Search results for ""Author Gilbert"

Despite a 2016-18 glut in fossil fuel markets and decade-low fuel prices, the global transformation to sustainable energy is happening. Our ongoing energy challenges and solutions are complex and multidimensional, involving science, technology, design, economics, finance, planning, policy, politics, and social movements. The most comprehensive book on this topic, Energy for Sustainability has been the go-to resource for courses. This new edition has been thoroughly revised and updated to inform and guide students and practitioners who will steer this transformation. Drawing on a combined 80 years of teaching experience, John Randolph and Gilbert Masters take a holistic and interdisciplinary approach. Energy for Sustainability can help techies and policymakers alike understand the mechanisms required to enable conversion to energy that is clean, affordable, and secure. Major revisions to this edition reflect the current changes in technology and energy use and focus on new analyses, data, and methods necessary to understand and actively participate in the transition to sustainable energy. The book begins with energy literacy, including patterns and trends, before covering the fundamentals of energy related to physics, engineering, and economics. The next parts explore energy technologies and opportunities in three important energy sectors: buildings, electricity, and transportation. The final section focuses on policy and planning, presenting the critical role of public policy and consumer and investor choice in transforming energy markets to greater sustainability. Throughout the book, methods for energy and economic analysis and design give readers a quantitative appreciation for and understanding of energy systems. The book uses case studies extensively to demonstrate current experience and illustrate possibilities. Students will gain an understanding of what it takes to achieve clean, affordable, sustainable energy. Supplemental materials will be available at www.islandpress.org.

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Memories of the author's youth are incorporated in a novel about the boyhood escapades of Noah Marlin, the son of a Chesapeake Bay waterman.

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It has long been recognized that plants and animals profoundly affect one another’s characteristics during the course of evolution. However, the importance of coevolution as a dynamic process involving such diverse factors as chemical communication, population structure and dynamics, energetics, and the evolution, structure, and functioning of ecosystems has been widely recognized for a comparatively short time. Coevolution represents a point of view about the structure of nature that only began to be fully explored in the late twentieth century. The papers presented here herald its emergence as an important and promising field of biological research.Coevolution of Animals and Plants is the first book to focus on the dynamic aspects of animal-plant coevolution. It covers, as broadly as possible, all the ways in which plants interact with animals. Thus, it includes discussions of leaf-feeding animals and their impact on plant evolution as well as of predator-prey relationships involving the seeds of angiosperms. Several papers deal with the most familiar aspect of mutualistic plant-animal interactions—pollination relationships. The interactions of orchids and bees, ants and plants, and butterflies and plants are discussed. One article provides a fascinating example of more indirect relationships centered around the role of carotenoids, which are produced by plants but play a fundamental part in the visual systems of both plants and animals.Coevolution of Animals and Plants provides a general conceptual framework for studies on animal-plant interaction. The papers are written from a theoretical, rather than a speculative, standpoint, stressing patterns that can be applied in a broader sense to relationships within ecosystems.Contributors to the volume include Paul Feeny, Miriam Rothschild, Christopher Smith, Brian Hocking, Lawrence Gilbert, Calaway Dodson, Herbert Baker, Bernd Heinrich, Doyle McKey, and Gordon Frankie.

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This comprehensive collection offers a complete introduction to one of the most popular literary forms of the Victorian period, its key authors and works, its major themes, and its lasting legacy. Places key authors and novels in their cultural and historical context Includes studies of major topics such as race, gender, melodrama, theatre, poetry, realism in fiction, and connections to other art forms Contributions from top international scholars approach an important literary genre from a range of perspectives Offers both a pre and post-history of the genre to situate it in the larger tradition of Victorian publishing and literature Incorporates coverage of traditional research and cutting-edge contemporary scholarship

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Edition of documents from a Gilbertine "double house" of monks and nuns reveals much about religious life at the time. Alvingham Priory (founded in 1155), situated just to the north-east of Louth in Lincolnshire, was one of the famous Gilbertine houses of the county: double houses of monks and nuns following the rule of St Gilbert of Sempringham.Its cartulary, created circa 1264, contains over 1,300 entries. Most are copies of charters granting lands, property, rents and privileges, but it also includes genealogies of benefactors, valuations of the priory's property, memoranda and accounts of disputes. Many documents record the names of those who entered the community as nuns or canons, or who were associating themselves with it by requests for confraternity or burial, throwing light on the way inwhich local families interacted with the priory and with each other. Meanwhile, the details of lands granted to the priory provide information about local land-holders, field- and place-names, farming practices and the various activities which supported the religious community. Although its holdings were scattered across north-east Lincolnshire, from Conesby to Boston and from Lincoln to Saltfleetby, much of the priory's property was located in the low-lying lands east of Louth, and its charters demonstrate the importance of the area's waterways, bridges, ditches and banks, not just as geographical boundaries but as resources to be exploited, maintained and, importantly, to be shared in a harmonious way by the local community, religious and lay. The documents are presented here with introduction and notes. Jill Redford gained her PhD at the University of York and is assistant archivist tothe Company of Merchant Adventurers of the City of York.

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On a sunny afternoon in May 1868, nineteen-year-old Gilbert Grace stood in a Wiltshire field, wondering why he was playing cricket against the Great Western Railway Club. A batting genius, 'W. G.' should have been starring at Lord's in the grand opening match of the season. But MCC did not want to elect this humble son of a provincial doctor. W. G's career was faltering before it had barely begun.Grace finally forced his way into MCC and over the next three decades, millions came to watch him - not just at Lord's, but across the British Empire and beyond. Only W. G. could boast a fan base that stretched from an American Civil War general and the Prince of Wales's mistress to the children who fingered his coat-tails as he walked down the street, just to say 'I touched him'.The public never knew the darker story behind W. G.'s triumphal progress. Accused of avarice, W. G. was married to the daughter of a bankrupt. Disparaged as a simpleton, his subversive mind recast how to play sport - thrillingly hard, pushing the rules, beating his opponents his own way.In Amazing Grace, Richard Tomlinson unearths a life lived so far ahead of his times that W. G. is still misunderstood today. For the first time, Tomlinson delves into long-buried archives in England and Australia to reveal the real W. G: a self-made, self-destructive genius, at odds with the world and himself.

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Crowning a decade of innovative efforts in the historical study of law and legal phenomena in the region, Crime and Punishment in Latin America offers a collection of essays that deal with the multiple aspects of the relationship between ordinary people and the law. Building on a variety of methodological and theoretical trends—cultural history, subaltern studies, new political history, and others—the contributors share the conviction that law and legal phenomena are crucial elements in the formation and functioning of modern Latin American societies and, as such, need to be brought to the forefront of scholarly debates about the region’s past and present.While disassociating law from a strictly legalist approach, the volume showcases a number of highly original studies on topics such as the role of law in processes of state formation and social and political conflict, the resonance between legal and cultural phenomena, and the contested nature of law-enforcing discourses and practices. Treating law as an ambiguous and malleable arena of struggle, the contributors to this volume—scholars from North and Latin America who represent the new wave in legal history that has emerged in recent years-- demonstrate that law not only produces and reformulates culture, but also shapes and is shaped by larger processes of political, social, economic, and cultural change. In addition, they offer valuable insights about the ways in which legal systems and cultures in Latin America compare to those in England, Western Europe, and the United States.This volume will appeal to scholars in Latin American studies and to those interested in the social, cultural, and comparative history of law and legal phenomena.Contributors. Carlos Aguirre, Dain Borges, Lila Caimari, Arlene J. Díaz, Luis A. Gonzalez, Donna J. Guy, Douglas Hay, Gilbert M. Joseph, Juan Manuel Palacio, Diana Paton, Pablo Piccato, Cristina Rivera Garza, Kristin Ruggiero, Ricardo D. Salvatore, Charles F. Walker

