Search results for ""ideals""

The first book in the breathtaking Paget Family Saga, a Gothic regency romance from the legendary Joan Aiken. Perfect for fans of Netflix's Bridgerton and Julia Quinn.When danger forces expatriate English gentlewoman Juliana Paget to flee her home in Italy, she embarks on a journey full of thrilling adventure. Nothing could have prepared her for outwitting a French mob, crossing the Channel in a hot air balloon, or fending off the advances of the fascinating Count Welcker.Arriving in London just in time for her very first Season, Juliana is going to find all her ideals challenged – and the truth of her heart finally revealed . . .Full of romance and adventure, The Smile of the Stranger is the first book in The Paget Family Saga. Continue the series with The Weeping Ash.'Joan Aiken's invention seemed inexhaustible, her high spirits a blessing, her sheer storytelling zest a phenomenon. She was a liter

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A war is being waged against the Past. Whether it's toppling statues, decolonising the curriculum or erasing terms from our vocabulary, a cultural crusade is underway designed to render the past toxic. It is condemned as enemy territory and has become the target of venomous hate. What is at stake in provoking such a strong sense of societal shame towards Western history? In this book, Frank Furedi mounts a fierce defence of the past and calls for a fight back against the delegitimization of its ideals and accomplishments. Casting the past as a story of shamehas become a taken-for granted outlook permeating the educational and cultural life of western society from the top down. Its advocates may see it as a cultural imperative, butasociety that loses touch with its past will face a permanent crisis of identity.Squandering the wisdom provided by our historical inheritance means betraying humanity's positive achievements. Challenging this great betrayal, Furedi argues, is one

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The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.

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In Curating the Moving Image, influential curator and theorist Mark Nash draws on his work at Documenta11, the Venice Biennale, and elsewhere to explore the possibilities of contemporary curation. Constructing this richly illustrated book as a curatorial project in and of itself, Nash outlines several key concepts that range from exhibition architecture and curating as an affective and artistic practice to post-cold war aesthetics and contemporary Chinese art. Throughout these essays on contemporary art, film, and installation, Nash offers critical commentary and reflection on exhibitions he has curated, including those that focus on socialist and utopian ideals following the end of the Cold War. He also folds curating into a discussion of forms of artistic production that are connected to alternative trajectories of collective and collaborative practice. Ultimately, Nash demonstrates that the art world and contemporary curatorial practice constitute some of the most important tools for social and aesthetic exchange in the twenty-first century.

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Offers the first study about Jocelyne Saab (1948-2019), a Lebanese pioneer of Arab cinema Offers a cohesive study of her oeuvre, both filmic, activist and artistic Positions Saab's work as central to the development of world cinema, and not only in the Arab world Provides a comprehensive and fresh study of her work, bringing together scholars from across the globe Jocelyne Saab was one of the most important female filmmakers pioneering a sense of international emancipatory world cinema from the early 1970s to her death in 2019. This book is the first English-language study dedicated to her entire oeuvre which consisted of journalism, documentaries, experimental and feature films, as well as photography, art exhibitions and curation, and film festival organisation. In this book, a range of international scholars integrates her work into a cohesive study of all aspects of her oeuvre filmic, activist and artistic representing the global significance of Saab's work and the ongoing resonance of her ideals and activism in a worldwide perspective.

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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.

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The Great War is over. Everfair has found peace within its borders. But our heroes’ stories are far from done. Tink and his sister Bee-Lung are traveling the world via aircanoe, spreading the spores of a mysterious empathy-generating fungus. Through these spores, they seek to build bonds between people and help spread revolutionary sentiments of socialism and equality—the very ideals that led to Everfair’s founding. Meanwhile, Everfair’s Princess Mwadi and Prince Ilunga return home from a sojourn in Egypt to vie for their country’s rule following the abdication of their father King Mwenda. But their mother, Queen Josina, manipulates them both from behind the scenes, while also pitting Europe’s influenza-weakened political powers against one another as these countries fight to regain control of their rebellious colonies. Will Everfair continue to serve as a symbol of hope, freedom, and equality to anticolonial movements around the world, or will it fall to forces inside and out?

