Search results for ""author victoria"

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love.A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all.'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times'Powerful' Who Magazine

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Like Huck’s raft, the experience of American childhood has been both adventurous and terrifying. For more than three centuries, adults have agonized over raising children while children have followed their own paths to development and expression. Now, Steven Mintz gives us the first comprehensive history of American childhood encompassing both the child’s and the adult’s tumultuous early years of life.Underscoring diversity through time and across regions, Mintz traces the transformation of children from the sinful creatures perceived by Puritans to the productive workers of nineteenth-century farms and factories, from the cosseted cherubs of the Victorian era to the confident consumers of our own. He explores their role in revolutionary upheaval, westward expansion, industrial growth, wartime mobilization, and the modern welfare state. Revealing the harsh realities of children’s lives through history—the rigors of physical labor, the fear of chronic ailments, the heartbreak of premature death—he also acknowledges the freedom children once possessed to discover their world as well as themselves.Whether at work or play, at home or school, the transition from childhood to adulthood has required generations of Americans to tackle tremendously difficult challenges. Today, adults impose ever-increasing demands on the young for self-discipline, cognitive development, and academic achievement, even as the influence of the mass media and consumer culture has grown. With a nod to the past, Mintz revisits an alternative to the goal-driven realities of contemporary childhood. An odyssey of psychological self-discovery and growth, this book suggests a vision of childhood that embraces risk and freedom—like the daring adventure on Huck’s raft.

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Exam Board: AQALevel & Subject: GCSE 9-1 English Language, GCSE 9-1 English LiteratureFirst teaching: September 2015Next exams: June 2023 Develop your students’ skills in English Literature and English Language as you study A Christmas Carol. This Student Book offers English Literature lessons to help your classes explore the set text in depth. In parallel, English Language lessons give students the opportunity to respond to fiction and non-fiction extracts that will deepen their understanding of the novel’s themes and contexts. This practical resource is designed for in-class study, as well as exam preparation. Give students a supportive route through the set text, with pre-reading, close reading and whole-text review chapters to help them understand the plot, characters, themes and contexts and to analyse the writer’s methods. Build writing stamina with the longer, passage-based tasks at the end of each chapter. Support all learners with clear plot summaries and a ‘Who’s who’ guide to the main characters. Prepare for examination success with a final chapter on the Literature exam, including exam-style questions, step-by-step guidance for writing an effective response, and sample answers at different levels. Practise all the AQA English Language Paper 1 and 2 question formats. Students will learn how to locate information, analyse language and structure, synthesise, critically evaluate and compare as they read texts about life in Victorian London, charity at Christmas, haunting, murder and mysteries. They will also be given the opportunity to produce their own narrative, descriptive and argumentative writing.

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Spurgeon & the Psalms will guide you into reading and meditating on God's Word alongside profound excerpts from “the prince of preachers.Spurgeon & the Psalms will guide you into reading and meditating on God's Word with the insight of “the prince of preachers.” This devotional psalter features a brief extract from Charles Spurgeon's beloved The Treasury of David leading into each of the 150 chapters of Psalms.In this edition, Spurgeon's insights are paired with the trusted New King James Version. The NKJV balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Devotional thoughts from renowned preacher Charles Spurgeon drawn from The Treasury of David provide new insights from the Psalms Presentation page allows you to personalize this special gift by recording a memory or note An exquisite edition of Psalms in the trusted NKJV translation Each psalm is set in a poetic-style single column on a right-hand page with room to journal your own meditations 1 satin ribbon makes it easy navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Clear and readable 9.5 Point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers, and clear, line-matched text.

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Spurgeon & the Psalms will guide you into reading and meditating on God's Word alongside profound excerpts from “the prince of preachers.Spurgeon & the Psalms will guide you into reading and meditating on God's Word with the insight of “the prince of preachers.” This devotional psalter features a brief extract from Charles Spurgeon's beloved The Treasury of David leading into each of the 150 chapters of Psalms.In this edition, Spurgeon's insights are paired with the trusted New King James Version. The NKJV balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Devotional thoughts from renowned preacher Charles Spurgeon drawn from The Treasury of David provide new insights from the Psalms Presentation page allows you to personalize this special gift by recording a memory or note An exquisite edition of Psalms in the trusted NKJV translation Each psalm is set in a poetic-style single column on a right-hand page with room to journal your own meditations 1 satin ribbon makes it easy navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Clear and readable 9.5 Point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers, and clear, line-matched text.

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Originally built to house the workers of Victorian London, Balaklava Street is now an oasis in the heart of Kentish Town and ripe for gentrification. But then the body of an elderly woman is found at Number 5. Her death would appear to have been peaceful but for the fact that her throat is full of river water. It falls to the Met's Peculiar Crimes Unit, led by London's longest-serving detectives, Arthur Bryant and John May, to search for something resembling a logical solution. Their initial investigations draw a blank and Bryant's attention is diverted into strange and arcane new territory, while May finds himself in hot water when he attempts to save the reputation of an academic whose knowledge of the city's forgotten underground rivers looks set to ruin his career. In the meantime, the new owner of Number 5 is increasingly unsettled by the damp in the basement of her home, the particularly resilient spiders and the ghostly sound of rushing water . . .Pooling their information to investigate hitherto undiscovered secrets of the city, Bryant and May make some sinister connections and realize that, in a London filled with the rich, the poor and the dispossessed, there's still something a desperate individual is willing to kill for - and kill again to protect. With the PCU facing an uncertain future, the death toll mounts and two of British fiction's most enigmatic detectives must face madness, greed and revenge, armed only with their wits, their own idiosyncratic practices and a plentiful supply of boiled sweets, in a wickedly sinuous mystery that goes to the heart of every London home.

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King Arthur is probably the most famous and certainly the most legendary medieval king. From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to have discovered the 'facts' about, or to unlock the secret or truth behind, the 'once and future king'. Broadly speaking, there are two Arthurs. On the one hand is the traditional 'historical' Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend - accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, the Round Table. The big problem with all this is that 'King Arthur' might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal 'the truth' behind King Arthur can safely be ignored. Not only the 'red herrings' in the abundant pseudo-historical accounts, even the 'historical' Arthur is largely a figment of the imagination: the evidence that we have - whether written or archaeological - is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died. The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing.

