Search results for ""author rod"

¡La serie de libros para niños más exitosa de la editorial DK disponible ahora en formato bilingüe!Un educativo libro para bebés con hojas de cartón repleto de imágenes y vocabulario para que los bebés aprendan a identificar y nombrar sus juguetes y juegos favoritos. Ideal para estimular el bilingüismo desde la primera infancia y la capacidad de observación de los niños en edad preescolar. Los niños aprenden jugando desde que son bebés, durante los primeros años y a lo largo de toda la infancia. Sus primeros juguetes son objetos muy especiales que les ayudan a explorar el mundo y expresarse. Con 16 dobles páginas a todo color e increíbles fotografías de los juguetes y objetos favoritos de los niños en edad preescolar, My First Bilingual Playtime es el libro para niños perfecto para que tu pequeño se familiarice con sus juegos favoritos, a la vez que desarrolla su memoria y lenguaje.Hora de jugar y aprenderCamiones, bloques de construcción, peluches, disfraces, muñecas, plastilina, cometas… y ¡hasta trompetas y xilófonos! No falta ninguno. Anima a tu bebé a recorrer las páginas del libro e identificar los juguetes que más le gustan. Practicad juntos buscando y nombrando las imágenes en inglés y español. ¡Le encantará aprender el nombre de sus juguetes preferidos!My First Bilingual Playtime es un libro para bebés en español e inglés que ayuda a los niños a • Identificar y nombrar sus juguetes y lugares de juego preferidos • Aprender jugando • Fomentar el interés por la lectura • Aprender vocabulario en dos idiomas y familiarizarse con los sonidos y la grafía de las palabras. • Desarrollar habilidades de observación y ampliar el conocimiento del mundo que les rodea con la ayuda de fotografías e ilustraciones.My First Bilingual Playtime pertenece a la serie My First (primeras lecturas), una magnífica colección de libros infantiles ideal para niños en edad preescolar de 0 a 2 años. Estos libros para bebés abarcan una amplia variedad de temas y vocabulario e incluyen fotografías, ilustraciones y rótulos fáciles de entender en todas sus páginas. Como libros de aprendizaje, son el complemento perfecto para ayudar a los niños a adquirir vocabulario y desarrollar las habilidades lingüísticas que forman la base de la educación temprana. Además, ahora están disponibles en edición bilingüe inglés-español. ¡Ideal para aprender simultáneamente dos lenguas!

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A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia’s cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design. The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture – one that still resonates today. Published to accompany a major exhibition at London’s Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished. Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.

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Winner, 2016 Best First Book Prize from the Immigration and Ethnic History Society Finalist, 2016 Sami Rohr Prize for Jewish Literature Winner, 2015 Book Prize from the Southern Jewish Historical Society Finalist, 2015 Jordan Schnitzer Book Award from the Association for Jewish Studies Winner, 2014 National Jewish Book Award in American Jewish Studies from the Jewish Book Council The majority of Jewish immigrants who made their way to the United States between 1820 and 1924 arrived nearly penniless; yet today their descendants stand out as exceptionally successful. How can we explain their dramatic economic ascent? Have Jews been successful because of cultural factors distinct to them as a group, or because of the particular circumstances that they encountered in America? The Rag Race argues that the Jews who flocked to the United States during the age of mass migration were aided appreciably by their association with a particular corner of the American economy: the rag trade. From humble beginnings, Jews rode the coattails of the clothing trade from the margins of economic life to a position of unusual promise and prominence, shaping both their societal status and the clothing industry as a whole. Comparing the history of Jewish participation within the clothing trade in the United States with that of Jews in the same business in England, The Rag Race demonstrates that differences within the garment industry on either side of the Atlantic contributed to a very real divergence in social and economic outcomes for Jews in each setting.

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Death beyond Disavowal utilizes “difference” as theorized by women of color feminists to analyze works of cultural production by people of color as expressing a powerful antidote to the erasures of contemporary neoliberalism.According to Grace Kyungwon Hong, neoliberalism is first and foremost a structure of disavowal enacted as a reaction to the successes of the movements for decolonization, desegregation, and liberation of the post–World War II era. It emphasizes the selective and uneven affirmation and incorporation of subjects and ideas that were formerly categorically marginalized, particularly through invitation into reproductive respectability. It does so in order to suggest that racial, gendered, and sexualized violence and inequity are conditions of the past, rather than the foundations of contemporary neoliberalism’s exacerbation of premature death. Neoliberal ideologies hold out the promise of protection from premature death in exchange for complicity with this pretense.In Audre Lorde’s Sister Outsider, Cherríe Moraga’s The Last Generation and Waiting in the Wings, Oscar Zeta Acosta’s The Revolt of the Cockroach People, Ana Castillo’s So Far from God, Gayl Jones’s Corregidora, Isaac Julien’s Looking for Langston, Inge Blackman’s B. D. Women, Rodney Evans’s Brother to Brother, and the work of the late Barbara Christian, Death beyond Disavowal finds the memories of death and precarity that neoliberal ideologies attempt to erase.Hong posits cultural production as a compelling rejoinder to neoliberalism’s violences. She situates women of color feminism, often dismissed as narrow or limited in its effect, as a potent diagnosis of and alternative to such violences. And she argues for the importance of women of color feminism to any critical engagement with contemporary neoliberalism.

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2020 Foreword INDIES Book of the Year Awards Winner, Silver (Political and Social Sciences) Winner of the Montaigne Medal, awarded to "the most thought-provoking books"The first book to explore a shocking yet all-too-common type of wrongful conviction—one that locks away innocent people for crimes that never actually happened. Rodricus Crawford was convicted and sentenced to die for the murder by suffocation of his beautiful baby boy. After years on death row, evidence confirmed what Crawford had claimed all along: he was innocent, and his son had died from an undiagnosed illness. Crawford is not alone. A full one-third of all known exonerations stem from no-crime wrongful convictions.The first book to explore this common but previously undocumented type of wrongful conviction, Smoke but No Fire tells the heartbreaking stories of innocent people convicted of crimes that simply never happened. A suicide is mislabeled a homicide. An accidental fire is mislabeled an arson. Corrupt police plant drugs on an innocent suspect. A false allegation of assault is invented to resolve a custody dispute. With this book, former New York City public defender Jessica S. Henry sheds essential light on a deeply flawed criminal justice system that allows—even encourages—these convictions to regularly occur. Smoke but No Fire promises to be eye-opening reading for legal professionals, students, activists, and the general public alike as it grapples with the chilling reality that far too many innocent people spend real years behind bars for fictional crimes.

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Austin, Texas, entered the aviation age on October 29, 1911, when Calbraith Perry Rodgers landed his Wright EX Flyer in a vacant field near the present-day intersection of Duval and 45th Streets. Some 3,000 excited people rushed out to see the pilot and his plane, much like the hundreds of thousands who mobbed Charles A. Lindbergh and The Spirit of St. Louis in Paris sixteen years later. Though no one that day in Austin could foresee all the changes that would result from manned flight, people here—as in cities and towns across the United States—realized that a new era was opening, and they greeted it with all-out enthusiasm.This popularly written history tells the story of aviation in Austin from 1911 to the opening of Austin-Bergstrom International Airport in 1999. Kenneth Ragsdale covers all the significant developments, beginning with military aviation activities during World War I and continuing through the barnstorming era of the 1920s, the inauguration of airmail service in 1928 and airline service in 1929, and the dedication of the first municipal airport in 1930. He also looks at the University of Texas's role in training pilots during World War II, the growth of commercial and military aviation in the postwar period, and the struggle over airport expansion that occupied the last decades of the twentieth century. Throughout, he shows how aviation and the city grew together and supported each other, which makes the Austin aviation experience a case study of the impact of aviation on urban communities nationwide.

