Search results for ""Author Albert"

While Josef Albers’ Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers’ life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed ‘Summer Sessions’ with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers’ creative output.

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Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers’s abstract works on canvas and paper. `Mexico is truly the promised land of abstract art’, Josef Albers once wrote to Vassily Kandinsky. Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers’s abstract works on canvas and paper. With his wife, the artist Anni Albers, he visited Mexico and other Latin American countries more than a dozen times from 1935 to 1968, where he toured pre-Columbian archeological sites and monuments. On each visit, Albers took blackand- white photographs of the pyramids, shrines, sanctuaries and landscapes in and around these ancient sites, often grouping multiple images printed at various scales onto 8 x 10 inch sheets. The result was nearly 200 photo-collages that illustrate formal characteristics of the pre-Columbian aesthetic. Albers in Mexico brings together rarely exhibited photographs, photo-collages, prints and significant paintings from the Homage to the Square and Variants/Adobe series from the Guggenheim Museum collection and the Anni and Josef Albers Foundation. This catalogue includes two scholarly essays, Albers’s poetry from the period and an illustrated map, as well as rich colour reproductions of paintings and works on paper.

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ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada." Foreword by Carole Gerson.

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The verb esperar means to wait. It also means to hope.—“The Past Was a Small Notebook, Much Scribbled-Upon”, Cora Siré Waiting, that most human of experiences, saturates all of our lives. We spend part of each day waiting—for birth, death, appointments, acceptance, forgiveness, redemption. This collection of thirty-two personal essays is as much about hope as it is about waiting. Featuring literary voices from the renowned to the emerging, this anthology of contemporary creative nonfiction will resonate with anyone who has ever had to wait. Contributors: Samantha Albert, Rona Altrows, Sharon Butala, Jane Cawthorne, Weyman Chan, Rebecca Danos, Patti Edgar, John Graham-Pole, Leslie Greentree, Edythe Anstey Hanen, Vivian Hansen, Jane Harris, Richard Harrison, Elizabeth Haynes, Lee Kvern, Anne Lévesque, Margaret Macpherson, Alice Major, Wendy McGrath, Stuart Ian McKay, Lorri Neilsen Glenn, Susan Olding, Roberta Rees, Julie Sedivy, Kathy Seifert, Cora Siré, Steven Ross Smith, Anne Sorbie, Glen Sorestad, Kelly S. Thompson, Robin van Eck, Aritha van Herk

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A spectacular and unprecedented visual biography of the leading pioneers and protagonists of modern art and design Josef - painter, designer, and teacher - and Anni Albers - textile artist and printmaker - are among the twentieth century's most important abstract artists, and this is the first monograph to celebrate the rich creative output and beguiling relationship of these two masters in one elegant volume. It presents their life and work as never before, from their formative years at the Bauhaus in Germany to their remarkable influence at Black Mountain College in the United States through their intensely productive period in Connecticut. Accessibly written, the book is packed with more than 750 artworks, archival images, and documents - many published here for the first time - all tracing the remarkable lives and careers of this legendary couple. Dispersed throughout area series of short essays on artists that focuses on the Alberses relationship with a number of important artists and architects of the 20th century, like Ruth Asawa, Marcel Breuer, Merce Cunningham, Philip Johnson, Paul Klee, Jacob Lawrence, and many more. The beautifully cloth-bound package utilizes an elegant color palette and design that speaks to the work of both artists. This comprehensive visual biography showcases the artists' rich and dynamic lives, and their infinite influence on each other, as they shared the profound conviction that art was central to human existence.

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Randolph Caldecott (1846-1886) was a pioneer in the way he charmed his young readers with an innovative and engaging aesthetic approach to the picture book genre. In celebration of this remarkable achievement, Desmarais offers a convincing account of how Caldecott established a new standard of taste in children's picture books. The featured books are from the author's personal collection.

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In his travels through Croatia, Tony Fabijancic saw a world of peasants, shepherds and fishermen irrevocably giving way to the new reality of a modern European state. With a deft and sure touch, he records moments that capture the lingering spirit of the old world even as the former fabric of this place is unravelling forever. The author's profound familiarity with the "extraordinary regionality" of Croatia leads to memorable images of the country, and to sketches and unhurried ruminations on its people, its landscapes, kitchens, cities, and coastlines.

