Search results for ""Collective""

‘Brown Girls flows like a late night FM-radio dedication to the crew, the block, and the mission. This book’s a gift’ Paul Beatty, author of The Sellout ‘An ode to girlhood’ Raven Leilani, author of Luster A fiercely poetic coming-of-age novel following a group of young women of colour in Queens, New York. If you really want to know, we are the colour of 7-Eleven root beer. Colour of the charcoal pencil our sisters use to rim their eyes. Colour of peanut butter. Brown Girls dives deep into the lives of a group of young women of colour growing up in Queens, New York. Here, streets echo with many languages, subways rumble above dollar stores and the briny scent of the ocean wafts in from Rockaway Beach. Here, girls like Nadira, Gabby, Naz, Trish, Angelique, and many others, struggle to reconcile their immigrant backgrounds with the American culture they come of age in. Here, they become friends for life. Or so they vow. In this bold debut told in a uniquely lyrical voice, Daphne Palasi Andreades paints a stunning collective portrait of the journey from girlhood to adulthood, set against a backdrop of race, class, and marginalisation in America today. Brown Girls is an unforgettable love letter to women of colour everywhere from a daring new writer. ‘Joyous, bittersweet, hilarious … a coming of age story for us all’ Nikesh Shukla, author of Brown Baby ‘A song of celebration, of mourning, of rage, of fierce living’ Rowan Hisayo Buchanan, author of Starling Days ‘If you liked LUSTER try BROWN GIRLS’ Sunday Times Style ‘Attracting huge amounts of buzz … a lyrical, urgent voice’ ipaper, Ten best books to read in 2022 ‘A cracker of a first novel’ Glamour ‘A sensation in the US’ Guardian ‘Transporting … not to be missed’ Stylist ‘A daring debut … fearless’ New York Times SHORTLISTED FOR THE CENTRE FOR FICTION 2022 FIRST NOVEL PRIZE ONE OF THE MOST ANTICIPATED BOOKS OF 2022 IN THE NEW YORK TIMES, GUARDIAN, INDEPENDENT, GLAMOUR, STYLIST, INEWS, SUNDAY TIMES STYLE, LITERARY FRICTION PODCAST AND MORE.

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Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle. WINNER OF THE RHS GLADSTONE BOOK PRIZE 2022 WINNER OF THE SOCIETY FOR THE HISTORY OF CHILDREN AND YOUTH GRACE ABBOTT BOOK PRIZE 2021 SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2022 While there have been many books on South Africa's liberation struggle during the 1980s and early 1990s, the story of the involvement of African girls and young women has been all but missing. This book tells their story, analysing what life was like for African girls under apartheid, why some chose to join the struggle, and how they navigated the benefits and pitfalls of political activism. These were women who, as teenagers and secondary school students, made an unconventional choice to join student organizations, engage in public protest, and take up arms against the state. They did so against their parents' wishes and in contravention of societal norms that confined girls to the home and made township streets dangerous places for female students. They participated in both non-violent and violent forms of political action, including attending marches and rallies, throwing stones or petrol bombs at police, and punishing suspected informers and other offenders, and even joining underground guerrilla armies. Thousands of these young women were eventually detained, interrogated, and tortured by the apartheid state. At the heart of this book lie the life histories of the female comrades themselves, who in interviews construct themselves as decisive actors in South Africa's liberation struggle. Primarily a work of oral history, this book is not only concerned with what female comrades did, but equally with how these women remember and narrate their time as activists: how they reconstruct their pasts; relate their personal experiences to collective histories of the struggle; and insert themselves into a historical narrative from which they have been excluded. Through exploring these women's memories, this book serves as an important corrective to South Africa's male-centric literature on violence, and provides a new gendered perspective on the wider histories of township politics, activism, and conflict.

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Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle. WINNER OF THE RHS GLADSTONE BOOK PRIZE 2022 WINNER OF THE SOCIETY FOR THE HISTORY OF CHILDREN AND YOUTH GRACE ABBOTT BOOK PRIZE 2021 SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2022 While there have been many books on South Africa's liberation struggle during the 1980s and early 1990s, the story of the involvement of African girls and young women has been all but missing. This book tells their story, analysing what life was like for African girls under apartheid, why some chose to join the struggle, and how they navigated the benefits and pitfalls of political activism. These were women who, as teenagers and secondary school students,made an unconventional choice to join student organizations, engage in public protest, and take up arms against the state. They did so against their parents' wishes and in contravention of societal norms that confined girls to the home and made township streets dangerous places for female students. They participated in both non-violent and violent forms of political action, including attending marches and rallies, throwing stones or petrol bombs at police, and punishing suspected informers and other offenders, and even joining underground guerrilla armies. Thousands of these young women were eventually detained, interrogated, and tortured by the apartheid state. At the heart of this book lie the life histories of the female comrades themselves, who in interviews construct themselves as decisive actors in South Africa's liberation struggle. Primarily a work of oral history, this book is not only concerned with what female comrades did, but equally with how these women remember and narrate their time as activists: how they reconstruct their pasts; relate their personal experiences to collective histories of the struggle; and insert themselves into a historical narrative from which they have been excluded. Through exploring these women's memories, this book serves as an important corrective to South Africa's male-centric literature on violence, and provides a new gendered perspective on the wider histories of township politics, activism, and conflict.

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A candid and generous color-illustrated account of women artists creating politically and personally effective art works, exhibitions, and actions over two tumultuous decades This abundantly illustrated personal narrative takes readers through twenty-two years of activism in the women's art movements in New York City during a period of great cultural change. Author Sabra Moore vividly recounts life in this era of social upheaval in which women artists responded to war, racial tension and reconciliation, cultural and aesthetic inequality, and struggles for reproductive freedom. We learn intimately how she and fellow women artists found ways to create politically and personally effective art works, exhibitions, actions, and institutions. The book features Moore's involvement in pivotal art organizations of this time and her own development as an artist, counterbalanced with her connections to family in rural East Texas and friends in New Mexico. Moore was a member of the Heresies Collective, an influential feminist activist group, became editor of their art and politics journal Heresies, and was president of the NYC/Women's Caucus for Art. She helped coordinate and curate many of the earliest large-scale exhibitions of women artists in NYC, including Views by Women Artists (1982), and the collaborative shows Reconstruction Project and Connections Project/Conexus. Moore was a principle organizer of the 1984 demonstration against MoMA over their lack of inclusion of women artists and was a member of various groundbreaking collaborative arts groups in the 1970s, including Atlantic Gallery and WAR (Women Artists in Revolution). While Openings is an historical narrative of women artists' actions, organizations, and ideas, it also candidly describes their periods of challenge, including the death of sculptor Ana Mendieta and the indictment of her husband and the author's own attempted murder by her former art teacher. The book is illustrated throughout by a treasure of 950 color and black & white images of the art from this momentous period: a valuable collection that is concurrently being archived by Barnard College along with papers, letters, show cards, posters, original artworks, and other documents. This eye-opening book includes forewords by renowned art critic Lucy Lippard and poet/activist Margaret Randall.

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Chronicles grassroots efforts to recover, rebuild, and enjoy architecturally iconic but economically obsolete places in the American Rust Belt. A pioneering Detroit automobile factory. A legendary iron mill at the edge of Pittsburgh. A campus of concrete grain elevators in Buffalo. Two monumental train stations, one in Buffalo, the other in Detroit. These once-noble sites have since fallen from their towering grace. As local elected leaders did everything they could to destroy what was left of these places, citizens saw beauty and utility in these industrial ruins and felt compelled to act. Postindustrial DIY tells their stories. The culmination of more than a dozen years of on-the-ground investigation, ethnography, and historical analysis, author and urbanist Daniel Campo immerses the reader in this postindustrial landscape, weaving the perspectives of dozens of DIY protagonists as well as architects, planners, and preservationists. Working without capital, expertise, and sometimes permission in a milieu dominated by powerful political and economic interests, these do-it-yourself actors are driven by passion and a sense of civic duty rather than by profit or political expediency. They have craftily remade these sites into collective preservation projects and democratic grounds for arts and culture, environmental engagement, regional celebrations, itinerant play, and in-the-moment constructions. Their projects are generating excitement about the prospect of Rust Belt life, even as they often remain invisible to the uninformed passerby and fall short of professional preservation or environmental reclamation standards. Demonstrating that there is no such thing as a site that is “too far gone” to save or reuse, Postindustrial DIY is rich with case studies that demonstrate how great architecture is not simply for the elites or the wealthy. The citizen preservationists and urbanists described in this book offer looser, more playful, and often more publicly satisfying alternatives to the development practices that have transformed iconic sites into expensive real estate or a clean slate for the next profitable endeavor. Transcending the disciplinary boundaries of architecture, historic preservation, city planning, and landscape architecture, Postindustrial DIY suggests new ways to engage, adapt, and preserve architecturally compelling sites and bottom-up strategies for Rust Belt revival.

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Original artwork and materials explore children’s literature and its impact in society and culture over time A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children’s books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children’s literature historian Leonard S. Marcus’s insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota’s Kerlan Collection of Children’s Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere. The story of the origins of children’s literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L’Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children’s books and effective ways of putting good books into children’s hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children’s book art, manuscripts, correspondence, and ephemera appeared—the University of Minnesota’s Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever. Regarding children’s literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.

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Deftly demonstrates how the rise and fall of social movements throughout history is closely linked to economic and political developments.In the early decades of the twenty-first century, an international movement to slow the pace of climate change mushroomed across the globe. The self-proclaimed Climate Justice movement urges immediate action to reduce carbon emissions and calls for the adoption of bold new policies to address global warming before irreversible and catastrophic damage threatens the habitability of the planet. On another front, since the 1980s, multiple waves of resistance have occurred around the world against the uneven transition from state-led development to the neoliberal globalization project. Both Climate Justice and Anti-Austerity movements represent the urgency of understanding how global change affects the ability of citizens around the world to mobilize and protect themselves from planetary warming and the loss of social protections granted in earlier eras.In Global Struggles and Social Change, Christopher Chase-Dunn and Paul Almeida explore how global change stimulates the formation and shape of such movements. Contending that large-scale economic shifts condition the pattern of social movement mobilizations around the world, the authors trace these trends back to premodern societies, revealing how severe disruptions of indigenous communities led to innovative collective actions throughout history. Drawing on historical case studies, world system and protest event analysis, and social networks, they also examine the influence of global change processes on local, national, and transnational social movements and explain how in turn these movements shape institutional shifts. Touching on hot-button topics, including global warming, immigrant rights protests, the rise of right-wing populism, and the 2008 financial crisis, the book also explores a broad range of premodern social movements from indigenous people in the Americas, Mesopotamia, and China. The authors pay special attention to periods of disruption and external threats, as well as the role of elites, emotions, charisma, and religion or spirituality in shaping protest movements. Providing sweeping coverage, Global Struggles and Social Change is perfect for students and anyone interested in globalization, international and comparative politics, political sociology, and communication studies.

