Search results for ""Author Fredericks"

Winner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association Winner, 2021 Lambda Literary Award in LGBTQ Studies Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness—the process of imagining the Black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."

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Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z. She focuses not only on Cranach's art, but also on the society that surrounded him, the subjects he painted, and the events that shaped his development.

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This book provides a roadmap for modern-day conservatives to advance President Lincoln’s vision to help underserved communities across our country.Underserved is a tangible blueprint for today’s conservative who understands the need for a new and viable political plan of action—one that addresses the needs of the underserved communities that make up these United States of America. Utilizing the concept of the “Party of Lincoln” and the conservative principles set forth over centuries by the movement’s most recognized thought leaders, Underserved examines President Lincoln’s intentions for Reconstruction, President Grant’s aims to implement that vision, and Frederick Douglass’s influence on both men in the process. Underserved brings home the very real impact of a failed plan that has had negative implications on modern America, whether conservative, moderate, or liberal.With this historical plan as the linchpin for creating a framework that services disenfranchised communities, authors Ja’Ron K. Smith and Chris Pilkerton challenge conservative policy makers to employ strategies that mirror those originally presented over 160 years ago, while making necessary concessions for its modern audience—all of which are tied not only to the vision of these American icons, but does so in the context of traditional conservative thinkers who laid the groundwork for the modern-day Republican Party.From education and workforce development to criminal justice reform and healthcare disparities, Underserved makes a bold statement about what is necessary to see a change in the current state of affairs and presents a realistic action plan to make it happen. Underserved identifies the foundational role of key institutions in implementing this proposed plan and ties in the economic and social components necessary for the plan to be met with success—while stressing the critical components of Intentionality, Trust, Collaboration, Outcomes, and Use of Data. This approach makes Underserved a vital read for politicians on both sides of the aisle as much as it is for everyday voters, agents of change, and all those ready to see a plan that will produce results.

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Now available in paperback, William C. Banfield’s acclaimed collection of interviews delves into the lives and work of forty-one Black composers. Each of the profiled artists offers a candid self-portrait that explores areas from training and compositional techniques to working in a exclusive canon that has existed for a very long time. At the same time, Banfield draws on sociology, Western concepts of art and taste, and vernacular musical forms like blues and jazz to provide a frame for the artists’ achievements and help to illuminate the ongoing progress and struggles against industry barriers. Expanded illustrations and a new preface by the author provide invaluable added context, making this new edition an essential companion for anyone interested in Black composers or contemporary classical music. Composers featured: Michael Abels, H. Leslie Adams, Lettie Beckon Alston, Thomas J. Anderson, Dwight Andrews, Regina Harris Baiocchi, David Baker, William C. Banfield, Ysaye Maria Barnwell, Billy Childs, Noel DaCosta, Anthony Davis, George Duke, Leslie Dunner, Donal Fox, Adolphus Hailstork, Jester Hairston, Herbie Hancock, Jonathan Holland, Anthony Kelley, Wendell Logan, Bobby McFerrin, Dorothy Rudd Moore, Jeffrey Mumford, Gary Powell Nash, Stephen Newby, Coleridge-Taylor Perkinson, Michael Powell, Patrice Rushen, George Russell, Kevin Scott, Evelyn Simpson-Curenton, Hale Smith, Billy Taylor, Frederick C. Tillis, George Walker, James Kimo Williams, Julius Williams, Tony Williams, Olly Wilson, and Michael Woods

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Frederick Aldama’s The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez’s feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez’s films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling).The volume is divided into three parts: “Matters of Mind and Media” includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez’s films complicate Latino identity, as well as how they succeed in remaking audiences’ preconceptions of the world. “Narrative Theory, Cognitive Science, and Sin City: A Case Study” offers tools and models of analysis for the study of Rodriguez’s film re-creation of a comic book (on which Frank Miller was credited as codirector). “Aesthetic and Ontological Border Crossings and Borderlands” considers how Rodriguez’s films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez’s career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.

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How is medicine doing at the end of the twentieth century? While there has been no end of studies of our health care system and proposals for changing it, there have been few credible studies of the risks and benefits of widely used medical treatments. We simply do not always know whether one treatment is better than another or whether a particular drug is worth the price.Medical technology assessment is the discipline that studies what does and does not work in medicine. Howard Frazier and Frederick Mosteller are leading figures in this field. In Medicine Worth Paying For they attempt something completely new: to distill the methods and knowledge base of their highly specialized discipline into a text that is accessible—and therefore of great value—to a nontechnical audience.This book calls attention to the importance of technology assessment in medicine—the rigorous evaluation of the effects of medical treatments—with particular reference to medical innovations. Also, making use of a series of carefully selected cases, the authors identify important policy implications that can be drawn from the study of successful medical innovations. These case studies of medical successes are a rich source of examples of the effects, good and bad, of the application of technology to health care and of attempts to influence the diffusion of technologies in health care.Medicine Worth Paying For should be of interest to a variety of readers, particularly those concerned with health policy, investigators studying health services, those in the health professions, nonprofessionals who wish to maintain and improve the performance of the health care system, and others who simply want a system that provides benefits greater than risks at an acceptable financial cost.

