Search results for ""author victoria"

A study of the women who led the United States section of the Women's International League for Peace and Freedom in the interwar years, this book argues that the ideas of these women—the importance of nurturing, nonviolence, feminism, and a careful balancing of people's differences with their common humanity—constitute an important addition to our understanding of the intellectual heritage of the United States. Most of these women were well educated and prominent in their chosen fields: they included Jane Addams and Emily Greene Balch, the only two United States women to win Nobel Prizes for Peace; Jeannette Rankin, the first woman elected to the U.S. Congress; and Dorothy Detzer, the woman who prompted the investigation of the munitions industry in the 1930's. The ideas of these women were not usually expressed in forms conventionally studied by intellectual historians. On the whole, their ideas must be teased out of organizational records, statements of principle and policy, and personal correspondence. When combined with an understanding of the personal backgrounds of the WIL leaders and placed in the context of early-twentieth-century America, these documents tell us what these women thought was important and why. The ideas of the WIL leaders are also analyzed in the context of the intellectual themes of Victorianism and modernism. Our understanding of these themes has been based largely on the work of privileged European and American men, and the ideas of women often fit uncomfortably into these traditional categories. A reconstruction of the ideas of the WIL leaders suggests that historians have overlooked an important, alternative intellectual tradition in the United States. To understand and appreciate women's thoughts, we must dissolve the old constructs and let new, multifaceted ones replace them.

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A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war? Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself. Beidler's critical scope spans from Shakespeare's plays, through the Victorian battle paintings of Lady Butler, into the post–World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept. Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media's influence on contemporary values and memories of the past.

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Winner of the Jesse H. Jones Award for Best Work of Fiction from the Texas Institute of Letters * A San Francisco Chronicle Recommended Book of 2015 * Fiction Finalist for the 2015 Writers’ League of Texas Book Awards * A Kirkus Reviews Best Book of 2015 * One of the Texas Observer’s “Five Books We Loved in 2015” * One of PRI’s “The World’s Five Books You Should Read in 2016” “Profound and wrenching…A deeply moving chronicle of one family’s collective devastation, full of remarkable wisdom and humor” (The New York Times Book Review) that follows the members of a wealthy Mexican family after their patriarch is kidnapped.On an unremarkable night, José Victoriano Arteaga—the head of a thriving Mexico City family—vanishes on his way home from work. The Arteagas find few answers; the full truth of what happened to Arteaga is lost to the shadows of Mexico’s vast underworld. But soon packages arrive to the family house, offering horrifying clues. Fear, guilt, and the prospect of financial ruin fracture the once-proud family and scatter them across the globe, yet delicate threads still hold them together: in a swimming pool in Palo Alto, Arteaga’s grandson struggles to make sense of the grief that has hobbled his family; in Mexico City, Arteaga’s mistress alternates between rage and heartbreak as she waits, in growing panic, for her lover’s return; in Austin, the Arteagas’ housekeeper tries to piece together a second life in an alienating new land; in Madrid, Arteaga’s son takes his dog through the hot and unforgiving streets, in search of his father’s ghost. A stunningly original exploration of the wages of a hidden war, Barefoot Dogs is a heartfelt elegy to the stolen innocence of every family struck by tragedy. Urgent and vital fiction, “these powerful stories are worthy of rereading in order to fully digest the far-reaching implications of one man’s disappearance…this singular book affords the reader the chance to step inside a world of privilege and loss, and understand how the two are inextricably intertwined” (San Francisco Chronicle).

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Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu’s immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu’s academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the Collège de France. Montagu’s numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art.

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Major edition revealing key ideas and events in the lives and work of the Pre-Raphaelite brotherhood and Victorian literary circles: 5,800 letters (including 2,000 previously unpublished letters) to 330 recipients. The best of these letters, flowing rapidly from his pen, radiate charisma and enthusiasm, warmth and care for his friends, and a total engagement with art and literature. BURLINGTON MAGAZINE [Julian Treuherz] 1835-1854: This nine-volume edition will represent the definitive collection of extant Rossetti correspondence, an outstanding primary witness to the range of ideas and opinions that shaped Rossetti's art and poetry. The largest collection ofRossetti's letters ever to be published, it features all known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 previously unpublished letters by Rossetti and selected letters to him. In addition to this, about 100 drawings taken from within letter texts are also reproduced. In its entirety the collection will give an invaluable and unparalleled insight into Rossetti's character and art, and will form a rich resource for students and scholars studying all aspects of his life and work. The correspondence has been transcribed from collections in sixty-four manuscript repositories, containing Rossetti's letters to his companions in the Pre-Raphaelite Brotherhood, Hunt and Stephens; friends such as Boyce and Bell Scott; his early patrons, Ellen Heaton and James Leathart; and his publisher friend, Alexander Macmillan. An additional twenty-two printed sources have also been accessed. Index; extensive annotations.WILLIAM E. FREDEMAN (1928-1999) was professor of English at the University of British Columbia from 1956-1991. His many books, articles and reviews on the Pre-Raphaelites and their followersinclude his important Pre-Raphaelitism: A Bibliocritical Study. He died in 1999 with this edition almost completed. An editorial committee chaired by Betty Fredeman has been formed to see it through the press.

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Secrecy and the Media is the first book to examine the development of the D-Notice system, which regulates the UK media's publication of British national security secrets. It is based on official documents, many of which have not previously been available to a general audience, as well as on media sources.From Victorian times, British governments have consistently seen the need, in the public interest, to prevent the media publishing secret information which would endanger national security. The UK media have meanwhile continuously resisted official attempts to impose any form of censorship, arguing that a free press is in the public interest. Both sides have normally seen the pitfalls of attempting to resolve this sometimes acrimonious conflict of interests by litigation, and have together evolved a system of editorial self-regulation, assisted by day-to-day independent expert advice, known colloquially as the D-Notice System. The book traces the development of this system from nineteenth-century colonial campaigns, through two world wars, to modern operations and counter-terrorism in the post-Cold War era, up to the beginning of the Labour government in 1997. Examples are drawn from media, political and official sources (some not yet open), and cover not only defence issues (including Special Forces), but also the activities of the secret intelligence services MI5, MI6 and GCHQ. These cases relate principally to the UK, but also to American and other allies’ interests. The story of how this sometimes controversial institution now operates in the modern world will be essential reading for those in the media and government departments, and for academics and students in the fields of security, defence and intelligence, as well as being an accessible exposé for the general reader.Nicholas Wilkinson served in the Royal Navy 1959-98, and from 1999 to 2004 he ran the independent Defence, Press and Broadcasting Advisory Committee. He was a Press Complaints Commissioner from 2005 to 2008, and is a Cabinet Office Historian.