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A fascinating exploration of how between February 1 and March 10, 1942, three small US task forces launched several unexpected raids across the Japanese defensive perimeter in the Central and South Pacific. After the devastating Japanese blows of December 1941, the Allies found themselves reeling with defeat everywhere in the Pacific. Although stripped of his battleships and outnumbered 10:3 in carriers, the US Navy commander-in-chief Admiral Ernest J. King decided to hit back at Japan’s rapidly expanding Pacific empire immediately, in an effort to keep the Japanese off-balance. On February 1, 1942, Vice Admiral Bill Halsey led the US Pacific Fleet carriers on their first raid, using high-speed hit-and-run tactics to strike at the Japanese, at a time when most of the Japanese carrier fleet was in the Indian Ocean. Halsey’s aggressive commitment inspired its American participants to invent the mythical “Haul Ass With Halsey” club. The last of the 1942 US carrier raids in March 1942 would form a defining moment in the Pacific War, prior to a new phase of high-seas battles between the opposing fleets. This superbly illustrated book documents for the first time in a single volume this little-known but important World War II naval campaign. The fabulous illustrations, including maps and colour artworks, bring to life the US air and naval raids on the Japanese bases in the Marshall and Gilbert Islands, Rabaul, Wake Island, Marcus Island, and Lae and Salamaua in northern New Guinea.

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A comprehensive reassessment of British musical films 1946-1972 including King's Rhapsody, Beat Girl, The Tommy Steele Story, Rock You Sinners, The Golden Disc, and Oliver! Acting as a sequel to Adrian Wright's Cheer Up! British Musical Films, 1929-1945 (Boydell, 2020), Melody in the Dark offers the first major reassessment of the British musical film from the end of Second World War up to the beginning of the 1970s. In the immediate post-war world, British studios sought to reflect fast-changing social attitudes as they struggled to create inventive diversions in an effort to rival American competition. Hollywood stars Errol Flynn, Vera-Ellen, Jayne Mansfield and Judy Garland were among those brought in to provide Hollywood glamour. Embedded in the British consciousness, the operettas of Gilbert and Sullivan were represented in three productions. Studios occasionally attempted adaptations of British stage musicals, among them King's Rhapsody and Expresso Bongo, and sexploitation movies turned musical via Secrets of a Windmill Girl and Beat Girl. It was left to minor studios to acknowledge the impact of rock'n'roll on social change in three early films, The Tommy Steele Story, Rock You Sinners and the iconic The Golden Disc. Through the sixties, British cinema seemed intent on flooding the market with entertainments promoting pop singers and rock groups such as Cliff Richard, Billy Fury and The Beatles. Towards the end of the period, it aspired to more grandiose projects such as Oliver! and Oh! What a Lovely War.

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This book discusses the prospects for the development of the African continent as part of the emerging system of international relations in the twenty-first century. African countries are playing an increasingly important part in the current system of international relations. Nevertheless, even 60 years after gaining their independence, most of them are confronted with regional and global issues that are directly related to their colonial past and its influence. Due to Africa’s wealth of natural and geopolitical resources, the possibility of interference in the internal affairs of African countries on the part of new and traditional global actors remains very real. Leading Africanists, together with international scholars from both international relations and African studies, examine the experience of decolonization, the impact of the emergence of a unipolar world on the African continent, and the growing influence of new international actors on the African continent in the twenty-first century. In addition, the importance of African countries’ foreign policy concepts and ideological attitudes in the post-bipolar period is revealed. “This volume strengthens the intellectual bridge between Russian, African and Western scholars of international relations. Strongly recommended!” Vladimir G. Shubin, Institute for African Studies, Russian Academy of Sciences “This book presents a wide range of prominent global scholars who bring a wealth of knowledge on the subject of Africa and the world.” Gilbert Khadiagala, Jan Smuts Professor of International Relations and Director of the African Centre for the Study of the USA (ACSUS) at the University of the Witwatersrand, Johannesburg, South Africa. “As a genuine contribution to the field of international relations and Global South Agency, this book should be in every institution of higher education’s library.” Lembe Tiky, Director of Academic Development, International Studies Association.

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In the first major critical reading of Italian American narrative literature in two decades, Fred L. Gardaphé presents an interpretive overview of Italian American literary history. Examining works from the turn of the twentieth century to the present, he develops a new perspective—variously historical, philosophical, and cultural—by which American writers of Italian descent can be read, increasing the discursive power of an ethnic literature that has received too little serious critical attention. Gardaphé draws on Vico’s concept of history, as well as the work of Gramsci, to establish a culture-specific approach to reading Italian American literature. He begins his historical reading with narratives informed by oral traditions, primarily autobiography and autobiographical fiction written by immigrants. From these earliest social–realist narratives, Gardaphé traces the evolution of this literature through tales of “the godfather” and the mafia; the “reinvention of ethnicity” in works by Helen Barolini, Tina DeRosa, and Carole Maso; the move beyond ethnicity in fiction by Don DeLillo and Gilbert Sorrentino; to the short fiction of Mary Caponegro, which points to a new direction in Italian American writing.The result is both an ethnography of Italian American narrative and a model for reading the signs that mark the “self-fashioning” inherent in literary and cultural production. Italian Signs, American Streets promises to become a landmark in the understanding of literature and culture produced by Italian Americans. It will be of interest not only to students, critics, and scholars of this ethnic experience, but also to those concerned with American literature in general and the place of immigrant and ethnic literatures within that wide framework.

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An anthology of the Center for Lesbian and Gay Studies's most provactive LGBT scholarship This compendious, cutting-edge volume offers a broad array of the most provocative gay, lesbian, bisexual, and transgender scholarship produced by the Center for Lesbian and Gay Studies (CLAGS) over the first decade (1986-1996) of its existence at the CUNY Graduate School. CLAGS has had a profound and legitimizing influence on the establishment of gay and lesbian studies as a discipline. Thousands have attended its events, featuring hundreds of scholars, activists, and cultural workers; many thousands more have lamented how they would have liked to have been there. With this book, they finally, vicariously, can be. Divided into five parts—on identities as they revolve around gender and sexuality; on the terrains of homosexual history; on mind-body relations; on laws and economics; and on policy issues related to gay youth, AIDS, and aging—A Queer World offers a compelling panorama of gay and lesbian life. Featuring the work, among others, of such figures as Yukiko Hanawa, Will Roscoe, Jewelle L. Gomez, Jonathan Ned Katz, Elizabeth Lapovsky Kennedy, Jeffrey Escoffier, Janice M. Irvine, Kendall Thomas, Gilbert Herdt, Vivien Ng, Douglas Crimp, Walt Odets, Serena Nanda, Cindy Patton, Michael Moon, William Byne, and Randolph Trumback, A Queer World is distinctive in its focus on the social sciences and issues relating to public policy. Consisting largely of previously unpublished essays, this volume—and its companion volume Queer Representations: Reading Lives, Reading Cultures—is an invaluable addition to the bookshelf of anyone interested in the study of sexuality.

