Search results for ""author gilbert"

This book recounts the remarkable history of efforts by significant medieval thinkers to accommodate the ontology of the Trinity within the framework of Aristotelian logic and ontology. These efforts were remarkable because they pushed creatively beyond the boundaries of existing thought while trying to strike a balance between the Church's traditional teachings and theoretical rigor in a context of institutional politics. In some cases, good theology, good philosophy, and good politics turned out to be three different things. The principal thinkers discussed are Augustine, Boethius, Abélard, Gilbert of Poitiers, Bonaventure, Aquinas, Scotus, and Ockham. The aspects of Trinitarian doctrine dealt with are primarily internal ontological questions about the Trinity. The approach draws on history of theology and philosophy, as well as on the modern formal disciplines of set-theoretic semantics and formal ontology. Augustine inaugurated the project of constructing models of the Trinity in language drawn from Platonic and Aristotelian philosophy, especially the conceptual framework of Aristotle's Categories. He used the Aristotelian notions of substance and relation to set up a model whose aim was not so much to demystify the Trinity as to demonstrate the logical consistency of maintaining that there is one and only one God at the same time as maintaining that there are three distinct persons, each of whom is God. Standing against this tradition are various heretical accounts of the Trinity. The book also analyzes these traditions, using the same techniques. All these accounts of the Trinity are evaluated relative to the three constraints under which they were formed, bearing in mind that the constraints on philosophical theorizing are not limited to internal consistency but also take note of explanatory power. Besides analyzing and evaluating individual accounts of the Trinity, the book provides a novel framework within which different theories can be compared.

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Arc New Voices from Europe and Beyond: 1The first volume in Arc's New Voices from Europe, a series of anthologies featuring the work of contemporary poets written in what might be described as the 'small' languages of Europe. The six young Slovenian poets - three male (Uros Zupan, Peter Semolic and Gregor Podlogar) and three female (Vida Mokrin-Pauer, Maja Vidmar and Natasa Velikonja) - who contribute to this anthology are from the post-postmodernist generation, the generation that came of age in the 1990s and that takes the freedoms of an independent nation-state as a given. Although their work may have more in common with that of poets in wider Europe (even North America) than with their predecessors in the Slovenian cultural tradition (as described in the illuminating introduction to this volume), they write with a distinctiveness and originality that, to quote from the introduction, "traverses the hitherto neglected terrain of colloquial speech, hybrid identities and cultural sensibilities of an urban capitalist milieu". This is a fascinating introduction to contemporary Slovenian poetry. "This is the first in a new series of bilingual anthologies from Arc, with the admirable aim of bringing the work of a younger generation of poets across Europe to a wider English-language readership. Six Slovenian Poets fulfils this endeavour with a varied selection of poets under forty, all published for the first time within the past decade and all, in their various ways, breaking with Slovenian literary tradition. These young poets reference the Beckhams, Dolce & Gabbana, Sinead O'Connor and Gilbert and George as well as Paz, Yeats and Auden: poems, as Gregor Podlogar comments in Ana Jelnikar and Stephen Watts' fine translation, for when '54 TV programmes / just aren't enough'."Modern Poetry in Translation

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The Go-Go Years "The Go-Go Years is not to be read in the usual manner ofWall Street classics. You do not read this book to see our presentsituation reenacted in the past, with only the names changed. Youread it because it is a wonderful description of the way thingswere in a different time and place." --From the Foreword by Michael Lewis The Go-Go Years is the harrowing and humorous story ofthe growth stocks of the 1960s and how their meteoric rise caused amultitude of small investors to thrive until the devastating marketcrashes in the 1970s. It was a time when greed drove the market andfast money was being made and lost as the "go-go" stocks surged andplunged. Included are the stories of such high-profilepersonalities as H. Ross Perot who lost $450 million in one day,Saul Steinberg's attempt to take over Chemical Bank, and the fallof America's "Last Gatsby," Eddie Gilbert. Praise for The Go-Go Years "Those for whom the stock market is mostly a spectator sportwill relish the book's verve, color, and memorableone-liners." --New York Review of Books "Please don't take The Go-Go Years too much for granted:as effortlessly as it seems to fly, it is nonetheless an unusuallycomplex and thoughtful work of social history." --New York Times "Brooks's great contribution is his synthesis of all theelements that made the 1960s the most volatile in Wall Streethistory . and making so much material easily digestible for theuninitiated." --Publishers Weekly "Brooks ... is about the only writer around who combines athorough knowledge of finance with the ability to perceive behindthe dance of numbers 'high, pure, moral melodrama on the themes ofpossession, domination, and belonging.'" --Time

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Scholars explore from many fresh angles the interweavings of two of the richest strands of human culture - music and esotericism - with examples from the medieval period to the modern age. Music and esotericism are two responses to the intuition that the world holds hidden order, beauty, and power. Those who compose, perform, and listen to music have often noted that music can be a bridge between sensory and transcendent realms. Such renowned writers as Boethius expanded the definition of music to encompass not only sounded music but also the harmonic fabric of human and cosmic life. Those who engage in pursuits called "esoteric," from ancient astrology, magic, and alchemy to recent and more novel forms of spirituality, have also remarked on the relevance of music to their quests. Esotericists have composed music in order to convey esoteric meaning, performed music to create esoteric influences, and listened to music to raise their esoteric awareness. The academic study of esotericism is a young field, and few researchers have probed the rich interface between the musical and esoteric domains. In Explorations in Music and Esotericism, scholars from numerous fields introduce the history of esotericism and current debates about its definition and extent. The book's sixteen chapters present rich instances of connections between music and esotericism, organized with reference to four aspects of esotericism: as a form of thought; as the keeping and revealing of secrets; as an identity; and as a signifier. Edited by Marjorie Roth and Leonard George. Contributors: Elizabeth Abbate, Malachai Komanoff Bandy, Adam Bregman, Charles E. Brewer, Benjamin Dobbs, Anna Gawboy, Pasquale Giaquinto, Adam Knight Gilbert, Joscelyn Godwin, Virginia Christy Lamothe, Andrew Owen, Christopher Scheer, Codee Ann Spinner, Woodrow Steinken, and Daphne Tan.

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How performance has transformed the status of the art object, in works by Félix González-Torres, Oskar Schlemmer, Robert Morris and more Presenting works from the early 20th century to today, The Paradox of Stillness: Art, Object, and Performance examines the notion of stillness as both a performative and visual gesture, featuring practitioners who have constructed static or near-static experiments that hover somewhere between action and representation as they are experienced in the gallery space. The exhibition investigates performance from the perspective of the object rather than the body, examining how performance has reinterpreted traditional artistic mediums. Stillness and permanence are qualities typically seen as inherent to painting and sculpture—consider the frozen gestures of a historical tableau or the unyielding solidity of a bronze figure. The Paradox of Stillness, however, expands the artwork’s quality of stillness to accommodate uncertain temporalities and physical states, investigating works that merge objects with human bodies suspended in motion. Featuring artists whose works include performative elements but also embrace acts, objects and gestures that refer more to the inert qualities of painting or sculpture than to true staged action, The Paradox of Stillness rethinks the history of performance through its aesthetic investigations into the interplay of the fixed image and the live body. Artists include: Marina Abramovic, Merce Cunningham, Giorgio de Chirico, VALIE EXPORT, Gilbert and George, Félix González-Torres, Maria Hassabi, Jannis Kounellis, Kasimir Malevich, Piero Manzoni, Robert Morris, Senga Nengudi, Michelangelo Pistoletto, Oskar Schlemmer, Sophie Taeuber-Arp, Cindy Sherman, Mario Garcia Torres and Franz West.