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For the first time, the full story of a crime that has haunted New England since 1873.The cold-blooded ax murder of two innocent Norwegian women at their island home off the coast of New Hampshire has gripped the region since 1873, beguiling tourists, inspiring artists, and fueling conspiracy theorists.The killer, a handsome Prussian fisherman down on his luck, was quickly captured, convicted in a widely publicized trial, and hanged in an unforgettable gallows spectacle. But he never confessed and, while in prison, gained a circle of admirers whose blind faith in his innocence still casts a shadow of doubt. A fictionalized bestselling novel and a Hollywood film have further clouded the truth.Finally a definitive "whydunnit" account of the Smuttynose Island ax murders has arrived. Popular historian J. Dennis Robinson fleshes out the facts surrounding this tragic robbery gone wrong in a captivating true crime page-turner. Robinson delves into the backstory at the rocky Isles of Shoals as an isolated centuries-old fishing village was being destroyed by a modern luxury hotel. He explores the neighboring island of Appledore where Victorian poet Celia Thaxter entertained the elite artists and writers of Boston. It was Thaxter's powerful essay about the murders in the Atlantic Monthly that shocked the American public.Robinson goes beyond the headlines of the burgeoning yellow press to explore the deeper lessons about American crime, justice, economics, and hero worship. Ten years before the Lizzie Borden ax murder trial and the fictional Sherlock Holmes, Americans met a sociopath named Louis Wagner—and many came to love him.

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A fascinating tale of seduction, murder, fraud, coercion—and the trial of the “Minneapolis Monster” On a winter night in 1894, a young woman’s body was found in the middle of a road near Lake Calhoun on the outskirts of Minneapolis. She had been shot through the head. The murder of Kittie Ging, a twenty-nine-year-old dressmaker, was the final act in a melodrama of seduction and betrayal, petty crimes and monstrous deeds that would obsess reporters and their readers across the nation when the man who likely arranged her killing came to trial the following spring. Shawn Francis Peters unravels that sordid, spellbinding story in his account of the trial of Harry Hayward, a serial seducer and schemer whom some deemed a “Svengali,” others a “Machiavelli,” and others a “lunatic” and “man without a soul.”Dubbed “one of the greatest criminals the world has ever seen” by the famed detective William Pinkerton, Harry Hayward was an inveterate and cunning plotter of crimes large and small, dabbling in arson, insurance fraud, counterfeiting, and illegal gambling. His life story, told in full for the first time here, takes us into shadowy corners of the nineteenth century, including mesmerism, psychopathy, spiritualism, yellow journalism, and capital punishment. From the horrible fate of an independent young businesswoman who challenged Victorian mores to the shocking confession of Hayward on the eve of his execution (which, if true, would have made him a serial killer), The Infamous Harry Hayward unfolds a transfixing tale of one of the most notorious criminals in America during the Gilded Age.

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How did Britain transform itself from a nation of workhouses to one that became a model for the modern welfare state? The Winding Road to the Welfare State investigates the evolution of living standards and welfare policies in Britain from the 1830s to 1950 and provides insights into how British working-class households coped with economic insecurity. George Boyer examines the retrenchment in Victorian poor relief, the Liberal Welfare Reforms, and the beginnings of the postwar welfare state, and he describes how workers altered spending and saving methods based on changing government policies.From the cutting back of the Poor Law after 1834 to Parliament’s abrupt about-face in 1906 with the adoption of the Liberal Welfare Reforms, Boyer offers new explanations for oscillations in Britain’s social policies and how these shaped worker well-being. The Poor Law’s increasing stinginess led skilled manual workers to adopt self-help strategies, but this was not a feasible option for low-skilled workers, many of whom continued to rely on the Poor Law into old age. In contrast, the Liberal Welfare Reforms were a major watershed, marking the end of seven decades of declining support for the needy. Concluding with the Beveridge Report and Labour’s social policies in the late 1940s, Boyer shows how the Liberal Welfare Reforms laid the foundations for a national social safety net.A sweeping look at economic pressures after the Industrial Revolution, The Winding Road to the Welfare State illustrates how British welfare policy waxed and waned over the course of a century.

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Cleopatra. Nefertiti. Hatshepsut. All of them are ancient Egyptian female rulers who rose above their predominantly patriarchal societies to become controllers of a great empire. Missing from this list, however, is Sobekneferu, ancient Egypt’s first female ruler. Why was the reign of this powerful woman all but forgotten? Piecing together the lost history of the first female pharaoh, Andrew Collins presents the first comprehensive biography of Sobekneferu. Using every text and monument that concerns Sobekneferu and her time in power, he examines her achievements as ruler, the political and religious issues of her age, the temples and ruins associated with her, and her continuing impact on ancient Egypt after her reign. He explores her relationship with her brother Amenemhet IV, her sister Neferuptah, and their father Amenemhet III, regarded as one of the most beloved pharaohs of the Middle Kingdom. He examines Sobekneferu’s untimely end, the fate of her body, and the cult that developed in her name. Discussing Sobekneferu’s magical beliefs and practices, Collins shows how they centred on the crocodile god Sobek, the hippo goddess Neith, and the circumpolar stars of the night sky in which they were personified. He also reveals how the setting of the Crocodile Star (Eltanin), the brightest star in the constellation of Draco, aligns with Sobekneferu’s suspected pyramid. Examining the modern-day resurrection of Sobekneferu among the occultists and mystics of Victorian London, Collins shows how she is the true inspiration behind every ancient Egyptian female queen who comes back to life after her tomb is found--as featured first in Bram Stoker’s shocking 1903 novel The Jewel of the Seven Stars and later in several modern blockbuster movies. Revealing how Sobekneferu has left a lasting impact on culture and occulture through the ages despite being nearly erased from history, Collins shows how her continuing legacy is perhaps, ultimately, her true resurrection.

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Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio—Union Square's American Mutoscope and Biograph Company—to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created—once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

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Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 4 examines how in 1899 two major events influenced British cinema. The Boer War created a boom in film production as a result of an insatiable demand for news and pictures of the campaign brought on my fervent patriotism. Though actual battle could not be filmed, ‘fake’ war films based on incidents from the campaign began to be produced by English filmmakers. The University of Exeter Press editions of Volumes 2, 3, 4 are re-jacketed re-issues of the first editions. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

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‘A delightful compendium of the kind of facts you immediately want to share with anyone you encounter’ New York Times ‘An ebullient, irrepressible spirit invests this book. It is erudite and sprightly’Sunday Times From the creation of the first encyclopedia to Wikipedia, from ancient museums to modern kindergarten classes—here is award-winning writer Simon Winchester’s brilliant and all-encompassing look at how humans acquire, retain, and pass on information and data, and how technology continues to change our lives and our minds. With the advent of the internet, any topic we want to know about is instantly available with the touch of a smartphone button. With so much knowledge at our fingertips, what is there left for our brains to do? At a time when we seem to be stripping all value from the idea of knowing things – no need for maths, no need for map reading, no need for memorisation – are we risking our ability to think? As we empty our minds, will we one day be incapable of thoughtfulness? Addressing these questions, Simon Winchester explores how humans have attained, stored and disseminated knowledge. Examining such disciplines as education, journalism, encyclopedia creation, museum curation, photography and broadcasting, he looks at a whole range of knowledge diffusion – from the cuneiform writings of Babylon to the machine-made genius of artificial intelligence, by way of Gutenberg, Google and Wikipedia to the huge Victorian assemblage of the Mundaneum, the collection of everything ever known, currently stored in a damp basement in northern Belgium. Studded with strange and fascinating details, Knowing What We Know is a deep dive into learning and the human mind. Throughout this fascinating tour, Winchester forces us to ponder what rational humans are becoming. What good is all this knowledge if it leads to lack of thought? What is information without wisdom? Does René Descartes’ ‘Cogito, ergo sum’—'I think, therefore I am’, the foundation for human knowledge widely accepted since the Enlightenment—still hold? And what will the world be like if no one in it is wise?

