Search results for ""author mr."

This book provides a state-of-the-art collection of recent papers on the development and applications of advanced engineering ceramics and composites as presented at the 6th Pacific Rim Conference on Ceramic and Glass Technology (PacRim 6) in September of 2005 in Maui, Hawaii.

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Now available in 23 languages! The Big Bad Wolf is late AGAIN and is ruining stories as he rushes through the forest to Grandma's house. When the Three Little Pigs get seriously grumpy AGAIN, Wolf tells them he's had ENOUGH. There will be no more HUFFING and PUFFING from this Big Bad Wolf. The fairytale characters aren't worried – they can totally manage without him! But Big Bad Wolfing is harder than it looks … And what happens when they realise that they really need a Big Bad Wolf in this story? From the pairing behind the fabulously funny and internationally bestselling There Is No Dragon In This Story comes another hilarious story featuring your favourite fairytale characters as you've never seen them before!

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This book is a comprehensive guide to the diagnosis and management of tuberculosis in obstetric and gynaecological patients. The book focuses on the endometrium (the inner membrane of the uterus) in cases of pulmonary tuberculosis. Divided into five sections, the book begins with the history of tuberculosis, including an overview of tuberculosis in the 21st century, and features discussion on the relationship between nutrition in pregnancy and tuberculosis. Subsequent sections cover obstetrics, gynaecological issues, management of tuberculosis, and the final section discusses the future of the disease in obstetrics and gynaecology. The book discusses multidrug therapy for tuberculosis, and in multidrug resistant cases, strategies for the management of the disease, including isolation, proper ventilation, safe sputum disposal, training on cough hygiene, ultraviolet germicidal irradiation, filtering major air conduits and use of submicron moulded masks. The final section discusses the latest technology in screening, diagnosis, therapy, new drugs and new drug delivery systems. Illustrated throughout with 66 full colour images, Tuberculosis Manual for Obstetricians & Gynecologists is a definitive source of reference for postgraduate medical students, residents and fellows in obstetrics and gynaecology, consultant obstetricians, gynaecologists, and pulmonologists. Key Points Guide to managing tuberculosis in obstetric and gynaecological patients Covers screening, diagnosis, management and future developments in the treatment of TB 66 full colour images and illustrations

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While Peru's landscape is often celebrated for its rich history, the series Fatherland shifts this perception and offers a counter narrative, exposing viewers to the scars born from decades of a relentless epidemic of hate. Through extensive research from within the gay and transgender communities, we document the sites of hate crimes throughout Peru’s cities, deserts, the Andes, and deep within the jungles of the Amazon. Although no assailant is shown, the series underscores the dangerous effects of patriarchy and intolerance, and examines how these constructs create the toxic environments that lend little worth to LGBTQ lives. Each image stands as a denouncement of the blatant disregard for non- conforming lifestyles that challenge the agendas of religious and political leaders who continue to enable the cycle of violence by intentionally oppressing the LGBTQ community or dismissing and ignoring their needs. Due to the extremely violent nature of these assaults, we believe the energy of those whose lives have been taken remain at these locations - and the brutality of each event has scarred the land. For Peruvian audiences, these terse accounts of brutality place an unsettling mirror reflecting the dark underbelly of their own culture. For the rest of the world, the photographs serve to unmask a prevailing apathy toward the social injustices and everyday struggle for safety and survival that many LGBTQ-identifying populations endure. It is common for Peru’s victims of homophobic and transphobic persecution to have their stories absent from public record and delegated to anecdotal remembrance. Fatherland seeks to mitigate this void. To that end, each image is captioned with the name of the victim, their age, and the year, location, and nature of the assault. The series began in 2014 and is ongoing.

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Esta poderosa e impactante historia de amor relata una leyenda de sangre, espejos y locura funesta. Ali, un joven terrateniente, se casa con Rachida, y juntos se instalan en un hermoso palacete de la medina de Tánger. Mientras Ali trabaja en la hacienda, Rachida se pasa todo el día encerrada, contemplándose en un gran espejo instalado en uno de los salones. Poco a poco Rachida va perdiendo la razón. El gran espejo mágico está maldito y no siempre refleja lo que tiene delante. Un baño de sangre particularmente cruel exorcizará la magia negra.El gran espejo, publicado por primera vez en Estados Unidos en 1977, fue un libro fruto de la colaboración literaria entre Paul Bowles y Mohamed Mrabet, tras otros como "Amor por un puñado de pelos" y "El limón".

