Search results for ""Author Catholic Book Publishing"

'Riveting ... Providing a window into the upheaval in the church during the 1960s and 70s, Prejean's engrossing memoir also fleshes out how she rose to be an influential voice within the church before becoming a renowned proponent of abolishing the death penalty. Informing and entertaining, Prejean's exceptional memoir will be of special interest to social justice advocates. Publishers WeeklyIn this revelatory, intimate memoir from the author of Dead Man Walking, America's foremost leader in efforts to abolish the death penalty shares the story of her growth as a spiritual leader, speaks out about the challenges of the Catholic Church and shows that joy and religion are not mutually exclusive. Sister Helen Prejean's work as an activist nun, campaigning to educate Americans about the inhumanity of the death penalty, is known to millions worldwide. Less widely known is the evolution of her spiritual journey from praying for God to solve the world's problems to engaging full-tilt in working to transform societal injustices. Sister Helen grew up in a well-off Baton Rouge family that still employed black servants. She joined the Sisters of St Joseph at the age of eighteen and was in her forties when she had an awakening that her life's work was to immerse herself in the struggle of poor people forced to live on the margins of society. In this honest and fiercely open account, Sister Helen writes about the relationships with friends, fellow nuns and mentors who have shaped her over the years, as well as the close friendship with a priest that challenged her vocation in the 'new territory of the heart'. The final page of River of Fire ends with the opening page of Dead Man Walking, when she was first invited to correspond with a man on Louisiana's death row.River of Fire is a book for anyone interested in journeys of faith and spirituality, doubt and belief and 'catching on fire' to purpose and passion. Written in accessible, luminous prose, it is a book about how to live a spiritual life that is wide awake to the sufferings and creative opportunities of our world.

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An Irish Times Best Poetry Books of 2021. The poetry of Miles Burrows was discovered in 1966 when Tom Maschler, already an editor at Cape, heard him give a public reading in London. Cape published him. After that, Burrows continued his life in many walks, most of them medical. Having studied Greats at Oxford, he determined to become an intellectual and learned to smoke black Russian cigarettes, reviewing occasionally for the New Statesman. He worked as a GP and then as a psychiatrist. He was briefly a trawlerman, then a doctor in the New Guinea Highlands, in the American Hospital for Hmong tribe refugees on the Thai-Laos border, in a Catholic mission Hospital in Eastern Taiwan, in the Middle East and in Suffolk. This Collected Poems is a rich harvest from the decades between 1966 and 2021. The poems are primarily conversational. The poet is keen to get into exclusive places he has no right to be - clubs, social strata, religions. Much of the adventure, the disrupted narrative, has to do with being out of place. Its long narratives - work as a trawlerman in Iceland, a traditional funeral in Taiwan - open on worlds that are made vertiginously real.

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This volume, the original version of which was published in 1988, brings to a close the autobiographical writings of a modern Christian philosopher who lived through the two World Wars and the ecclesiastical upheaval in the Catholic Church in the context of the Second Vatican Council. What stamps this philosopher throughout the course of his life – with all its social and political uncertainties – is his constant dedication to truth and his manifest unswerving integrity. Themes with which the reader of his previous works would be well acquainted recur in this volume. The dedicated Catholic philosopher, who preferred his independence as a trainer of teachers to the less independent role of a professor in a Catholic university, was quite prepared to criticize developments in the Church which resulted from Vatican II. In his defense of the sacred, which he deemed threatened by popularizing trends in the Church, he criticized what he saw as the watered down language in modern German translations of Church liturgical texts; the growing preference for secular garb; and the compromising developments which saw the sacramental signs – surrounding baptism, for instance – being reduced to such an extent that they no longer had the power to signify their sacred meaning even to a well-intentioned congregation. A great lover of the philosophy of Plato, Augustine, and Aquinas – among many others –, Pieper highlighted the need for living a life of truth. He did not consider truth to be merely something abstract but as something to be lived existentially. While he could explain his philosophy in clear rational terms, something which especially stood to him in his post-war lectures to eager students who were hungry for intellectual guidance and leadership, the great interest of his philosophy was, possibly, his preoccupation with mystery – that which impinges on our inner lives but frustrates all our attempts to account for it in purely rational terms. As a philosopher – one might say a Christian philosopher – Pieper seems to have observed the traditional boundaries drawn between philosophy and theology. His generation was exposed to the modernist debates in the Church. It would have been deemed heretical to say that the Divine could be grasped by our purely human thought processes – access to the Divine being only possible through faith and grace. Pieper was no heretic. But he was also not altogether conservative. In fact, his philosophy, closely allied to existentialism – despite his care, for instance, to distance himself from the negative existentialism of Sartre – focused on the individual’s inner existential grasp of the most profound reality. Truth is to be found within us, even if it remains a mystery. What lies beyond death is, for the individual, the ultimate mystery.

