made his character attractive to his contemporaries.This important book is the definitive biography of one of the pivotal figures in European diplomacy, and a magnificent portrait of an age.

Read more less

The volume relates the history of four parishes in Gore hundred and of the five which form Edmonton hundred. The first group contains Hendon, Kingsbury, and Little Stanmore, all bordering Edgware Road, and Great Stanmore. A northward projection of Ossulstone hundred separates it from the second, consisting of Edmonton, Enfield, and Tottenham, along the Essex boundary following the river Lea, and of South Mimms, finally transferred to Hertfordshire in 1965,and Monken Hadley, transferred in 1889 but now part of Greater London. In size the parishes range from Monken Hadley, with 695 a., to Enfield, among the largest in England with more than 12,000 a.; the most populous, Totten-ham with Wood Green, had well over 200,000 inhabitants by 1931. The story is of the rise of roadside settle-ment, of the purchase of land by Lon-doners, of suburban growth around railway stations and along new avenues, and, most recently, of rebuilding. Today's residents include a large Jewish community at Golders Green and coloured immigrants in working-class Tottenham and Edmonton. The scene is mainly suburban, although varying from the villas of late Victorian and Edwardian Southgate to ferry-built terraces farther east, and from Hampstead Garden Suburb to municipal housing estates and tower blocks. Many houses in Enfield, Mill Hill, Monken Hadley, South Mimms, and Stanmore are leftfrom the genteel villages of 18th- and early- 19th-century Middlesex. Park-land and farms survive in the north, notably in South Mimms, where Wrotham and Dyrham parks stand in their grounds, and around the former royal forest ofEnfield Chase. Canons, the area's most famous mansion, is recalled by the remnants of its park, close to the church where the princely duke of Chandos lies buried. Industry is confined mainly to the Lea valley, where the Royal Small Arms factory produced the first Enfield rifle in the 1850s, and to sites near Edgware Road, where Hendon Aerodrome lay. Other landmarks include the Alexandra Palace, whence the earliest television service was relayed, HarringayStadium and Arena, and the White Hart Lane ground of Tottenham Hotspurs football club.

Read more less

Radio "shock jocks," Super Bowl entertainment, music videos, and internet spam-all of these topics inspire passionate disagreements about whether and how to regulate sexually explicit material. But even in the midst of heated debate, most people agree that children should be shielded from exposure to pornographic images. Why are children the focal point of debates over sexually explicit material? And how did a culture rooted in Puritanism and Victorianism become saturated with sex? In Against Obscenity, Leigh Ann Wheeler offers new answers to these questions through a study of women's anti-obscenity activism from 1873 to 1935. This period saw the emergence of an increasingly sexualized popular culture comprised of burlesque shows, risque vaudeville acts, and indecent motion pictures. It also witnessed the enfranchisement of women. These momentous cultural and political developments come together in a story about middle- and upper-class women who mobilized against lewd public amusements and, simultaneously, challenged the men whose work as activists, jurors, and even law enforcement officials, had defined and regulated obscenity for several decades. By the 1920s, women who led the anti-obscenity movement enjoyed the support of millions of American women and the attention of presidents, congressmen, and Hollywood moguls. Today we live in a world profoundly shaped by their work but largely ignorant of their influence. Using primary sources as intimate as private correspondence and as formal as meeting minutes, Against Obscenity tells the story of these all but forgotten women, exploring their passionate disagreements over whether to ban a touring stage show, close a local burlesque theater, disseminate explicit sex education pamphlets, or create a federal agency to regulate Hollywood films. It shows that the rise and fall of women's anti-obscenity leadership shaped American attitudes toward and regulation of sexually explicit material even as it charted a new era in women's politics. In the end, the book argues that essentialist identity politics divided and ultimately disarmed women's anti-obscenity reform, helping us understand the curiously muted impact of woman suffrage. It also cautions against framing debates over sexual material narrowly in terms of harm to children while highlighting the dangers of surrendering discourse about sexuality to the commercial realm.

Read more less

'To construct a civilization around the nostrum that the public realm is morally, economically and socially inferior to the private realm is to submit to an alien barbarism in which what we hold in common is permanently placed as second best. David Marquand has constructed a masterly and highly readable plea for the idea of the public once again to be celebrated in British life. His re-entry into the national conversation could not be better timed or more important. Let's hope our fellow citizens take arms in the battle he invites us to join.' --Will Hutton, Columnist, Observer Newspaper 'A profound analysis of the decline of the public realm and the growth of unaccountable government in Britain. The summation of a life's work by one of Britain's leading political thinkers.' --John Gray, The London School of Economics The public domain of citizenship, equity and service is crucial for individual fulfilment and social well-being. But it has been under attack for thirty years – first from the market fundamentalists of the New Right, and then from their New Labour imitators. The results are everywhere – resource-starved public services; the marketization of the public sector; the soul-destroying targets and audits that go with it; the denigration of professionalism and the professional ethic; and the erosion of public trust. More damaging still are the hollowing out of citizenship, the manipulative populism that now pervades British government and a slide towards a new version of the 'Old Corruption' that our Victorian ancestors thought they had banished. David Marquand traces the growth of the public domain from Gladstone to Attlee, analyses the forces that began to undermine it in its post-war heyday and exposes the campaign that the Thatcher and Blair governments have waged against it. He ends with a call for a counter-attack, based on a re-statement of the civic ideal in a twenty-first century idiom. This book will appeal to all those who take an interest in current political events as well as those studying politics and social policy.