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Inequality is the defining issue of our time. But it is not just a problem for the rich world. It is the global 1% that now owns fully half the world's wealth-the true measure of our age of inequality. In this historical tour de force, Simon Reid-Henry rewrites the usual story of globalization and development as a story of the management of inequality. Reaching back to the eighteenth century and around the globe, The Political Origins of Inequality foregrounds the political turning points and decisions behind the making of today's uneven societies. As it weaves together insights from the Victorian city to the Cold War, from US economic policy to Europe's present migration crisis, a true picture emerges of the structure of inequality itself. The problem of inequality, Reid-Henry argues, is a problem that manifests between places as well as over time. This is one reason why it cannot be resolved by the usual arguments of left versus right, bound as they are to the national scale alone. Most of all, however, it is why the level of inequality that confronts us today is indicative of a more general crisis in political thought. Modern political discourse has no place for public reason or the common good. Equality is yesterday's dream. Yet the fact that we now accept such a world-a world that values security over freedom, special treatment over universal opportunity, and efficiency over fairness-is ultimately because we have stopped even trying in recent decades to build the political architecture the world actually requires.Our politics has fallen out of step with the world, then, and at the every moment it is needed more than ever. Yet it is within our power to address this. Doing so involves identifying and then meeting our political responsibilities to others, not just offering them the selective charity of the rich. It means looking beyond issues of economics and outside our national borders. But above all it demands of us that we reinvent the language of equality for a modern, global world: and then institute this. The world is not falling apart. Different worlds, we all can see, are colliding together. It is our capacity to act in concert that is falling apart. It is this that needs restoring most of all.

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AftŸer a long period of comparative neglect, starting almost immediately upon his death in 1900, John Ruskin began to attract, from the 1960s onwards, a remarkable degree of critical interest. Although the formidably ample Library Edition of Ruskin’s works will always constitute the primary basis for interpretation, there is also newly available source material, in the form of letters and (in part) diaries, as well as a scintillating body of modern comment to which the present study seeks to contribute.Ruskin had an extraordinary ability to bring together aesthetics, religion, ecology, and social issues in a unitary, overarching vision, all expressed in a prose style worthy of comparison with any in the English language. All Great Art is Praise focuses especially on the themes of art and religion, for Aidan Nichols takes the view that Ruskin’s writings on art cannot be appreciated without taking into account at many points his approach to religion. This volume offers an analytic account of Ruskin’s principal writings on art, viewed through the lens of Ruskin’s religious claims.For readers new to Ruskin, an opening chapter provides an overview of his work in the context of a life that combined public celebrity with private sorrow. Succeeding chapters consider his comments on art andreligion in broadly chronological order, ending with the highly innovative open letters to working men, and his moving autobiography which was leŸ unfinished at the time of his descent into madness and death.Ruskin’s evaluations of (among others) Turner and the Pre-Raphaelites, the Italian Primitives, and the artists of the high Renaissance, gave the Victorians eyes to see. But his writings call for comment not only from literary scholars and art historians but also from students of ideas since they address a wide range of issues in both theology and philosophy.The volume looks especially closely at Ruskin’s changing attitudes to Catholicism. The son of a stoutly Bible-Protestant mother and a father politically opposed to the civil emancipation of Catholics, Ruskinfound it increasingly difficult to combine his inherited anti-Catholicism with his appreciation of Byzantine-Venetian, Renaissance-humanist, and Franciscan-evangelical art and the program for living these contained or implied. The rumors in late life of his immanent conversion to Rome proved unfounded, but they were not implausible. All Great Art is Praise seeks to show why.

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An affectionate but meticulously researched history of one of the most beautiful and best-loved corners of England – Crosthwaite Parish, nestling deep within the mountains and valleys of the Lake District. 'A unique contribution to English history' Hunter Davies 'A delightful, refreshingly written book, attentive to social detail and telling the only story that matters – history' Simon Jenkins 'A wonderful book' Margaret Drabble 'A completely fresh perspective on the Lakes and Lake Poets... I hugely enjoyed it' Andrew Marr Bounded by the peaks of Scafell, Skiddaw and Helvellyn, and embracing such well-known landmarks as Borrowdale, Derwentwater and Keswick, it lies within the heart of the Lake Poets' landscape and its rugged terrain excites passion in all those who know it. The Parish also boasts a remarkable history. Its 90 square miles were governed, from medieval times, by eighteen annually chosen 'customary tenants'; ancestors of the people who later prompted Wordsworth's portrayal of the area as 'a perfect Republic of Shepherds and agriculturalists'. His fellow poet Robert Southey lived within the Parish for forty years, was an active parishioner and rests in St Kentigern's churchyard. Here he is given his rightful position as a Lake Poet. In the nineteenth century, the Victorian state killed off the old parish system, sweeping away the egalitarian rule of the Eighteen Men. But a degree of redemption was at hand. Canon Rawnsley, vicar of Crosthwaite from 1883, pledged to defend the Lake District for future generations. So the Parish was at the heart of the creation of the National Trust and blazed a trail for a wider movement to preserve the English landscape. Writing with a historian's rigour and bearing aloft the banner of the Lake District statesmen, Philippa Harrison has produced a magisterial and fascinating record of a parish with a unique social, cultural and aesthetic resonance in English history.

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Winner: AAIS First Book Prize Old Schools marks out a modernist countertradition. The book makes sense of an apparent anachronism in twentieth-century literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in progressive pedagogical theories. Advocates of progressive education turned against Latin in particular. The dead language—taught through time-tested means including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. Yet McGlazer’s remarkable book reminds us that progressive education was championed not only by political progressives, but also by Fascists in Italy, where it was an object of Gramsci’s critique. Building on Gramsci’s pages on the Latin class, McGlazer shows how figures in various cultural vanguards, from Victorian Britain to 1970s Brazil, returned to and reimagined the old school. Strikingly, the works that McGlazer considers valorize this school’s outmoded techniques even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for critique in the very practices that progressive reformers sought to clear away. Registering the past’s persistence even while they respond to the mounting pressures of modernization, writers and filmmakers from Pater to Joyce to Pasolini retain what might look like retrograde attachments—to tradition, transmission, scholastic rites, and repetitive forms. But the counter-progressive pedagogies that they devise repeat the past to increasingly radical effect. Old Schools teaches us that this kind of repetition can enable the change that it might seem to impede.

