Search results for ""author victoria"

Some ten thousand years ago, hunter-gatherers moving through a landscape newly emerged from the grip of the last Ice Age reached four islands on the western seaboard. The shores they landed on were deserted. After making camp, they struck out to hunt and explore. We know this because the evidence of their presence has been preserved down the millennia - in traces of flint and quartz, in charred fragments of grain and animal bone, in great heaped piles of ancient shellfish. The islands were Rum, Eigg, Canna and Muck - four distinctive shapes rising from the waters of the Inner Hebrides between Ardnamurchan and Skye. Collectively, they are known as the Small Isles. From those first moments on, people have been working these islands and using their resources, adapting each landscape to suit the changing needs of the communities they served. In this definitive new book, archaeologist John Hunter searches for the stories of the Small Isles in the evidence that survives - from the fragmentary physical remains of dwellings, defences, places of worship and monuments, to the records of early antiquarians, historians and travellers. This is a journey to rediscover communities that were erased by the mass migrations of the nineteenth century, and the rise of the Victorian sporting estate. Within a few generations cultural identity on the islands disappeared and a new order developed. Placenames were changed, buildings and structures abandoned, and traditions forgotten. The Small Isles became islands without memories. This comprehensive guide - illustrated with a wealth of photographs, maps and drawings - takes readers on a tour of both place and time. Crisscrossing the landscapes of four fascinating and evocative islands, it reveals traces of a forgotten past in everything that has been left behind.

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Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Daughter of the Regius Professor of Medicine at Oxford, she was photographed by Lewis Carroll as a child, along with her close friend Ina Liddell, sister of Alice of Wonderland fame. The critic John Ruskin taught her art and she also knew many of the Pre-Raphaelites, holding Rossetti's palette for him as he painted the Oxford Union murals. At the age of nineteen she met the photographer Julia Margaret Cameron, whose influence is evident in her early work. Following in the footsteps of Cameron and Carroll Miss Acland first came to attention as a portraitist, photographing the illustrious visitors to her Oxford home. In 1899 she then turned to the challenge of colour photography, becoming, through work with the 'Sanger Shepherd process', the leading colour photographer of the day. Her colour photographs were regarded as the finest that had ever been seen by her contemporaries, several years before the release of the Lumière Autochrome system, which she also practised. This volume provides an introduction to Miss Acland's photography, illustrating more than 200 examples of her work, from portraits to picturesque views of the landscape and gardens of Madeira. Some fifty specimens of the photographic art and science of her peers from Bodleian collections are also reproduced for the first time, including four unrecorded child portraits by Carroll. Detailed descriptions accompany the images, explaining their interest and significance. The photographs not only shed important light on the history of photography in the period, but also offer a fascinating insight into the lives of a pre-eminent English family and their circle of friends.

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Indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nürnberg and the greater part of DerRing des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford.

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When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill's ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.

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At the dawn of the Victorian era in her open-air laboratory in Halstead, Kent, Anna Atkins embarked on a radical experiment to document botanical species using a completely new artistic medium. The inimitable cyanotype photograms of algae and ferns she created were made into the first books to feature photographic images. Striking yet ethereal, these albums are a perfect synthesis of art and science.Although the cyanotype technique was discovered by her friend John Herschel, Atkins was the first to realize both its practical purpose for her own interests in botany and taxonomy, and its intriguing artistic potential. The process, which involved fixing the object on sensitized paper and exposing it directly to sunlight, results in the Prussian blue pigment that forms the unmistakeable backdrop to these artworks.Atkins’ albums British Algae (1843–1853) and Cyanotypes of British and Foreign Ferns (1853), the latter of which was produced with her friend Anne Dixon, are works of remarkable rarity. Reprinted here in their entirety for the first time, they reveal her mastery of multiple disciplines: While the cyanotype process allowed Atkins to meet the challenges of accurate representation, the delicate contours of the specimens, set above the intense blue background, has lent the images a timeless aesthetic appeal.This edition, drawing extensively from the copies of the New York Public Library and J. Paul Getty Museum, has carefully compiled cyanotypes from several sources to reprint Atkins’ seminal works in full. Over 550 cyanotype impressions are accompanied by a series of introductory essays from Peter Walther, placing Atkins’ work in its scientific and art-historical contexts and paying rightful tribute to the groundbreaking contributions of a female pioneer.

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A dramatic and heartwarming Victorian saga, perfect for fans of Maggie Hope and Anne Bennett. 1850s Shropshire. Returning to her mother's birthplace at the age of eighteen, Beatrice encounters a complex family she barely knows. Her great-grandmother Queenie adores her, but the privileged social position of Beatrice's family as masters of the local brickworks begins to make her uncomfortable. And then she meets Owen Malone: handsome, different, refreshing - and from a class beneath her own. They fall for each other fast, but an old family feud and growing industrial unrest threatens to drive them apart. Can they overcome their different backgrounds? And can Beatrice make amends for her family's past? Praise for The Daughters of Ironbridge: 'A Journey. Compelling. Addictive.' Val Wood'Evocative, dramatic and hugely compelling . . . The Daughters of Ironbridge has all the hallmarks of a classic saga. I loved it' Miranda Dickinson 'Feisty female characters, an atmospheric setting and a spell-binding storyline make this a phenomenal read' Cathy Bramley 'The Daughters of Ironbridge has that compulsive, page-turning quality, irresistible characters the reader gets hugely invested in, and Walton has created a brilliantly alive, vivid and breathing world in Ironbridge' Louisa Treger 'Such great characters who will stay with me for a long time' Beth Miller 'The attention to period detail and beautiful writing drew me right in and kept me reading' Lynne Francis 'Vivid, page-turning drama' Pippa Beecheno 'A powerful sense of place and period, compelling characters and a pacy plot had me racing to the end' Gill Paul 'A story that is vivid, twisting and pacy, with characters that absolutely leap off the page' Iona Grey'Beautiful and poignant. I'll definitely be reading The Secrets of Ironbridge' Tania Crosse

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'So impossibly funny, clever, demented, charming and altogether wonderful that I was a convert within three pages. Buy it for everyone you know, regardless of what you think they like. Brilliant stuff' Lucy Mangan, Stylist Books of the Year'An eye-opener... The more I think about this, the higher I esteem it' - Nicholas Lezard, Guardian Books of the Year*Winner of the British Book Design and Production Award for Graphic Novels**Winner of the Neumann Prize in the History of Mathematics**Nominated for the 2016 Eisner Award for Best Graphic Album and Best Writer/Artist*In The Thrilling Adventures of Lovelace and Babbage Sydney Padua transforms one of the most compelling scientific collaborations into a hilarious set of adventures Meet two of Victorian London's greatest geniuses... Ada Lovelace, daughter of Lord Byron: mathematician, gambler, and proto-programmer, whose writings contained the first ever appearance of general computing theory, a hundred years before an actual computer was built. And Charles Babbage, eccentric inventor of the Difference Engine, an enormous clockwork calculating machine that would have been the first computer, if he had ever finished it.But what if things had been different? The Thrilling Adventures of Lovelace and Babbage presents a delightful alternate reality in which Lovelace and Babbage do build the Difference Engine and use it to create runaway economic models, battle the scourge of spelling errors, explore the wider realms of mathematics and, of course, fight crime - for the sake of both London and science. Extremely funny and utterly unusual, The Thrilling Adventures of Lovelace and Babbage comes complete with historical curiosities, extensive footnotes and never-before-seen diagrams of Babbage's mechanical, steam-powered computer. And ray guns.