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How have major civilizations of the last two millennia treated people who were attracted to their own sex? In a narrative tour de force, Louis Crompton chronicles the lives and achievements of homosexual men and women alongside a darker history of persecution, as he compares the Christian West with the cultures of ancient Greece and Rome, Arab Spain, imperial China, and pre-Meiji Japan.Ancient Greek culture celebrated same-sex love in history, literature, and art, making high claims for its moral influence. By contrast, Jewish religious leaders in the sixth century BCE branded male homosexuality as a capital offense and, later, blamed it for the destruction of the biblical city of Sodom. When these two traditions collided in Christian Rome during the late empire, the tragic repercussions were felt throughout Europe and the New World.Louis Crompton traces Church-inspired mutilation, torture, and burning of “sodomites” in sixth-century Byzantium, medieval France, Renaissance Italy, and in Spain under the Inquisition. But Protestant authorities were equally committed to the execution of homosexuals in the Netherlands, Calvin’s Geneva, and Georgian England. The root cause was religious superstition, abetted by political ambition and sheer greed. Yet from this cauldron of fears and desires, homoerotic themes surfaced in the art of the Renaissance masters—Donatello, Leonardo, Michelangelo, Sodoma, Cellini, and Caravaggio—often intertwined with Christian motifs. Homosexuality also flourished in the court intrigues of Henry III of France, Queen Christina of Sweden, James I and William III of England, Queen Anne, and Frederick the Great.Anti-homosexual atrocities committed in the West contrast starkly with the more tolerant traditions of premodern China and Japan, as revealed in poetry, fiction, and art and in the lives of emperors, shoguns, Buddhist priests, scholars, and actors. In the samurai tradition of Japan, Crompton makes clear, the celebration of same-sex love rivaled that of ancient Greece.Sweeping in scope, elegantly crafted, and lavishly illustrated, Homosexuality and Civilization is a stunning exploration of a rich and terrible past.

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Spring, 1941. The Second World War has entered a dangerous phase, with British ships being torpedoed in the Atlantic and nightly bombing raids on major ports. At Bletchley Park, top secret home of the nation's code-breakers, the race is on to crack the German Enigma code and thus prevent further naval and military losses. This endeavour is suddenly very close to home for Frederick Rowlands, blind veteran of the Great War, when his daughter, Margaret, who works at 'the Park' as a cryptographer, is arrested on suspicion of betraying secrets to the enemy. Then a young woman is found murdered, and Rowlands is drawn into a deadly battle of wits where he must decode a series of clues that will lead him to the killer and enable him to discover the real traitor at Bletchley Park.

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A powerful portrait of a Black family tree shaped by enslavement and freedom, rendered in searing poems by acclaimed author Carole Boston Weatherford and stunning art by her son Jeffery Boston Weatherford.I call their names: Abram Alice Amey Arianna AntiquaI call their names: Isaac Jake James Jenny JimEvery last one, property of the Lloyds, the state’s preeminent enslavers. Every last one, with a mind of their own and a story that ain’t yet been told. Till now. Carole and Jeffery Boston Weatherford’s ancestors are among the founders of Maryland. Their family history there extends more than three hundred years, but as with the genealogical searches of many African Americans with roots in slavery, their family tree can only be traced back five generations before going dark. And so from scraps of history, Carole and Jeffery have conjured the voices of their kin, creating an often painful but ultimately empowering story of who their people were in a breathtaking book that is at once deeply personal yet all too universal. Carole’s poems capture voices ranging from her ancestors to Frederick Douglass to Harriet Tubman to the plantation house and land itself that connects them all, and Jeffery’s evocative illustrations help carry the story from the first mention of a forebear listed as property in a 1781 ledger to he and his mother’s homegoing trip to Africa in 2016. Shaped by loss, erasure, and ultimate reclamation, this is the story of not only Carole and Jeffery’s family, but of countless other Black families in America.