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Was the American Revolution fought to achieve abstract ideals of individual freedom or to serve economic interests? "Both!" is the answer provided by Prof. Thomas D. Curtis in this intriguing study. He shows how British policy, particularly as it related to the speculation in lands on the western frontier (in the Appalachias and the Ohio Valley), had the unintended effect of uniting diverse interests into a force for rebellion. The leaders included heavily indebted southern landowners (including George Washington), northern urban land speculators (including Benjamin Franklin), and wealthy northern merchants who feared, after 1773, that England would impose trade monopolies that would bankrupt them. Artisans, shopkeepers, and small-scale farmers were influenced by combinations of economic and ideological motives. Small-scale land-oriented interests consisted of the settlers who wanted cheap land for farming in the western frontier areas, but who were denied legal title to the Indian lands by British law.

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Emerging in 1918 from the devastation of World War I, the modern pacifist movement expanded rapidly and soon became organized on a transnational basis. These essays present aspects of the movement's development to the end of the Second World War. The fourteen essays in Part I look at the interwar years, which gave rise to an array of pacifist organizations, both religious and humanist, throughout Europe and North America. Twelve essays in Part II deal with the brutal challenge to pacifist ideals posed by the Second World War and include a look at the fate of those courageous Germans who refused to fight for Hitler. The struggles of Christian pacifism in Japan and the satyagraha (non-violent soul force) of Gandhi in India are the focus of the two closing studies (Part III). These twenty-eight essays by scholars from eleven countries present an impressive overview of this remarkable movement, at the same time drawing out many little-known areas of pacifist activity.

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Five continents. Ten countries. Twenty Natural World Heritage sites in five years. In the Name of Wild is the story of what happened when one family set out to learn what wildness means to people around the world. What draws us to seek out wild places? Do they mean the same to everyone? As they embarked on their fieldwork the Vannini family expected pristine landscapes, but romantic ideals soon crashed into reality. Adventurers were there to conquer the wilderness. Conservationists were there to manage it. Tourism operators were there to make a dollar. Part travelogue, part ethnography, In the Name of Wild takes us on a wide-ranging journey, searching for answers from people who call places like Tasmania, Patagonia, and Iceland home. Wildness, they explain, isn’t about remoteness or an absence of people. This brilliantly conceived, beautifully told account reveals that wild is really about connections, kinship, and coexistence with the land.

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Pierre Elliott Trudeau – radical progressive or unavowed socialist? His legacy remains divisive. Most scholars portray Trudeau’s ties to the left as evidence either of communist affinities or of ideals that led him to found a progressive, modern Canada. The Constant Liberal traces the charismatic politician’s relationship with left and labour movements throughout his career. Christo Aivalis argues that although Trudeau found key influences and friendships on the left, he was in fact a consistently classic liberal, driven by individualist and capitalist principles. While numerous biographies have noted the impact of the left on Trudeau’s intellectual and political development, this comprehensive analysis showcases the interplay between liberalism and democratic socialism that defined his world view – and shaped his effective use of power. The Constant Liberal suggests that Trudeau’s leftist activity was not so much a call for social democracy as a warning to fellow liberals that lack of reform could undermine liberal-capitalist social relations.

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In recent decades, community forestry has taken root across Canada. Locally run initiatives are lauded as welcome alternatives to large corporate and industrial logging practices, yet little research has been done to document their tangible outcomes or draw connections between their ideals of local control, community benefit, ecological stewardship, and economic diversification and the realities of community forestry practice.This book brings together the work of over twenty-five researchers to provide the first comparative and empirically rich portrait of community forestry policy and practice in Canada. Tackling all of the forestry regions from Newfoundland to British Columbia, it unearths the history of community forestry, revealing surprising regional differences linked to patterns of policy-making and cultural traditions. Case studies celebrate innovative practices in governance and ecological management while uncovering challenges related to government support and market access. The future of the sector is also considered, including the role of institutional reform, multiscale networks, and adaptive management strategies.

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Deliberative democracy is a dominant paradigm in normative political philosophy. Deliberative democrats want politics to be more than a clash of contending interests, and believe that political decisions should emerge from reasoned dialogue among citizens. But can these ideals be realized in complex and unjust societies?Deliberative Democracy in Practice brings together leading scholars who explore debates in deliberative democratic theory in four areas of practice: education, constitutions and state boundaries, indigenous-settler relations, and citizen participation and public consultation. They address issues such as whether the desire to rear deliberative citizens can be reconciled with the freedom of parents to raise their children in their own belief systems, and whether real-world designs for citizen participation and consultation live up to the norms of deliberative democracy.This dynamic volume casts new light on the strengths and limitations of deliberative democratic theory, offering guidance to policy makers and to students and scholars interested in democratic justice.

