Search results for ""author fredericks"

It’s hard to imagine a history of British engineering without Rolls-Royce: there would be no Silver Ghost, no Merlin for the Spitfire, no Alcock and Brown. Rolls-Royce is one of the most recognisable brands in the world.But what of the man who designed them?The youngest of five children, Frederick Henry Royce was born into almost Dickensian circumstances: the family business failed by the time he was 4, his father died in a Greenwich poorhouse when he was 9, and he only managed two fragmented years of formal schooling. But he made all of it count.In Sir Henry Royce: Establishing Rolls-Royce, from Motor Cars to Aero Engines, acclaimed aeronautical historian Peter Reese explores the life of an almost forgotten genius, from his humble beginnings to his greatest achievements. Impeccably researched and featuring almost 100 illustrations, this is the remarkable story of British success on a global stage.

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This wonderful collection brings together the four original Beatirx Potter stories which feature the mischievous little rabbit: The Tale of Peter Rabbit, The Tale of Benjamin Bunny, The Tale of the Flopsy Bunnies and the Tale of Mr Tod. Peter Rabbit and his cousin, Benjamin Bunny, along with their extensive family, get into all sorts of mischief as they sneak into Mr McGregor's garden, narrowly avoid being turned into rabbit pie and outsmart the wily and cunning fox, Mr Tod. Peter Rabbit and Benjamin Bunny's mischief, as well as their creative ploys to trick and outsmart their enemies, have ensured their lasting status as childhood favourites.This book, bringing together all the classic Peter Rabbit tales from their original publisher, Frederick Warne, is the perfect gift for any Beatrix Potter fan, or as an introduction to the enchanting world of Peter Rabbit.

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A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.

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A powerful portrait of a Black family tree shaped by enslavement and freedom, rendered in searing poems by acclaimed author Carole Boston Weatherford and stunning art by her son Jeffery Boston Weatherford.I call their names: Abram Alice Amey Arianna AntiquaI call their names: Isaac Jake James Jenny JimEvery last one, property of the Lloyds, the state’s preeminent enslavers. Every last one, with a mind of their own and a story that ain’t yet been told. Till now. Carole and Jeffery Boston Weatherford’s ancestors are among the founders of Maryland. Their family history there extends more than three hundred years, but as with the genealogical searches of many African Americans with roots in slavery, their family tree can only be traced back five generations before going dark. And so from scraps of history, Carole and Jeffery have conjured the voices of their kin, creating an often painful but ultimately empowering story of who their people were in a breathtaking book that is at once deeply personal yet all too universal. Carole’s poems capture voices ranging from her ancestors to Frederick Douglass to Harriet Tubman to the plantation house and land itself that connects them all, and Jeffery’s evocative illustrations help carry the story from the first mention of a forebear listed as property in a 1781 ledger to he and his mother’s homegoing trip to Africa in 2016. Shaped by loss, erasure, and ultimate reclamation, this is the story of not only Carole and Jeffery’s family, but of countless other Black families in America.

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The white man's burden, darkest Africa, the seduction of the primitive: such phrases were widespread in the language Western empires used to talk about their colonial enterprises. How this language itself served imperial purposes--and how it survives today in writing about the Third World--are the subject of David Spurr's book, a revealing account of the rhetorical strategies that have defined Western thinking about the non-Western world.Despite historical differences among British, French, and American versions of colonialism, their rhetoric had much in common. The Rhetoric of Empire identifies these shared features—images, figures of speech, and characteristic lines of argument—and explores them in a wide variety of sources. A former correspondent for the United Press International, the author is equally at home with journalism or critical theory, travel writing or official documents, and his discussion is remarkably comprehensive. Ranging from T. E. Lawrence and Isak Dineson to Hemingway and Naipaul, from Time and the New Yorker to the National Geographic and Le Monde, from journalists such as Didion and Sontag to colonial administrators such as Frederick Lugard and Albert Sarraut, this analysis suggests the degree to which certain rhetorical tactics penetrate the popular as well as official colonial and postcolonial discourse. Finally, Spurr considers the question: Can the language itself—and with it, Western forms of interpretation--be freed of the exercise of colonial power? This ambitious book is an answer of sorts. By exposing the rhetoric of empire, Spurr begins to loosen its hold over discourse about—and between—different cultures.

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This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century. Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the 'American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history. The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White. Key texts used to illustrate the narrative include: *Owen Wister's The Virginian *Jack Schaefer's Shane *Cormac McCarthy's Blood Meridian *Ishmael Reed's Yellow Back Radio Broke Down *Films from Edwin Porter's The Great Train Robbery to Fred Zinneman's High Noon and from Clint Eastwood's Unforgiven to the post 9/11 Westerns Open Range, The Alamo and Brokeback Mountain This book is an essential and comprehensive analysis of the significance and enduring legacy of the American Western. Key Features: *Includes chapters on Western history, literature and film *Shows the interconnections between the Western (in all its forms) and 20th-century American history, politics, culture and society *The only book to take a multi-disciplinary approach to the subject.