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In recent years, millions of TV viewers have devoured images of the law. Amy Fisher, O.J. Simpson, Rodney King and JonBenet Ramsey have become household names. To meet popular demand we have a cable channel devoted to trials and police dramas 24 hours a day. Quick justice-dealing judges preside over TV courtrooms resolving real-life conflicts. What are the consequences when legal culture and popular culture dissolve into eath other? What happens, asks Richard K. Sherwin, when law goes pop? Sherwin, a law professor and former New York prosecutor, offers a pathbreaking interdisciplinary study of law and popular culture. He argues that in the welter of communication technologies, an unrestrained marketplace and postmodern ideas, law is increasingly becoming a spectacle, mimicking the style, techniques and visual logic of advertising and public relations. How will law continue to function when truth becomes interpretation and reality and fiction can no longer be separated? To answer these questions, Sherwin draws on a wealth of fascinating material: the contemporary storytelling strategies of lawyers; notoriously popular criminal cases in American legal history; representations of the law such as Errol Morris's "The Thin Blue Line"; and examples of how lawyers and judges have used the media to legitimize the judicial process. The law can be a powerful and affirmative tool for realizing meaning in postmodern life, but not when it is buffeted by corrosive cultural practices. "When Law Goes Pop" is an examination of legal practice in today's world, one that should be needed by everyone concerned with the future of our legal system and the meaning we invest in it.

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Exploring a wide range of material including dramatic works, medieval morality drama, and lyric poetry this book argues for the central significance of literary material to the history of emotions. Early modern English writing about pity evidences a social culture built specifically around emotion, one (at least partially) defined by worries about who deserves compassion and what it might cost an individual to offer it. Pity and Identity in the Age of Shakespeare positions early modern England as a place that sustains messy and contradictory views about pity all at once, bringing together attraction, fear, anxiety, positivity, and condemnation to paint a picture of an emotion that is simultaneously unstable and essential, dangerous and vital, deceptive and seductive. The impact of this emotional burden on individual subjects played a major role in early modern English identity formation, centrally shaping the ways in which people thought about themselves and their communities. Taking in a wide range of material - including dramatic works by William Shakespeare, Thomas Heywood, Ben Jonson, Thomas Middleton, and William Rowley; medieval morality drama; and lyric poetry by Philip Sidney, Thomas Wyatt, Samuel Daniel, Thomas Lodge, Barnabe Barnes, George Rodney and Frances Howard - this book argues for the central significance of literary material to the broader history of emotions, a field which has thus far remained largely the concern of social and cultural historians. Pity and Identity in the Age of Shakespeare shows that both literary materials and literary criticism can offer new insights into the experience and expression of emotional humanity.

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'John Keay is the master storyteller and historian. This grand narrative of Himalaya is as epic as the mountains and peoples he describes' Dan Snow 'Adds the human element to the hard rock. And what a rich vein it is' Michael Palin History has not been kind to Himalaya. Empires have collided here, cultures have clashed. Buddhist India claimed it from the south, Islam put down roots in its western approaches, Mongols and Manchus rode in from the north, and, from the east, China continues to absorb what it prefers not to call Tibet. Hunters have decimated its wildlife and mountaineers have bagged its peaks. Today, machinery gouges minerals out of its rock. Roughly the size of Europe, the region is one of the most seismically active on the planet. Summers bring avalanches, rainfall triggers landslides and winters obliterate trails. Glaciers retreat, rivers change course and whole lakes quietly evaporate. To some, Himalaya is an otherworldly realm, profoundly life-changing, yet forbidding and forbidden. It has mesmerised scholars and mystics, sportsmen and spies, pilgrims and mapmakers who have mingled with the farmers and traders on the ‘Roof of the World’. Himalaya is the story of one of the last great wildernesses and, in particular, of the bizarre discoveries and improbable achievements of its pioneers. Ranging from botany to trade, from the Great Game to today’s geopolitics, John Keay draws on a lifetime of exploration and study to enlighten and delight with this lively biography of a region in crisis.

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While Americans prize the ability to get behind the wheel and hit the open road, they have not always agreed on what constitutes safe, decorous driving or who is capable of it. Mobility without Mayhem is a lively cultural history of America’s fear of and fascination with driving, from the mid-twentieth century to the present. Jeremy Packer analyzes how driving has been understood by experts, imagined by citizens, regulated by traffic laws, governed through education and propaganda, and represented in films, television, magazines, and newspapers. Whether considering motorcycles as symbols of rebellion and angst, or the role of CB radio in regulating driving and in truckers’ evasions of those regulations, Packer shows that ideas about safe versus risky driving often have had less to do with real dangers than with drivers’ identities.Packer focuses on cultural figures that have been singled out as particularly dangerous. Women drivers, hot-rodders, bikers, hitchhikers, truckers, those who “drive while black,” and road ragers have all been targets of fear. As Packer debunks claims about the dangers posed by each figure, he exposes biases against marginalized populations, anxieties about social change, and commercial and political desires to profit by fomenting fear. Certain populations have been labeled as dangerous or deviant, he argues, to legitimize monitoring and regulation and, ultimately, to curtail access to automotive mobility. Packer reveals how the boundary between personal freedom and social constraint is continually renegotiated in discussions about safe, proper driving.

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An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold’s little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902–1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold’s work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and László Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included “The Ring,” a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design.Published in association with the Bard Graduate CenterExhibition Schedule:Bard Graduate Center, New York (02/15/19–07/07/19)

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Making sense of nature in one of the world’s most contested borderlands. According to Chinese government reports, hundreds of plague-infected rodents fell from the skies over Gannan county on an April night in 1952. Chinese scientists determined that these flying voles were not native to the region, but were vectors of germ warfare, dispatched over the border by agents of imperialism. Mastery of biology had become a way to claim political mastery over a remote frontier. Beginning with this bizarre incident from the Korean War, Knowing Manchuria places the creation of knowledge about nature at the center of our understanding of a little-known but historically important Asian landscape. At the intersection of China, Russia, Korea, and Mongolia, Manchuria is known as a site of war and environmental extremes, where projects of political control intersected with projects designed to make sense of Manchuria’s multiple environments. Covering more than 500,000 square miles, Manchuria’s landscapes include temperate rainforests, deserts, prairies, cultivated plains, wetlands, and Siberian taiga. With analysis spanning the seventeenth century to the present day, Ruth Rogaski reveals how an array of historical actors—Chinese poets, Manchu shamans, Russian botanists, Korean mathematicians, Japanese bacteriologists, American paleontologists, and indigenous hunters—made sense of the Manchurian frontier. She uncovers how natural knowledge, and thus the nature of Manchuria itself, changed over time, from a sacred “land where the dragon arose” to a global epicenter of contagious disease; from a tragic “wasteland” to an abundant granary that nurtured the hope of a nation.