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Sara Ward has transformed her Victorian terraced house in London into an urban smallholding, 'Hen Corner'. Sara passionately believes that it’s possible to combine the benefits of urban living with some of the qualities associated with the country living dream: spending time with nature, producing and making our own food, sustainability and community, and in Living the Good Life in the City she shares some of the ways she and her family have brought city and country together, and shows that you, too, can make a difference to how you live and the food you eat. Divided into sections covering Make, Grow, Preserve, Keep, and Celebrate, Living the Good Life in the City is packed full of recipes, stories, tips and tricks including baking bread, making your own jam, pasta, sausages and cheese, keeping bees and livestock, preserving, foraging, harvesting and celebrating with food. Make explores our power and responsibilities as consumers and encourages us to start making food from scratch. In Grow – whether in a window box or allotment – Sara shares her experience of how to grow your own ingredients for the family table whilst Preserve is how to process your harvest to enjoy it all year round. In Keep Sara explores options for keeping chickens, bees and larger livestock, sharing the joys and responsibilities that come with that. Celebrate is about marking the highlights of the year with delicious recipes for family and friends. Finally, Inform brings together Sara’s best resources to inspire the reader to bring ideas into fruition.

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Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

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A study of the women who led the United States section of the Women's International League for Peace and Freedom in the interwar years, this book argues that the ideas of these women—the importance of nurturing, nonviolence, feminism, and a careful balancing of people's differences with their common humanity—constitute an important addition to our understanding of the intellectual heritage of the United States. Most of these women were well educated and prominent in their chosen fields: they included Jane Addams and Emily Greene Balch, the only two United States women to win Nobel Prizes for Peace; Jeannette Rankin, the first woman elected to the U.S. Congress; and Dorothy Detzer, the woman who prompted the investigation of the munitions industry in the 1930's. The ideas of these women were not usually expressed in forms conventionally studied by intellectual historians. On the whole, their ideas must be teased out of organizational records, statements of principle and policy, and personal correspondence. When combined with an understanding of the personal backgrounds of the WIL leaders and placed in the context of early-twentieth-century America, these documents tell us what these women thought was important and why. The ideas of the WIL leaders are also analyzed in the context of the intellectual themes of Victorianism and modernism. Our understanding of these themes has been based largely on the work of privileged European and American men, and the ideas of women often fit uncomfortably into these traditional categories. A reconstruction of the ideas of the WIL leaders suggests that historians have overlooked an important, alternative intellectual tradition in the United States. To understand and appreciate women's thoughts, we must dissolve the old constructs and let new, multifaceted ones replace them.

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A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war? Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself. Beidler's critical scope spans from Shakespeare's plays, through the Victorian battle paintings of Lady Butler, into the post–World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept. Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media's influence on contemporary values and memories of the past.

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During the 19th century there was no clear boundary line between those who were considered to be part of the scientific community and those who were seen as outsiders. It was during this century that the categories of "professional scientist", "amateur" and "popularizer of science" were being debated and constructed. As a result, in recent times scholars of the period have explored the important roles of neglected amateurs, women and members of the working class. Scholars in the field are continually broadening their definition of the terms "science" and "scientist". This dictionary contains more than 1200 entries on both major and minor figures who had an impact on British science. By examining how the theories and practices of scientists were shaped by Victorian beliefs about religion, gender, imperialism and politics, the dictionary presents a rich panorama of the development of science in the 19th century. As well as containing entries on those working in traditional scientific areas, such as geology, physics, astronomy, chemistry, mathematics and biology, the dictionary also covers the human sciences such as anthropology, sociology, psychology and medicine. In addition, areas such as phrenology, mesmerism, spiritualism, scientific illustration, scientific journalism and publishing, instrument making and government policy are covered. By including new figures working in these areas, and by paying attention to the social and cultural context in which they lived, the dictionary reflects the richer picture of the 19th-century period gradually being developed by scholars in the field.

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The Great British Dig brings history and archaeology closer to home than ever before. Each week a team of archaeologists (led by presenter Hugh Dennis) descend on streets and gardens the length and breadth of the country to discover the treasures we have been living right on top of without realising. In this official tie-in book, on-screen expert Dr Chloë Duckworth digs deeper into the sites the show visited, as well as giving practical tips and advice for anyone who wants to have a go themselves. Uncovering a lost world of human stories just a few shovelfuls beneath our feet, Chloë explores the team’s techniques in fascinating detail, offering new insights and explanations about the discoveries made. As well as revealing the actual frontier of the Roman Empire in Britain, the Tudor palace of an Elizabethan spymaster, a revolutionary Victorian prison, a Second World War military base, and a prehistoric village under a school playing field, Chloë includes lots of information for anyone wanting to give it a go themselves. The book is packed with features, tip boxes and practical advice about digging in your own back garden, researching your local area for clues about what might have been there centuries ago, and dating things you may find. Highly illustrated, the book includes images never seen on screen, as well as archive photos and illustrations that bring history to life, and identification guides to bones, pottery, tools, coins and other things you might come across yourself. Foreword by Hugh Dennis, presenter of The Great British Dig.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. North’s journey to South Africa was among her last, along with trips to the Seychelles and Chile.THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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This book provides a photographic history of one of England's oldest un-amalgamated Country Regiments. Formed in 1689 the Regiment served widely at home and around the world in India, the Far East, the Mediterranean, North America, the Caribbean and Antarctica. Beginning in 1858, it highlights Victorian and Edwardian service in Malta, New Brunswick, Burma and India. During the First World War, the Regiment, greatly expanded to thirty-eight Battalions, serving throughout the war on the Western Front and at various times in the Mediterranean, Gallipoli, Egypt, Mesopotamia, Salonika and Macedonia. In the inter-war years the Regiment served at home and overseas in India, Palestine and Malta. During the Second World War the Cheshire's served in France during 1940, in Malta, North Africa, the Middle East in PAI Force and in North West Europe from June 1944 until the end of the war. Post-war service included Palestine, Egypt, Malaysia, Cyprus with the UN, Germany, Ireland, Belize and Hong Kong. The 200 photographs contained in this book are drawn from the regimental archives and highlight the diverse activities and places associated with the Cheshire Regiment over the past 150 years during times of peace and war. Dr Ronald Barr is a senior lecturer in history at Chester College and is Director of the College's Military Studies programme which is taught at the Cheshire Military Museum. He has a long-standing interest in military history and his previous works include: The Progressive Army: US Army Command and Administration.