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Anthropogenic carbon dioxide emissions do not only warm our planet but also acidify our oceans. It is currently unclear to which degree Earth’s climate and marine life will be impacted by these changes but information from Earth history, particularly the geochemical signals of past environmental changes stored in the fossil remains of marine organisms, can help us predict possible future changes. This book aims to be a primer for scientists who seek to apply boron proxies in marine carbonates to estimate past seawater carbonate chemistry and atmospheric pCO2. Boron proxies (δ11B and B/Ca) were introduced nearly three decades ago, with subsequent strides being made in understanding their mechanistic functioning. This text reviews current knowledge about the aqueous systematics, the inorganic and biological controls on boron isotope fractionation and incorporation into marine carbonates, as well as the analytical techniques for measurement of boron proxies. Laboratory and field calibrations of the boron proxies are summarized, and similarities between modern calibrations are explored to suggest estimates for proxy sensitivities in marine calcifiers that are now extinct. Example applications illustrate the potential for reconstructing paleo-atmospheric pCO2 from boron isotopes. Also explored are the sensitivity of paleo-ocean acidity and pCO2 reconstructions to boron isotope proxy systematics that are currently less well understood, including the elemental and boron isotopic composition of seawater through time, seawater alkalinity, temperature and salinity, and their collective impact on the uncertainty of paleo-reconstructions. The B/Ca proxy is based on the same mechanistic principles as the boron isotope proxy, but empirical calibrations suggest seawater pH is not the only controlling factor. B/Ca therefore has the potential to provide a second carbonate parameter that could be paired with δ11B to fully constrain the ocean carbonate system, but the associated uncertainties are large. This text reviews and examines what is currently known about the B/Ca proxy systematics. As more scientists embark on characterizing past ocean acidity and atmospheric pCO2, Boron in Paleoceanography and Paleoclimatology provides a resource to introduce geoscientists to the opportunities and complications of boron proxies, including potential avenues to further refine them.

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An authoritative overview of the developing field of public history reflecting theory and practice around the globe This unique reference guides readers through this relatively new field of historical inquiry, exploring the varieties and forms of public history, its relationship with popular history, and the ways in which the field has evolved internationally over the past thirty years. Comprised of thirty-four essays written by a group of leading international scholars and public history practitioners, the work not only introduces readers to the latest scholarly academic research, but also to the practice and pedagogy of public history. It pays equal attention to the emergence of public history as a distinct field of historical inquiry in North America, the importance of popular history and ‘history from below’ in Europe and European colonial-settler states, and forms of historical consciousness in non-Western countries and peoples. It also provides a timely guide to the state of the discipline, and offers an innovative and unprecedented engagement with methodological and theoretical problems associated with public history. Generously illustrated throughout, The Companion to Public History’s chapters are written from a variety of perspectives by contributors from all continents and from a wide variety of backgrounds, disciplines, and experiences. It is an excellent source for getting readers to think about history in the public realm, and how present day concerns shape the ways in which we engage with and represent the past. Cutting-edge companion volume for a developing area of study Comprises 36 essays by leading authorities on all aspects of public history around the world Reflects different national/regional interpretations of public history Offers some essays in teachable forms: an interview, a roundtable discussion, a document analysis, a photo essay. Covers a full range of public history practice, including museums, archives, memorial sites as well as historical fiction, theatre, re-enactment societies and digital gaming Discusses the continuing challenges presented by history within our broad, collective memory, including museum controversies, repatriation issues, ‘textbook’ wars, and commissions for Truth and Reconciliation The Companion is intended for senior undergraduate students and graduate students in the rapidly growing field of public history and will appeal to those teaching public history or who wish to introduce a public history dimension to their courses.

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A biting, funny, up-to-the-minute collection of essays by a major political thinker that gets to the heart of what feminist criticism can do in the face of everyday politics. Stormy Daniels offered a #metoo moment, and Anderson Cooper missed it. Conservatives don’t believe that gender is fluid, except when they’re feminizing James Comey. “Gaslighting” is our word for male domination but a gaslight also lights the way for a woman’s survival. Across two dozen trenchant, witty reflections, Bonnie Honig offers a biting feminist account of politics since Trump. In today’s shock politics, Honig traces the continuing work of patriarchy, as powerful, mediocre men gaslight their way across the landscape of democratic institutions. But amid the plundering and patriarchy, feminist criticism finds ways to demand justice. Shell-Shocked shows how women have talked back, acted out, and built anew, exposing the practices and policies of feminization that have historically been aimed not just at women but also at racial and ethnic minorities. The task of feminist criticism—and this is what makes it particularly well-suited to this moment—is to respond to shock politics by resensitizing us to its injustices and honing the empathy needed for living with others in the world as equals. Feminist criticism’s penchant for the particular and the idiosyncratic is part of its power. It is drawn to the loose threads of psychological and collective life, not to the well-worn fabrics with which communities and nations hide their shortcomings and deflect critical scrutiny of their injustices. Taking literary models such as Homer’s Penelope and Toni Morrison’s Cee, Honig draws out the loose threads from the fabric of shock politics’ domination and begins unraveling them. Honig’s damning, funny, and razor sharp essays take on popular culture, national politics, and political theory alike as texts for resensitizing through a feminist lens. Here are insightful readings of film and television, from Gaslight to Bombshell, Unbelievable to Stranger Things, Rambo to the Kavanaugh hearings. In seeking out the details that might break the spell of shock, this groundbreaking book illustrates alternative ways of living and writing in a time of public violence, plunder, and—hopefully—democratic renewal.

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Village Voice Favorite Books of 2000 The popular book challenging the idea of a model minority, now in paperback!“How does it feel to be a problem?” asked W. E. B. Du Bois of black Americans in his classic The Souls of Black Folk. A hundred years later, Vijay Prashad asks South Asians “How does it feel to be a solution?” In this kaleidoscopic critique, Prashad looks into the complexities faced by the members of a “model minority”-one, he claims, that is consistently deployed as "a weapon in the war against black America."On a vast canvas, The Karma of Brown Folk attacks the two pillars of the “model minority” image, that South Asians are both inherently successful and pliant, and analyzes the ways in which U.S. immigration policy and American Orientalism have perpetuated these stereotypes. Prashad uses irony, humor, razor-sharp criticism, personal reflections, and historical research to challenge the arguments made by Dinesh D’Souza, who heralds South Asian success in the U.S., and to question the quiet accommodation to racism made by many South Asians. A look at Deepak Chopra and others whom Prashad terms “Godmen” shows us how some South Asians exploit the stereotype of inherent spirituality, much to the chagrin of other South Asians. Following the long engagement of American culture with South Asia, Prashad traces India’s effect on thinkers like Cotton Mather and Henry David Thoreau, Ravi Shankar’s influence on John Coltrane, and such essential issues as race versus caste and the connection between antiracism activism and anticolonial resistance.The Karma of Brown Folk locates the birth of the “model minority” myth, placing it firmly in the context of reaction to the struggle for Black Liberation. Prashad reclaims the long history of black and South Asian solidarity, discussing joint struggles in the U.S., the Caribbean, South Africa, and elsewhere, and exposes how these powerful moments of alliance faded from historical memory and were replaced by Indian support for antiblack racism. Ultimately, Prashad writes not just about South Asians in America but about America itself, in the tradition of Tocqueville, Du Bois, Richard Wright, and others. He explores the place of collective struggle and multiracial alliances in the transformation of self and community-in short, how Americans define themselves.

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Through an examination of the fascinating lives and careers of a series of nineteenth-century "mad-doctors," Masters of Bedlam provides a unique perspective on the creation of the modern profession of psychiatry, taking us from the secret and shady practices of the trade in lunacy, through the utopian expectations that were aroused by the lunacy reform movement, to the dismal realities of the barracks-asylums--those Victorian museums of madness within which most nineteenth-century alienists found themselves compelled to practice. Across a century that spans the period from an unreformed Bedlam to the construction of a post-Darwinian bio-psychiatry centered on the new Maudsley Hospital, from a therapeutics of bleeding, purging, and close confinement through the era of moral treatment and nonrestraint to a fin-de-siecle degenerationism and despair, men claiming expertise in the treatment of mental disorder sought to construct a collective identity as trustworthy and scientifically qualified professionals. This fascinating series of biographies answers the question: How successful were they in creating such a new identity?. Drawing on an extensive array of sources, the authors vividly re-create the often colorful and always eventful lives of these seven "masters of bedlam." Sensitive to the idiosyncrasies and peculiarities of each man's personal biography, the authors replace hagiographical ac-counts of the great men who founded modern psychiatry with fully rounded portraits of their struggles and successes, their achievements and limitations. In the process Masters of Bedlam provides an extremely subtle and nuanced portrait of the efforts of successive generations of alienists to carve out a popular and scientific respect for their specialty, and reminds us repeatedly of the complexities of nineteenth-century developments in the field of psychiatry. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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How can we change the conversation around gender, become better allies, challenge misconceptions and make the world a better place?Anti-transgender legislation is being introduced across the world in record-breaking numbers. Trans people are under attack in sports, healthcare, entertainment, schools, bathrooms and nearly every walk of life.Schuyler Bailar didn’t set out to be an activist, but his very public transition to the Harvard men’s swim team put him in the spotlight. His choice to be open about his journey and share his experience has touched people around the world. His plain-spoken education has evolved into tireless advocacy for inclusion and collective liberation. In He/She/They, Schuyler uses storytelling and the art of conversation to give us essential language and context of gender, meeting everyone where they are and paving the way for understanding, acceptance and, most importantly, connection. Schuyler clearly and compassionately addresses fundamental topics, from why being transgender is not a choice and why pronouns are important, to more complex issues including how gender-affirming healthcare can be lifesaving and why allowing trans youth to play sports is good for every child.More than a book on allyship, He/She/They also speaks to trans people directly, answering the question, ‘does it get better?’ with a resounding yes, celebrating radical trans joy. With a relatable narrative rooted in facts, science and history, Schuyler helps restore common sense and humanity to a discussion that continues to be divisively co-opted and deceptively politicized. Myth-busting, affirming and compassionate, He/She/They is a crucial, urgent and lifesaving book that will forever change the conversation about gender.***'Informative, fabulous to read, and leaves the reader with joy. I love this book!' Jonathan Van Ness, New York Times bestselling author, and TV personality 'Written for both a trans and a general readership, [this] is a solid introduction to why trans rights matter' Publisher's Weekly 'I wish I had this book to guide my own journey years ago, but I am so glad it exists now. We need it!' Dylan Mulvaney, actress, comedian