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**WINNER OF THE HISTORY AND TRADITION CATEGORY, EAST ANGLIAN BOOK AWARDS 2020****SHORTLISTED FOR THE TASMANIAN LITERARY AWARD 2022****LONGLISTED FOR THE RSL ONDAATJE PRIZE 2021** 'A real page-turner ... a warning about what happens when the rich and powerful dress up their avarice as "progress" - a lesson we could do with learning today.' Dixe Wills, BBC Countryfile magazine FROM A MULTI-AWARD-WINNING HISTORIAN, AN ARRESTING NEW HISTORY OF THE BATTLE FOR THE FENS.Between the English Civil Wars and the mid-Victorian period, the proud indigenous population of the Fens of eastern England fought to preserve their homeland against an expanding empire. After centuries of resistance, their culture and community were destroyed, along with their wetland home - England's last lowland wilderness. But this was no simple triumph of technology over nature - it was the consequence of a newly centralised and militarised state, which enriched the few while impoverishing the many.In this colourful and evocative history, James Boyce brings to life not only colonial masters such as Oliver Cromwell and the Dukes of Bedford but also the defiant 'Fennish' them- selves and their dangerous and often bloody resistance to the enclosing landowners. We learn of the eels so plentiful they became a kind of medieval currency; the games of 'Fen football' that were often a cover for sabotage of the drainage works; and the destruction of a bountiful ecosystem that had sustained the Fennish for thousands of years and which meant that they did not have to submit in order to survive.Masterfully argued and imbued with a keen sense of place, Imperial Mud reimagines not just the history of the Fens, but the history and identity of the English people.

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During the 19th century there was no clear boundary line between those who were considered to be part of the scientific community and those who were seen as outsiders. It was during this century that the categories of "professional scientist", "amateur" and "popularizer of science" were being debated and constructed. As a result, in recent times scholars of the period have explored the important roles of neglected amateurs, women and members of the working class. Scholars in the field are continually broadening their definition of the terms "science" and "scientist". This dictionary contains more than 1200 entries on both major and minor figures who had an impact on British science. By examining how the theories and practices of scientists were shaped by Victorian beliefs about religion, gender, imperialism and politics, the dictionary presents a rich panorama of the development of science in the 19th century. As well as containing entries on those working in traditional scientific areas, such as geology, physics, astronomy, chemistry, mathematics and biology, the dictionary also covers the human sciences such as anthropology, sociology, psychology and medicine. In addition, areas such as phrenology, mesmerism, spiritualism, scientific illustration, scientific journalism and publishing, instrument making and government policy are covered. By including new figures working in these areas, and by paying attention to the social and cultural context in which they lived, the dictionary reflects the richer picture of the 19th-century period gradually being developed by scholars in the field.

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The Great British Dig brings history and archaeology closer to home than ever before. Each week a team of archaeologists (led by presenter Hugh Dennis) descend on streets and gardens the length and breadth of the country to discover the treasures we have been living right on top of without realising. In this official tie-in book, on-screen expert Dr Chloë Duckworth digs deeper into the sites the show visited, as well as giving practical tips and advice for anyone who wants to have a go themselves. Uncovering a lost world of human stories just a few shovelfuls beneath our feet, Chloë explores the team’s techniques in fascinating detail, offering new insights and explanations about the discoveries made. As well as revealing the actual frontier of the Roman Empire in Britain, the Tudor palace of an Elizabethan spymaster, a revolutionary Victorian prison, a Second World War military base, and a prehistoric village under a school playing field, Chloë includes lots of information for anyone wanting to give it a go themselves. The book is packed with features, tip boxes and practical advice about digging in your own back garden, researching your local area for clues about what might have been there centuries ago, and dating things you may find. Highly illustrated, the book includes images never seen on screen, as well as archive photos and illustrations that bring history to life, and identification guides to bones, pottery, tools, coins and other things you might come across yourself. Foreword by Hugh Dennis, presenter of The Great British Dig.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. North’s journey to South Africa was among her last, along with trips to the Seychelles and Chile.THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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This book provides a photographic history of one of England's oldest un-amalgamated Country Regiments. Formed in 1689 the Regiment served widely at home and around the world in India, the Far East, the Mediterranean, North America, the Caribbean and Antarctica. Beginning in 1858, it highlights Victorian and Edwardian service in Malta, New Brunswick, Burma and India. During the First World War, the Regiment, greatly expanded to thirty-eight Battalions, serving throughout the war on the Western Front and at various times in the Mediterranean, Gallipoli, Egypt, Mesopotamia, Salonika and Macedonia. In the inter-war years the Regiment served at home and overseas in India, Palestine and Malta. During the Second World War the Cheshire's served in France during 1940, in Malta, North Africa, the Middle East in PAI Force and in North West Europe from June 1944 until the end of the war. Post-war service included Palestine, Egypt, Malaysia, Cyprus with the UN, Germany, Ireland, Belize and Hong Kong. The 200 photographs contained in this book are drawn from the regimental archives and highlight the diverse activities and places associated with the Cheshire Regiment over the past 150 years during times of peace and war. Dr Ronald Barr is a senior lecturer in history at Chester College and is Director of the College's Military Studies programme which is taught at the Cheshire Military Museum. He has a long-standing interest in military history and his previous works include: The Progressive Army: US Army Command and Administration.

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A wide-ranging exploration of the creative power of literary tradition, from Chaucer to the presentIn literary and cultural studies, "tradition" is a word everyone uses but few address critically. In Reading Old Books, Peter Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the twenty-first century, revealing in new ways how it helps writers and readers make new works and meanings.Reading Old Books argues that the best way to understand tradition is by examining the moments when a writer takes up an old text and writes something new out of a dialogue with that text and the promptings of the present situation. The book examines Petrarch as a user, instigator, and victim of tradition. It shows how Chaucer became the first great English writer by translating and adapting a minor poem by Boccaccio. It investigates how Ariosto, Tasso, and Spenser made new epic meanings by playing with assumptions, episodes, and phrases translated from their predecessors. It analyzes how the Victorian novelist Elizabeth Gaskell drew on tradition to address the new problem of urban deprivation in Mary Barton. And, finally, it looks at how the Kenyan writer Ngũgĩ wa Thiong'o, in his 2004 novel Wizard of the Crow, reflects on biblical, English literary, and African traditions.Drawing on key theorists, critics, historians, and sociologists, and stressing the international character of literary tradition, Reading Old Books illuminates the not entirely free choices readers and writers make to create meaning in collaboration and competition with their models.