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A wide-ranging exploration of the creative power of literary tradition, from Chaucer to the presentIn literary and cultural studies, "tradition" is a word everyone uses but few address critically. In Reading Old Books, Peter Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the twenty-first century, revealing in new ways how it helps writers and readers make new works and meanings.Reading Old Books argues that the best way to understand tradition is by examining the moments when a writer takes up an old text and writes something new out of a dialogue with that text and the promptings of the present situation. The book examines Petrarch as a user, instigator, and victim of tradition. It shows how Chaucer became the first great English writer by translating and adapting a minor poem by Boccaccio. It investigates how Ariosto, Tasso, and Spenser made new epic meanings by playing with assumptions, episodes, and phrases translated from their predecessors. It analyzes how the Victorian novelist Elizabeth Gaskell drew on tradition to address the new problem of urban deprivation in Mary Barton. And, finally, it looks at how the Kenyan writer Ngũgĩ wa Thiong'o, in his 2004 novel Wizard of the Crow, reflects on biblical, English literary, and African traditions.Drawing on key theorists, critics, historians, and sociologists, and stressing the international character of literary tradition, Reading Old Books illuminates the not entirely free choices readers and writers make to create meaning in collaboration and competition with their models.

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René Girard’s mimetic theory opens up ways to make sense of the tension between the progressive politics of George Eliot and the conservative moralism of her narratives. In this innovative study, Bernadette Waterman Ward offers an original rereading of George Eliot’s work through the lens of René Girard’s theories of mimetic desire, violence, and the sacred. It is a fruitful mapping of a twentieth-century theorist onto a nineteenth-century novelist, revealing Eliot’s understanding of imitative desire, rivalry, idol-making, and sacrificial victimization as critical elements of the social mechanism. While the unresolved tensions between Eliot’s realism and her desire to believe in gradual social amelioration have often been studied, Ward is especially adept at articulating the details of such conflict in Eliot’s early novels. In particular, Ward emphasizes the clash between the ruthless mechanisms of mimetic desire and the idea of progress, or, as Eliot stated, “growing good”; Eliot’s Christian sympathy for sacrificial victims against her general rejection of Christianity; and her resort to “Nemesis” to evade the systemic injustice of the social sphere. The “angels” in the title are characters who appear to offer a humanist way forward in the absence of religious belief. They are represented, in Girardian terms, as figures who try to rise above the snares of the mimetic machine to imitate Christ’s self-sacrifice but are finally rendered ineffectual. Very few studies have tackled Eliot’s short fiction and narrative poetry. Eliot’s Angels gives the short fiction its due, and it will appeal to scholars of mimetic and literary theory, Victorianists, and students of the novel.

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The toy industry and its close relationship with children's artefacts and equipment made a significant contribution to the light industries which came to increasing prominence in the British economy over the twentieth century as traditional heavy manufacturing declined. The demand for toys, both national and international, accelerated after the Great Exhibition of 1851 and two brothers, George and Joseph Lines, were among the most prominent of the manufacturers to emerge in the Victorian period. However, it was Lines Brothers Ltd., formally incorporated in 1919 by Joseph's three sons, which very quickly established itself as the leading British toy company, overcoming the vicissitudes of depression and world war to become the world's largest toy manufacturer by the 1950s. With operations in many parts of the world it was arguably the world's first multi-national toy company, enjoying something of a golden age before collapsing spectacularly in the face of intensifying international competition and a changing economic climate. This is the fascinating story of a family business whose iconic Tri-ang trademark was universally recognised and whose most famous products included model railways, Spot-on and Minic cars, soft toys, Pedigree prams, dolls' houses, Scalextric, and Cindy dolls. It is a serious economic, business and industrial history, touching on important themes such as the interplay between government and business, the nature of entrepreneurship, the significance of company culture and organisation, and the changing nature of childhood. Above all, it is a story of strong personalities, familial tensions, and an underlying determination to bring delight to children.

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As one of the world's foremost interior designers, Tricia Guild has a passionate belief that the way we choose to live has a significant impact on our well-being and happiness. The homes that we live in, the things that we surround ourselves with, and the everyday choices we make, can profoundly affect our outlook and positivity. It is no surprise, then, that Tricia practises what she preaches: she finds it impossible to separate her work as a designer from other aspects of her life, and she believes that, in seeking creative inspiration in each experience, especially in enjoying the things that bring pleasure to our lives, we can perfect the art of living. For Tricia, Italy is a particularly enduring passion: the culture, landscape, architecture, food and music all strike a creative chord. She has had a house there for many years. The last home was a rustic farmhouse, but when Tricia and her family began the search for a new property, she knew it would be decidedly different. In this new Italian home, Tricia found the perfect opportunity to create a contemporary interior reflecting a love of modernity and simplicity that has evolved over the years. In Tricia's view, modernity does not mean a lack of colour, pattern or texture; a contemporary interior can be both decorative and minimal - in fact, a confident use of colour and pattern can be the very thing that makes it even more wonderful. Here, working with the architect Stephen Marshall and the garden designer Arne Maynard, Tricia has created a special home - a contemporary interpretation of the local vernacular - that represents her kind of modern. In In My View, Tricia charts the creation of her stunning Italian home set amid verdant oil groves. We are taken on an extensive tour of the breathtaking property, right from the entrance steps and the rooms/spaces in the main house to the outdoor dining areas, studio, guest accommodation, kitchen garden and pool house. Stephen and Arne offer insight into their collaboration with Tricia, describing, among other things, the selection of materials - local stone, concrete, glass and galvanized metal - for the house, and the planting on the terraces and around the rolling lawns of the garden. Local artisans and craftspeople also played a crucial role in bringing this truly magnificent yet relaxing and comfortable home to life. Tricia also presents her new London home - a Victorian townhouse in a corner plot, where, with the same team of Stephen and Arne - she set about creating an urban retreat comprising three distinct areas to accommodate living, dining and resting. While life in Italy for Tricia is about seasonality and nature, her life in London is centred on her work at Designers Guild, the company she founded in 1970. Her London home therefore is, she says, `sharply experimental', her version of a lab, where she tests designs and assesses how colours work together. In this section of the book, Tricia provides a glimpse of working life and the design process at the company headquarters in west London. Throughout the book, Tricia shares the moodboards that helped her to realize her dream homes in Italy and London. For Tricia, moodboards are vital in the early stages of any project, large or small, because they help to stimulate the creative process, even define how one wishes to live, by establishing the language, rhythm and style of each space. The choices that one makes here, the process of selection and careful editing, lie at the heart of finding one's own style. In My View reveals the personal choices have shaped the way Tricia lives now, and will inspire the reader to develop their individual style and thus create their own special view.