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The inspiring, heart-pumping true story of soldiers turned cyclists and the historic 1919 Tour de France that helped to restore a war-torn country and its people. On June 29, 1919, one day after the Treaty of Versailles brought about the end of World War I, nearly seventy cyclists embarked on the thirteenth Tour de France. From Paris, the war-weary men rode down the western coast on a race that would trace the country's border, through seaside towns and mountains to the ghostly western front. Traversing a cratered postwar landscape, the cyclists faced near-impossible odds and the psychological scars of war. Most of the athletes had arrived straight from the front, where so many fellow countrymen had suffered or died. The cyclists' perseverance and tolerance for pain would be tested in a grueling, monthlong competition. An inspiring true story of human endurance, Sprinting Through No Man's Land explores how the cyclists united a country that had been torn apart by unprecedented desolation and tragedy. It shows how devastated countrymen and women can come together to celebrate the adventure of a lifetime and discover renewed fortitude, purpose, and national identity in the streets of their towns.'This is an evocatively written homage to the 1919 Tour… This inspirational sports story demonstrates the power of a race to unite a country suffering from the wounds of war and is immersed in wartime historical detail. Cycling fans will get more than an account of the race in this volume, which will also appeal to readers interested in WWI.' — Booklist

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Three characters with their own agendas converge in a town filled with mediums, where most residents make their living speaking to the dead...and there's no such thing as resting in peace.Russ Griffin has always wanted to be a fantastic medium. Growing up in the town of St. Hilaire, where most residents make their living by speaking to the dead, means there's a lot of competition, and he's always held his own. But Russ knows the town he loves is corrupt, and he's determined to save it before the sinister ruling body, The Guild, ruins all he's ever wanted.Willow Rodgers is St. Hilaire royalty. An orphan, raised by The Guild, she's powerful and mysterious. But she has secrets that might change everyone's fate. She's done with St. Hilaire, done with helping spirits move on. She wants to end the cycle for good and rid the town of ghosts, even if that means destroying the only home she's ever known.Asher Mullen lost his sister, and his parents can't get over her death. They sought answers in St. Hilaire and were turned away. Now they want revenge. Asher is tasked with infiltrating the town, and he does that by getting to know Russ. The only problem is, he might be falling for him, which will make betraying him that much harder.Russ, Willow, and Asher all have their own agendas for St. Hilaire, but one thing's for certain, no one will be resting in peace.

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There are two sides to every story.Husband and wife Archie and Francine Hughes are heroes in their hometown of Philadelphia. Archie is a football star, while Francine is a Grammy-winning singer.So everyone is in a state of shock when news breaks about the seemingly perfect couple.One spouse is murdered. The other is Suspect Number One.Even before the case hits the courtroom, it's the hottest ticket in town. For the defence: Cooper Lamb, private investigator to the stars. For the prosecution: Veena Lion, an attorney so bright she's got to wear shades.Between them, they know every secret in the Hughes household. Together, they prove how two wrongs can make a right.___________________________________________PRAISE FOR JAMES PATTERSON'It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: nobody does it better.' JEFFERY DEAVER 'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' LEE CHILD 'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' MICHAEL CONNELLY 'James Patterson is The Boss. End of.' IAN RANKIN 'The master storyteller of our times' HILLARY RODHAM CLINTON'One of the greatest storytellers of all time' PATRICIA CORNWELL'Patterson knows where our deepest fears are buried . . . there's no stopping his imagination' NEW YORK TIMES BOOK REVIEW'Patterson is in a class by himself' GUARDIAN

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“You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort of career, ups and downs, warts and all that I have in that wondrous little corner of show business called musical theatre.” One of the most successful and distinguished artists of our time, Andrew Lloyd Webber has reigned over the musical theatre world for nearly five decades. The winner of numerous awards, including multiple Tonys and an Oscar, Lloyd Webber has enchanted millions worldwide with his music and numerous hit shows, including Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera—Broadway’s longest running show—and most recently, School of Rock. In Unmasked, written in his own inimitable, quirky voice, the revered, award-winning composer takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him. The son of a music professor and a piano teacher, Lloyd Webber reveals his artistic influences, from his idols Rodgers and Hammerstein and the perfection of South Pacific’s ‘Some Enchanted Evening,’ to the pop and rock music of the 1960s and Puccini’s Tosca, to P. G. Wodehouse and T. S. Eliot. Lloyd Webber recalls his bohemian London youth, reminiscing about the happiest place of his childhood, his homemade Harrington Pavilion—a make-believe world of musical theatre in which he created his earliest entertainments. A record of several exciting and turbulent decades of British and American musical theatre and the transformation of popular music itself, Unmasked is ultimately a chronicle of artistic creation. Lloyd Webber looks back at the development of some of his most famous works and illuminates his collaborations with luminaries such as Tim Rice, Robert Stigwood, Harold Prince, Cameron Mackintosh, and Trevor Nunn. Taking us behind the scenes of his productions, Lloyd Webber reveals fascinating details about each show, including the rich cast of characters involved with making them, and the creative and logistical challenges and artistic political battles that ensued. Lloyd Webber shares his recollections of the works that have become cultural touchstones for generations of fans: writing songs for a school production that would become his first hit, Joseph and the Amazing Technicolor Dreamcoat; finding the coterie of performers for his classic rock opera Jesus Christ Superstar; developing his first mega-hit, Evita, which would win seven Tonys Awards, including Best Musical; staking his reputation and fortune on the groundbreaking Cats; and making history with the dazzling The Phantom of the Opera. Reflecting a life that included many passions (from architecture to Turkish Swimming Cats), full of witty and revealing anecdotes, and featuring cameo appearances by numerous celebrities—Elaine Paige, Sarah Brightman, David Frost, Julie Covington, Judi Dench, Richard Branson, A.R. Rahman, Mandy Patinkin, Patti LuPone, Richard Rodgers, Norman Jewison, Milos Forman, Plácido Domingo, Barbra Streisand, Michael Crawford, Gillian Lynne, Betty Buckley, and more—Unmasked at last reveals the true face of the extraordinary man beneath the storied legend.

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Su ambición no tenía límites, sus enemigos tampoco. La fascinante historia de Irene de Atenas, emperatriz de Bizancio.Esta novela combina el rigor de Santiago Posteguillo con las intrigas de Juego de tronos. Luis ZuecoUna adolescente de origen humilde.Una mujer sola rodeada de enemigos. Una emperatriz con una ambición sin límites.Esta novela recrea la fascinante vida de Irene de Atenas, la emperatriz que gobernó Bizancio durante más de veinte años. La historia de una joven de extraordinaria belleza, que pasó de crecer en la miseria a regir el destino del imperio más poderoso de su tiempo. El retrato de alguien que logró atesorar un poder inconcebible para una mujer en el siglo VIII de nuestra era.Javier Torras de Ugarte conduce al lector en un gran viaje a través del Mediterráneo, desde la sencillez del pueblo llano hasta el lujo suntuoso de los palacios y la crueldad de la corte. La dama púrpura es un relato épico y sin em