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Winner of the Frederick Streng Book Award for Excellence in Buddhist-Christian Studies This work provides the first systematic discussion of the Bodhisattva path and its importance for constructive Christian theology. Crucified Wisdom examines specific Buddhist traditions, texts, and practices not as phenomena whose existence requires an apologetic justification but as wells of tested wisdom that invite theological insight. With the increasing participation of Christians in Buddhist practice, many are seeking a deeper understanding of the way the teachings of the two traditions might interface. Christ and the Bodhisattva are often compared superficially in Buddhist–Christian discussion. This text combines a rich exposition of the Bodhisattva path, using Śāntideva’s classic work the Bodicaryāvatāra and subsequent Tibetan commentators, with detailed reflection on its implications for Christian faith and practice. Author S. Mark Heim lays out root tensions constituted by basic Buddhist teachings on the one hand, and Christian teachings on the other, and the ways in which the Bodhisattva or Christ embody and resolve the resulting paradoxes in their respective traditions. An important contribution to the field of comparative theology in general and to the area of Buddhist–Christian studies in particular, Crucified Wisdom proposes that Christian theology can take direct instruction from Mahāyāna Buddhism in two respects: deepening its understanding of our creaturely nature through no-self insights, and revising its vision of divine immanence in dialogue with teachings of emptiness. Heim argues that Christians may affirm the importance of novelty in history, the enduring significance of human persons, and the Trinitarian reality of God, even as they learn to value less familiar, nondual dimensions of Christ’s incarnation, human redemption, and the divine life. Crucified Wisdom focuses on questions of reconciliation and atonement in Christian theology and explores the varying interpretations of the crucifixion of Jesus in Buddhist–Christian discussion. The Bodhisattva path is central for major contemporary Buddhist voices such as the Dalai Lama and Thích Nhât Hanh, who figure prominently as conversation partners in the text. This work will be of particular value for those interested in “dual belonging” in connection to these traditions.

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Winner of the Frederick Streng Book Award for Excellence in Buddhist-Christian Studies This work provides the first systematic discussion of the Bodhisattva path and its importance for constructive Christian theology. Crucified Wisdom examines specific Buddhist traditions, texts, and practices not as phenomena whose existence requires an apologetic justification but as wells of tested wisdom that invite theological insight. With the increasing participation of Christians in Buddhist practice, many are seeking a deeper understanding of the way the teachings of the two traditions might interface. Christ and the Bodhisattva are often compared superficially in Buddhist–Christian discussion. This text combines a rich exposition of the Bodhisattva path, using Śāntideva’s classic work the Bodicaryāvatāra and subsequent Tibetan commentators, with detailed reflection on its implications for Christian faith and practice. Author S. Mark Heim lays out root tensions constituted by basic Buddhist teachings on the one hand, and Christian teachings on the other, and the ways in which the Bodhisattva or Christ embody and resolve the resulting paradoxes in their respective traditions. An important contribution to the field of comparative theology in general and to the area of Buddhist–Christian studies in particular, Crucified Wisdom proposes that Christian theology can take direct instruction from Mahāyāna Buddhism in two respects: deepening its understanding of our creaturely nature through no-self insights, and revising its vision of divine immanence in dialogue with teachings of emptiness. Heim argues that Christians may affirm the importance of novelty in history, the enduring significance of human persons, and the Trinitarian reality of God, even as they learn to value less familiar, nondual dimensions of Christ’s incarnation, human redemption, and the divine life. Crucified Wisdom focuses on questions of reconciliation and atonement in Christian theology and explores the varying interpretations of the crucifixion of Jesus in Buddhist–Christian discussion. The Bodhisattva path is central for major contemporary Buddhist voices such as the Dalai Lama and Thích Nhât Hanh, who figure prominently as conversation partners in the text. This work will be of particular value for those interested in “dual belonging” in connection to these traditions.

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How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkersThough the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition.

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An American general in Wellington’s army? At the age of fourteen, Frederick Robinson fought for the Loyalists in the War of Independence. With their defeat, his now impoverished family took refuge in England. After serving against the French in the West Indies, he worked in army recruitment in London. In 1813 he joined the Peninsular campaign as a Brigade Major General. His journals and letters shed light on the local topography and the personalities he encounters – the British grandees of Oporto, landed gentry, priests and peasants, Wellington and his generals and the common soldier. He also describes the marches across country and the battles of Vitoria, San Sebastian, the Nime and Toulouse. Subsequently, he commanded a division in America during the War of 1812. After colonial governorships in Upper Canada and Tobago, he continued to contribute as a Regimental Colonel. At his death in 1852, he was the longest-serving soldier in the British Army.

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The brutal assasination of Commissioner Frederick Mackeson on British India's North-West Frontier in 1853 was a bloody and public declaration of a conflict that was to stretch well into the next one hundred and fifty years. The Wahhabi tribe, extreme Islamist fundamentalists, set out to restore purity to their faith by declaring violent jihad on all who opposed them. Their history has long been forgotten and yet their vicious brand of political ideology lives on. The Wahhabi deeply influenced not only the formation of modern Saudi Arabia, but Osama bin Laden and the Taliban. Their teachings educate orphan boys in Afghanistan and press rifles into their hands, for the sake of jihad. The parallels between this pivotal terrorist network and our post-9/11 political climate are staggering. Charles Allen sheds lights on the historical roots of modern terrorism and shows how this dangerous nineteenth-century theology lives on today.

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In order to save a life, he must take one...Navy SEAL Mack Bedford is expelled from the military after recklessly avenging the death of fellow soldiers, killed by insurgents wielding a deadly Diamondhead anti-tank missile.Then he learns the weapons were sold illegally by the infamous terrorist abetter, Henri Foche. Meanwhile, Mack has a gravely ill son whose life can only be saved by an expensive and experimental medical procedure.When Mack is asked to assassinate Foche, his hand is forced... His reward: a chance of survival, not just for his son, but for his country.But before Mack can reach his target, a jilted mercenary group intervenes. Can he succeed – and survive?A non-stop action thrill ride, Diamondhead is perfect for fans of Vince Flynn, Andy McNab and Frederick Forsyth.