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A new intellectual community came together in the United States in the 1910s and 1920s, a community outside the universities, the professions and, in general, the established centers of intellectual life. A generation of young intellectuals was increasingly challenging both the genteel tradition and the growing division of intellectual labor. Adversarial and anti-professional, they exhibited a hostility to boundaries and specialization that compelled them toward an ambitious and self-conscious generalism and made them a force in the American political, literary, and artistic landscape. This book is a cultural history of this community of free-lance critics and an exploration of their collective effort to construct a viable public intellectual life in America. Steven Biel illustrates the diversity of the body of writings produced by these critics, whose subjects ranged from literature and fine arts to politics, economics, history, urban planning, and national character. Conceding that significant differences and conflicts did exist in the works of individual thinkers, Biel nonetheless maintains that a broader picture of this vibrant culture has been obscured by attempts to classify intellectuals according to political or ideological persuasions. His book brings to life the ways in which this community sought out alternative ways of making a living, devised strategies for reaching and engaging the public, debated the involvement of women in the intellectual community and incorporated Marxism into its evolving search for a decisive intellectual presence in American life. Examined in this lively study are the role and contributions of such figures as Randolph Bourne, Max Eastman, Crystal Eastman, Walter Lippmann, Margaret Sanger, Van Wyck Brooks, Floyd Dell, Edmund Wilson, Mable Dodge, Paul Rosenfeld, H. L. Mencken, Lewis Mumford, Malcolm Cowley, Matthew Josephson, John Reed, Waldo Frank, Gilbert Seldes, and Harold Stearns.

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LGBTQ writing from ancient times to yesterday, selected by award-winning translator Frank Wynne. Since the dawn of literature, queer people have turned to writing to document their existence: to share great triumphs and deep despairs; to praise the virtues of their lover, extol their loneliness and proclaim their lust; to tell of their peculiarities and mundanities. For almost as long, they have been censored and bowdlerised, persecuted and relegated to the margins. No longer. Alive in these pages, readers will hear Homer's Achilles beat his chest in grief for the loss of his Patroclus and Paul Verlaine exalt the arsehole of his lover. They will see Alison Bechdel tiptoe then leap out of the closet and Juno Dawson come out again, but differently. They will bite and lick and groan in sweet surprise with Roz Kaveney, and fall in and out of love alongside Qiu Miaojin in Paris and Taiwan. They will recognise queer saints and icons – Audre Lorde, Larry Kramer, Virginia Woolf – and meet young queer, trans and non-binary writers – Keith Jarrett, Zhang Yueran and Niviaq Korneliussen, among others. Frank Wynne allows their voices to ring out, unashamed and unabashed, in eighty pieces that straddle the spectrum of queer existence: short stories, poems, essays, extracts and scenes from countries the world over, from ancient times to yesterday. Reviews for Queer: 'A landmark anthology of queer writing' BBC Front Row 'A landmark collection of LGBTQ writing from ancient times to yesterday, featuring powerful voices in many literary forms' Spectator, Books of the Year 'A fearless and life-affirming celebration of what Gilbert Adair [...] called 'the second most natural thing in the world'' Review 31, Books of the Year

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From Dartmoor to Dartmouth, the River Dart flows through some of Devon's most beautiful scenery. The towns and villages which have grown up along its banks are steeped in history and proudly preserve their rich heritage. This book shows images from the past of places all the way along the river. From the Dartmeet through Holne, Hexworthy, Buckfastleigh, Staverton, Dartington, Totnes, Ashprington, Tuckenhay, Cornworthy, Stoke Gabriel, Dittisham, Galmpton, Dartmouth and Kingswear, archive photographs bring the history of the area to life.With over 200 images carefully selected from the Local Studies Archive at Torquay Library, these pictures cover a wide range of subjects, including: the revival of Buckfast Abbey, the development and preservation of the steam railway, the proud seafaring tradition of the area (from Elizabethan adventurers such as Gilbert, Raleigh and Davis to the Britannia Royal Naval College), local involvement in warfare (from the Norman Conquest to the Falklands Conflict), village life, and the vessels that have plied the Dart during the twentieth century. Of course, no book of this kind would be complete without mentioning some of the many colourful legends and folk stories that abound concerning this area and Mike Holgate has used many such tales in this expertly written captions.People who enjoy a long-standing association with the area will love the nostalgia of this book - which takes the reader both along the river and down memory lane! Those who are of a more recent association with the area will love the nostalgia of this book - which takes the reader both along the river and down memory lane! Those who are of a more recent association with the River Dart will delight in seeing its history displayed through high-quality images and comprehensive text.

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How did the West End of London become the world's leading pleasure district? What is the source of its magnetic appeal? How did the centre of London become Theatreland? London's West End, 1800-1914 is the first ever history of the area which has enthralled millions. The reader will discover the growth of theatres, opera houses, galleries, restaurants, department stores, casinos, exhibition centres, night clubs, street life, and the sex industry. The area from the Strand to Oxford Street came to stand for sensation and vulgarity but also the promotion of high culture. The West End produced shows and fashions whose impact rippled outwards around the globe. During the nineteenth century, an area that serviced the needs of the aristocracy was opened up to a wider public whilst retaining the imprint of luxury and prestige. Rohan McWilliam tells the story of the great artists, actors and entrepreneurs who made the West End: figures such as Gilbert and Sullivan, the playwright Dion Boucicault, the music hall artiste Jenny Hill, and the American Harry Gordon Selfridge who wanted to create the best shop in the world. At the same time, McWilliam explores the distinctive spaces created in the West End, from the glamour of Drury Lane and Covent Garden, through to low life bars and taverns. We encounter the origins of the modern star system and celebrity culture. London's West End, 1800-1914 moves from the creation of Regent Street to the glory days of the Edwardian period when the West End was the heart of empire and the entertainment industry. Much of modern culture and consumer society was shaped by a relatively small area in the middle of London. This pioneering study establishes why that was.

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Therapists and counsellors in training and practice will find in this book a new, accessible and powerful approach to short-term therapy with couples. Much problem behaviour in relationships can be see## attempts to find solutions to pain and distress. This guide to therapy is based on the authors considerable clinical experience and on their integrative approach which brings together ideas from humanistic, analytic and cognitive behavioural therapy. The authors approach is based on a developmental perspective which relates the partners history to their present situation. The method helps couples to optimize the best aspects of their relationship rather than remaining stuck in repetitive, unproductive processes. This book brings together theory and practice, and is illustrated by ample clinical examples, as well as a substantial case history running through the treatment process. This book appears in the Wiley Series in Brief Therapy and Counselling Series Editor: Windy Dryden Goldsmiths College, University of London, UK

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Jackie Beere's Independent Thinking on Teaching and Learning: Developing independence and resilience in all teachers and learners is a practical guide full of educational wisdom to help teachers make a genuine difference to the lives of every young person in their classroom. Foreword by Ian Gilbert. All the evidence shows that the most valuable asset in any classroom is the teacher at the front. No matter what changes are made to systems or to the curriculum, one certainty remains: children will be helped or hindered in their learning, job prospects, life chances and, indeed, happiness by the teachers they come across during their time in the education system. In this all-encompassing book on teaching and learning, Independent Thinking Associate Jackie Beere draws on her many years' experience as a teaching assistant, primary teacher and secondary head teacher to re-energise every teacher's passion for their profession. She champions both children and teachers as learners, and together with expert advice on how to instil the habits of independent learning in all pupils shares great practice that delivers outstanding outcomes for all educators. Jackie encourages teachers to embrace challenge and change, and suggests ways in which they can provide a model for their pupils when it comes to developing independence and resilience. She also offers expert guidance on how teachers can build rapport with their students and cultivate with them a sense of co-ownership of their learning journey so that they work hard, value their learning and fulfil their potential. Essential reading for all teachers and school leaders who wish to make an impact on the teaching and learning in their school. Independent Thinking on Teaching and Learning contains some material previously published in The Perfect Lesson (ISBN 978-178135244-1) and The (Practically) Perfect Teacher (ISBN 978-178135252-6), and is one of a number of books in the Independent Thinking On ... series from the award-winning Independent Thinking Press. Independent Thinking on Teaching and Learning has been shortlisted for the Educational Book Award in the 2021 Education Resources Awards!