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Manchester in the century between 1850 and 1950 witnessed extraordinary growth and changes. In the mid-nineteenth century, Manchester was the world’s first industrialised city, home of the Industrial Revolution and known as ‘Cottonopolis’. It was a city of immigrants from the countryside, Ireland, Scotland and further afield, where slums and poverty existed in close proximity to great wealth. The unique conditions in the city made it a breeding ground for crimes of all kinds, from the ‘high crimes’ of murder and large-scale robberies, frauds and theft, to ‘low-level’ crimes such as pickpocketing, mugging and other street crimes. ‘Snoozer’ gangs robbed hotels in Victorian Manchester and the city was home to numerous jewel thieves over the years including ‘Lucky Edgar’. Some crimes were even politically motivated, such as the suffragette law breaking, while others such as youth crime, which is often portrayed as a recent phenomenon, actually has a long history stretching back to the teenage scuttler gangs of the late nineteenth century. This collection of true-life crime stories gives a vivid insight into life in Manchester in years gone by. This book will fascinate anyone with an interest in the history of crime, as well as those who want to know more about the history of Manchester.

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Winner: AAIS First Book Prize Old Schools marks out a modernist countertradition. The book makes sense of an apparent anachronism in twentieth-century literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in progressive pedagogical theories. Advocates of progressive education turned against Latin in particular. The dead language—taught through time-tested means including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. Yet McGlazer’s remarkable book reminds us that progressive education was championed not only by political progressives, but also by Fascists in Italy, where it was an object of Gramsci’s critique. Building on Gramsci’s pages on the Latin class, McGlazer shows how figures in various cultural vanguards, from Victorian Britain to 1970s Brazil, returned to and reimagined the old school. Strikingly, the works that McGlazer considers valorize this school’s outmoded techniques even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for critique in the very practices that progressive reformers sought to clear away. Registering the past’s persistence even while they respond to the mounting pressures of modernization, writers and filmmakers from Pater to Joyce to Pasolini retain what might look like retrograde attachments—to tradition, transmission, scholastic rites, and repetitive forms. But the counter-progressive pedagogies that they devise repeat the past to increasingly radical effect. Old Schools teaches us that this kind of repetition can enable the change that it might seem to impede.

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‘The word “mesmerising” is frequently applied to memoirs, but seldom as deservedly as in the case of Girl With Dove’ Financial Times ‘Reading is a form of escape and an avid reader is an escape artist…’ Brilliantly original, funny and clever Honor Clark, Spectator, Book of the Year Growing up in a dilapidated house by the sea where men were forbidden, Sally’s childhood world was filled with mystery and intrigue. Hippies trailed through the kitchen looking for God – their leader was Aunt Di, who ruled the house with charismatic force. When Sally’s baby brother vanishes from his pram, she becomes suspicious of the activities going on around her. What happened to Baby David and the woman called Poor Sue? And where did all the people singing and wailing prayers in the front room suddenly go? Disappearing into a world of books and reading, Sally adopts the tried and tested methods of Miss Marple. Taking books for hints and clues, she turns herself into a reading detective. Her discovery of Jane Eyre marks the beginning of a vivid journey through Victorian literature where she also finds the kind, eccentric figure of Charles Dickens’ Betsey Trotwood. These characters soon become her heroines, acting as a part of an alternative family, offering humour and guidance during many difficult moments in Sally’s life. Combining the voices of literary characters with those of her real-life counterparts, Girl With Dove reads as a magical series of strange encounters, climaxing with a comic performance of Shakespeare in the children’s home where Sally is eventually sent. Weaving literary classics with a young girl’s coming of age story, this is a book that testifies to the transformative power of reading and the literary imagination. Mixing fairy tale, literary classics, nursery rhymes and folklore, it is the story of a child’s adventure in wonderland and search for truth in an adult world often cast in deep shadow.

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This is the most comprehensive assembly of historic geisha images ever compiled in a book. Over 500 exquisite views - drawn from postcards produced primarily between 1900 and 1940 - illustrate the rarified world of Japan's now-extinct licensed pleasure districts. Soon after the West pried open Japan's doors in 1853, stories about Japan began to circulate wildly through Victorian societies. Geisha quickly attained folkloric status as both imagery, widely traveled stage productions, and titillating novels spread their fame, and postcards bearing their images circulated the globe. Enter a world dripping in symbolism, elevated by accomplishment. For the Westerner, it is a world of exotic misconceptions, characterized by a male fantasy of the submissive Asian beauty devoted to his pleasure. Equally exotic to the average Japanese, Geisha embody the highest level of a proud culture. Geisha are accomplished in music, letters, and the intricate art of the tea ceremony. Epitomizing feminine grace and beauty, geisha are always carefully adorned, every hair oiled into place, and every step and gesture perfectly executed. The comprehensive text introduces historical background about the talented geisha entertainers and other women who were indentured in virtual slavery within the famed and idealized "Flower and Willow World." High-class prostitutes, as well as lowly tea servers are pictured, and the life of early 20th century women in Japan is explored. The symbolic kimono, poses, and accouterments of the women photographed are explained in captioning that will help to open the eyes of many Westerners to Japanese culture, and help to debunk misconceptions regarding the status and nature of geisha. For the Japanese historian, this is the best source of original imagery ever assembled within two covers about Geisha. For anyone with even a casual interest in this utterly unique culture, this book will prove a captivating page turner. .

