Search results for ""manchester university press""

This book examines how Ireland’s relationship with the EU was affected by a succession of crises in both the Republic of Ireland and Northern Ireland. The financial crisis, the Brexit crisis and the migration crisis were not of equal significance on the island of Ireland. The financial crisis was a huge issue for the Republic but not Northern Ireland, Brexit had a major impact in both polities, the migration and populism issues were less controversial, while foreign policy challenges had a minimal impact. The book provides a summary of the main features of each of the crises to be considered, from both the EU and the Irish perspective.Ireland and the European Union is the first volume of its kind to provide a comprehensive analysis on British–Irish relations in the context of Brexit. It assesses the Withdrawal Agreement and Protocol on Ireland/Northern Ireland, the devolution settlement and the 1998 Agreement, as well as the European dimension to Northern Ireland’s peace process. The contributors explore a number of policy areas that are central to the understanding of each of the crises and the impact of each for Ireland. Chapters examine issues such as security, migration and taxation as well as protest politics, political parties, the media, public opinion and the economic impact of each of these crises on Ireland’s relationship with the EU.

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Members of Parliament in the United Kingdom are elected to represent geographic constituencies; but how are these defined and what are the consequences for democracy?Tracing the UK’s system of parliamentary representation from its origins in the thirteenth century right through to the present, this comprehensive new survey reveals how a system initially designed to restrain the power of monarchs gradually evolved to serve their interests, then those of political parties before the twentieth century ‘settlement’ of an independent process for revising the constituency map.That settlement is now under pressure, with the traditional pattern of constituencies representing communities about to be replaced by one which elevates numbers above community. Advanced under the slogan of ‘making votes equal’, this new regime promises fairness yet, as the authors show, is destined to fail to address the disproportional and biased election results that have long been a feature of UK politics.Concluding with a detailed consideration of the ways in which various parts of the UK have embraced alternatives to first-past-the-post over the last two decades, this book serves as a timely reminder that the needs of political parties do not always coincide with those of us, the electors.

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Who are the people that make up London’s French community and why did they choose to leave France and settle in London? How is ‘Frenchness’ played out in physical and digital diasporic spaces? And what impact has Brexit had on French Londoners’ sense of belonging, identity and embeddedness? French London offers an unprecedented perspective on the everyday lived experience of French migrants in London. Based on years of immersive on-land and on-line empirical enquiry, the book uncovers the motivations underlying mobility from France and the appeal of London as a long-term home.Through the individual (hi)stories of a diverse group of French Londoners and an ethnosemiotic analysis of blogs and websites, London emerges as a place of liberation and openness, where migrants are free from inequalities encountered in the birthplace of l’égalité, whether in education, work or wider society. This volume explores the messy complexity and paradoxical ambivalence of cross-Channel mobility, including here–there, explicit–implicit, physical–digital, subject–object and reinvention–reproduction dichotomies.Structured around Pierre Bourdieu’s concepts of symbolic violence and habitus, the book considers how apparently pragmatic mobility decision-making is often underpinned by powerful social, affective and pre-reflective factors. Its subdivision of habitus into three interrelated components – habitat, habituation and habits – provides an enlightening conceptual lens to examine participants’ material lifeworlds, the gradual creep of settlement, and a ‘common-unity’ of practice. From schooling and healthcare to eating and drinking, the migrants’ evolving behaviours, attitudes, identities and belongings are expertly scrutinised.Spanning pre- and post-Brexit periods, this timely book gives voice to a largely neglected minority and offers a linguistically and culturally sensitive insight into French migrants’ on-land trajectories and on-line representations.