Read more less

The volume describes thirteen hundred years in the life of the city of Gloucester from the late 7th century A.D. to the mid 1980s. William the Conqueror's order for the Domesday survey at his Christmas council at Gloucester in 1085, the spectacu-lar architectural achievements of the monks and their masons at St. Peter's abbey in the 14th century, and the city's resistance to the siege which turned the course of the Civil War in 1643 are events of nationalsignificance familiar to students of English history. Less well known is the complex story of development in which those events are landmarks. The volume describes how the Saxon borough, formed in the shell of Roman colonia at a crossing of the river Severn, became in the early Middle Ages a royal administrative centre, military base, and seat of religious foundations; it exam-ines the variety of economic functions which sustained the city throughout the medieval and early modern periods, with at different times ironworking, clothmaking, the trade on the river, pinmaking, market trade, and banking coming to the fore; and it traces the efforts of the townspeople to gain control of their own affairs and recounts how the system of government which they secured from the Crown in 1483 hardened into oligarchy in the 16th century, fuelled politi-cal dissension in the 17th, and proved surprisingly effective as a force for city improvement in the 18th. It tells how in the 19th century railways and the trade brought by the Gloucester and Berkeley ship canal gave a new direction to the Georgian cathedral city, bringing new industries and rapidgrowth, and how an array of public bodies grappled with the consequent need for better public services, new churches, and schools. The story of Gloucester is continued into the later 20th century when changing patterns of employment and major redevelopment removed many familiar landmarks, leaving the ornate Perpendicular cathedral and the extensive Victorian docks as the most substantial reminders of a rich and varied history. The account of Gloucester'shistory is divided into three parts. The first is a sequence of five chapters, divided chrono-logically. The second deals with particular features and institutions of the city, topic by topic. The third describes topographicallythe outlying hamlets and parishes that have been taken into the modern city.

Read more less

The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

Read more less

The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

Read more less

Haworth parsonage and village will forever be linked inextricably with one nineteenth-century literary family. For it was here, in 1821, that Patrick Bront, an Irish Anglican clergyman, came from Thornton to be curate. He brought his three young daughters and son to Haworth, and it was here that the sisters grew up to become quite the most remarkable literary phenomenon of the century. As children, they knew the streets and the houses, the moors and the people. And, as Michael Baumber shows, many of the characters in the Bront novels were based upon real Haworth folk - some of whom recognised themselves in the women's novels and were not at all happy with how they had been portrayed - while the moors above the village figure prominently and famously as the haunt of the brooding Heathcliff in Emily's greatest work "Wuthering Heights". Patrick Bront the curate was himself a notable character in the history of the village, and his role in the social, public and religious life of the village is explored at several points. Surprisingly, the Bront novels mention little about the textile industry which by that time had become such a dominant force in the district's economy. Indeed, the industrial development of the region was such an important and all-consuming fact of life in early Victorian Haworth that it forms a major subject of this new book. The Bront's did, however, describe life in the district's rural homes, schools and communities at a time of particularly harsh living conditions and appalling death rates in the new industrial community of Haworth. The village's public health record was poor well into the twentieth century, and Patrick Bront endured the deaths from tuberculosis (or other illnesses aggravated by it) of all four of his children between 1848 and 1855. Yet, as Michael Baumber's highly readable new book shows, the history of Haworth actually stretches back millennia: his book tells the whole story of the Haworth district from the early Mesolithic right up to the popular tourist magnet that the village now becomes during the summer months. The book also features the hamlets of Near and Far Oxenhope and Stanbury, providing a clear and illuminating account of how Haworth developed in the particular way that it did. Fully illustrated, with many rare old photographs, this book offers many new insights into the village and also its occasionally ambivalent relationship with its most famous literary residents.

Read more less

Edward Hincks (1792-1866), the Irish Assyriologist and decipherer of Mesopotamian cuneiform, was born in Cork and spent forty years of his life at Killyleagh, Co. Down, where he was the Church of Ireland Rector. He was educated at Midleton College, Co. Cork and Trinity College, Dublin, where he was an exceptionally gifted student. With the decipherment of ancient Egyptian hieroglyphs by Jean Francois Champollion in 1822, Hincks became one of that first group of scholars to contribute to the elucidation of the language, chronology and religion of ancient Egypt. But his most notable achievement was the decipherment of Akkadian, the language of Babylonia and Assyria, and its complicated cuneiform writing system.Between 1846 and 1852 Hincks published a series of highly significant papers by which he established for himself a reputation of the first order as a decipherer. Most of the letters in these volumes have not been previously published. Much of the correspondence relates to nineteenth-century archaeological and linguistic discoveries, but there are also letters concerned with ecclesiastical affairs, the Famine and the Hincks family.Between 1850 and 1852 Edward Hincks completed the main steps in the decipherment of Akkadian. In 1851 he announced his sensational discovery of the name of the Biblical king Jehu 'son of Omri' on the famous Black Obelisk of the Assyrian king Shalmaneser III, which Layard had discovered at Nimrud (ancient Kalhu). On other clay tablets he identified the names of the king Menahem of Samaria, the place Yadnan (Cyprus), and people referred to as 'Ionians'. His discoveries prompted Austen Henry Layard, the excavator of Nimrud (he thought it was Nineveh) to invite him to prepare translations of the inscriptions for his bestselling Discoveries in the Ruins of Nineveh and Babylon.Layard was also instrumental in persuading the British Museum to employ Hincks for a year to transcribe and translate cuneiform texts. In 1856 Hincks began to correspond with Henry Fox Talbot, pioneer of photography, who was also interested in cuneiform. The variety and richness of the correspondence provides a unique insight into the world of Victorian intellectual and cultural life. Amongst Hincks' correspondents were Samuel Birch, Franz Bopp, Friedrich Georg Grotefend, William Rowan Hamilton, Christian Lassen, Austen Henry Layard, Edwin Norris, George Cecil Renouard, and Peter le Page Renouf. Volume I was published in 2007 and Volume III will be published in 2009.