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When war broke out in 1939 over 20,000 Irishmen were serving in the Royal Navy, Army and Royal Air Force with the greatest proportion in the Army. During the war this rose to over 120,000, suggesting that about 100,000 enlisted during the war.Nine earned the Victoria Cross; three members of the Royal Navy, including a Fleet Air Arm pilot, four soldiers, including a member of the Australian forces, and two RAF pilots.The author looks at the seven Irish regiments in campaigns across the globe, at Irish soldiers across the Army, at Irish sailors from the Battle of the River Plate to the final actions against Japan, and at Irish airmen from the first bombing raids of the war to the closing days of war.Included are outstanding personalities such as the Chavasse brothers, who earned three DSOs, three DSCs and two MiDs, Bala Bredin, Corran Purden, Brendan 'Paddy' Finucane, Blair Mayne and Roy Farran, the latter pair highly-decorated SAS officers. There are also Irish generals, such as Paddy Warren who died while commanding 5th Indian Division in Burma and Frederick Loftus Tottenham, who commanded 81st (West African) Division, not to mention giants such as Alexander, Auchinleck, Montgomery and McCreery.Irish women are not forgotten in the book which also takes a brief look at the Irish in other Allied forces, including a most unusual volunteer for the US Navy whose application to serve had to be approved by President Roosevelt. He was William Patrick Hitler, a nephew of Germany's fuhrer.

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'Ghoulishly entertaining' Jacqueline Banerjee, Times Literary Supplement'This is a great book for dipping into . . . the cases themselves are written engagingly and with appealing dramatisation of key events.'Kim Fleet, Crime ReviewA grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era.The tales include murders and violent crimes, but also feature scandals that merely amused the Victorians. These include the story of a teenage man who married an actress, only to be shipped off to Australia by his disgusted parents; and the Italian ice-cream man who only meant to buy his sweetheart a hat but ended up proposing marriage instead. When he broke it off, his fiancée's father sued him and the story was dubbed the 'Amusing Aberdeen Breach of Promise Case'. Also present is the gruesome story of the murder of Patrick O Connor who was shot in the head and buried under the kitchen flagstones by his lover Maria Manning and her husband, Frederick. The couple's subsequent trial caused a sensation and even author Charles Dickens attended the grisly public hanging.Drawing on a range of sources from university records and Old Bailey transcripts to national and regional newspaper archives, Michelle Morgan's research sheds new light on well-known stories as well as unearthing previously unknown incidents.

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All revolutionary regimes seek to legitimize themselves through foundation narratives that, told and retold, become constituent parts of the social fabric, erasing or pushing aside alternative histories. Frederick C. Corney draws on a wide range of sources—archives, published works, films—to explore the potent foundation narrative of Russia's Great October Socialist Revolution. He shows that even as it fought a bloody civil war with the forces that sought to displace it, the Bolshevik regime set about creating a new historical genealogy of which the October Revolution was the only possible culmination. This new narrative was forged through a complex process that included the sacralization of October through ritualized celebrations, its institutionalization in museums and professional institutes devoted to its study, and ambitious campaigns to persuade the masses that their lives were an inextricable part of this historical process. By the late 1920s, the Bolshevik regime had transformed its representation of what had occurred in 1917 into a new orthodoxy, the October Revolution. Corney investigates efforts to convey the dramatic essence of 1917 as a Bolshevik story through the increasingly elaborate anniversary celebrations of 1918, 1919, and 1920. He also describes how official commissions during the 1920s sought to institutionalize this new foundation narrative as history and memory. In the book's final chapter, the author assesses the state of the October narrative at its tenth anniversary, paying particular attention to the versions presented in the celebratory films by Eisenstein and Pudovkin. A brief epilogue assesses October's fate in the years since the collapse of the Soviet Union.

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From the bestselling, award-winning novelist Kate Saunders comes the first in ‘The Laetitia Rodd Mysteries’, six novels featuring a Victorian lady detective, perfect for fans of Agatha Christie, M. C. Beaton and Grantchester 'A Dickensian glow pervades this immensely satisfying novel. Hugely enjoyable’ James Runcie, author of 'The Grantchester Mysteries' Mrs Laetitia Rodd is the impoverished widow of an Archdeacon, living modestly in Hampstead with her landlady Mrs Bentley. She is also a private detective of the utmost discretion. In winter 1850, her brother Frederick, a criminal barrister, introduces her to Sir James Calderstone, a wealthy and powerful industrialist who asks Mrs Rodd to investigate the background of an ‘unsuitable’ woman his son intends to marry – a match he is determined to prevent. In the guise of governess, she travels to the family seat, Wishtide, deep in the frozen Lincolnshire countryside, where she soon discovers that the Calderstones have more to hide than most. As their secrets unfold, the case takes an unpleasant turn when a man is found dead outside a tavern. Mrs Rodd’s keen eyes and astute wits are taxed as never before in her search for the truth – which carries her from elite drawing rooms to London’s notorious inns and its steaming laundry houses. Dickensian in its scope and characters, The Secrets of Wishtide brings nineteenth-century society vividly to life and illuminates the effect of Victorian morality on women’s lives. Introducing an irresistible new detective, the first book in the Laetitia Rodd Mystery series will enthral and delight.