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'Beautifully written and brilliantly argued, Possessed is one of the few things you really need to own' Daniel GilbertHow ownership came to own us - and what we can do about itOur love affair with possessions seems to be all-consuming, even as we face economic and environmental breaking points. The global pandemic is a wake-up call that forces us to reassess what we value most in our lives, and yet we remain reluctant to change our ways when it comes to accumulating things. Why?The answer is our need for ownership. A uniquely human preoccupation rooted in our biology, psychological ownership can be seen in everything from nations fighting over resources to the rise of political extremism.Award-winning psychologist Bruce Hood draws on his own and international research to explain why ownership is an emotional state of mind that governs our behaviour from cradle to grave, even when it is often irrational and destructive. Does our shopping define us? What motivates us to buy more than we need? Why do some cultures favour shared community ownership and others individual? How does our urge to acquire control our behaviour in times of crisis? Timely and persuasive, Possessed is the first book to explore how ownership has us in thrall to the relentless pursuit of a false happiness, with damaging consequences for society and the planet - and how we can stop buying into it.

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The Border Reader brings together canonical and cutting-edge humanities and social science scholarship on the US-Mexico border region. Spotlighting the vibrancy of border studies from the field’s emergence to its enduring significance, the essays mobilize feminist, queer, and critical ethnic studies perspectives to theorize the border as a site of epistemic rupture and knowledge production. The chapters speak to how borders exist as regions where people and nation-states negotiate power, citizenship, and questions of empire. Among other topics, these essays examine the lived experiences of the diverse undocumented people who move through and live in the border region; trace the gendered and sexualized experiences of the border; show how the US-Mexico border has become a site of illegality where immigrant bodies become racialized and excluded; and imagine anti- and post-border futures. Foregrounding the interplay of scholarly inquiry and political urgency stemming from the borderlands, The Border Reader presents a unique cross section of critical interventions on the region. Contributors. Leisy J. Abrego, Gloria E. Anzaldúa, Martha Balaguera, Lionel Cantú, Leo R. Chavez, Raúl Fernández, Rosa-Linda Fregoso, Roberto G. Gonzales, Gilbert G. González, Ramón Gutiérrez, Kelly Lytle Hernández, José E. Limón, Mireya Loza, Alejandro Lugo, Eithne Luibhéid, Martha Menchaca, Cecilia Menjívar, Natalia Molina, Fiamma Montezemolo, Américo Paredes, Néstor Rodríguez, Renato Rosaldo, Gilberto Rosas, María Josefina Saldaña-Portillo, Sonia Saldívar-Hull, Alicia Schmidt Camacho, Sayak Valencia Triana, Carlos G. Vélez-Ibáñez, Patricia Zavella

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At age twenty-eight, Charlie Chaplin was a millionaire and one of the world's most famous personalities. He had grown rich playing the poorest of men. He was to go on playing unforgettable characters in timeless films, but now the psychology of celebrity began both to drive and to damage his creativity. Richard Schickel, the distinguished film critic, has called Chaplin the first victim of modern celebrity culture, “driven by his relentless ego, by his helpless need for an audience to dominate, to lead. All the tragedies of his life stemmed from those drives and needs.” Mr. Schickel is the rarest of Chaplin enthusiasts, an unabashed fan who can celebrate the object of his affection without looking away when his subject deserves a poking. In this indispensable collection of some thirty essays, he has selected the most provocative and insightful criticisms of Chaplin's life and work, from the great comedian's beginnings through his early features, his mid-life crisis, and his late films. The contributors include Andrew Sarris, David Thomson, Andre Bazin, Gilbert Seldes, Alistair Cooke, Frances Hackett, Robert E. Sherwood, Stark Young, Penelope Gilliatt, Edmund Wilson, Stanley Kauffmann, Alexander Woollcott, George Jean Nathan, Winston Churchill, Max Eastman, Graham Greene, Otis Ferguson, James Agee, Dwight Macdonald, Robert Warshow, Walter Kerr, J. Hoberman, and others. Mr. Schickel, the last critic to study Chaplin intensively (for his award-winning documentary of a year ago), offers a long Introduction.

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Over the last decade, studies of the Cold War have mushroomed globally. Unfortunately, work on Latin America has not been well represented in either theoretical or empirical discussions of the broader conflict. With some notable exceptions, studies have proceeded in rather conventional channels, focusing on U.S. policy objectives and high-profile leaders (Fidel Castro) and events (the Cuban Missile Crisis) and drawing largely on U.S. government sources. Moreover, only rarely have U.S. foreign relations scholars engaged productively with Latin American historians who analyze how the international conflict transformed the region's political, social, and cultural life. Representing a collaboration among eleven North American, Latin American, and European historians, anthropologists, and political scientists, this volume attempts to facilitate such a cross-fertilization. In the process, In From the Cold shifts the focus of attention away from the bipolar conflict, the preoccupation of much of the so-called "new Cold War history," in order to showcase research, discussion, and an array of new archival and oral sources centering on the grassroots, where conflicts actually brewed. The collection's contributors examine international and everyday contests over political power and cultural representation, focusing on communities and groups above and underground, on state houses and diplomatic board rooms manned by Latin American and international governing elites, on the relations among states regionally, and, less frequently, on the dynamics between the two great superpowers themselves. In addition to charting new directions for research on the Latin American Cold War, In From the Cold seeks to contribute more generally to an understanding of the conflict in the global south.Contributors. Ariel C. Armony, Steven J. Bachelor, Thomas S. Blanton, Seth Fein, Piero Gleijeses, Gilbert M. Joseph, Victoria Langland, Carlota McAllister, Stephen Pitti, Daniela Spenser, Eric Zolov

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In the first major critical reading of Italian American narrative literature in two decades, Fred L. Gardaphé presents an interpretive overview of Italian American literary history. Examining works from the turn of the twentieth century to the present, he develops a new perspective—variously historical, philosophical, and cultural—by which American writers of Italian descent can be read, increasing the discursive power of an ethnic literature that has received too little serious critical attention. Gardaphé draws on Vico’s concept of history, as well as the work of Gramsci, to establish a culture-specific approach to reading Italian American literature. He begins his historical reading with narratives informed by oral traditions, primarily autobiography and autobiographical fiction written by immigrants. From these earliest social–realist narratives, Gardaphé traces the evolution of this literature through tales of “the godfather” and the mafia; the “reinvention of ethnicity” in works by Helen Barolini, Tina DeRosa, and Carole Maso; the move beyond ethnicity in fiction by Don DeLillo and Gilbert Sorrentino; to the short fiction of Mary Caponegro, which points to a new direction in Italian American writing.The result is both an ethnography of Italian American narrative and a model for reading the signs that mark the “self-fashioning” inherent in literary and cultural production. Italian Signs, American Streets promises to become a landmark in the understanding of literature and culture produced by Italian Americans. It will be of interest not only to students, critics, and scholars of this ethnic experience, but also to those concerned with American literature in general and the place of immigrant and ethnic literatures within that wide framework.

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How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.