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Two hundred years ago, on September 8, 1814, in the northern French city of Bourbourg, a boy was born into a family of local entrepreneurs connected to the local political or judicial elite. The young Charles-Etienne Brasseur was lucky to spend days and days in the impressive library of Alexandre Nicolas Muchembled, the son of his godmother. The reading of exciting travel books there mapped out the course of his truly adventurous life to come. Although a rebellious schoolboy, he acquired a huge knowledge in many fields by his omnivorous reading of books and journals. He was also a very curious young man, delving into the private libraries of the local grand families, resulting in him contributing many historical articles to newspapers and learned societies. At the age of 24, while still in high school, he published his first novel. This biography is the first to reveal insights into the many facets of the life of Brasseur; the extent of his secret activities for the Vatican; his advanced ideas regarding the dual phonetic and ideographic nature of Mayan writing, as early as 1843-44, and explicitly confirmed by him in May 1852, which he later dramatically rejected in 1870, thus failing to become the Champollion of Mesoamerica; his continuous attempts to preserve documents while crossing territories ravaged by civil wars; the immense value of the manuscripts he saved, like the Tzeltal vocabulary of Copanabastla or the Motul dictionary; his unique dedication in copying old manuscripts, with the help of his nephews, to be sent to other pioneers of Mayan studies in Europe and America; his short-lived pioneering work on the Huave (Wabis); details of his six expeditions to Mesoamerica, often in terrible conditions, as shown by his later severe ill health; his defence of the Indians against the academic community; details of the internal conflicts in the Quebec Catholic Church; and his ideas on certain geophysical events, such as the elevation of ocean beds and islands, which he wrongly dated to the time of the ancient Mayans, or the shifting of the Earth’s rotation axis.

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Known as the "patron saint of all outsiders," Simone Weil (1909-43) was one of the twentieth century's most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycee students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance. Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were published to critical and popular acclaim. While many seekers have been attracted to Weil's religious thought, Robert Zaretsky gives us a different Weil, exploring her insights into politics and ethics, and showing us a new side of Weil that balances her contradictions-the rigorous rationalist who also had her own brand of Catholic mysticism; the revolutionary with a soft spot for anarchism yet who believed in the hierarchy of labor; and the humanitarian who emphasized human needs and obligations over human rights. Reflecting on the relationship between thought and action in Weil's life, The Subversive Simone Weil honors the complexity of Weil's thought and speaks to why it matters and continues to fascinate readers today.

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Erasmus yearned to make the Bible an effective instrument in the reform of society, church, and everyday life. He therefore composed paraphrases in which the words of Holy Scripture provided the core of a text, vastly expanded to embrace the reforming 'philosophy of Christ.' The Paraphrases were successful beyond all expectations, and were quickly translated into French, German, English, and other languages. This is the fourth volume of Paraphrases to be published in the New Testament Scholarship Series in the CWE. The volume includes the Paraphrases on the Pastoral Epistles and the Catholic, or General, Epistles, as well as the Paraphrase on Hebrews. These books, in the biblical text, address the central issues of the Christian life within the context of family, church, and community. The Paraphrases sharpen the accent of the biblical message, speaking in an idiom appropriate to the sixteenth century but also surprisingly relevant to our own age: they condemn, for example, every form of tyrannizing in the home and self-aggrandisement in the church; perhaps above all, the Paraphrases expose the social injustice (inevitable, Erasmus would have us believe) of those who have acquired great personal wealth. Erasmus also reformulates, and sometimes develops, some of the great theological themes already defined in earlier volumes of this series. Is sin congenital, or do we sin simply in 'imitation' of Adam? How do the Hebrew Scriptures attest to the presence of divine grace in the world before the birth of Christ? What is faith if not a vision of eternal realities so sure that we can clearly recognize the things of this passing world as the shadows they are? These Paraphrases address the modern reader with the relevance of the moral issues they define and the perennial importance of the theological questions they raise. Erasmus clarified and interpreted biblical text with immense rhetorical skill. Volume 44 of the Collected Works of Erasmus series.