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Being emotionally present is key to a loving connection with a partner. But past neglect make some people afraid to express their feelings, resulting in cold, insecure, resentful relationships. Dr. Ronald Frederick, co-founder of the Center for Courageous Living, uses attachment theory and neuroscience to explain why people fear emotional intimacy, how this pattern ruins relationships and ways to become an emotionally minded partner. Ultimately, what the reader will take away from this book is the knowledge that, with the right tools, real change can and does happen. Our relationships can be fuller and richer than we ever imagined. The capacity for deep, loving connections is inside all of us, just waiting to come out. LOVING LIKE YOU MEAN IT will help readers harness the amazing wisdom and power of their emotions to have the relationships they really want.

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The Whirlwind of War builds on the great themes and follows many of the important figures who were introduced in The Approaching Fury. Stephen B. Oates’s riveting narrative brings to life the complex and destructive war that is the central event in American history. He writes in the first person, assuming the viewpoints of several of the principal figures: the rival presidents, Abraham Lincoln and Jefferson Davis; the rival generals, Robert E. Lee, Ulysses S. Grant, and William Tecumseh Sherman; the great black abolitionist, editor, and orator, Frederick Douglass; the young Union battlefield nurse, Cornelia Hancock; the brilliant head of the Chicago Sanitary Commission and cocreator of the northern Sanitary Fair, Mary Livermore; the Confederate socialite and political insider, Mary Boykin Chesnut; the assassin, John Wilkes Booth; and the greatest poet of the era, Walt Whitman, who speaks in the coda about the meaning of war and Lincoln's death.

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A compelling story about the decline and rebirth of a 100 year old garden. This is a compelling story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm - founded by his father, the great landscape architect responsible for Central Park, New York City - it has now been brought back to life. Landscape historian Arleyn A. Levee tells a fascinating and carefully researched narrative about the garden's origins, development, heyday, decay and ultimate renaissance. The Blue Garden skillfully interweaves the garden's design and social history, and stories of its founders and the Olmsted firm, with historical photos, original drawings and sketches, and images of the restored garden from 2015. This is a timeless and inspiring account of the devoted patrons, skilled artisans and great designers behind the creation and revival of a masterpiece, made possible by the vision of a devoted patron, and the relevance of historic preservation of gardens in the 21st century. AUTHOR: ARLEYN A. LEVEE is a historian and preservation consultant specializing in research concerning the Olmsted firm. She received a Bachelor of Arts from Wellesley College, Master of Arts in Teaching from Harvard University, and a Certificate from the Radcliffe Seminars Program in Landscape Design. 73 colour and 120 b/w illustrations

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The white man's burden, darkest Africa, the seduction of the primitive: such phrases were widespread in the language Western empires used to talk about their colonial enterprises. How this language itself served imperial purposes--and how it survives today in writing about the Third World--are the subject of David Spurr's book, a revealing account of the rhetorical strategies that have defined Western thinking about the non-Western world.Despite historical differences among British, French, and American versions of colonialism, their rhetoric had much in common. The Rhetoric of Empire identifies these shared features—images, figures of speech, and characteristic lines of argument—and explores them in a wide variety of sources. A former correspondent for the United Press International, the author is equally at home with journalism or critical theory, travel writing or official documents, and his discussion is remarkably comprehensive. Ranging from T. E. Lawrence and Isak Dineson to Hemingway and Naipaul, from Time and the New Yorker to the National Geographic and Le Monde, from journalists such as Didion and Sontag to colonial administrators such as Frederick Lugard and Albert Sarraut, this analysis suggests the degree to which certain rhetorical tactics penetrate the popular as well as official colonial and postcolonial discourse. Finally, Spurr considers the question: Can the language itself—and with it, Western forms of interpretation--be freed of the exercise of colonial power? This ambitious book is an answer of sorts. By exposing the rhetoric of empire, Spurr begins to loosen its hold over discourse about—and between—different cultures.

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This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century. Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the 'American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history. The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White. Key texts used to illustrate the narrative include: *Owen Wister's The Virginian *Jack Schaefer's Shane *Cormac McCarthy's Blood Meridian *Ishmael Reed's Yellow Back Radio Broke Down *Films from Edwin Porter's The Great Train Robbery to Fred Zinneman's High Noon and from Clint Eastwood's Unforgiven to the post 9/11 Westerns Open Range, The Alamo and Brokeback Mountain This book is an essential and comprehensive analysis of the significance and enduring legacy of the American Western. Key Features: *Includes chapters on Western history, literature and film *Shows the interconnections between the Western (in all its forms) and 20th-century American history, politics, culture and society *The only book to take a multi-disciplinary approach to the subject.