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When war broke out in 1939 over 20,000 Irishmen were serving in the Royal Navy, Army and Royal Air Force with the greatest proportion in the Army. During the war this rose to over 120,000, suggesting that about 100,000 enlisted during the war. Nine earned the Victoria Cross; three members of the Royal Navy, including a Fleet Air Arm pilot, four soldiers, including a member of the Australian forces, and two RAF pilots. The author looks at the seven Irish regiments in campaigns across the globe, at Irish soldiers across the Army, at Irish sailors from the Battle of the River Plate to the final actions against Japan, and at Irish airmen from the first bombing raids of the war to the closing days of war. Included are outstanding personalities such as the Chavasse brothers, who earned three DSOs, three DSCs and two MiDs, Bala Bredin, Corran Purden, Brendan 'Paddy' Finucane, Blair Mayne and Roy Farran, the latter pair highly-decorated SAS officers. There are also Irish generals, such as Paddy Warren who died while commanding 5th Indian Division in Burma and Frederick Loftus Tottenham, who commanded 81st (West African) Division, not to mention giants such as Alexander, Auchinleck, Montgomery and McCreery. Irish women are not forgotten in the book which also takes a brief look at the Irish in other Allied forces, including a most unusual volunteer for the US Navy whose application to serve had to be approved by President Roosevelt. He was William Patrick Hitler, a nephew of Germany's fhrer.

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Spring, 1941. The Second World War has entered a dangerous phase, with British ships being torpedoed in the Atlantic and nightly bombing raids on major ports. At Bletchley Park, top secret home of the nation's code-breakers, the race is on to crack the German Enigma code and thus prevent further naval and military losses. This endeavour is suddenly very close to home for Frederick Rowlands, blind veteran of the Great War, when his daughter, Margaret, who works at 'the Park' as a cryptographer, is arrested on suspicion of betraying secrets to the enemy. Then a young woman is found murdered, and Rowlands is drawn into a deadly battle of wits where he must decode a series of clues that will lead him to the killer and enable him to discover the real traitor at Bletchley Park.

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Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z. She focuses not only on Cranach's art, but also on the society that surrounded him, the subjects he painted, and the events that shaped his development.

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Part Unabomber, part van Gogh, David Pelenstein yearns to create an unforgettable masterpiece. He spends his days in the Chicago Public LIbrary, browsing the stacks in search of connections between obscure volume, scrupulously footnoting his research into anarchy, magnetotherapy, plastic surgery, and more. We read this journal, tracing his course through books and philosophies as he prepares his magnum opus&nash;blowing up the library that he loves. Fueled by lust for Eve Jablom, the young woman at the library's checkout desk, Felsenstein hones his plans to perfection. All that remains is to carry them out. "Instant Karma is irresistible from beginning to end. To make this original treatment of a complex and indeed zany subject so consistently entertaining is proof of a new and prodigious talent." --Harry Matthews, author of Cigarettes and Tlooth "...a tour de force, an engaging, farcical, joyful reprise of 1000 great ideas tumbling around in one humble brain, in one ordinary body." --Frederick Barthlme, author of painted Desert "...concentrated and diabolically clever novel...this is a tricky puzzle of a tale, one readers will enjoy in direct proportion to their interest in the roles books and libraries play in our lives, and to their familiarity with the diverse sources Swartz so cannily samples and remixes in this intelligent, arch, timely and piquant satire. " --The Chicago Tribune " Welcome to the oddball world of David Felsenstein, a Chicago loner who's part Young Werther, part Travis Bickle and part post-adolescent Borges...a kind of Dewey Decimal tribute to Paul Auster's Leviathan..." --The Los Angeles Times "Imagine a collaboration between David Sedaris and David Foster Wallace on a book about the interrelationship of art and anarchy ...What you end up with is Mark Swartz's weird but wonderful Instant Karma ..." --Washington City Paper "Mark Swartz's irreverent first novel, Instant Karma, features a lonely bookish pack rat ...there is some sense in which Instant Karma can stand as an odd second cousin to Jonathan Franzen's recent collection of essays, How To Be Alone." --Readerville "An obsessive read about an obsessive reader, Mark Swartz's Instant Karma is a book with the sort of power that makes you remember the sort of power books have." --Daniel Handler, author of Watch Your Mouth and The Basic Eight "This novella proves that too much reading can cause a shy boy to use explosives. The attenuated Young Werther here, direct heir to all the neurasthenic adolescents in literature, updates himself with late twentieth-century books, but stays in character. Nice satire, useful common reader." --Andrei Codrescu, NPR commentator and author of Ay Cuba! A Socio-Erotic Journey and Cassanova in Bohemia "As a reference librarian I have sometimes wondered what goes on in the hearts and minds of the many people who use the library all day, every day. Swartz provides just such a glimpse into one fictional psyche. Instant Karma's troubled protagonist's diary entries, obsessively footnoted from idiosyncratically disparate library texts, lead toward a potentially explosive end." --Jim Van Buskirk, Reference Librarian, San Francisco Public Library Mark Swartz is a writer from Chicago now living in Brooklyn. He works for the Museum of Modern Art as a copywriter and editor.