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Magnificent history of the common British soldier from 1700 to 1900 by one of Britain’s best-known and accomplished military writers and broadcasters. Red Coat is non-fiction Sharpe, filled with anecdote and humour as well as historical analysis. ‘Redcoat is a wonderful book. It is not just a work of history – but one of enthusiasm and unparalleled knowledge.' BERNARD CORNWELL Redcoat is the story of the British soldier from c.1760 until c.1860 – surely one of the most enduring and magnetic subjects of the British past. Solidly based on the letters and diaries of the men who served and the women who followed them, the book is rich in the history of the period. It charts Wolfe's victory and death at Quebec, the American War of Independence, the Duke of York's campaign in Flanders, Wellington's Peninsular War, Waterloo,the retreat from Kabul, the Sikh wars in 1845-9, the Crimean war and the Indian Mutiny.The focus of Redcoat, however, is the individual recollection and experience of the ordinary soldiers serving in the wars fought by Georgian and early Victorian England.Through their stories and anecdotes – of uniforms, equipment,'taking the King's shilling', flogging, wounds, food, barrack life, courage, comradeship, death, love and loss – Richard Holmes provides a comprehensive portrait of a fallible but extraordinarily successful fighting force. 'Such a scene of mortal strife from the fire of fifty men was never witnessed…' writes Harry Smith of the 95th Rifles, recounting the death of a brother officer in Spain in 1813. 'I wept over his remains with a bursting heart as, with his company who adored him, I consigned to the grave the last external appearance of Daniel Cadoux. His fame can never die.' Smith's account is typical of the emotions and experiences of the men who appear on every page of this book, sporting their red uniforms to fight for King and country.

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Ride away on a 'round-the-world adventure of a lifetime—with only a change of clothes and a pearl-handled revolver—in this trascendent novel inspired by the life of Annie Londonderry.“Bicycling has done more to emancipate women than anything else in the world.”—Susan B. Anthony Who was Annie Londonderry? She captured the popular imagination with her daring ‘round the world trip on two wheels. It was, declared The New York World in October of 1895, “the most extraordinary journey ever undertaken by a woman.” But beyond the headlines, Londonderry was really Annie Cohen Kopchovsky, a young, Jewish mother of three small children, who climbed onto a 42-pound Columbia bicycle and pedaled away into history. Reportedly set in motion by a wager between two wealthy Boston merchants, the bet required Annie not only to circle the earth by bicycle in 15 months, but to earn $5,000 en route, as well. This was no mere test of a woman’s physical endurance and mental fortitude; it was a test of a woman’s ability to fend for herself in the world. Often attired in a man’s riding suit, Annie turned every Victorian notion of female propriety on its head. Not only did she abandon, temporarily, her role of wife and mother (scandalous in the 1890s), she earned her way selling photographs of herself, appearing as an attraction in stores, and by turning herself into a mobile billboard. Zheutlin, a descendent of Annie, brilliantly probes the inner life and seeming boundless courage of this outlandish, brash, and charismatic woman. In a time when women could not vote and few worked outside the home, Annie was a master of public relations, a consummate self-promoter, and a skillful creator of her own myth. Yet, for more than a century her remarkable story was lost to history. In SPIN, this remarkable heroine and her marvelous, stranger-than-fiction story is vividly brought to life for a new generation.

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"This history will endure; not only because Sir Winston has written it, but also because of its own inherent virtues — its narrative power, its fine judgment of war and politics, of soldiers and statesmen, and even more because it reflects a tradition of what Englishmen in the hey-day of their empire thought and felt about their country's past." The Daily Telegraph Spanning four volumes and many centuries of history, from Caesar’s invasion of Britain to the start of World War I, A History of the English-Speaking Peoples stands as one of Winston Churchill’s most magnificent literary works. Begun during Churchill’s ‘wilderness years’ when he was out of government, first published in 1956 after his leadership through the darkest days of World War II had cemented his place in history and completed when Churchill was in his 80s, it remains to this day a compelling and vivid history. The Great Democracies is the fourth and final volume of Churchill’s history. Here, Churchill reaches the modern era. For Britain, this was the high Victorian era of Palmerston, Gladstone and Disraeli, an age of free trade and imperialism as the British spread to Africa, Australia and New Zealand. Meanwhile the fledgling republic in America endured the great crisis of the Civil War to take its first steps on the road to becoming the world superpower that endures to this day.

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In Bodies in Dissent Daphne A. Brooks argues that from the mid-nineteenth century to the early twentieth, black transatlantic activists, actors, singers, and other entertainers frequently transformed the alienating conditions of social and political marginalization into modes of self-actualization through performance. Brooks considers the work of African American, Anglo, and racially ambiguous performers in a range of popular entertainment, including racial melodrama, spectacular theatre, moving panorama exhibitions, Pan-Africanist musicals, Victorian magic shows, religious and secular song, spiritualism, and dance. She describes how these entertainers experimented with different ways of presenting their bodies in public—through dress, movement, and theatrical technologies—to defamiliarize the spectacle of “blackness” in the transatlantic imaginary.Brooks pieces together reviews, letters, playbills, fiction, and biography in order to reconstruct not only the contexts of African American performance but also the reception of the stagings of “bodily insurgency” which she examines. Throughout the book, she juxtaposes unlikely texts and entertainers in order to illuminate the complicated transatlantic cultural landscape in which black performers intervened. She places Adah Isaacs Menken, a star of spectacular theatre, next to Sojourner Truth, showing how both used similar strategies of physical gesture to complicate one-dimensional notions of race and gender. She also considers Henry Box Brown’s public re-enactments of his escape from slavery, the Pan-Africanist discourse of Bert Williams’s and George Walker’s musical In Dahomey (1902–04), and the relationship between gender politics, performance, and New Negro activism in the fiction of the novelist and playwright Pauline Hopkins and the postbellum stage work of the cakewalk dancer and choreographer Aida Overton Walker. Highlighting the integral connections between performance and the construction of racial identities, Brooks provides a nuanced understanding of the vitality, complexity, and influence of black performance in the United States and throughout the black Atlantic.