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When war broke out in 1939 over 20,000 Irishmen were serving in the Royal Navy, Army and Royal Air Force with the greatest proportion in the Army. During the war this rose to over 120,000, suggesting that about 100,000 enlisted during the war. Nine earned the Victoria Cross; three members of the Royal Navy, including a Fleet Air Arm pilot, four soldiers, including a member of the Australian forces, and two RAF pilots. The author looks at the seven Irish regiments in campaigns across the globe, at Irish soldiers across the Army, at Irish sailors from the Battle of the River Plate to the final actions against Japan, and at Irish airmen from the first bombing raids of the war to the closing days of war. Included are outstanding personalities such as the Chavasse brothers, who earned three DSOs, three DSCs and two MiDs, Bala Bredin, Corran Purden, Brendan 'Paddy' Finucane, Blair Mayne and Roy Farran, the latter pair highly-decorated SAS officers. There are also Irish generals, such as Paddy Warren who died while commanding 5th Indian Division in Burma and Frederick Loftus Tottenham, who commanded 81st (West African) Division, not to mention giants such as Alexander, Auchinleck, Montgomery and McCreery. Irish women are not forgotten in the book which also takes a brief look at the Irish in other Allied forces, including a most unusual volunteer for the US Navy whose application to serve had to be approved by President Roosevelt. He was William Patrick Hitler, a nephew of Germany's fhrer.

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In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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*Winner of the CHOICE Outstanding Academic Book Prize, 2019* *Shortlisted for the Isaac Deutscher Prize 2019* Why Marxism? Why today? In the first introduction to Marxist literary criticism to be published in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society. She lays out in clear terms the principal aspects of Marxist methodology - historical materialism, political economy and ideology critique - as well as key debates, among Marxists and non-Marxists alike, about the nature of literature and the goals of literary criticism and pedagogy. Foley examines through the empowering lens of Marxism a wide range of texts: from Jane Austen's Pride and Prejudice to E. L. James's Fifty Shades of Grey; from Frederick Douglass's 'What to the Slave Is the Fourth of July?' to Annie Proulx's 'Brokeback Mountain'; from W.B. Yeats's 'The Second Coming' to Claude McKay's 'If We Must Die'.

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Seidel is the great controversialist of American poetry. Dubbed a 'transgressive adventurer,' a 'demonic gentleman,' a 'triumphant outsider,' a 'great poet of innocence,' and 'an example of the dangerous Male of the Species', his sly, witty and wide-eyed poems seem earnest one moment and flippant the next, and will see him rotating his caustic fire from high-society cocktail parties to street-level poverty, genocide to Obamacare, New York to Syria. He's never more than a turn-line from humour, and it is often when he is at his funniest that he is also at his most shocking.The Independent said of his last collection: 'There is no contemporary poet writing in English as witty, as shrewd, as touching and as debonair as Frederick Seidel. That's a lot of praise, but he surely merits it.'Widening Income Inequality, Seidel's new collection, is a rhymed magnificence of sexual, historical, and cultural exuberance. Rarely has poetry been this dapper, or this dire, or this true.

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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A trapped double-agent, an impending world war and a race to space… Winter Hawk is Craig Thomas at the height of his powers. With the Nuclear Arms Reduction Treaty set to be ratified by the US and the USSR in Geneva, it seems that international relations have finally stabilised. But when a double agent reveals that the Soviets are preparing to launch a series of laser weapons into space, the West is suddenly defenceless and vulnerable. A panic-stricken US President puts pilot Mitchell Gant at the head of a mission, code-named “Winter Hawk”. The operation is clear: a covert dash in and out of the Soviet Union to retrieve the double agent before the weapons can be launched. But with the clock ticking and the Russian “Hinds” on his tail, Gant’s voyage across the snowy Russian border is far from simple…Set against a background of Cold War tension and nuclear threat, Winter Hawk is another icy Craig Thomas thriller, perfect for fans of Desmond Bagley and Frederick Forsyth.

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In the late nineteenth century, corporate managers began to rely on photography for everything from motion studies to employee selection to advertising. This practice gave rise to many features of modern industry familiar to us today: consulting, "scientific" approaches to business practice, illustrated advertising, and the use of applied psychology. In this imaginative study, Elspeth H. Brown examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing, among others, the work of Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject as well.