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Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK’. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 – years that witnessed the Act of Union during the reign of Queen Anne and Great Britain’s rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain’s maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures – a mixture of historical, contemporary, allegorical and mythological characters – to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill’s commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary’s instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers’ training academy. The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill’s decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain’s place in the world according to those who governed it at the start of the 18th century. During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consider historic restorations of the Painted Hall from the 18th century to the Ministry of Works campaign of the late 1950s. The spring of 2019 sees the completion of a ground-breaking conservation programme that has reversed decades of decay and ensured the long-term preservation of the paintings. Now that every inch of decorated surface has been lovingly cleaned and conserved, new photography brings the colour, clarity and vibrancy of Thornhill’s masterpiece to life.

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The international Number One bestseller. Over a million copies sold in the English language. Published in 23 foreign languages. ‘A heartfelt memoir . . . there is a fearlessness to his prose, a willingness to engage with his past, that chimes with his songwriter’s desire to give voice to the people around him’ Sunday Times “Writing about yourself is a funny business…But in a project like this, the writer has made one promise, to show the reader his mind. In these pages, I’ve tried to do this.” —Bruce Springsteen, from the pages of Born to Run In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl’s halftime show. The experience was so exhilarating that Bruce decided to write about it. That’s how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs. He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as “The Big Bang”: seeing Elvis Presley’s debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song “Born to Run” reveals more than we previously realized.Born to Run will be revelatory for anyone who has ever enjoyed Bruce Springsteen, but this book is much more than a legendary rock star’s memoir. This is a book for workers and dreamers, parents and children, lovers and loners, artists, freaks, or anyone who has ever wanted to be baptized in the holy river of rock and roll. Rarely has a performer told his own story with such force and sweep. Like many of his songs (“Thunder Road,” “Badlands,” “Darkness on the Edge of Town,” “The River,” “Born in the U.S.A.,” “The Rising,” and “The Ghost of Tom Joad,” to name just a few), Bruce Springsteen’s autobiography is written with the lyricism of a singular songwriter and the wisdom of a man who has thought deeply about his experiences.

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Dazzling in its prosodic innovations, such as the 'sprung rhythm' he pioneered, and wide-ranging in its complexity and metaphysical interest. The Penguin Classics edition of Gerard Manley Hopkins's Poems and Prose is selected and edited with an introduction by W.H. Gardner.Closer to Dylan Thomas than Matthew Arnold in his 'creative violence' and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Jesuit order the age of twenty-four, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wishes of my superiors'. The poems, letters and journal entries selected for this edition were written in the following twenty years of his life, and published posthumously in 1918. His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice.Gerard Manley Hopkins (1844-89) was born in Essex, the eldest son of a prosperous middle-class family. He was educated at Highgate School and Balliol College, Oxford, where he read Classics and began his lifelong friendship with Robert Bridges. In 1866 he entered the Roman Catholic Church and two years later he became a member of the Society of Jesus. In 1877 he was ordained and was priest in a number of parishes including a slum district in Liverpool. From 1882 to 1884 he taught at Stonyhurst College and in 1884 he became Classics Professor at University College, Dublin. In his lifetime Hopkins was hardly known as a poet, except to one or two friends; his poems were not published until 1918, in a volume edited by Robert Bridges.If you enjoyed Hopkins' Poems and Prose, you might like John Clare's Selected Poems, also available in Penguin Classics.

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How much sex should a person have? With whom? What do we make of people who choose not to have sex at all? As present as these questions are today, they were subjects of intense debate in the early American republic. In this richly textured history, Kara French investigates ideas about, and practices of, sexual restraint to better understand the sexual dimensions of American identity in the antebellum United States. French considers three groups of Americans-Shakers, Catholic priests and nuns, and followers of sexual reformer Sylvester Graham-whose sexual abstinence provoked almost as much social, moral, and political concern as the idea of sexual excess. Examining private diaries and letters, visual culture and material artifacts, and a range of published works, French reveals how people practicing sexual restraint became objects of fascination, ridicule, and even violence in nineteenth-century American culture. Against Sex makes clear that in assessing the history of sexuality, an expansive view of sexual practice that includes abstinence and restraint can shed important new light on histories of society, culture, and politics.