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Written by Richard Evans, Independent Thinking on Emotional Literacy: A passport to increased confidence, engagement and learning shares an approach that will help educators boost their pupils' emotional literacy, with the broader aim of nurturing a more grounded, engaged and intrinsically motivated child. Foreword by Ian Gilbert. Do teachers truly understand their pupils? And do the pupils themselves really understand their own needs? In Independent Thinking on Emotional Literacy, Richard Evans reminds every school educator that behind every child is a set of circumstances so entwined - and within them a set of emotions so involved - that to ignore them is to be complicit in any educational failings experienced by that child. Richard equips educators with a collaborative 'passport' template designed to improve pupils' emotional literacy and promote discussion of the often-unspoken issues that prevent children from making progress at school. It enables staff to steer young people to greater emotional understanding of themselves, so that they can better manage their route through the school system. Furthermore, Richard provides a detailed tutorial as he walks you through the subtleties and wide-ranging possibilities of its use. Colour copies of the passport are also made available for free download as a complimentary feature of the book. If the passport is aimed at anyone, adult or child, it's those not altogether happy with the system; those not convinced it provides as much breadth and meaning as it could; and who sense that education is as much about the acquisition of self-knowledge as it is about that of knowledge per se. Ultimately, the result of the enterprise is deeper understanding - whether it's of the girl who falls asleep at the back, the boy who needs constant support, or those pupils who need extra careful attention at parents' evening. Suitable for all educators in both primary and secondary settings.

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Crista Hazell's Independent Thinking on MFL: How to make modern foreign language teaching exciting, inclusive and relevant takes teachers on a tour of how to get the teaching of a new language right. Foreword by Ian Gilbert. Learning a new language has the power to transform a life, as well as help break down the barriers that seem to be re-emerging between nations, cultures and people. In the UK, MFL teaching has always had to battle with the 'everyone speaks English' argument, not to mention that, for so many, all that remains of their years learning a foreign language is bitte, por favor or s'il vous plait. But with teachers like Independent Thinking Associate Crista Hazell at the front of the class, things can be very different. Drawing on her many years of experience as an MFL teacher and head of department, Crista shares tips, techniques and inspirational ideas geared to help teachers build confidence, increase enjoyment and improve outcomes as they take their MFL teaching to a whole new level. Crista provides a range of strategies from how to hook students in the minute they enter the classroom to ensuring that the vocabulary sticks designed to help learners develop confidence, take risks and enjoy the challenge that learning a new language brings. She also offers ideas and advice on how to make learning new vocabulary and grammar a great deal more effective and empowers teachers to open up the benefits and enjoyment of learning a language to all students, not just those in the top sets. Ultimately, however, her book sets out to help teachers create engaging, relevant and memorable learning experiences in the MFL classroom and encourage their learners to become lifelong and passionate linguists. For MFL teachers and heads of languages departments in primary schools, secondary schools and colleges. Independent Thinking on MFL has been shortlisted for the Educational Book Award in the 2021 Education Resources Awards!

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Migration is a complex and multifaceted issue, and the current legal framework suffers from considerable ambiguity and lack of cohesive focus. This Handbook offers a comprehensive take on the intersection of law and migration studies and provides strategies for better understanding the potential of international legal norms in regulating migration. Authoritative analyses by the most renowned and knowledgeable experts in the field focus on important migration issues and challenge the current normative framework with new ways of thinking about the topic.The book examines the many facets of migration from an international law perspective. Topics discussed include the relationship between migration and state sovereignty, the human rights of migrants, human trafficking, migrant workers, refugees and internal displacement. The expert contributors hail from a number of diverse international law backgrounds (including refugee law, human rights law, humanitarian law, labor law, WTO law and others), allowing them to synthesize many different perspectives and present a comprehensive, cohesive and timely study of a complicated and fractured topic.The Research Handbook on International Law and Migration provides a critical examination of migration and international law, identifying the issues still to be tackled and suggesting further developments to be made. It will appeal to advanced and postgraduate students, academics and policymakers.Contributors: T.A. Aleinikoff, I. Atak, H. Battjes, V. Chetail, R. Cohen, F. Crépeau, C. Dauvergne, M. Duchatellier, T. Gammeltoft-Hansen, G. Gilbert, E. Guild, W. Kälin, H. Lambert, S.H. Legomsky, B. Lyon, L.A. Nessel, H. O'Nions, S. Ojeda, C. Phuong, R. Piotrowicz, J. Rhodes, P.J. Spiro, H. Storey, J.P. Trachtman, W. Vandenhole, A. Vermeer-Künzli, J. Vedsted-Hansen, R.M.M. Wallace, D. Weissbrodt, M. Zieck

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What might behaviorism, that debunked school of psychology, tell us about literature?If inanimate objects such as novels or poems have no mental properties of their own, then why do we talk about them as if they do? Why do we perceive the minds of characters, narrators, and speakers as if they were comparable to our own? In Behaviorism, Consciousness, and the Literary Mind, Joshua Gang offers a radical new approach to these questions, which are among the most challenging philosophical problems faced by literary study today.Recent cognitive criticism has tried to answer these questions by looking for similarities and analogies between literary form and the processes of the brain. In contrast, Gang turns to one of the twentieth century's most infamous psychological doctrines: behaviorism. Beginning in 1913, a range of psychologists and philosophers—including John B. Watson, B. F. Skinner, and Gilbert Ryle—argued that many of the things we talk about as mental phenomena aren't at all interior but rather misunderstood behaviors and physiological processes. Today, behaviorism has relatively little scientific value, but Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life.Turning to behaviorism's own literary history, Gang offers the first sustained examination of the outmoded science's place in twentieth-century literature and criticism. Through innovative readings of figures such as I. A. Richards, the American New Critics, Samuel Beckett, Harold Pinter, and J. M. Coetzee, Behaviorism, Consciousness, and the Literary Mind reveals important convergences between modernist writers, experimental psychology, and analytic philosophy of mind—while also giving readers a new framework for thinking about some of literature's most fundamental and exciting questions.

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'Raw, elemental and beautiful.' Telegraph'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy and the wonder, the loneliness and despair. MORE PRAISE FOR CLOVER STROUD:'Clover's expertise is writing about family life in a way that feels both new and entirely familiar' - Pandora Sykes'As tender, blazing, funny and unflinching as the love it describes. I want to give this triumphant book to every mother I know' - Rachel Joyce'Stroud is always willing to rip open her very soul in order to reveal the truth about her life - and every time a woman tells the truth like this, it sets another woman free' - Elizabeth Gilbert'I read in one greedy gulp and am still slightly reeling. Extraordinary writing... For mothers and those even vaguely interested in family dynamics it is fascinating' - Alexandra HeminsleyCharting the course of one year, the first in her youngest child's life, Clover searches for answers to questions that many of us would be too afraid to admit to - not only about motherhood, but also about female sexuality and identity. Her story will speak to all mothers, and anyone about to embark on that journey.

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“The innovative essays in this volume . . . demonstrat[e] the potential of the perspective of the affects in a wide range of fields and with a variety of methodological approaches. Some of the essays . . . use fieldwork to investigate the functions of affects—among organized sex workers, health care workers, and in the modeling industry. Others employ the discourses of microbiology, thermodynamics, information sciences, and cinema studies to rethink the body and the affects in terms of technology. Still others explore the affects of trauma in the context of immigration and war. And throughout all the essays run serious theoretical reflections on the powers of the affects and the political possibilities they pose for research and practice.”—Michael Hardt, from the forewordIn the mid-1990s, scholars turned their attention toward the ways that ongoing political, economic, and cultural transformations were changing the realm of the social, specifically that aspect of it described by the notion of affect: pre-individual bodily forces, linked to autonomic responses, which augment or diminish a body’s capacity to act or engage with others. This “affective turn” and the new configurations of bodies, technology, and matter that it reveals, is the subject of this collection of essays. Scholars based in sociology, cultural studies, science studies, and women’s studies illuminate the movement in thought from a psychoanalytically informed criticism of subject identity, representation, and trauma to an engagement with information and affect; from a privileging of the organic body to an exploration of nonorganic life; and from the presumption of equilibrium-seeking closed systems to an engagement with the complexity of open systems under far-from-equilibrium conditions. Taken together, these essays suggest that attending to the affective turn is necessary to theorizing the social.Contributors. Jamie “Skye” Bianco, Grace M. Cho, Patricia Ticineto Clough, Melissa Ditmore, Ariel Ducey, Deborah Gambs, Karen Wendy Gilbert, Greg Goldberg, Jean Halley, Hosu Kim, David Staples, Craig Willse , Elizabeth Wissinger , Jonathan R. Wynn