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Uncertainty is central to the governance of citizenship, but in ways that erase, even deny, this uncertainty. This book investigates uncertain citizenship from the unique vantage point of ‘citizenisation’: twenty-first-century integration and naturalisation measures that make and unmake citizens and migrants, while indefinitely holding many applicants for citizenship in what Fortier calls the ‘waiting room of citizenship’. Fortier’s distinctive theory of citizenisation foregrounds how the full achievement of citizenship is a promise that is always deferred: if migrants and citizens are continuously citizenised, so too are they migratised. Citizenisation and migratisation are intimately linked within the structures of racial governmentality that enables the citizenship of racially minoritised citizens to be questioned and that casts them as perpetual migrants. Drawing on multi-sited fieldwork with migrants applying for citizenship or settlement and with intermediaries of the state tasked with implementing citizenisation measures and policies, Fortier brings life to the waiting room of citizenship, giving rich empirical backing to her original theoretical claims. Scrutinising life in the waiting room enables Fortier to analyse how citizenship takes place, takes time and takes hold in ways that conform, exceed, and confound frames of reference laid out in both citizenisation policies and taken-for-granted understandings of ‘the citizen’ and ‘the migrant’. Uncertain Citizenship’s nuanced account of the social and institutional function of citizenisation and migratisation offers its readers a grasp of the array of racial inequalities that citizenisation produces and reproduces, while providing theoretical and empirical tools to address these inequalities.

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Picturing home examines the depiction of domestic life in British feature films made and released in the 1940s. It explores how pictorial representations of home onscreen in this period re-imagined modes of address that had been used during the interwar years to promote ideas about domestic modernity. Picturing home provides a close analysis of domestic life as constructed in eight films, contextualising them in relation to a broader, offscreen culture surrounding the suburban home, including magazines, advertisements, furniture catalogues and displays at the Daily Mail Ideal Home Exhibition. In doing so, it offers a new reading of British 1940s films, which demonstrates how they trod a delicate path balancing prewar and postwar, traditional and modern, private and public concerns.

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This collection of essays offers important new insights across a range of topics relating to medicine in early modern Ireland. Of particular note is the substantial attention devoted to the often neglected period before 1750. Among the key subjects addressed by the contributors are Gaelic medicine, warfare, the impact of new medical ideas, migration, patterns of disease, midwifery and childbirth, book collecting, natural history, and urban medicine. The twelve essays effectively situate Irish medicine in relation to long-term social and cultural change on the island, as well as to appropriate international contexts; British, European and Atlantic. Early Modern Ireland and the world of medicine brings together a selection of established scholars as well as early career historians. It will be of interest to academics and students of the history of early modern medicine. It also contains much that will be essential reading for historians of Ireland.

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Populism is a powerful force today, but its full scope has eluded the analytical tools of both orthodox and heterodox ‘populism studies’. This book provides a valuable alternative perspective. It reconstructs in detail for the first time the sociological analyses of US demagogues by members of the Frankfurt School and compares these with contemporary approaches. Modern demagogy emerges as a key under-researched feature of populism, since populist movements, whether 'left' or 'right', are highly susceptible to 'demagogic capture'. The book also details the culture industry’s populist contradictions – including its role as an incubator of modern demagogues – from the 1930s through to today’s social media and ‘Trumpian psychotechnics’. Featuring a previously unpublished text by Adorno on modern demagogy as an appendix, it will be of interest to researchers and students in critical theory, sociology, politics, German studies, philosophy and history of ideas, as well as all those concerned about the rise of demagogic populism today.

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Reconstructing modernity assesses the character of approaches to rebuilding British cities during the decades after the Second World War. It explores the strategies of spatial governance that sought to restructure society and looks at the cast of characters who shaped these processes. It challenges traditional views of urban modernism and sheds new light on the importance of the immediate post-war for the trajectory of planned urban renewal in twentieth century.It examines plans and policies designed to produce and govern lived spaces— shopping centers, housing estates, parks, schools and homes — and shows how and why they succeeded or failed. It demonstrates how the material space of the city and how people used and experienced it was crucial in understanding historical change in urban contexts. The book is aimed at those interested in urban modernism, the use of space in town planning, the urban histories of post-war Britain and of social housing.

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This study explores France’s preoccupation with memories of the Second World War through an examination of popular culture and one of its more enduring forms: crime fiction. It examines what such popular narratives have to tell us about past and present perceptions of the war years in France and how they relate to post-war debates over memory, culture and national identity.Starting with narratives of the Resistance in the late 1940s and concluding with contemporary crime fiction for younger readers, Gorrara examines popular memories of the Second World War in dialogue with the changing social, cultural and political contexts of remembrance in post-war France. From memories of the persecution of Jews and French collaboration to the legacies of the concentration camps and the figure of the survivor-witness, all the crime novels discussed grapple with the challenges of what it means to live in the shadow of such a past for generations past, present and future.