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On December 25, 2005, Pope Benedict XVI published Deus caritas est ("God Is Love"), the first encyclical of his papacy. In Part I, Benedict XVI analyzes human and divine love in terms of eros and agape; presenting love as a fundamental force, Benedict argues that in the Christian, biblical understanding, love is a single reality with many dimensions. He declares to the world that "the love which God lavishes upon us and which we in turn must share with others" also carries cultural, political, and legal implications, arising from the fact that "love of God and love of neighbor" are "inseparable" and form a single commandment. Caritas, the "practice" of love of neighbor, is the theme of the second part of the encyclical. As Cardinal Cordes explains, "the encyclical represents the Magna carta of our work: to orient and to inspire the charitable work of the Catholic Church." In this volume, Cardinal Cordes offers his own studies and other reflections that investigate the meaning of Christian help, comment on the theological, spiritual, and canonical guidelines of Deus caritas est, and illustrate concrete ways to help the needy and, in doing so, experience the goodness of God.

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Read by Protestants and Catholics alike, Catharina Regina von Greiffenberg (1633-94) was the foremost German woman poet and writer in the seventeenth-century German-speaking world. Privileged by her social station and education, she published a large body of religious writings under her own name to a reception unequaled by any other German woman during her lifetime. But once the popularity of devotional writings as a genre waned, Catharina's works went largely unread until scholars devoted renewed attention to them in the twentieth century. For this volume, Lynne Tatlock translates for the first time into English excerpts from the first two sets of thirty-six meditations, restoring Catharina to her rightful place in print. These meditations foreground the roles of women in the life of Jesus Christ - including accounts of women at the Incarnation and the tomb - and in scripture in general. Tatlock's selections give the modern reader a sense of the structure and nature of Catharina's devotional writings, highlighting the alternative they offer to the male-centered view of early modern literary and cultural production during her day, and redefining the role of women in Christian history.

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Poetry, Signs, and Magic brings together in a single volume fourteen new and previously published essays by the eminent Renaissance scholar and literary critic, Thomas M. Greene. This collection looks back toward two earlier volumes by Greene, his first essay collection The Vulnerable Text: Essays on Renaissance Literature, and Poesie et Magie, whose theme is here explored again at greater length and depth, from linguistic and literary critical perspectives. Greene argues that certain poetic gestures draw their peculiar strengths by serving as vestiges of poetry's ancestral acts-magic, prayer, and invocation. Poetry, in other words, feigns an earlier power, but in this diminishment there occurs a verbal subtlety, and figural poignancy, commonly associated with art's aesthetic pleasures. Greene employs his well-known skills as a close reader to texts by a range of writers to a variety of contemporary theorists. Greene's central achievement amidst these readings is to isolate and describe in diverse contexts the distinction between disjunctive and conjunctive linguistics, dual theories of sound and meaning of crucial importance to Plato and Aristotle, to Catholic and Protestant debates on the sacraments, to the more recent skeptical methodologies of Derrida and de Man.

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Essays considering how information could be used and abused in the service of heresy and inquisition. The collection, curation, and manipulation of knowledge were fundamental to the operation of inquisition. Its coercive power rested on its ability to control information and to produce authoritative discourses from it - a fact not lost on contemporaries, or on later commentators. Understanding that relationship between inquisition and knowledge has been one of the principal drivers of its long historiography. Inquisitors and their historians have always been preoccupied with the process by which information was gathered and recirculated as knowledge. The tenor of that question has changed over time, but we are still asking how knowledge was made and handed down - to them and to us - and how their sense of what was interesting or useful affected their selection. This volume approaches the theme by looking at heresy and inquisition in the Middle Ages, and also at how they were seen in the sixteenth and seventeenth centuries. The contributors consider a wide range of medieval texts, including papal bulls, sermons, polemical treatises and records of interrogations, both increasing our knowledge of medieval heresy and inquisition, and at the same time delineating the twisting of knowledge. This polarity continues in the early modern period, when scholars appeared to advance learning by hunting for medieval manuscripts and publishing them, or ensuring their preservation through copying them; but at the same time, as some of the chapters here show, these were proof texts in the service of Catholic or Protestant polemic. As a whole, the collection provides a clear view of - and invites readers' reflection on - the shading of truth and untruth in medieval and early modern "knowledge" of heresy and inquisition. Contributors: Jessalynn Lea Bird, Harald Bollbuck, Irene Bueno, Jörg Feuchter, Richard Kieckhefer, Pawel Kras, Adam Poznanski, Luc Racaut, Alessandro Sala, Shelagh Sneddon, Michaela Valente, Reima Välimäki