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In this broad-ranging and ambitious intervention in the debates over the politics, ethics, and aesthetics of cosmopolitanism, Rebecca L. Walkowitz argues that modernist literary style has been crucial to new ways of thinking and acting beyond the nation. While she focuses on modernist narrative, Walkowitz suggests that style conceived expansively as attitude, stance, posture, and consciousness helps to explain many other, nonliterary formations of cosmopolitanism in history, anthropology, sociology, transcultural studies, and media studies. Walkowitz shows that James Joyce, Joseph Conrad, Virginia Woolf, Salman Rushdie, Kazuo Ishiguro, and W. G. Sebald use the salient features of literary modernism in their novels to explore different versions of transnational thought, question moral and political norms, and renovate the meanings of national culture and international attachment. By deploying literary tactics of naturalness, triviality, evasion, mix-up, treason, and vertigo, these six authors promote ideas of democratic individualism on the one hand and collective projects of antifascism or anti-imperialism on the other. Joyce, Conrad, and Woolf made their most significant contribution to this "critical cosmopolitanism" in their reflection on the relationships between narrative and political ideas of progress, aesthetic and social demands for literalism, and sexual and conceptual decorousness. Specifically, Walkowitz considers Joyce's critique of British imperialism and Irish nativism; Conrad's understanding of the classification of foreigners; and Woolf's exploration of how colonizing policies rely on ideas of honor and masculinity. Rushdie, Ishiguro, and Sebald have revived efforts to question the definitions and uses of naturalness, argument, utility, attentiveness, reasonableness, and explicitness, but their novels also address a range of "new ethnicities" in late-twentieth-century Britain and the different internationalisms of contemporary life. They use modernist strategies to articulate dynamic conceptions of local and global affiliation, with Rushdie in particular adding playfulness and confusion to the politics of antiracism. In this unique and engaging study, Walkowitz shows how Joyce, Conrad, and Woolf developed a repertoire of narrative strategies at the beginning of the twentieth century that were transformed by Rushdie, Ishiguro, and Sebald at the end. Her book brings to the forefront the artful idiosyncrasies and political ambiguities of twentieth-century modernist fiction.

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[Short description in English] Burkina Faso’s religious landscape, where traditional, Muslim and Christian religions intersect, is part of a social and historical context spread over several centuries marked by a diversity that has been studied by researchers for a long time. As the security situation deteriorates in recent years in the Sahel region, the religious question is increasingly being redefined and put at the forefront of the Burkinabe socio-political scene. This collective work offers readers a synthesis of the knowledge accumulated by researchers over the past decades on the different religions and the social dynamics associated with them to shed light on the management of the country’s religious diversity and coexistence without masking the tensions and conflicts being experienced. [Full description in French] Le Burkina Faso est caractérisé par un paysage religieux, où se côtoient religions traditionnelles, musulmanes et chrétiennes. Cette cohabitation s’inscrit dans un contexte social et historique étudié de longue date par les chercheurs. Alors que la situation sécuritaire se dégrade depuis plusieurs années dans la zone sahélo-saharienne, la question religieuse est de plus en plus mise sur le devant de la scène burkinabè. Cet ouvrage collectif propose aux lecteurs une synthèse des connaissances accumulées par les chercheurs au cours des dernières décennies sur les différentes religions et les dynamiques sociales qui y sont associées. La première partie décrit les courants religieux en présence. Elle souligne ainsi la centralité du religieux pour saisir les changements sociaux. Dans la seconde partie, les interactions entre religions sont questionnées à travers des thématiques transversales d’actualités, telles que l’éducation, la démographie, la politique, les ONG confessionnelles, l’historicité de la notion de djihad ou l’usage des NTICs. Les dynamiques sociopolitiques récentes qui traversent le Burkina Faso redéfinissent sans doute le champ du religieux, tout en s’inscrivant dans un contexte historiquement et socialement marqué par la diversité. Cet ouvrage éclaire la question actuelle de la gestion de cette diversité par des exemples de coexistence religieuse étalés sur plusieurs siècles, sans masquer les antagonismes et conflits vécus. Préface par Pr. Benjamin Soares, Department of Religion, Université de Floride, États-Unis.

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A Kirkus Best Indie Book of the Year & a Library Journal Best World Literature read, from Pulitzer Prize-winning AP Journalist and Director/Producer/Writer of 20 Days in Mariupol, Winner of the 2023 Sundance Film Festival's Audience Award in World Cinema Documentary“[A] book for our times—vivid enough to grab us and not let go.” — Kirkus Reviews (starred review)"A powerful psychological thriller about borderline situations in life, hopes and dreams. Written against the backdrop of the war, before Russia's full-scale invasion of Ukraine, the story acquires an additional passionate and humanistic significance." — Andrey Kurkov, author of Grey Bees“[T]his timely novel from a Ukrainian author excels at examining the connection between reality and dreams and exploring the effects of war on the human psyche.” — Library JournalThe Dreamtime is a fusion of documentary and military fiction inspired by the author’s experience as an award-winning war correspondent that offers a unique and gritty point of view on the horrors of war through four intertwining narratives. Parallel storylines from a guilt-ridden doctor trying to exorcise his demons by exposing himself to war; a young woman tending to her ailing father as the bombs fall around them in Russian-occupied Slovyansk; a mysterious sociopath playing a cat-and-mouse game; and a forensic expert solving a murder case while trying to save her marriage with a discharged soldier bring a raw intensity and a deeply personal connection to the effects of war. As the threads of their stories unfurl, through harrowing scenes of personal and collective trauma, an enigmatic pattern emerges.Shifting from Ukraine's war-torn Donbas to southern Europe and southeast Asia, The Dreamtime ties together themes of existential conflict, the blurred line between reality and dreams, and how easily the boundary dissolves between waking life and nightmare. Originally published in Kyiv in 2020, The Dreamtime has been well received by critics around the world and praised for its realism in depicting war, for its creative literary depiction of how dreams reflect the psyche, and for its masterly prose.

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The Swedes did not have a real feudal system, since their lands were not fertile enough for the peasants to spare more than a small portion of their crops in order to maintain the wellbeing of the nobility. Swedish peasants were mostly free and, in 1434, gained real political status. In 1471 a dispute occurred in Sweden and peasants and citizens, led by a nobleman from Stockholm named Sten Sture, who desired a separate Swedish state. Sture and his comrades won the battle. Sture became a hero in the Swedish collective memory, ruled Sweden, and fought successfully against the Russians. In 1520 King Christian II of Denmark defeated and killed the Swedish King Sten Sture den Yngre (the Younger) and became king of Sweden, but the Swedish army, led by a nobleman named Gustav Vasa, drove Christian II from Sweden in 1523. At the time, the vast majority of Swedish lands were owned by peasants. Vasa and his descendants, who ruled the country and waged war on the Baltic shores and into European soil, gave the Swedish nobility and wealthy individuals a political status. These kings relied on the multiple wars' outcomes to further their national enterprise and develop a Swedish national identity among strata of the wider population. That spirit of nationality, together with the cherished Swedish values of freedom and enterprise, enabled a successful campaign by King Gustavus Adolphus and his prime minister between 1626 and 1648. Yet after that war, when Sweden was accepted as a major European power, the Swedes understood that their resources would not allow them to play a central role in any future conflict, and they began to pursue a course of neutrality that continued throughout the two World Wars. During the years of Europe's consolidation, the historical lessons learned by the Swedes culminated in a realization that they could not maintain an independent role in European "jungle politics" and that their attempts at neutrality could even prove dangerous. After much hesitation, they jumped into the European "swimming pool" and have remained floating there quite comfortably. The Swedes feel comfortable within the EU and would prefer to stay there in the future, adapting to the notion of a European nationality.

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‘A stunning and devastating indictment of a society scarred and defined by inequality, by one of the most charismatic and compelling voices in politics today’ Owen Jones ‘Faiza’s work is living proof that you don’t have to choose between focusing on class and battling racism, or to triangulate on hate in order to advance a political cause. She’s a testament to the power of rising with your community, and not out of it’ Ash Sarkar'Shaheen overcame a plethora of barriers to get to Oxford and become a leading statistician. In this thought-provoking read, she uses her own unlikely story to probe how society defines your chances in life – and what we can do about it' i At four years old, Dr Faiza Shaheen was told by her mum that one day she would study at the University of Oxford. As the daughter of a car mechanic attending state schools, the odds were low, but she worked hard and succeeded. Today, she’s a leading statistician and standing for election as a Member of Parliament. Why do we glorify success as personal triumph like this? These narratives purposely erase the role of public services, where you are born, and luck – and they tell us that anyone can follow the same path. Rather than making working-class mobility the norm, what Faiza accomplished makes her an exception, and it’s statistically impossible for everyone to be the exception. The inconvenient truth, as this book proves, is that social mobility is a fairy tale. Society today will not give most of us the chance of a secure and fulfilling life. That is unacceptable. Part memoir, part polemic, Know Your Place is a personal and statistical look at how society and the economy are structured, what really defines your life chances and how our current system keeps us locked into an ugly hierarchy. But more than that, it’s a powerful call for collective fighting to reinvent things as we want them to be; it’s about breaking out, finding hope and not staying in your place. We can change things, and this is how.