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En esta obra la autora, basándose en su experiencia en el campo de la conciencia humana, ofrece una aproximación sintética a los diferentes aspectos relacionados con el estudio de la esquizofrenia. Explica las teorías que fundamentan el núcleo del trastorno esquizofrénico en una hipotonía de la conciencia, ofrece algunas claves para comprender esta enfermedad y explica su historia, causas, síntomas y formas de presentación, así como los tratamientos y criterios diagnósticos para su evaluación. Por otro lado, en el libro también se describen las características y cualidades que debe tener el psicólogo que decide dedicarse al tratamiento de este tipo de enfermos y se dan las pautas que debe seguir el psicoterapeuta en los diversos aspectos que rodean la terapia con sujetos esquizofrénicos. El libro es una herramienta práctica y útil para todos aquellos psicólogos que se dediquen a la psicoterapia con pacientes esquizofrénicos, así como para otros profesionales que trabajan con este tipo

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No hay que mezclar el fútbol con la política? más que nada porque es innecesario: viven juntos desde que el balón echó a rodar. En cualquier parte del planeta la fascinación que provoca el deporte de masas por excelencia va de la mano de su relación con las esferas del poder. Da igual la ideología o la época, momentos de paz o cuando el mundo arde bajo el ruido de las armas. El fútbol fue un pilar en la Italia de Mussolini o en la España de Franco, como lo fue en la Unión Soviética con la figura de Lavrenti Beria o en la Alemania Oriental con la cabeza de la Stasi al mando del Dinamo de Berlín. Lo fue en las dictaduras Sudamericanas de los años 70 y en los procesos de independencia de los países africanos.Este libro recoge treinta historias reales de esa relación entre el fútbol y el poder, episodios en los que, al final, aparecen dramas humanos de jugadores, entrenadores o directivos que se vieron en medio de ese potente atractivo que el balompié provoca en los políticos sea cual sea

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De Julio César a La batalla del Ebro, una obra imprescidible con tres mil años apasionantes que configuraron la Historia de España.Muchas de las batallas que han tenido lugar en España o han sido protagonizadas por españoles, fueron decisivas para nuestra historia. Primo Jurado, escritor, profesor y doctor en Historia, recoge aquí las más importantes, con glorias y fracasos. Qué habría pasado si Julio César hubiera sido derrotado en Munda? Cómo habría cambiado la historia si don Rodrigo hubiese vencido en Guadalete e impedido la invasión musulmana? Y si la Gran Armada hubiera desembarcado a los tercios en Inglaterra, conquistando Londres? Se imaginan Colombia y Venezuela colonias británicas, si los ingleses hubiesen logrado tomar Cartagena de Indias? Por qué bastó el Desembarco de Alhucemas para liquidar la Guerra de Marruecos que se prolongaba, sangrienta, 13 años? Cómo habría sido España tras ganar la República la Guerra Civil, de haberse impuesto en la batalla del Ebro?

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Tras la publicación en esta misma colección de El perro de los Baskerville, con ilustraciones de Javier Olivares, seguimos con nuestro propósito de publicar todas las novelas de Conan Doyle que tienen como protagonistas al detective más famoso de todos los tiempos, Sherlock Holmes, y a su inseparable doctor Watson.Publicada en 1887, Estudio en escarlata es la primera entrega de la serie, en la que John H. Watson inicia las memorias de sus aventuras. Todo comienza cuando él y Holmes van a compartir casa en la ya famosa dirección del 221B de Baker Street. Allí, Watson convivirá con las excentricidades de Holmes y será testigo de su asombrosa habilidad para obtener información sobre todo lo que le rodea. Aturdido en ocasiones por la personalidad del detective, Watson se verá, sin embargo, deslumbrado por su genialidad.Fernando Vicente ha recreado este caso y ha dado vida gráfica a estos dos míticos personajes.Decidí que me hubiera gustado ser Sherlock Holmes, y en el protagonis

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El apacible pueblo inglés de Rapstone Fanner está amenazado por un salvaje plan urbanístico que pone en peligro su encanto y también el del idílico valle que lo rodea. El honorable Leslie Titmuss, diputado local y ministro de Territorio, Urbanismo y Fomento en el gobierno conservador de Margaret Thatcher, está ocupado cortejando a la bella viuda Jenny Sidonia y no sabe muy bien a qué carta quedarse. Debería ser coherente con sus ideas y apoyar a los especuladores? No sería mejor, en cambio, proteger su pueblo (y de paso su recién estrenada casa de campo) de los bloques de oficinas, centros comerciales y toneladas de asfalto que lo van a sepultar?Mortimer retoma alguno de los personajes de su exitosa "Un paraíso inalcanzable" para componer una novela inteligente y bienhumorada en la que demuestra, una vez más, su profundo conocimiento de las relaciones humanas. Una formidable sátira sobre las maquinaciones políticas y los cambios que el desarrollo económico produjo en la sociedad in

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En esta biografía impactante y vibrante, el galardonado creador Duncan Tonatiuh echa luz sobre el legado de un legendario capoeirista, Mestre Bimba, quien se resistió a la opresión racial a través del arte y convirtió una práctica marginada en un fenómeno globalUna meia lua silbó a través del aire. El golpe fue evadido y le siguió un aú.Dos jóvenes estaban jugando a la capoeira en medio de la roda. Bimba también quería jugar.Aunque se debate cuándo y dónde se originó exactamente la capoeira, una forma de arte que combina las artes marciales, la danza, las acrobacias, la música y la espiritualidad, una cosa es segura: a principios del siglo XX Brasil era el único país en el mundo en el que se jugaba a la capoeira, y era practicada principalmente por personas de ascendencia africana. En 1890, dos años después de que Brasil aboliera oficialmente la esclavitud, el juego fue prohibido. La sociedad rica y de piel más clara temía y menospreciaba la capoeira, viéndola como un juego de “malandros”, como llamaban las personas en el poder a las comunidades negras y pobres a las que despreciaban. Pero, a principios de la década de 1920 en la ciudad de Salvador, un hombre llamado Bimba abogaría por que la capoeira, y quienes la practicaban, fueran tratados con la dignidad y el respeto que se merecían.La prosa lírica y el adorado estilo de ilustración de Duncan Tonatiuh, inspirado en los códices precolombinos, cuentan la historia de quien se podría decir fue el mejor capoeirista de todos los tiempos, quien luchó para convertir una actividad afrobrasileña perseguida e incomprendida en un arte célebre y practicado por millones de personas en todo el mundo. En 2014, la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (UNESCO) designó a la capoeira como un Patrimonio Cultural Inmaterial de la Humanidad, una distinción otorgada por su promoción de la integración social y la memoria que guarda de la lucha contra la opresión histórica.En Juego de libertad, el galardonado Tonatiuh nos brinda una conmovedora celebración de la solidaridad y la resistencia a través del arte.

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Monica Minott’s poems grasp the reader’s attention with a voice that is distinctively personal, both taut and musical – and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott’s poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience and with the worlds of literature, music and art. Minott’s sense of history is deeply informed by a knowledge of the brutalities of commercial empire and of slavery and Black people’s struggles against injustice and for selfhood. There is scarcely a poem that does not have some precisely described sense of the materiality of its circumstance and the interactions between the physical world and human feelings. You sense that what sustains a certain bravery of self-exposure and of risk is a sense of belonging to family histories that have taught endurance, of knowing that loss can be gain (and this is certainly a world into which tragedy intrudes) and the experience of “running from extremity to extremity, to glory”. In literature and the arts, books are “bright lamps to light away dark hours”, and the examples of musicians like Don Drummond and Rico Rodriquez, artists such as Jean-Michel Basquiat and dancer Barry Moncrieffe point to the possibilities of the transcendent arising out of the everyday. Literature is a way of seeing that connects “Telemachus,/ original rasta and broomseller” of the Kingston streets to the Ulyssean world of voyaging and of seeking a home.