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'Antal Szerb is one of the great European writers' Ali Smith 'A novel to love as well as admire, always playful and ironical, full of brilliant descriptions, bon mots and absurd situations' Guardian A major modern classic: the turbulent story of a businessman torn between middle-class respectability and sensational bohemoia Mihály and Erzsi are on honeymoon in Italy. Mihály has recently joined the respectable family firm in Budapest, but as his gaze passes over the mysterious back-alleys of Venice, memories of his bohemian past reawaken his old desire to wander. When bride and groom become separated at a provincial train station, Mihály embarks on a chaotic and bizarre journey that leads him finally to Rome, where he must reckon with both his past and his future. In this intoxicating and satirical masterpiece, Szerb takes us deep into the conflicting desires of marriage and shows how adulthood can reverberate endlessly with the ache of youth. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Translated by Len Rix Antal Szerb was born in Budapest in 1901. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murdered in a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend, Oliver VII and his masterpiece Journey by Moonlight, as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories.

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When, in 2000, the National Theatre published its poll of the hundred best plays of the 20th century, David Hare had written five of them. Yet he was born in 1947 into an anonymous suburban street in Hastings. It is a world he believes to be as completely vanished as Victorian England.Now in his first panoramic work of memoir, ending as Margaret Thatcher comes to power in 1979, David Hare describes his childhood, his Anglo-Catholic education and his painful apprenticeship to the trade of dramatist. He sets the progress of his own life against the history of a time in which faith in hierarchy, deference, religion, the empire and finally politics all withered away. Only belief in private virtue remains.In his customarily dazzling prose and with great warmth and humour, David Hare explores how so radical a shift could have occurred, and how it is reflected in his own lifelong engagement with two disparate art forms - film and theatre. In The Blue Touch Paper David Hare describes a life of trial and error: both how he became a writer and the high price he and those around him paid for that decision.

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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In contrast to western notions of the soul as the essence or most native part of a human being, the Tzeltal-speaking Indians of Chiapas, Mexico, regard the soul first and foremost as an Other. Made up of beings that personify the antithesis of their native selves—animals such as hummingbirds or jaguars, atmospheric phenomena like lightning bolts or rainbows, or spirits of European appearance such as Catholic priests or evangelical musicians—Tzeltal souls represent the maximum expression of that which is alien. And because their souls enfold that which is outside and Other, the Tzeltal contain within themselves the history of their relationship with Europeans from the beginning of the Spanish conquest to the present time. Thus, to understand the Indian self opens a window into the Tzeltal conception of culture and community, their notions of identity and alterity, and their interpretation of interethnic relations and types of historical memory.In this pathfinding ethnography, which was originally published in Spanish in 1996 as Ch'ulel: una etnografía de las almas tzeltales and is now extensively rewritten and amplified in English, Pedro Pitarch offers a new understanding of indigenous concepts of the soul, personhood, and historical memory in highland Chiapas. Exploring numerous aspects of indigenous culture and history—medicine and shamanism, geography and cosmology, and politics and kinship among them—he engages in a radical rethinking of classic issues in Mesoamerican anthropology, such as ethnicity and alterity, community and tradition, and change and permanence.

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Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood.A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the ‘elegance’ of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal—and not just allegorical—senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet’s intention, from the strictures of a single meaning.