Read more less

Set in Victorian-era Scotland and filled to the brim with fae, this is an historical steampunk fantasy adventure that will sweep you away.Lady Aileana Kameron, the only daughter of the Marquess of Douglas, was destined for a life carefully planned around Edinburgh's social events - right up until a faery killed her mother. Now it's the 1844 winter season and Aileana slaughters faeries in secret, in between the endless round of parties, tea and balls. Armed with modified percussion pistols and explosives, she sheds her aristocratic facade every night to go hunting. She's determined to track down the faery who murdered her mother, and to destroy any who prey on humans in the city's many dark alleyways.But the balance between high society and her private war is a delicate one, and as the fae infiltrate the ballroom and Aileana's father returns home, she has decisions to make. How much is she willing to lose - and just how far will Aileana go for revenge?Readers love The Falconer:'I LOVED IT. I swallowed this book. Plain and simple. The quick pace was captivating, the descriptions and landscapes breathtaking and the heroine really badass!!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This book is so different in terms of what's out there in the YA market. I loved the historical aspect . . . Besides the bloody awesome fight scenes, if you guys know me, I'm all about the romance and the romance in this book is one of my favourite kinds' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'I found the storyline unique . . . I liked everyone in this book which usually doesn't happen . . . I loved the relationships . . . Overall, this was a great book' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'I was only a few pages into this book when I knew it was going to become a part of me . . . Elizabeth May has such a way with words, and she has woven a gorgeous tale full of adventure, magic, and romance' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Annnnnnnd this book enters my top ten of favourites . . . Read this for the angsty fae goodness' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'THE FALCONER was PHENOMENAL!!! From its Scotland lure, to its vengeance and murder, to its THRILLING, action-packed adventure, and heart-pounding, slow burning romance' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This book is action-packed with excellent character and relationship development, world-building, and witty repartee' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

Read more less

‘A riveting account of the pre-First World War years . . . The Age of Decadence is an enormously impressive and enjoyable read.’ Dominic Sandbrook, Sunday Times‘A magnificent account of a less than magnificent epoch.’ Jonathan Meades, Literary Review The folk-memory of Britain in the years before the Great War is of a powerful, contented, orderly and thriving country. She commanded a vast empire. She bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamt of, and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence is familiar from Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation and the London’s great Edwardian palaces.Yet things were very different below the surface. In The Age of Decadence Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press and the science fiction of H. G. Wells, but also the Arts and Crafts of William Morris and the nostalgia of A. E. Housman. And he concludes with the crisis that in the summer of 1914 threatened the existence of the United Kingdom – a looming civil war in Ireland.He lights up the era through vivid pen-portraits of the great men and women of the day – including Gladstone, Parnell, Asquith and Churchill, but also Mrs Pankhurst, Beatrice Webb, Baden-Powell, Wilde and Shaw – creating a richly detailed panorama of a great power that, through both accident and arrogance, was forced to face potentially fatal challenges.‘A devastating critique of prewar Britain . . . disturbingly relevant to the world in which we live.’ Gerard DeGroot, The Times‘You won’t put it down . . . A really riveting read.’ Rana Mitter, BBC Radio 3 Free Thinking

Read more less

A Sunday Times Book of the YearShortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times'A gripping saga of a double-biography' Daily Mail'A masterful portrait' The Times'Vastly enjoyable' Literary Review'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

Read more less

SHORTLISTED: 2022 CBCA Book of the Year, Older ReadersSHORTLISTED: 2022 Victorian Premier's Literary Awards, Indigenous Writing PrizeSHORTLISTED: 2022 NSW Premier's Literary Award, Indigenous Writers' PrizeSHORTLISTED: 2022 Adelaide Festival Awards, Young Adult Fiction AwardSHORTLISTED: 2021 QLD Literary Awards, Griffith University Young Adult Book Award'I don't paint so much anymore,' I say, looking to my feet.'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.' It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city - but this time a mysterious boy with a troubled past comes with them... As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret - a secret he thought he'd locked away for good. Compelling, honest and beautifully written, The Boy from the Mish is about first love, identity, and the superpower of self-belief.'The Boy from the Mish is an extraordinary debut novel, and I loved this tender, beautiful story with all my heart. Jackson and Tomas stole my heart, and I'll be thinking about them for a long time.' NINA KENWOOD'A lightning bolt to the soul. The Boy from the Mish announces a bold, necessary new talent.' WILL KOSTAKIS 'How I wish I had this big-hearted book when I was a teenager. It would've changed my life. Let it change yours.' BENJAMIN LAW 'It is, honestly, a book I've been searching for over my whole career as an editor, as well as all my years as a (queer) reader. I'm not ashamed to say that it made me cry (repeatedly) and awed me with the power of its storytelling.' DAVID LEVITHAN, Scholastic US Editorial Director'A deftly woven tale that is both a raw, unflinching look at the experience of growing up gay and Aboriginal, and a sweet, truly endearing love story you just can't turn away from. This is Own Voices storytelling at its best.' HOLDEN SHEPPARD'Honest. Funny. Beautiful. This book is all the things.' GABBIE STROUD'What an amazing work Gary Lonesborough has launched into the world. It's bound to launch him into the stratosphere. This story will lighten and enrich the life of many.' JARED THOMAS

Read more less

At the dawn of the twentieth century, Theodore Roosevelt and J. Pierpont Morgan were the two most powerful men in America, perhaps the world. As the nation’s preeminent financier, Morgan presided over an elemental shift in American business, away from family-owned companies and toward modern corporations of unparalleled size and influence. As president, Theodore Roosevelt expanded the power of that office to an unprecedented degree, seeking to rein in those corporations and to rebalance their interests with those of workers, consumers, and society at large. Overpowering figures and titanic personalities, Roosevelt and Morgan could easily have become sworn enemies. And when they have been considered together (never before at book length), they have generally been portrayed as battling colossi, the great trust builder versus the original trustbuster. But their long association was far more complex than that, and even mutually beneficial. Despite their many differences in temperament and philosophy, Roosevelt and Morgan had much in common—social class, an unstinting Victorian moralism, a drive for power, a need for order, and a genuine (though not purely altruistic) concern for the welfare of the nation. Working this common ground, the premier progressive and the quintessential capitalist were able to accomplish what neither could have achieved alone—including, more than once, averting national disaster. In the process they also changed forever the way that government and business worked together. An Unlikely Trust is the story of the uneasy but fruitful collaboration between Theodore Roosevelt and Pierpont Morgan. It is also the story of how government and business evolved from a relationship of laissez-faire to the active regulation that we know today. And it is an account of how, despite all that has changed in America over the past century, so much remains the same, including the growing divide between rich and poor; the tangled bonds uniting politicians and business leaders; and the pervasive feeling that government is working for the special interests rather than for the people. Not least of all, it is the story of how citizens with vastly disparate outlooks and interests managed to come together for the good of their common country.