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Anger is one of the most difficult emotions for human beings to cope with. If our anger is unmanaged, we can end up behaving in destructive ways towards both ourselves and other people, and can face relationship difficulties and negative health consequences. Far from 'letting ourselves off the hook', recent research has shown that by developing compassion towards ourselves and others and compassionately understanding our anger and the factors that fuel it, we can connect with the courage and skills needed to change our behaviour. This fascinating and practical self-help guide will give you a number of powerful techniques for tackling your anger head on and taking control of it, rather than letting it control you. USING THIS WORKBOOK, READERS WILL LEARN ABOUT: - The factors that trigger and fuel our anger, how it works and how to change the anger response - Specific skills to manage anger and improve relationships Filled with interactive exercises and practical skills, The Anger Workbook will guide you in your journey to transform your anger into inner strength. THE COMPASSIONATE MIND APPROACH The self-help books in this series are based on compassion focused therapy (CFT, developed by series editor Paul Gilbert). This brings together an understanding of how our mind can cause us difficulties but also provides us with a powerful solution in the shape of mindfulness and compassion. It teaches ways to stimulate the part of the brain connected with kindness, warmth, compassion and safeness, and to calm the part that makes us feel, anxious, angry, sad or depressed.

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Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015. British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano musicand opera. Holt is a composer who demands unusual commitment from his interpreters - the intricate sound-worlds he creates often contain complex, rich textures, offset by 'still centres' - for the purpose of making music which speaks with extraordinary power. Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt's work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt's inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt's compositions, drawn up together with the composer. It reveals that the last twenty years have seen no slowing-up in his rate of creative production, notwithstanding that the nature of his writing has changed during this time. DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London. Contributors: JULIA BARDSLEY, DAVID BEARD, DAVID CHARLTON, THIERRY FISCHER, ANTHONY GILBERT, STEPHEN GUTMAN, MELINDA MAXWELL, RICHARD MCGREGOR, STEPH POWER, PHILIP RUPPRECHT, SIMON SPEARE, REBECCA THUMPSTON, EDWARD VENN

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The primary contention of this book is that, as a spiritual being, each of us lives beyond death, and eventually returns to earth in a new human body. With this knowledge in mind, the authors give much sound practical advice as to how parents, and others who spend time with children, can welcome a soul to the world and help it grow into a healthy and responsible human being. Mainstream educational policies and practises can result in children being pushed prematurely towards adulthood, before having had a chance truly to experience childhood. As the authors demonstrate, an understanding of the nature of the human being as comprising body, soul and spirit leads to the conclusion that every child should be allowed to grow slowly into the world. 'One of the main purposes of this book', write the authors, 'is to demonstrate that human beings are primarily of spiritual nature, and only secondarily of bodily nature'. They explain how these two natures complement each other in the processes of maturation and development from the period before birth, or incarnation, to maturity. As well as a firm philosophical grounding, Your Reincarnating Child discusses critical questions surrounding the pre- and antenatal periods, including issues connected to clothing, food, play, work, technology, discipline, and much more.

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This superbly illustrated book accompanies an exhibition of thirty objects from the exceptional collection of English silver in the Moscow Kremlin Museums, where the world’s greatest surviving group of English sixteenth- and seventeenth-century silver is housed. Much of the silver from this period was melted down during the English Civil War, making the pieces at the Kremlin exceedingly rare and historically important.The silver items—a large water pot with snake-shaped handle and spout, a flat drinking cup, a magnificent flagon shaped like a leopard, and more—exemplify the developing ties between England and Russia. Some pieces were brought to Russia as diplomatic gifts, some were presented by English trading agents, while others were purchased for the Tsar’s Treasury. Setting these silver treasures in fuller context, the catalogue also features precious objects made by Russian craftsmen, a group of English firearms from the Kremlin collection, and portraits, engravings, books, and maps that illuminate the important diplomatic and commercial exchanges that were taking place between the two countries.In addition to essays by Kremlin curators Natalya Abramova, Elena Yablonskaya, and Irina Zagarodnaya, the catalogue will include writings by Paul Bushkovitch, Olga Dmitrieva, Philippa Glanville, Maija Jansson, and Edward Kasinec.Published in association with the Yale Center for British ArtExhibition Schedule:The Gilbert Collection, London (mid-October, 2006 – January 2007)Yale Center for British Art (May 25 – September 10, 2006)

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How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.

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A glittering display of the Fitzwilliam Museum’s finest pieces of jewellery and metalwork. The Fitzwilliam Museum, University of Cambridge, holds stunning examples of jewellery and metalwork from the late nineteenth and early twentieth centuries. This exceptional period of design covers the neo-Gothic and historicist designs of the mid- to late nineteenth century, the groundbreaking work of British Arts and Crafts designers, sinuous curves influenced by the European Art Nouveau movement and the structural modernity of the 1930s. The collection contains jewellery by some of the finest historicist designers, including the Castellani and Giuliano families and John Brogden, as well as a spectacular decanter by William Burges. There are important pieces of jewellery and silver by the most famous of Arts and Crafts designers, including C.R. Ashbee, Henry Wilson, Gilbert Marks and John Paul Cooper. Unique pieces designed by the artist Charles Ricketts hold a special place in the history of queer art in Britain, having been designed for his friends Katherine Bradley and Edith Cooper, a couple known collectively as Michael Field. Modernist silver is represented by leaders of the field Omar Ramsden and H.G. Murphy. This beautifully illustrated volume reproduces 70 of the Museum’s most important pieces from this period, many previously unpublished, with comparative illustrations of some of the original designs. Importantly, the book is arranged chronologically by designer and includes biographies, a description of their work and how it changed over time, as well as commentary about the specific works in the Museum’s collection. The book brings together for the first time the Fitzwilliam’s exceptionally fine holdings of jewellery and metalwork from this highly popular and fruitful period of design.

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A unique edition of bright texts, brilliant images, and historic reprints, this kit provides everything that both beginners and advanced Tarot users might need and want to read cards for themselves and to study and experience this cultural gem in all its beauty and significance.The valuable collector’s box includes a complete deck of the Waite Smith Tarot cards and Waite’s famous companion book The Key to the Tarot. In this illustrated book, with texts and images compiled by Johannes Fiebig, the Tarot cards become psychological mirrors and signposts leading toward new answers and personal solutions. The fact that this works well can be attributed to certain advantages inherent to the Waite-Smith cards, and these points are illuminated in an essay by Rachel Pollack.All 78 cards are presented individually and in detail. The explanatory texts provide several dimensions and levels of interpretation, including concrete practical tips. Further, the book offers a new feature: the quick check. This presents a concise hint regarding the meaning of each card in each possible position of all the spread patterns featured in the book.When Arthur E. Waite and Pamela Colman Smith developed their Tarot deck in London in 1909, nobody could have predicted that it would have an overwhelming renaissance starting around 60 years later. What were the lives, works, and passions of these creators like? Pamela Colman Smith and Arthur E. Waite are brought vividly back to life in essays by Mary K. Greer and Robert A. Gilbert.

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Many people come for help because they remain stuck in a destructive relationship, job, legal battle or memories of child abuse. A growing number of therapists believe that forgiveness is of crucial importance in helping people break away from these patterns of resentment and revenge. Does forgiveness help? Or is the concept out of date in our more secular society? Forgiveness and the Healing Process considers this debate. Experienced contributors: * Consider the place of forgiveness in working with individuals and couples* Explore the benefits of mediation as a way forward both for the individual and the organisation, and also within the criminal justice system* Offer a valuable insight into South Africa's Truth and Reconciliation Commission and the crucial role of forgiveness in post-apartheid South Africa* Examine a client's view of seeking forgiveness* Present new frameworks for workers seeking to help people cope with trauma and injustice.Forgiveness and the Healing Process helps counsellors, psychotherapists, social workers, mediators, psychiatrists, and those working in the criminal justice system understand how forgiveness can facilitate the therapeutic process.Cynthia Ransley is a lecturer and course leader in social work at Brunel University. She is an integrative psychotherapist, supervisor and trainer in London.Terri Spy is a counselling psychologist and fellow of the British Association for Counselling and Psychotherapy. She is a London-based integrative psychotherapist, supervisor and trainer.Contributors: Michael Carroll, Jane Cooper, Gill Eagle, Maria Gilbert, Joy Green, Guy Masters, Fathima Moosa, Cynthia Ransley, Terri Spy, Gill Straker.