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This career-spanning exhibition catalog reveals the enormous artistic achievements-both individual and shared-of two of the greatest pioneers of twentieth-century modernism. Featuring more than two hundred and fifty works, including paintings, photographs, drawings, textiles and furniture, this essential volume traces the creative development of Josef and Anni Albers-both instrumental figures in the development of modernism and abstract art. Illustrated profusely throughout, this book features contributions from leading experts in chapters exploring the couple's relationship and important aspects of their professional partnership, including their meeting at the Bauhaus School and their influential years at Black Mountain College in North Carolina. Wide-ranging essays examine topics such as the influence of Pre-Colombian art; Josef's masterwork Homage to the Square; Anni's jewelry and works on paper; Josef's famed classes at Yale University; and Anni's years as a graphic designer after her husband's death. Both artists are celebrated for their lasting achievements in their respective fields-Josef for his color theory classes at Yale, Anni for her innovative use of unconventional materials. Readers will come away with an appreciation for the Albers' experimentation and innovation; their collaboration and teamwork; their dedication to education and mentorship; and the many ways their work challenged

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An incisive analysis of the pedagogy of influential artist and teacher Josef Albers. An extraordinary teacher whose influence continues today, Josef Albers helped shape the Bauhaus school in Germany and established the art and design programs at Black Mountain College in North Carolina and Yale University. His books about color theory have informed generations, and his artworks are included in the canon of high-modernist non-representational art. The pedagogy Albers developed was a dynamic approach to teaching that transcended the modernist agendas and cultivated a material way of thinking among his students. With this book, Jeffrey Saletnik explores the origins of Albers’s teaching practices and their significance in conveying attitudes about form, material, and sensory understanding to artists Eva Hesse and Richard Serra. He demonstrates how pedagogy is a framework that establishes the possibility for artistic discourse and how the methods through which artists learn are manifested in their individual practices. Tracing through lines from Albers’s training in German educational traditions to his influence on American postwar art, Josef Albers, Late Modernism, and Pedagogic Form positions Albers’s pedagogy as central to the life of modernism.

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This book examines the cultural work of space and memory in Canada and Canadian literature, and encourages readers to investigate Canada within its regional, national, and global contexts. It features seven chapters in English and five in French, with a bilingual introduction. The contributors invite us to recognize local intersections that are so easily overlooked, yet are so important. They reveal the unities and fractures in national understanding, telling stories of otherness and marginality and of dislocation and un-belonging. Ce livre examine l’importance culturelle de l’espace et de la mémoire en contexte canadien et plus spécifiquement dans les littératures du pays, afin d’inviter des lectures neuves des questions régionales, nationales et globales. Il rassemble sept chapitres en anglais et cinq en français, en plus d’une introduction bilingue. Les contributions, favorisant des approches thématiques et théoriques variées, sont réunies par leur désir de mettre en lumière des croisements inédits entre la mémoire et l’espace en tant qu’ils définissent certains des problèmes les plus brûlants de notre époque au Canada. S’y révèle l’équilibre fort instable entre récits unitaires et fractures communautaires, entre altérité et marginalité, ou entre dislocation et désappartenance. Contributors / Collaborateurs: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, André Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker

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Randolph Caldecott (1846-1886) was a pioneer in the way he charmed his young readers with an innovative and engaging aesthetic approach to the picture book genre. In celebration of this remarkable achievement, Desmarais offers a convincing account of how Caldecott established a new standard of taste in children's picture books. The featured books are from the author's personal collection.

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The Hogarth Press is perhaps most famous for its association with Virginia Woolf, as she was both a partner in the Press and its most important author. But there is more to the Press than Woolf herself. This catalogue, published to accompany a 2009 exhibit at the University of Alberta's Bruce Peel Special Collections Library, highlights the broad international scope of the Hogarth Press, as well as the variety of genres and surprisingly diverse range of titles it published.