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When Scotland Yard involved the Professor and his young ward Martin Kingswraith in the strange case of the 'Depleted Men', neither of those skilled white wizards, or Lux Texentes, could foresee the terrible dangers they would face. In the soot-coated cobbled streets of late Victorian London, Kingswraith must overcome his greatest challenge or perish in the attempt. Kingswraith would receive help from the strangest quarters, not least Penelope Epimeliad and the mysterious children who haunted the stone forests of London town, children who had once been tree sprites in Britain's magnificent primordial woodlands when mammoths still trumpeted in the frozen wilds. The children now lived in a vast Roman reservoir under the Tower of London, from which they would emerge as a force of good, dedicated to fighting evil, bringing aid and comfort to the innocent, and food to the downtrodden masses. It was they who created the Depleted Men, actually wicked murderers, using ancient enchantments to suck the minerals from the killers' bodies, leaving behind a shell of soft, jelly-like protein. Penelope recognises Kingswraith's unique qualities as a scion of the house of Pendragon and she brings her own immense powers to bear to prepare him for his inevitable battle against sinister Haven Slighe, one of the ten Viventem Nominis Umbra, or malevolent Lords of Living Shadow. Slighe is a forceful mage. He and his nine fellows are a pitiless force of darkness driven towards reducing civilisation to its lowest possible ebb so they feed from humanity's despair. They will encourage any wickedness, drunkenness and lechery, until the whole population is lost without God or hope of redemption. The Lux Texentes has been standing in their way, but the Umbra has been cutting them down at every opportunity. To take Kingswraith, Haven Slighe captures the Professor. To save him Kingswraith must face Slighe alone, and afraid.

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On December 18, 1867, the Buffalo and Erie Railroad’s eastbound New York Express derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York, on the shores of Lake Erie. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers. The other car was badly smashed. About fifty people died at the bottom of the gorge or shortly thereafter, and dozens more were injured. Rescuers from the small rural community responded with haste, but there was almost nothing they could do but listen to the cries of the dying—and carry away the dead and injured thrown clear of the fiery wreck. The next day and in the weeks that followed, newspapers across the country carried news of the "Angola Horror," one of the deadliest railway accidents to that point in U.S. history. In a dramatic historical narrative, Charity Vogel tells the gripping, true-to-life story of the wreck and the characters involved in the tragic accident. Her tale weaves together the stories of the people—some unknown; others soon to be famous—caught up in the disaster, the facts of the New York Express’s fateful run, the fiery scenes in the creek ravine, and the subsequent legal, legislative, and journalistic search for answers to the question: what had happened at Angola, and why? The Angola Horror is a classic story of disaster and its aftermath, in which events coincide to produce horrific consequences and people are forced to respond to experiences that test the limits of their endurance. Vogel sets the Angola Horror against a broader context of the developing technology of railroads, the culture of the nation’s print media, the public policy legislation of the post–Civil War era, and, finally, the culture of death and mourning in the Victorian period. The Angola Horror sheds light on the psyche of the American nation. The fatal wreck of an express train nine years later, during a similar bridge crossing in Ashtabula, Ohio, serves as a chilling coda to the story.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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This is the first catalogue of the collection of early modern ceramics in the Courtauld. The pieces in the collection showcase brilliantly the skill of potters and pottery painters working at the time of Raphael and Titian.Maiolica is one of the most revealing expressions of Renaissance art. Its extraordinary range of colours retain the vividness that they had when they left the potter's kiln. Italian potters absorbed techniques and shapes from the Islamic world and incorporated ornament and subject matter from the arts of ancient Rome. This new approach to pottery making, combined with the invention of printing, woodcut and engraving, resulted in an extraordinary type of painted pottery, praised by Vasari in his Lives of the Artists for 'surpassing the ancient with its brilliance of glaze and variety of painting'.The collection boasts a magnificent group of vessels made during the high Renaissance, the golden age of Italian maiolica. It includes precious and delicate Deruta lustreware with imagery deriving from Perugino and Raphael, as well as vessels painted in a narrative style of pottery painting known as istoriato. Highlights include vessels depicting episodes taken from the first printed Bibles of the Renaissance. Istoriato maiolica flourished particularly in the lands of the Dukes of Urbino, who promoted this craft by sending painted pottery to prestigious patrons across Europe.Emblems and devices painted on the pottery help us understand that they were meant to be used and enjoyed by the elites in Renaissance society, such as the Medici and other great Tuscan families. The catalogue will include two recent gifts to the Courtauld, a rare tile of the famous patroness of the arts Marchioness Isabella D'Este, and a refined dish painted with the story of Diana and Actaeon.All major Renaissance pottery centres are represented in the collection, including Siena, Faenza and Venice, as well as splendid examples of the mysterious pharmacy jars made at the foot of the mountain of Gran Sasso in the town of Castelli d'Abruzzo. These achievements of the art of pottery in the early modern period are completed by fine examples of Ottoman pottery, as well as examples of Valencian lustreware.Sani's introductory essay on the Victorian collector Thomas Gambier Parry will shed new light on the development of this fascinating collection, making links between Gambier Parry's artistic practice and his collecting and revealing new insights into his taste as a collector. Each detailed entry uncovers a wealth of new information on the provenance of the pieces.

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Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily ExpressSHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023‘A writer at the peak of her powers’ The TelegraphTruth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel.Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter.Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems.Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise.Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task.‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction? Or such a range of living, breathing, surprising characters with such an idiosyncratically structured narrative?’ Michael Frayn‘As always it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself. Dickens may be dead, but Smith, thankfully, is alive’ New York Times‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ GuardianInstant Sunday Times bestseller, September 2023

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One of the BBC's '100 Novels that Shaped the World'Jean Rhys's spell-binding novel Wide Sargasso Sea, inspired by Jane Eyre and winner the Royal Society of Literature Award is beautifully repackaged as part of the Penguin Essentials range.'There is no looking glass here and I don't know what I am like now... Now they have taken everything away. What am I doing in this place and who am I?'If Antoinette Cosway, a spirited Creole heiress, could have foreseen the terrible future that awaited her, she would not have married the young Englishman. Initially drawn to her beauty and sensuality, he becomes increasingly frustrated by his inability to reach into her soul. He forces Antoinette to conform to his rigid Victorian ideals, unaware that in taking away her identity he is destroying a part of himself as well as pushing her towards madness.Set against the lush backdrop of 1830s Jamaica, Jean Rhys's powerful, haunting masterpiece was inspired by her fascination with the first Mrs Rochester, the mad wife in Charlotte Brontë's Jane Eyre.'Compelling, painful and exquisite' Guardian'Brilliant. A tale of dislocation and dispossession, which Rhys writes with a kind of romantic cynicism, desperate and pungent' The Times'Rhys turns a menacing cipher into a grieving, plausible young woman, and one whose story says whole worlds about global mixtures, about the misunderstandings between the colonized, the colonizers and the people who can't easily say which they are' TimeJean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.