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“A deft combination of adventure, history, reportage and elegy.”—Washington Post A journey to the coast of North Sentinel Island, home to a tribe believed to be the most isolated human community on earth. The Sentinelese people want to be left alone and will shoot deadly arrows at anyone who tries to come ashore. As the web of modernity draws ever closer, the island represents the last chapter in the Age of Discovery—the final holdout in a completely connected world.In November 2018, a zealous American missionary was killed while attempting to visit an island he called “Satan’s last stronghold,” a small patch of land known as North Sentinel in the Andaman Islands, a remote archipelago in the Indian Ocean. News of the tragedy fascinated people around the world. Most were unaware such a place still existed in our time: an island unmolested by the advances of modern technology.Twenty years before the American missionary’s ill-fated visit, a young American historian and journalist named Adam Goodheart also traveled to the waters off North Sentinel. During his time in the Andaman Islands he witnessed another isolated tribe emerge into modernity for the first time.Now, Goodheart—a bestselling historian—has returned to the Andamans. The Last Island is a work of history as well as travel, a journey in time as well as place. It tells the stories of others drawn to North Sentinel’s mystery through the centuries, from imperial adventurers to an eccentric Victorian photographer to modern-day anthropologists. It narrates the tragic stories of other Andaman tribes’ encounters with the outside world. And it shows how the web of modernity is drawing ever closer to the island’s shores.The Last Island is a beautifully written meditation on the end of the Age of Discovery at the start of a new millennium. It is a book that will fascinate any reader interested in the limits—and dangers—of our modern, global society and its emphasis on ceaseless, unbroken connection.

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During the eighteenth and early years of the nineteenth century, the red tide of British expansion had covered almost the entire Indian subcontinent, stretching to the borders of the Punjab. There the great Sikh ruler Ranjit Singh had developed his military forces to thwart any British advance into his kingdom north of the River Sutlej. Yet on the death of Ranjit Singh, unworthy successors and disparate forces fought over his legacy while the British East India Company seized on the opportunity and prepared for battle. In the winter of 1845, the First Anglo-Sikh War broke out. From the start, the two-month campaign was marred by Victorian arrogance and bluster on the British side and personal ambition, intrigue and treason in the Sikh camp. Five keenly fought contests ensued, including the great battle of Ferozeshah where the British force found itself caught between two powerful Sikh armies and came close to destruction. Declining to retreat, Sir Hugh Gough, the British Commander-in-Chief, told his second in command: ‘My mind is made up. If we must perish, it is better that our bones should bleach honourably at Ferozeshah than rot at Ferozepore: but they shall do neither the one nor the other.’ The fate of the British Empire in India would be decided that day. Amarpal Singh writes a warts-and-all tale of a conflict characterised by treachery, tragedy and incredible bravery on both sides. In an innovative approach to history writing, the narrative of the campaign is accompanied by battlefield guides that draw on eyewitness accounts and invite the reader to take a tour of the battlefields, either physically or virtually. Fully illustrated with period drawings, modern-day photographs and new maps, The First Anglo-Sikh War gives a forgotten conflict the meticulous attention it deserves.

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For centuries inventors have been dreaming up schemes to allow people to submerge beneath the waves, stay a while then return again unharmed. The Resurgam was designed for this purpose, as a stealthy underwater weapon which was the brainchild of an eccentric inventor realised in iron, timber, coal and steam. The inventor was George William Garrett, a curate from Manchester who designed and built the Resurgam submarine in 1879 using the limited technology available to a Victorian engineer on a small budget. This is not the story of Garrett himself as this story has already been told, instead this book tells the story how the Resurgam was built, how she may have worked and what happened to her. The book introduces Garrett the inventor then puts the creation of Resurgam in context by considering similar submarines being developed at the end of the 19th century. Garrett’s relationship with the Royal Navy is related here as they were his intended client and the tale continues with a description of how the submarine was built and how it may have worked. The end of the story relates how the Resurgam came to be lost in 1880 pieced together from documents and newspaper reports. Curiously, aspects of the tale do not fit with what was found by underwater archaeologists recording the wreck so other ideas are explored about how and why the submarine was lost.

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The loss of reason, a sense of alienation from the commonsense world we all like to imagine we inhabit, the shattering emotional turmoil that seizes hold and won't let go--these are some of the traits we associate with madness. Today, mental disturbance is most commonly viewed through a medical lens, but societies have also sought to make sense of it through religion or the supernatural, or by constructing psychological or social explanations in an effort to tame the demons of unreason. Madness in Civilization traces the long and complex history of this affliction and our attempts to treat it. Beautifully illustrated throughout, Madness in Civilization takes readers from antiquity to today, painting a vivid and often harrowing portrait of the different ways that cultures around the world have interpreted and responded to the seemingly irrational, psychotic, and insane. From the Bible to Sigmund Freud, from exorcism to mesmerism, from Bedlam to Victorian asylums, from the theory of humors to modern pharmacology, the book explores the manifestations and meanings of madness, its challenges and consequences, and our varied responses to it. It also looks at how insanity has haunted the imaginations of artists and writers and describes the profound influence it has had on the arts, from drama, opera, and the novel to drawing, painting, and sculpture. Written by one of the world's preeminent historians of psychiatry, Madness in Civilization is a panoramic history of the human encounter with unreason.

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This is the fourth part of a successful facsimile series which reprints The Modern Traveller, originally published in 30 volumes between 1825 and 1829. Edited by Josiah Conder, the editor of journals like The Eclectic Review or The Patriot, The Modern Traveller was a successful series of travel books published just prior to Britain’s transport revolution which saw the development and rapid expansion of roads and railways. Reflecting Britain’s imperial ambitions and the expansion of its Empire around the globe, the series had global range, including coverage of the Middle East, Africa, North & South America, and Asia. It provided general readers with the latest information on each country’s geography, history, political situation, culture, customs, major cities, travel routes along historic sites, scenic spots, and so on. Each volume contains illustrations and foldout maps which are all faithfully reproduced in the reprint. The fourth part of the series is from the 20th to the 25th volume. It covers Africa and North America, which were both of geopolitical and of commercial interests to Britain in the early nineteenth-century, particularly in view of the slavery trade. Including very interesting descriptions and pre-Victorian British views of the area, these newly available volumes are a valuable source for any researcher interested in the history of the relationships between Britain and those new continents.