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'Value' seems like an elusive and abstract concept. Nonetheless, notions of value underpin how we understand our lives, from discussions about the economic contribution of different kinds of work and productive activity, to the prices we pay for the things we consume. So what is value, and where does it come from? In this new book, Frederick Harry Pitts charts the past, present and future of value within and beyond capitalist society, critically engaging with key concepts from classical and neoclassical political economy. Interrogating the processes and practices that attribute value to objects and activities, he considers debates over whether value lies within commodities or in their exchange, the politics of different theories of value, and how we measure value in a knowledge-based economy. This accessible and intriguing introduction to the complexities of value in modern society will be essential reading for any student or scholar working in political economy, economics, economic sociology or management.

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There has been growing interest in Ernst Meister because of the publication of two books in his informal trilogy, In Time's Rift (2012) and Wallless Space (2014). We expect much excitement for this final installment. This collection differs from the others in its expansion, both in ideas and the length of the poems. Though he wrote from outside the literary circles of his time, Ernst Meister received accolades for his poetry, including Germany's most prestigious poetry prize, the Georg Büchner Prize. Translator Foust is an esteemed poet with an established fan base. Translator Frederick is a noted German scholar. The original poems, in German, will face the English translations. This book holds diverse appeal to those interested in philosophy, existential questions, and international literature.

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Frederick Law Olmsted (1822 – 1903) is considered as the father of landscape architecture in the United States and created several renowned urban parks and park systems around the country. With a stunning black and white series of trees by Stanley Greenberg dating to the beginnings of these parks this volume offers an intimate encounter with Olmsted, his motifs and heritage. Central Park in New York, the Emerald Necklace in Boston, park systems in Chicago, Milwaukee, Buffalo, Rochester and Louisville – trees have been essential elements of all of Olmsted’s park designs. New York-based photographer Stanley Greenberg pays tribute to them with his portrait series of these beautiful and dignified giants. Three essays by renowned experts on history, sociology and landscape architecture complement the narrative and present an interdisciplinary vision on Olmsted’s achievement.

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. At twenty-seven, Anne Elliot is no longer young and has few romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What happens when they encounter each other again is movingly told in Jane Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension, but, above all,it is a love story tinged with the heartache of missed opportunities.

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The start of a major new series from a bestselling thriller writer and a renowned cybersecurity expert.7/7/2005: Ben Morgan, a cybersecurity specialist with the Metropolitan police, starts another day at work. It will be the last normal day he ever has.The Present: In Hong Kong, a crime overlord is offered a deal by shadowy agents from Beijing: his life for a new kind of operation in London. Morgan, now a part of an off the books cyber-terrorism prevention unit, must do everything possible to stop its spread.This is a new kind of war: different goals, tactics, rules, stakes. And Morgan is caught right in the centre...A pulse-pounding thriller rooted in reality, perfect for fans of Frederick Forsyth, Andy McNab and James Deegan.

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In January of 1965, twenty-four-year-old U.S. Army sergeant Charles Robert Jenkins abandoned his post in South Korea, walked across the DMZ, and surrendered to communist North Korean soldiers standing sentry along the world's most heavily militarized border. He believed his action would get him back to the States and a short jail sentence. Instead he found himself in another sort of prison, where for forty years he suffered under one of the most brutal and repressive regimes the world has known. This fast-paced, harrowing tale, told plainly and simply by Jenkins (with journalist Jim Frederick), takes the reader behind the North Korean curtain and reveals the inner workings of its isolated society while offering a powerful testament to the human spirit.

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Because it is difficultif not impossibleto understand contemporary management theory and practice without an appreciation of its historical heritage, this new one-stop reference resource from Routledge allows students and researchers readily to access the subject's major works to enable a full and contextualized comprehension of the evolution of business and management thought.The four-volume collection opens with a selection of readings (Beginnings') that set the stage for the advent of modern management. The materials assembled in the succeeding sections examine and explore the writings and lives of Frederick W. Taylor (generally credited as the founding father of scientific management) and the other individuals who were central figures in the development of management thought as an independent, scientific discipline.The gathered selections are drawn from a body of literature that emerged in the late 1880s and continued through the 1970s. They tell the story of

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First published as Twist of Fate under A. C. Koning. Summer, 1937. Frederick Rowlands' peaceful holiday in Cornwall is derailed when a film star is found dead in his hotel. The suspicious nature of Dolores La Mar's death points to murder and Rowlands soon finds himself caught up in the police investigation. When his old flame, Secret Service agent Iris Barnes arrives, it transpires that the killing has links to the political turmoil of the Spanish Civil War. Rowlands and Barnes begin to follow a treacherous trail of Republican revolutionaries which leads them to the dark streets of Barcelona, where they discover that their Cornish murder is more connected to the city than either of them realised. As Europe inches closer towards international conflict, will Rowlands and Barnes make it out of Spain alive?

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"I have no doubt at all, that if philosophy is to prosper in the coming decades, it will have to treat with great seriousness that splendid seriousness that splendid body of philosophical writing of which the essays in this volume constitute one major part". from the Foreword by Alasdair MacIntyre When historians of philosophy turn to the work of distinguished philosopher Frederick L. Will, Pragmatism and Realism will be an important part of the discussion. In this collection of nine essays, Will demonstrates that a social account of human knowledge is consistent with, and ultimately requires, realism. A timely contribution to the current debate, the book culminates in a naturalistic account of the generation, assessment, and revision of cognitive, moral and social norms. It is written clearly enough for undergraduates, and includes a critical introduction by the editor discussing the bearing of Will's views on current debates among analytic epistemologists, philosophers of science, and moral theorists.