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'Roderick Floud's ground-breaking study of the history, money, places and personalities involved in British gardens over the past 350 years gives fascinating insight into why gardening is part of this country's soul.' Michael Heseltine, Deputy Prime Minister (1996-1997)'Thousands of books have been written about the history of British gardens but Roderick Floud, one of Britain's most distinguished economic historians, asks new and important questions: how much did gardens cost to build and maintain, and where did the money come from? Superbly researched, it is full of information which will surprise both economists and gardeners. The book is fun as well as edifying: Floud shows us gardens grand and humble, and introduces us gardeners, plantsmen and technologies in wonderful varieties.' Jane Humphries, Centennial Professor, London School of EconomicsAt least since the seventeenth century, most of the English population have been unable to stop making, improving and dreaming of gardens. Yet in all the thousands of books about them, this is the first to address seriously the question of how much gardens and gardening have cost, and to work out the place of gardens in the economic, as well as the horticultural, life of the nation. It is a new kind of gardening history.Beginning with the Restoration of Charles II in 1660, Roderick Floud describes the role of the monarchy and central and local government in creating gardens, as well as that of the (generally aristocratic or plutocratic) builders of the great gardens of Stuart, Georgian and Victorian England. He considers the designers of these gardens as both artists and businessmen - often earning enormous sums by modern standards, matched by the nurserymen and plant collectors who supplied their plants. He uncovers the lives and rewards of working gardeners, the domestic gardens that came with the growth of suburbs and the impact of gardening on technical developments from man-made lakes to central heating.AN ECONOMIC HISTORY OF THE ENGLISH GARDEN shows the extraordinary commitment of money as well as time that the English have made to gardens and gardening over three and a half centuries. It reveals the connections of our gardens to the re-establishment of the English monarchy, the national debt, transport during the Industrial Revolution, the new industries of steam, glass and iron, and the built environment that is now all around us. It is a fresh perspective on the history of England and will open the eyes of gardeners - and garden visitors - to an unexpected dimension of what they do.

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Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily ExpressSHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023‘A writer at the peak of her powers’ The TelegraphTruth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel.Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter.Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems.Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise.Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task.‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction? Or such a range of living, breathing, surprising characters with such an idiosyncratically structured narrative?’ Michael Frayn‘As always it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself. Dickens may be dead, but Smith, thankfully, is alive’ New York Times‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ GuardianInstant Sunday Times bestseller, September 2023

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On December 18, 1867, the Buffalo and Erie Railroad’s eastbound New York Express derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York, on the shores of Lake Erie. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers. The other car was badly smashed. About fifty people died at the bottom of the gorge or shortly thereafter, and dozens more were injured. Rescuers from the small rural community responded with haste, but there was almost nothing they could do but listen to the cries of the dying—and carry away the dead and injured thrown clear of the fiery wreck. The next day and in the weeks that followed, newspapers across the country carried news of the "Angola Horror," one of the deadliest railway accidents to that point in U.S. history. In a dramatic historical narrative, Charity Vogel tells the gripping, true-to-life story of the wreck and the characters involved in the tragic accident. Her tale weaves together the stories of the people—some unknown; others soon to be famous—caught up in the disaster, the facts of the New York Express’s fateful run, the fiery scenes in the creek ravine, and the subsequent legal, legislative, and journalistic search for answers to the question: what had happened at Angola, and why? The Angola Horror is a classic story of disaster and its aftermath, in which events coincide to produce horrific consequences and people are forced to respond to experiences that test the limits of their endurance. Vogel sets the Angola Horror against a broader context of the developing technology of railroads, the culture of the nation’s print media, the public policy legislation of the post–Civil War era, and, finally, the culture of death and mourning in the Victorian period. The Angola Horror sheds light on the psyche of the American nation. The fatal wreck of an express train nine years later, during a similar bridge crossing in Ashtabula, Ohio, serves as a chilling coda to the story.

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'Erudite, original and surprisingly moving ... This Christmas, as at every Christmas, millions of listeners will have relished the ethereal King's choir ... Day's meticulous history of a special choral sound investigates the creation of a style, and the evolution of a tradition, that now feels as anciently English as the stonework of King's chapel itself' Boyd TonkinThe sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries?It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century.The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition.I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.

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Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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Celebrated novelist, biographer and critic Peter Ackroyd paints a vivid picture of one of the world's greatest cities in this brilliant and original work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset – reflecting the incandescent light of a city that never truly goes dark? We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals.Colours of London shows us that colour is everywhere in the city, and each one holds myriad links to its past. The colours of London have inspired artists (Whistler, Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). And from the city’s first origins, Ackroyd shows how colour is always to be found at the heart of London’s history, from the blazing reds of the Great Fire of London to the blackouts of the Blitz to the bold colours of royal celebrations and vibrant street life. This beautifully written book examines the city's fascinating relationship with colour, alongside specially commissioned colourised photographs from Dynamichrome, which bring a lost London back to life. London has been the main character in Ackroyd's work ever since his first novel, and he has won countless prizes in both fiction and non-fiction for his truly remarkable body of work. Here, he channels a lifetime of knowledge of the great city, writing with clarity and passion about the hues and shades which have shaped London's journey through history into the present day. A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city.

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Communities in Fiction reads six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out (contradictorily) by Raymond Williams, Martin Heidegger, and Jean- Luc Nancy. The book’s topic is the question of how communities or noncommunities are represented in fictional works. Such fictional communities help the reader understand real communities, including those in which the reader lives. As against the presumption that the trajectory in literature from Victorian to modern to postmodern is the story of a gradual loss of belief in the possibility of community, this book demonstrates that communities have always been presented in fiction as precarious and fractured. Moreover, the juxtaposition of Pynchon and Cervantes in the last chapter demonstrates that period characterizations are never to be trusted. All the features both thematic and formal that recent critics and theorists such as Fredric Jameson and many others have found to characterize postmodern fiction are already present in Cervantes’s wonderful early-seventeenth-century “Exemplary Story,” “The Dogs’ Colloquy.” All the themes and narrative devices of Western fiction from the beginning of the print era to the present were there at the beginning, in Cervantes Most of all, however, Communities in Fiction looks in detail at its six fictions, striving to see just what they say, what stories they tell, and what narratological and rhetorical devices they use to say what they do say and to tell the stories they do tell. The book attempts to communicate to its readers the joy of reading these works and to argue for the exemplary insight they provide into what Heidegger called Mitsein— being together in communities that are always problematic and unstable.

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Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it. When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times. The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today. But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

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**Explore the fascinating history of the real Downton Abbey as the Crawley family saga makes its way on to the big screen with Downton Abbey, the major motion picture**'Bright, breezy and unpretentious' Guardian'A loving and faithful portrait of Almina and her world' Countryfile magazine* * * * * *The story of the real Downton Abbey, told by Lady Fiona Carnarvon, chatelaine of Highclere Castle where the phenomentally successful TV series was filmed.Lady Fiona Carnarvon became the chatelaine of Highclere Castle - the setting of the hit series Downton Abbey - eight years ago. In that time she's become fascinated by the rich history of Highclere, and by the extraordinary people who lived there over the centuries. One person particularly captured Fiona's imagination - Lady Almina, the 5th Countess of Carnarvon. Almina was the illegitimate daughter of banking tycoon Alfred de Rothschild. She was his only daughter and he doted on her. She married the 5th Earl of Carnarvon, at 19, with an enormous dowry. At first, life at Highclere was a dizzying mix of sumptuous banquets for 500 and even the occasional royal visitor. Almina oversaw 80 members of staff - many of whom came from families who had worked at Highclere for generations. But when the First World War broke out, life at Highclere changed forever. History intervened and Almina and the staff of Highclere were thrown into one of the most turbulent times of the last century. Almina was forced to draw on her deepest reserves of courage in order to ensure her family, the staff and the castle survived. This is the remarkable story of a lost time. But Highclere remains and in this book, Fiona weaves Almina's journey and those of her family into the heritage and history of one of England's most exquisite Victorian castles.