Read more less

Victorian London had Jack the Ripper.Georgian Dublin had the Dolocher…The Dolocher is stalking the alleyways of Dublin. Half man, half pig, this terrifying creature has unleashed panic on the streets. Can it really be the evil spirit of a murderer who has cheated the hangman's noose by taking his own life in his prison cell, depriving the mob of their rightful revenge? Or is there some other strange supernatural explanation?This terror has come at the perfect time for down-at-heel writer Solomon Fish. With his new broadsheet reporting ever more gruesome stories of the mysterious Dolocher, sales are growing daily and fuelling the city's fear. But when the Dolocher starts killing and Solomon himself is set upon, he realises that there's more to the story than he could ever have imagined.With the help of his fearless landlady, ship's surgeon-turned-apothecary Merriment O'Grady, Solomon goes after the Dolocher. Torn between reason and superstition, they must hold their nerve as everyone around them loses theirs. But are they hunting the Dolocher or is the Dolocher hunting them?PRAISE FOR THE DOLOCHER"It's perfectly suspenseful, grisly in all the right places, and has characters with personalities that leap from the page. It's a seriously epic read, in every magnificent sense."LITTLE BOOKNESS LANE"This book had me hooked from page 1 and I loved every heart stopping second of it."DRINKING BOOKS"It's a wonderful, colourful tale that I think all will adore. It's almost like a fairy tale – but this is definitely one for grown-ups!"CRIMEWORM"This is a fabulous historical tale of crime along with fantasy and I loved it!"BOONS BOOKCASE"This must be one of the dirtiest books in terms of setting I've read in a long while. I even sniffed the book after reading to see if the pages were imbued with some sort of potion from Merriment's shop to make it even more authentic than it was."THE BOOKTRAILER"A great historical mystery... reason battles with superstition and fear, till it boils over."BOOK MOOD REVIEWS"A beautifully written work of historical fiction with some truly wonderful characters"THE WELSH LIBRARIAN

Read more less

Discover art that dared to be different, risked reputations and put careers in jeopardy. This is what happens when artists take tradition and rip it up. ArtQuake tells the stories of 50 pivotal works that shook the world, telling the fascinating stories behind their creation, reception and legacy. The books begin with the rebels who struck out against Victorian conformism, daring painters and sculptors like Manet and Rodin, Van Gogh and Courbet, who experimented with expressionist and realist art styles as well as controversial subjects. Moving into the fin de siècle and the 20th century, we study the truly iconic works and turbulent lives of artists like Munch and Klimt, Picasso and Egon Schiele, whose work into abstraction, surrealism and cubism shocked and scandalized, but ultimately changed the course of western art forever. Moving into the second half of the 20th Century, we see spectacular works of conceptual rebellion, absurdity and political protest, from Andy Warhol and the Pop Art movement to Marina Abramovic, whose often visceral and violent works of performance art laid bare the savagery of the patriarchy and the human condition. In the 21st century, we see how iconoclastic creators have pushed the boundaries of art even further, from Banksy to Louise Bourgeoise, from self-destructing paintings to experimental works of computerized art. Complete with beautiful reproductions of their iconic works, as well as a glossary of terms and movements at the back, meet the huge egos, uncompromising feminists, gifted recluses, spiritualists, anti-consumerists, activists and satirists who have irrevocably carved their names into the history of art around the world. In telling the history of modern and contemporary art through the works that were truly disruptive, and explaining the context in which each was created, ArtQuake demonstrates the heart of modern art, which is to constantly question and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is FilmQuake, which tells the stories of 50 key films that consciously questioned the boundaries, challenged the status quo and made shockwaves we are still feeling today.

Read more less

The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

Read more less

Ken Wilson’s Classic Rock is one of the most popular and iconic works of climbing literature ever written. Along with Hard Rock and Extreme Rock, it has acquired legendary status. First published in 1978, Classic Rock represented the absolute best of British climbing at that time, quickly establishing itself as a must-have publication. It is a celebration of 80 of the best lower-grade routes in Great Britain, bringing them to life through a superb selection of photographs, anecdotes and essays from some of the most accomplished climbers of the day. ‘Ticking’ the book became an instant and obvious challenge, and remains so to this day (Wilson wasn’t a fan, describing it as ‘puerile ticking’). Any climber working his or her way through the book will be taken on a tour of the finest routes on the best cliffs and crags to be found throughout England, Scotland and Wales. Many of the routes in the book were established over a century ago. At that time the Victorian and Edwardian alpinists, flushed with successes abroad, sought harder challenges at home. With their well-honed confidence, they went straight for the biggest cliffs of Scotland. Anyone seeking to retrace their steps will immediately be transported to bold lines of weakness up otherwise daunting precipices! Before long these pioneers trailed their hemp ropes and balanced their hobnail boots up the sea cliffs of Cornwall and the gritstone edges of the Pennines, and the crags of the Lake District and North Wales. These climbers provided us with a great national treasure – a repository of adventure and spectacle that can provide a lifetime’s enjoyment and challenge. An ascent of a great historic route will rarely disappoint. Such routes retain much of their original challenge, unsullied by the pitons and bolts often found on their continental equivalents. They take bold, logical lines up otherwise difficult cliffs – usually cleaned and stabilised by years of use. Classic Rock provides a mere sampling of these treasures. This latest edition has been transformed with over 300 new colour photos. These sit alongside archive images to create an inspirational dialogue between today’s climbers and those of history. Fifty-five chapters, contributed by acclaimed climbers and writers such as Jim Perrin, Paul Nunn and Angela Soper, describe the finest classic rock climbs in Britain.