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What do you want more of in your life? And what could you use a little less of? Take a mindful moment to reflect on these questions with More/Less: A Guided Journal for Cultivating Balance. Filled with 30 pairs of complementary ideals-from "More time creating. Less time stressing" to "More walks. Less sitting on the couch"-this beautifully illustrated book is a perfect companion for building a life you love. Inspiring prompts about goals, dreams, and big picture ideas encourage thoughtful contemplation and a moment of stress-releasing reflection. Full-color illustrations throughout are paired with an embellished, hardcover binding to create a package that feeds the eyes as well as the soul.This guided journal includes:30 sets of matched pair prompts, with space to reflect.15 thought-provoking question prompts, for building a life you loveFull-color illustrations throughoutUncoated interior paper perfect for writing and sketching your balanced world.

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Digital technologies are a key feature of contemporary education. Schools, colleges and universities operate along high-tech lines, while alternate forms of online education have emerged to challenge the dominance of traditional institutions. According to many experts, the rapid digitization of education over the past ten years has undoubtedly been a ‘good thing’. Is Technology Good For Education? offers a critical counterpoint to this received wisdom, challenging some of the central ways in which digital technology is presumed to be positively affecting education. Instead Neil Selwyn considers what is being lost as digital technologies become ever more integral to education provision and engagement. Crucially, he questions the values, agendas and interests that stand to gain most from the rise of digital education. This concise, up-to-the-minute analysis concludes by considering alternate approaches that might be capable of rescuing and perhaps revitalizing the ideals of public education, while not denying the possibilities of digital technology altogether.

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Siblings and all the lateral relationships that follow from them are clearly important and their interaction is widely observed, particularly in creative literature. Yet in the social, psychological and political sciences, there is no theoretical paradigm through which we might understand them. In the Western world our thought is completely dominated by a vertical model, by patterns of descent or ascent: mother or father to child, or child to parent. Yet our ideals are ‘liberty, equality and fraternity’ or the ‘sisterhood’ of feminism; our ethnic wars are the violence of ‘fratricide’. When we grow up, siblings feature prominently in sex, violence and the construction of gender differences but they are absent from our theories. This book examines the reasons for this omission and begins the search for a new paradigm based on siblings and lateral relationships. This book will be essential reading for those studying sociology, psychoanalysis and gender studies. It will also appeal to a wide general readership.

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Unpacks the problems and privileges of pursuing a career of passion by exploring work inside craft breweries. As workers attempt new modes of employment in the era of the Great Resignation, they face a labor landscape that is increasingly uncertain and stubbornly unequal. With Handcrafted Careers, sociologist Eli Revelle Yano Wilson dives headfirst into the everyday lives of workers in the craft beer industry to address key questions facing American workers today: about what makes a good career, who gets to have one, and how careers progress without established models. Wilson argues that what ends up contributing to divergent career paths in craft beer is a complex interplay of social connections, personal tastes, and cultural ideas, as well as exclusionary industry structures. The culture of work in craft beer is based around bearded white guy ideals that are gendered and racialized in ways that limit the advancement of women and people of color. A fresh perspective on niche in

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A Finalist for the Westport Prize for LiteratureA multigenerational, Latin American saga of love and revolution in which a rebel who commits a youthful betrayal receives a late-life chance at redemption and a new life: “a tour de force” from “the new master” (Luis Alberto Urrea, New York Times bestselling author of Good Night, Irene). In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.   Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young

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Taking an interdisciplinary approach that looks at film, television, and commercial advertisements as well as more traditional media such as painting, The Tiger in the Smoke provides an unprecedented analysis of the art and culture of post-war Britain. Art historian Lynda Nead presents fascinating insights into how the Great Fogs of the 1950s influenced the newfound fashion for atmospheric cinematic effects. She also discusses how the widespread use of color in advertisements was part of an increased ideological awareness of racial differences. Tracing the parallel ways that different media developed new methods of creating images that variously harkened back to Victorian ideals, agitated for modern innovations, or redefined domesticity, this book’s broad purview gives a complete picture of how the visual culture of post-war Britain expressed the concerns of a society that was struggling to forge a new identity. Published in association with the Paul Mellon Centre for Studies in British Art