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Now available in paperback, William C. Banfield’s acclaimed collection of interviews delves into the lives and work of forty-one Black composers. Each of the profiled artists offers a candid self-portrait that explores areas from training and compositional techniques to working in a exclusive canon that has existed for a very long time. At the same time, Banfield draws on sociology, Western concepts of art and taste, and vernacular musical forms like blues and jazz to provide a frame for the artists’ achievements and help to illuminate the ongoing progress and struggles against industry barriers. Expanded illustrations and a new preface by the author provide invaluable added context, making this new edition an essential companion for anyone interested in Black composers or contemporary classical music. Composers featured: Michael Abels, H. Leslie Adams, Lettie Beckon Alston, Thomas J. Anderson, Dwight Andrews, Regina Harris Baiocchi, David Baker, William C. Banfield, Ysaye Maria Barnwell, Billy Childs, Noel DaCosta, Anthony Davis, George Duke, Leslie Dunner, Donal Fox, Adolphus Hailstork, Jester Hairston, Herbie Hancock, Jonathan Holland, Anthony Kelley, Wendell Logan, Bobby McFerrin, Dorothy Rudd Moore, Jeffrey Mumford, Gary Powell Nash, Stephen Newby, Coleridge-Taylor Perkinson, Michael Powell, Patrice Rushen, George Russell, Kevin Scott, Evelyn Simpson-Curenton, Hale Smith, Billy Taylor, Frederick C. Tillis, George Walker, James Kimo Williams, Julius Williams, Tony Williams, Olly Wilson, and Michael Woods

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Frederick Aldama’s The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez’s feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez’s films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling).The volume is divided into three parts: “Matters of Mind and Media” includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez’s films complicate Latino identity, as well as how they succeed in remaking audiences’ preconceptions of the world. “Narrative Theory, Cognitive Science, and Sin City: A Case Study” offers tools and models of analysis for the study of Rodriguez’s film re-creation of a comic book (on which Frank Miller was credited as codirector). “Aesthetic and Ontological Border Crossings and Borderlands” considers how Rodriguez’s films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez’s career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.

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How is medicine doing at the end of the twentieth century? While there has been no end of studies of our health care system and proposals for changing it, there have been few credible studies of the risks and benefits of widely used medical treatments. We simply do not always know whether one treatment is better than another or whether a particular drug is worth the price.Medical technology assessment is the discipline that studies what does and does not work in medicine. Howard Frazier and Frederick Mosteller are leading figures in this field. In Medicine Worth Paying For they attempt something completely new: to distill the methods and knowledge base of their highly specialized discipline into a text that is accessible—and therefore of great value—to a nontechnical audience.This book calls attention to the importance of technology assessment in medicine—the rigorous evaluation of the effects of medical treatments—with particular reference to medical innovations. Also, making use of a series of carefully selected cases, the authors identify important policy implications that can be drawn from the study of successful medical innovations. These case studies of medical successes are a rich source of examples of the effects, good and bad, of the application of technology to health care and of attempts to influence the diffusion of technologies in health care.Medicine Worth Paying For should be of interest to a variety of readers, particularly those concerned with health policy, investigators studying health services, those in the health professions, nonprofessionals who wish to maintain and improve the performance of the health care system, and others who simply want a system that provides benefits greater than risks at an acceptable financial cost.

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Hugh Dorian was born in poverty in rural Donegal in 1834. He survived Ireland’s Great Famine, only to squander uncommon opportunities for self-advancement. Having lost his job and clashed with priests and policemen, he moved to the city of Derry but never slipped the shadow of trouble. Three of his children died from disease and his wife fell drunk into the River Foyle and drowned. Dorian declined into alcohol-numbed poverty and died in an overcrowded slum in 1914. A unique document survived the tragedy of Dorian’s life. In 1890 he completed a “true historical narrative” of the social and cultural transformation of his home community. This narrative forms the most extensive lower-class account of the Great Famine. A moving account of the lives of ordinary people in extraordinary circumstances, it invites comparison with the classic slave narratives of Frederick Douglass and Harriet Jacobs. Dorian achieves a degree of totality in his reconstruction of the world of the pre-Famine poor that is unparalleled in contemporary memoir or fiction. He describes their working and living conditions, sports and drinking, religious devotions and festivals. And then he describes the catastrophe that obliterated that world. Horror is remembered vividly but with restraint: “in a very short time there was nothing but stillness; a mournful silence in the villages; in the cottages grim poverty and emaciated faces showing all the signs of hardships.” The picture of starvation is stark but authentic: “the cheek bones became thin and high, the cheeks blue, the bones sharp, and the eyes sunk . . .. the legs and the feet swell and get red and the skin cracks . . .”. And at last came “the dispersion . . . to places which their fathers never heard of and which they themselves never would have seen, had the times not changed.” No one," he writes, “can measure the distance of the broad Atlantic speedier and better than a father whose child is there.” A sense of loss, closer to bereavement than nostalgia, is threaded through the text: it is a lament for the might have been — the future as imagined before the Famine — rather than the actual past. The final and lasting image is of trauma without recovery: the wise-men who had sat late into the small hours debating politics in the years before the Famine congregated in the after years but sat now in silence “their subjects . . . lacking words.” Dorian’s narrative was never published in his own lifetime and all but forgotten after the author’s death. First published in Ireland in August 2000, The Outer Edge of Ulster includes a scholarly introduction that traces the troubles that beset the author and locates the narrative in wider literary contexts. Appearing for the first time in America, this critically acclaimed book offers an intimate look at the everyday lives of ordinary people facing extraordinary challenges.