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How “We the People” can reclaim our democracy—updated with a discussion guide, author videos, and a new chapter-length Introduction In this updated edition of his prophetic book, renowned author and activist Parker J. Palmer celebrates the power of “We the People” to resist the politics of divide and conquer. With the U.S. now on a global list of “backsliding democracies,” Palmer writes about what we can do to restore civil discourse, reach for understanding across lines of difference, focus on our shared values, and hold elected officials accountable. He explores ways we can reweave the communal fabric on which democracy depends in everyday settings such as families, neighborhoods, classrooms, congregations, workplaces, and various public spaces—including five “habits of the heart” we can cultivate as we work to fulfill America's promise of human equality. In the same honest, vulnerable, compelling and inspiring prose that has won Palmer millions of readers, Healing the Heart of Democracy awakens our instinct to seek the common good and gives us the tools to pursue it. With a text enhanced by a Discussion Guide and forty online author videos on key issues, you'll be able to… Reflect on the personal implications of the claim that “the human heart is the first home of democracy” Consider everyday actions you can take to restore the infrastructure that supports our democracy Transcend the “us vs. them” mentality and find ways to expand and enrich your life by appreciating the value of “otherness” Reignite your sense of personal voice and agency to resist authoritarian appeals and restore a politics of freedom and responsibility Healing the Heart of Democracy is for anyone who values the gift of citizenship and wants to make a difference for themselves, their families and communities, and our collective wellbeing. As the late Congressman John Lewis said, “We have been trying to bridge the great divides in this great country for a long time. In this book, Parker J. Palmer urges us to ‘keep on walking, keep on talking’—just as we did in the civil rights movement—until we cross those bridges together.”

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"Bartolo tells us about rescuing everyone he can, burying those he cannot, and saving their stories as if they were his own. This is a personal, urgent and universal book" GLORIA STEINEM"An urgent, wrenching dispatch from the frontline of the defining crisis of our times . . . Bartolo is at once the saviour and the coroner to boatload after boatload of migrants who risk everything to cross the deadly seas. It is also a damning indictment of the broader, collective indifference of humankind to both the drowned and the saved" PHILIP GOUREVITCH"Dr Pietro Bartolo has seen more suffering and death in his career than any one man should have to witness" Amnesty International"Through Bartolo we understand that it is impossible to do nothing in the face of such great human need" Vanity FairIt is common to think of the refugee crisis as a recent phenomenon, but Dr Pietro Bartolo, who runs the clinic on the Italian island of Lampedusa, has been caring for its victims - both the living and the dead - for a quarter of a century.Situated some 200 km off Italy's Southern coast, Lampedusa has hit the world headlines in recent years as the first port of call for hundreds of thousands of African and Middle Eastern migrants hoping to make a new life in Europe.The shipwrecks began in 1992. Before the Arab Spring, they came from Africa, but now they come from across the Arab world as well. And the death toll is staggering. On Christmas Eve, 1996, 286 bodies were recovered; on the night of October 3, 2003, 366 out of 500 migrants died after a shipwreck nearby.For the past twenty-five years, Doctor Bartolo has been rescuing, welcoming, helping, and providing medical assistance to those who survived. But, above all, he has been listening to them. Tales of pain and hope, stories of those who didn't make it, who died at sea, their bodies washed up on shore; stories of those who lost their loved ones, of babies that never had a chance to be born.SHORTLISTED FOR THE ITALIAN PROSE TRANSLATION AWARD (IPTA)Translated from the Italian by Chenxin Jiang

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A Telegraph, Spectator, Prospect, and Times Best Book of the Year“Enthralling.”―Geoffrey Wheatcroft, New York Review of Books“This is a story not just about Pétain but about war and resistance, the moral compromises of leadership, and the meaning of France itself.”―Margaret MacMillanFor three weeks in July 1945 all eyes were fixed on Paris, where France’s former head of state was on trial. Would Philippe Pétain, hero of Verdun, be condemned as the traitor of Vichy?In the terrible month of October 1940, few things were more shocking than the sight of Marshal Philippe Pétain—supremely decorated hero of the First World War, now head of the French government—shaking hands with Hitler. Pausing to look at the cameras, Pétain announced that France would henceforth collaborate with Germany. “This is my policy,” he intoned. “My ministers are responsible to me. It is I alone who will be judged by History.”Five years later, in July 1945, after a wave of violent reprisals following the liberation of Paris, Pétain was put on trial for his conduct during the war. He stood accused of treason, charged with heading a conspiracy to destroy France’s democratic government and collaborating with Nazi Germany. The defense claimed he had sacrificed his personal honor to save France and insisted he had shielded the French people from the full scope of Nazi repression. Former resisters called for the death penalty, but many identified with this conservative military hero who had promised peace with dignity.The award-winning author of a landmark biography of Charles de Gaulle, Julian Jackson uses Pétain’s three-week trial as a lens through which to examine one of history’s great moral dilemmas. Was the policy of collaboration “four years to erase from our history,” as the prosecution claimed? Or was it, as conservative politicians insist to this day, a sacrifice that placed pragmatism above moral purity? As head of the Vichy regime, Pétain became the lightning rod for collective guilt and retribution. But he has also been an icon of the nationalist right ever since. In France on Trial, Jackson blends courtroom drama, political intrigue, and brilliant narrative history to highlight the hard choices and moral compromises leaders make in times of war.

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On Forbes list of "10 Books To Help You Foster A More Diverse And Inclusive Workplace"How law, policy, and official state rhetoric have fueled the resurgence of Islamophobia—with a call to action on how to combat it.“I remember the four words that repeatedly scrolled across my mind after the first plane crashed into the World Trade Center in New York City. ‘Please don’t be Muslims, please don’t be Muslims.’ The four words I whispered to myself on 9/11 reverberated through the mind of every Muslim American that day and every day after.… Our fear, and the collective breath or brace for the hateful backlash that ensued, symbolize the existential tightrope that defines Muslim American identity today.” The term “Islamophobia” may be fairly new, but irrational fear and hatred of Islam and Muslims is anything but. Though many speak of Islamophobia’s roots in racism, have we considered how anti-Muslim rhetoric is rooted in our legal system? Using his unique lens as a critical race theorist and law professor, Khaled A. Beydoun captures the many ways in which law, policy, and official state rhetoric have fueled the frightening resurgence of Islamophobia in the United States. Beydoun charts its long and terrible history, from the plight of enslaved African Muslims in the antebellum South and the laws prohibiting Muslim immigrants from becoming citizens to the ways the war on terror assigns blame for any terrorist act to Islam and the myriad trials Muslim Americans face in the Trump era. He passionately argues that by failing to frame Islamophobia as a system of bigotry endorsed and emboldened by law and carried out by government actors, U.S. society ignores the injury it inflicts on both Muslims and non-Muslims. Through the stories of Muslim Americans who have experienced Islamophobia across various racial, ethnic, and socioeconomic lines, Beydoun shares how U.S. laws shatter lives, whether directly or inadvertently. And with an eye toward benefiting society as a whole, he recommends ways for Muslim Americans and their allies to build coalitions with other groups. Like no book before it, American Islamophobia offers a robust and genuine portrait of Muslim America then and now.

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'In The ASEAN Comprehensive Investment Agreement: The Regionalization of Laws and Policy on Foreign Investment, Julien Chaisse and Sufian Jusoh provide analysis --unmatched in scope and detail -- of ACIA's role in supporting the development of the ASEAN Economic Community. This contribution will serve as an invaluable resource for policymakers, business leaders, lawyers, and scholars interested in the development of investment law and policy in Asia.'- Mark Feldman, Peking University, China'Julien Chaisse and Sufian Jusoh take up the formidable challenge of unpacking the ingredients of the Asian ''noodle bowl'', delivering a comprehensive book that synthesizes the convoluted investment legal standards pertaining to the ASEAN into an intelligible discourse. Throughout, they offer insight into the design and purpose of this model of economic integration, as well as its impact on the rights of investors from states neighbouring the ASEAN region. This volume serves as a reliable and practical guidebook that will edify any reader interested in the subject matter.'- Kyle Dickson-Smith, FCIArb., Canada/AustraliaThe international law of foreign investment is one of the fastest growing areas of international economic law and policy which increasingly rely on large membership investment treaties such as the ASEAN Comprehensive Investment Agreement (ACIA). This book comprehensively examines the role of this specific international treaty on investment and situates it in the wider global trend towards the regionalisation of laws and policy on foreign investment.Considering the state of the ASEAN Economic Community in 2015 and its transformation until 2025, Julien Chaisse and Sufian Jusoh illustrate the pivotal role ACIA has to play in future international investment law negotiations and the benefits to ASEAN and third country investors and their investments. Collective commitment to a common standard contributes to depoliticize any potential conflict between individual investors and host states making the agreement particularly crucial to discussions involving ASEAN member states and between ASEAN and Dialogue Partners as well as to investment decisions including investment liberalization and investment facilitation.Offering the first detailed analysis of ACIA and its applications, this book will prove essential reading for legal practitioners in the field of international investment law as well as researchers and students studying the ASEAN Economic Community and its contemporary moulding.