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The European Union after Brexit addresses the forces and mechanisms at work during an unprecedented transformation of the European polity. How will the EU operate without one of its key diplomatic and international military partners? What will happen to its priorities, internal balance(s) of power and legislation without the reliably liberal and Eurosceptic United Kingdom? In general, what happens when an 'ever closer union' founded on a virtuous circle of economic, social, and political integration is called into question?Though this volume is largely positive about the future of the EU after Brexit, it suggests that the process of European integration has gone into reverse, with Brexit coming amidst a series of developments that have disrupted the optimistic trajectory of integration. Covering topics such as international trade, freedom of movement, and security relations, this book answers a need for a one-stop source of strong research-based discussions of Brexit.

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Jean Genet and the politics of theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Rancière and Alain Badiou. By doing so, the monograph positions Genet as a revolutionary playwright, interested in producing progressive forms of democracy. This original and interdisciplinary reading of Genet’s late work will be of interest to students and practitioners of Theatre, as well as those interested in French and History.

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Amitav Ghosh is an authoritative critical introduction to the fictional and non-fictional writings of one of the most celebrated and significant literary voices to have emerged from India in recent decades. It is the first full-length study of Amitav Ghosh's work to be available outside India.Encompassing all of Ghosh's fictional and non-fictional writings to date, this book takes a thematic approach which enables in-depth analysis of the cluster of themes, ideas and issues that Ghosh has steadily built up into a substantial intellectual project. This project overlaps significantly with many of the key debates in postcolonial studies and so this book is both an introduction to Ghosh's writing and a contribution to the development of ideas on the 'postcolonial' - in particular, its relation to postmodernism. Amitav Ghosh is for students and teachers of postcolonial literatures in English at both undergraduate and postgraduate levels.

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Today's home is a kind of fortress that tells us as much about our need for privacy as it does about ensuring our security. Fortress homes, gated communities and elaborate defensive systems have become everyday features of urban life, highlighting the depth of fear as well as the desire for prestige and social display and the ideological strength of home ownership. This book offers a fresh analysis of our homes, our demands for security and anxieties about invasion, loss and finding seclusion in a worrying and divided world. Using a rich range of sources from cutting-edge research to media accounts, the book considers the fantasies and realities of dangers to the contemporary home and its inhabitants, and details the extreme measures now used in the pursuit of total safety.

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This book explores the life of Henry Dresser (1838–1915), one of the most productive British ornithologists of the mid-late nineteenth and early twentieth centuries, and is largely based on previously unpublished archival material. Dresser travelled widely and spent time in Texas during the American Civil War. He built enormous collections of skins and eggs of birds from Europe, North America and Asia, which formed the basis of over 100 publications, including some of the finest bird books of the late nineteenth century. Dresser was a leading figure in scientific society and in the early bird conservation movement; his correspondence and diaries reveal the inner workings, motivations, personal relationships and rivalries that existed among the leading ornithologists.

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This book presents a critical reflection on the major armed conflicts that occurred during the 1990s and the first decade of the twenty-first century. Conflicts in Bosnia, Kosovo, Chechnya, Iraq, Afghanistan and Syria all involved the use of terrorism by one or more groups. Looking to the future, the book asks what this means for violent conflicts yet to come?Using a variety of case studies, the authors provide a systematic and comprehensive analysis of the role played by terrorism as a stand-alone tactic as well as one used to ignite broad-scale conflict. They also pose the question on what occasions does terrorism tend to occur as an armed conflict begins to subside, and when, in other words, is it a trailing indicator?

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This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.

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This book compares the postcolonial populations of Britain and France, examining the ways in which they are redefining citizenship. Bearing in mind the different histories and political systems of each country, it considers questions of national identity, values, the place of religion, secularism and public spaces - all integral to determining what makes a country a true nation. Recent security threats have made the debate around minorities and assimilation all the more pressing, and this book delves deep into the issues of feminism, Islam and group identities. It will be of interest to students and scholars of race, religion and migration studies.