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The remarkable story of three Yorkshire cricketers from the Golden Age - George Hirst, Wilfred Rhodes and Schofield Haigh - who transformed their county's fortunes, inspired a generation of cricketers and left a unique legacy on the game. Between them, Hirst, Rhodes and Haigh scored over 77,000 runs and took almost 9000 wickets in a combined 2500 appearances, helping Yorkshire to seven County Championship triumphs. The records they set will never be beaten, yet the three men - known throughout England as The Triumvirate - were born in two small villages just outside Huddersfield, in Last of the Summer Wine country. Hirst pioneered and perfected the art of swing and seam bowling, Rhodes took more first-class wickets than anyone else in history, while the genial Haigh's achievements as a bowler at Yorkshire have been surpassed only by his two close friends; their influence would extend far beyond England, as they all went to India to coach, laying the foundations of cricket in the subcontinent. Pearson, whose biography of Learie Constantine, Connie, won the MCC Book of the Year Award, brings the characters and the age vividly to life, showing how these cricketing stars came to symbolise the essence of Yorkshire. This was a time when the gritty northern professionals from the White Rose county took on some of the most glittering amateurs of the age, including W.G.Grace, C.B.Fry, Prince Ranji and Gilbert Jessop, and when writers such as Neville Cardus and J.M.Kilburn were on hand to bring their achievements to a wider audience. The First of the Summer Wine is a celebration of a vanished age, but also reveals how the efforts of Hirst, Rhodes and Haigh helped create the modern era, too.

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LGBTQ writing from ancient times to yesterday, selected by award-winning translator Frank Wynne. Since the dawn of literature, queer people have turned to writing to document their existence: to share great triumphs and deep despairs; to praise the virtues of their lover, extol their loneliness and proclaim their lust; to tell of their peculiarities and mundanities. For almost as long, they have been censored and bowdlerised, persecuted and relegated to the margins. No longer. Alive in these pages, readers will hear Homer's Achilles beat his chest in grief for the loss of his Patroclus and Paul Verlaine exalt the arsehole of his lover. They will see Alison Bechdel tiptoe then leap out of the closet and Juno Dawson come out again, but differently. They will bite and lick and groan in sweet surprise with Roz Kaveney, and fall in and out of love alongside Qiu Miaojin in Paris and Taiwan. They will recognise queer saints and icons – Audre Lorde, Larry Kramer, Virginia Woolf – and meet young queer, trans and non-binary writers – Keith Jarrett, Zhang Yueran and Niviaq Korneliussen, among others. Frank Wynne allows their voices to ring out, unashamed and unabashed, in eighty pieces that straddle the spectrum of queer existence: short stories, poems, essays, extracts and scenes from countries the world over, from ancient times to yesterday. Reviews for Queer: 'A landmark anthology of queer writing' BBC Front Row 'A landmark collection of LGBTQ writing from ancient times to yesterday, featuring powerful voices in many literary forms' Spectator, Books of the Year 'A fearless and life-affirming celebration of what Gilbert Adair [...] called 'the second most natural thing in the world'' Review 31, Books of the Year

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The first biography of the philosopher who became a mastermind of Allied intelligence in World War Two. Austere, witty, and formidable, J. L. Austin (1911-1960) was the leader of Oxford Ordinary Language Philosophy and the founder of speech-act theory. This book--the first full-length biography of Austin--enhances our understanding of his dominance in 1950s Oxford, examining the significance of his famous Saturday morning seminars, and his sometimes tense relationships with Gilbert Ryle, Isaiah Berlin, A. J. Ayer, and Elizabeth Anscombe. Throwing new light on Austin's own intellectual development, it probes the strengths and weaknesses of his mature philosophy, and reconstructs his late unpublished work on sound symbolism. Austin's philosophical work remains highly influential, but much less well known is his outstanding contribution to British Intelligence in World War Two. The twelve central chapters thus investigate Austin's part in the North African campaign, the search for the V-weapons, the preparations for D-Day, the Battle of Arnhem, and the Ardennes Offensive, and show that, in the case of D-Day, he played a major role in the ultimate Allied victory. While exploring Austin's dramatic and romantic personal history, Rowe pays close attention to his harsh schooling and pre-war affair with a married Frenchwoman; his wartime marriage, bomb injury, and response to a colleague's murder; and his post-war family life, the growing influence of America, and his tragically premature death. Adding considerably to our knowledge of World War Two, and Austin's diverse and enduring influence, this biography reveals the true complexity of his character, and the full range and significance of his achievements.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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A fascinating insight into Britain’s built heritage and the diverse housing styles of the twentieth and twenty-first century. This book showcases 100 houses – one from each year from 1914 – that represent the range of architectural styles throughout the years and show how housing has adapted to suit urban life. Each house is accompanied by stunning photography and texts written by leading architectural critics and design historians, including Gavin Stamp, Elain Harwood, Barnabas Calder, Ellis Woodman and Gillian Darley. From specially commissioned architect-designed houses for individuals and for families to housing built for increased workforces, each of the 100 houses brings a different design style or historical story. There are houses built as part of garden cities, semi-detached suburban houses, housing estates, eco-houses, almshouses, converted factories and affordable post-war homes. The architectural styles encompass mock Tudor, modernist, Arts & Crafts and brutalist and the featured architects include Giles Gilbert Scott, Walter Gropius, Edwin Lutyens, Powell and Moya and David Chipperfield. The book also contains essays that explore the social and political aspects of housing design in Britain over the last 100 years, looking at the impact the World Wars had on housing, exploring domestic technology and building materials and asking how the modern house came about. Whether exploring Grayson Perry’s folly-like House for Essex, Patrick Gwynne’s modernist glass villa in Surrey, Sarah Wigglesworth’s Straw Bale House or Simon Conder’s black rubber-clad fisherman’s hut in Dungeness, this book gives a glimpse into the wonderful housing in Britain and is a must-have for all fans of design history and architecture.

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In 1934 Sir Giles Gilbert Scott began work on designs for a substantial new library building opposite the Old Bodleian Library site in Broad Street, Oxford in order to provide much-needed space for the growing numbers of books housed in the library and the number of readers using them. Opened in 1946 (having been delayed by the Second World War), for seventy years the New Bodleian served the academic community and readers visiting Oxford, housing 3.5 million items. Scott’s innovative designs meant that the New Bodleian became a Grade II-listed building in 2003. In 2009, thanks to a generous bequest from the Garfield Weston Foundation, plans got underway for a complete refurbishment of the building to meet the needs of twenty-first-century research and the Bodleian’s expanding collections. The architects Wilkinson Eyre were appointed to develop the project adapting the Grade II listed building for its new use as a special collections library while keeping the façade intact. Their brief was to redesign reading rooms for the consultation of rare books, manuscripts, archives, music and maps, provide new research facilities (including support for digital scholarship), new teaching facilities, improved conservation laboratories, state-of-the-art storage for Bodleian Libraries' valuable special collections and enhanced public access through a new entrance hall and exhibition space. This book tells the story of how the vision for the Weston Library was realized. Like the project itself, it represents a collaboration between clients and consultants as they place the project in context, describing in detail the many architectural, academic, curatorial and heritage issues addressed throughout the process, and the challenges of meeting the needs of an internationally renowned, four-hundred-year-old institution in the twenty-first century.

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Andrew Roberts's Masters and Commanders: The Military Geniuses who led the West to Victory in WWII tells the story of how four great leaders fought each other over how best to fight Hitler. During the Second World War the master strategy of the West was shaped by four titanic figures: Winston Churchill and Franklin Roosevelt, and their respective military commanders - General Sir Alan Brooke and General George C. Marshall. Each man was tough-willed and strong minded. And each was certain he knew best how to achieve victory. Drawing on previously unpublished material, including for the first time verbatim reports of Churchill's War Cabinet meetings, Andrew Roberts's acclaimed history recreates with vivid immediacy the fiery debates and political maneuverings, the rebuffs and the charm, the explosive rows and dramatic reconciliations, as the masters and commanders of the Western Alliance fought each other over the best way to fight Adolf Hitler. 'History as it should be written; a gripping narrative' Michael Gove, Mail on Sunday Books of the Year 'Scintillating historical writing on the whole rich panorama of Britain and the US at war' Martin Gilbert, Evening Standard 'A compelling analysis of American and British military strategy during the war. He also tells a profoundly human story' Laurence Rees, Sunday Times 'A masterpiece' Christopher Silvester, Daily Express 'Britain's finest contemporary military historian' Economist Books of the Year Andrew Roberts is a biographer and historian of international renown whose previous books include Salisbury: Victorian Titan (1999), which won the Wolfson History Prize and the James Stern Silver Pen Award for Non-Fiction; Napoleon and Wellington (2001); Hitler and Churchill: Secrets of Leadership (2003), which coincided with four-part BBC2 history series, and A History of the English-Speaking Peoples Since 1900 (2005).