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Having come of age during a period of vibrant union-centered activism, Jack Metzgar begins this book wondering how his father, a U.S> Steel shop steward in the 1950s and '60s, and so many contemporary historians could forget what this country owes to the union movement. Combining personal memoir and historical narrative, Striking Steel argues for reassessment of unionism in American life during the second half of the twentieth century and a recasting of \u0022official memory.\u0022 As he traces the history of union steelworkers after World War II, Metzgar draws on his father's powerful stories about the publishing work in the mills, stories in which time is divided between \u0022before the union\u0022 and since. His father, Johnny Metzgar, fought ardently for workplace rules as a means of giving \u0022the men\u0022 some control over their working conditions and protection from venal foremen. He pursued grievances until he eroded management's authority, and he badgered foremen until he established shop-floor practices that would become part of the next negotiated contract. As a passionate advocate of solidarity, he urged coworkers to stick together so that the rules were upheld and everyone could earn a decent wage. Striking Steel's pivotal event is the four-month nationwide steel strike of 1959, a landmark union victory that has been all but erased from public memory. With remarkable tenacity, union members held out for the shop-floor rules that gave them dignity in the workplace and raised their standard of living. Their victory underscored the value of sticking together and reinforced their sense that they were contributing to a general improvement in American working and living conditions. The Metzgar family's story vividly illustrates the larger narrative of how unionism lifted the fortunes and prospects of working-class families. It also offers an account of how the broad social changes of the period helped to shift the balance of power in a conflict-ridden, patriarchal household. Even if the optimism of his generation faded in the upheavals of the 1960s, Johnny Metzgar's commitment to his union and the strike itself stands as an honorable example of what a collective action can and did achieve. Jack Metzgar's Striking Steel is a stirring call to remember and renew the struggle.

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A cultural history of Sápmi and the Nordic countries as told through objects and artifacts Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. The objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland.The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Barbara Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Displays of Sámi material culture in Scandinavia and England, Germany, and other countries in museums, exhibition halls, and even zoos often became part of racist and colonial discourse as examples of primitive culture, and soon figured in the debates of ethnographers and curators over representations of national folk traditions and “exotic” peoples. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages.Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency.

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Beat the market by using Psychological Analysis for investing and trading under any conditions Conventional wisdom tells us that people are rational and make rational decisions with their money. But that’s simply not true considering most people fail to beat the market. Conventional wisdom also tells us that there are two primary ways to approach the market: technical and fundamental analysis. Again, that is not true because if it were—everyone would be rich. Think about it, how many times have you seen stocks with poor fundamentals go up, or stocks with great technicals go down? It’s obvious that something is missing. Author Adam Sarhan, Founder and CEO of 50 Park Investments, developed a new approach, titled, Psychological Analysis (PA). Coined by the author, the term teaches you how to make rational, not emotional, decisions with your money and shows you how to analyze both the individual and collective market mindset at a particular time based on the behavior and decision-making of people in the real-world. Psychological Analysis is designed to tip the odds of success in your favor. After studying every major economic and market cycle going back to the 3rd century, the author explains that human nature is the one constant and tells you what actually drives markets. Psychological Analysis is responsible for major and minor market moves today, tomorrow, and all throughout history. Adam shows you that there are more factors that influence price than just fundamental or technical analysis and how to bring out the smart money superhero inside you. This invaluable guide helps you: Make rational, not emotional, decisions with your money—especially when you are under pressure Understand the psyche of the market so you can learn how to join the Smart Money Circle and consistently take money out Generate above average returns in all market environments Incorporate Psychological Analysis into your overall trading and investing strategy so you can make smarter decisions on and off Wall Street Psychological Analysis: How to Outsmart the Market One Trade at a Time is a must-have resource for traders, investors, finance professionals, and anyone who wants to profit regardless of market conditions.

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"The inertia of language," declares Geoffrey Hill, is also "the coercive force of language." Good poets write against coercion, and Against Coercion is essentially about the power of words. Looking at our most highly organized form of words, poems, and how they work, it observes how that work speaks—always indirectly—to historical, ethical, and aesthetic questions, including matters of culture, identity, and feminism. It also demonstrates how to read poetry—how to go beyond an elementary (and usually boring) approach, thereby recovering the sheer pleasure of good poems and resisting the coercion of language, that power of words to do ill. A study in advanced poetics, Against Coercion pays close attention to the intricate workings of poems, building larger claims on specific evidence and enjoying the praxis of master writers. The focus is on modern poets, from the early moderns (Stevens, Eliot) through to mid-century (Bishop) and recent (Merrill, Hill). Some chapters reach back to Milton, Wordsworth, and Aristophanes, however, while two even widen to encompass prose fiction. The opening section centers on matters of empire, war, and nation. It includes chapters on Eliot, Keynes, and empire, and on Geoffrey Hill and Elizabeth Bishop (with reflections on language and war). The second section moves to questions of culture and the uses of memory, notably in allusion to earlier writers. It examines what our collective memory chooses to retain and to forget. The range of reference here extends from the King James Bible through Milton and Wordsworth to A. R. Ammons. In the third section, poetry is seen at play, offering those happy occasions when work and play become one. Chapters treat the concept of play in Milton (including some feminist questions), the poetics of punning in Stevens and Bishop, riddles both large and small, in Stevens, a proposed typology of riddles, and a newly recovered Graeco-Latin pun in Alice in Wonderland. The final section moves to practical criticism and offers a new theory of ghost rhymes, a new suggestion of a formula in dream literature, a model for reading a poem, using John Hollander's "Owl" as an illustration, and, taking Stevens as an example, a pedagogical argument that emphasizes the importance of logic and thought in poetry.

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Explore shame's revelatory and transformative potential within Christianity and the Church Learn to understand shame to allow for positive change in your clients and parishioners. This book explores psychological, spiritual, and theological aspects of shame and shame's transformative potential. It will help pastoral care givers and mental health workers to identify shame issues and become agents of healing. By examining shame in the gospel accounts of the life, ministry, and death of Jesus, it shows that shame is a vital part of what defines us as human, and how shame can draw us into the mystery of our relationship with God. From the author: This book develops the thesis that shame is a necessary and ontological part of the human condition. Shame can become pathological, undergirding and dominating the entire personality, making it impossible to feel oneself either part of the collective or an individual in one's own right. Transformation of shame is a large part of the psychic meaning of the Christ event, what Christianity is about. Transformation of shame is the experience of grace. The great saints and icons of Christianity have used the Christ event to transform shame and experience grace. The more completely they have done this, the deeper their experience of unity with God. With Transforming Shame: A Pastoral Response, you'll explore: the phenomenological meaning of shame the psychological meaning, implications, and etiology of shame shame in the context of scripture and Christian theology the methodology for contextualizing theories of depth psychology in theology and religious experience human defense mechanisms to shame shame's usefulness in coming to a deeper understanding of personal identity the role of the institutional church in helping its people find meaning in shame and experiencing the grace that comes from shame's transformation how to address the Church's role in fostering toxic shame With practical examples drawn from pastoral ministry and a thoughtful, interdisciplinary approach, this book will help you understand both the psychology and the spirituality of shame and make the essential connections between the two. Extensive references and a handy bibliography point the way to further reading on this fascinating subject.

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An original and profound portrait of contemporary Britain told through the testimonies of its inhabitants.'A spectacularly enjoyable and compelling reading experience . . . funny, moving, surprising and thought-provoking. It humanises literature in this toxic moment.'MAX PORTER, author of Lanny'Seemingly simple yet so deeply profound, The Passengers is an absorbing insight into the lives and minds of so-called ordinary people: their hopes and fears and idiosyncrasies at a specific moment in time.'CLIO BARNARD, director of Ali & Ava and The Essex Serpent'A nation's psyche comes to the surface. The Passengers is not just an oral history of the contemporary moment but, drenched in mood and texture, renders the country itself as a sonic collage.'SUKHDEV SANDHU, GUARDIANBetween October 2018 and March 2021, Will Ashon collected voices - people talking about their lives, needs, dreams, loves, hopes and fears - all of them with some connection to the British Isles. He used a range of methods including letters sent to random addresses, hitchhiking, referrals from strangers and so on. He conducted the interviews in person, on the phone, over the internet or asked people to record themselves. Interview techniques ranged from asking people to tell him a secret to choosing an arbitrary question from a list.The resulting testimonies tell the collective story of what it feels like to be alive in a particular time and place - here and now. The Passengers is a book about how we give shape to our lives, find meaning in the chaos, acknowledge the fragility of our existence while alleviating this anxiety with moments of beauty, love, humour and solidarity.'A magical mystery tour of Britain . . . extraordinary.'DAILY TELEGRAPH'Ashon's gloriously polyphonic book scales the heights. A deeply felt and humane portrait of where we are.'NIVEN GOVINDEN, author of Diary of a Film'This book couldn't have come into my life at a better time. It's a guiding mate. It enters like a cat through a window, ready to take your attention and show you what it needs to.'TICE CIN, author of Keeping the House

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"I join the ranks of those who are angry, because I have watched as the faith I love has been taken over by fundamentalists who claim to speak for Jesus but whose actions are anything but Christian." —Robin Meyers, from his "Speech Heard Round the World" Millions of Americans are outraged at the Bush administration's domestic and foreign policies and even angrier that the nation's religious conservatives have touted these policies as representative of moral values. Why the Christian Right Is Wrong is a rousing manifesto that will ignite the collective conscience of all whose faith and values have been misrepresented by the Christian Right. Praise for Why the Christian Right Is Wrong: "In the pulpit, Robin Meyers is the new generation's Harry Emerson Fosdick, George Buttrick, and Martin Luther King. In these pages, you will find a stirring message for our times, from a man who believes that God's love is universal, that the great Jewish prophets are as relevant now as in ancient times, and that the Jesus who drove the money changers from the Temple may yet inspire us to embrace justice and compassion as the soul of democracy. This is not a book for narrow sectarian minds; read it, and you will want to change the world." —Bill Moyers "In this book, a powerful and authentic religious voice from America's heartland holds up a mirror to the Bush administration and its religious allies. The result is a vision of Orwellian proportions in which values are inverted and violence, hatred, and bigotry are blessed by one known as 'The Prince of Peace,' who called us to love our enemies. If you treasure this country and tremble over its present direction, this book is a must-read!" —John Shelby Spong author, The Sins of Scripture: Exposing the Bible's Texts of Hate to Reveal the God of Love "This is a timely warning and a clarion call to the church to recover the Gospel of Jesus Christ and to a great nation to resist the encroachment of the Christian Right and of Christian fascism. Many of us in other parts of the world are praying fervently that these calls will be heeded." —Archbishop Desmond Tutu

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Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020.Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder-along with Steve Marriott-of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect.Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road.Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again-saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist.