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"Gender is an absolute ground zero for most human societies," writes David William Foster, "an absolute horizon of social subjectivity." In this book, he examines gender issues in thirteen Brazilian films made (with one exception) after the 1985 return to constitutional democracy and elimination of censorship to show how these issues arise from and comment on the sociohistorical reality of contemporary Brazilian society. Foster organizes his study around three broad themes: construction of masculinity, constructions of feminine and feminist identities, and same-sex positionings and social power. Within his discussions of individual films ranging from Jorge um brasileiro to A hora da estrela to Beijo no asfalto, he offers new ways of understanding national ideals and stereotypes, sexual dissidence (homoeroticism and transgenderism), heroic models, U.S./Brazilian relations, revolutionary struggle, and human rights violations. As the first study of Brazilian cinematic representations of gender ideology in English or Portuguese, this book will be important reading in film and cultural studies.

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Ge, formerly translated as "mask" or "masquerade," appears among the Dan people of Côte d'Ivoire as a dancing and musical embodiment of their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reed sets out to discover what resides at the core of Ge. He finds that Ge is defined as part of a religious system, a form of entertainment, an industry, a political tool, an instrument of justice, and a form of resistance—and it can take on multiple roles simultaneously. He sees genu (pl.) dancing the latest dance steps, co-opting popular music, and acting in concert with Ivorian authorities to combat sorcery. Not only are the bounds of traditional performance stretched, but Ge performance becomes a strategy for helping the Dan to establish individual and community identity in a world that is becoming more religiously and ethnically diverse. Readers interested in all aspects of expressive culture in West Africa will find fascinating material in this rich and penetrating book.

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Female seminaries in nineteenth-century America offered middle-class women the rare privilege of training in music and the liberal arts. A music background in particular provided the foundation for a teaching career, one of the few paths open to women. Jewel A. Smith opens the doors of four female seminaries, revealing a milieu where rigorous training focused on music as an artistic pursuit rather than a social skill. Drawing on previously untapped archives, Smith charts women's musical experiences and training as well as the curricula and instruction available to them, the repertoire they mastered, and the philosophies undergirding their education. She also examines the complex tensions between the ideals of a young democracy and a deeply gendered system of education and professional advancement. An in-depth study of female seminaries as major institutions of learning, Transforming Women's Education illuminates how musical training added to women's lives and how their artistic acumen contributed to American society.

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Often thought of as a solitary activity, the practice of reading can in fact encode the complex politics of community formation. Engagement with literary culture represents a particularly integral facet of identity formation--and serves as an expression of a sense of belonging--within the South Asian diaspora in the United States. Tamara Bhalla blends a case study with literary and textual analysis to illuminate this phenomenon. Her fascinating investigation considers institutions from literary reviews to the marketplace and social media and other technologies, as well as traditional forms of literary discussion like book clubs and academic criticism. Throughout, Bhalla questions how her subjects' circumstances, shared race and class, and desires limit the values they ascribe to reading. She also examines how ideology circulating around a body of literature or a self-selected, imagined community of readers shapes reading itself and influences South Asians' powerful, if contradictory, relationship with ideals of cultural authenticity.

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How to use design as a tool to create not only things but ideas, to speculate about possible futures.Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want).Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from

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Photographs and stories of 500 women from around the world, based on the author's hugely popular website.Since 2013 Mihaela Noroc has travelled the world with her backpack and camera taking photos of everyday women to showcase the diversity and beauty all around us. The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules.'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent'A startling and revealing project' Daily Mail'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post

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A timely call for a new ethic of journalism engagement for today's troubled media sphere, Objectively Engaged Journalism argues that media should be neither neutral nor partisan but engaged in protecting egalitarian democracy. It shows how journalists, professional or citizen, can be both objective in method and dedicated to improving a global public sphere toxic with disinformation, fake news, and extremism.Drawing from history, ethics, and current media issues, Stephen Ward rejects the ideals of neutrality and "just the facts" objectivity, showing how they are based on invalid dualistic thinking with deep roots in Western culture. He presents a theory of pragmatic objectivity and applies it to journalism. Journalism's role in interpreting culture, he argues, needs a form of objectivity that embraces human strengths and limitations.Defining responsible journalism as situated, imperfect inquiry, Objectively Engaged Journalism is one of the first systematic studies of the ethical foundations of engaged journalism for a media that is increasingly perspectival and embedded in society.