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The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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Robert Baden-Powell was Britain's first celebrity. A conflicted character - militarist and pacifist, macho man and drag artist, elitist and socialist - he was one of the 20th century's most influential and, latterly, controversial Englishmen, finding fame not once, but twice - and for two very different reasons. Before donning his trademark shorts, the man known for inventing the Scouts is hailed a hero of the Second Boer War, the first military conflict covered in great detail by the media. Reports of his unconventional methods of holding a Boer army at bay, despite being woefully outnumbered, at the South African town of Mafeking, make global headlines and when he returns home to England, hordes of adoring fans pack London's streets, waving flags and declaring him the Hero of Mafeking. The same ingenuity, reconnaissance skills and spectacular eccentricity that win him this military acclaim become the foundations of his second mission, that of saving Victorian boys from poverty and despair, and himself from having to grow up, by teaching them scouting. A youth movement is born which today boasts 54 million members throughout the world. This book examines Baden-Powell's dual personality, or his two lives' as he called them, including his difficult childhood with a domineering and unaffectionate mother whom he loved even after she forced him into the army at 19, dashing his dreams of becoming an artist. It looks at his military career and his love of drama and at why protesters wanted to topple his statue on Poole Quay in the pandemic summer of 2020. It also considers a recently-discovered telegraph that adds fuel to the speculation over the nature of his relationship with a fellow-soldier that endured for 30 years - until he married a 22-year-old woman in secret when he was 55. Baden-Powell achieved great prominence, as well as notoriety, in both his military and scouting lives, driven largely by a constant yearning to win his mother's approval.

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SHORTLISTED FOR THE LONGMAN-HISTORY TODAY PRIZE 2018LONGLISTED FOR THE ORWELL PRIZE 2018 'Makes a gripping human story out of the wisest and most progressive policy achievement of any government in the history of the world ... the welfare state deserves books this good' Stuart Maconie, New Statesman, Books of the Year'A brilliant book, full of little revelations' Jon Cruddas, Prospect'Carefully argued, deftly balanced and wittily written, with countless lovely details' Dominic Sandbrook, Sunday TimesA landmark book from a remarkable new historian, on a subject that has never been more important - or imperilledToday, everybody seems to agree that something has gone badly wrong with the British welfare state. In the midst of economic crisis, politicians and commentators talk about benefits as a lifestyle choice, and of 'skivers' living off hard-working 'strivers' as they debate what a welfare state fit for the twenty-first century might look like. This major new history tells the story of one the greatest transformations in British intellectual, social and political life: the creation of the welfare state, from the Victorian workhouse, where you had to be destitute to receive help, to a moment just after the Second World War, when government embraced responsibilities for people's housing, education, health and family life, a commitment that was unimaginable just a century earlier. Though these changes were driven by developments in different and sometimes unexpected currents in British life, they were linked by one over-arching idea: that through rational and purposeful intervention, government can remake society. It was an idea that, during the early twentieth century, came to inspire people across the political spectrum. In exploring this extraordinary transformation, Bread for All explores and challenges our assumptions about what the welfare state was originally for, and the kinds of people who were involved in creating it. In doing so, it asks what the idea continues to mean for us today.

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Instead of mentors, they got monsters . . . That’s what Xerak, Vereez, and Grunwold think when three strange creatures shimmer into being within the circle of Hettua Shrine. Their conclusion is reasonable enough. After all, they’ve never seen humans before. As for Margaret Blake, Peg Gallegos, and Tessa Brown—more usually known as Meg, Peg, and Teg—they’re equally astonished but, oddly enough, better prepared. Age and experience have accustomed them to surprises. A widely varied course of reading material has intellectually prepared them for the idea that other worlds, even worlds where people with traits more commonly ascribed to “animals” may exist. Then there is the mysterious verse that Teg speaks as they arrive, words that seem to indicate that the Shrine must have been at least partially responding to the request made of it. Despite doubts on all sides, the three unlikely mentors join forces with the three young “inquisitors” and venture out into the world Peg dubs “Over Where.” First they must find the Library of the Sapphire Wind, destroyed years before. Will they find answers there, or is this only the first stage in their search? About Jane Lindskold: “Intricately plotted. . . . a thought-provoking tale of magic and politics, enlivened by Firekeeper's wry and wolfish point-of-view.” —Publishers Weekly on Wolf's Blood “Lindskold delivers an exotic historical fantasy that takes the reader from Victorian England to Egypt.” —Publishers Weekly on The Buried Pyramid “I loved it. A thrilling, edge-of-the-seat read—I couldn't put it down!” —Tamora Pierce on Fire Season (cowritten with David Weber)

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This volume contains the histories of 24 parishes in south-east Cambridgeshire, forming the hundreds of Chilford, Radfield, and Whittlesford. Traversed, and in part bounded, by the Icknield Way and the ancient Wool Street, they stretch from the neighbourhood of Cambridge to the Suffolk border. In the valley of the Cam or Granta the arable was cultivated in open fields until the early- rgth-century inclosures. On the south-eastern upland the medieval clearance of ancient woodland in the heavy clays produced much early inclosure, while the heathland lying along the Icknield Way encouraged sheep-farming, and nearer Newmarket is used for stud-farms. Babraham was notable for 17th-century irrigated meadows, and as the home of the Victorian sheep-breeder, Jones Webb. The villages in the river valleys are mostly nucleated; in the less populous eastern part settlement has been more scattered. The former market townof Linton, near the centre of the area, had once two small religious houses, and Castle Camps a motte-and-bailey castle, held by the Veres. Among later mansions, the Tudor Babraham Hall, and Horseheath Hall, a grand classical house, destroyed through its owner's extravagance, have gone. Sawston Hall, the seat of the Catholic Huddlestons during four centuries, survives. The village of Sawston and its neighbours have grown since the 19th-century through the presence of such industries as tanning, paper-making, and the production of fertilizers, and more recently of adhesives, besides light engineering. Further east the land is still devoted mainly to farming.