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This Handbook offers an insightful and comprehensive overview from a geographic perspective of the numerous and varied technologies that are shaping the contemporary world. It shows how geography and technology are intimately linked by examining the origins, growth, and impacts of 27 different technologies and highlighting how they influence the structure and spatiality of society. Following summaries of important conceptual issues such as diffusion, gender and science studies, the book explores various technologies, which are grouped into six main categories: Computational: code, location-based services and virtual reality Communications: fiber optics, satellites, the internet, radio, cell phones and television Transportation: automobiles, aviation, drones, railroads, and shipping and ports Energy: biofuels, dams, fracking, geothermal energy, pipelines, solar energy and LEED buildings Manufacturing: robotics, just-in-time systems and nanotechnology Life sciences: new technologies of health care, biotechnology and biometrics. Significantly, the book includes in-depth explorations of new technologies that have so far received very little attention from geographers. This much-needed Handbook offers a comprehensive and state-of-the-art summary of the geographies of major technologies and how they affect society, economies, geographies and everyday life. It will appeal to academics and advanced students interested in geography, planning and the social sciences in general.Contributors include: R. Baghel, M. Batty, R.E. Baxter, T. Birtchnell, M.J. Blair, L. Cabral, K.E. Calvert, M. Chen, J. Cidell, J.C. Comer, D. Comfort, S.W. Cunningham, M. Dodge, A.R. Goetz, A. Golub, A. Grech, D. Hillier, A. Holl, J.P. Howell, A. Johnson, P. Jones, A. Kellerman, L. Kurdgelashvili, L. Li, H. Lin, R. Lobato, B.P.Y. Loo, A. López Peláez, E. Louie, S. Maalsen, W.E. Mabee, J.D. Makholm, J. McLean, M. Nüsser, G. Popescu, R. Rama, P.L. Robertson, J.-P. Rodrigue, M.W. Rosenberg, B. Solomon, J.D. Stephen, D. Sui, G. Timilsina, N. Waldbrook, B. Warf, T.A. Wikle, C. Wilkinson

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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon. Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership. Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

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LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION ONE OF THE NEW YORK TIMES' BEST BOOKS OF 2023ONE OF THE ECONOMIST'S BEST BOOKS OF 2023ONE OF THE NEW YORKER'S BEST BOOKS OF 2023ONE OF BARACK OBAMA'S BEST BOOKS OF 2023TIME MAGAZINE'S #1 NONFICTION BOOK OF THE YEAR'A journalistic masterpiece' David Remnick, New YorkerMy job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long.Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs - a war that has led to the slaughter of thousands - immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: 'I'm really not a bad guy,' he said. 'I'm not all bad. Some people need killing.'A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

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Martin Stevens explores the extraordinary variety of senses in the animal kingdom, and discusses the cutting-edge science that is shedding light on these secret worlds. Our senses of vision, smell, taste, hearing, and touch are essential for us to respond to threats, communicate and interact with the world around us. This is true for all animals - their sensory systems are key to survival, and without them animals would be completely helpless. However, the sensory systems of other animals work very differently from ours. For example, many animals from spiders to birds can detect and respond to ultraviolet light, to which we are blind. Other animals, including many insects, rodents, and bats can hear high-frequency ultrasonic sounds well beyond our own hearing range. Many other species have sensory systems that we lack completely, such as the magnetic sense of birds, turtles, and other animals, or the electric sense of many fish. These differences in sensory ability have a major bearing on the ways that animals behave and live in different environments, and also affect their evolution and ecology. In this book, Martin Stevens explores the remarkable sensory systems that exist in nature, and what they are used for. Discussing how different animal senses work, he also considers how they evolve, how they are shaped by the environment in which an animal lives, and the pioneering science that has uncovered how animals use their senses. Throughout, he celebrates the remarkable diversity of life, and shows how the study of sensory systems has shed light on some of the most important issues in animal behaviour, physiology, and evolution. He also describes evidence of the disruptive effects of human activities on the way other animals navigate the world.

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CONTENTS: Abdol Rauh Yaccob, British policy on Arabia before the First World War: an internal argument; Adrian G. Parker &. Jeffrey I. Rose, Climate change and human origins in southern Arabia; Alexandrine Guérin & Faysal Abdallah al-Na’imi, Nineteenth century settlement patterns at Zekrit, Qatar: pottery, tribes and territory; Anthony E. Marks, Into Arabia, perhaps, but if so, from where?; Audrey Peli, A history of the Ziyadids through their coinage (203– 442/818–1050); Aurelie Daems & An De Waele, Some reflections on human-animal burials from pre-Islamic south-east Arabia (poster); Brian Ulrich, The Azd migrations reconsidered: narratives of ‘Amr Muzayqiya and Mālik b. Fahm in historiographic context; Christian Darles, Derniers résultats, nouvelles datations et nouvelles données sur les fortifications de Shabwa (Hadramawt); Eivind Heldaas Seland, The Indian ships at Moscha and the Indo-Arabian trading circuit; Fabio Cavulli & Simona Scaruffi, Stone vessels from KHB-1, Ja’lān region, Sultanate of Oman (poster); Francesco G. Fedele, Wādī al-Tayyilah 3, a Neolithic and Pre-Neolithic occupation on the eastern Yemen Plateau, and its archaeofaunal information; Ghanim Wahida, Walid Yasin al-Tikriti & Mark Beech, Barakah: a Middle Palaeolithic site in Abu Dhabi Emirate; Jeffrey I. Rose & Geoff N. Bailey, Defining the Palaeolithic of Arabia? Notes on the Roundtable Discussion; Jeffrey I. Rose, Introduction: special session to define the Palaeolithic of Arabia; Julie Scott-Jackson, William Scott-Jackson, Jeffrey Rose & Sabah Jasim, Investigating Upper Pleistocene stone tools from Sharjah, UAE: Interim report; Krista Lewis & Lamya Khalidi, From prehistoric landscapes to urban sprawl: the Masn’at Māryah region of highland Yemen; Michael J. Harrower, Mapping and dating incipient irrigation in Wadi Sana, Hadramawt (Yemen); Mikhail Rodionov, The jinn in Hadramawt society in the last century; Mohammed A.R. al-Thenayian, The Red Sea Tihami coastal ports in Saudi Arabia; Mohammed Maraqten, Women’s inscriptions recently discovered by the AFSM at the Awām temple/Mahram Bilqīs in Marib, Yemen; Nasser Said al-Jahwari & Derek Kennet, A field methodology for the quantification of ancient settlement in an Arabian context; Rémy Crassard, The “Wa’shah method”: an original laminar debitage from Hadramawt, Yemen; Saad bin Abdulaziz al-Rāshid, Sadd al-Khanaq: an early Umayyad dam near Medina, Saudi Arabia; Ueli Brunner, Ancient irrigation in Wādī Jirdān; Vincent Charpentier & Sophie Méry, A Neolithic settlement near the Strait of Hormuz: Akab Island, United Arab Emirates; Vincent Charpentier, Hunter-gatherers of the “empty quarter of the early Holocene” to the last Neolithic societies: chronology of the late prehistory of south-eastern Arabia (8000–3100 BC); Yahya Asiri, Relative clauses in the dialect of Rijal Alma’ (south-west Saudi Arabia); Yosef Tobi, Sālôm (Sālim) al-Sabazī’s (seventeenth-century) poem of the debate between coffee and qāt; Zaydoon Zaid & Mohammed Maraqten, The Peristyle Hall: remarks on the history of construction based on recent archaeological and epigraphic evidence of the AFSM expedition to the Awām temple in Mārib, Yemen