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René Girard’s mimetic theory opens up ways to make sense of the tension between the progressive politics of George Eliot and the conservative moralism of her narratives. In this innovative study, Bernadette Waterman Ward offers an original rereading of George Eliot’s work through the lens of René Girard’s theories of mimetic desire, violence, and the sacred. It is a fruitful mapping of a twentieth-century theorist onto a nineteenth-century novelist, revealing Eliot’s understanding of imitative desire, rivalry, idol-making, and sacrificial victimization as critical elements of the social mechanism. While the unresolved tensions between Eliot’s realism and her desire to believe in gradual social amelioration have often been studied, Ward is especially adept at articulating the details of such conflict in Eliot’s early novels. In particular, Ward emphasizes the clash between the ruthless mechanisms of mimetic desire and the idea of progress, or, as Eliot stated, “growing good”; Eliot’s Christian sympathy for sacrificial victims against her general rejection of Christianity; and her resort to “Nemesis” to evade the systemic injustice of the social sphere. The “angels” in the title are characters who appear to offer a humanist way forward in the absence of religious belief. They are represented, in Girardian terms, as figures who try to rise above the snares of the mimetic machine to imitate Christ’s self-sacrifice but are finally rendered ineffectual. Very few studies have tackled Eliot’s short fiction and narrative poetry. Eliot’s Angels gives the short fiction its due, and it will appeal to scholars of mimetic and literary theory, Victorianists, and students of the novel.

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The toy industry and its close relationship with children's artefacts and equipment made a significant contribution to the light industries which came to increasing prominence in the British economy over the twentieth century as traditional heavy manufacturing declined. The demand for toys, both national and international, accelerated after the Great Exhibition of 1851 and two brothers, George and Joseph Lines, were among the most prominent of the manufacturers to emerge in the Victorian period. However, it was Lines Brothers Ltd., formally incorporated in 1919 by Joseph's three sons, which very quickly established itself as the leading British toy company, overcoming the vicissitudes of depression and world war to become the world's largest toy manufacturer by the 1950s. With operations in many parts of the world it was arguably the world's first multi-national toy company, enjoying something of a golden age before collapsing spectacularly in the face of intensifying international competition and a changing economic climate. This is the fascinating story of a family business whose iconic Tri-ang trademark was universally recognised and whose most famous products included model railways, Spot-on and Minic cars, soft toys, Pedigree prams, dolls' houses, Scalextric, and Cindy dolls. It is a serious economic, business and industrial history, touching on important themes such as the interplay between government and business, the nature of entrepreneurship, the significance of company culture and organisation, and the changing nature of childhood. Above all, it is a story of strong personalities, familial tensions, and an underlying determination to bring delight to children.

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Victorian-era divas who were better paid than some corporate chairmen, the boy soprano who grew up to give Bing Crosby a run for his money, music directors who were literally killed by the job—the plot of a Broadway show or a dime-store novel? No, the unique and colorful history of St. Patrick’s Cathedral. Since its inception more than 125 years ago, the Cathedral Choir has been considered the gold standard of liturgical music—an example of artistic excellence that has garnered worldwide renown. Yet behind this stately facade lies an intriguing mix of New York history, star secrets, and high-level office politics that has made the choir not only a source of prime musical entertainment but also fodder for tabloids and periodicals across the nation. In this unique and engaging book, readers are treated to a treasure trove of vibrant characters, from opera stars from around the world to the thousands of volunteer singers who brought their own hopes and dreams—and widely varying musical abilities—to the fabled choir. As the city’s preeminent Catholic institution, St. Patrick’s Cathedral has served one of the most dynamic and diverse communities in the world for well over a century. It has been intimately entwined with the history of New York: a major center of culture in the nation’s cultural capital. The Cathedral Choir provides an extraordinary and largely overlooked insight into this history, and in Salvatore Basile’s pitch-perfect exploration it becomes a microcosm for the larger trends, upheavals, and events that have made up the history of the city, the nation, and even the world. Basile also illuminates the choir’s important role in New Yorkers’ responses to some of the most momentous events of the past one hundred years, from world wars to world’s fairs, from the sinking of the Titanic to 9/11, as well as its central role in the rituals and celebrations that have made life in the city more joyful—and bearable—for millions of people over the decades. While the phrase “church choir” usually evokes the image of a dowdy group of amateurs, the phrase “Choir of St. Patrick’s Cathedral” has always meant something quite different. Salvatore Basile’s splendid history shows just how different, and just how spectacular, the music of St. Patrick’s is.

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Manchester in the century between 1850 and 1950 witnessed extraordinary growth and changes. In the mid-nineteenth century, Manchester was the world’s first industrialised city, home of the Industrial Revolution and known as ‘Cottonopolis’. It was a city of immigrants from the countryside, Ireland, Scotland and further afield, where slums and poverty existed in close proximity to great wealth. The unique conditions in the city made it a breeding ground for crimes of all kinds, from the ‘high crimes’ of murder and large-scale robberies, frauds and theft, to ‘low-level’ crimes such as pickpocketing, mugging and other street crimes. ‘Snoozer’ gangs robbed hotels in Victorian Manchester and the city was home to numerous jewel thieves over the years including ‘Lucky Edgar’. Some crimes were even politically motivated, such as the suffragette law breaking, while others such as youth crime, which is often portrayed as a recent phenomenon, actually has a long history stretching back to the teenage scuttler gangs of the late nineteenth century. This collection of true-life crime stories gives a vivid insight into life in Manchester in years gone by. This book will fascinate anyone with an interest in the history of crime, as well as those who want to know more about the history of Manchester.

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A study of the women who led the United States section of the Women's International League for Peace and Freedom in the interwar years, this book argues that the ideas of these women—the importance of nurturing, nonviolence, feminism, and a careful balancing of people's differences with their common humanity—constitute an important addition to our understanding of the intellectual heritage of the United States. Most of these women were well educated and prominent in their chosen fields: they included Jane Addams and Emily Greene Balch, the only two United States women to win Nobel Prizes for Peace; Jeannette Rankin, the first woman elected to the U.S. Congress; and Dorothy Detzer, the woman who prompted the investigation of the munitions industry in the 1930's. The ideas of these women were not usually expressed in forms conventionally studied by intellectual historians. On the whole, their ideas must be teased out of organizational records, statements of principle and policy, and personal correspondence. When combined with an understanding of the personal backgrounds of the WIL leaders and placed in the context of early-twentieth-century America, these documents tell us what these women thought was important and why. The ideas of the WIL leaders are also analyzed in the context of the intellectual themes of Victorianism and modernism. Our understanding of these themes has been based largely on the work of privileged European and American men, and the ideas of women often fit uncomfortably into these traditional categories. A reconstruction of the ideas of the WIL leaders suggests that historians have overlooked an important, alternative intellectual tradition in the United States. To understand and appreciate women's thoughts, we must dissolve the old constructs and let new, multifaceted ones replace them.