Read more less

Discover the uses and symbolic meanings of flowers over the centuries and across the globe.Flowers have been depicted as objects of beauty and wonder in countless paintings and poems, exchanged as tokens of love and affection, and displayed as symbols of both celebration and remembrance - "saying it with flowers" is truly part of the human experience. But how does the significance of flowers vary across cultures and at different points in history? And what makes certain flowers special?The Secret Language of Flowers explores the meaning of more than 85 flowers, tracing their history as symbols and charting their role in folklore and mythology around the world. This fascinating book on flowers can help you to:-Unlock the meaning of flowers throughout history - from early peoples to the 19th-century.- Discover the Victorian language of flowers popular in the US, UK, and Europe.- Gain an insight into folklore and mythology in relation to different flowers.- Uncover what flowers mean in various cultures around the world. -Uncover traditional medicinal uses of plants, such as aloe, which is used to treat burns.Uncover the rich and fascinating histories of individual flowers - the sunflower, for example, which was regarded by the Aztecs as a symbol of war, but became a symbol of devotion in 19th-century painting due to the fact that it "turns its head" to follow the sun. Learn about the function of flowers in society, from the practical to the playful - flowers have been used as remedies and tonics - tea tree and coneflower (or echinacea), for example - as well as as a means of sending cryptic messages to lovers and friends.The Secret Language of Flowers is an entertaining guide to the rich stories that lie beyond the seductive aromas and dazzling beauty of flowers of all kinds. Each flower featured throughout the book is arranged by season, from the first snowdrops and primroses of spring, the glorious roses of summer, the stunning fuchsias and dahlias of autumn to the holly and poinsettia of the winter months, there's a flower for everyone to fall in love with. At DK, we believe in the power of discovery. So why stop there? If you like The Secret Language of Flowers, then why not try Great Loves which celebrates some of the most famous romances in history, or Lost Masterpieces to discover extraordinary stories behind the world's missing works of art.

Read more less

When Amanda Held Opelt suffered a season of loss-including three miscarriages and the unexpected death of her sister, New York Times bestselling writer Rachel Held Evans-she was confronted with sorrow she didn't know to how face. Opelt struggled to process her grief and accept the reality of the pain in the world. She also wrestled with some unexpectedly difficult questions: What does it mean to truly grieve and to grieve well? Why is it so hard to move on? Why didn't my faith prepare me for this kind of pain? And what am I supposed to do now?Her search for answers led her to discover that generations past embraced rituals that served as vessels for pain and aided in the process of grieving and healing. Today, many of these traditions have been lost as religious practice declines, cultures amalgamate, death is sanitized, and pain is averted. In this raw and authentic memoir of bereavement, Opelt explores the history of human grief practices and how previous generations have journeyed through periods of suffering. She explores grief rituals and customs from various cultures, including:- the Irish tradition of keening, or wailing in grief, which teaches her that healing can only begin when we dive headfirst into our grief- the Victorian tradition of post-mortem photographs and how we struggle to recall a loved one as they were- the Jewish tradition of sitting shiva, which reminds her to rest in the strength of her community even when God feels absent- the tradition of mourning clothing, which set the bereaved apart in society for a time, allowing them space to honour their griefAs Opelt explores each bereavement practice, it gives her a framework for processing her own pain. She shares how, in spite of her doubt and anger, God met her in the midst of sorrow and grieved along with her, and shows that when we carefully and honestly attend to our losses, we are able to expand our capacity for love, faith, and healing.

Read more less

A colourful illustrated story about Elliot and his dad growing their own vegetables to make a delicious soup — and finding that a gardening adventure involves more than welly boots and sowing seeds. Digging for treasure, pirates, a friendly neighbour and hordes of wildlife intent on eating the crops. All for a small pot of broth… Dad suggests that Elliot can help in the garden to grow what they need to make a big pot of broth. Elliot, (aided by his mum, big sister and brother), sets out enthusiastically to give his dad assistance – clad, of course, in his welly boots, just like a proper gardener. But Elliot’s good intentions begin to go astray as his imagination takes over from garden duties. Digging in the back garden leads to finding all sort of ‘treasure’, and he is soon picturing himself as a Victorian Gent complete with watch chain, a Roman Centurion, and a Pictish warrior. Helping Dad build the raised beds, Elliot becomes a pirate walking the plank. Weeds? These are dinosaur food. As the shoots begin to grow, they have hopes and dreams for a bumper harvest. And when the beans begin to sprout, Elliot pictures himself climbing a giant beanstalk. Elliot discovers the nest of a field-mouse, and when Robert Burns is duly quoted, we realise that the best laid schemes o’ mice an’ men gang aft agley. As the garden flourishes, we discover that a variety of wildlife is just as interested in eating what is growing all around, as Elliot is. Perhaps this gardening project will not quite go according to plan … To protect his crops from being is being eaten by the local birds, mice and rabbits, Elliot bravely volunteers to stand guard overnight in his homemade tent. Armed with his torch and a flask of cocoa, he soon finds the spooky noises of the evening send his imagination soaring again. The distant hooting owl, the cry of the fox, the cat rustling in the undergrowth – even the fluttering bats – quickly see him run for safety indoors. However with the garden protected by nets and windmills to scare off crows, the crops recover a little. The family harvest what is left to make the soup, including tiny beetroot, some thin-looking leeks and some wonky-shaped carrots. “They’ll be fine once they’re chopped up and in the broth!” declares Dad. Instead of the huge pot of broth that Elliot had imagined, there is just enough to fill their smallest pot. Dad remains upbeat: “Well, it’s enough to give everyone a taste.” However the day is saved by their next-door green-thumbed neighbour, who comes to rescue with an armful of carrots and leeks from her own garden. The family then gets busy cleaning the vegetables, chopping and stirring. The big pot is needed after all … and Elliot sits down at last to enjoy his home-grown broth.