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They were not only two of the outstanding artists of the Bauhaus, but also a well-known couple. Their many famous works and the artists they influenced as teachers and role models bear witness to their life and work. But that is not all, as another ingenious couple literally shows us. The photographer duo Lake Verea has joined forces with the Josef and Anni Albers Foundation to trace the material and intellectual traces of their artistic creativity in their estate. Correspondence with Bauhaus colleagues, tubes of paint and fabric fibers are captured with an extraordinary feel and vividness. Seeing the objects gives wings to the imagination. For inevitably, one sees the hands of the artists at work, who formed their very own contribution to 20th century art history from these objects, conversations and trains of thought.

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A dreamer of dreams, an adventurer, and a man of many ideas, Roger Pocock was an inveterate, world-ranging traveler who lived the life that all adventurous boys desire. He listened with wonder to the stories of all those he met, be they outlaws like Butch Cassidy, ranchers, or mounted police. Readers of all ages and classes eagerly devoured Pocock’s western tales. Outrider of Empire is a testament to a prolific author and extraordinary man whose friends and acquaintances bridged the worlds of theatre, literature, the military, and science. Foreword by Merrill Distad.

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Tracing Louis Riel's metamorphosis from traitor to hero, Braz argues that, through his writing, Riel resists his portrayal as both a Canadian patriot and a pan-Indigenous leader. After being hanged for high treason in 1885, the Métis politician, poet, and mystic has emerged as a quintessential Canadian champion. The Riel Problem maps this representational shift by examining a series of cultural and scholarly commemorations of Riel since 1967, from a large-scale opera about his life, through the publication of his extant writings, to statues erected in his honour. Braz also probes how aspects of Riel's life and writing can be problematic for many contemporary Métis artists, scholars, and civic leaders. Analyzing representations of Riel in light of his own writings, the author exposes both the constructedness of the Canadian nation-state and the magnitude of the current historical revisionism when dealing with Riel.

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In The Cancer Plot, Reginald Wiebe and Dorothy Woodman examine the striking presence of cancer in Marvel comics. Engaging comics studies, medical humanities, and graphic medicine, they explore this disease in four case studies: Captain Marvel, Spider-Man, Thor, and Deadpool. Cancer, the authors argue, troubles the binaries of good and evil because it is the ultimate nemesis within a genre replete with magic, mutants, and multiverses. They draw from gender theory, disability studies, and cultural theory to demonstrate how cancer in comics enables an examination of power and responsibility, key terms in Marvel’s superhero universe. As the only full-length study on cancer in the Marvel universe, The Cancer Plot is an appealing and original work that will be of interest to scholars across the humanities, particularly those working in the health humanities, cultural theory, and literature, as well as avid comics readers.

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This important volume is the most thorough portrait yet published of Albers' spiritual convictions. Josef Albers (1888-1976) believed firmly in art's spiritual dimension. Among his several aphorisms on the topic, none reflects the humble, ascetic character of his spiritual disposition better than the following: 'Easy to know that diamonds are precious. Good to know that rubies have depth. But more to see that pebbles are miraculous'. Conceived by the renowned Albers expert Nicholas Fox Weber, who directed the Albers Foundation for 20 years and knew the artist well, Spirituality and Rigor presents a selection of work by Albers that illustrates his ascetic spirituality and his deeply felt Catholicism. The book stems in part from Fox Weber's The Sacred Modernist: Josef Albers as a Catholic Artist, and is augmented with additional work by Fabio De Chirico. It includes Albers' early drawings of country churches and cathedrals; 'Rosa Mystica', his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his 'Black Mountain' years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the 'Homage to the Square' series. Text in English and French.