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Zygmunt Bauman has written more than seventy books over five decades, most taking a single subject and finding doors to open it in all directions. His work is an essential reference point in sociology, but it is time that everyone caught up with him. In this book Tony Blackshaw doesn't just tell us that Bauman is a massive star in sociology, he demonstrates why his light shines brighter than that of almost any other intellectual figure in the world today by offering his readers deep insights into the 'Bauman Effect'.The new Bauman reader is two books in one. On the one hand, it is a critical introduction to a vital and inspiring sociologist who stands against the predictable in 'majority' sociology to draw out daring and new insights from which we can all learn. On the other, it is an anthology of his work chosen with the specific aim of guiding readers, whether undergraduates, postgraduates, academics or general readers to Bauman's original way of 'thinking sociologically', which is as irresistible as the 'liquid' metaphor that guides it.

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Why did it take the Conservative Party so long to recover power? After the landslide defeat in 1997, why was it so slow to adapt, reposition itself and rebuild its support? How did the party leadership seek to reconstruct Conservatism and modernise its electoral appeal? Of vital interest to anyone interested in British politics, this highly readable book addresses these questions through a contextualised assessment of Conservative Party politics between 1997 and 2010. It traces debates over strategy amongst the party elite and scrutinises the actions of the leadership. It also considers four particular dilemmas for contemporary Conservatism: European integration; national identity and the ‘English Question’; social liberalism versus social authoritarianism; and the problems posed by a neo-liberal political economy. The book argues that the ideological legacy of Thatcherism played a central role in framing and shaping these intraparty debates, and that an appreciation of this is vital for explaining the nature and limits of the Conservatives’ renewal under Cameron.

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The inspirational genius of Germany explores the neglected issue of the cultural influence of Germany upon Britain between 1850 and 1939. While the impact on Britain of German Romanticism has been extensively mapped, the reception of the more ideologically problematic German culture of the later period has been neither fully explained or explored. After the 1848 revolutions, Germany experienced a period of political and economic growth which not only saw it achieving Unification in 1871 but also challenging the industrial and imperial supremacy of Britain at the dawn of the twentieth century. Matthew Potter uses images, art criticism, and the public writings and private notes of artists to reconstruct the intellectual history of Germanism during a period of heightened nationalism and political competition. Key case studies explore the changing shape of intellectual engagements with Germany. It examines the German experts who worked on the margins of the Pre-Raphaelite circle, the engagements of Victorian 'academics' including Frederic Leighton, G.F. Watts, Walter Crane and Hubert Herkomer as well as avant-gardists like the Vorticists, the reception of Arnold Böcklin and Wassily Kandinsky by the Britons during the dawn of modern art, and the last gasp of enthusiasm for German art that took place in defiance of the rise of Nazism in the 1930s.

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William Trevor: Revaluations offers a comprehensive examination of the oeuvre of one of the most accomplished and celebrated practitioners writing in the English language: the author of fifteen novels, three novellas and eleven volumes of short stories, as well as plays, radio and TV adaptations and film screenplays.Drawing on the talents of a team of distinguished international scholars, this volume shines a critical light on Trevor's core concerns with individuality and the family, and cultural and national identity, extending significantly the scope of current scholarship. Essays scrutinise the author's prolonged concern with domestic, communal and national violence, his interrogation of patterns of inheritance and ideological heritage, and the impact of the past on choices his characters make. William Trevor: Revaluations is a groundbreaking collection of essays, and will also be seen as a definitive introduction to the work of a major contemporary novelist and short-story writer.

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Recognition and global politics examines the potential and limitations of the discourse of recognition as a strategy for reframing justice and injustice within contemporary world affairs. Drawing on resources from social and political theory and International Relations theory, as well as feminist theory, postcolonial studies and social psychology, this ambitious collection explores a range of political struggles, social movements and sites of opposition that have shaped certain practices and informed contentious debates in the language of recognition.