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Visions of Belonging explores how beloved and still-remembered family stories-A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun-entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. These stories helped define widely shared conceptions of who counted as representative Americans and who could be recognized as belonging. The book listens in as white and black authors and directors, readers and viewers reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide a point of entry into an extraordinary time when the possibilities for social transformation seemed boundless. But changes were also fiercely contested, especially as the war's culture of unity receded in the resurgence of cold war anticommunism, and demands for racial equality were met with intensifying white resistance. Judith E. Smith traces the cultural trajectory of these family stories, as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. Visions of Belonging provides unusually close access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters and the meanings of race and ethnicity. Would the new appearance of white working class ethnic characters expand Americans'understanding of democracy? Would these stories challenge the color line? How could these stories simultaneously show that black families belonged to the larger "family" of the nation while also representing the forms of danger and discriminations that excluded them from full citizenship? In the 1940s, war-driven challenges to racial and ethnic borderlines encouraged hesitant trespass against older notions of "normal." But by the end of the 1950s, the cold war cultural atmosphere discouraged probing of racial and social inequality and ultimately turned family stories into a comforting retreat from politics. The book crosses disciplinary boundaries, suggesting a novel method for cultural history by probing the social history of literary, dramatic, and cinematic texts. Smith's innovative use of archival research sets authorial intent next to audience reception to show how both contribute to shaping the contested meanings of American belonging.

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Science and illustration have always walked hand in hand, and not only the scientific community but the general public as well have used images since early history to understand natural phenomena. Moreover, from Galileo to Einstein, our modern history has been written with the key support of art and with all the insights it contributes. This XL-sized book collects more than 300 graphic works that range from original sketches to technical drawings, and from meticulous hand illustrations to computer-generated images. The Western scientific revolution that started in the 14th century catapulted humankind into a completely new way of understanding how nature and the world around us behaved. Whether it was diseases caused by viruses or the vast galaxies of the cosmos, a new army of professionals turned their minds to unlocking and reshaping the universe of our experience with a dialectic positioned between theory and evidence. The field of illustration and the development of knowledge became inseparably intertwined, as can be seen by the majestic works shown in this book that were produced by the scientists and artists who specialized in this combined field. Explore here the work of more than 700 scientists and over 300 discoveries in anatomy, physics, chemistry, astronomy, mechanics, and many other scientific fields, through the visual works that bring them to life. Combined with detailed texts explaining their scientific significance, the illustrations in this book introduce the work of such pionieering scientists as Andreas Vesalius, Isaac Newton, Marie Curie, and Rosalind Franklin. The visualizations themselves present game-changing ideas and discoveries from the 15th century to the present day, notably including Galileo’s watercolors of the moon, Bourgery’s unparalleled Atlas of Human Anatomy and Surgery, Florence Nightingale’s statistical diagrams to indicate war casualties, and Einstein’s quickly scribbled ideas for his general theory of relativity. Many discoveries in science take place as the result of counterintuitive thinking, and in order to visualize their work scientists have to connect with the resources of collective knowledge and in turn convey new information back to people. This book is for everyone who is continually amazed by the wonders of our world and who wants to find out more about it through the remarkable illustrations used to present advances in scientific understanding.

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A full-color oracle deck and guidebook to engage directly with the Archangels and initiate a powerful alchemical process of ascension• Includes 40 full-color, high-vibration cards each featuring an Archangel and the specific healing color ray/sacred flame that that angel embodies • Provides a detailed interpretation of each card, explaining the Archangel’s powers and benefits, corresponding star constellation, sacred symbols and colors, chakra energies, and crystal and essential oil associations • Shares exercises and visualizations to help you connect with your chosen Archangel, embody their energy and healing vibrations, and initiate the process to reunite with your Divine higher self Angels are the keepers of our ascension pathway. They assist humanity toward personal and collective enlightenment, bringing us love, guidance, power, healing, and deep transformation. This oracle deck and guidebook allow you to engage directly with the Archangels--the highest rank of angels--and the potent energy of Divine Fire to initiate a powerful alchemical process within you, a transformation that can help accelerate your ascension and align you with your inner Divinity. Each of the 40 full-color, high-vibration cards features an Archangel and the healing color ray or sacred flame that that angel embodies. The deck includes a balance of masculine, feminine, androgynous, and multicultural angels in celebration of humanity’s diversity. In the accompanying book, gifted angel communicator Alexandra Wenman explores how the Archangels interact with us and how they work with and within us. She provides a detailed interpretation of each card, explaining the Archangel’s powers and benefits, sacred symbols, colors, star constellation, and chakra energies. She also reveals the crystals and essential oils you can use to resonate with each Archangel’s energies and offers a beautiful message to connect directly with each Divine Guide. The author shares exercises and visualizations to help you channel your chosen Archangel, embody their energy and healing vibrations, purify your lower self and remove energetic blockages, and initiate the alchemical process to reunite with your Divine higher self. With the Archangel Fire Oracle, you have a hands-on tool to connect with the angels, access their guidance and support, open your heart to love and healing, and reach the rainbow light of your own Divinity.

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“Marcus shows the ways in which Black activists and writers, in particular, have continued to express their political desires. In doing so, she draws our attention to the centrality of disappointment in American political life.”—Keeanga-Yamahtta Taylor, New Yorker“Political Disappointment is an abundant text, overflowing with Sara Marcus’s considerable gifts. She is adept at presenting history and narrative with equal clarity; her writing is urgent but also optimistic. This is a book that is sometimes painful but never sacrifices hope or beauty.”—Hanif AbdurraqibMoving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment—the unfulfilled desire for change—into a basis for solidarity.Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities.Political Disappointment shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world.Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus’s unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.

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On Forbes list of "10 Books To Help You Foster A More Diverse And Inclusive Workplace"How law, policy, and official state rhetoric have fueled the resurgence of Islamophobia—with a call to action on how to combat it.“I remember the four words that repeatedly scrolled across my mind after the first plane crashed into the World Trade Center in New York City. ‘Please don’t be Muslims, please don’t be Muslims.’ The four words I whispered to myself on 9/11 reverberated through the mind of every Muslim American that day and every day after.… Our fear, and the collective breath or brace for the hateful backlash that ensued, symbolize the existential tightrope that defines Muslim American identity today.” The term “Islamophobia” may be fairly new, but irrational fear and hatred of Islam and Muslims is anything but. Though many speak of Islamophobia’s roots in racism, have we considered how anti-Muslim rhetoric is rooted in our legal system? Using his unique lens as a critical race theorist and law professor, Khaled A. Beydoun captures the many ways in which law, policy, and official state rhetoric have fueled the frightening resurgence of Islamophobia in the United States. Beydoun charts its long and terrible history, from the plight of enslaved African Muslims in the antebellum South and the laws prohibiting Muslim immigrants from becoming citizens to the ways the war on terror assigns blame for any terrorist act to Islam and the myriad trials Muslim Americans face in the Trump era. He passionately argues that by failing to frame Islamophobia as a system of bigotry endorsed and emboldened by law and carried out by government actors, U.S. society ignores the injury it inflicts on both Muslims and non-Muslims. Through the stories of Muslim Americans who have experienced Islamophobia across various racial, ethnic, and socioeconomic lines, Beydoun shares how U.S. laws shatter lives, whether directly or inadvertently. And with an eye toward benefiting society as a whole, he recommends ways for Muslim Americans and their allies to build coalitions with other groups. Like no book before it, American Islamophobia offers a robust and genuine portrait of Muslim America then and now.

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This exciting, first-of-its-kind title describes the blossoming new science of medicine and management—the concepts, methodologies, techniques, and tools that create value for patients, populations, caregivers, staff, and healthcare organizations. Developed out of the innovative and powerful physician executive MBA program at the Heller School of Social Policy and Management at Brandeis University, The New Science of Medicine & Management describes what physician leaders need to know and do to fix problems that can erode value in complex healthcare environments in which they practice medicine. The book is motivated by a singular proposition—Every Physician a Leader; Every Leader a Collaborative Team Player and a new definition of high-value health care. Composed of the best 18 of approximately 200 outstanding physician-led business school projects, the book is based on the collective efforts and experiences of 33 authors and coauthors, 28 of whom are physicians and 19 of whom have an MD and an MBA degree. The work is grounded in three important assertions: First, the clinical side of complex professional medical organizations such as hospitals has traditionally been led by highly skilled, highly experienced medical practitioners trained in the underlying biomedical disciplines and applied medical sciences. Second, there is research evidence that managers with clinical backgrounds can run better healthcare organizations, and a growing number of physician-led multispecialty groups are outperforming organizations run by lay managers. Third, physicians and other caregivers should have some training in the new science of medicine and management; moreover, and very importantly, the transition from clinician to clinical manager and leader is challenging and requires training in the new science of medicine and management. State of the art, developed by expert physician leaders in the field, and replete with a wide range of management insights and lessons, this book asks important questions and offers an exciting and comprehensive resource for all physicians, health administrators, and clinicians interested in not only the science of medicine and management and in developing physician-led teams but, crucially, in ensuring value in healthcare by improving patient outcomes, safety, affordability, and employee well-being.

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To celebrate the 20th anniversary of his highly successful series of patchwork and quilting books, Kaffe Fassett has returned to his American roots. Using the collection of American vintage quilts in Britain's American Museum in Bath as his inspiration, Kaffe has chosen 18 different quilts as the basis for his 20 new designs in this book. . Designs feature both his latest fabrics and his much-loved classics, mostly from the Kaffe Fassett Collective but also his latest collection of Artisan fabrics. . An introductory section, this book features the original quilts that inspired Kaffe, and tells the reader something about their provenance. . The new designs demonstrate Kaffe's vivid and unique colour combinations, giving new meaning to familiar block patterns such as Tumbling Blocks, Starbursts, and Log Cabins. . Photographed in bucolic Bucks County, Pennsylvania. . Each pattern contains full step-by-step piecing instructions and detailed diagrams. AUTHOR: San Francisco-born artist Kaffe Fassett is a name every quilter knows. His work has been commissioned by the British monarchy, American fashion designers, and the Royal Shakespeare Company. More than a decade ago, Fassett partnered with Rowan to create the Kaffe Fassett Collections, which debuts new fabrics each fall. He has written numerous quilt best-sellers including Heritage Quilts, Kaffe Quilts Again, Kaffe Fassett: Dreaming in Color, an autobiography, and Kaffe Fassett's Quilt Romance. SELLING POINTS: . Best-selling series. This is the 20th book in the Kaffe Fassett Patchwork and Quilting book collections. In total, these books by Kaffe Fassett have sold more than 400,000 copies. . Special market opportunities. Museum and libraries will love this book. The featured quilts are rare and are drawn from an historic collection. . Author with authority: Kaffe Fassett is a world-renowned texture artist whose work has been commissioned by British royalty, American fashion designers as well as the Royal Shakespeare Company. His works have been exhibited in museums around the world and have drawn record-breaking attendances (an exhibit of Kaffe's quilts drew 120,000 people to the Japan World Quilt Fair in 4 days.) . How-to instruction: The stunning photos are just the start: Each pattern features a sumptuous photo of the project, a materials list, and written instructions with useful tips, plus colour diagrams and templates for piecing the quilt.