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Sarah Carter provides a detailed description of marriage as a diverse social institution in nineteenth-century Western Canada, and the subsequent ascendancy of Christian, lifelong, heterosexual, monogamous marriage as an instrument to implement dominant British-Canadian values. It took work to impose the monogamous model of marriage as the region was home to a varied population of Aboriginal people and newcomers such as the Mormons, each of whom had their own definitions of marriage, including polygamy and flexible attitudes toward divorce. The work concludes with an explanation of the negative social consequences for women, particularly Aboriginal women, that arose as a result of the imposition of monogamous marriage. "Of an immense amount of new and pathbreaking research on Native people over the past 20 years, this work stands out." -Sidney L. Harring, Professor of Law at City University of New York and author of White Man's Law: Native People in Nineteenth-Century Canadian Jurisprudence

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In this timely collection, the authors examine Indigenous peoples’ negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples’ engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. The contributors offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, C. James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel

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“It was a different crow, but the same crow, you understand? Because there is only one Crow. God made them all black and identical-looking because there is no reason for them to be different birds. That’s why you can never kill a crow, because it lives forever. Crow never dies!” — James Itsi For over 50,000 years, the Great Hunt has shaped human existence, creating a vital spiritual reality where people, animals, and the land share intimate bonds. Author Larry Frolick takes the reader deep into one of the last refuges of hunting societies: Canada’s far north. Based on his experiences travelling with First Nations Elders in remote communities across the Northwest Territories, Yukon, and Nunavut, this vivid narrative combines accounts of daily life, unpublished archival records, First Nations' stories and Traditional Knowledge with personal observation to illuminate the northern wilderness, its people, and the complex relationships that exist among them. Foreword by Paul Carlucci.

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This is the first in-depth analysis of major French- and English-Canadian news companies to show the impact of cross-media ownership on the diversity of new content. Surprisingly, the study lays to rest fears over content convergence of newspaper and television network ownership by Canadian media giants Canwest Global, CTVglobemedia, and Quebecor. Content-sharing between newspaper and television properties of these giant companies did not occur. This leads the authors to examine why, and to assess problems that mass media in Canada will likely face in the coming years, particularly as newsrooms strive to adapt to new media and the online environment. Policy makers, media executives, and journalism students and professors will find this study invaluable.

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"This catalogue presents examples of first editions of all the English-language titles that have won Canada's prestigious Governor General's Literary Award for Fiction (GGs) from its inception to the present. If we look at the list as a whole, it soon becomes apparent that it represents most of the great Canadian authors of the twentieth century. This collection thus gives a fascinating perspective on the history of publishing and printing in Canada in the twentieth century. It is my hope and desire that exhibiting highlights from my collection will educate and excite the public about our outstanding literary history." John H. Meier, Jr. Produced to accompany a 2010 exhibit at the University of Alberta's Bruce Peel Special Collections Library, this illustrated catalogue showcases first editions of all titles to have won the prestigious Governor General's Literary Award for Fiction, along with a selection of binding variants, presentation copies, association copies, proofs, galleys, and associated miscellany. Collected here are the seminal works of twentieth-century Canadian fiction as they first appeared on the domestic market, making this volume a fascinating contribution to the study of writing and publishing in Canada.

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Translation is tricky business. The translator has to transform the foreign to the familiar while moving and pleasing his or her audience. Louise Ladouceur knows theatre from a multi-dimensional perspective that gives her research a particular authority as she moves between two of the dominant cultures of Canada: French and English. Through the analysis of six plays from each linguistic repertoire, written and translated between 1961 and 2000, her award-winning book compares the complexities of a translation process shaped by the power struggle between Canada's two official languages. The winner of the Prix Gabrielle-Roy and the Ann Saddlemyer Book Award, Dramatic Licence addresses issues important to scholars and students of Translation Studies, Canadian Literature and Theatre Studies, as well as theatre practitioners and translators. The University of Alberta Press acknowledges the financial support of the Government of Canada, through the National Translation Program for Book Publishing, for our translation activities. Foreword by E.D. Blodgett.

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When the Rogers Place arena opened in downtown Edmonton in September 2016, no amount of buzz could drown out the rumours of manipulation, secret deals, and corporate greed undergirding the project. Working with documentary evidence and original interviews, the authors present an absorbing account of the machinations that got the arena and the adjacent Ice District built, with a price tag of more than $600 million. The arena deal, they argue, established a costly public financing precedent that people across North America should watch closely, as many cities consider building sports facilities for professional teams or international competitions. Their analysis brings clarity and nuance to a case shrouded in secrecy and understood by few besides political and business insiders. Power Play tells a dramatic story about clashing priorities where sports, money, and municipal power meet. Foreword by Richard Gruneau.