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'There's only control, control of ourselves and others. And you have to decide what part you play in that control.' Cast your eye over the comfortable north London home of a family of high ideals, radical politics and compassionate feelings. Julia, Paul and their two daughters, Olivia and Sophie, look to a better society, one they can effect through ORGAN:EYES, the campaigning group they fundraise for and march with, supporting various good causes. But is it all too good to be true? When the surface has been scratched and Paul's identity comes under the scrutiny of the press, a journey into the heart of the family begins. Who are these characters really? Are any of them the 'real' them at all? Every Trick in the Book is a genre-deconstructing novel that explodes the police procedural and undercover-cop story with nouveau romanish glee. Hood overturns the stone of our surveillance society to show what really lies beneath.

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Marital violence in post-independence Ireland, 1922–96 represents the first comprehensive history of marital violence in modern Ireland, from the founding of the Irish Free State in 1922 to the passage of the Domestic Violence Act and the legalisation of divorce in 1996. Based upon extensive research of under-used court records, this groundbreaking study sheds light on the attitudes, practices, and laws surrounding marital violence in twentieth-century Ireland. While many men beat their wives with impunity throughout this period, victims of marital violence had little refuge for at least fifty years after independence. During a time when most abused wives remained locked in violent marriages, this book explores the ways in which men, women, and children responded to marital violence. It raises important questions about women’s status within marriage and society, the nature of family life, and the changing ideals and lived realities of the modern marital experience in Ireland.

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A young Black woman documents the systemic racism in her high school diary and calls for justice and educational reform. The prevalence of anti-Black racism and its many faces, from racial profiling to police brutality, in North America is indisputable. How do we stop racist ideas and violence if the very foundation of our society is built upon white supremacy? How do we end systemic racism if the majority do not experience it or question its existence? Do our schools instill children with the ideals of equality and tolerance, or do they reinforce differences and teach children of colour that they don't belong? # BlackInSchool is Habiba Cooper Diallo's high school journal, in which she documents, processes, and resists the systemic racism, microaggressions, stereotypes, and outright racism she experienced while being Black in school in Canada. Powerful and eye-opening, Cooper Diallo illustrates how our schools reinforce rather than erode racism: the handcuffing and frisking of students

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A new edition of Barbara Taylor''s classic book, with a new introduction.In the early nineteenth century, radicals all over Europe and America began to conceive of a ''New Moral World'', and struggled to create their own utopias, with collective family life, communal property, free love and birth control. In Britain, the visionary ideals of the Utopian Socialist, Robert Owen, attracted thousands of followers, who for more than a quarter of a century attempted to put theory into practice in their own local societies, at rousing public meetings, in trade unions and in their new Communities of Mutual Association.Barbara Taylor''s brilliant study of this visionary challenge recovers the crucial connections between socialist aims and feminist aspirations. In doing so, it opens the way to an important re-interpretation of the socialist tradition as a whole, and contributes to the reforging of some of those early links between feminism and socialism.

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As a woman with a husband and other partners, philosopher Carrie Jenkins knows that love is complicated. Love is most often associated with happiness, satisfaction and pleasure. But it has a darker side we ignore at our peril. Love is often an uncomfortable and difficult feeling. The people we love can let us down badly. And the ways we love are often quite different to the romantic ideals society foists upon us. Since we are inevitably disappointed by love, wouldn’t we be better off without it? No, says Carrie Jenkins. Instead, we need a new philosophy of love, one that recognizes that the pain and suffering love causes are a natural, even a good part of what makes love worthwhile. What Jenkins calls “sad love” offers no bogus “happy ever afters”. Rather, it tries to find a way properly to integrate heartbreak and disappointment into the lived experience of love. It’s time we liberated love.