Read more less

‘Powerful and affecting’ Mail on Sunday‘Flesh and Blood is living drama extracted like buried treasure from old documents and the hand-me-down stories of his relatives. I couldn't put it down’Jenny Agutter 'Intelligently structured and eloquently written, McGann’s book is a powerful homage to his family and Irish ancestry, to modern medicine and the welfare state. Packed with lively anecdotes and insights on social history, Flesh and Blood is a humble human story with a majestic theme' Times Literary Supplement. 'Drama and reality repeatedly intersect in unexpected ways in this powerful and revealing memoir' Mail on Sunday 'Eloquent in its metaphors, this book is about memory, how it shapes us, and what we choose to pass on' Irish Times 'With its mix of readable science and passionate sensibility, Flesh and Blood is essentially an attempt to heal the old rift between science and art' Radio Times His family survived famine-ravaged Ireland in the 1850s. His ancestors settled in poverty-rife Victorian Liverpool, working to survive and thrive. Some of them became soldiers serving on the Western Front. One would be the last man to step off the SS Titanic as it sank beneath the icy waves. He would testify at the inquest. This is their story. Stephen McGann is Doctor Turner in the BBC hit-drama series Call the Midwife. Flesh and Blood is the story of the McGann family as told through seven sicknesses – diseases, wounds or ailments that have afflicted Stephen’s relatives over the last century and a half, and which have helped mould him into what he now perceives himself to be. It’s the story of how health, or the lack of it, fuels our collective will and informs our personal narrative. Health is the motivational antagonist in the drama of our life story - circumscribing the extent of our actions, the quality of our character and the breadth of our ambition. Our maladies are the scribes that write the restless and mutating genome of our self-identity.Flesh and Blood combines McGann’s passion for genealogy with an academic interest in the social dimensions of medicine – and fuses these with a lifelong exploration of drama as a way to understand what motivates human beings to do the things they do. He looks back at scenes from his own life that were moulded by medical malady, and traces the crooked roots of each affliction through the lives of his ancestors, whose grim maladies punctuate the public documents or military records of his family tree. In this way he asks a simple, searching question: how have these maladies helped to shape the story of the person he is today?

Read more less

Inequality is the defining issue of our time. But it is not just a problem for the rich world. It is the global 1% that now owns fully half the world's wealth-the true measure of our age of inequality. In this historical tour de force, Simon Reid-Henry rewrites the usual story of globalization and development as a story of the management of inequality. Reaching back to the eighteenth century and around the globe, The Political Origins of Inequality foregrounds the political turning points and decisions behind the making of today's uneven societies. As it weaves together insights from the Victorian city to the Cold War, from US economic policy to Europe's present migration crisis, a true picture emerges of the structure of inequality itself. The problem of inequality, Reid-Henry argues, is a problem that manifests between places as well as over time. This is one reason why it cannot be resolved by the usual arguments of left versus right, bound as they are to the national scale alone. Most of all, however, it is why the level of inequality that confronts us today is indicative of a more general crisis in political thought. Modern political discourse has no place for public reason or the common good. Equality is yesterday's dream. Yet the fact that we now accept such a world-a world that values security over freedom, special treatment over universal opportunity, and efficiency over fairness-is ultimately because we have stopped even trying in recent decades to build the political architecture the world actually requires.Our politics has fallen out of step with the world, then, and at the every moment it is needed more than ever. Yet it is within our power to address this. Doing so involves identifying and then meeting our political responsibilities to others, not just offering them the selective charity of the rich. It means looking beyond issues of economics and outside our national borders. But above all it demands of us that we reinvent the language of equality for a modern, global world: and then institute this. The world is not falling apart. Different worlds, we all can see, are colliding together. It is our capacity to act in concert that is falling apart. It is this that needs restoring most of all.

Read more less

AftŸer a long period of comparative neglect, starting almost immediately upon his death in 1900, John Ruskin began to attract, from the 1960s onwards, a remarkable degree of critical interest. Although the formidably ample Library Edition of Ruskin’s works will always constitute the primary basis for interpretation, there is also newly available source material, in the form of letters and (in part) diaries, as well as a scintillating body of modern comment to which the present study seeks to contribute.Ruskin had an extraordinary ability to bring together aesthetics, religion, ecology, and social issues in a unitary, overarching vision, all expressed in a prose style worthy of comparison with any in the English language. All Great Art is Praise focuses especially on the themes of art and religion, for Aidan Nichols takes the view that Ruskin’s writings on art cannot be appreciated without taking into account at many points his approach to religion. This volume offers an analytic account of Ruskin’s principal writings on art, viewed through the lens of Ruskin’s religious claims.For readers new to Ruskin, an opening chapter provides an overview of his work in the context of a life that combined public celebrity with private sorrow. Succeeding chapters consider his comments on art andreligion in broadly chronological order, ending with the highly innovative open letters to working men, and his moving autobiography which was leŸ unfinished at the time of his descent into madness and death.Ruskin’s evaluations of (among others) Turner and the Pre-Raphaelites, the Italian Primitives, and the artists of the high Renaissance, gave the Victorians eyes to see. But his writings call for comment not only from literary scholars and art historians but also from students of ideas since they address a wide range of issues in both theology and philosophy.The volume looks especially closely at Ruskin’s changing attitudes to Catholicism. The son of a stoutly Bible-Protestant mother and a father politically opposed to the civil emancipation of Catholics, Ruskinfound it increasingly difficult to combine his inherited anti-Catholicism with his appreciation of Byzantine-Venetian, Renaissance-humanist, and Franciscan-evangelical art and the program for living these contained or implied. The rumors in late life of his immanent conversion to Rome proved unfounded, but they were not implausible. All Great Art is Praise seeks to show why.