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“Here, Mr. Split-Foot, do as I do!” exclaimed the child, and the spirits obeyed her command. Thus, in 1848, thirteen-year-old Margaret Fox inaugurated the age of spiritualism. Those early spirit manifestations in a humble New York farmhouse were “but the beginning of a grand seance which for the next half century was to see persons returned from the dead walking upon the earth, mingling freely with mortal Americans. Ceremonies were performed which united in wedlock the living and the dead; ghostly schoolboys returned from the land of the spirits to revisit their old schoolhouses, upsetting the dignity of earthly classrooms . . . Drivers of owl horsecars . . . were intrigued by beautiful female spirits who rode their cars at night and promptly vanished if approached for a fare.” The colorful career of Margaret Fox, the most famous medium of the era and the “fountainhead” of the cult of spiritualism, attracted the attention of the most prominent public figures of the day. For P. T. Barnum, this phenomenon was another novelty to present to the American public. Horace Greeley took a personal interest in Margaret and her sister; he gave the movement extensive publicity. Lincoln often invited Margaret Fox and other mediums to the White House for seances, during which attempts were made to invoke the spirit of the Lincolns’ dead son. Members of Congress, judges, and intellectuals of the day were well acquainted with her and with the spiritualist movement. The course of this spirit invasion and the many and varied means by which men communicated with dwellers of the other world are the subjects of this volume. With Margaret Fox the spirits spoke by rapping on floor and furniture. With others they communicated by writing on slates, by touching with ghostly hands, by moving furniture (one medium was so popular that his furniture followed him about like a pack of dogs). Some spirits spoke directly through the mouths of entranced mediums. And some were so bold—or so talented—that they were able to materialize in the flesh before properly receptive groups of people—and happy indeed was the devotee who received a warm embrace from a lovely young spirit lady or a handsome ghostly gentleman during such a materialization. The spirits who thus displayed their interest in this mortal world soon came to have a considerable influence over whole segments of the American population. For some, spiritualism was a comforting means of maintaining contact with loved ones now departed. For others it was a religion, a blessed aid on the road to salvation. For still others it provided practical assistance with more earthly problems. Many found in it intriguing puzzles for scientific investigation. And for the whole country it provided a constant source of excitement, interest, and entertainment. Written in spritely prose and permeated with a grave humor, this account of nineteenth-century spiritualism will be equally satisfying to the casual reader interested in a good story, and to the scholar seeking serious social history.

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This is the story of 150 of the most adventurous scouts, gold prospectors, gunslingers, buffalo hunters, and Civil War veterans of both sides—they may have been the deadliest collection of shooters to ever hit the trail. This is the most detailed work ever produced on the obscure legend of the 1874 Yellowstone Wagon Road Prospecting Expedition in the Montana Territory—the product of multi-year research across the country, and visits to the three battlefields and expedition route of over 500 miles—an event that impacted the Little Bighorn in 1876. Numerous legends of the West rode on the expedition, later playing roles in the Great Sioux War of 1876. Their adversaries now were the Lakota and Northern Cheyenne—some of the greatest light cavalry to ever gallop over the North American continent. And watching their every move were Sitting Bull, Gall, Hump, Crazy Horse, and a renegade chief named Inkpaduta, ready to strike.

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"This is a summer neither Annabel nor readers will ever forget." -School Library Journal Perfect for fans of Bridge to Terabithia and Walk Two Moons, this debut middle grade novel is the story of two girls and the unforgettable summer in which they learn about true friendship and loss. Annie has been promised a summer of freedom in the country. Freedom from a difficult school year, freedom from her fake "friends" back in the city, and, most of all, freedom from her mom's life-governing spreadsheets and rigid schedules. When Annie meets California, who is visiting her grandfather's farm, it seems she has found the perfect partner for the summer she's always craved. Especially when California offers Annie a real-life adventure: if she and Annie can find the ponies her mom rode as a girl, surely it will remind her mom how wonderful the farm is-and fix what's broken between her mom and her grandfather. But Annie's summer of freedom is sprinkled with secrets, and everything she has learned about bravery and love will be put to the test when the truth behind the ultimate secret changes her life forever.

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In Eros Ideologies Laura E. Pérez explores the decolonial through Western and non-Western thought concerning personal and social well-being. Drawing upon Jungian, people-of-color, and spiritual psychology alongside non-Western spiritual philosophies of the interdependence of all life-forms, she writes of the decolonial as an ongoing project rooted in love as an ideology to frame respectful coexistence of social and cultural diversity. In readings of art that includes self-portraits by Frida Kahlo, Ana Mendieta, and Yreina D. Cervántez, the drawings and paintings of Chilean American artist Liliana Wilson, and Favianna Rodriguez's screen-printed images, Pérez identifies art as one of the most valuable laboratories for creating, imagining, and experiencing new forms of decolonial thought. Such art expresses what Pérez calls eros ideologies: understandings of social and natural reality that foreground the centrality of respect and care of self and others as the basis for a more democratic and responsible present and future. Employing a range of writing styles and voices—from the poetic to the scholarly—Pérez shows how art can point to more just and loving ways of being.

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By any standard, the United States is the most violent nation in the industrialized world. To find comparable levels of interpersonal violence, one must look to nations in the midst of civil war. Most observers of modern American violence do not consider the historical roots of current levels of violence, preferring to criticize American liberalism, permissive child-rearing practices, and excessive greed and individualism as the sources of the problem. This collection of original essays examines the role of violence in America's past, exploring its history and development, from slave patrols in the Colonial South to gun ownership in the twentieth century. Contributors examine both individual acts, such as domestic violence, murder, dueling, frontier vigilantism, and rape, and group and state-led acts such as lynchings, slave uprisings, rifle clubs, legal sanctions of heterosexual aggression, and invasive medical experiments on women's bodies. Contributors include Jeff Adler, Bruce Baird, Robert Dykstra, Lee Chambers-Schiller, Philip J. Cook, Laura Edwards, Uche Egemonye, Nicole Etcheson, Evan Haefeli, Sally Hadden, Paula Hinton, Arthur L. Kellermann, Laura McCall, Kate Nickerson, Mary Odem, Craig Pascoe, John C. Pettegrew, Junius P. Rodriguez, and Andrea Tone, Christopher Waldrep.