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"The book has wide appeal in that the issues investigated - for example, the nature of science, practical work, the role of language, of technology and formative and summative assessment - are relevant and pertinent to science teachers' work in all school systems."Professor David F Treagust, Curtin University of Technology, AustraliaThis new edition of Good Practice in Science Teaching offers a comprehensive overview of the major areas of research and scholarship in science education.Each chapter summarizes the research work and evidence in the field, and discusses its significance, reliability and implications for the practice of science teaching.Thoroughly revised throughout, the new edition includes: Three new chapters covering: the learning of science in informal contexts; teacher professional development; and technology-mediated learning Updates to every chapter, reflecting the changes and developments in science education Further reading sections at the end of each chapter Each chapter has been written by science education researchers with national or international reputations. Each topic is approached in a straight-forward manner and is written in a concise and readable style. This invaluable guide is ideal for science teachers of children of all ages, and others who work in teaching and related fields. It is an essential text for teachers in training and those studying for higher degrees.Contributors: Philip Adey, Paul Black, Maria Evagorou, John Gilbert, Melissa Glackin, Christine Harrison, Jill Hohenstein, Heather King, Alex Manning, Robin Millar, Natasha Serret, Shirley Simon, Julian Swain, Mary Webb.

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With an Essay on Hogg's Literary Friendships by Janette Currie and an Appendix on the Popular Context by Suzanne Gilbert Scottish popular tradition includes a group of stories about a King who has adventures - amorous and otherwise - as he wanders in disguise among his people. Many of these stories focus on James V and in Walter Scott's long narrative poem The Lady of the Lake (1810) the King encounters a mysterious lady while he is wandering alone and unrecognised in the Highlands. At first sight Scott's heroine seems to be a simple country girl, but she turns out to be a daughter of the great aristocratic house of Douglas, living for the time being in a rural exile. Scott's romantic and aristocratic version of the old 'wandering King' stories was hugely popular in its day, but Hogg subverts and questions this tale in Mador of the Moor (1816). The name 'Mador' suggests 'made o'er', 'made over', and Mador of the Moor is in effect a makeover of The Lady of the Lake. Hogg's poem, like Scott's, tells how a deer-hunt in the Highlands leads a disguised King of Scots into a love-adventure with a young woman. However Hogg's heroine, Ila Moore, is not a chaste aristocrat but a girl of low social standing who is made pregnant by the wandering King. Ila's inherent resourcefulness and strength of character suggest that a peasant girl pregnant out of wedlock can be a heroine fully worthy of respect, and Mador (rejected as shocking and ridiculous by its original readership), now re-emerges as a flowing and immensely readable narrative that eloquently challenges the deeply-ingrained class and gender prejudices of Hogg's society.

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How design made America modern: masterpieces of furniture, metalware and plastics from the early 20th century During the 1920s and 1930s, the speed of modern life in the United States, accelerated by advances in transportation, communication, technology and advertising, changed how people lived their lives, and the objects they chose to live with. A new profession emerged to help American manufacturers and consumers navigate the overwhelming transitions of the era. Through the power of design—form, color, ornament and materials—the earliest industrial designers created a modern aesthetic that came to represent American hopes, dreams and fantasies. America Goes Modern explores these designers’ achievements through close examination of selected masterworks. Each of these exceptional objects offers a window into the social, cultural, technological and economic world in which they were made and used. The book features sleek furniture, vibrant ceramics, streamlined metalwares and innovative plastics from the leading designers of the era. Designers include: Norman Bel Geddes, Manning Bowman Company, Jules Buoy, Donald Deskey, Paul Frankl, Earl Harvey, Ianelli Studios, Belle Kogan, William Lescaze, Erik Magnussen, Peter Muller Munk, Gilbert Rhode, RumRill Art Pottery, Victor Schreckengost, Walter Dorwin Teague, The Hall China Company, Harold Van Doren, John Vassos, Kem Weber, Western Coil and Electric Company and Russel Wright. Photographers and painters include: Berenice Abbott, Arthur Dove, Archibald Motley, Alvin Langdon Coburn, M. Murray Lebowitz, Norman Lewis, Max Weber, Margaret Bourke-White, Henry Callahan and Alfred Stieglitz.

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Rose and her friends and family are trapped in another dimension on a parallel Earth. With her world doomed and a universe at stake, Rose must continue her frantic search for the only person who can help... the Doctor. Contains three new adventures: 2.1 Saltwater by Alison Winter. Rose finds an Earth under threat, as something steals the salt from the oceans. As global tensions escalate, Rose wants to make those in charge listen, and finds an ally in the shape of another Clive... 2.2 Now is the New Dark by AK Benedict. On an Earth where science never advanced from the Dark Ages, Rose and Clive find themselves under suspicion. Someone is killing the Melancholics, but apparently, there's a Doctor here who can help... 2.3 The Rogue Planet by Emily Cook. Rose finds herself closer to home than ever - but she's in for a shock. Meanwhile, Jackie is a hit on daytime TV and Clive is a professor, but nobody seems to realise how much danger the world is in. CAST: Billie Piper (Rose Tyler), Mark Benton (Clive Finch), Camille Coduri (Jackie Tyler), Nicola Blackman (Reverend Georgina Stacey), Robert Cavanah (President Gilbert), Luke R Francis (PC Lee Jeffries), Indigo Griffiths (Brooke Robinson), Victoria Jeffrey (Assessor/Mistress Spinner), Malcolm Jeffries (Giovanni Bianco/John White), Hywel Morgan (Dr Richard Acres), Sarah Priddy (Femi/Producer), John Rayment (Archibald). Other parts played by members of the cast.

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Since the early days of film, critics and theorists have contested the value of formula, cliche, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jorg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Bela Balazs, Hugo Munsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as Rene Fulop-Miller and Gilbert Cohen-Seat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.

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The Border Reader brings together canonical and cutting-edge humanities and social science scholarship on the US-Mexico border region. Spotlighting the vibrancy of border studies from the field’s emergence to its enduring significance, the essays mobilize feminist, queer, and critical ethnic studies perspectives to theorize the border as a site of epistemic rupture and knowledge production. The chapters speak to how borders exist as regions where people and nation-states negotiate power, citizenship, and questions of empire. Among other topics, these essays examine the lived experiences of the diverse undocumented people who move through and live in the border region; trace the gendered and sexualized experiences of the border; show how the US-Mexico border has become a site of illegality where immigrant bodies become racialized and excluded; and imagine anti- and post-border futures. Foregrounding the interplay of scholarly inquiry and political urgency stemming from the borderlands, The Border Reader presents a unique cross section of critical interventions on the region. Contributors. Leisy J. Abrego, Gloria E. Anzaldúa, Martha Balaguera, Lionel Cantú, Leo R. Chavez, Raúl Fernández, Rosa-Linda Fregoso, Roberto G. Gonzales, Gilbert G. González, Ramón Gutiérrez, Kelly Lytle Hernández, José E. Limón, Mireya Loza, Alejandro Lugo, Eithne Luibhéid, Martha Menchaca, Cecilia Menjívar, Natalia Molina, Fiamma Montezemolo, Américo Paredes, Néstor Rodríguez, Renato Rosaldo, Gilberto Rosas, María Josefina Saldaña-Portillo, Sonia Saldívar-Hull, Alicia Schmidt Camacho, Sayak Valencia Triana, Carlos G. Vélez-Ibáñez, Patricia Zavella