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Amir Sjarifoeddin explores the experiences of a central figure in the Indonesian revolution, whose life mirrored the idealism and contradictions of the anti-colonial and post-war world of twentieth century Indonesia. Amir was born at the edge of an empire in a time of change. Imprisoned by the Dutch for anti-colonialism, he was sentenced to death by the Japanese for anti-fascism. He survived to become the prime minister of the new Indonesian republic. Disappointed by the direction the Indonesian elites were taking, Amir turned increasingly to the left. In 1948 he joined the armed uprising against both the Indonesian government and the corruption of the national revolution, and was captured and executed as a traitor. In Amir Sjarifoeddin, Rudolf Mrázek unveils the human dimensions of a figure who is widely mythologized but often poorly understood. Through Sjarifoeddin''s life, it is possible to study the moral ambiguity and complexities of th

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One of the greatest ambassadors of Indian cinema on the global stage, Mrinal Sen has always seen his life and work as part of the social and political fabric of his time. Considered the enfant terrible of Indian cinema when he broke on the scene in the 1960s and ’70s, Sen today is known for his films that capture moments of truth in the ordinary lives of ordinary people. His masterfully subtle and nuanced portraits of urban class tension, leftist politics, and the city of Calcutta itself—which Sen has called his El Dorado—set his cinema apart from that of his contemporaries.Montage encapsulates half a century of filmmaking. A first-of-its-kind anthology, it includes original writings—memoirs, letters, musings on politics, literature, theater, and cinema; critiques of contemporaries such as Satyajit Ray and Ritwik Ghatak, as well as inspirations such as Charlie Chaplin and a host of international filmmakers, especially those from Latin America—and intensive interviews with scholars and critics. The result is a unique montage, revealing both the filmmaker and the man, mapping a unique creative landscape, and offering valuable insights into his acclaimed films.

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Change can be scary but with their family always by their side, the Hinch brothers can do anything!The Hinch brothers, Ron, Len and Henry, love their home. It''s full of their toys, happy memories and their amazing Wendy house. But, today''s moving day and as boxes pile up, the boys start to feel nervous. And when they get to the new house, things really don''t feel right...Follow the Hinch brothers as they learn to love their new home - with a bit of help from Mum and Dad.With gorgeous illustrations by Hannah George, this picture book is a reassuring story about change, and the excitement and worries that come with it.Sunday Times bestseller, July 2023

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In The Complete Lives of Camp People Rudolf Mrázek presents a sweeping study of the material and cultural lives of twentieth-century concentration camp internees and the multiple ways in which their experiences speak to the fundamental logics of modernity. Mrázek focuses on the minutiae of daily life in two camps: Theresienstadt, a Nazi “ghetto” for Jews near Prague, and the Dutch “isolation camp” Boven Digoel—which was located in a remote part of New Guinea between 1927 and 1943 and held Indonesian rebels who attempted to overthrow the colonial government. Drawing on a mix of interviews with survivors and their descendants, archival accounts, ephemera, and media representations, Mrázek shows how modern life's most mundane tasks—buying clothes, getting haircuts, playing sports—continued on in the camps, which were themselves designed, built, and managed in accordance with modernity's tenets. In this way, Mrázek demonstrates that concentration camps are not exceptional spaces; they are the locus of modernity in its most distilled form.

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How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In Loving Orphaned Space, Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration. Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care. The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. Loving Orphaned Space provides new ways humans can negotiate being better citizens of Earth.

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Vegetarianism has long been a key feature of Indian cuisine, and many dishes are naturally vegan. Vibrant vegetables in rich fragrant sauces, nutty lentils, beans and peas, and an incredible array of spices: these are recipes to warm the body and soothe the soul. Drawing upon the very best vegan and vegetarian food from around the country, this book presents a mouthwatering array of dishes - lentils cooked a myriad of ways from mustard with cumin to spiced butter; kebabs made from lotus roots, coconut and wild fig; spiced yam fingers and plantain curry; all manner of stuffed vegetables and breads; as well as pilaus, bhajiyas, samosas and chutneys bursting with flavour. Grouped by region, with an exploration of the culinary history and landscape, and a guide to ingredients, utensils and cooking techniques, this inspirational book fully explores the exciting world of Indian plant-based food.

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Elsa Mroziewicz has followed up one terrific lift-the-flap book, "Peek-a-Who?," with another, PEEK-A-WHO TOO?. With simple but colorful and richly decorative illustrations a cut above the usual board-book art, both of these triangular-shaped books hide a different animal under large flaps…. Asking babies or toddlers to make or identify animal sounds is a foolproof way to engage them in the back and forth of a conversation, and this book combines that pleasure with clever visual and tactile problem-solving--New York Times A Parents Magazine Best Book of the Year A triangular board book may seem unusual, but Peek-A-Who?, with its cleverly shaped lift-the-flaps, garnered fans from across the children's book world. This follow-up to the acclaimed original is full of hidden animals, each making different sounds. Can you figure out who each one is? Lift the unique shaped flaps to see who peeks out!