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Is your business playing it safe—or taking the right risks?If you read nothing else on managing risk, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help your company make smart decisions and thrive, even when the future is unclear.This book will inspire you to: Avoid the most common errors in risk management Understand the three distinct categories of risk and tailor your risk-management processes accordingly Embrace uncertainty as a key element of breakthrough innovation Adopt best practices for mitigating political threats Upgrade your organization's forecasting capabilities to gain a competitive edge Detect and neutralize cyberattacks originating inside your company This collection of articles includes "Managing Risks: A New Framework," by Robert S. Kaplan and Anette Mikes; "How to Build Risk into Your Business Model," by Karan Girotra and Serguei Netessine; "The Six Mistakes Executives Make in Risk Management," by Nassim N. Taleb, Daniel G. Goldstein, and Mark W. Spitznagel; "From Superstorms to Factory Fires: Managing Unpredictable Supply-Chain Disruptions," by David Simchi-Levi, William Schmidt, and Yehua Wei; "Is It Real? Can We Win? Is It Worth Doing?: Managing Risk and Reward in an Innovation Portfolio," by George S. Day; “Superforecasting: How to Upgrade Your Company's Judgment," by Paul J. H. Schoemaker and Philip E. Tetlock; "Managing 21st-Century Political Risk," by Condoleezza Rice and Amy Zegart; "How to Scandal-Proof Your Company," by Paul Healy and George Serafeim; "Beating the Odds When You Launch a New Venture," by Clark Gilbert and Matthew Eyring; "The Danger from Within," by David M. Upton and Sadie Creese; and "Future-Proof Your Climate Strategy," by Joseph E. Aldy and Gianfranco Gianfrate.

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Articulating eight decades of American style through the emotive language of clothing—from celebrated designers that established the modern legacy of sportswear to emerging creatives shaping the future of fashion in the United States “The design of the exhibition and the catalog is straightforward and compartmentalized, allowing the clothes to speak for themselves and contain their own narratives.”—Laird Borrelli-Persson, Vogue.com This new presentation of American fashion features a revised vocabulary that emphasizes its expressive qualities. Stunning new photography showcases over 100 garments from the 1940s to the present that offer a timely new perspective on the diverse and multifaceted nature of American fashion. The catalogue features works that display qualities such as belonging, comfort, desire, exuberance, fellowship, joy, nostalgia, optimism, reverence, spontaneity, strength, and sweetness by designers, from the pioneers who established the nation’s style to the up-and-coming creatives shaping its future. In America: A Lexicon of Fashion includes designs by Gilbert Adrian, Geoffrey Beene, Thom Browne, Bonnie Cashin, Willy Chavarria, Telfar Clemens, Dauphinette (Olivia Cheng), Oscar de la Renta (Fernando Garcia and Laura Kim), Denim Tears (Tremaine Emory), Perry Ellis, Tom Ford, Rudi Gernreich, Halston, Elizabeth Hawes, Carolina Herrera, Conner Ives, Charles James, Donna Karan, KidSuper (Colm Dillane), Calvin Klein, Michael Kors, Ralph Lauren, LRS (Raul Solís), Vera Maxwell, Claire McCardell, Norman Norell, Heron Preston, Pyer Moss (Kerby Jean-Raymond), Christopher John Rogers, Collina Strada (Hillary Taymour), Diane von Furstenberg, Vera Wang, and many more. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 18, 2021–September 5, 2022)

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Migration is a complex and multifaceted issue, and the current legal framework suffers from considerable ambiguity and lack of cohesive focus. This Handbook offers a comprehensive take on the intersection of law and migration studies and provides strategies for better understanding the potential of international legal norms in regulating migration. Authoritative analyses by the most renowned and knowledgeable experts in the field focus on important migration issues and challenge the current normative framework with new ways of thinking about the topic.The book examines the many facets of migration from an international law perspective. Topics discussed include the relationship between migration and state sovereignty, the human rights of migrants, human trafficking, migrant workers, refugees and internal displacement. The expert contributors hail from a number of diverse international law backgrounds (including refugee law, human rights law, humanitarian law, labor law, WTO law and others), allowing them to synthesize many different perspectives and present a comprehensive, cohesive and timely study of a complicated and fractured topic.The Research Handbook on International Law and Migration provides a critical examination of migration and international law, identifying the issues still to be tackled and suggesting further developments to be made. It will appeal to advanced and postgraduate students, academics and policymakers.Contributors: T.A. Aleinikoff, I. Atak, H. Battjes, V. Chetail, R. Cohen, F. Crépeau, C. Dauvergne, M. Duchatellier, T. Gammeltoft-Hansen, G. Gilbert, E. Guild, W. Kälin, H. Lambert, S.H. Legomsky, B. Lyon, L.A. Nessel, H. O'Nions, S. Ojeda, C. Phuong, R. Piotrowicz, J. Rhodes, P.J. Spiro, H. Storey, J.P. Trachtman, W. Vandenhole, A. Vermeer-Künzli, J. Vedsted-Hansen, R.M.M. Wallace, D. Weissbrodt, M. Zieck

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About 95 per cent of all known animal species are invertebrates. A knowledge of their sexual, reproductive, and developmental biology is essential for the effective management of species that are economically useful to man or are harmful to him, his crops, and livestock. This treatise is the first to cover all aspects of reproduction and development of the entire spectrum of invertebrates -- terrestrial, marine, freshwater, brackish-water, free-living, and parasitic. The chapters, by leading world experts in their fields, are up-to-date and informative, and suggest a number of problems for future research. Asexual Propagation and Reproductive Strategies, issued in two parts, is the sixth volume in the series. Part A: Porifera through Mollusca Contents Series Preface; Preface to Volume VI; Systematic Resume of the Invertebrates; Porifera, Paul E. Fell; Cnidaria, Stanley Shostak; Platyhelminthes-Turbellaria, Mario Benazzi and Giuseppina Benazzi Lentati; Platyhelminthes-Trematoda, Roy M. Anderson; Platyhelminthes-Eucestoda, Larry S. Roberts and C. R. Kennedy; Mesozoa, Bayard H. McConnaughey; Rotifera, John J. Gilbert; Gastrotricha, M. R. Hummon and W. D. Hummon; Acanthocephala, C. R. Kennedy; Sipuncula, Mary E. Rice and John F. Pilger, Mollusca, N. W. Runham; Species Index; Subject Index. Part B: Annelida-Clitellata through Cephalochordata Contents Series Preface; Preface to Volume VI; Systematic Resume of the Invertebrates; Annelida-Clitellata, B. Christensen; Tardigrada, Roberto Bertolani; Arthropoda-Crustacea, T. J. Pandian; Arthropoda-lnsecta, J. Muthukrishnan; Pentastomida, J. Riley; Bryozoa Entoprocta, C. Nielsen; Brachiopoda, S. H. Chuang; Chaetognatha, A. Alvariño; Echinodermata: Asexual Propagation, Philip V. Mladenov and R. D. Burke; Hemichordata, J. A. Petersen; Cephalochordata, Jaypaul Azariah; Species Index; Subject Index.