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Everyone has a purpose. And, according to Oprah Winfrey, 'Your real job in life is to figure out as soon as possible what that is, who you are meant to be, and begin to honour your calling in the best way possible.' That journey starts right here. In her book, The Path Made Clear, Oprah shares what she sees as a guide for activating your deepest vision of yourself, offering the framework for creating not just a life of success, but one of significance. The book’s ten chapters are organized to help you recognize the important milestones along the road to self-discovery, laying out what you really need in order to achieve personal contentment, and what life’s detours are there to teach us. Oprah opens each chapter by sharing her own key lessons and the personal stories that helped set the course for her best life. She then brings together wisdom and insights from luminaries in a wide array of fields, inspiring readers to consider what they’re meant to do in the world and how to pursue it with passion and focus. Renowned figures such as Ellen DeGeneres, Lin-Manuel Miranda, Brené Brown, Elizabeth Gilbert, Eckhart Tolle and Jay-Z share the greatest lessons from their own journeys toward a life filled with purpose.Paired with over one hundred awe-inspiring photographs to help illuminate the wisdom of these messages, The Path Made Clear provides a beautiful resource for achieving a life lived in service of your calling – whatever it may be.

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The 20th century furniture is hot. American Furniture Designers: 1900 to the Present highlights the furniture produced by the 20 most important American furniture designers of the 20th and early 21st centuries plus a selection of the best-known European designers whose work is sold by Knoll International and Herman Miller. The designers are organized into five chapters. Introductions to each section summarize the evolution of furniture design as it evolved through the 20th and early 21st centuries. The book begins with the Arts and Crafts era before World War I; moves into the interwar period when Modernism gained a foothold in America; continues through the Postwar heyday of Mid-century Modern; highlights the furniture from the 1970s and into the 21st century with a focus on the foremost promoters of modern furniture, Knoll International and Herman Miller; and concludes with a selection of the top Studio Furniture makers and their innovative creations.The book focuses on the leading American designers from each of these periods including Gustav Stickley and Charles Rohlfs during the Arts and Crafts movement, Paul Frankl and Gilbert Rohde in the interwar period, Charles and Ray Eames and George Nelson for Mid- century Modern, and Wendell Castle and George Nakashima for Studio Furniture to name just a few. All their furniture is explained and profusely illustrated with 280 color photos. For anyone curious about the modern material culture that surrounds them, the book will explain everything about American furniture from 1900 into the 21st century: when it was made, where it was made, who made it, what it was made of, how it was designed, how long it was in production, and how the furniture related to its contemporaries.

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Hassan Mahamdallie remembers the comedy and comedians of his youth, Hussein Abdulsater explores the Islamic approach to humour, Bruce B Lawrence is enthralled by Sufi satire, Gilbert Ramsey and Moutaz Alkheder dissect Jihadi jokes, Boyd Tonkin relishes the wordplay in Ahmad Faris al-Shidyaq's Leg Over Leg, Robert Irwin enjoys old Arab gags, Eric Wagner explores Muslim comedy in America, Leyla Jagiella dissects the old theory of biological and psychological humours, Scott Jordan is astonished that comedy and news have merged into a single entity, Hussein Kesvani half-regrets his viral tweet, Shazia Mirza has a good laugh, Mevlut Ceylan retells Nasreddin Hodja tales, Shanon Shah is impressed by Arab political humour, Samia Rahman takes a sip from the famous drink of Abu Nawas, Ziauddin Sardar defends the integrity of put-upon pigeons, and Rachel Dwyer hands out Bollywood Comedy Awards. Also in this issue: Deena Mohamed's superhero Qahera, Giles Goddard on Christian-Muslim relations, Hoda Yusuf watches the first feature film from Djibouti, and a short story by Medina Tenour Whiteman. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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“His images are a triumph of artistic photography and snowboard camaraderie that showcase all that is great about women’s snowboarding – something the photographer feels has been left on the margins of the sport for too long.” — Sam Haddad, Glorious Sport Heroes: Women in Snowboarding is the product of two years’ work by photographer Jérôme Tanon, following some of the most dedicated female snowboarders around the world. It is a declaration of love, highlighting the culture, passion and dedication of female snowboarders. Though women's snowboarding has developed radically over the last decade, few photographs celebrate the champions of the sport. Over two winter seasons, Tanon travelled the world to meet several snowboarders, hear their stories and photograph them in the streets, the parks and the back-country. The sheer passion they put into their sport was instantly obvious. Shared here are personal stories and artworks by the snowboarders themselves. Contributors: Estelle Pensiero, Robin Van Gyn, Mary Walsh, Crystal Legoffe, Marie-France Roy, Leanne Pelosi, Nirvana Ortanez, Desiree Melancon, Marion Haerty, Kaisa Lemley, Morgan Anderson, Sarah King, Elena Graglia, Melissa Riitano, Ylfa Runarsdottir, Elena Könz, Ivika Jürgenson, Naima Antolin, Ylfa Rúnarsdóttir, Christy Prior, Jessa Gilbert, Tina Jeler, Natasza Zurek, Anna Gasser, Hana Beaman, Jamie Anderson, Laurie Blouin, Leila Iwabuchi, Annie Boulanger, Alexis Roland, Zoë Vernon, Mia Brookes, Sina Candrian, Klaudia Medlova, Natacha Rottier, Christina “Pika” Burtner, Alicia Gilmour, Margot Rozies, Hannah Eddy, Zoi Sadowski-Synnnott.

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There is nothing wrong with being shy - it is a natural emotion that everyone can experience. But if shyness is negatively impacting your life, The Shyness Workbook can help you grow your confidence.Shyness has evolved as an emotion over thousands of years and can be helpful in some circumstances. However, it can become a problem when it interferes with life goals, develops into social anxiety disorder or leads to 'learned pessimism', mild depression and even 'learned helplessness'. In this way, shyness and shame often hold us back from realising our potential and from engaging with others wholeheartedly.This practical self-help workbook sets out the background to shyness - its evolutionary functions and why it becomes chronic in some people - and teaches skills and exercises to help you overcome problematic shyness.Using this workbook, readers will learn how to:· Cope with shy feelings and debunk anxious thoughts· Develop self-compassion· Practise new, confident behavioursFull of fresh insights and exercises, The Shyness Workbook will support your journey into developing social self-confidence.THE COMPASSIONATE MIND APPROACHThe self-help books in this series are based on the Compassionate Mind Approach (developed by series editor Paul Gilbert). This brings together an understanding of how our mind can cause us difficulties but also provides us with a powerful solution in the shape of mindfulness and compassion. It teaches ways to stimulate the part of the brain connected with kindness, warmth, compassion and safeness, and to calm the part that makes us feel anxious, angry, sad or depressed.