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"I have no doubt at all, that if philosophy is to prosper in the coming decades, it will have to treat with great seriousness that splendid seriousness that splendid body of philosophical writing of which the essays in this volume constitute one major part". from the Foreword by Alasdair MacIntyre When historians of philosophy turn to the work of distinguished philosopher Frederick L. Will, Pragmatism and Realism will be an important part of the discussion. In this collection of nine essays, Will demonstrates that a social account of human knowledge is consistent with, and ultimately requires, realism. A timely contribution to the current debate, the book culminates in a naturalistic account of the generation, assessment, and revision of cognitive, moral and social norms. It is written clearly enough for undergraduates, and includes a critical introduction by the editor discussing the bearing of Will's views on current debates among analytic epistemologists, philosophers of science, and moral theorists.

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When war broke out in 1939 over 20,000 Irishmen were serving in the Royal Navy, Army and Royal Air Force with the greatest proportion in the Army. During the war this rose to over 120,000, suggesting that about 100,000 enlisted during the war.Nine earned the Victoria Cross; three members of the Royal Navy, including a Fleet Air Arm pilot, four soldiers, including a member of the Australian forces, and two RAF pilots.The author looks at the seven Irish regiments in campaigns across the globe, at Irish soldiers across the Army, at Irish sailors from the Battle of the River Plate to the final actions against Japan, and at Irish airmen from the first bombing raids of the war to the closing days of war.Included are outstanding personalities such as the Chavasse brothers, who earned three DSOs, three DSCs and two MiDs, Bala Bredin, Corran Purden, Brendan 'Paddy' Finucane, Blair Mayne and Roy Farran, the latter pair highly-decorated SAS officers. There are also Irish generals, such as Paddy Warren who died while commanding 5th Indian Division in Burma and Frederick Loftus Tottenham, who commanded 81st (West African) Division, not to mention giants such as Alexander, Auchinleck, Montgomery and McCreery.Irish women are not forgotten in the book which also takes a brief look at the Irish in other Allied forces, including a most unusual volunteer for the US Navy whose application to serve had to be approved by President Roosevelt. He was William Patrick Hitler, a nephew of Germany's fuhrer.

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'Ghoulishly entertaining' Jacqueline Banerjee, Times Literary Supplement'This is a great book for dipping into . . . the cases themselves are written engagingly and with appealing dramatisation of key events.'Kim Fleet, Crime ReviewA grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era.The tales include murders and violent crimes, but also feature scandals that merely amused the Victorians. These include the story of a teenage man who married an actress, only to be shipped off to Australia by his disgusted parents; and the Italian ice-cream man who only meant to buy his sweetheart a hat but ended up proposing marriage instead. When he broke it off, his fiancée's father sued him and the story was dubbed the 'Amusing Aberdeen Breach of Promise Case'. Also present is the gruesome story of the murder of Patrick O Connor who was shot in the head and buried under the kitchen flagstones by his lover Maria Manning and her husband, Frederick. The couple's subsequent trial caused a sensation and even author Charles Dickens attended the grisly public hanging.Drawing on a range of sources from university records and Old Bailey transcripts to national and regional newspaper archives, Michelle Morgan's research sheds new light on well-known stories as well as unearthing previously unknown incidents.

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All revolutionary regimes seek to legitimize themselves through foundation narratives that, told and retold, become constituent parts of the social fabric, erasing or pushing aside alternative histories. Frederick C. Corney draws on a wide range of sources—archives, published works, films—to explore the potent foundation narrative of Russia's Great October Socialist Revolution. He shows that even as it fought a bloody civil war with the forces that sought to displace it, the Bolshevik regime set about creating a new historical genealogy of which the October Revolution was the only possible culmination. This new narrative was forged through a complex process that included the sacralization of October through ritualized celebrations, its institutionalization in museums and professional institutes devoted to its study, and ambitious campaigns to persuade the masses that their lives were an inextricable part of this historical process. By the late 1920s, the Bolshevik regime had transformed its representation of what had occurred in 1917 into a new orthodoxy, the October Revolution. Corney investigates efforts to convey the dramatic essence of 1917 as a Bolshevik story through the increasingly elaborate anniversary celebrations of 1918, 1919, and 1920. He also describes how official commissions during the 1920s sought to institutionalize this new foundation narrative as history and memory. In the book's final chapter, the author assesses the state of the October narrative at its tenth anniversary, paying particular attention to the versions presented in the celebratory films by Eisenstein and Pudovkin. A brief epilogue assesses October's fate in the years since the collapse of the Soviet Union.