Read more less

Marco Polo Pocket Guide London: the Travel Guide with Insider Tips Explore London with this handy, pocket-sized, authoritative guide, packed with Insider Tips. Discover boutique hotels, authentic restaurants, the city's trendiest places, and get tips on shopping and what to do on a limited budget. There are plenty of ideas for travel with kids, and a summary of all the festivals and events that take place. Let Marco Polo show you all this wonderful city has to offer... The distinctive, red double-decker buses, Big Ben, the huge dome of St. Paul's Cathedral, the Victorian Gothic towers of Tower Bridge: London is a city that you simply have to visit - a city with so much to see that you'll always leave wanting to see more. Let Marco Polo London guide you through this extraordinary city of contrasts: first class museums next to trendy shops, royal palaces next to graffiti... This is London! Your Marco Polo London Pocket Guide includes: Insider Tips - we show you the hidden gems and little known secrets that offer a real insight into the city. Discover where you can learn the Balboa swing dance or how to kayak from Big Ben to Tower Bridge. Best of - find the best things to do for free, the best `only in' London experiences, the best things to do if it rains and the best places to relax and spoil yourself. Sightseeing - all of the top sights are organised by areas of the city so you can easily plan your day. Discovery Tours - 5 specially tailored tours that will get you to the heart of London. Culture, cathedrals and culinary delights are yours to discover with these inspirational itineraries. London in full-colour - Marco Polo Pocket Guide London includes full-colour photos throughout the guide bringing the city to life offering you a real taste of what you can see and enjoy on your trip. Touring App - new for 2018, you can download any of the Discovery Tours to your smartphone, complete with the detailed route description and map exactly as featured in the guide, free of charge. The maps can be used offline too, so no roaming charges. The perfect navigational tool with distance indicators and landmarks highlighting the correct direction to travel in as well as GPS coordinates along the way. Enjoy stress-free sightseeing and never get lost again! Street Atlas and pull-out map - we've included a detailed street atlas and a handy, pull-out map so you can pop the guide in your bag for a full-on sightseeing day or head out with just the map to enjoy your Discovery Tour. Trust Marco Polo Pocket Guide London to show you around this extraordinary city. The comprehensive coverage and unique insights will ensure you experience everything London has to offer and more. The special tips, personal insights and unusual experiences will help you make the most of your trip - just arrive and enjoy.

Read more less

The last 'Indian War' was fought against Native American children in the dormitories and classrooms of government boarding schools. Only by removing Indian children from their homes for extended periods of time, policymakers reasoned, could white "civilization" take root while childhood memories of 'savagism' gradually faded to the point of extinction. In the words of one official: 'Kill the Indian and save the man.'This fully revised edition of Education for Extinction offers the only comprehensive account of this dispiriting effort, and incorporates the last twenty-five years of scholarship. Much more than a study of federal Indian policy, this book vividly details the day-to-day experiences of Indian youth living in a 'total institution' designed to reconstruct them both psychologically and culturally. The assault on identity came in many forms: the shearing off of braids, the assignment of new names, uniformed drill routines, humiliating punishments, relentless attacks on native religious beliefs, patriotic indoctrinations, suppression of tribal languages, Victorian gender rituals, football contests, and industrial training.Especially poignant is Adams's description of the ways in which students resisted or accommodated themselves to forced assimilation. Many converted to varying degrees, but others plotted escapes, committed arson, and devised ingenious strategies of passive resistance. Adams also argues that many of those who seemingly cooperated with the system were more than passive players in this drama, that the response of accommodation was not synonymous with cultural surrender. This is especially apparent in his analysis of students who returned to the reservation. He reveals the various ways in which graduates struggled to make sense of their lives and selectively drew upon their school experience in negotiating personal and tribal survival in a world increasingly dominated by white men.The discussion comes full circle when Adams reviews the government's gradual retreat from the assimilationist vision. Partly because of persistent student resistance, but also partly because of a complex and sometimes contradictory set of progressive, humanitarian, and racist motivations, policymakers did eventually come to view boarding schools less enthusiastically.Based upon extensive use of government archives, Indian and teacher autobiographies, and school newspapers, Adams's moving account is essential reading for scholars and general readers alike interested in Western history, Native American studies, American race relations, education history, and multiculturalism.