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The last 'Indian War' was fought against Native American children in the dormitories and classrooms of government boarding schools. Only by removing Indian children from their homes for extended periods of time, policymakers reasoned, could white "civilization" take root while childhood memories of 'savagism' gradually faded to the point of extinction. In the words of one official: 'Kill the Indian and save the man.'This fully revised edition of Education for Extinction offers the only comprehensive account of this dispiriting effort, and incorporates the last twenty-five years of scholarship. Much more than a study of federal Indian policy, this book vividly details the day-to-day experiences of Indian youth living in a 'total institution' designed to reconstruct them both psychologically and culturally. The assault on identity came in many forms: the shearing off of braids, the assignment of new names, uniformed drill routines, humiliating punishments, relentless attacks on native religious beliefs, patriotic indoctrinations, suppression of tribal languages, Victorian gender rituals, football contests, and industrial training.Especially poignant is Adams's description of the ways in which students resisted or accommodated themselves to forced assimilation. Many converted to varying degrees, but others plotted escapes, committed arson, and devised ingenious strategies of passive resistance. Adams also argues that many of those who seemingly cooperated with the system were more than passive players in this drama, that the response of accommodation was not synonymous with cultural surrender. This is especially apparent in his analysis of students who returned to the reservation. He reveals the various ways in which graduates struggled to make sense of their lives and selectively drew upon their school experience in negotiating personal and tribal survival in a world increasingly dominated by white men.The discussion comes full circle when Adams reviews the government's gradual retreat from the assimilationist vision. Partly because of persistent student resistance, but also partly because of a complex and sometimes contradictory set of progressive, humanitarian, and racist motivations, policymakers did eventually come to view boarding schools less enthusiastically.Based upon extensive use of government archives, Indian and teacher autobiographies, and school newspapers, Adams's moving account is essential reading for scholars and general readers alike interested in Western history, Native American studies, American race relations, education history, and multiculturalism.

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The volume relates the history of four parishes in Gore hundred and of the five which form Edmonton hundred. The first group contains Hendon, Kingsbury, and Little Stanmore, all bordering Edgware Road, and Great Stanmore. A northward projection of Ossulstone hundred separates it from the second, consisting of Edmonton, Enfield, and Tottenham, along the Essex boundary following the river Lea, and of South Mimms, finally transferred to Hertfordshire in 1965,and Monken Hadley, transferred in 1889 but now part of Greater London. In size the parishes range from Monken Hadley, with 695 a., to Enfield, among the largest in England with more than 12,000 a.; the most populous, Totten-ham with Wood Green, had well over 200,000 inhabitants by 1931. The story is of the rise of roadside settle-ment, of the purchase of land by Lon-doners, of suburban growth around railway stations and along new avenues, and, most recently, of rebuilding. Today's residents include a large Jewish community at Golders Green and coloured immigrants in working-class Tottenham and Edmonton. The scene is mainly suburban, although varying from the villas of late Victorian and Edwardian Southgate to ferry-built terraces farther east, and from Hampstead Garden Suburb to municipal housing estates and tower blocks. Many houses in Enfield, Mill Hill, Monken Hadley, South Mimms, and Stanmore are leftfrom the genteel villages of 18th- and early- 19th-century Middlesex. Park-land and farms survive in the north, notably in South Mimms, where Wrotham and Dyrham parks stand in their grounds, and around the former royal forest ofEnfield Chase. Canons, the area's most famous mansion, is recalled by the remnants of its park, close to the church where the princely duke of Chandos lies buried. Industry is confined mainly to the Lea valley, where the Royal Small Arms factory produced the first Enfield rifle in the 1850s, and to sites near Edgware Road, where Hendon Aerodrome lay. Other landmarks include the Alexandra Palace, whence the earliest television service was relayed, HarringayStadium and Arena, and the White Hart Lane ground of Tottenham Hotspurs football club.

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In 1865 the Victorian poet Matthew Arnold rejoiced in the charm of Oxford, 'that sweet City with her dreaming spires'. A century and a half later, That Sweet City offers a visual and poetic tribute to what is still one of the fairest and most enthralling places in the world. Designed in the form of seven walks across and around Oxford, and radiating out into the surrounding countryside, this book evokes the buildings and landscapes, both famous and less well-known, that have witnessed and shaped the city's history. The first sequence of pictures and poems, Seven Sights of Oxford, leads the reader (and walker) from Christ Church Meadow across the High Street to the Radcliffe Camera; thence down Broad Street to St. Giles, the University Parks and Port Meadow. The second, Seven Secret Sights, offers a circular tour of lesser-known landmarks from the Town Hall to Folly Bridge, the Old Railway Bridge and Isis Lock, the re-emergent Radcliffe Campus, Mesopotamia and The Plain. Seven Ages of Oxford, starting with the Saxon Tower of St. Michael's Church in the Cornmarket, and finishing in the University s science area in South Parks Road (via the Castle, Worcester College, Christ Church, the Sheldonian Theatre and the University Museum), provides a short and eclectic history of the city and its ancient University. Other sequences of poems and paintings include Seven Treasures of Oxford (with the Alfred Jewel and the Bodleian Library), Seven Sights around Oxford (with Otmoor, Kelmscott and Blenheim Palace) and Seven Products of Oxford (including marmalade, books and Oxfam). A final walk, Seven Gardens of Oxford, celebrates the diversity of the city s many green spaces. An introduction provides a concise history of Oxford and explains the choice of sights, the structure of the poetry and the inspiration behind the illustrations. Maps make it easy for visitors to follow the walks and find their way around the city. In words and images, That Sweet City evokes a place constantly changing yet timeless in its beauty.

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The arrival of aerial photography came at a particularly significant moment in terms of the visual appearance of England. This selection of photographs makes use of the Aerofilms collection, acquired by English Heritage in 2007 and subsequently digitised and made available on the Britain from Above website. When Aerofilms fliers first went up in the skies in 1919, they captured a country that, with the obvious exception of some large scale structures such as aircraft hangers and munitions factories, had more or less been preserved in aspic in 1914. What we are looking at in many of the earliest photographs in this book is essentially Edwardian England, with towns and villages generally quite compact, with fields reaching almost up to the High Streets in many cases, and little sign of the sprawl that was to engulf them in the 1920s and 30s. The streets of many towns, especially the seaside resorts that provided the aerial photographers with many of their earliest subjects, have an orderly, almost pristine appearance to them, with the Victorian and Edwardian houses undisturbed by any out of place redevelopment. The purpose of this book is to show just how radically that position changed over the ensuing half century. We trace the outward expansion of places brought about by the availability of the car: the new suburbs and ribbon development. We see how new arterial roads came into being to meet the needs of motor transport and how the centre of cities start to be rebuilt to accommodate it. We witness the growth of sprawl around road junctions on the edge of built up areas and the arrival of new types of building there to service both cars and people: the filling station, the roadhouse. We see how the car encouraged more people to go further afield for sport and pleasure: to the seaside, the races or to new forms of attractions such as the amusement park in the country. And we see how public transport changes over the period from trams to buses with the advent of new facilities such as bus stations. The scale of traffic congestion becomes apparent by the late 1930s. In addition, the impact on the landscape of large motor factories and provision for motor sport is made clear.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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