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A perfect tool for young readers as they grow into the leaders of tomorrow, Veronica Chambers’s inspiring collection of profiles—along with Senator Cory Booker’s stirring foreword—will inspire readers of all ages to stand up for what’s right.You may only be one person, but you have the power to change the world.Before they were activists, they were just like you and me. From Frederick Douglass to Malala Yousafzai, Joan of Arc to John Lewis, Susan B. Anthony to Janet Mock—these remarkable figures show us what it means to take a stand and say no to injustice, even when it would be far easier to stay quiet.Resist profiles men and women who resisted tyranny, fought the odds, and stood up to bullies that threatened to harm their communities. Along with their portraits and most memorable quotes, their stories will inspire you to speak out and rise up—every single day.

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Born into wealth in 1860's London, Beatrix Potter always had a vivid imagination. Her early interests included natural history and archaeology, and Potter delighted in sketching fossils and fungi. After briefly illustrating Christmas cards with her brother, Bertram, Potter wrote and illustrated her well-known book, The Tale of Peter Rabbit. The book was rejected by several publishes until Frederick Warne eventually took a risk and published the story in 1902 - a risk that paid off. Peter Rabbit was a huge success and readers loved hearing about Peter's mischevious adventures in the lush English countryside. As she got older, Beatrix Potter became a proud conservationist, working hard to defend the landscape she loved so well against industrialization and logging. Now over one hundred years old, Peter Rabbit and his animal friends have become cultural touchstones and continue to delight readers of all ages.

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Born to an African American father and Japanese mother, Frederick D. Kakinami Cloyd, the narrator of Dream of the Water Children, finds himself not only to be a marginalized person by virtue of his heritage, but often a cultural drifter, as well. Indeed, both his family and his society treat him as if he doesn’t entirely belong to any world. Tautly written in spare, clear poetic prose, this memoir explores the specific contours of Japanese and African American cultures, as well as the broader experience of biracial and multicultural identity. To tell his story, Cloyd incorporates photographs and Japanese writing, history, and memory to convey both rich personal experience and significant historical detail. Bringing together vivid memories with a perceptive cultural eye, Dream of the Water Children brings readers closer to a biracial experience, opening up our understanding of the cultural richness and social challenges people from diverse backgrounds face.

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Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. »Objects of Desire: Surrealism and Design« is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dalí, Marcel Duchamp, ntoni Gaudí, Frederick Kiesler, René Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function — it can also follow our obsessions, our fantasies, and our hidden desires.

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In 1893 the composer Antonin Dvorák prophesied a “great and noble” school of American classical music based on the searing “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would found popular genres known the world over, it never gained a foothold in the concert hall. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Leonard Bernstein and Aaron Copland, he looks back to literary figures—Emerson, Melville and Twain—to ponder how American music can connect with a “usable past”. The result is a new paradigm, that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Dawson and Florence Price, to redefine the classical canon.

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Wagner’s magnum opus meets the celebrated translator of Jules Verne novels in this colorful and original work.Frederick Paul Walter makes The Valkyrie accessible not only to scholars and opera buffs but also to fans of Tolkien, Star Wars, and Hogwart. Walter provides a dazzling, new translation in lively modern English and annotations that spotlight the libretto, lyrics, and stage directions. The translation conveys Wagner’s humor, rhymes, alliterative effects, subliminal messages, and inventive tale spinning, and gets the most basic ingredient right: the actual story! It highlights the motives, secrets, and plot twists—what’s really going on and what its narrative shows and tells.The Annotated Ring Cycle includes newly created graphic-novel style illustrations that visually represent the storyline alongside color photos and classic artwork by Arthur Rackham, Howard Pyle, Aubrey Beardsley, the 1876 costume & set designs, and much more.

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As early as 1842 Garrison advanced the idea of disunion, arguing that the Constitution was "a covenant with death." Distressed by Calhoun's signing of the annexation treaty for Texas, he prophesied that civil war was inevitable. Though plagued by illness and death in his immediate family throughout the years covered in this volume, Garrison drove himself to win supporters for the radical abolitionist cause. In 1846 he traveled to Great Britain, denouncing the Free Church of Scotland for accepting funds from South Carolina. While in England he lectured often with Frederick Douglass; the two embarked the following year on a grueling lecture tour of the western United States, heretofore the exclusive domain of moderate abolitionists. In 1848, despite the objections of close friends, Garrison held the controversial Anti-Sabbath Convention in Boston. Throughout these years he continued to write extensively for the Liberator and involved himself in a variety of liberal causes; in 1849 he publicized and circulated in Massachusetts the earliest petition for women's suffrage.

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