Read more less

'A great book if you are seeking small space inspiration.' Evening StandardFrom House & Garden's book picks of the year:'Whether you dream of a Mediterranean oasis, a rose-filled retreat or a tropical jungle, Green will help you to make the most of your space, proving that small can indeed be beautiful.'From Daily Mail's best books of the year:'Can a really small space ever be turned into a beautiful garden? Fashionable garden designer Ula Maria shows how even the tiniest balcony or courtyard can become something special. Featuring numerous case histories and practical advice on storage, paving, furniture and lighting, this is an excellent reference source for anyone with limited space and big dreams.''Garden designer Ula Maria takes us on a safari through small but perfectly formed oases...to inspire your very own Eden.' - Elle Deco'Urban garden design has inspired books ever since the Victorians started to green their sprawling new neighbourhoods. But where Maria's Green differs is that it focuses on the possibilities of growing in small spaces rather than the restrictions. The 22 gardens she has brought together (by various designers) erupt with potential...In Green urban gardens, so often prone to a twinge of pity from those who tend larger, more rural spaces, become deeply aspirational.' - Alice Vincent, the Daily Telegraph 'A must for apprehensive city gardeners and for anyone wanting to make the most out of their outdoor space, no matter how small it might be. [...] Flicking through it feels almost as enjoyable and relaxing as sitting in the garden.' - Gardens Illustrated'The first book from rising star Ula Maria tackles the perennial challenge of how to create a garden in a small space. [...] Whether you dream of a Mediterranean oasis, a rose-filled retreat or a tropical jungle, Green will help you to make the most of your space, proving that small can indeed be beautiful.' - House & Garden'Spending so much time outdoors in my childhood made me think of a garden as a natural extension of my home - an inseparable part of everyday life. It wasn't until I moved into a rented property in the city that I felt an undeniable urge to make the most of the little exterior space that we had and re-evaluate it. In time, creating outdoor spaces that people truly care for, no matter how small or large, became much more rewarding than perfecting any indoor space. Many say that a home is a true reflection of self, but I believe it is the garden, where personalities and relationships with our surroundings truly blossom.' - Ula MariaIn Green, Ula Maria takes a completely fresh look at creating a garden in whatever outdoor space is available - be it a roof terrace, balcony, small back yard or patio. Perfect for first-time gardeners, the book approaches creating a garden as if decorating a room - exploring how to work with scale, colour and texture, to choosing the plants that will thrive in an urban space. At the heart of the book are 22 genuinely small and innovative gardens with a dazzling range of ideas to copy - from a small backyard garden using reclaimed timber, evergreens and grasses to a rental rooftop terrace in the heart of the city where a cottage-style garden has been created in simple containers. Using low-maintenance plants and affordable furniture, lighting and containers, Green offers simple solutions that don't involve major structural work but will quickly result in a stylish and hugely rewarding urban sanctuary. The book was shot by award-winning photographer, Jason Ingram.

Read more less

Explore the fascinating, evolving world of electric vehicles, from the first EVs in the Victorian era to their rapid expansion today—and beyond. In The Electric Vehicle Revolution, automotive journalist Kevin Wilson provides a thorough, engaging overview of where EV technology is today, how it got there, and where it’s going. Since the turn of the twenty-first century, EVs have gone from wonky who-cares vehicles like GM’s EV1 and early Teslas to every manufacturer's must-have future.Electric propulsion preceded fossil-fuel cars by decades and even vied for prominence in the early twentieth century auto industry against both steam power and internal combustion engines. From Electrobat (an early New York taxi fleet) through Columbia—which had built 1,000 electric cars before either Henry Ford or Ransom Olds had built a single gasoline car—viable business start-ups in the early auto age were as competitive and innovative as those in early twenty-first century Silicon Valley. But it was not to be for electric cars in the early days of the 1900s, as the auto industry evolved to favor gasoline cars, thanks in part to the influence of the oil industry and the build-out of infrastructure to supply fuel across the country. Gas-powered cars may have won the day, but post-WWII experiments with electric cars continued both within the established auto industry and from outside firms and visionaries, including cars developed by General Electric, Sears, and the Henney Kilowatt, alongside Ford and GM experimentals. Rapidly evolving electronic technology beginning in the 1960s, along with growing concerns about emissions and pollution, set the stage for renewed interest in electric cars. Improved batteries for cellphones/laptops, electronic controls, computing, and beyond provided the impetus for a wave of more sophisticated and feasible electric vehicles, including GM’s EV1 and the first Teslas. Elon Musk’s Tesla Motors proves the auto industry disruptor and sets the stage for responses by the mainstream auto industry, including Nissan’s Leaf, Chevrolet’s Bolt, and a host of high-end EVs from company’s like Audi, Jaguar, and the like. Rival start-ups step in as well and government incentives, subsidies, and regulatory demands all drive unprecedented development. Today, the rush to electrify has nations and companies competing to see who can declare the earliest end to internal combustion engines, but this radical transition won’t be as easy as throwing a switch. The Electric Vehicle Revolution thoroughly explores the challenges of infrastructure, battery and vehicle tech, and the cost to consumers, as well as the long phase-in as EVs are set to replace existing gas cars over decades. Whether you embrace EVs or have gasoline in your veins, The Electric Vehicle Revolution provides a fascinating, engaging, and stunningly illustrated overview of where the car world is today and where it’s headed for the future.

Read more less

The 150th anniversary of the first FA Cup competition, the earliest knockout tournament in the history of football, will be celebrated during the 2021-2022 season. The first set of matches was played on 11 November 1871, with the Engineers reaching the final played at Kennington Oval on 16 March 1872. During the first decade of the competition three teams associated with the military, Royal Engineers, 1st Surrey Rifles and 105th Regiment, were involved in 74 matches. They won more than half of them and scored 154 goals. The Army also produced one of the most respected administrators in the history of football, in the form of Major Francis Marindin, who was involved in the founding of the FA Cup, played in two finals, and refereed a further nine. Military men and units provided a number of firsts' in the early years of football. The Royal Engineers played in the first ever FA Cup final; Lieutenant James Prinsep of the Essex Regiment was the youngest footballer to appear in an FA Cup final until 2004, although he remains the youngest to complete a full match; Lieutenant William Maynard of the 1st Surrey Rifles played for England in the first ever official international match against Scotland; Captain William Kenyon-Slaney of the Grenadier Guards scored the first ever goal in an official international match, while playing for England; and Lieutenant Henry Renny-Tailyour of the Royal Engineers scored the first ever goal for Scotland in the same match. At a time when there has been talk of a financially-motivated breakaway European Super League, James gives the reader the opportunity to look back at a time when football was played for the game itself. Using his vast knowledge concerning Victorian football and military history, _The Early Years of the FA Cup_ explores the fascinating history of the Army's involvement in the early years of the world's most popular sport. With detailed descriptions of the finals and other matches involving the military teams during football's heyday, this book, for the first time, then follows the men as they went on campaigns to build roads and bridges in hostile territory, provide maps for commanders in famous conflicts such as The Zulu War, Afghanistan, the Sudan, and the Boer Wars, and saw active service on the Western Front during the First World War. In some cases they never returned. Often great footballers are referred to as heroes' -in the case of the men who played for the Army teams in the early FA Cup competitions, such an epithet is genuinely true.

Read more less