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In Waste Works, Brenda Chalfin examines Ghana’s planned city of Tema, theorizing about the formative role of waste infrastructure in urban politics and public life. Chalfin argues that at Tema’s midcentury founding, a prime objective of governing authorities was to cultivate self-contained citizens by means of tightly orchestrated domestic infrastructure and centralized control of bodily excrement to both develop and depoliticize the new nation. Comparing infrastructural innovations across the city, Chalfin excavates how Tema residents pursue novel approaches to urban waste and sanitation built on the ruins of the inherited order, profoundly altering the urban public sphere. Once decreed a private matter to be guaranteed by state authorities, excrement becomes a public issue, collectively managed by private persons. Pushing self-care into public space and extending domestic responsibility for public well-being and bodily outputs, popularly devised waste infrastructures are a decisive arena to make claims, build coalitions, and cultivate status. Confounding high-modernist ideals, excremental infrastructures unlock bodily waste’s diverse political potentials.

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As a dream carrier of messages for the soul, Dream Raven Tarot opens the gateway from the dream world to the conscious world via the wonderful aviary watercolors of Beth Seilonen. By bringing dream information into conscious thought, this lively 78-card deck enables an honest assessment of your current state of affairs, as well as a better understanding of the self and the world around you. Each card image exhibits core ideals of the Tarot through modern and historic iconography and symbolism, incorporating fun body language and cheerful colors. Within each suit, a menagerie of ravens take on a different body structure and style that reflect the corresponding element of that suit. The bright colors enhance the overall mood and message. A light and refreshing deck and guidebook with decorative lines that connect each Raven to their suits and attributed elements ranging from vibrant to subtle, these Dream Ravens are appropriate for any age and any level of Tarot reader. So, dream on!Incl

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'To Richter (no first name necessary), warm greetings to the best pianist in the Soviet Union - indeed in the whole world.' ProkofievThroughout a life dedicated to music, Richter maintained a stubborn silence about his own ideals and aspirations. Here at last he opens up his heart in these exceptional interviews with Bruno Monsaingeon, who became close to Richter not long before the pianist's death in 1995. These conversations take us on a journey which begins with Richter's childhood memories, follows his early career and his development into 'an artist of the people', and finally charts his rise to international acclaim.Richter's personal notebooks, kept for nearly thirty years, constitute an unparalleled witness to the music of our time. The pianist writes with precision, humour and clarity and is uninhibitedly himself. These are the private thoughts of a nonconformist, one of the greatest performers of the century, yet one whose life was inextricably bound to the history of the USSR.

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Pocket Museum: Ancient Greece presents more than 200 objects currently housed in public collections around the world that offer both context and immediacy to the rich culture of Ancient Greece. From the bifacial hand tools of the Lower Palaeolithic to the Hellenistic Great Altar of Pergamon, the artifacts presented here reveal a complex sociocultural history of shifting priorities, spiritual beliefs, and cultural traditions; the influence on material culture of isolation and internationalism, of technological advance and decline, and of prosperity and adversity. They also reflect the transmission of shared social-cultural ideals across vast distances through relationships maintained for centuries at a time – objects from across the Greek world, valued in life and in death. Pocket Museum: Ancient Greece also offers an insight into the history of collecting and methods of interpretation, examining how the perception of objects has changed over time. Beautifully illustrated with photographs of each featured artifact, this is an absorbing introduction to a culture that has exerted an unparalleled influence on Western civilization.

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‘Her highly personal and reflective memoir … is a must-read for anyone who cares about our role in a changing world’ Barack Obama THE INTERNATIONAL BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY:The New York Times • Time • The Economist • The Washington Post • Vanity Fair • Times Literary Supplement ‘What can one person do?’ In this vibrant, galvanizing memoir, human rights advocate and Pulitzer-Prize winning writer Samantha Power offers an urgent response to this question. As she traces her path from Irish immigrant to war correspondent and activist to eventually becoming the youngest-ever US Ambassador to the United Nations, Power writes with a unique blend of suspenseful storytelling, vivid character portraits and disarming honesty. Her account illuminates the challenges of navigating the halls of power while trying to put one’s ideals into practice (and raise two young children along the way), and it shows how – even in the face of daunting challenges – each of us can make a difference. NOW WITH UPDATED AFTERWORD

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Why is it that the more advanced our society becomes, the unhappier we are?Seeking an answer from the only honest perspective, Tobias Jones and his wife opened up their family home and ten acre woodland to those going through crises in their lives, or suffering from depression, addiction and loneliness.They will encounter extraordinary people: from 'Roadkill Kev' to 'Mary Poppins'; build a chapel, raise pigs and encounter both violent antagonism and astounding generosity. At the same time, they will open themselves, their children and their ideals up to the most demanding of judgements and transformations.Five years on, they think they are on to something. To sit down to eat together, to work on the land, to have no tolerance for drugs but a lot of tolerance for change – it takes time and many mistakes, but they have found a way to help people.This is the story of how.