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A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war? Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself. Beidler's critical scope spans from Shakespeare's plays, through the Victorian battle paintings of Lady Butler, into the post–World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept. Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media's influence on contemporary values and memories of the past.

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For the first time, the full story of a crime that has haunted New England since 1873.The cold-blooded ax murder of two innocent Norwegian women at their island home off the coast of New Hampshire has gripped the region since 1873, beguiling tourists, inspiring artists, and fueling conspiracy theorists.The killer, a handsome Prussian fisherman down on his luck, was quickly captured, convicted in a widely publicized trial, and hanged in an unforgettable gallows spectacle. But he never confessed and, while in prison, gained a circle of admirers whose blind faith in his innocence still casts a shadow of doubt. A fictionalized bestselling novel and a Hollywood film have further clouded the truth.Finally a definitive "whydunnit" account of the Smuttynose Island ax murders has arrived. Popular historian J. Dennis Robinson fleshes out the facts surrounding this tragic robbery gone wrong in a captivating true crime page-turner. Robinson delves into the backstory at the rocky Isles of Shoals as an isolated centuries-old fishing village was being destroyed by a modern luxury hotel. He explores the neighboring island of Appledore where Victorian poet Celia Thaxter entertained the elite artists and writers of Boston. It was Thaxter's powerful essay about the murders in the Atlantic Monthly that shocked the American public.Robinson goes beyond the headlines of the burgeoning yellow press to explore the deeper lessons about American crime, justice, economics, and hero worship. Ten years before the Lizzie Borden ax murder trial and the fictional Sherlock Holmes, Americans met a sociopath named Louis Wagner—and many came to love him.

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A fascinating tale of seduction, murder, fraud, coercion—and the trial of the “Minneapolis Monster” On a winter night in 1894, a young woman’s body was found in the middle of a road near Lake Calhoun on the outskirts of Minneapolis. She had been shot through the head. The murder of Kittie Ging, a twenty-nine-year-old dressmaker, was the final act in a melodrama of seduction and betrayal, petty crimes and monstrous deeds that would obsess reporters and their readers across the nation when the man who likely arranged her killing came to trial the following spring. Shawn Francis Peters unravels that sordid, spellbinding story in his account of the trial of Harry Hayward, a serial seducer and schemer whom some deemed a “Svengali,” others a “Machiavelli,” and others a “lunatic” and “man without a soul.”Dubbed “one of the greatest criminals the world has ever seen” by the famed detective William Pinkerton, Harry Hayward was an inveterate and cunning plotter of crimes large and small, dabbling in arson, insurance fraud, counterfeiting, and illegal gambling. His life story, told in full for the first time here, takes us into shadowy corners of the nineteenth century, including mesmerism, psychopathy, spiritualism, yellow journalism, and capital punishment. From the horrible fate of an independent young businesswoman who challenged Victorian mores to the shocking confession of Hayward on the eve of his execution (which, if true, would have made him a serial killer), The Infamous Harry Hayward unfolds a transfixing tale of one of the most notorious criminals in America during the Gilded Age.

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How did Britain transform itself from a nation of workhouses to one that became a model for the modern welfare state? The Winding Road to the Welfare State investigates the evolution of living standards and welfare policies in Britain from the 1830s to 1950 and provides insights into how British working-class households coped with economic insecurity. George Boyer examines the retrenchment in Victorian poor relief, the Liberal Welfare Reforms, and the beginnings of the postwar welfare state, and he describes how workers altered spending and saving methods based on changing government policies.From the cutting back of the Poor Law after 1834 to Parliament’s abrupt about-face in 1906 with the adoption of the Liberal Welfare Reforms, Boyer offers new explanations for oscillations in Britain’s social policies and how these shaped worker well-being. The Poor Law’s increasing stinginess led skilled manual workers to adopt self-help strategies, but this was not a feasible option for low-skilled workers, many of whom continued to rely on the Poor Law into old age. In contrast, the Liberal Welfare Reforms were a major watershed, marking the end of seven decades of declining support for the needy. Concluding with the Beveridge Report and Labour’s social policies in the late 1940s, Boyer shows how the Liberal Welfare Reforms laid the foundations for a national social safety net.A sweeping look at economic pressures after the Industrial Revolution, The Winding Road to the Welfare State illustrates how British welfare policy waxed and waned over the course of a century.

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How did Britain transform itself from a nation of workhouses to one that became a model for the modern welfare state? The Winding Road to the Welfare State investigates the evolution of living standards and welfare policies in Britain from the 1830s to 1950 and provides insights into how British working-class households coped with economic insecurity. George Boyer examines the retrenchment in Victorian poor relief, the Liberal Welfare Reforms, and the beginnings of the postwar welfare state, and he describes how workers altered spending and saving methods based on changing government policies.From the cutting back of the Poor Law after 1834 to Parliament’s abrupt about-face in 1906 with the adoption of the Liberal Welfare Reforms, Boyer offers new explanations for oscillations in Britain’s social policies and how these shaped worker well-being. The Poor Law’s increasing stinginess led skilled manual workers to adopt self-help strategies, but this was not a feasible option for low-skilled workers, many of whom continued to rely on the Poor Law into old age. In contrast, the Liberal Welfare Reforms were a major watershed, marking the end of seven decades of declining support for the needy. Concluding with the Beveridge Report and Labour’s social policies in the late 1940s, Boyer shows how the Liberal Welfare Reforms laid the foundations for a national social safety net.A sweeping look at economic pressures after the Industrial Revolution, The Winding Road to the Welfare State illustrates how British welfare policy waxed and waned over the course of a century.

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It may not be the longest, deepest or widest river in the world but few bodies of water reveal as much about a nation's past and present, or are suggestive of its future, as England's River Thames. Tales of legendary lock-keepers and long-vanished weirs evoke the distant past of a river which evolved into a prime commercial artery linking the heart of England with the ports of Europe. In Victorian times, the Thames hosted regattas galore, its new bridges and tunnels were celebrated as marvels of their time, and London's river was transformed from sewer to centrepiece of the British Empire. Talk of the Thames Gateway and the effectiveness of the Thames Barrier keeps the river in the news today, while the lengthening Thames Path makes the waterway more accessible than ever before. Through quiet meadows, rolling hills, leafy suburbia, industrial sites and a changing London riverside, Mick Sinclair tracks the Thames from source to sea, documenting internationally-known landmarks such as Tower Bridge and Windsor Castle and revealing lesser known features such as Godstow Abbey, Canvey Island, the Sanford Lasher, and George Orwell's tranquil grave. PAINTINGS, WORDS AND MUSIC: Turner, Tissot, Whistler and Monet; Shakespeare at Southwark, Alexander Pope, Charles Dickens, Jerome K. Jerome, William Morris; Handel's Water Music, the first rendition of Rule Britannia, the Rolling Stones and The Who rocking Eel Pie Island. POWER, POLITICS AND INTRIGUE: Runnymede and Magna Carta, the first English parliament, Whitehall Palace, Cliveden and the Profumo affair, the Houses of Parliament and the brooding headquarters of MI5 and MI6. TRADE AND COMMERCE: Eel trapping, osier growing; bargemen, watermen and lightermen; the rise and fall of London's docks; urban regeneration, rural protection.