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Professor Luis Leal is one of the most outstanding scholars of Mexican, Latin American, and Chicano literatures and the dean of Mexican American intellectuals in the United States. He was one of the first senior scholars to recognize the viability and importance of Chicano literature, and, through his perceptive literary criticism, helped to legitimize it as a worthy field of study. His contributions to humanistic learning have brought him many honors, including Mexico's Aquila Azteca and the United States' National Humanities Medal. In this testimonio or oral history, Luis Leal reflects upon his early life in Mexico, his intellectual formation at Northwestern University and the University of Chicago, and his work and publications as a scholar at the Universities of Illinois and California, Santa Barbara. Through insightful questions, Mario García draws out the connections between literature and history that have been a primary focus of Leal's work. He also elicits Leal's assessment of many of the prominent writers he has known and studied, including Mariano Azuela, William Faulkner, Octavio Paz, Carlos Fuentes, Juan Rulfo, Gabriel García Márquez, Jorge Luis Borges, Tomás Rivera, Rolando Hinojosa, Rudolfo Anaya, Elena Poniatowska, Sandra Cisneros, Richard Rodríguez, and Ana Castillo.

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WATERSTONES NON-FICTION BOOK OF THE MONTH AUGUST 2018 AND A SUNDAY TIMES BESTSELLER'An astonishingly detailed picture of espionage in the 1980s, written with pacey journalistic verve and an eerily contemporary feel.' Ben Macintyre, The Times'A gripping story of courage, professionalism, and betrayal in the secret world.' Rodric Braithwaite, British Ambassador in Moscow, 1988-1992'One of the best spy stories to come out of the Cold War and all the more riveting for being true.' Washington PostJanuary, 1977. While the chief of the CIA's Moscow station fills his gas tank, a stranger drops a note into the car.In the years that followed, that stranger, Adolf Tolkachev, became one of the West's most valuable spies. At enormous risk Tolkachev and his handlers conducted clandestine meetings across Moscow, using spy cameras, props, and private codes to elude the KGB in its own backyard - until a shocking betrayal put them all at risk. Drawing on previously classified CIA documents and interviews with first-hand participants, The Billion Dollar Spy is a brilliant feat of reporting and a riveting true story from the final years of the Cold War.

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Having grown up on the massive Killarney cattle station near Katherine, NT, Toni Tapp Coutts was well prepared when her husband, Shaun, took a job at McArthur River Station in the Gulf Country, 600 kilometres away near the Queensland border. Toni became cook, counsellor, housekeeper and nurse to the host of people who lived on McArthur River and the constant stream of visitors. She made firm friends, created the Heartbreak Bush Ball and started riding campdraft in rodeos all over the Territory, becoming one of the NT's top riders. In the midst of this busy life she raised three children and saw them through challenges; she dealt with snakes in her washing basket; she kept in touch with her large, sprawling Tapp family, and she fell deeply in love with the Gulf Country.Filled with the warmth and humour readers will remember from A SUNBURNT CHILDHOOD, this next chapter in Toni's life is both an adventure and a heartwarming memoir, and will introduce readers to a part of Australia few have experienced.

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Edición rimada en español del clásico libro de conceptos de Dr. Seuss sobre los ojos, ¡y todas las cosas que pueden ver y hacer! Veo, veo. ¿Qué ves? Esta divertida oda de Dr. Seuss a los ojos les ofrece a los pequeños una nueva manera de apreciar todas las cosas maravillosas que podemos ver. Con simpáticas ilustraciones de Joe Mathieu, es un libro ideal para niños pequeños y preescolares que están aprendiendo acerca de ellos mismos y del mundo que los rodea, ¡o que planean visitar al oculista por primera vez! Historias breves, divertidas, con pocas palabras, fáciles de leer, de un ritmo alegre y expresivas ilustraciones, los libros de la colección Bright and Early Books son ideales para desarrollar el amor por la lectura en los niños.Las ediciones rimadas y en español de los clásicos de Dr. Seuss publicadas por Random House brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!), y Horton Hears a Who! (¡Horton escucha a Quién!). Ideal tanto para leer en casa como en la escuela, estos libros han sido meticulosamente traducidos, respetando la rima, por autores y traductores latinoamericanos, y supervisados por Teresa Mlawer, reconocida y galardonada traductora durante más de cincuenta años. A rhymed Spanish edition of Dr. Seuss's classic concept book about eyes—and all the things they can see and do!Oh, say can you see? Dr. Seuss's hilarious ode to eyes gives little ones a whole new appreciation for all the wonderful things to be seen! With funny illustrations by Joe Mathieu, this is a perfect choice for toddlers and preschoolers who are learning about themselves and the world around them—or visiting the eye doctor for the first time!Combining brief and funny stories, easy words, catchy rhythm, and lively illustrations, Bright and Early Books are an ideal way to introduce the joys of reading to children.Random House's rhymed Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy over 30 different classic Dr. Seuss titles including The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez dos peces pez rojo pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); and Horton Hears a Who! (¡Horton escucha a Quién!). Perfect for home and classroom use, they are meticulously translated in rhyme by native Latin American Spanish speakers overseen by award-winning translator Teresa Mlawer.

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The editors and contributors to Wildlife Crime examine topical issues from extinction to trafficking in order to understand the ecological, economic, political, and social costs and consequences of these crimes. Drawing from diverse theoretical perspectives, empirical and methodological developments, and on-the-ground experiences of practitioners, this comprehensive volume looks at how conservationists and law enforcement grapple with and combat environmental crimes and the profitable market for illegal trade. Chapters cover criminological perspectives on species poaching, unregulated fishing, the trading of ivory and rhino horns, the adoption of conservation technologies, and ranger workplaces and conditions. The book includes firsthand experiences and research from China, Indonesia, Kenya, Madagascar, Morocco, Peru, Russia, South Africa, Tanzania, and the United States. The result is a significant book about the causes of and response to wildlife crime. Contributors include: Johan Bergenas, Avi Brisman, Craig Forsyth, Meredith Gore, Georg Jaster, Alex Killion, Kasey Kinnard, Antony C. Leberatto, Barney Long, Nerea Marteache, Gohar Petrossian, Jonah Ratsimbazafy, Gary Roloff, Viviane Seyranian, Louise Shelley, Rohit Singh, Nicole Sintov, Nigel South, Milind Tambe, Daan van Uhm, Greg Warchol, Rodger Watson, Rob White, Madelon Willemsen, and the editor.

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What role did sexual assault play in the conquest of America? How did American attitudes toward female sexuality evolve, and how was sexuality regulated in the early Republic? Sex and sexuality have always been the subject of much attention, both scholarly and popular. Yet, accounts of the early years of the United States tend to overlook the importance of their influence on the shaping of American culture. Sex and Sexuality in Early America addresses this neglected topic with original research covering a wide spectrum, from sexual behavior to sexual perceptions and imagery. Focusing on the period between the initial contact of Europeans and Native Americans up to 1800, the essays encompass all of colonial North America, including the Caribbean and Spanish territories. Challenging previous assumptions, these essays address such topics as rape as a tool of conquest; perceptions and responses to Native American sexuality; fornication, bastardy, celibacy, and religion in colonial New England; gendered speech in captivity narratives; representations of masculinity in eighteenth- century seduction tales, the sexual cosmos of a southern planter, and sexual transgression and madness in early American fiction. The contributors include Stephanie Wood, Gordon Sayre, Steven Neuwirth, Else L. Hambleton, Erik R. Seeman, Richard Godbeer, Trevor Burnard, Natalie A. Zacek, Wayne Bodle, Heather Smyth, Rodney Hessinger, and Karen A. Weyler.