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Many of us have a tendency to measure our self-worth by comparing ourselves to others. But when we fail to reach our own, families, communities or societies 'ideals' this often results in feelings of inadequacy, anxiety and low mood. We may become self-critical, experience shame and a sense of being different from others. Although an improvement in 'self-esteem' is what we may feel we want this is not necessarily what we need. This is because self-esteem is often associated with times when things are going well but can fail us when things do not go to plan. In contrast self-confidence, built from self-compassion, can help us when things are going well and make us more resilient when things are difficult.This book uses the ideas and practices of Compassion Focused Therapy to help build self-confidence. Attention is also paid to difficulties that often come hand in hand with lack of self-confidence such as anxiety, depression, substance use and anger.

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THE ACCLAIMED INTERNATIONAL BESTSELLER FROM THE NOBEL PRIZE WINNING AUTHOR.'A masterpiece' - The Times'Shamelessly entertaining' - GuardianThe sensual and provocative second book in the classic Cairo Trilogy, Palace Of Desire follows the Al Jawad family into the awakening world of the 1920's and the sometimes violent clash between Islamic ideals, personal dreams and modern realities.Having given up his vices after his son's death, ageing patriarch Al-Sayyid Ahmad pursues a bewitching lute-player - only for her to marry his eldest son. His rebellious children struggle to move beyond his domination as they test the loosening reins of societal and parental control. And Ahmad's youngest son, in an unforgettable portrayal of unrequited love, falls for the sophisticated daughter of a rich Europeanised family.A vivid portrait of a family and a country in a time of upheaval, the Cairo Trilogy is the greatest and best loved work by the 20th century's most important Arab novelist.

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In the Midwestern city of Zenith, the middle-aged estate agent George F. Babbitt appears to have achieved the American dream to its fullest: he is successful at work, comfortably off, exceedingly well fed, has a wife and children, a motor car and a neat house with a neat yard, and is a proud member of all the right clubs - in short, he lacks nothing to be happy. Or does he? As we follow his humdrum daily routine and startling events begin to unfold around him, we discover that all is not well in Babbitt's world: his moral foundations are shaking, and he can't help harbouring rebellious dreams of escape and romance. A trenchant satire on consumeristic society and an indictment of the fatuous ideals of middle America in the Roaring Twenties, Babbitt - the crowning achievement of Sinclair Lewis, winner of the 1930 Nobel Prize in Literature - questions the attractions of materialistic fulfilment, at the same time laying bare the hollowness of social respectability and blind conformism.

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Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals’ construction of dominant ideas about art cinema. Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art and humanist politics. However, the question of what drives them remains highly contentious. In a rare consideration of the European competitive film festival circuit as a whole, this book analyses the shared economic, geopolitical and cultural histories that characterise ‘European A festivals’. It offers, too, the first extensive analysis of such festivals’ role in the canonisation of select Italian films, from Rome, Open City to The Great Beauty and Gomorrah. The book proposes a new approach to ideology critique, one that enables detailed examination of how film festivals construct ideas about not only contemporary art cinema, but assumptions about gender, race, colonialism and capitalism.

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Between Self and Community investigates the early childhood socialization process in a rapidly changing, globalizing South Korea. Based on long-term ethnographic fieldwork in a South Korean preschool, it shows how both children and teachers interactively navigate, construct, and reconstruct their own multifaceted and sometimes conflicting models of what makes “a good child” amid Korea’s shifting educational and social contexts. Junehui Ahn details the conflicting and competing ways in which the ideologies of new personhood are enacted in actual everyday socialization contexts and reveals the confusions, dilemmas, and ruptures that occur when globally dominant ideals of childhood development are superimposed onto local experiences. Between Self and Community pays special attention to the way children, as active agents of socialization, create, construe, and sustain their own meanings of their personhood, thereby highlighting the dynamism children and their culturally rich peer world create in South Korea’s shifting socialization terrain.