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Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel's relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as "peripheral." Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization. Welge's wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth's Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa's 1958 book Il Gattopardo. By revealing the "family resemblance" of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel.

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The inspiration behind William Morris's Earthly Paradise, the muse for J.M.W. Turner's superlative seascapes, a home to hardy fishermen and the top holidaying spot for wealthy Victorians, as well as the scene for relentless witch-hunts and mob justice in the 17th Century, Southwold is far more than a picturesque postcard town. From the time of Saint Edmund, through plagues, fire and wars, to Damien Hirst's driftwood creations, and the future day when this town will tumble into the sea, this book collects essays that reveal slivers of Southwold's essence. Some are part-myth, some part-legend. But all make for excellent stories, especially when complemented by beautiful art. This 2017 edition keeps its celebrated essays on some of the more well-known aspects of Southwold's past - such as the Battle of Sole Bay, one of the fiercest fights in British history. The Battle of Sole Bay was fought against the Dutch in 1672, and the bloody confrontation is fully described and illustrated with contemporary paintings and drawings. In addition, the text contains updated text and pictures. Among the most notable of the new sections is the chapter regarding the tragic dissolution of the romantic friendship between Franklin Lushington and Edward Lear, writer of the nonsense poem The Owl and the Pussy Cat and the lesser known (yet more autobiographical) The Daddy-Long-Legs and the Fly. Another remarkable addition is a page spread dedicated to the oil painting Tired Out by Philip Wilson Steer, which sold at Sotheby's for £674 500 in 2014. A history, a celebration and an ode merged into one, Geoffrey Munn's Southwold will take you on a trip through this famous seaside resort as you've never seen it before.

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In celebration of the 200th anniversary of the birth of one of Victorian Britain's greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin's ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin's role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite's The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin's role as a social critic is traced through his teaching at the London Workingmen's College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin's worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin's writings, followed by an exploration of the concept of cultural value that shows why Ruskin's ruling principle: `There is no wealth but Life' is as relevant to the 21st century as it was to the 19th.

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Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Rankin, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Mario Testino, Wolfgang Tillmans, and many, many others.

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For this landmark 25th book in his highly successful patchwork and quilt series, Kaffe Fassett has chosen the southern coast of England as the inspiration for his new collection of quilts. Beachgoers have long enjoyed the rocky shores near Hastings in East Sussex for their wild beauty and classic architecture. Featuring several miles of coastline, this seaside community has its roots in the fishing industry and was the site of the Norman Conquest's Battle of Hastings in 1066. Once a popular Victorian resort area, this gem of the southern coast is now experiencing a travel renaissance thanks to a thriving arts movement. The gallery section of the book showcases the 21 new designs, all brilliantly photographed on location by Debbie Patterson. The deep jewel tones of Kaffe's Maroon Frames are enhanced by the geometric lines of similarly toned beach huts. Kaffe's Vintage Stars has an old-world quality featuring earthy tones that are brilliantly set against the backdrop of a brick garden wall. The stunning Colour Garden quilt, featured on the cover, feels perfectly at home draped over an old fishing boat overlooking the sea, while his confectionary Fruit Sorbet cushion showcases taffy-inspired pastels sure to inspire a cozy afternoon by the beach. With both Kaffe's classic fabrics and his forward-thinking new designs to choose from, quilters can find an eclectic mix of patterns and colors ranging from Philip Jacobs' eye-catching large-scale floral prints to Brandon Mably's smaller-scale quirky patterns. In addition to the quilt designs, Quilts by the Sea includes detailed step-by-step instructions, accompanied by a flat shot of each quilt with the relevant block or quilt assembly diagram, while a how-to section offers more detailed guidance.

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‘The year’s best cricket book’ Daily Telegraph‘Well researched and engagingly written, this exemplary work reveals a hidden history…superbly told story’ Sunday Times‘Easily the cricket book of the year, of the century…It extends the possibility of cricket-writing-as-literature’ Suresh Menon, The Hindu It is arguably the most famous photograph in the history of cricket. In George Beldam's picture, Victor Trumper is caught in mid stroke, the personification of cricketing grace, skill and power, about to hit the ball long and hard. Yet this image, 'Jumping Out', is important not only because of who it depicts, but also what it illustrates about the changing nature of the game and how it has been seen. Now, in Gideon Haigh's brilliant new book, Stroke of Genius, we learn not only about the man in the picture but also the iconography of Trumper's powerful position in cricket's mythology. For many, Australian batsman Trumper was the greatest ever. Neville Cardus wrote: 'I have never yet met a cricketer who, having seen and played with Victor Trumper, did not describe him without doubt or hesitation as the most accomplished of all batsmen of his acquaintance.' Like Lionel Messi or Roger Federer today, he defied the obvious bounds of affiliation. Unlike the current generation of sporting stars, however, there were no memoirs or papers, very few interviews, no action footage - even his date of birth is a matter of debate and conjecture. What isn't in doubt, though, is the impact he had on the game and on his nation. Haigh reveals how Trumper, and 'Jumping Out', helped to change cricket from the Victorian era of static imagery to something much more dynamic, modern and compelling. As such, Trumper helped not only transform cricket but even the way his country viewed itself.

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Here is a selection of paintings by artist Robert Geoghegan about his home city of Birmingham where he has lived for all his life. His work is full of the detail and colour of modern urban life, often combined with a nostalgia for old Birmingham. Some of the works portray ordinary everyday scenes like someone walking dogs, a lollipop man or getting on the bus with an off peak pass, while others show many of the city's landmarks such as Selfridges, Aston Hall and the Custard Factory but always with a comic twist. There's something here for everyone – from depictions of modern-day Goths in Pigeon Park to yesteryear's children hanging off the back of the old Corporation buses. There's football pictures about the Blues, Villa and West Brom – both tragic and comic! One about Jasper Carrott and of course King Kong has to make an appearance. Here the Birmingham buses are peopled by bears, Morris dancers, druids, Santa Claus and even the Royal Family. There's pictures of Birmingham's public statues: the Iron Man squaring up to a Cyberman, Bullie being harassed and the statue of Victorian reformer Thomas Attwood attracting the attention of the police. The Beatles, characters from Father Ted, Dracula, Daleks and the Peaky Blinders all make an appearance in this enthralling collection. Robert sells prints of his work at local art markets in Moseley, Kings Heath and the MAC as well as in the city centre before Christmas. His work is also available to purchase online at robspaintings.com. As well as being a practicing artist, Robert is an art tutor who has run art sessions in primary schools for many years and also teaches drawing and painting to adults.