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At its heart, this book is an examination of how a new structural material – mass-produced steel – came to be first applied to the buildings of one of the world’s great cities. The focus is evolution and change in London’s buildings and architecture in the late Victorian and early Edwardian period; its emphasis is unashamedly constructional. A great deal has been written about the shape, style and ornament of metropolitan buildings of the period, but comparatively little on their structural anatomy and physiology. The first part examines the technological developments and economic forces that brought structural steel into being. Central to this was the invention of the Bessemer and Siemens-Martin processes which revolutionised steelmaking and enabled the mass production of a metal which outmatched both cast and wrought iron. Steel became the pillar of a new phase of industrialisation and urbanisation throughout the world, and London, where Henry Bessemer had conducted his initial steelmaking experiments, was one of the first cities to make use of it. The second part of the book is an examination of how structural steel was exploited in different types of London building before 1910. As steel construction developed, and buildings became larger and more complex, structure was forced back onto the architectural agenda. Techniques of framing evolved to make buildings more open, better lit, more stable, or to give them stronger floors or wider roofs.

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A new approach to the mysterious ballads, and their relationship with the past. Katharine Briggs Award 2018: Runner Up The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap printand imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as theballad itself is continually adapting to the needs of readers, singers, and audience. Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" andthe beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.

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Jack the Ripper's London...an eerily quiet dining room on the Titanic...and a series of murders that covers two decades.1912. Locked in an eerily quiet dining room on the Titanic, a mysterious man tells a young girl his life story as the ship begins to sink. It all starts in Whitechapel, London in 1888...In the small hours of the night in a darkened Whitechapel alley, young Mary Kelly stumbles upon a man who has been seriously injured and is almost unconscious in the gutter. Mary - down on her luck and desperate to survive - steals his bag and runs off into the night.Two days later, an American gentleman wakes in a hospital bed with no memory of who he is or how he got there. He has suffered a serious head injury, and with no one to help him remember who he is he starts to wonder how he will ever find his way home.One terrible truth links these two lost souls in the dark world of Victorian London - a truth that could ruin the name of the most influential man in the land...Back in 1912, as the Titanic begins its final shuddering descent to the bottom of the frozen, black Atlantic, one man is about to reveal the truth behind a series of murders that have hung like a dark fog over London for more than two decades...the identity of Jack the Ripper.

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In this first study to address women in Thackeray's fiction, Clarke draws on the writer's biography as well as his novels, tales, and nonfictional writings to place him in the context of the women's movement. Approaching her analysis from a feminist-sociological perspective, Clarke connects Thackeray's novels to historical developments in nineteenth-century feminism and identifies an evolution in Thackeray's fictional treatment of women. Contrary to traditional representations of the writer as conventional and even hostile to "the Cause, " the portrait of Thackeray that emerges is of a man both of his age and far ahead of it. Clarke explores the relationship of Thackeray's depiction of women to the prevalent discourse on gender that energized nineteenth-century literature. She synthesizes recent Thackeray studies and examines writers and works Thackeray knew - writers including Judith Drake and Sidney Owenson and works including An Essay in Defense of the Female Sex and Woman and Her Master. The life and works of Caroline Norton serve as a particularly important influence and thread throughout Thackeray's writing. Establishing a strong tie between Thackeray's novels and the nineteenth-century women's movement, Clarke offers a new perspective on the complex, distinctive voice of the writer. Because her study demonstrates the views on women of a major nineteenth-century writer as they are reflected in his novels, the study will appeal to scholars of women's studies, the novel, and Victorian literature and history.

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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of writers such as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W. B. Yeats, who dominated the literary scene of the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siècle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations in English poetry of the 1880s and 1890s and show how women poets stood shoulder-to-shoulder with their better-known male contemporaries.

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Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women. Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln’s administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the ‘Church of the Future’ garnered the support of Charles Darwin, James Martineau and John Stuart Mill. Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.

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When Celerie Kemble laid eyes on a wild swath of jungle in the Dominican Republic next to mint green water and an endless stretch of golden sand, she fell madly in love. Against all odds, she designed a home away from home there, an island retreat suffused with light and air, full of indoor and outdoor rooms for relaxation. Drawing inspiration from a childhood where whimsy was part of her home s foundation, she blended meaningful, unique, and surprising design choices and details into these spaces. There is the lacy tragaluz fretwork above the doors that lets in breezes and echoes the Victorian influences in a town near the property. There are the artisanal tiles with patterns reminiscent of the strangely beautiful flora of the jungle. There are the sweet pastel-coloured bungalows and the art, objects, and textiles in dark hues reminiscent of a Gauguin painting. Throughout this lovingly crafted book about Kemble s own island design journey, ideas abound for anyone decorating a sunny home or fantasizing about spending time in one. Kemble shares inspiration for creating a sense of openness to the sea, sand, and sky; offering places to wash sandy feet or perfect viewing spots for a sunset-saturated drink; and infusing spaces with a sense of welcome, invitation, and magic. Bunny Williams s An Affair with a House meets India Hicks s Island Style in this gorgeously photographed, open-hearted volume.

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Great British Women is a Quality Pocket Book ( A6 ) which presents the lives of remarkable British women who made a mark on their country, and beyond. From the defiant warrior Boudicca to contemporary women found in every field, the reader will meet some of the most remarkable women in British history from Roman times to modern day. This handy book offers tales of women who led empires, shaped civilisation and excelled in creativity. Read about medieval great Queens such as Eleanor, suffragettes and scientists such as Wollstonecraft and Somervillle, as well as heroic war acts and advances in fields which were often off-limits to women. Find out about the first woman to rule an Anglo-Saxon kingdom, the first to patent a bridge, the first to sit in parliament and the first to become prime minister. Do you know which woman helped create modern Iraq, which wrote 'the greatest English novel' and which sold her unique propellers to the Victorian navy? Individual pages with original illustrations for each woman reveal their background together with the influences and challenges which shaped their lives, all in a concise and readable way. From politics to poetry and sports to science, meet the extraordinary British women whose words, actions and innovations deserve recognition. As is now tradition with the White on Black brand, a donation from each sale will be given to Womens Aid

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** The first Biographic of a fictional character ** The Biographic series presents an entirely new way of looking at the lives of the world's greatest thinkers and creatives. It takes the 50 defining facts, dates, thoughts, habits and achievements of each subject, and uses infographics to convey all of them in vivid snapshots. Each Biographic title is designed to be as entertaining as it is informative. Timelines not only pinpoint significant dates, but set them in the context and culture of their times. Dynamic maps locate biographical events alongside other points of interest. Character traits are illuminated by visual comparisons. Many people know that Sherlock Holmes was an enigmatic detective who, with his companion Dr Watson, pursued criminals through Victorian and Edwardian England. What, perhaps, they don't know is that he investigated 60 fully documented cases, including 37 murders; that 46 of those cases began in his offices at 221B Baker Street; that only three of them involved his nemesis Moriarty; and that in his later years Holmes spent his time beekeeping on the Sussex Downs. Biographic: Sherlock presents an investigative guide to his life and work, with an array of clues and observations converted into infographics to reveal the detective behind the detection. SELLING POINTS: . Sherlock Holmes through 50 defining facts, thoughts, habits and achievements . Entertaining and informative infographics . Stylish gift for lovers of classic fiction 150 illustrations