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For over four decades, events in Palestine-Israel have provoked raging conflicts within British universities around issues of free speech, 'extremism', antisemitism and Islamophobia. But why is this conflict so significant for student activists living at such a geographical distance from the region itself? And what role do emotive, polarised communications around Palestine-Israel play in the life of British academic institutions committed to the ideal of free expression? This book draws on original ethnographic research with student activists on different sides of this conflict to initiate a conversation with students, academics and members of the public who are concerned with the transnational politics of Palestine-Israel and with the changing role of the public university. It shows how, in an increasingly globalised world that is shaped by entangled histories of European antisemitism and colonial violence, ethnography can open up ethical responses to questions of justice

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One of the most profound changes in British public life over the last twenty years has been the increasing concern with probity and standards. Some of that concern has been the product of scandals such as the cash for questions affair and the expenses scandal; some of it reflects the erosion of trust in politicians and in traditional approaches to government and administration. The book analyses the way new machinery and new rules have been put in place in different parts of the public sector as a protection against corruption and conflict of interest and as a spur to raising standards. It provides the first full-length treatment of the evolving integrity agenda in the United Kingdom. The book traces the impact of the Committee on Standards in Public Life which set out the Nolan principles in its first report in 1995 and examines how those principles have been applied in different sectors – Parliament, the executive, the civil service, local government and the devolved governments – and how they have been applied to the problems of party funding and lobbying. Finally, it assesses the changing level of support for the Committee’s mission and the impact of its work both on the quality of public life itself and on public confidence.

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The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renée Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display.

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The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Many more suffered terrible, life-threatening injuries: wound infections such as gas gangrene and tetanus, exposure to extremes of temperature, emotional trauma and systemic disease. In an effort to alleviate this suffering, tens of thousands of women volunteered to serve as nurses. Of these, some were experienced professionals, while others had undergone only minimal training. But regardless of their preparation, they would all gain a unique understanding of the conditions of industrial warfare. Until recently their contributions, both to the saving of lives and to our understanding of warfare, have remained largely hidden from view. By combining biographical research with textual analysis, Nurse writers of the great war opens a window onto their insights into the nature of nursing and the impact of warfare.

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How do changing class relations contribute to processes of capitalist development? Within development studies the importance of class relations is usually relegated to lesser status than the roles of states and markets in generating and allocating resources. This book argues that the changing class relations are central to different patterns of capitalist development and that processes and outcomes of class struggle co-determine the form that development takes. Workers, state and development in Brazil illuminates these claims through a detailed empirical investigation of class dynamics and capitalist development in North East Brazil’s São Francisco valley. It details how workers in the valley’s export grape sector have won significant concessions from employers, contributing to a progressive pattern of regional capitalist development. The book will appeal to students and researchers interested in processes of capitalist development, agrarian political economy and international political economy.

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A vivid account of the rise of terrorism in the late nineteenth century and the hysterical media response it provoked -- .

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Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

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The relationship between Germany and Russia is Europe’s most important link with the largest country on the continent. But despite Germany’s unparalleled knowledge and historical experience, its policymakers struggle to accept that Moscow’s efforts to rebalance Europe at the cost of the cohesion of the EU and NATO are an attack on Germany’s core interests. This book explains the scale of the challenge facing Germany in managing relations with a changing Russia. It analyses how successive German governments from 1991 to 2014 misread Russian intentions, until Angela Merkel sharply recalibrated German and EU policy towards Moscow. The book also examines what lies behind efforts to revise Merkel’s bold policy shift, including attitudes inherited from the GDR and the role of Russian influence channels in Germany.

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Winner of the Barbara Jelavich Book Prize 2023“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture."

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Before her death, the artist and writer Leonora Carrington (1917–2011) had already garnered a cult following, with numerous creative people making the pilgrimage to meet her at her home in Mexico City. Since then, her fame has only increased.Thinking across contemporary art media, this book demonstrates how Carrington has posthumously become a medium in her own right, critically haunting the creative intellectuals who met or knew her. It explores the work of a remarkable variety of individuals and organisations, including the artists Lucy Skaer, Samantha Sweeting and Lynn Lu, the actress Tilda Swinton, the novelists Chloe Aridjis and Heidi Sopinka and the ensemble Double Edge Theatre.This long-awaited study provides essential reading for both new and established members of the burgeoning Carrington fan club.

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The election of populist far-right party Law and Justice in 2015 marked a shocking break in Polish politics. A period of stability was brutally interrupted as Jaroslaw Kaczynski and his allies took over public media and launched a controversial ‘reform’ of the judiciary.How was this illiberal turn possible after years of democratic development? Jaroslaw Kuisz, one of Poland’s leading liberal thinkers, digs deep into Polish history to propose an original analysis of the crisis. He reveals how centuries of statelessness have left Poles with a ‘post-traumatic’ attitude to sovereignty, making them wary of powerful foreign blocks, be it the EU, the Soviet Union or present-day Russia. This is a phenomenon populists have proved adept at exploiting. Providing a brilliant account of Europe’s largest illiberal democracy, The new politics of Poland shines a light on the broader situation in East and Central Europe, offering valuable lessons for other countries experiencing the rise of populist right-wing movements.