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Toward an Anti-Racist Poetics seeks to dislodge the often unspoken white universalism that underpins literary production and reception today. In this personal and thoughtful book, award-winning author Wayde Compton explores how we might collectively develop a poetic approach that makes space for diversity by doing away with universalism in both lyric and avant-garde verse. Poignant and contemporary examples reveal how white authors often forget that their whiteness is a racial position. In the propulsive push to experiment with form, they essentially fail to see themselves as white artists. Noting that he has never felt that his subjectivity was universal, Compton advocates for the importance of understanding your own history and positionality, and for letting go of the idea of a common aesthetic. Toward an Anti-Racist Poetics offers validation for poets of colour who do not work in dominant western forms, and is for all writers seeking to engage in anti-racist work.

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In this collection, researchers analyze rural societies, economies, and governance in North America, Europe, Africa, and Asia through the lens of rights and citizenship, across such varied domains as education, employment, and health. The provocative concept of a “right to be rural” illuminates not only the challenges faced by rural communities worldwide, but also underappreciated facets of community resilience in the face of these challenges. The book’s central question—“is there a right to be rural?”—offers insights into how these communities are created, maintained, and challenged. The authors illustrate that citizenship rights have a spatial character, and that this observation is critical to studying and understanding rural life in the twenty-first century. Scholars and policymakers concerned with the health and well-being of rural communities will be interested in this book. Contributors: Ray Bollman, Clement Chipenda, Innocent Chirisa, Logan Cochrane, Pallavi Das, Laura Domingo-Peñafiel, Laura Farré-Riera, Jens Kaae Fisker, Karen R. Foster, Lesley Frank, Greg Hadley, Stacey Haugen, Jennifer Jarman, Kathleen Kevany, Eshetayehu Kinfu, Al Lauzon, Katie MacLeod, Jeofrey Matai, Ilona Matysiak, Kayla McCarney, Rachel McLay, Egon Noe, Howard Ramos, Katja Rinne-Koski, Sulevi Riukulehto, Sarah Rudrum, Ario Seto, Nuria Simo-Gil, Peggy Smith, Sara Teitelbaum, Annette Aagaard Thuesen, Tom Tom, Ashleigh Weeden, Satenia Zimmermann

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Focusing on the internal workings of the International Whaling Commission (IWC), the author explores the impact of political and economic imperatives on the production and interpretation of scientific research. Central to this work are the epistemological problems encountered in the production of 'truth', whereby scientific knowledge has made uncertainty a tool in the service of political objectives. Copublished: University of Washington Press

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Ten years, ten authors, ten critics. The Canadian Literature Centre/Centre de litterature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature. This anthology offers readers samples from some of Canada's most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer's work. From the east coast of Newfoundland to Kitamaat territory on British Columbia's central coast, there is a story for everyone, from everywhere. True to Canada's multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree. Ying Chen | essay by Julie Rodgers Lynn Coady | essay by Maite Snauwaert Michael Crummey | essay by Jennifer Bowering Delisle Caterina Edwards | essay by Joseph Pivato Marina Endicott | essay by Daniel Laforest Lawrence Hill | essay by Winfried Siemerling Alice Major | essay by Don Perkins Eden Robinson | essay by Kit Dobson Gregory Scofield | essay by Angela Van Essen Kim Thuy | essay by Pamela V. Sing

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Literacy is broadly understood to refer to the ability to read and write. But the term is heavily value-laden and is often used to elevate print at the expense of other forms of communication. In PhotoGraphic Encounters, the authors challenge this reductive notion of literacy and propose instead an integrated span of literacies: reaching across disciplinary boundaries to discover a text that draws upon both the visual and the verbal. PhotoGraphic Encounters discusses Canadian writers like Margaret Atwood, George Bowering, Robert Kroetsch, and Daphne Marlatt, and Canadian artists like Fred Douglas, Ernie Kroeger, Brenda Pelkey, and Michael Snow, then looks at the cross-fertilization of visual and verbal processes in their works. The authors present a new narrative practice, one that fully engages lived experience. The vernacular, they argue, is vital to our participation as readers and viewers of high art. Making the connection between the vernacular and high culture creates an enabling moment in artistic production and reception and in teaching, learning, and talking about art and literature. PhotoGraphic Encounters offers a compelling perspective on questions of literacy in a postmodern culture. Artists, writers, scholars, and critics alike will want this volume in their libraries. Includes more than 120 B&W photographs, 20 colour plates, index, bibliography.