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Reports of the surveyors of Westminster Abbey in the twentieth century provide a wealth of information on this most important building. The annual reports of the Surveyors of the Fabric in the twentieth century give much detailed information about the maintenance and major restoration of Westminster Abbey and its contents. The Surveyors, William Lethaby, Walter Tapper, Charles Peers and Stephen Dykes Bower, had to deal with many problems and challenges between 1906 and 1973. Not least of these were two World Wars and the most extensive programme of cleaning and re-decoration since the timeof Sir Christopher Wren. Lethaby brought to light original decoration on medieval tombs, lost to sight for centuries under grime and shellac used by his predecessor Gilbert Scott; Tapper had to carry out emergency restoration tothe fan vault of Henry VII's chapel after a stone crashed to the floor; Peers was required to deal with the evacuation of hundreds of treasures during the 1939-45 war and with repairs to bomb damaged areas after it. Dykes Bower, meanwhile, was the most controversial of the Surveyors of this period. His replacement of medieval roof timbers drew criticism, although these were riddled with decay and death watch beetle. The nave could have looked vastly different if his design for a Cosmati work floor had gone ahead. But the Abbey interior would not look as it does today without his massive contribution to the cleaning of the brown stonework and re-decoration of the dirty and damaged Tudor and Jacobean monuments. The Abbey's current Surveyor, Ptolemy Dean, outlines the legacies of the work of these Surveyors of the modern age in his introduction; Christine Reynolds, the Abbey's Assistant Keeper of the Muniments, adds valuable notes from other sources within the archives to supplement the fascinating accounts of work carried out in the most historically significant church in England.

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“The innovative essays in this volume . . . demonstrat[e] the potential of the perspective of the affects in a wide range of fields and with a variety of methodological approaches. Some of the essays . . . use fieldwork to investigate the functions of affects—among organized sex workers, health care workers, and in the modeling industry. Others employ the discourses of microbiology, thermodynamics, information sciences, and cinema studies to rethink the body and the affects in terms of technology. Still others explore the affects of trauma in the context of immigration and war. And throughout all the essays run serious theoretical reflections on the powers of the affects and the political possibilities they pose for research and practice.”—Michael Hardt, from the forewordIn the mid-1990s, scholars turned their attention toward the ways that ongoing political, economic, and cultural transformations were changing the realm of the social, specifically that aspect of it described by the notion of affect: pre-individual bodily forces, linked to autonomic responses, which augment or diminish a body’s capacity to act or engage with others. This “affective turn” and the new configurations of bodies, technology, and matter that it reveals, is the subject of this collection of essays. Scholars based in sociology, cultural studies, science studies, and women’s studies illuminate the movement in thought from a psychoanalytically informed criticism of subject identity, representation, and trauma to an engagement with information and affect; from a privileging of the organic body to an exploration of nonorganic life; and from the presumption of equilibrium-seeking closed systems to an engagement with the complexity of open systems under far-from-equilibrium conditions. Taken together, these essays suggest that attending to the affective turn is necessary to theorizing the social.Contributors. Jamie “Skye” Bianco, Grace M. Cho, Patricia Ticineto Clough, Melissa Ditmore, Ariel Ducey, Deborah Gambs, Karen Wendy Gilbert, Greg Goldberg, Jean Halley, Hosu Kim, David Staples, Craig Willse , Elizabeth Wissinger , Jonathan R. Wynn

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'A definitive guide for a generation navigating the murky waters of modern love' Esther Perel 'A "must read" for hopeless and hopeful romantics alike' Daniel GilbertA funny and practical guide to help you find, build, and keep the relationship of your dreams.Have you ever looked around and wondered, "Why has everyone found love except me?" You're not the only one. Great relationships don't just appear in our lives - they're the culmination of a series of decisions, including who to date, how to end it with the wrong person, and when to commit to the right one. But our brains often get in the way. We make poor decisions, which thwart us on our quest to find lasting love.Drawing from years of research, behavioral scientist turned dating coach Logan Ury reveals the hidden forces that cause those mistakes. But awareness on its own doesn't lead to results. You have to actually change your behavior. Ury shows you how.This book focuses on a different decision in each chapter, incorporating insights from behavioral science, original research, and real-life stories. You'll learn:- What's holding you back in dating (and how to break the pattern)- What really matters in a long-term partner (and what really doesn't)- How to overcome the perils of online dating (and make the apps work for you)- How to meet more people in real life (while doing activities you love)- How to make dates fun again (so they stop feeling like job interviews)- Why "the spark" is a myth (but you'll find love anyway)This data-driven, step-by-step guide to relationships, complete with hands-on exercises, is designed to transform your life. How to Not Die Alone will help you find, build, and keep the relationship of your dreams.

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Edition, with full explanatory notes and introduction, of financial records from Elizabeth de Burgh, one of the most important women of fourteenth-century England. Noble widows were powerful figures in the later Middle Ages, running their own estates and exercising considerable influence. Elizabeth de Burgh (1295-1360), daughter of one of the most powerful earls in England and cousin of Edward II, lost her third husband at the age of twenty-six, and spent the rest of her life as a widow. In 1317, having inherited one-third of the lands of her brother, Gilbert de Clare, earl of Gloucester and Hertford, who had been killed at Bannockburn three years earlier, she established herself at Clare, which became her main administrative centre for her estates in East Anglia, Dorset and South Wales. She enjoyed a noble lifestyle, was lavish in her hospitality to family and friends, entertaining Edward III in 1340, and she displayed her piety through her patronage of religious houses and her foundation of Clare College in Cambridge. Her life and activities are portrayed in vivid detail in her household accounts and her will, selected extracts from which are provided in this volume. Altogether, 102 accounts of various types survive from the years of her widowhood, and the records here have been chosento illustrate the great range of information provided, throwing light on Clare castle itself and its furnishings, daily life and religious practice, visitors, food and drink, livery and retainers, travel, and business. They paintof a vivid picture of the life and work of a noble family in the fourteenth century. Jennifer Ward taught and researched medieval and regional history at Goldsmiths College, University of London, until her retirement.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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In 1755 Benjamin Franklin observed "a man without a wife is but half a man" and since then historians have taken Franklin at his word. In Citizen Bachelors, John Gilbert McCurdy demonstrates that Franklin's comment was only one side of a much larger conversation. Early Americans vigorously debated the status of unmarried men and this debate was instrumental in the creation of American citizenship. In a sweeping examination of the bachelor in early America, McCurdy fleshes out a largely unexamined aspect of the history of gender. Single men were instrumental to the settlement of the United States and for most of the seventeenth century their presence was not particularly problematic. However, as the colonies matured, Americans began to worry about those who stood outside the family. Lawmakers began to limit the freedoms of single men with laws requiring bachelors to pay higher taxes and face harsher penalties for crimes than married men, while moralists began to decry the sexual immorality of unmarried men. But many resisted these new tactics, including single men who reveled in their hedonistic reputations by delighting in sexual horseplay without marital consequences. At the time of the Revolution, these conflicting views were confronted head-on. As the incipient American state needed men to stand at the forefront of the fight for independence, the bachelor came to be seen as possessing just the sort of political, social, and economic agency associated with citizenship in a democratic society. When the war was won, these men demanded an end to their unequal treatment, sometimes grudgingly, and the citizen bachelor was welcomed into American society. Drawing on sources as varied as laws, diaries, political manifestos, and newspapers, McCurdy shows that in the course of the seventeenth and eighteenth centuries the bachelor was a simultaneously suspicious and desirable figure: suspicious because he was not tethered to family and household obligations yet desirable because he was free to study, devote himself to political office, and fight and die in battle. He suggests that this dichotomy remains with us to this day and thus it is in early America that we find the origins of the modern-day identity of the bachelor as a symbol of masculine independence. McCurdy also observes that by extending citizenship to bachelors, the founders affirmed their commitment to individual freedom, a commitment that has subsequently come to define the very essence of American citizenship.