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“This girl is a real novelist,” wrote Caroline Gordon about Flannery O’Connor upon being asked to review a manuscript of O’Connor’s first novel, Wise Blood. “She is already a rare phenomenon: a Catholic novelist with a real dramatic sense, one who relies more on her technique than her piety.”This collection of letters and other documents offers the most complete portrait of the relationship between two of the American South’s most acclaimed twentieth-century writers: Flannery O’Connor and Caroline Gordon. Gordon (1895–1981) had herself been a protégée of an important novelist, Ford Madox Ford, before publishing nine novels and three short story collections of her own, most notably, The Forest of the South and Old Red and Other Stories, and she would offer insights and friendship to O’Connor during almost all of O’Connor’s career.As revealed in this collection of correspondence, Gordon’s thirteen-year friendship with O’Connor (1925–64) and the critiques of O’Connor’s fiction that she wrote during this time not only fostered each writer’s career but occasioned a remarkable series of letters full of insights about the craft of writing. Gordon, a more established writer at the start of their correspondence, acted as a mentor to the younger O’Connor and their letters reveal Gordon’s strong hand in shaping some of O’Connor’s most acclaimed work, including Wise Blood, “A Good Man Is Hard to Find,” and “The Displaced Person.”

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Inés Arredondo (1928–1989) published just three slim volumes of stories over twenty-three years, yet her reputation as a great writer, “a necessary writer,” is firmly established in Mexico. Her works dwell on obsessions: erotic love, evil, purity, perversion, prostitution, tragic separation, and death. Most of her characters are involved in ill-fated searches for the Absolute through both excessively passionate and sadomasochistic relationships. Inevitably, the perfect, pure dyad of two youthful lovers is interrupted or corrupted through the interference of a third party (a rival lover or a child), aging, death, or public morality. Set at the beginning of the twentieth century in the tropical northwestern Mexican state of Sinaloa, the stories collected in Underground River and Other Stories focus on female subjectivity. Arredondo’s adult male characters are often predators, depraved collectors of adolescent virgins, like the plantation owners in “The Nocturnal Butterflies” and “Shadows in the Shadows” and the dying uncle in “The Shunammite,” who is kept alive by incestuous lust. Since the young female protagonists rarely have fathers to protect them, the only thing standing between them and these lechers are older women. Perversely, these older women act as accomplices–along with the extended family and the Roman Catholic Church–in the sordid age-old traffic in women.Underground River and Other Stories is the first appearance of Arredondo’s stories in English.

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The first known abolitionist critique of the death penalty—here for the first time in EnglishIn 1764, a Milanese aristocrat named Cesare Beccaria created a sensation when he published On Crimes and Punishments. At its centre is a rejection of the death penalty as excessive, unnecessary, and pointless. Beccaria is deservedly regarded as the founding father of modern criminal-law reform, yet he was not the first to argue for the abolition of the death penalty. Against the Death Penalty presents the first English translation of the Florentine aristocrat Giuseppe Pelli's critique of capital punishment, written three years before Beccaria's treatise, but lost for more than two centuries in the Pelli family archives.Peter Garnsey examines the contrasting arguments of the two abolitionists, who drew from different intellectual traditions. Pelli was a devout Catholic influenced by the writings of natural jurists such as Hugo Grotius, whereas Beccaria was inspired by the French Enlightenment philosophers. While Beccaria attacked the criminal justice system as a whole, Pelli focused on the death penalty, composing a critique of considerable depth and sophistication. Garnsey explores how Beccaria's alternative penalty of forced labour, and its conceptualisation as servitude, were embraced in Britain and America, and delves into Pelli's voluminous diaries, shedding light on Pelli's intellectual development and painting a vivid portrait of an Enlightenment man of letters and of conscience.With translations of letters exchanged by the two abolitionists and selections from Beccaria's writings, Against the Death Penalty provides new insights into eighteenth-century debates about capital punishment and offers vital historical perspectives on one of the most pressing questions of our own time.