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The Panoptic Sort was published in 1993. Its focus was on privacy and surveillance. But unlike the majority of publications addressing these topics in the United States at the time that were focused on the privacy concerns of individuals, especially those related to threats associated with government surveillance, that book sought to direct public toward the activities of commercial firms. It was highly critical of the failure of scholars and political activists to pay sufficient attention to the threats to individual autonomy, collective agency, and the exercise of social responsibility. The Panoptic Sort was intended to help us all to understand just what was at stake when the bureaucracies of government and commerce gathered, processed, and made use of an almost unlimited amount of personal, and transaction-generated information to manage social, economic, and political activities within society. It argued that unlike Foucault's panoptic prison, which involved continual, all-encompassing surveillance, the panoptic systems being developed at that time were turning their attention toward the development of techniques for the identification and classification of disciplinary subjects into distinct groups in ways that would increase the efficiency with which the techniques of "correct training" could be applied to those group members. While the first edition provided numerous examples from marketing, employment, insurance, credit management, and the provision of government and social services, the second edition extends descriptions of the technologies that have been developed and incorporated into the panoptic sort in the nearly 30 years since its initial publication. In addition, it places these technological advances and systemic expansions into the context of quite significant transformations in the nature of capitalism. In addition to the massive expansion in the amount of data and information being gathered, processed, and distributed for use by corporations, government agencies, and newly developing public-private partnerships, advances in artificial intelligence and machine learning have placed the development of autonomous devices into positions of power that had barely been imagined in the past. Assessments of the implications for democracy that many associate with the possibility of an algorithmic Leviathan, invite a reconsideration of Jacques Ellul's distressing predictions about the future that ended the first edition of The Panoptic Sort.

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Global warming has reached terrifying heights of severity, human consumption has caused the extinction of countless species and neoliberalism has led to a destructive divide in wealth and a polarization of mainstream politics. The climate crisis demands action. Your planet needs you! Can we shop our way out of a crisis? Will technology save the day? What does it mean to be a citizen and not a consumer? Are the real solutions inside of us? Who Cares Wins provides a plethora of solutions guaranteed to inspire and create lasting global change. Lily Cole has met with some of the millions of people around the world who are working on creative, innovative solutions to our biggest challenges and are committed to creating a more sustainable and peaceful future for humanity. Embracing debate and exploring issues from fast fashion to fast food, farming to plastic waste, renewable energy to gender equality, the book features interviews with diverse voices from entrepreneurs like Stella McCartney and Elon Musk, to activists such as Extinction Rebellion co-founder Dr Gail Bradbrook, Farhana Yamin, Isabella Tree, Putanny Yawanawa and Alice Waters, to offer a beacon of possibility and celebrate the joy and power of collective global creativity in challenging times.Who Cares Wins is a rousing call to action that will instil hope and leave you feeling equipped with the solutions and practical steps needed to make a difference. We are the ancestors of our future: a generation that will either be celebrated for its activism or blamed for its apathy.__________________It is time for us to choose solutions over despair, to act now and create a better future.'It's a positive, useful book - how to make choices. We need to get governments on board. I wish Lily was world controller' Vivienne Westwood, fashion designer and founder of Vivienne Westwood Ltd'A welcome and thorough overview of some of the many aspects of the crisis humanity is now facing alongside the visionary possibilities for change at our fingertips. If we don't act it isn't for lack of good ideas' Dr Gail Bradbrook, co-founder of Extinction Rebellion'Your book is golden, like you' Patti Smith

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Professional baseball players have always been well paid. In 1869, Harry Wright paid his Cincinnati Red Stockings about seven times what an average working-man earned. Today, on average, players earn more than fifty times the average worker's salary. In fact, on December 12, 1998, pitcher Kevin Brown agreed to a seven-year, $105,000,000 contract with the Los Angeles Dodgers, the first nine-figure contract in baseball history. Brown will be earning over $400,000 per game; more than 17,000 fans have to show up at Dodger Stadium every night just to pay his salary. Why are baseball players paid so much money? In this insightful book, legal scholar and salary arbitrator Roger Abrams tells the story of how a few thousand very talented young men obtain their extraordinary riches. Juggling personal experience and business economics, game theory and baseball history, he explains how agents negotiate compensation, how salary arbitration works, and how the free agency \u0022auction\u0022 operates. In addition, he looks at the context in which these systems operate: the players' collective bargaining agreement, the distribution of quality players among the clubs, even the costs of other forms of entertainment with which baseball competes. Throughout, Dean Abrams illustrates his explanations with stories and quotations -- even an occasional statistic, though following the dictum of star pitcher, club owner, and sporting goods tycoon Albert Spalding, he has kept the book as free of these as possible. He explains supply and demand by the cost of a bar of soap for Christy Mathewson's shower. He illustrates salary negotiation with an imaginary case based on Roy Hobbs, star of The National. He leads the reader through the breath-taking successes of agent Scott Boras to explain the intricacies of free agent negotiating. Although studies have shown that increases in admissions prices precede rather than follow the rise in player salaries, fans are understandably bemused by skyrocketing salaries. Dean Abrams does not shy away from the question of whether it is \u0022fair\u0022 for an athlete to earn more than $10,000,000 a year. He looks at issues of player (and team) loyalty and player attitudes, both today and historically, and at what increased salaries have meant for the national pastime, financially and in the eyes of its fans. The Money Pitch concludes that \u0022the money pitch is a story of good fortune, good timing, and great leadership, all resulting from playing a child's game -- a story that is uniquely American.\u0022

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'But to white readers in particular, I say: Pull up a chair, grab a pen, lay down your defenses, and listen very respectfully to Rachel Ricketts. She has offered up an exceedingly valuable resource to a tired, troubled (and all too often delusional) world. This is a book we all need.'Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love '[Rachel's] heartfelt and engaging book is a both a call to action and a toolkit for anybody who wants to play their part in eradicating white supremacy – a mission she reminds us is not about getting it all ‘right’ but doing better every day.' Ruby Warrington, author, of Sober CuriousThought leader, racial justice educator, and sought-after spiritual activist Rachel Ricketts offers mindful and practical steps for all humans to dismantle white supremacy on a personal and collective level.Heart-centered and spirit-based practices are the missing but vital piece to achieving racial justice.Do Better is a revolutionary offering that addresses anti-racism from a comprehensive, intersectional, and spiritually-aligned perspective. This actionable guidebook illustrates how to engage in the heart-centered and mindfulness-based practices that racial justice educator and healer Rachel Ricketts has developed to fight white supremacy from the inside out, in our personal lives and communities alike. It is a loving and assertive call to do the deep - and often uncomfortable - inner work that precipitates much-needed external and global change.Radical racial justice includes daily, intentional and informed action. It demands addressing the emotional violence we have perpetuated on ourselves and others (most notably toward Black women and femmes), both as individuals and as a society. Do Better provides the missing pieces to manifest practicable, sustainable solutions such as identifying where we most get stuck, mitigating the harm we inflict on others and mending our hearts from our most painful race and gender-based experiences, plus much more.This inspirational and eye-opening handbook is filled with carefully curated soulcare activities for getting into our bodies and better withstanding the grief, rage and conflicting emotions that naturally arise when we fight against injustice. Culturally informed, secular spiritual exercises, such as guided meditations, transformative breathwork and journaling prompt unpack our privilege, and take up the ongoing fight against oppression, while transforming our own lives along the way.

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National polls show that approximately 50 million adult Americans are born-again Christians. Yet most Americans see their culture as secular, and the United States is viewed around the world as a secular nation. Further, intellectuals and journalists often portray born-again Christians, despite their numbers, as outsiders who endanger public life. But is American culture really so neatly split between the religious and the secular? Is America as "modern" and is born-again Christian religious belief as "pre-modern" as many think? In the 1980s, born-again Christians burst into the political arena with stunning force. Gone was the image of "old-fashioned" fundamentalism and its anti-worldly, separatist philosophy. Under the leadership of the Reverend Jerry Falwell and allied preachers, millions broke taboos in place since the Scopes trial constraining their interaction with the public world. They claimed new cultural territory and refashioned themselves in the public arena. Here was a dynamic body of activists with an evangelical vision of social justice, organized under the rubric of the "Moral Majority." Susan Harding, a cultural anthropologist, set out in the 1980s to understand the significance of this new cultural movement. The result, this long-awaited book, presents the most original and thorough examination of Christian fundamentalism to date. Falwell and his co-pastors were the pivotal figures in the movement. It is on them that Harding focuses, and, in particular, their use of the Bible's language. She argues that this language is the medium through which born-again Christians, individual and collective, come to understand themselves as Christians. And it is inside this language that much of the born-again movement took place. Preachers like Falwell command a Bible-based poetics of great complexity, variety, creativity, and force, and, with it, attempt to mold their churches into living testaments of the Bible. Harding focuses on the words--sermons, speeches, books, audiotapes, and television broadcasts--of individual preachers, particularly Falwell, as they rewrote their Bible-based tradition to include, rather than exclude, intense worldly engagement. As a result of these efforts, born-again Christians recast themselves as a people not separated from but engaged in making history. The Book of Jerry Falwell is a fascinating work of cultural analysis, a rare account that takes fundamentalist Christianity on its own terms and deepens our understanding of both religion and the modern world.