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This easy-to-fold mini art museum comes with more than 16 classic works of art from world-renowned museums, ready for you to arrange and rearrange!Escape into your own creative world! Open up The Tiniest Art Museum in the World to find easily foldable museum walls and more than a dozen masterpieces to place and rearrange in your very own tiny museum! Including classics such as: The Great Wave by Katsushika Hokusai Self-Portrait with a Straw Hat by Vincent Van Vogh The Thinker by August Rodin Esther before Ahasuerus by Artemisia Gentileschi Melencolia I by Albrecht Dürer Study for a Sunday on la Grande Jatte by Georges Seurat This handsome paper box features a complete miniature museum, ready for you to curate. Contents include: Our comprehensive 48-page guidebook to the artworks included, The Tiniest Art Museum in the World Guidebook, plus step-by-step instructions for building your museum and how to keep your art safe and not wrinkled, bent, destroyed, etc.! Foldable museum walls 16+ pieces of classic art for your museum (both portrait and landscape) that attach to the walls so you can mix and match Gift this miniature make-your-own museum to your favorite art lover--or yourself!

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El 21 de julio de 1969 el librero Luis Bardón enviaba una carta a Antonio Rodríguez-Moñino, que se encontraba en la Universidad de Berkeley donde ejercía la docencia desde hacía algunos años. En ella, le pregunta por su salud, valga recordar que el eminente bibliógrafo moriría el otoño del año siguiente; le comenta la inminente salida de su monografía sobre Sancha [Madrid: Castalia, 1971], aunque ésta se retrasó y apareció póstuma, el colofón indica que se terminó de imprimir el ?14 de marzo de 1971? y le cuenta que ?he encontrado un manuscrito sobre ?cocina?, y he pensado que tal vez a su mujer le puede hacer gracia, así que mañana se lo enviaré por avión, es un pequeño obsequio?. El afamado librero madrileño cumplió su promesa, el manuscrito partió para tierras americanas y pasó a formar parte de la mítica biblioteca del ilustre académico1. Doña María Brey Mariño, su viuda, me lo enseñó por primera vez unos meses antes de su muerte, acaecida a comienzos de 1995; comentándome el aprec

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En una Venecia rodeada de misterio, el inspector Kraken se enfrenta a la encrucijada más compleja de su vida: resolver el pasado o apostar por el futuro.Un espléndido y decadente palazzo arde en una pequeña isla veneciana donde se celebra un encuentro de la Liga de Libreros Anticuarios. Los cuerpos de los invitados, todos conocidos de Kraken, no aparecen entre los escombros, y se sospecha que su madre, Ítaca, estuvo implicada en el incendio que sucedió en idénticas circunstancias décadas atrás.Mientras, en Vitoria, la inspectora Estíbaliz investiga un caso que puede tener las claves del atraco que acabó con la vida del padre de Kraken. Pero Unai es reacio a volver a la investigación en activo y siente que debe elegir entre la búsqueda de lo que les sucedió a sus padres o la familia que ha creado con Alba y su hija Deba.Un paseo por una Venecia donde las leyendas y la perturbadora figura del ángel de la ciudad, mitad mecenas, mitad demonio, mueven los hilos de

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This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema’s connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers’ memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost´, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.

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Neil Simon’s inimitable play about the trials and tribulations that test family ties—winner of the 1991 Pulitzer Prize for Drama.What happens to children in the absence of love? That is the question that lies at the heart of this funny and heartrending play by one of America’s most acclaimed and beloved playwrights. Debuting at the Richard Rodgers Theatre in 1990, Lost in Yonkers went on to win four Tony Awards, including Best Play, as well as the Pulitzer Prize, and tells the moving drama about the cruelties and painful memories that scar a family.It is New York, 1942. After the death of their mother, two young brothers are sent to stay with their formidable grandmother for the longest ten months of their lives. Grandmother Kurnitz is a one-woman German front—a refugee and a widow who has steeled her heart against the world. Her coldness and intolerance have crippled her own children: the boys’ father has no self-esteem; their Aunt Gert has an embarrassing speech impediment; their Uncle Louie is a small-time gangster; and their Aunt Bella has the mentality of a child. But it is Bella's hunger for affection and her refusal to be denied love that saves the boys—and that leads to an unforgettable, wrenching confrontation with her mother. Filled with laughter, tears, and insight, Lost in Yonkers is a heartwarming testament to Neil Simon’s talent.

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Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum In Race ExpertsLinda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in the Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrović, she had no background in anthropology or museum exhibits. Nonetheless, the Field Museum commissioned her to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and lay ideas about race in interwar America. Kim explores how the exhibition compelled the artist to incorporate into her artistic model of race not only racial science but also popular ideas that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of expertise and examines how the sculptures represented the messy resolutions between them.Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

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A superbly crafted study of Hunter S. Thompson’s literary formation, achievement, and continuing relevance. Savage Journey is a "supremely crafted" study of Hunter S. Thompson's literary formation and achievement. Focusing on Thompson's influences, development, and unique model of authorship, Savage Journey argues that his literary formation was largely a San Francisco story. During the 1960s, Thompson rode with the Hell's Angels, explored the San Francisco counterculture, and met talented editors who shared his dissatisfaction with mainstream journalism. Peter Richardson traces Thompson's transition during this time from New Journalist to cofounder of Gonzo journalism. He also endorses Thompson's later claim that he was one of the best writers using the English language as both a musical instrument and a political weapon. Although Thompson's political commentary was often hyperbolic, Richardson shows that much of it was also prophetic. Fifty years after the publication of Fear and Loathing in Las Vegas, and more than a decade after his death, Thompson's celebrity continues to obscure his literary achievement. This book refocuses our understanding of that achievement by mapping Thompson's influences, probing the development of his signature style, and tracing the reception of his major works. It concludes that Thompson was not only a gifted journalist, satirist, and media critic, but also the most distinctive American voice in the second half of the twentieth century.

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Texas has been home to so many colorful characters, out-of-staters might wonder if any normal people live here. And it's true that the "Texian" desire to act out sometimes overcomes even the most sober citizens—which makes it a real challenge for the genuine eccentrics to distinguish themselves from the rest of us. Fortunately, though, many maverick Texans have risen to the test, and in this book, Gene Fowler introduces us to a gallery of Texas eccentrics from the worlds of oil, ranching, real estate, politics, rodeo, metaphysics, showbiz, art, and folklore. Mavericks rounds up dozens of Fowler's favorite Texas characters, folks like the Trinity River prophet Commodore Basil Muse Hatfield; the colorful poet-politician Cyclone Davis Jr.; Big Bend tourist attraction Bobcat Carter; and the dynamic chief executive of the East Texas Oil Field Governor Willie. Fowler persuasively argues that many of these characters should be viewed as folk performance artists who created "happenings" long before the modern art world took up that practice in the 1960s. Other featured mavericks run the demographic gamut from inspirational connoisseurs of the region's native quirkiness to creative con artists and carnival oddities. But, artist or poser, all of the eccentrics in Mavericks completely embody the style and spirit that makes Texas so interesting, entertaining, and culturally unique.

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