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From the bestselling, award-winning novelist Kate Saunders comes the first in ‘The Laetitia Rodd Mysteries’, six novels featuring a Victorian lady detective, perfect for fans of Agatha Christie, M. C. Beaton and Grantchester 'A Dickensian glow pervades this immensely satisfying novel. Hugely enjoyable’ James Runcie, author of 'The Grantchester Mysteries' Mrs Laetitia Rodd is the impoverished widow of an Archdeacon, living modestly in Hampstead with her landlady Mrs Bentley. She is also a private detective of the utmost discretion. In winter 1850, her brother Frederick, a criminal barrister, introduces her to Sir James Calderstone, a wealthy and powerful industrialist who asks Mrs Rodd to investigate the background of an ‘unsuitable’ woman his son intends to marry – a match he is determined to prevent. In the guise of governess, she travels to the family seat, Wishtide, deep in the frozen Lincolnshire countryside, where she soon discovers that the Calderstones have more to hide than most. As their secrets unfold, the case takes an unpleasant turn when a man is found dead outside a tavern. Mrs Rodd’s keen eyes and astute wits are taxed as never before in her search for the truth – which carries her from elite drawing rooms to London’s notorious inns and its steaming laundry houses. Dickensian in its scope and characters, The Secrets of Wishtide brings nineteenth-century society vividly to life and illuminates the effect of Victorian morality on women’s lives. Introducing an irresistible new detective, the first book in the Laetitia Rodd Mystery series will enthral and delight.

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A compelling story about the decline and rebirth of a 100 year old garden. This is a compelling story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm - founded by his father, the great landscape architect responsible for Central Park, New York City - it has now been brought back to life. Landscape historian Arleyn A. Levee tells a fascinating and carefully researched narrative about the garden's origins, development, heyday, decay and ultimate renaissance. The Blue Garden skillfully interweaves the garden's design and social history, and stories of its founders and the Olmsted firm, with historical photos, original drawings and sketches, and images of the restored garden from 2015. This is a timeless and inspiring account of the devoted patrons, skilled artisans and great designers behind the creation and revival of a masterpiece, made possible by the vision of a devoted patron, and the relevance of historic preservation of gardens in the 21st century. AUTHOR: ARLEYN A. LEVEE is a historian and preservation consultant specializing in research concerning the Olmsted firm. She received a Bachelor of Arts from Wellesley College, Master of Arts in Teaching from Harvard University, and a Certificate from the Radcliffe Seminars Program in Landscape Design. 73 colour and 120 b/w illustrations

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The art of creating military miniatures is centuries old. From the pharaohs of ancient Egypt to Frederick the Great to thousands of hobbyists today, this art form has fascinated us. In this new book Kim Jones takes the craftspeson step-by-step through the process. The figure is an American cavalryman of the late 19th century. Sculpted from epoxy putty on a brass armature, Kim brings an incredible accuracy and realism to the figure. While this book will be of primary interest to those involved in the hobby of creating military miniatures, it will also be of great help to all who use this flexible and exciting medium. Each step of the process is explained in photographs and words, so even the beginner will be able to carry out the project, while the advanced sculptor will learn some valuable insights from one of the best.

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Every activist started out as a kid-and in some cases, were kids when they began their activism. Before they became champions of African-American, women s, LGBTQ, disablity, education, labor, and civil rights, the world s most celebrated activists had regular-kid problems, just like you. Kid Activists tells the stories of a diverse and inclusive group-including Frederick Douglass, Susan B. Anthony, Harvey Milk, Dolores Huerta, Rosa Parks, Martin Luther King Jr., James Baldwin, Nelson Mandela, Emma Watson, Janet Mock, Helen Keller, Alexander Hamilton, Ruby Bridges, Iqbal Masih, Malala Yousafzai, and Autumn Peltier-through kid-friendly text and full-color cartoon illustrations on nearly every page.

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In this first comprehensive literary history of Baltimore and Maryland (with notes on Washington writers), Frank R. Shivers, Jr., explores the region's long-overlooked but substantial contribution to American letters. In picture and story, Shivers's lively account ranges from the colonial satire of Ebenezer Cook, to the National Anthem of Francis Scott Key, to the acclaimed works of Poe, Mencken, and Fitzgerald. Here are surprising stories of Frederick Douglass, Walt Whitman, Dashiel Hammett, Gertrude Stein, John Dos Passos, and other writers influenced by Chesapeake culture-an influence still fresh in the work of such contemporary writers as John Barth, Anne Tyler, and Russell Baker. "Nothing," wrote Gertrude Stein, "really can stop anyone living and feeling as they do in Baltimore." As entertaining as it is informative, Maryland Wits and Baltimore Bards shows us why.