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This textbook for courses in gas dynamics will be of interest to students and teachers in aerospace and mechanical engineering disciplines. It provides an in-depth explanation of compressible flows and ties together various concepts to build an understanding of the fundamentals of gas dynamics. The book is written in an easy to understand manner, with pedagogical aids such as chapter overviews, summaries, and descriptive and objective questions to help students evaluate their progress. The book contains example problems as well as end-of-chapter exercises. Detailed bibliographies are included at the end of each chapter to provide students with further resources. The book can be used as a core text in engineering coursework and also in professional development courses.

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There are numerous styles of curry: Indian dishes include Madras, dhansak and korma, and there are also dishes from China and South-east Asia that use ingredients such as coconut milk, lemon grass and galangal. This book offers all kinds of hot and spicy recipes, including stews and stir-fries, as well as chutneys, salads, raita, naan and other tandoori breads.With appetizers,vegetarian main courses, fish and meat dishes, and all the accompaniments, there is something for every event, from family snacks or meals to more elaborate dishes for impressive entertaining. Whatever the occasion, these recipes will satisfy everyone's appetite for curry.

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In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts.Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.

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This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz's book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L'Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue).

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In Stereotype confronts the importance of cultural stereotypes in shaping the ethics and reach of global literature. Mrinalini Chakravorty focuses on the seductive force and explanatory power of stereotypes in multiple South Asian contexts, whether depicting hunger, crowdedness, filth, slums, death, migrant flight, terror, or outsourcing. She argues that such commonplaces are crucial to defining cultural identity in contemporary literature and shows how the stereotype's ambivalent nature exposes the crises of liberal development in South Asia. In Stereotype considers the influential work of Salman Rushdie, Aravind Adiga, Michael Ondaatje, Monica Ali, Mohsin Hamid, and Chetan Bhagat, among others, to illustrate how stereotypes about South Asia provide insight into the material and psychic investments of contemporary imaginative texts: the colonial novel, the transnational film, and the international best-seller. Probing circumstances that range from the independence of the Indian subcontinent to poverty tourism, civil war, migration, domestic labor, and terrorist radicalism, Chakravorty builds an interpretive lens for reading literary representations of cultural and global difference. In the process, she also reevaluates the fascination with transnational novels and films that manufacture global differences by staging intersubjective encounters between cultures through stereotypes.

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This book deals with traditions, ingredients, tastes, techniques, and 80 classic recipes. You can discover the unique tastes and techniques of vegetarian Indian cuisine, with 80 authentic recipes. You can begin your journey in the rugged, mountainous north, where Kashmiri lakes teem with lush floating fruit and vegetable markets during the summer months. You can continue into the eastern region, spanning from the Ganges to the Himalayas, and sample Bengal's delicately spiced Vegetable Pilau or Cardamom Tea. It takes you on a journey west to enjoy Black-eyed Beans in Coconut and Tamarind Sauce and end your travels in the fragrant south with Mangoes in Cardamom-scented Coconut Cream. This cookbook transports you through India's regional diversity, featuring classic recipes ranging from pilaus and dhals to chutneys and flat breads, and providing wonderful highlights of a world-famous cuisine. There is a choice of simple appetizers, tasty snacks, spice-infused main courses and heavenly desserts.Choose a Punjabi Royal Corn Curry or Duck Eggs with Cauliflower from the north-east, sample Golden Mung Bean Patties from the heartland or venture west to enjoy Crispy Vegetable Triangles (the original samosas). Beautifully illustrated with over 430 photographs, the book will entice everyone to master the art of authentic vegetarian Indian cuisine.

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The economically privileged Lenny is able to taste the forbidden delights of the adult world because of her ayah. The romantic relationship between Sai, an upper-class Gujarati girl, and Gyan, a lower-middle-class Nepali boy, crosses both class and ethnic boundaries. The marriage between Ram, an aristocratic Hindu, and Rose, a working-class Englishwoman, transgresses racial and class lines while also reinforcing patriarchal hierarchies. These relationships in Ice-Candy-Man, The Inheritance of Loss, and Rich Like Us reveal striking similarities in how gendered and classed identities are lived in India and Pakistan. In this scholarly work, Maryam Mirza examines ten novels in English by women writers from the Indian subcontinent. She explores the role of power and desire, and of emotional and physical intimacy in cross-class relations. Among others, Mirza examines well-known novels such as Arundhati Roys The God of Small Things and Kamila Shamsies Salt and Saffron, and works that have hitherto drawn limited critical attention, such as Moni Mohsins The End of Innocence and Brinda Charrys The Hottest Day of the Year.

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