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A LOUDER THAN WAR BOOK OF THE YEARA riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.'BENJAMIN MYERS'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.'GUARDIAN'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.'THE SPECTATOR'A feat of argument, description and affection.' FINANCIAL TIMES'Young unearths the ghosts of TV past - and Britain's dark psyche.' HERALD'Highly entertaining . . . [A] fabulous treasure trove.' SCOTSMAN'Young is a phenomonal scholar.' OBSERVER'Impassioned.' THE CRITICGrowing up in the 1970s, Rob Young's main storyteller was the wooden box with the glass window in the corner of the family living room, otherwise known as the TV set. Before the age of DVDs and Blu-ray discs, YouTube and commercial streaming services, watching television was a vastly different experience. You switched on, you sat back and you watched. There was no pause or fast-forward button.The cross-genre feast of moving pictures produced in Britain between the late 1950s and late 1980s - from Quatermass and Tom Jones to The Wicker Man and Brideshead Revisited, from A Canterbury Tale and The Go-Between to Bagpuss and Children of the Stones, and from John Betjeman's travelogues to ghost stories at Christmas - contributed to a national conversation and collective memory. British-made sci-fi, folk horror, period drama and televisual grand tours played out tensions between the past and the present, dramatised the fractures and injustices in society and acted as a portal for magical and ghostly visions.In The Magic Box, Rob Young takes us on a fascinating journey into this influential golden age of screen and discovers what it reveals about the nature and character of Britain, its uncategorisable people and buried histories - and how its presence can still be felt on screen in the twenty-first century.'[A] forensic dissection . . . this tightly packed treatise takes pains to illustrate how what we view affects how we view ourselves.'TOTAL FILM

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A collection of new perspectives on COVID-19 from authoritative voices outside the mainstream• Includes contributions from 35 well-known authors, doctors, herbalists, First Nations teachers, economists, astrologers, and others, such as Richard Strozzi-Heckler, Annabel Lee, Matthew Wood, Gabriel Cousens, M.D., Rob Brezsny, and Robert Simmons • All royalties for this book go to the Land Peace foundation, serving First Nations tribes in Maine The pandemic of Coronavirus Disease 2019 (COVID-19) is the biggest event of our lifetimes. This global experience has affected human history, ecology, epidemiology, and supply chains with the suddenness of 9/11, yet with a far greater extent, duration, and toll--the end of which is not yet in sight. Exploring a broad spectrum of new perspectives on COVID-19, from the physical to the metaphysical, from ecological to political, from apocalyptic to proto-utopian, and from scientific facts and health tips to imaginings, visionings, poems, and awakenings, this anthology offers an antidote to the barrage of data and speculation from the mainstream. The 35 contributors, including Laura Aversano, Charles Eisenstein, Zoe Brezsny, Meryl Nass, M.D., Bobby Byrd, and Joel and Michelle Levey, address the virus as a fellow being, allowing it to speak to us and through us. They attempt to describe, understand, interpret, and decipher the virus at biological, serological, epidemiological, social, political, astrological, and ontological levels. The virus is explored in terms of cultural critique, divination, prophecy, warning, elucidation, and opportunity. Medical doctors, herbalists, naturopaths, indigenous healers, and homeopathic physicians tell us about coronavirus history, treatments, and prevention protocols; yoga teachers about cultivating inner balance and harmony; and economists, poets, psychotherapists, and First Nations teachers about the vast effects of the virus and the way forward. They explore how the disease speaks directly and how it meticulously addresses our relationship to Gaia, to its animal, plant, and mineral kingdoms, to each other, and to the economies and dystopia we have created. As a visionary whole, The Corona Transmissions asks you to respond, to engage your wisdom and creative imagination, to resist easy categorization and resolutions, and to participate in a collective dance and chant for healing, peace, equality, and a habitable future. Viruses do not live except by virtue of us carrying them. We are the living ones and our bodies, minds, hearts, and spirits will prevail.

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Kaffe Fassett uses the colourful Venetian island of Burano to form the backdrop of another stunning collection of new quilt designs from the Kaffe Fassett Studio. In this 22nd installment of Kaffe Fassett's ever-popular series of patchwork and quilting books, the quilts have been photographed on location in Burano, a tiny island in Italy's Venetian archipelago, famous for its lace making but also for its brilliantly painted houses in a myriad jewel colours. The colourful house walls, sometimes distressed and occasionally decorated with murals, form the backdrop, along with the canals, bridges, and boats of this special Venetian island, to another wonderful selection of Kaffe's new quilt designs. The collection of 19 quilts features both new fabric designs from the Kaffe Collective and some of his Classics. Bali Brocade makes a fantastic background to Kaffe's sumptuous Shimmer Star quilt with its ripples of pattern in contrasting prints. His two versions of a very simple quilt,comes in two very different colorways. Hot Steps is a riot of colour, whereas by contrast its sister quilt, Cool Steps, in dusty blues, greens, and greys has an dreamy quality. Liza Prior Lucy's rich and dark Turkish Coffee quilt, with its hint of Eastern promise, fussy cuts Kaffe's new Turkish Delight fabric to brilliant effect. Kaffe Fassett's Quilts in Burano provides all the instructional text, diagrams, and templates to make the quilts, plus a section on basic patchwork techniques for less experienced quilters. AUTHOR: San Francisco-born artist Kaffe Fassett is a name every quilter knows. His work has been commissioned by the British monarchy, American fashion designers, and the Royal Shakespeare Company. He has written numerous best-sellers including Kaffe Fassett's Quilts in Italy, Kaffe Fassett's Quilts in Morocco, and Kaffe Fassett's Quilts in the Cotswold's. SELLING POINTS: . The stunning photos are just the start: Each pattern features a sumptuous photo of the project, a materials list, and carefully written instructions with useful tips, plus colour diagrams and templates for piecing the quilt . Kaffe Fassett is a world-renowned textile artist whose work has been commissioned by British Royalty, American fashion designers as well as the Royal Shakespeare Company. His works have been exhibited in museums around the world and have drawn record-breaking crowds . Best-Seeling author Kaffe Fassett delivers another stunning set of Quilt Designs highlighting his new fabric line

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'Warm and uplifting storytelling: a delightful treat'Clare Chambers, author of Small Pleasures'If you're not in the Yuletide mood yet, you will be after this'Telegraph'An ode to the strange and wonderful time that is Christmas'Stylist'A novel that's sure to warm the heart of any Scrooge'Radio Times'Tender and moving, Gifts is infused with Christmas magic - that bittersweet mix of joy, yearning, sadness and hope that accompanies the festive season'Daily Mirror'A gorgeous festive tale... Beautifully written and highly emotionally intelligent'Daily Mail'I loved The Versions Of Us by Laura Barnett and her new novel is just as wonderful... The ideal warm, bittersweet read to get you in the festive spirit'Good Housekeeping'Full of warmth, poignancy and a huge dose of Christmas spirit'RedTwelve peopleTwelve giftsOne Christmas to rememberMaddy runs the bookshop on Market Square. She's struggling to choose a gift (a watch? a wine subscription? a weekend bag? all too much?) for her old school friend Peter, who's just moved back from London following a messy divorce.Peter doesn't have a clue what to get for his teenage daughter Chloe - furious with her mother, she's decided to up sticks and move to Kent with him, but he worries that he really doesn't know her at all.Chloe wants to buy something special for her grandmother Irene, who lives alone on the other side of town.Irene doesn't get out much these days, but she'd really like to find the right gift for Alina, who's so much more than a carer, really - always stops to chat for a bit, have a cup of tea, even if it makes her late.And Alina, meanwhile, has her eye on something for...From the no. 1 bestselling author of The Versions of Us comes a novel about how wonderful and sad and difficult and happy and strange Christmas can be. Stories to inspire, move and comfort.'He felt it: the lightness, the expansiveness, the anticipation, the sense that something good was coming. And it was, wasn't it - though the world was still licking its collective wounds and there was still suffering everywhere, suffering and loneliness and sadness. Despite all this, it was good: it was kindness, it was giving without thought of recompense, it was light in the darkness'

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THE NEW YORK TIMES BESTSELLER'I've been wondering who might fill the intellectual void after James Baldwin died. Clearly it is Ta-Nehisi Coates' Toni Morrison'Searing. One of the foremost essayists on race in the West... [He] is responsible for some of the most important writing about what it is to be black in America today' Nikesh Shukla, editor of The Good ImmigrantAn essential account of modern America, from Obama to Trump, from black lives matter to white supremacists rising - by the bestselling author of Between the World and MeObama's presidency was a watershed moment in American history. From 2008-2016, the leader of the free world was a black man. In those eight years, Obama transformed the conversation around race, gender, class and wealth - inspiring hope but also attracting criticism and breeding discontent.In this unflinching book, Ta-Nehisi Coates takes stock of Obama's eight years in power, through such iconic, unmissable essays as 'Fear of a Black President' and 'The Case for Reparations'. His account traverses the intersections of the political, the ideological and the cultural, presenting an America in radical flux and yet still in the grip of racial injustice, class warfare and institutional conspiracy. And it reflects on the author's own journey through these eight years, charting the public through the private in passages of startling intimate and piercingly relevant memoir.Ta-Nehisi Coates is one of our most brilliant, most fearless and most essential living writers - and his work is crucial to understanding race in America today.Finalist for the Los Angeles Book Prize 2018Longlisted for the Andrew Carnegie Medal for Excellence 2018RAVE READER REVIEWS:'Brilliantly written, incisive, and extremely relevant. Read it with your families, use it in your classrooms, give copies to your friends' (Liz)'Coates thinks more deeply and writes more clearly about the national tragedy and disgrace that is our collective failure to confront the legacy of White Supremacy than just about anyone... I can't recommend it highly enough' (Worddancer Redux)'Every white person who wants to really know how it looks from 'the other side' should take on the responsibility of reading Coates' eye-opening, informative book... A must read for everyone of every colour' (Indy JV)'A masterful understanding of how the USA really works' (shedgirl)'If you want to know the wellsprings of racism in America - then read this book!' (David C. R. Hancock)

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