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In Plenty and in Time of Need demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. As the most widespread manifestation of social commentary, the book uses music and performance to analyze the competing ideals and realities of the national culture. It details the histories of prominent musical artists, including the prolific Pan-Africanist calypsonian the Mighty Gabby, the world-renowned Merrymen, Soca Queen Alison Hinds, artist/activist Rupee, and international superstar Rihanna. Using these artists, the project analyzes how femininity, masculinity, and sexuality are put in service of Barbadian nationalism. By examining websites, blogs, and digital products of these artists in conversation with Barbadian tourism, the book re-examines the ways in which commodity, sexuality, gender performance, and diasporic consciousness undergird individual careers and national representations.

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After the death of her father, Sakellaraki's photography emerged as a passageway to navigate her personal grief. The project evolved to explore collective mourning in Greek society, ancestral rituals, private trauma and the passage of time-inspired by the last female communities of mourners in the Mani peninsula of Greece. 'In the wake of witnessing loss globally within our cultures and civilisations, I want to stimulate the viewer to rethink mortality through this imagined path of departure onto a new landscape. ..The Truth is in the Soil, reflects on how my personal story has transformed into a collective narrative of loss aiming at contributing to the collection of tales of human struggle for meaning. To me, these images work as vehicles for mourning perished ideals of vitality, prosperity and belonging, attempting to tell something further than their subjects by creating a space where death can exist.'

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Written as a conversation, 100 Words is an exchange of ideas, dialogues, burdens, and ideals between someone White and someone Brown. Two poets, Damon Potter and Truong Tran, write to each other about one hundred powerful words—like “proximity, “shame,” and “hope”—each of which is an abstraction rife with socially inscribed beliefs and denials. They turn to each other in an exchange, a negotiation, and a series of discoveries as they write of their individual histories, share their burdens, and learn to carry weight together. ​ Tran explains this project, saying “it is occurring to me even as I am writing this now that this is not an experiment, or case study or collaboration or partnership. Damon is not the subject nor am I. This is a shared endeavor, a lived experience between two very different lives trying to understand what it means to be, to see the other.”

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With so many state standards and demands of accountability, it can be a challenge for teachers to teach in ways that create energy and enthusiasm for reading. In their book, Reading Wellness: Lessons in Independence and Proficiency , authors Dr. Jan Burkins and Kim Yaris want to reignite the passion in teachers and drive them to instill confidence, curiosity, and joy in students.Burkins and Yates define reading wellness to include all aspects of readership so we can be our best reading selves-. The book is built around a framework of four intentions: alignment, balance, sustainability, and joy. It includes a series of field-tested lessons that help children read closely and carefully while still honoring their interests, passions, and agency as readers.Reading Wellness encourages each teacher to shape these ideas in ways that support personal ideals and goals while nurturing a love of reading and a passion for lifelong learning.

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Racism, extremism, anti-democratic sentiment – our increasingly polarized world is dominated by a type of thinking that doubts others’ positions but never its own. In a powerful challenge to fundamentalism in all its forms, Carolin Emcke, one of Germany’s leading intellectuals, argues that we can only preserve individual freedom and protect people’s rights by cherishing and celebrating diversity. If we want to safeguard democracy, we must have the courage to challenge hatred and the will to fight for and defend plurality in our societies. Emcke rises to the challenge that identitarian dogmas and populist narratives pose, exposing the way in which they simplify and distort our perception of the world. Against Hate is an impassioned call to fight intolerance and defend liberal ideals. It will be of great interest to anyone concerned about the darkening politics of our time and searching for ways forward.

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Crossing Central Europe is a pioneering volume that focuses on the complex networks of transcultural interrelations in Central Europe from 1900 to 2000. Scholars from Canada, the United States, and Europe identify the motifs, topics, and ways of artistic creation that define this cross-cultural region. This interdisciplinary volume is divided into two historical periods and includes analyses of literature, film, music, architecture, and media. By focusing first on the interrelations in the nineteenth and early twentieth-century, the contributors reveal a complex trans-ethnic network at play that disseminated aesthetic ideals. This network continued to be a force of aesthetic influence leading into the twenty-first century despite globalization and the influence of mass media. Helga Mitterbauer and Carrie Smith-Prei have embarked on a study of the overlapping artistic influences that have outlasted both the National Socialist regime and the Cold War.

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