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Crowds of visitors flock to Whitby to explore the ancient abbey, walk the narrow streets, pass Captain Cook’s home and see the replica of his ship Endeavour, but the history of Whitby is much richer, as revealed in this tour of its significant, interesting and unusual buildings. After the Dissolution of the Monasteries the Cholmley family took over much of the abbey’s lands, building a grand home and developing the port and local industries. Whitby became one of the busiest ports in the land and magnificent Georgian buildings testify to the wealth brought into the town, not least through whale hunting. Other grand buildings of this time were constructed on wealth from the elsewhere, including slave plantations in the Caribbean. The town has also preserved the more modest homes of sailors and fishermen, including charitable housing, and the continuing connection with the sea is also represented by lighthouses, the foghorn station and lifeboat stations. More recently Whitby has become a holiday destination, with Victorian and more recent hotels, cinemas and a lido built for the use of visitors and local inhabitants. Whitby in 50 Buildings explores the history of this fascinating Yorkshire coastal resort through a selection of its most interesting buildings and structures, showing the changes that have taken place over the years. The book will appeal to all those who live in Whitby or who know it well.

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This is the story of a man who went from Yorkshire mill worker to Monte Carlo millionaire. Amongst the men ‘who broke the bank at Monte Carlo’, Joseph Hobson Jagger is unique. He is the only one known to have devised an infallible and completely legal system to defeat the odds at roulette and win a fortune. But he was not what might be expected. He wasn’t a gentleman or an aristocrat, he wasn’t a professional gambler, he was a Yorkshire textile worker who had laboured in the Victorian mills of Bradford since childhood. What led a man like this to travel nearly a thousand miles to the exclusive world of the Riviera when most people lived and died within a few miles of where they were born? The trains that took him there were still new and dangerous, he did not speak French and had never left the north of England. His motivation was strong. Joseph, his wife and four children, the youngest of whom was only two, faced a situation so grave that their only escape seemed to be his desperate gamble on the roulette tables of Monte Carlo. Today Jagger’s legacy is felt in casinos worldwide and yet he is virtually unknown. Anne Fletcher is his great-great-great niece and in this true-life detective story she uncovers how he was able to win a fortune, what happened to his millions and why Jagger should now be regarded as the real ‘man who broke the bank at Monte Carlo’.

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Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body. The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class. Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.

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'Animal lovers will delight' Ann Granger'A real treat . . . I loved it. Cats, dogs, murder and a credible and relatable heroine' Barbara NadelDriving home from a ceramics evening class, Clarice Beech reflects on the absence of one of her students, Colin Compton-Smythe. Later, Emily, Colin's daughter, telephones to say her father has died during routine surgery. Distraught, Emily opens up to Clarice about his wretched childhood and the day five-year-old Colin returned home to discover Avril, his mother, gone. Colin never believed she would have left without him and had been trying to find out more about Avril's disappearance all those years ago.Clarice readily agrees to accompany Emily to Colin's funeral. On arriving at the stunning Victorian Gothic manor house, with Bellatrix, the majestic stone Siamese cat reposing at its entrance, Clarice soon becomes drawn into the fractious world of the Compton-Smythe family: Colin's argumentative father Ralph and his equally combative partner Tessa, their daughter, Dawn, being stalked by an ex-lover and, most unsettling of all, Ernestine, Ralph's emotionally unpredictable sister. And then there's Johnson, Ralph's menacing manservant.Clarice discovers the nearer she gets to the truth, the greater she is in danger as somebody is intent that the mystery of the missing wife should never be resolved.

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Stratford developed at the lowest crossing point of the River Lea and was a strategic gateway to London. Part of the Essex parish of West Ham, its name, which derives from the Roman road to Colchester, was first mentioned shortly after the Norman Conquest. Domesday Book recorded nine water-mills and, more recently, the largest tithe-mill in Britain was built here in 1776, which happily survives to this day. The Abbey of Stratford Langthorne was founded in 1135, soon after the new Bow Bridge had been built, and it remained a wealthy institution until its dissolution in 1538.Throughout the Middle Ages, Stratford’s situation made it a trading place and a rural retreat for City merchants. Silk weaving and calico printing were the first industries to develop, together with the famous Bow porcelain works, but after the railway arrived in 1839, Hudson, ‘The Railway King’, turned Stratford into a major railway town. Meanwhile, on the marshy southern fringe fronting the Thames, ship-building and chemical works developed and the greatest industrial venture – the Royal Docks – were built, the largest in the country for many years. Stratford’s growth in the Victorian age was phenomenal; the population soared and social pressures mounted. The area became a cradle of the socialist and trade union movement.This splendidly illustrated book explores both the medieval background and the rich industrial and social heritage of Stratford in a fascinating narrative account, illuminated with a superb selection of carefully captioned old pictures. It will appeal to all who live or shop in the town and to everyone with an interest in the past of East London and the making of its present environment.

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'They have left here today!' he calls to the others. When King puts his hand down above the ashes of the fire, it is to find it still hot. There is even a tiny flame flickering from the end of one log. They must have left just hours ago.'MELBOURNE, 20 AUGUST 1860. In an ambitious quest to be the first Europeans to cross the harsh Australian continent, the Victorian Exploring Expedition sets off, farewelled by 15,000 cheering well-wishers. Led by Robert O'Hara Burke, a brave man totally lacking in the bush skills necessary for his task; surveyor and meteorologist William Wills; and 17 others, the expedition took 20 tons of equipment carried on six wagons, 23 horses and 26camels.Almost immediately plagued by disputes and sackings, the expeditioners battled the extremes of the Australian landscape and weather: its deserts, the boggy mangrove swamps of the Gulf, the searing heat and flooding rains. Food ran short and, unable to live off the land, the men nevertheless mostly spurned the offers of help from the local Indigenous people.In desperation, leaving the rest of the party at the expedition's depot on Coopers Creek, Burke, Wills and John King made a dash for the Gulf in December 1860. Bad luck and bad management would see them miss by just hours a rendezvous back at Coopers Creek, leaving them stranded in the wilderness with practically no supplies. Only King survived to tell the tale.Yet, despite their tragic fates, the names of Burke and Wills have become synonymous with perseverance and bravery in the face of overwhelming odds. They live on in Australia's history - and their story remains immediate and compelling.