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The first account of one of the world’s most pressing humanitarian catastrophes.This eye-opening book reveals how China has used the US-led Global War on Terror as cover for its increasingly brutal suppression of the Uyghur people. China’s actions, it argues, have emboldened states around the globe to persecute ethnic minorities and severely repress domestic opposition in the name of combatting terrorism.Within weeks of the September 11 attacks on New York and Washington, the Chinese government announced that it faced a serious terrorist threat from its largely Muslim Uyghur ethnic minority. Nearly two decades later, of the 11 million Uyghurs living in China today, more than 1 million have been detained in so-called re-education camps, victims of what has become the largest program of mass incarceration and surveillance in the world.Drawing on extensive interviews with Uyghurs in Xinjiang, as well as refugee communities and exiles, Sean Roberts tells a story that is not just about state policies, but about Uyghur responses to these devastating government programs. Providing a lucid and far-reaching analysis of China’s cultural genocide, The War on the Uyghurs allows the voices of those caught up in the human tragedy to be heard for the first time.

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This book offers the first transnational history of white nationalism in Britain, the US and the formerly British colonies of Rhodesia, South Africa and Australia from the post-World War II period to the present. It situates contemporary white nationalism in the ‘Anglosphere’ within the context of major global events since 1945. White nationalism, it argues, became more global in reaction to the forces of decolonisation, civil rights, mass migration and the rise of international institutions. In this period, assumptions of white supremacy that had been widely held by whites throughout the world were challenged and reformulated, as western elites professed a commitment to colour-blind ideals. The decline in legitimacy of overtly racist political expression produced international alliances among white supremacists and new claims of populist legitimation.

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In January 1981, just days before Jimmy Carter left the White House, many of the president’s officials were well satisfied with the administration’s campaign to promote human rights. But as commentators, scholars, and the incoming president began to critique Carter’s bipolar policy, it became clear that Carter had not only failed to persuade the American public that he had a clear grasp on the international role of the US, but he failed to build a lasting domestic consensus on foreign policy.The Carter administration aimed to renew its ideological challenge to the USSR through human rights and to persuade the Soviets to ease internal repression in order to strengthen Congressional support for détente and arms control. Contrary to what he envisioned, the more vigorously the White House pursued a pro-human rights agenda, the more the Soviets lost interest in détente; the more the administration relegated human rights to quiet diplomacy, the more critics within the United States accused the President of abandoning his commitment to human rights. In the end, the White House lost the opportunity to stabilise bipolar relations and the domestic support Carter had managed to garner in 1976. Critics of détente, helped by the Iran hostage crisis and the Soviet invasion of Afghanistan, defeated him.Based on recently declassified archival documents, A precarious equilibrium offers a fresh interpretation of President Jimmy Carter’s human rights policy and its contradictory impact on US–Soviet affairs.

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This book explores and analyses the evolving African security paradigm in light of the multitude of diverse threats and challenges facing the continent and the international community. It challenges current thinking and traditional security constructs as woefully inadequate to meet the real security needs of African governments and their 1 billion plus citizens in an increasingly globalised and interdependent world. Through the lens of human security the authors’ examine the continent’s most pressing security challenges—from identity conflict and failing states to terrorism, disease, and environmental degradation—and in doing so provide a comprehensive look at the complexities of building peace and stability in modern-day Africa. Not only does the book critically assess the state of progress in addressing security challenges, but it presents new strategies and tools for more effectively engaging Africans and the global community in their common search for solutions.

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This book charts the development of political thought within the British Liberal Party and its successor, the Liberal Democrats. Beginning with Jo Grimond’s rise to the leadership in 1956, it follows the Liberal resurgence in the second half of the twentieth century through to the major setbacks of the 2015 general election and the 2016 referendum on UK membership of the European Union. Drawing on interviews with leading politicians and political thinkers, the book examines Liberal ideas against the background of key historical events and controversies, including the period of coalition government with the Conservatives.