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The Holocaust is often invoked as a benchmark for talking about human rights abuses from slavery and apartheid to colonialism, ethnic cleansing, and genocide. Western educators and politicians draw seemingly obvious lessons of tolerance and anti-racism from the Nazi past, and their work rests on the implicit assumption that Holocaust education and commemoration will expose the dangers of prejudice and promote peaceful coexistence. Holocaust Memory and Racism in the Postwar World, edited by Shirli Gilbert and Avril Alba, challenges the notion that there is an unproblematic connection between Holocaust memory and the discourse of anti-racism. Through diverse case studies, this volume historicizes how the Holocaust has shaped engagement with racism from the 1940s until the present, demonstrating that contemporary assumptions are neither obvious nor inevitable.Holocaust Memory and Racism in the Postwar World is divided into four sections. The first section focuses on encounters between Nazism and racism during and immediately after World War II, demonstrating not only that racist discourses and politics persisted in the postwar period, but also, perhaps more importantly, that few people identified links with Nazi racism. The second section explores Jewish motivations for participating in anti-racist activism, and the varying memories of the Holocaust that informed their work. The third section historicizes the manifold ways in which the Holocaust has been conceptualized in literary settings, exploring efforts to connect the Holocaust and racism in geographically, culturally, and temporally diverse settings. The final section brings the volume into the present, focusing on contemporary political causes for which the Holocaust provides a benchmark for racial equality and justice. Together, the contributions delineate the complex history of Holocaust memory, recognize its contingency, and provide a foundation from which to evaluate its moral legitimacy and political and social effectiveness. Holocaust Memory and Racism in the Postwar World is intended for students and scholars of Holocaust and genocide studies, professionals working in museums and heritage organizations, and anyone interested in building on their knowledge of the Holocaust and the discourse of racism.

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New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin Caron; a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi; a freshlook at key works from Du Fay's youth and early maturity; accounts of newly discovered sources and works; and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. The collection also includes two newly published compositions dedicated to the honorand. Fabrice Fitch teaches at the Royal Northern College of Music; Jacobijn Kiel is an independent scholar. Contributors: Rob C. Wegman, Jane Alden, Bonnie J. Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm

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Continual technological evolution has led to an explosion of new techniques in Human-Computer Interaction (HCI) research. Research Methods in Human-Computer Interaction is a thoroughly comprehensive guide to performing research and is essential reading for both quantitative and qualitative methods. Chapters cover a broad range of topics relevant to the collection and analysis of HCI data, going beyond experimental design and surveys, to cover ethnography, time diaries, physiological measurements, case studies, and other essential elements in the well-informed HCI researcher's toolkit. “This book is a must read for anyone in the field of Human-Computer Interaction. The multi-disciplinarian approach, housed in the reality of the technological world today, makes for a practical and informative guide for user interface designers, software and hardware engineers and anyone doing user research.” Dr. Mary Czerwinski, Research Area Manager, Microsoft Research, USA “Research Methods in HCI is an excellent read for practitioners and students alike. It discusses all the must-know theory, provides detailed instructions on how to carry out the research, and offers great examples. I loved it!” Professor Vanessa Evers, Professor, Human Computer Studies Lab, University of Amsterdam, the Netherlands "The book is superb: comprehensive, clear, and engaging! This is a one-stop HCI methods reference library. If you can only buy one HCI methods book, this is the one!" Dr. Clare-Marie Karat, IBM TJ Watson Research, USA, and recipient of the 2009 ACM SIGCHI Lifetime Service Award “A much needed and very useful book, covering important HCI research methods overlooked in standard research methods texts.” Professor Gilbert Cockton, School of Design, Northumbria University, United Kingdom

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Provides critical overviews of the main writers and key themes of Anglophone Jewish fiction. This spell binding Companion highlights the wealth of diversity in this field, identifying and exploring key themes including immigration, Diaspora, the Holocaust, Judaism, assimilation, anti Semitism and Zionism. Each expert contributor analyses one of the main trends in Anglophone Jewish fiction and situates it in historical context. Anglophone Jewish fiction is discussed in relation to theoretical frameworks and areas of study including transatlanticism, transnationalism and globalisation; ethnicity and multiculturalism; post colonial studies, feminist studies and queer studies. The 31 essays are by contributors including Vicki Aarons (Trinity University, Texas), Eitan Bar Yosef (Ben Gurion University of the Negev, Beer Sheva), Valentine Cunningham (Corpus Christi, Oxford), Bryan Cheyette (University of Reading), Phyllis Lassner (Northwestern University), Ira Nadel (University of British Columbia), Beate Neumeier (University of Cologne) and Aranzazu Usandizaga (University of Barcelona). Highlights the rich diversity of the field and identifies its key themes, including immigration, Diaspora, the Holocaust, Judaism, assimilation and anti Semitism Zionism. It analyses the main trends in Anglophone Jewish fiction and situates them in historical context; discusses the place of Anglophone Jewish fiction in relation to:transatlanticism, transnationalism and globalisation; ethnicity and multiculturalism; post colonial studies, feminist studies and queer studies and the 29 essays are by contributors including Vicki Aarons (Trinity University, Texas), Efraim Sicher (Ben Gurion University, Sasha Senderovich (Princeton), Bryan Cheyette (University of Reading), Phyllis Lassner (Northwestern University), Ruth Gilbert (University of Winchester), Beate Neumeier (University of Cologne), Sandra Singer (University of Guelph).

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Are you a human? Do you have a mind? Then this book is for you.'Like having the mind's complexities untangled by a witty, eloquent and deeply knowledgeable friend' OLIVER BURKEMAN 'Really wonderful, hugely readable ... loving it' DERREN BROWNNothing is more familiar and yet less understood than the human mind. It defines the experience of being human, and yet its workings contain some of the deepest mysteries ever encountered. Written by one of the world's greatest teachers of psychology, The Human Mind provides a masterful and riveting guide to all that we have learned since modern science began probing those mysteries.How does a three-pound lump of grey-ish meat give rise to conscious experience?What is the function of emotions such as disgust, gratitude and shame?How do our biases affect us and how can we overcome them?How does the mind of a child differ from that of an adult?How does memory work? What causes mental illness?Are we rational? Are we all a little bit racist?What makes us kind? What makes us cruel?What makes us happy?Many of these questions now have answers; many others don't yet; many widely accepted theories are probably wrong. This book takes us to the very limits of what is known. It shines new light on all that you take most for granted: everything you think and feel, everything you say and do, everything that makes you you.'The story of the human mind as told by psychology's best story-teller' DANIEL GILBERT

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The Go-Go Years "The Go-Go Years is not to be read in the usual manner ofWall Street classics. You do not read this book to see our presentsituation reenacted in the past, with only the names changed. Youread it because it is a wonderful description of the way thingswere in a different time and place." --From the Foreword by Michael Lewis The Go-Go Years is the harrowing and humorous story ofthe growth stocks of the 1960s and how their meteoric rise caused amultitude of small investors to thrive until the devastating marketcrashes in the 1970s. It was a time when greed drove the market andfast money was being made and lost as the "go-go" stocks surged andplunged. Included are the stories of such high-profilepersonalities as H. Ross Perot who lost $450 million in one day,Saul Steinberg's attempt to take over Chemical Bank, and the fallof America's "Last Gatsby," Eddie Gilbert. Praise for The Go-Go Years "Those for whom the stock market is mostly a spectator sportwill relish the book's verve, color, and memorableone-liners." --New York Review of Books "Please don't take The Go-Go Years too much for granted:as effortlessly as it seems to fly, it is nonetheless an unusuallycomplex and thoughtful work of social history." --New York Times "Brooks's great contribution is his synthesis of all theelements that made the 1960s the most volatile in Wall Streethistory . and making so much material easily digestible for theuninitiated." --Publishers Weekly "Brooks ... is about the only writer around who combines athorough knowledge of finance with the ability to perceive behindthe dance of numbers 'high, pure, moral melodrama on the themes ofpossession, domination, and belonging.'" --Time