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This volume publishes the papers delivered at a Consultation that was held at the Monastery of Bose, Italy (14-20 October 2002) and organised by the Cardinal Suenens Center of Cleveland. Twenty visiting scholars from Europe, North America, and South Africa, representing a cross section of Christian communities - Orthodox, Roman Catholic, Anglican, Lutheran, Reformed, Methodist, Mennonite, Pentecostal and Quaker, explore the multi-faceted dimensions of the work of the Holy Spirit which contribute to the goal of Christian Unity. Apart from the introductory paper of Cardinal G. Danneels, Brussels-Malines, the papers are grouped around four main themes: (1) 'The Holy Spirit and Unity' according to diverse Christian Traditions (W. Kasper, Rome; J. Zizioulas, Athens; A. Hastings, Natal; A.P.F. Sell, Milton Keynes; H. Harder, Winnipeg); (2) 'The role of the theology of the Holy Sprit in the ecumenical movements reflected in its different dialogues' (M.A. Fahey, Milwaukee; J. Fameree, Louvain-la-Neuve; L.F. Fuchs, New York; H. Meyer, Kehl-Marlen; D. Carter, Bristol; M. Tanner, London); (3) 'Classic questions' of a theology of the Holy Spirit (R. Del Colle, Milwaukee; A. Denaux, Leuven; B. Bobrinskoy, Paris; G. Wainwright, Durham); and (4) 'Current concerns' (A. Riggs, Washington; C.M. Robeck, Pasadena; J. Haughey, Chicago). The volume concludes with the Bose Statement 'The Holy Spirit, the Church, and Christian Unity', conceived by the participants of the Conference as a message of faith and hope addressed to their churches.

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The untold history of slavery and resistance in California, from the Spanish missions, indentured Native American ranch hands, Indian boarding schools, Black miners, kidnapped Chinese prostitutes, and convict laborers to victims of modern trafficking “A searing survey of ‘250 years of human bondage’ in what is now the state of California. . . . Readers will be outraged.”—Publishers Weekly California owes its origins and sunny prosperity to slavery. Spanish invaders captured Indigenous people to build the chain of Catholic missions. Russian otter hunters shipped Alaska Natives—the first slaves transported into California—and launched a Pacific slave triangle to China. Plantation slaves were marched across the plains for the Gold Rush. San Quentin Prison incubated California’s carceral state. Kidnapped Chinese girls were sold in caged brothels in early San Francisco. Indian boarding schools supplied new farms and hotels with unfree child workers. By looking west to California, Jean Pfaelzer upends our understanding of slavery as a North-South struggle and reveals how the enslaved in California fought, fled, and resisted human bondage. In unyielding research and vivid interviews, Pfaelzer exposes how California gorged on slavery, an appetite that persists today in a global trade in human beings lured by promises of jobs but who instead are imprisoned in sweatshops and remote marijuana grows, or sold as nannies and sex workers. Slavery shreds California’s utopian brand, rewrites our understanding of the West, and redefines America’s uneasy paths to freedom.

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This we can be sure of: when a restaurant in the western world is famous for its cooking, it is the tricolor flag that hangs above the stove, opined one French magazine, and this is by no means an isolated example of such crowing. Indeed, both linguistically and conceptually, the restaurant itself is a French creation. Why are the French recognized by themselves and others the world over as the most enlightened of eaters, as the great gourmets? Why did the passion for food-gastronomy-originate in France? In French Gastronomy, geographer and food lover Jean-Robert Pitte uncovers a novel answer. The key, it turns out, is France herself. In her climate, diversity of soils, abundant resources, and varied topography lie the roots of France's food fame. Pitte masterfully reveals the ways in which cultural phenomena surrounding food and eating in France relate to space and place. He points out that France has some six hundred regions, or microclimates, that allow different agricultures, to flourish, and fully navigable river systems leading from peripheral farmlands directly to markets in the great gastronomic centers of Paris and Lyon. With an eye to this landscape, Pitte wonders: Would the great French burgundies enjoy such prestige if the coast they came from were not situated close to the ancient capital for the dukes and a major travel route for medieval Europe? Yet for all the shaping influence of earth and climate, Pitte demonstrates that haute cuisine, like so much that is great about France, can be traced back to the court of Louis XIV. It was the Sun King's regal gourmandise-he enacted a nightly theater of eating, dining alone but in full view of the court-that made food and fine dining a central affair of state. The Catholic Church figures prominently as well: gluttony was regarded as a "benign sin" in France, and eating well was associated with praising God, fraternal conviviality, and a respect for the body. These cultural ingredients, in combination with the bounties of the land, contributed to the full flowering of French foodways. This is a time of paradox for French gourmandism. Never has there been so much literature published on the subject of culinary creativity, never has there been so much talk about good food, and never has so little cooking been done at home. Each day new fast-food places open. Will French cuisine lose its charm and its soul? Will discourse become a substitute for reality? French Gastronomy is a delightful celebration of what makes France unique, and a call to everyone who loves French food to rediscover its full flavor.

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