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Canada as a Settler Colony on the Question of Palestine explores Canada-Palestine relations through a settler colonial lens. The authors argue that there are direct parallels between Canada’s settler colonial project and its support for the Israeli settler colonial dispossession of Palestinians. Chapters reflect on community politics and activism, migration, orientalism, and critical race theory. Among its unique contributions, the volume provides a fresh look at Canada’s foreign policy as informed and shaped by its own history of settler colonialism. The collection also illuminates the breadth and depth of Palestinian life in Canada. Throughout, the chapters are connected by common themes of settler colonial destruction, dispossession, segregation, and otherness, as well as accounts of people challenging those processes in search of a better and fairer world. The book will be of interest to scholars in Indigenous Studies, International Relations, Peace and Conflict Studies, Canadian Studies, Palestine Studies, and beyond. Contributors: Samer Abdelnour, Nadia Abu-Zahra, Rachad Antonius, Lina Assi, M. Muhannad Ayyash, Peige Desjarlais, Randa Farah, Azeezah Kanji, Maurice Jr. Labelle, Nadia Naser-Najjab, Emily Regan Wills, Mira Sucharov, Jeremy Wildeman. Foreword by Veldon Coburn.

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"Most long poems contain lyric occasions. Here is an amazingly sustained lyric that contains traces of other commodities." -Robert Kroetsch Sheila Murphy and Douglas Barbour extend their singular poetic vision of that elusive third I/eye in Continuations 2. The new lyric voice sustained (within) these labyrinthine verses does so by virtue of its authors' pitch-perfect collaborative process. For ten years they have kept their song alive via email, pulsing jazz-like variations and haunting repetitions back and forth from Arizona to Alberta, all the while adhering to that taut stanza of six lines. Readers who admire Barbour and Murphy's past innovations, or any poetry that gracefully exceeds its reach, will enjoy Continuations 2.

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Explore one of the most important challenges of childhood: learning to read. In this groundbreaking new work, Joyce Bainbridge and Sylvia Pantaleo offer sensible, successful strategies to help children become lifelong readers. At root, their philosophy is simple: offer students a wide selection of high-quality, high-interest books, and kids will want to read! While the volume concentrates on the many fine books published in Canada each year, it surveys outstanding books from around the world. Learning with Literature in the Canadian Elementary Classroom is designed to help new and experienced teachers alike to use literature in the elementary classroom. Children's literature is presented as a rich, vital component of a balanced language arts program, and the needs of Canadian students are considered within an international reading context. Based on a reader-response orientation to the study of children's literature, the book presents a theoretically sound framework for its recommendations. It offers classroom-tested ideas that teachers can start using immediately, supported by descriptions of hundreds of exciting, engaging, accessible trade books for elementary readers. Learning with Literature in the Canadian Elementary Classroom features real-life classroom situations, sidebars on 20 Canadian authors and illustrators, reflection exercises, annotated professional references, an extensive bibliography of children's literature and chapter-relevant book lists, appendices, and an index. For pre-service or in-service teachers, librarians, reading specialists, and anyone else who works with children and books, this volume will prove a valuable resource. Joyce Bainbridge is a Professor in the Faculty of Education at the University of Alberta. Sylvia Pantaleo is an Assistant Professor in the Faculty of Education at Queen's University.

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Josef Albers' groundbreaking series Homage to the Square comprises roughly two thousand oil paintings. His continuous reflections and refinements for more than 25 years inspired numerous young minimal and conceptual artists in their search for a reduced formal language. This outstanding catalogue explores the secret of Albers' subtle aesthetic and unearths its preconditions: What is the significance of the square? How does his impression of color and its use as a material change during this period? Featuring studies on paper, archival materials, as well as essays by internationally leading Albers experts, Margit Rowell and Donal Judd, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.