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In over 2,000 years of Christianity, there has been only one pope from England: Nicholas Breakspear.Breakspear was elected pope in 1154, but his story started long before that. The son of a local churchman near St Albans, he would battle his way across Europe to defend and develop Christianity, facing war in Scandinavia and the Moors in the Iberian Peninsula. But it was after he took the throne of St Peter as Adrian IV that he would face his greatest threat: Frederick Barbarossa, who was determined to restore the Holy Roman Empire to its former greatness.In Breakspear: The English Pope, R.A.J. Waddingham opens the archives to tell the story of a man who rose from humble beginnings to glorious power – and yet has been all but forgotten ever since.

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This book provides a roadmap for modern-day conservatives to advance President Lincoln’s vision to help underserved communities across our country.Underserved is a tangible blueprint for today’s conservative who understands the need for a new and viable political plan of action—one that addresses the needs of the underserved communities that make up these United States of America. Utilizing the concept of the “Party of Lincoln” and the conservative principles set forth over centuries by the movement’s most recognized thought leaders, Underserved examines President Lincoln’s intentions for Reconstruction, President Grant’s aims to implement that vision, and Frederick Douglass’s influence on both men in the process. Underserved brings home the very real impact of a failed plan that has had negative implications on modern America, whether conservative, moderate, or liberal.With this historical plan as the linchpin for creating a framework that services disenfranchised communities, authors Ja’Ron K. Smith and Chris Pilkerton challenge conservative policy makers to employ strategies that mirror those originally presented over 160 years ago, while making necessary concessions for its modern audience—all of which are tied not only to the vision of these American icons, but does so in the context of traditional conservative thinkers who laid the groundwork for the modern-day Republican Party.From education and workforce development to criminal justice reform and healthcare disparities, Underserved makes a bold statement about what is necessary to see a change in the current state of affairs and presents a realistic action plan to make it happen. Underserved identifies the foundational role of key institutions in implementing this proposed plan and ties in the economic and social components necessary for the plan to be met with success—while stressing the critical components of Intentionality, Trust, Collaboration, Outcomes, and Use of Data. This approach makes Underserved a vital read for politicians on both sides of the aisle as much as it is for everyday voters, agents of change, and all those ready to see a plan that will produce results.

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In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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*Winner of the CHOICE Outstanding Academic Book Prize, 2019* *Shortlisted for the Isaac Deutscher Prize 2019* Why Marxism? Why today? In the first introduction to Marxist literary criticism to be published in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society. She lays out in clear terms the principal aspects of Marxist methodology - historical materialism, political economy and ideology critique - as well as key debates, among Marxists and non-Marxists alike, about the nature of literature and the goals of literary criticism and pedagogy. Foley examines through the empowering lens of Marxism a wide range of texts: from Jane Austen's Pride and Prejudice to E. L. James's Fifty Shades of Grey; from Frederick Douglass's 'What to the Slave Is the Fourth of July?' to Annie Proulx's 'Brokeback Mountain'; from W.B. Yeats's 'The Second Coming' to Claude McKay's 'If We Must Die'.

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Seidel is the great controversialist of American poetry. Dubbed a 'transgressive adventurer,' a 'demonic gentleman,' a 'triumphant outsider,' a 'great poet of innocence,' and 'an example of the dangerous Male of the Species', his sly, witty and wide-eyed poems seem earnest one moment and flippant the next, and will see him rotating his caustic fire from high-society cocktail parties to street-level poverty, genocide to Obamacare, New York to Syria. He's never more than a turn-line from humour, and it is often when he is at his funniest that he is also at his most shocking.The Independent said of his last collection: 'There is no contemporary poet writing in English as witty, as shrewd, as touching and as debonair as Frederick Seidel. That's a lot of praise, but he surely merits it.'Widening Income Inequality, Seidel's new collection, is a rhymed magnificence of sexual, historical, and cultural exuberance. Rarely has poetry been this dapper, or this dire, or this true.

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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A trapped double-agent, an impending world war and a race to space… Winter Hawk is Craig Thomas at the height of his powers. With the Nuclear Arms Reduction Treaty set to be ratified by the US and the USSR in Geneva, it seems that international relations have finally stabilised. But when a double agent reveals that the Soviets are preparing to launch a series of laser weapons into space, the West is suddenly defenceless and vulnerable. A panic-stricken US President puts pilot Mitchell Gant at the head of a mission, code-named “Winter Hawk”. The operation is clear: a covert dash in and out of the Soviet Union to retrieve the double agent before the weapons can be launched. But with the clock ticking and the Russian “Hinds” on his tail, Gant’s voyage across the snowy Russian border is far from simple…Set against a background of Cold War tension and nuclear threat, Winter Hawk is another icy Craig Thomas thriller, perfect for fans of Desmond Bagley and Frederick Forsyth.