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One afternoon in late April 1859 two geologically minded businessmen, John Evans and Joseph Prestwich, found and photographed the proof for great human antiquity. Their evidence -- small, hand-held stone tools found in the gravel quarries of the Somme among the bones of ancient animals -- shattered the timescale of Genesis and kicked open the door for a time revolution in human history. In the space of a calendar year, and at a furious pace, the relationship between humans and time was forever changed. This interpretation of deep human history was shaped by the optimistic decade of the 1850s, the Victorian Heyday in the age of equipoise. Proving great human antiquity depended on matching the principles of geology with the personal values of scientific zeal and perseverance; qualities which time-revolutionaries such as Evans and Prestwich had in abundance. Their revolution was driven by a small group of weekend scientists rather than some great purpose, and it proved effective because of its bonds of friendship stiffened by scientific curiosity and business acumen. Clive Gamble explores the personalities of these time revolutionaries and their scientific co-collaborators and adjudicators -- Darwin, Falconer, Lyell, Huxley, and the French antiquary Boucher de Perthes -- as well as their sisters, wives, and nieces Grace McCall, Civil Prestwich, and Fanny Evans. As with all scientific discoveries getting there was often circuitous and messy; the revolutionaries changed their minds and disagreed with those who should have been allies. Gamble's chronological narrative reveals each step from discovery to presentation, reception, consolidation, and widespread acceptance, and considers the impact of their work on the scientific advances of the next 160 years and on our fascination with the shaping power of time.

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'I loved this book!' - Alison Weir'[A] lively, gossipy forage through royal wardrobes' - Daily Mail'A sparkling history' - Dr Kate StrasdinPeek into the wardrobes of history's most fashionable royalsWhy did women wear such heavy and uncomfortable skirts in the Elizabethan era?What the hell happened to Charles II's pubic hair wig?How did Princess Diana's revenge dress become so iconic?Fashion for the royal family has long been one of their most powerful weapons. Every item of their clothing is imbued with meaning, history and majesty, telling a complex tale of the individuals who wore them and the houses they represented.From the draping of a fabric to the arrangements of jewels, the clothing worn by royals is anything but coincidental. King at just nine years old, Edward VI's clothes were padded to make him seem stronger and more manly; and the ever-conscious Elizabeth II insisted her coronation gown include all the representative flora of the commonwealth nations, and not just that of the United Kingdom. Yet reigning monarchs are not the only ones whose fashion sensibilities could mean make or break for the crown.Original and enlightening, Rosie Harte's complete history delicately weaves together the fashion faux pas and Vogue-worthy triumphs that chart the history of our royals from the Tudors to the Victorians right through to King Charles III and our twenty-first-century royal family. Travelling far beyond the bounds of the court, The Royal Wardrobe reveals the economic, social and political consequences of royal apparel, be it breeches, tiara, wig or waistcoat.Each stitch has a story, you just need to know how to read them

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Genet…Beckett…Burroughs…Miller…Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.Illustrated with black-and-white photographs; includes index

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There are many Stevensons behind the initials RLS, but the one that has endeared him to readers for so long is surely the fighter, battling to stay alive. Jorge Luis Borges described his brief life as courageous and heroic. In Philip Callow’s absorbing new biography, one can see why. Doctors, called repeatedly to what should have been his deathbed, would find a scarecrow, twitching and alive. A sickly child, Louis became in turn a bohemian dandy, a literary gypsy traipsing through the mountains of France with a donkey, and at twenty-eight the lover of an American woman ten years his senior, the fabulous Fanny. He escaped his Scottish town, his family, his friends who had mapped out a literary career for him in London, and instead went chaotically across the Atlantic and overland to California in poverty and despair to reach his beloved, whereupon he escaped into marriage and committed himself to being a nomad. He sailed the Pacific and dreamed of being an explorer; his restlessness was Victorian. With the power of a novelist and the grace of a poet (of which he is both), Philip Callow captures this great writer and his many contradictions. He was a born exile longing for home; a northerner who thrived on tropic sunshine; a near atheist who organized Sunday services for his Samoan workers. He has been called Scotland's finest writer of English prose, a more economical Walter Scott. As an essayist he equaled Hazlitt. In emotional crises he wept openly, to the embarrassment of his wife. “His feelings are always his reasons,” said Henry James, and caught in a sentence the secret of Stevenson’s popularity as one of the last of the classic storytellers. Louis brings him alive. With 8 pages of black-and-white photographs.

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Bodily Matters explores the anti-vaccination movement that emerged in England in the late nineteenth century and early twentieth in response to government-mandated smallpox vaccination. By requiring a painful and sometimes dangerous medical procedure for all infants, the Compulsory Vaccination Act set an important precedent for state regulation of bodies. From its inception in 1853 until its demise in 1907, the compulsory smallpox vaccine was fiercely resisted, largely by members of the working class who interpreted it as an infringement of their rights as citizens and a violation of their children’s bodies. Nadja Durbach contends that the anti-vaccination movement is historically significant not only because it was arguably the largest medical resistance campaign ever mounted in Europe but also because it clearly articulated pervasive anxieties regarding the integrity of the body and the role of the modern state.Analyzing historical documents on both sides of the vaccination debate, Durbach focuses on the key events and rhetorical strategies of the resistance campaign. She shows that those for and against the vaccine had very different ideas about how human bodies worked and how best to safeguard them from disease. Individuals opposed to mandatory vaccination saw their own and their children’s bodies not as potentially contagious and thus dangerous to society but rather as highly vulnerable to contamination and violation. Bodily Matters challenges the notion that resistance to vaccination can best be understood, and thus easily dismissed, as the ravings of an unscientific “lunatic fringe.” It locates the anti-vaccination movement at the very center of broad public debates in Victorian England over medical developments, the politics of class, the extent of government intervention into the private lives of its citizens, and the values of a liberal society.

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Over six thousand players have proudly worn the colours of Coventry City since the club was first formed as Singers FC back in 1883. Many have made only fleeting contributions, whilst others have become City heroes and carved their names forever in the annals of Coventry's footballing history. This volume offers a retrospectvice look at 100 of the finest players to have represented the club, with a detailed examination of their time at Coventry and their careers in football. From early heroes of the Victorian era, such as Frank Mobley and Nat Robinson, the book follows the club through its days in the Birmingham and Southern Leagues, introducing players such as the club's first-ever international Bob Evans, and the prolific striker Harry Buckle. The period between admission to the Football League in 1919 and the Second World War is represented by the likes of Frank Herbert and Jackie Randle, along with greats of the 'Old Five' era including record goalscorer Clarrie Bourton and City stalwart George Mason. The post war years of the late 1940s adn 1950s bring George Lowrie, Reg Matthews adn their compatriots of the 1960s, during which numerous City greats came to prominence under 1960s, during which numerous City greats came to prominence under the leadership of the 'Ironman', George Curtis. highlighted players from the latter decades of the twentieth century include Ian Wallace, Dennis Mortimer, Danny Thomas, Dion Dublin and of course heroes of the cup-wining side of 1987, including Regis, Bennett, Peake and Kilcline. As a biographical and statistical reference guide to Coventry's greatest players, this volume it second to none. As an enjoyable wander down memory lane, it is a must for all followers of the Sky Blues.