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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth.As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch.Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

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Arguably one of the most important economists who has lived, Ricardo's impact on the economics profession is immense. This unique and comprehensive Companion elucidates his significance and continuing legacy. Ricardo made major contributions to all fields of the subject, from monetary issues to value and income distribution, from capital accumulation, technical progress and economic growth to foreign trade and international specialization, and from taxes to public debt. What he called the main problem of political economy, the distribution of income and wealth, is again back on the political and economic agenda with a vengeance. Leading experts in the field explore his influence and offer novel interpretations of received doctrines.The concise yet comprehensive entries are arranged alphabetically for ease of use with cross references and suggestions for further reading. The Companion will serve as the standard reference work for all those engaged in the field of classical economics. It will also be essential reading for scholars and researchers interested in the history of economic thought, macroeconomics and political economy.Contributors include: R. Arena, T. Aspromourgos, M.S. Aßländer, R.E. Backhouse, I. Barens, E. Bellino, C. Bidard, S. Blankenburg, C. Casarosa, R. Ciccone, S. Cremaschi, M. Dardi, G. Deleplace, T. Dome, G. Erreygers, G. Faccarello, R. Faucci, D. Fiaschi, S. Fratini, G. Freni, C. Gehrke, A.F. Gilbert, G. Gilibert, P. Groenewegen, D. Haas, H. Hagemann, A. Heertje, J.E. King, H. Klausinger, H.D. Kurz, A. Maneschi, M.C. Marcuzzo, F. Meacci, M. Milgate, G. Mongiovi, F. Moseley, D.P.O'Brien, A. Opocher, A. Palumbo, S. Parrinello, C. Perrotta, M. Pivetti, P.L. Porta, A. Quadrio Curzio, S.A.T. Rizvi, A. Rosselli, C. Rotondi, N. Salvadori, R. Signorino, N. Sigot, M. Smith, A. Stirati, R. Sturn, P. Trabucchi, H.-M. Trautwein, P. Tubaro, K. Watarai

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This multidisciplinary Handbook examines the complex and often hidden relationship between organised crime and politics across the globe, highlighting the difficulties involved in researching such relationships and offering new insights into how they evolve to become pervasive and destructive.Organised into five distinct sections, key chapters focus on issues and case studies from across Europe, the Americas, Africa, Eurasia and international organisations in order to provide a new and systematic picture and analysis of what the relationship between criminal organisations and politics looks like in different national contexts. In so doing, it offers an insight into the ever-evolving nature of this relationship, and the exchanges within it, in order to identify common features and key differences. These in turn raise provoking questions regarding the possibility of improving democracy, political systems, civil society and economic systems in order to counter the possible infiltration of these organisations, their associates and representatives. Students and scholars of public policy, politics, criminology and those focussing on organised crime more specifically will find this Handbook an original and engaging guide to the current state of play, whilst policy makers, practitioners and NGOs will find the case studies set in national context eminently valuable.Contributors include: S. Adorno, F. Allum, J. Arsovska, M. Beare, M. Bedetti, G. Borrelli, S. Brady, D. Bright, J.-L. Briquet, A. Chung, N. Dalponte, A. De Vos, C.N. Dias, S. Dinnen, G. Favarel-Garrigues, J. Gilbert, S. Gilmour, C. Gunnarson, E. Gutterman, C. Hemmings, A. Idler, D. Islas, J. Janssens, S. Jeperson, M. Joutsen, A. Kupatadze, R. Le Cour Grandmaison, S. Lemière, A. Markovska, V. Mete, S. Musau, A. Orlova, I. Roberge, A. Rostami, D. Silverstone, M. Shaw, D. Smith Jr., F. Strazzari, M. Tzvetkova, C. van Ham, G. Walton, J. Wheatley, J. Whittle, Y. Zabyelina, G. Zanoletti

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Significant changes in New York City's Latino community have occurred since the first edition of Latinos in New York: Communities in Transition was published in 1996. The Latino population in metropolitan New York has increased from 1.7 million in the 1990s to over 2.4 million, constituting a third of the population spread over five boroughs. Puerto Ricans remain the largest subgroup, followed by Dominicans and Mexicans; however, Puerto Ricans are no longer the majority of New York's Latinos as they were throughout most of the twentieth century. Latinos in New York: Communities in Transition, second edition, is the most comprehensive reader available on the experience of New York City's diverse Latino population. The essays in Part I examine the historical and sociocultural context of Latinos in New York. Part II looks at the diversity comprising Latino New York. Contributors focus on specific national origin groups, including Ecuadorians, Colombians, and Central Americans, and examine the factors that prompted emigration from the country of origin, the socioeconomic status of the emigrants, the extent of transnational ties with the home country, and the immigrants' interaction with other Latino groups in New York. Essays in Part III focus on politics and policy issues affecting New York's Latinos. The book brings together leading social analysts and community advocates on the Latino experience to address issues that have been largely neglected in the literature on New York City. These include the role of race, culture and identity, health, the criminal justice system, the media, and higher education, subjects that require greater attention both from academic as well as policy perspectives. Contributors: Sherrie Baver, Juan Cartagena, Javier Castaño, Ana María Díaz-Stevens, Angelo Falcón, Juan Flores, Gabriel Haslip-Viera, Ramona Hernández, Luz Yadira Herrera, Gilbert Marzán, Ed Morales, Pedro A. Noguera, Rosalía Reyes, Clara E. Rodríguez, José Ramón Sánchez, Walker Simon, Robert Courtney Smith, Andrés Torres, and Silvio Torres-Saillant.

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Sure to strike a chord with guitarists and heavy metal fans, this authoritative and photo-filled volume surveys more than 80 of the genre’s greatest axe-slingers from the 1970s to present. From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more. Prown’s knowledgeable discussions examine specific noteworthy guitars each player made famous, as well as effects pedals, amplifiers, and career overviews that include the players’ first-person revelations and insights. Illustrated with photos of the guitarists in action, the book features an early chapter on influencers who set the stage for the genre (think Clapton, Hendrix, and Beck), plus sidebars so you don’t miss out on any of metal’s nooks and crannies, touching on grunge, math metal, nu metal, doom metal, and the genre’s roots in blues and early rock.Guitarists profiled: Eric Clapton Jeff Beck Jimi Hendrix Pete Townshend Jimmy Page Tony Iommi Ritchie Blackmore Leslie West Martin Barre Mick Box Johnny Winter Joe Perry & Brad Whitford Brian May Robin Trower Don “Buck Dharma” Roeser Rick Derringer Ronnie Montrose Frank Marino Mick Ralphs Eddie Van Halen Ace Frehley Tom Scholz & Barry Goudreau Nancy Wilson Neal Schon Angus & Malcolm Young Pat Travers Michael Schenker Scott Gorham & Brian Robertson Glenn Tipton & K.K. Downing Rudolph Schenker, Uli Jon Roth & Matthias Jabs Dave Murray & Adrian Smith Randy Rhoads Kerry Livgren & Rich Williams Alex Lifeson Michael Wilton & Chris DeGarmo John Petrucci Phil Collen & Steve Clark Gary Moore Joan Jett Lita Ford Brad Gillis & Jeff Watson Mick Mars John Sykes Vernon Reid Yngwie Malmsteen Steve Vai Joe Satriani Vivian Campbell Jason Becker Paul Gilbert George Lynch Tony MacAlpine & Vinnie Moore James Hetfield & Kirk Hammett Dave Mustaine Kerry King & Jeff Hanneman Scott Ian Slash Zakk Wylde Dimebag Darrell Ty Tabor Jerry Cantrell Tom Morello Kim Thayil Mark Tremonti Alexi Laiho Herman Li Brent Hinds & Bill Kelliher Nita Strauss Nili Brosh

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'Unremittingly glorious. I and the world demand more and we shall thump our tin mugs on the table demanding it until we are satisfied.'Stephen FryLoveable... Dreadful... Amazing... Learned... Baroque... Exquisite... Utterly wonderful... Uplifting... Stupendously Acute... Very scary... Genuinely mad...Having written acclaimed biographies of uncompromising and glittering geniuses such as Peter Sellers, Laurence Olivier, Carry On star Charles Hawtrey, and Anthony Burgess, of A Clockwork Orange fame, Roger Lewis, rotund, dark and difficult, has at long last stumbled upon the greatest monster of all - himself.As with bestselling and beloved Seasonal Suicide Notes, in this new book Lewis has produced a funny and appalling self-portrait, crammed with his clashes and frustrations.The calamities he describes, however, such as coming a pathetic fifth in the Oxford Chair of Poetry Election or throwing a party in what turned out to be a Cornish old peoples' home, are always offset by beautiful riffs - about Seville, a city he can't keep away from; or the train ride from Salzburg to Venice, where he stays in the restaurant car so long he alights in Zagreb by mistake; or the lush flowering magnolias he sees at Agatha Christie's house on the River Dart.It was when Lewis suggested in the press that Agatha Christie was a lesbian that the death threats began.Hearing the overture to Iolanthe played on Radio Three, and his own name mentioned by the announcer, Lewis is conveyed back to his extraordinary Welsh past, where Gilbert & Sullivan was put on in the village hall, and where Roger Lewis knew at once that his destiny was to become Evil Fairy, complete with wand.Who is to say he has not succeeded in this ambition?What Am I Still Doing Here? will win its author hordes more passionate devotees.'There is only one writer alive today who is as mordantly funny as Kingsley Amis, as acute about human misery as Philip Larkin, and as brilliant in skewering pretension and vanity as both. His name is Roger Lewis... Nothing funnier or wise has been published all year. If you love someone buy them this book. If they don't appreciate the gift then purge them from your life.' Mail on Sunday'The funniest book of the year. What Am I Still Doing Here? by Roger Lewis is a wonderfully splenetic journal - part-diary, part-diatribe - by a man who rages with an indignant eloquence against the modern world. But Lewis' furious rants are never far from hilarity, and his anger is redeemed by flashes of pur poetry. Like all the best comics, Lewis is a disappointed optimist rather than an outright cynic, and it's this thwarted idealism which makes this such a liberating, life-affirming read.'Independent