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This book examines the modern performance history of one of Shakespeare's best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goers to explore the pleasures of pastoral, gender masquerade and sexual ambiguity. Powered by Shakespeare's greatest female comic role, the play invites us into a deeply English woodland that has also been richly imagined as a space of dreams. The study retrieves the untold stories of stage productions in Britain, France and Germany, which include Royal Shakespeare Company productions starring Vanessa Redgrave, Eileen Atkins and Juliet Stevenson, the ground-breaking all-male productions at the National Theatre in 1967 and by Cheek by Jowl in 1992, and the versions directed by Jacques Copeau in Paris in 1934, and by Peter Stein in Berlin in 1977. It also addresses the four major screen versions of the play, ranging from Paul Czinner's 1936 film to Kenneth Branagh's seventy years later.

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This book offers an analysis of archaeological imagery based on new materialist approaches. Reassessing the representational paradigm of archaeological image analysis, it argues for the importance of ontology, redefining images as material processes or events that draw together differing aspects of the world. The book is divided into three sections: ‘Emergent images’, which focuses on practices of making; ‘Images as process’, which examines the making and role of images in prehistoric societies; and ‘Unfolding images’, which focuses on how images change as they are made and circulated. Featuring contributions from archaeologists, Egyptologists, anthropologists and artists, it highlights the multiple role of images in prehistoric and historic societies, while demonstrating that scholars need to recognise their dynamic and changeable character.

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Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.

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Is modern racism a product of secularisation and the decline of Christian universalism? The debate has raged for decades, but up to now, the actual racial views of historical atheists and freethinkers have never been subjected to a systematic analysis. Race in a Godless World sets out to correct the oversight. It centres on Britain and the United States in the second half of the nineteenth century, a time when popular atheist movements were emerging and scepticism about the truth of Christianity was becoming widespread. Covering racial and evolutionary science, imperialism, slavery and racial prejudice in theory and practice, it provides a much-needed account of the complex and sometimes contradictory ideas espoused by the transatlantic community of atheists and freethinkers. It also reflects on the social dimension of irreligiousness, exploring how working-class atheists’ experiences of exclusion could make them sympathetic to other marginalised groups.

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This book is a detailed exploration of the working practices of a community of scientists exposed in public, and of the making of scientific knowledge about climate change in Scotland. For four years, the author joined these scientists in their sampling expeditions into the Caledonian forests, observed their efforts in the laboratory to produce data from wood samples and followed their discussions of a graph showing the evolution of the Scottish temperature over the past millennium in conferences, workshops and peer-review journals. This epistemography of climate change is of broad social and academic relevance – both for its contextualised treatment of a key contemporary science, and for its original formulation of a methodology for investigating expertise.This book is relevant to United Nations Sustainable Development Goal 13, Climate action

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With the outbreak of World War I, German-born Kitty Marion, suspected of being a German spy and placed under surveillance, sailed from Liverpool for New York. She left a dramatic and colourful life behind: a hectic and fascinating 20-year career as a performer crisscrossing Britain first as a singer, dancer and actress on the musical comedy and pantomime stage, and then in music hall as a ‘refined comedienne’. She campaigned against the sexual abuses rife in the theatre of the day which led her eventually into the suffragette movement where she became a ‘notorious’ militant, responsible for numerous acts of arson. She was imprisoned, went on hunger-strike, and was force-fed more than 300-times. In America, she became a celebrated ‘foot-soldier’ in Margaret Sanger’s birth control movement. Her autobiography, written in the 1930s is published here for the first time.

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This new collection of essays presents the latest thoughts of one of the world’s leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

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Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.

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The global race for skilled immigrants seeks to attract the best global workers. In the pursuit of these individuals, governments may incidentally discriminate on gender grounds. Existing gendered differences in the global labour market related to life course trajectories, pay gaps and gendered divisions in occupational specialisation are also present in skilled immigration selection policies. Presenting the first book-length account of the global race for talent from a gender perspective, Gender, migration and the global race for talent will be read by graduate students, researchers, policy-makers and practitioners in the fields of immigration studies, political science, public policy, sociology and gender studies, and Australian and Canadian studies.

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