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Filled to the brim with images, this scrapbook of the 1930s overflows with nostalgia, for those who remember that extraordinary era. For those who do not, this wealth of imagery provides a vivid insight into a time when sliced bread had just reached the table and Butlin's holiday camps had recently opened. Life in the 1930s for many was not easy; for others, who had known Victorian times, the pace of change was frightening, and 'modern' life led to 'nerve tension'. Yet change brought a better standard of living and numerous new products helped the daily routine. Electrical appliances were a boon to housewives without servants, affordable motor cars made access to the countryside easier, new fun included Dinky Toys, Monopoly and a stream of delectable confectionery (Mars bars, KitKat, Black Magic, Cadbury's Roses). The aluminium milk bottle top made its appearance. Design was memorable for the red telephone kiosk, the Anglepoise lamp and the Underground map - all still in evidence today. The Royal Family went through a turbulent year following the death of George V, when Edward VIII decided he had to abdicate. The speeding motorist was hampered by 30 mph restrictions, and pedestrian crossings were guarded by Belisha beacons. By the end of the 1930s, television held exciting promise for the future, but a growing tension focused on impending war. The 1930s Scrapbook has drawn together the best from the Robert Opie Collection. The images are as bright today as when they were purchased in the shops. Coronation souvenirs, film and fashion magazines, fireworks, comics and Christmas crackers - all survived to tell a remarkable story.

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"Jennifer Haslam’s book The New Naturals combines inspiring design with some gorgeous houses, beautifully photographed and presented in a warm, approachable style. It feels timeless, classic and considered, chiming perfectly with its message of sustainability that feels especially relevant today." – Ben Kendrick"Jennifer Haslam's The New Naturals is so inspiring, showcasing a modern, and very beautiful, yet sustainable way to live, something we can all take influence from." – Pip Rich"Jennifer Haslam has once again worked her creative magic and masterfully curated a collection of not only beautiful, but sustainable homes from around the world. It is a coffee table must-have that you will want to return to again and again." – Nicole Gray The New Naturals celebrates 18 global homes that put wellbeing and environment first, incorporating eco elements and sympathetic natural materials that provide a nourishing connection to nature. The properties showcased include: renovated Victorian homes in London; Italian summer houses; New York retreats and Australian new builds. Their owners and designers are the likes of Louisa Grey (House of Grey), Jonathan Tuckey, Jack Harries and Alice Aedy of Earthrise Studios, Sebastian and Brogan Cox and many more. Their shared credentials are garnered from a focus on key eco elements such as clay walls, reclaimed wood, stone, and natural paints but their visual identities are unexpectedly varied. These contributors are pioneers of slow living and sustainable choices, whether it's a lick of paint, an upcycle of existing pieces, the use of sustainable materials, or modern technology that sits comfortably behind the scenes. All combine to create a book showing us how we must exist, now and in the future.

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Cleopatra. Nefertiti. Hatshepsut. All of them are ancient Egyptian female rulers who rose above their predominantly patriarchal societies to become controllers of a great empire. Missing from this list, however, is Sobekneferu, ancient Egypt’s first female ruler. Why was the reign of this powerful woman all but forgotten? Piecing together the lost history of the first female pharaoh, Andrew Collins presents the first comprehensive biography of Sobekneferu. Using every text and monument that concerns Sobekneferu and her time in power, he examines her achievements as ruler, the political and religious issues of her age, the temples and ruins associated with her, and her continuing impact on ancient Egypt after her reign. He explores her relationship with her brother Amenemhet IV, her sister Neferuptah, and their father Amenemhet III, regarded as one of the most beloved pharaohs of the Middle Kingdom. He examines Sobekneferu’s untimely end, the fate of her body, and the cult that developed in her name. Discussing Sobekneferu’s magical beliefs and practices, Collins shows how they centred on the crocodile god Sobek, the hippo goddess Neith, and the circumpolar stars of the night sky in which they were personified. He also reveals how the setting of the Crocodile Star (Eltanin), the brightest star in the constellation of Draco, aligns with Sobekneferu’s suspected pyramid. Examining the modern-day resurrection of Sobekneferu among the occultists and mystics of Victorian London, Collins shows how she is the true inspiration behind every ancient Egyptian female queen who comes back to life after her tomb is found--as featured first in Bram Stoker’s shocking 1903 novel The Jewel of the Seven Stars and later in several modern blockbuster movies. Revealing how Sobekneferu has left a lasting impact on culture and occulture through the ages despite being nearly erased from history, Collins shows how her continuing legacy is perhaps, ultimately, her true resurrection.

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Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio—Union Square's American Mutoscope and Biograph Company—to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created—once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

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Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 4 examines how in 1899 two major events influenced British cinema. The Boer War created a boom in film production as a result of an insatiable demand for news and pictures of the campaign brought on my fervent patriotism. Though actual battle could not be filmed, ‘fake’ war films based on incidents from the campaign began to be produced by English filmmakers. The University of Exeter Press editions of Volumes 2, 3, 4 are re-jacketed re-issues of the first editions. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

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‘A delightful compendium of the kind of facts you immediately want to share with anyone you encounter’ New York Times ‘An ebullient, irrepressible spirit invests this book. It is erudite and sprightly’Sunday Times From the creation of the first encyclopedia to Wikipedia, from ancient museums to modern kindergarten classes—here is award-winning writer Simon Winchester’s brilliant and all-encompassing look at how humans acquire, retain, and pass on information and data, and how technology continues to change our lives and our minds. With the advent of the internet, any topic we want to know about is instantly available with the touch of a smartphone button. With so much knowledge at our fingertips, what is there left for our brains to do? At a time when we seem to be stripping all value from the idea of knowing things – no need for maths, no need for map reading, no need for memorisation – are we risking our ability to think? As we empty our minds, will we one day be incapable of thoughtfulness? Addressing these questions, Simon Winchester explores how humans have attained, stored and disseminated knowledge. Examining such disciplines as education, journalism, encyclopedia creation, museum curation, photography and broadcasting, he looks at a whole range of knowledge diffusion – from the cuneiform writings of Babylon to the machine-made genius of artificial intelligence, by way of Gutenberg, Google and Wikipedia to the huge Victorian assemblage of the Mundaneum, the collection of everything ever known, currently stored in a damp basement in northern Belgium. Studded with strange and fascinating details, Knowing What We Know is a deep dive into learning and the human mind. Throughout this fascinating tour, Winchester forces us to ponder what rational humans are becoming. What good is all this knowledge if it leads to lack of thought? What is information without wisdom? Does René Descartes’ ‘Cogito, ergo sum’—'I think, therefore I am’, the foundation for human knowledge widely accepted since the Enlightenment—still hold? And what will the world be like if no one in it is wise?