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An ambitious comparative study of British and Latin American literature produced across a century of economic colonization.Winner of the Sonya Rudikoff Prize by the Northeast Victorian Studies AssociationSpanish colonization of Latin America came to an end in the early nineteenth century as, one by one, countries from Bolivia to Chile declared their independence. But soon another empire exerted control over the region through markets and trade dealings—Britain. Merchants, developers, and politicians seized on the opportunity to bring the newly independent nations under the sway of British financial power, subjecting them to an informal empire that lasted into the twentieth century. In The Forms of Informal Empire, Jessie Reeder reveals that this economic imperial control was founded on an audacious conceptual paradox: that Latin America should simultaneously be both free and unfree. As a result, two of the most important narrative tropes of empire—progress and family—grew strained under the contradictory logic of an informal empire. By reading a variety of texts in English and Spanish—including Simón Bolívar's letters and essays, poetry by Anna Laetitia Barbauld, and novels by Anthony Trollope and Vicente Fidel López—Reeder challenges the conventional wisdom that informal empire was simply an extension of Britain's vast formal empire. In her compelling formalist account of the structures of imperial thought, informal empire emerges as a divergent, intractable concept throughout the nineteenth-century Atlantic world.The Forms of Informal Empire goes where previous studies of informal empire and the British nineteenth century have not, offering nuanced and often surprising close readings of British and Latin American texts in their original languages. Reeder's comparative approach provides a new vision of imperial power and makes a forceful case for expanding the archive of British literary studies.

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*SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2023*The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.'Fabulous.' Sunday Times 'A rare gift.' Financial Times 'Passionate ... Vivid ... Timely.' Telegraph 'Readable and inspiring.' Guardian 'Compelling ... Ambitious ... Poignant.' Spectator 'Magnificent.' Kate Mosse 'Riveting.' Antonia Fraser 'A breath of fresh air.' Kate Molleson 'Fascinating.' Alexandra Harris 'Wonderful.' Claire Tomalin 'Splendid.' Miranda Seymour 'Remarkable.' Fiona Maddocks 'Pioneering.' Andrew Motion 'Brilliant' Helen PankhurstEthel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian composer was a larger-than-life socialite, intrepid traveller and committed Suffragette.Rebecca Clarke (b.1886): This talented violist and Pre-Raphaelite beauty was one of the first women ever hired by a professional orchestra, later celebrated for her modernist experimentation.Dorothy Howell (b.1898): A prodigy who shot to fame at the 1919 Proms, her reputation as the 'English Strauss' never dented her modesty; on retirement, she tended Elgar's grave alone.Doreen Carwithen (b.1922): One of Britain's first woman film composers who scored Elizabeth II's coronation film, her success hid a 20-year affair with her married composition tutor.In their time, these women were celebrities. They composed some of the century's most popular music and pioneered creative careers; but today, they are ghostly presences, surviving only as muses and footnotes to male contemporaries like Elgar, Vaughan Williams and Britten - until now.Leah Broad's magnificent group biography resurrects these forgotten voices, recounting lives of rebellion, heartbreak and ambition, and celebrating their musical masterpieces. Lighting up a panoramic sweep of British history over two World Wars, Quartet revolutionises the canon forever.

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An eye-opening exploration of the weird and wonderful things human beings have done in pursuit (and denial) of the mighty orgasm, based on the hit Twitter account @WhoresofYoreThis is not a comprehensive study of every sexual quirk, kink and ritual across all cultures throughout time, as that would entail writing an encyclopaedia. Rather, this is a drop in the ocean, a paddle in the shallow end of sex history, but I hope you will get pleasantly wet nonetheless. The act of sex has not changed since people first worked out what went where, but the ways in which society dictates how sex is culturally understood and performed have varied significantly through the ages. Humans are the only creatures that stigmatise particular sexual practices, and sex remains a deeply divisive issue around the world. Attitudes will change and grow – hopefully for the better – but sex will never be free of stigma or shame unless we acknowledge where it has come from. Drawing upon extensive research from Dr Kate Lister's Whores of Yore website and written with her distinctive humour and wit, A Curious History of Sex covers topics ranging from twentieth- century testicle thefts to Victorian doctors massaging the pelvises of their female patients, from smutty bread innuendos dating back to AD 79, to the new and controversial sex doll brothels. It is peppered with surprising and informative historical slang and illustrated by eye-opening, toe- curling and hilarious images. In this fascinating book, Lister deftly debunks myths and stereotypes and gives unusual sexual practices an historical framework, as she provides valuable context for issues facing people today, including gender, sexual shame, beauty and language.

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Captain Robert Falcon Scott CVO (6 June 1868 29 March 1912) was a Royal Navy officer and explorer who led two expeditions to the Antarctic regions. During the second venture, Scott led a party of five which reached the South Pole on 17 January 1912, only to find that they had been preceded by Roald Amundsen's Norwegian expedition. On their return journey, Scott and his four comrades all perished from a combination of exhaustion, starvation and extreme cold. Before his appointment to lead the Discovery Expedition, Scott had followed the conventional career of a naval officer in peacetime Victorian Britain, where opportunities for career advancement were both limited and keenly sought after by ambitious officers. It was the chance for personal distinction that led Scott to apply for the Discovery command, rather than any predilection for polar exploration. However, having taken this step, his name became inseparably associated with the Antarctic, the field of work to which he remained committed during the final twelve years of his life. Following the news of his death, Scott became an iconic British hero, a status maintained and reflected today by the many permanent memorials erected across the nation. Sue Blackhall reassesses his life and the causes of the disaster that ended his and his comrades' lives, and the extent of Scott's personal culpability. From a previously unassailable position, Scott has became a figure of controversy, with questions raised about his competence and character. However, more recent research has on the whole regarded Scott more positively, emphasising his personal bravery and stoicism while acknowledging his errors, but ascribing his expedition's fate primarily to misfortune.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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