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There has been growing interest in Ernst Meister because of the publication of two books in his informal trilogy, In Time's Rift (2012) and Wallless Space (2014). We expect much excitement for this final installment. This collection differs from the others in its expansion, both in ideas and the length of the poems. Though he wrote from outside the literary circles of his time, Ernst Meister received accolades for his poetry, including Germany's most prestigious poetry prize, the Georg Büchner Prize. Translator Foust is an esteemed poet with an established fan base. Translator Frederick is a noted German scholar. The original poems, in German, will face the English translations. This book holds diverse appeal to those interested in philosophy, existential questions, and international literature.

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Frederick Law Olmsted (1822 – 1903) is considered as the father of landscape architecture in the United States and created several renowned urban parks and park systems around the country. With a stunning black and white series of trees by Stanley Greenberg dating to the beginnings of these parks this volume offers an intimate encounter with Olmsted, his motifs and heritage. Central Park in New York, the Emerald Necklace in Boston, park systems in Chicago, Milwaukee, Buffalo, Rochester and Louisville – trees have been essential elements of all of Olmsted’s park designs. New York-based photographer Stanley Greenberg pays tribute to them with his portrait series of these beautiful and dignified giants. Three essays by renowned experts on history, sociology and landscape architecture complement the narrative and present an interdisciplinary vision on Olmsted’s achievement.

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In the late nineteenth century, corporate managers began to rely on photography for everything from motion studies to employee selection to advertising. This practice gave rise to many features of modern industry familiar to us today: consulting, "scientific" approaches to business practice, illustrated advertising, and the use of applied psychology. In this imaginative study, Elspeth H. Brown examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing, among others, the work of Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject as well.

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'Value' seems like an elusive and abstract concept. Nonetheless, notions of value underpin how we understand our lives, from discussions about the economic contribution of different kinds of work and productive activity, to the prices we pay for the things we consume. So what is value, and where does it come from? In this new book, Frederick Harry Pitts charts the past, present and future of value within and beyond capitalist society, critically engaging with key concepts from classical and neoclassical political economy. Interrogating the processes and practices that attribute value to objects and activities, he considers debates over whether value lies within commodities or in their exchange, the politics of different theories of value, and how we measure value in a knowledge-based economy. This accessible and intriguing introduction to the complexities of value in modern society will be essential reading for any student or scholar working in political economy, economics, economic sociology or management.

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. At twenty-seven, Anne Elliot is no longer young and has few romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What happens when they encounter each other again is movingly told in Jane Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension, but, above all,it is a love story tinged with the heartache of missed opportunities.

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The start of a major new series from a bestselling thriller writer and a renowned cybersecurity expert.7/7/2005: Ben Morgan, a cybersecurity specialist with the Metropolitan police, starts another day at work. It will be the last normal day he ever has.The Present: In Hong Kong, a crime overlord is offered a deal by shadowy agents from Beijing: his life for a new kind of operation in London. Morgan, now a part of an off the books cyber-terrorism prevention unit, must do everything possible to stop its spread.This is a new kind of war: different goals, tactics, rules, stakes. And Morgan is caught right in the centre...A pulse-pounding thriller rooted in reality, perfect for fans of Frederick Forsyth, Andy McNab and James Deegan.

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In January of 1965, twenty-four-year-old U.S. Army sergeant Charles Robert Jenkins abandoned his post in South Korea, walked across the DMZ, and surrendered to communist North Korean soldiers standing sentry along the world's most heavily militarized border. He believed his action would get him back to the States and a short jail sentence. Instead he found himself in another sort of prison, where for forty years he suffered under one of the most brutal and repressive regimes the world has known. This fast-paced, harrowing tale, told plainly and simply by Jenkins (with journalist Jim Frederick), takes the reader behind the North Korean curtain and reveals the inner workings of its isolated society while offering a powerful testament to the human spirit.

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A perfect tool for young readers as they grow into the leaders of tomorrow, Veronica Chambers’s inspiring collection of profiles—along with Senator Cory Booker’s stirring foreword—will inspire readers of all ages to stand up for what’s right.You may only be one person, but you have the power to change the world.Before they were activists, they were just like you and me. From Frederick Douglass to Malala Yousafzai, Joan of Arc to John Lewis, Susan B. Anthony to Janet Mock—these remarkable figures show us what it means to take a stand and say no to injustice, even when it would be far easier to stay quiet.Resist profiles men and women who resisted tyranny, fought the odds, and stood up to bullies that threatened to harm their communities. Along with their portraits and most memorable quotes, their stories will inspire you to speak out and rise up—every single day.

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Born into wealth in 1860's London, Beatrix Potter always had a vivid imagination. Her early interests included natural history and archaeology, and Potter delighted in sketching fossils and fungi. After briefly illustrating Christmas cards with her brother, Bertram, Potter wrote and illustrated her well-known book, The Tale of Peter Rabbit. The book was rejected by several publishes until Frederick Warne eventually took a risk and published the story in 1902 - a risk that paid off. Peter Rabbit was a huge success and readers loved hearing about Peter's mischevious adventures in the lush English countryside. As she got older, Beatrix Potter became a proud conservationist, working hard to defend the landscape she loved so well against industrialization and logging. Now over one hundred years old, Peter Rabbit and his animal friends have become cultural touchstones and continue to delight readers of all ages.