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At the dawn of the twentieth century, Theodore Roosevelt and J. Pierpont Morgan were the two most powerful men in America, perhaps the world. As the nation’s preeminent financier, Morgan presided over an elemental shift in American business, away from family-owned companies and toward modern corporations of unparalleled size and influence. As president, Theodore Roosevelt expanded the power of that office to an unprecedented degree, seeking to rein in those corporations and to rebalance their interests with those of workers, consumers, and society at large. Overpowering figures and titanic personalities, Roosevelt and Morgan could easily have become sworn enemies. And when they have been considered together (never before at book length), they have generally been portrayed as battling colossi, the great trust builder versus the original trustbuster. But their long association was far more complex than that, and even mutually beneficial. Despite their many differences in temperament and philosophy, Roosevelt and Morgan had much in common—social class, an unstinting Victorian moralism, a drive for power, a need for order, and a genuine (though not purely altruistic) concern for the welfare of the nation. Working this common ground, the premier progressive and the quintessential capitalist were able to accomplish what neither could have achieved alone—including, more than once, averting national disaster. In the process they also changed forever the way that government and business worked together. An Unlikely Trust is the story of the uneasy but fruitful collaboration between Theodore Roosevelt and Pierpont Morgan. It is also the story of how government and business evolved from a relationship of laissez-faire to the active regulation that we know today. And it is an account of how, despite all that has changed in America over the past century, so much remains the same, including the growing divide between rich and poor; the tangled bonds uniting politicians and business leaders; and the pervasive feeling that government is working for the special interests rather than for the people. Not least of all, it is the story of how citizens with vastly disparate outlooks and interests managed to come together for the good of their common country.

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Victorian London had Jack the Ripper.Georgian Dublin had the Dolocher…The Dolocher is stalking the alleyways of Dublin. Half man, half pig, this terrifying creature has unleashed panic on the streets. Can it really be the evil spirit of a murderer who has cheated the hangman's noose by taking his own life in his prison cell, depriving the mob of their rightful revenge? Or is there some other strange supernatural explanation?This terror has come at the perfect time for down-at-heel writer Solomon Fish. With his new broadsheet reporting ever more gruesome stories of the mysterious Dolocher, sales are growing daily and fuelling the city's fear. But when the Dolocher starts killing and Solomon himself is set upon, he realises that there's more to the story than he could ever have imagined.With the help of his fearless landlady, ship's surgeon-turned-apothecary Merriment O'Grady, Solomon goes after the Dolocher. Torn between reason and superstition, they must hold their nerve as everyone around them loses theirs. But are they hunting the Dolocher or is the Dolocher hunting them?PRAISE FOR THE DOLOCHER"It's perfectly suspenseful, grisly in all the right places, and has characters with personalities that leap from the page. It's a seriously epic read, in every magnificent sense."LITTLE BOOKNESS LANE"This book had me hooked from page 1 and I loved every heart stopping second of it."DRINKING BOOKS"It's a wonderful, colourful tale that I think all will adore. It's almost like a fairy tale – but this is definitely one for grown-ups!"CRIMEWORM"This is a fabulous historical tale of crime along with fantasy and I loved it!"BOONS BOOKCASE"This must be one of the dirtiest books in terms of setting I've read in a long while. I even sniffed the book after reading to see if the pages were imbued with some sort of potion from Merriment's shop to make it even more authentic than it was."THE BOOKTRAILER"A great historical mystery... reason battles with superstition and fear, till it boils over."BOOK MOOD REVIEWS"A beautifully written work of historical fiction with some truly wonderful characters"THE WELSH LIBRARIAN

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Discover art that dared to be different, risked reputations and put careers in jeopardy. This is what happens when artists take tradition and rip it up. ArtQuake tells the stories of 50 pivotal works that shook the world, telling the fascinating stories behind their creation, reception and legacy. The books begin with the rebels who struck out against Victorian conformism, daring painters and sculptors like Manet and Rodin, Van Gogh and Courbet, who experimented with expressionist and realist art styles as well as controversial subjects. Moving into the fin de siècle and the 20th century, we study the truly iconic works and turbulent lives of artists like Munch and Klimt, Picasso and Egon Schiele, whose work into abstraction, surrealism and cubism shocked and scandalized, but ultimately changed the course of western art forever. Moving into the second half of the 20th Century, we see spectacular works of conceptual rebellion, absurdity and political protest, from Andy Warhol and the Pop Art movement to Marina Abramovic, whose often visceral and violent works of performance art laid bare the savagery of the patriarchy and the human condition. In the 21st century, we see how iconoclastic creators have pushed the boundaries of art even further, from Banksy to Louise Bourgeoise, from self-destructing paintings to experimental works of computerized art. Complete with beautiful reproductions of their iconic works, as well as a glossary of terms and movements at the back, meet the huge egos, uncompromising feminists, gifted recluses, spiritualists, anti-consumerists, activists and satirists who have irrevocably carved their names into the history of art around the world. In telling the history of modern and contemporary art through the works that were truly disruptive, and explaining the context in which each was created, ArtQuake demonstrates the heart of modern art, which is to constantly question and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is FilmQuake, which tells the stories of 50 key films that consciously questioned the boundaries, challenged the status quo and made shockwaves we are still feeling today.

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The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

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Ken Wilson’s Classic Rock is one of the most popular and iconic works of climbing literature ever written. Along with Hard Rock and Extreme Rock, it has acquired legendary status. First published in 1978, Classic Rock represented the absolute best of British climbing at that time, quickly establishing itself as a must-have publication. It is a celebration of 80 of the best lower-grade routes in Great Britain, bringing them to life through a superb selection of photographs, anecdotes and essays from some of the most accomplished climbers of the day. ‘Ticking’ the book became an instant and obvious challenge, and remains so to this day (Wilson wasn’t a fan, describing it as ‘puerile ticking’). Any climber working his or her way through the book will be taken on a tour of the finest routes on the best cliffs and crags to be found throughout England, Scotland and Wales. Many of the routes in the book were established over a century ago. At that time the Victorian and Edwardian alpinists, flushed with successes abroad, sought harder challenges at home. With their well-honed confidence, they went straight for the biggest cliffs of Scotland. Anyone seeking to retrace their steps will immediately be transported to bold lines of weakness up otherwise daunting precipices! Before long these pioneers trailed their hemp ropes and balanced their hobnail boots up the sea cliffs of Cornwall and the gritstone edges of the Pennines, and the crags of the Lake District and North Wales. These climbers provided us with a great national treasure – a repository of adventure and spectacle that can provide a lifetime’s enjoyment and challenge. An ascent of a great historic route will rarely disappoint. Such routes retain much of their original challenge, unsullied by the pitons and bolts often found on their continental equivalents. They take bold, logical lines up otherwise difficult cliffs – usually cleaned and stabilised by years of use. Classic Rock provides a mere sampling of these treasures. This latest edition has been transformed with over 300 new colour photos. These sit alongside archive images to create an inspirational dialogue between today’s climbers and those of history. Fifty-five chapters, contributed by acclaimed climbers and writers such as Jim Perrin, Paul Nunn and Angela Soper, describe the finest classic rock climbs in Britain.

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