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Italo Calvino's enchanting stories about the evolution of the universe, with characters that are fashioned from mathematical formulae and cellular structures, The Complete Cosmicomics is translated by Martin McLaughlin, Tim Parks and William Weaver in Penguin Modern Classics.'Naturally, we were all there, - dld Qfwfq said, - where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?' The Cosmicomics tell the story of the history of the universe, from the big bang, through millennia and across galaxies. It is witnessed through the eyes of 'cosmic know-it-all' Qfwfq, an exuberant, chameleon-like figure, who takes the shape of a dinosaur, a mollusc, a steamer captain and a moon milk gatherer, among others. This is the first complete edition in English of Italo Calvino's funny, whimsical and delightful stories, which blend scientific fact, flights of fancy, parody and wordplay to show the strangeness and the wonders of the world. Italo Calvino (1923-1985), one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. Among his other works published in Penguin Modern Classics are Italian Folktales, Hermit in Paris, Into the War, The Path to the Spiders' Nests, Numbers in the Dark, Six Memos for the Next Millennium and Why Read the Classics?If you liked The Complete Cosmicomics, you might enjoy Jorge Luis Borges' Fictions, also available in Penguin Modern Classics.'The complete and definitive collection ... a masterpiece' Gilbert Adair, Evening Standard'Dazzling ... a book of revelation' Tim Adams, Observer 'If you have never read Cosmicomics, you have before you the most joyful reading experience of your life' Salman Rushdie'A landmark in fiction, the work of a master' Ursula K Le Guin, Guardian

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The discovery of silver cannot be pinpointed; humans have mined it far back into antiquity. Our fascination with this malleable metal and the beautiful works of art that can be shaped from it continues to this day. This book brings together two expansive collections of silver objects, the ‘Lion’ collection and the ‘Hamme’ collection. The ‘Lion’ collection provides a broad overview of beautiful silver objects made by a great variety of British contemporary silversmiths. It is divided between holloware, caddy spoons and napkin rings. Part of the collection revolves around the theme of lions, because the lion image bears a resemblance to the collector’s family history. The Hamme collection is a spectacular array of ‘hero’ pieces and commissions that demonstrate some of the best of each silversmith’s work. With more than 500 images, Contemporary British Silver Designers shares some of the finest work crafted by 21st-century silversmiths. Interviews with numerous modern silversmiths – Jane Short, Kevin Grey, Miriam Hanid, Nan Nan Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter, Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd and Wally Gilbert – offer insight into the silversmiths’ process and inspirations. Brief biographies are also included on numerous other silversmiths whose work is featured in this book: Phil Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker, Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, , Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork, Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers and Katie Watson, among others.

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"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

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"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

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Written from the personal experience of a parent and his three children, Independent Thinking on Loss: A little book about bereavement for schools details the ways in which schools can help their pupils come to terms with the death of a parent. A child loses a parent every twenty-two minutes in the UK. Childhood bereavement brings with it a whole series of challenges for the children involved challenges they will deal with all their lives. The research shows teachers want to help, but don't know what to do. This book is a start. Written by Independent Thinking founder Ian Gilbert together with his three children, Independent Thinking on Loss is a personal account of the way educational institutions tried and succeeded, tried and failed and sometimes didn't try at all to help William, Olivia and Phoebe come to terms with the death of their mother. Several months after their mother's death, BBC's Newsround aired a brave and still controversial programme in which four children talked about their losses. This prompted Ian and his children to sit down and think about their own experiences and draw up a fifteen -strong list of dos and don'ts that could help steer schools towards a better understanding of what is needed from them at such a difficult time. The warmth of reception of this handout led the family to expand their advice and suggestions into what has now become Independent Thinking on Loss, the proceeds of which will go to Winston's Wish, one of the UK's leading children's bereavement charities. Ian, William, Olivia and Phoebe encourage educators to view death and bereavement as something that can be acknowledged and talked about in school, and offer clear guidelines that will make a difference as to how a school can support a bereaved child in their midst. They also explore how conversations and actions little ones, whole-school ones, genuine ones, professional ones, personal ones in the school setting can make an awful scenario just that little bit easier for children to deal with. Suitable for anyone working with children and young people in an educational setting. ?Independent Thinking on Loss is an updated edition of The Little Book of Bereavement for Schools (ISBN 9781845904647) and is one of a number of books in the Independent Thinking On series from the award-winning Independent Thinking Press.

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The New York Times Bestseller "I wish I had read these rules forty years ago and carried them around like a bible. By chance or design I've followed most of them at some point but it took me a lifetime as an artist to find what worked. They are the generous, loving, enthusiastic, bullshit-free advice of a master communicator, just reading them makes me want to charge back into the studio" - Grayson Perry"Being an artist is a lonely pursuit - twenty-four hours a day, seven days a week, for the rest of your life. Most of the time it hurts. This book will help the pain" - Tracey EminOne of Elizabeth Gilbert's 2020 Quarantine Book Recommendations"Joy is palpable in these pages. We need such thinking right now" - Apollo MagazineAs the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. How to Be An Artist is an indispensable book of practical inspiration for creative people of all kinds. Brimming with dozens of brand new rules, prompts, exercises, and tips designed to break through creative blocks, ignite motivation, and conquer bad habits, this book is designed to help artists of all kinds - painters, photographers, writers, performers - realize their dreams. Includes such advice as:- Make art for now, not the future- No, you don't need graduate school- Recognize convention, and resist constraint- Get lost- Listen to the wildest voices in your head- Know what you hate (it's probably you)- Finish the damn thing!- How to recover from critical injuries

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Since 1961 James Reeve has been exhibiting and selling his paintings, first in Florence, then in Madrid. From 1974 onwards he has travelled widely, often with subsequent London gallery exhibitions. Here he vividly describes and illustrates the characters he meets and the adventures which unfold in Haiti, Madagascar, India, Australia, Jordan, the Yemen and Mexico. As his cousin, the historian, Antonia Fraser remarks in a letter to him: ‘Dearest James, When God gave you your great artistic talent She [sic] made a big mistake, contrary to what is generally thought.’ ‘This is because you are really meant to be a brilliant writer.’ And so now, badgered by Antonia Fraser and other writer friends, James Reeve has at last put his talents together in a series of self-contained short stories recalling travels, anecdotes and encounters which he has illustrated with his vividly colourful vignettes. Always travelling with the purpose of work, in Italy James meets Harold Acton. In the Australian Outback he draws among other things dumps and decrepit dwellings, and there too is Madam Tongere catching a Wichetty grub. He meets Princess Elizabeth of Toro in Uganda and is captured by pygmies in the Congo forest. He paints the fearsome Mrs Gilbert Miller’s portrait in Palm Beach and travels in Rajasthan with Diana Wordsworth, a last relic of the Raj. At last, weary of wandering, he discovers a distant cloud-forest village in Mexico, where Edward James, as the only other Englishman, had preceded him. There he built a house. Living in Mexico for 35 years, among his friends are Doña Olive, the retired prostitute, and the Dominican nuns of an enclosed order who let him in to teach them how to make marmalade.

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In Cameroon, a monumental “statue of liberty” is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness.Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl’s photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans’ Africanization of the Santería movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Réunion; and the shockingly graphic images on painted plywood boards advertising “morality” plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly “African” aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope.Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Françoise Vergès

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