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How performance has transformed the status of the art object, in works by Félix González-Torres, Oskar Schlemmer, Robert Morris and more Presenting works from the early 20th century to today, The Paradox of Stillness: Art, Object, and Performance examines the notion of stillness as both a performative and visual gesture, featuring practitioners who have constructed static or near-static experiments that hover somewhere between action and representation as they are experienced in the gallery space. The exhibition investigates performance from the perspective of the object rather than the body, examining how performance has reinterpreted traditional artistic mediums. Stillness and permanence are qualities typically seen as inherent to painting and sculpture—consider the frozen gestures of a historical tableau or the unyielding solidity of a bronze figure. The Paradox of Stillness, however, expands the artwork’s quality of stillness to accommodate uncertain temporalities and physical states, investigating works that merge objects with human bodies suspended in motion. Featuring artists whose works include performative elements but also embrace acts, objects and gestures that refer more to the inert qualities of painting or sculpture than to true staged action, The Paradox of Stillness rethinks the history of performance through its aesthetic investigations into the interplay of the fixed image and the live body. Artists include: Marina Abramovic, Merce Cunningham, Giorgio de Chirico, VALIE EXPORT, Gilbert and George, Félix González-Torres, Maria Hassabi, Jannis Kounellis, Kasimir Malevich, Piero Manzoni, Robert Morris, Senga Nengudi, Michelangelo Pistoletto, Oskar Schlemmer, Sophie Taeuber-Arp, Cindy Sherman, Mario Garcia Torres and Franz West.

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A celebration of Britain's diverse housing styles throughout the twentieth century and beyond. This illuminating book is a fascinating insight into Britain’s built heritage and the diverse housing styles of the twentieth century. Redesigned and updated in a brand-new edition, it showcases 100 houses, from throughout the 20th century and stretching into the 21st, that represent the range of architectural styles throughout the years and show how housing has adapted to suit urban life. Each house is accompanied by stunning photography and texts written by leading architectural critics and design historians, including Gavin Stamp, Elain Harwood, Barnabas Calder, Alan Powers and Gillian Darley. From specially commissioned architect-designed houses for private individuals to housing built for increased workforces, each of the 100 houses brings a different design style or historical story. There are houses built as part of garden cities, semi-detached suburban dwellings, housing estates, eco-houses, almshouses, converted factories and affordable post-war homes. Architectural styles encompass mock Tudor, modernist, Arts and Crafts and brutalism, and featured architects include Giles Gilbert Scott, Walter Gropius, Edwin Lutyens, Powell and Moya and David Chipperfield. The book also contains essays that explore the social and political aspects of housing design in Britain over the last 100 years, looking at the impact the world wars had on housing, exploring domestic technology and building materials and discovering how the modern house came about. This compelling book gives a glimpse into the wonderful housing Britain has to offer and is a must-have for all fans of design history and architecture.

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We live in a world made by science. How and when did this happen? This book tells the story of the extraordinary intellectual and cultural revolution that gave birth to modern science, and mounts a major challenge to the prevailing orthodoxy of its history.Before 1492 it was assumed that all significant knowledge was already available; there was no concept of progress; people looked for understanding to the past not the future. This book argues that the discovery of America demonstrated that new knowledge was possible: indeed it introduced the very concept of 'discovery', and opened the way to the invention of science.The first crucial discovery was Tycho Brahe's nova of 1572: proof that there could be change in the heavens. The telescope (1610) rendered the old astronomy obsolete. Torricelli's experiment with the vacuum (1643) led directly to the triumph of the experimental method in the Royal Society of Boyle and Newton. By 1750 Newtonianism was being celebrated throughout Europe.The new science did not consist simply of new discoveries, or new methods. It relied on a new understanding of what knowledge might be, and with this came a new language: discovery, progress, facts, experiments, hypotheses, theories, laws of nature - almost all these terms existed before 1492, but their meanings were radically transformed so they became tools with which to think scientifically. We all now speak this language of science, which was invented during the Scientific Revolution.The new culture had its martyrs (Bruno, Galileo), its heroes (Kepler, Boyle), its propagandists (Voltaire, Diderot), and its patient labourers (Gilbert, Hooke). It led to a new rationalism, killing off alchemy, astrology, and belief in witchcraft. It led to the invention of the steam engine and to the first Industrial Revolution. David Wootton's landmark book changes our understanding of how this great transformation came about, and of what science is.

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Reflecting the voices of poets, soldiers, the families they left behind and their comrades who would never return, The Penguin Book of First World War Poetry, previously published as In Flanders Fields, is edited with an introduction by George Walter in Penguin Classics.Unrivalled for its range and intensity, the poetry of the First World War continues to have a powerful effect on readers. This anthology reflects the diverse experience of those who lived through the war - bringing together the words of poets, soldiers and civilians affected by the conflict. Including famous verses from Rupert Brooke, Siegfried Sassoon and Wilfred Owen; pieces by less well-known writers such as Gilbert Frankau and Osbert Sitwell; works by women describing the emotions of those at home; and the anonymous lyrics of soldiers' songs, The Penguin Book of First World War Poetry offers a blend of voices that is both unique and profoundly moving.This collection has been arranged thematically, moving through the war's different stages from conscription through to its aftermath, to offer the reader a variety of perspectives on the same common experiences. George Walter's introduction discusses the role and scope of First World War poetry anthologies, and how the canon has changed over the years. This edition also contains notes and biographies.George Walter is Lecturer in English at Sussex University. His research interests are 20th-century literature; madness and creativity; constructions of Englishness; the cultural impact of the First World War. He has edited editions of the poet Ivor Gurney's work for Everyman and Fyfield Books.If you enjoyed The Penguin Book of First World War Poetry, you might also like Robert Graves' Goodbye to All That, available in Penguin Modern Classics.

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A new intellectual community came together in the United States in the 1910s and 1920s, a community outside the universities, the professions and, in general, the established centers of intellectual life. A generation of young intellectuals was increasingly challenging both the genteel tradition and the growing division of intellectual labor. Adversarial and anti-professional, they exhibited a hostility to boundaries and specialization that compelled them toward an ambitious and self-conscious generalism and made them a force in the American political, literary, and artistic landscape. This book is a cultural history of this community of free-lance critics and an exploration of their collective effort to construct a viable public intellectual life in America. Steven Biel illustrates the diversity of the body of writings produced by these critics, whose subjects ranged from literature and fine arts to politics, economics, history, urban planning, and national character. Conceding that significant differences and conflicts did exist in the works of individual thinkers, Biel nonetheless maintains that a broader picture of this vibrant culture has been obscured by attempts to classify intellectuals according to political or ideological persuasions. His book brings to life the ways in which this community sought out alternative ways of making a living, devised strategies for reaching and engaging the public, debated the involvement of women in the intellectual community and incorporated Marxism into its evolving search for a decisive intellectual presence in American life. Examined in this lively study are the role and contributions of such figures as Randolph Bourne, Max Eastman, Crystal Eastman, Walter Lippmann, Margaret Sanger, Van Wyck Brooks, Floyd Dell, Edmund Wilson, Mable Dodge, Paul Rosenfeld, H. L. Mencken, Lewis Mumford, Malcolm Cowley, Matthew Josephson, John Reed, Waldo Frank, Gilbert Seldes, and Harold Stearns.

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