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Born to an African American father and Japanese mother, Frederick D. Kakinami Cloyd, the narrator of Dream of the Water Children, finds himself not only to be a marginalized person by virtue of his heritage, but often a cultural drifter, as well. Indeed, both his family and his society treat him as if he doesn’t entirely belong to any world. Tautly written in spare, clear poetic prose, this memoir explores the specific contours of Japanese and African American cultures, as well as the broader experience of biracial and multicultural identity. To tell his story, Cloyd incorporates photographs and Japanese writing, history, and memory to convey both rich personal experience and significant historical detail. Bringing together vivid memories with a perceptive cultural eye, Dream of the Water Children brings readers closer to a biracial experience, opening up our understanding of the cultural richness and social challenges people from diverse backgrounds face.

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Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. »Objects of Desire: Surrealism and Design« is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dalí, Marcel Duchamp, ntoni Gaudí, Frederick Kiesler, René Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function — it can also follow our obsessions, our fantasies, and our hidden desires.

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In 1893 the composer Antonin Dvorák prophesied a “great and noble” school of American classical music based on the searing “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would found popular genres known the world over, it never gained a foothold in the concert hall. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Leonard Bernstein and Aaron Copland, he looks back to literary figures—Emerson, Melville and Twain—to ponder how American music can connect with a “usable past”. The result is a new paradigm, that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Dawson and Florence Price, to redefine the classical canon.

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Wagner’s magnum opus meets the celebrated translator of Jules Verne novels in this colorful and original work.Frederick Paul Walter makes The Valkyrie accessible not only to scholars and opera buffs but also to fans of Tolkien, Star Wars, and Hogwart. Walter provides a dazzling, new translation in lively modern English and annotations that spotlight the libretto, lyrics, and stage directions. The translation conveys Wagner’s humor, rhymes, alliterative effects, subliminal messages, and inventive tale spinning, and gets the most basic ingredient right: the actual story! It highlights the motives, secrets, and plot twists—what’s really going on and what its narrative shows and tells.The Annotated Ring Cycle includes newly created graphic-novel style illustrations that visually represent the storyline alongside color photos and classic artwork by Arthur Rackham, Howard Pyle, Aubrey Beardsley, the 1876 costume & set designs, and much more.

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One week. One prize. Seven really weird challenges. The kids at Benjamin Banneker College Prep are a little… competitive. Okay. They’re a LOT competitive. The minute Principal Yee announces an epic competition for the golden B-B trophy, seventh-grader Frederick Douglass Zezzmer knows he has to win. But it won’t be easy. The competition doesn’t just include science, technology, engineering, and math. It also has arts and sports. Not Doug’s best subjects. Even worse, it’s a TEAM competition. Instead of being in a superstar group, Doug gets paired with four middle school misfits no one else wants. Worst of all, Doug’s dad has a horrible backup plan. If Doug doesn’t win, he has to forget about becoming the World’s Greatest Inventor and spend the summer in sports camp, with his scary stepbrother. With only a week to go, Doug launches a quest to turn his team

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'Once you’re a woman doing as she pleases with her body, in someone’s eyes you qualify for hoe status.' Bim, Alex and J have been best friends since school. Loud, funny, inseparable – they are the epitome of girls who just want to have fun. But now they’re twenty-five, life is starting to get in the way. Careers, relationships, expectations... What better way to escape than a trip to Ibiza for a week of sun, sea and selfies? But there’s trouble in paradise when reality catches up with them, threatening to derail their holiday as they are forced to accept no amount of partying will let them escape themselves. The Hoes is a riotous celebration of sisterhood, showing that while life may throw up unexpected turbulence, friendships will last the course. It premiered at Hampstead Theatre Downstairs, London, in 2018. The Hoes is Ifeyinwa Frederick’s debut play. It was longlisted for the Verity Bargate Award, and shortlisted for the Tony Craze and Character 7 Awards.

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*Winner of the CHOICE Outstanding Academic Book Prize, 2019* *Shortlisted for the Isaac Deutscher Prize 2019* Why Marxism? Why today? In the first introduction to Marxist literary criticism to be published in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society. She lays out in clear terms the principal aspects of Marxist methodology - historical materialism, political economy and ideology critique - as well as key debates, among Marxists and non-Marxists alike, about the nature of literature and the goals of literary criticism and pedagogy. Foley examines through the empowering lens of Marxism a wide range of texts: from Jane Austen's Pride and Prejudice to E. L. James's Fifty Shades of Grey; from Frederick Douglass's 'What to the Slave Is the Fourth of July?' to Annie Proulx's 'Brokeback Mountain'; from W.B. Yeats's 'The Second Coming' to Claude McKay's 'If We Must Die'.

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