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The essays in this collection explore the activities of two populations of displaced peoples that are seldom discussed together: Indigenous peoples and refugees or diasporic peoples around the world. Rather than focusing on victimhood, the authors focus on the creativity and agency of displaced peoples, thereby emphasizing capacity and resilience. Throughout their chapters, they show how cultural activities-from public performance to filmmaking to community arts-recur as significant ways in which people counter the powers of displacement. This book is an indispensable resource for displaced peoples everywhere and the policy makers, social scientists, and others who work in concert with them. Contributors: Catherine Graham, Subhasri Ghosh, Jon Gordon, Maroussia Hajdukowski-Ahmed, Agnes Kramer-Hamstra, Mazen Masri, Jean McDonald, and Pavithra Narayanan.

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The Fur Trader is a critical edition of Einar Odd Mortensen Sr.’s personal narrative detailing the years (1925–1928) he spent as a free trader at posts in Pine Bluff and Oxford Lake in Manitoba during the waning days of the fur trade. Mortensen’s original narrative has been translated from Norwegian to English, and supplemented with a scholarly introduction, thorough annotations, a bibliography, and a reading guide. This additional material presents the author as a product of Norwegian culture at the time, and guides the reader through a close reading of Mortensen’s interpretations of his work and travels, the people he encountered, the Indian Residential School system, and Indigenous participation in the First World War. Mortensen’s insights and experiences will be of interest to scholars, students, and enthusiasts of the fur trade and contribute to literary, Indigenous, and Scandinavian studies.

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For eighteen months during the Second World War, the Canadian military interned 1,145 prisoners of war in Red Rock, Ontario (about 100 kilometres northeast of Thunder Bay). Camp R interned friend and foe alike: Nazis, anti-Nazis, Jews, soldiers, merchant seamen, and refugees whom Britain feared might comprise Hitler’s rumoured “fifth column” of alien enemies residing within the Commonwealth. For the first time and in riveting detail, the author illuminates the conditions in one of Canada’s forgotten POW camps. Backed by interviews and meticulous archival research, Zimmermann fleshes out this rich history in an accessible, lively manner. The Little Third Reich on Lake Superior will captivate military and political historians as well as non-specialists interested in the history of POWs and internment in Canada.

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Surviving theatrical contracts throw light on the remarkable degree of theatrical activity throughout 17c Spain. In 1639 the Madrid notary Juan García de Albertos was appointed Escribano de la Comisión de las comedias - official theatre notary. His annual registers of contracts (protocolos) contain more than two thousand items related to actors and theatrical activity from 1634 to 1660. This exceptionally rich collection of documents offers a fascinating overview of theatrical life, in all its diversity, in Madrid and the surrounding area during the age of Calderón. Especially plentiful are the contracts for performances at festivities in towns and villages, both by professional companies and by local amateurs assisted by individual actresses and musicians hired in Madrid. This extraordinary degree of theatrical activity in even the smallest communities, almost entirely neglected hitherto, forces us to revise and expand our conventional picture of the Spanish Golden Age theatre. The collection also reveals in abundant detail the composition and working practices of acting companies, especially in the numerous asientos (actors' employment contracts), as well as transport conditions, costume hire, staging practices and repertory. The actors' convoluted and often precarious finances are an ever-present theme. The documents are accompanied by appendices and maps, and the extensive introduction provides an exhaustive survey of what can be learned from this remarkable source. CHARLES DAVIS was formerly Lecturer in Spanish at Queen Mary, University of London, and is currently a Ramón y Cajal Research Fellow at the University of Valencia. The late J. E. VAREYwas Professor of Spanish at the University of London and Principal of Westfield College. For description in Spanish see Volume II. Actividad Teatral en la Región de Madrid is published in TWO VOLUMES (I: ISBN 1855660628, II ISBN 1855660792) WHICH MUST BE PURCHASED AS A SET.

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