Search results for ""author jim"

Reduce stress and promote creativity by coloring these beautiful paisley designs.Dating back to 200 AD, paisley designs originally flourished in Persia and later became known throughout Europe and North America. It’s said by some that the Beatles brought the motif to the United States in the 1967 Summer of Love, which led to pop-culture icons like the Rolling Stones and Jimi Hendrix embracing them; Prince paying tribute to them with his company, Paisley Park Records; and even Fender selling a Pink Paisley guitar.Paisley prints were also embraced by the public—quickly covering fashionable clothing, interior designs, and art. Today, their eye-catching teardrop shape and ornate designs continue to be popular in these arenas. They’ve also spread to screensavers, cell phone cases, and all other kinds of crafted items.Paisleys: Coloring for Everyone has forty-six black-and-white designs for you to color, and a gallery of full-color images that serve as inspiration. The designs have been created specifically for you, and are perforated so that each one can be removed to more easily be colored. So explore your creative side, and discover the fun and relaxing benefits of coloring paisleys.In summary, this vibrant compilation is:Includes an introduction describing the history and beauty of the paisley designFeatures forty-six original designs for readers to colorEach black-and-white design is printed on one side of a perforated page, allowing readers to remove—and frame—their artworkIncludes eleven pages of full-color images to exemplify illustrated paisleysIs releasing as part of a series of four coloring books

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Muscular, fearless, youthful, athletic—the World War II soldier embodied masculine ideals and represented the manhood of the United States. In The Male Body at War, Christina Jarvis examines the creation of this national symbol, from military recruitment posters to Hollywood war films to the iconic flag-raisers at Iwo Jima. A poignant selection of illustrations brings together comics, advertisements, media images, and government propaganda intended to impress U.S. citizens and foreign nations with America's strength. Jarvis recognizes, however, that the male body was more than a mere symbol. During the war, the nation literally invested its survival in the corps of servicemen, and the armed forces set about crafting them into soldiers. Drawing upon medical journals, War Department documents, and government health reports, Jarvis scrutinizes the ways in which physical inspections defined male bodies by fitness and race while training molded those bodies for action. At the same time, she gives servicemen a voice through war memoirs and a survey of over 130 veterans. Her searching analysis reveals not only how the men mediated popular culture and military regimen to forge an understanding of their own masculinity but how, in the face of dead and wounded comrades, they tempered such body-centered ideals with an emphasis on compassion and tenderness. Theoretically sophisticated and methodologically innovative, The Male Body at War makes a major contribution to the literature on the body as a cultural construction. With its compelling narrative and engaging style, it will appeal to a broad range of readers with interests in gender studies as well as to students of American history and culture.

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The Museum of Fine Arts, Houston, is a unique collection of architectural works -- the Caroline Wiess Law Building, comprising the original William Ward Watkin Building of 1924 and the 1958 and 1974 additions designed by Ludwig Mies van der Rohe; the Lillie and Hugh Roy Culien Sculpture Garden created by Isamu Noguchi in 1986; the Central Administration and Glassell Junior School Building designed by Carlos Jimenez in 1994; and now the Audrey Jones Beck Building by Rafael Moneo. Moneo, winner of the 1996 Pritzker Architecture Prize, has proposed a four-storey facility directly facing the Law Building and connected to it via an underground walkway. The limestone building occupies the whole site, thereby reinforcing its urban character. On the inside, visitors can assemble in the dramatic atrium before proceeding to the upper level galleries to begin their itinerary. The Beck Building is a natural progression of some of the ideas put forth by the architect in previous museum projects, especially the Museo Thyssen-Bornemisza in Madrid and the complex of the Moderna Museet and the Arkitekturmuseet in Stockholm. A collection of rooms is the underlying concept for the gallery spaces. The galleries may seem conventional, but their organisation within the building is guided by the desire for freedom. The exhaustive studies undertaken to help design the skylights allow for optimum lighting conditions combining natural and artificial light. Climate, light, circulation through the space, dialogue between building and art, and simplicity and elegance of materials are once again concerns that Moneo has addressed thoughtfully and successfully in the new Beck Building.

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Ever wondered what it's REALLY like to be a Premier League footballer?My name is James Milner and I'm not a Ribena-holic.Let me share insights into what it's like being a professional footballer, across my different experiences with Newcastle, Aston Villa, Manchester City and now Liverpool (not forgetting a six-match loan spell at Swindon). Plus my highs - and a few too many lows - playing for England.There isn't a current player who's been playing Premier League football as long as I have, and that gives me a pretty rare perspective into how the top-flight game has changed over the past seventeen years.In this book, I explain how a footballer's working week unfolds - what we eat and how we prepare for matches technically, tactically, mentally and physically - and talk you through the ups and downs of a matchday. I reveal my penalty-taking techniques, half-time team talks and the differences between playing against Lionel Messi, Wilfried Zaha and Jimmy Bullard.I've played for managers ranging from Terry Venables, Peter Reid and Sir Bobby Robson to Martin O'Neill, Fabio Capello and Jurgen Klopp. I tell you what it's like sharing a training ground and a dressing-room with team-mates such as Lee Bowyer, Mario Balotelli and Mo Salah. I also reveal the behind-the-scenes work that went into Liverpool's Champions League success - and the celebrations that followed.So this isn't an autobiography. The whole point of Ask A Footballer is that you, the fans, asked me questions and I have used my own experiences to answer them. I hope you like it, and don't find it too boring.

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Featuring legendary and inspirational guitarists and the equipment they used. This fully illustrated, beautifully produced hardback explores the history of the pioneering British guitarists – their background, career and equipment. Includes many exclusive interviews. From the mid-20th century, no other musical instrument developed faster or had a greater impact than the electric guitar. In Britain, many young lads became enthralled by the look and the sound, leading them to take up the guitar to entertain their peers. Several dozen were able to master the instrument sufficiently to gain national and international recognition, enjoying careers spanning decades which has resulted in a number being awarded Queen's honours. British Guitarists 1952-1972: Electric Pioneers examines a number of musicians that were part of a first wave of new popular music in the second half of the 20th century. A focus is placed on the guitars, amplifiers and effects used by the artists. Starting from their early days, the book looks at the evolution of the guitarist's equipment and how this has impacted on their music. The guitarists featured are: Martin Barre, Syd Barrett, Jeff Beck, Ritchie Blackmore, Marc Bolan, Joe Brown, Eric Clapton, Dave 'Clem' Clempson, Dave Davies, Lonnie Donegan, Andy Fairweather Low, Peter Frampton, Robert Fripp, David Gilmour, Peter Green, George Harrison, Tony Hicks, Steve Howe, Tony Iommi, Brian Jones, Paul Kossoff, Albert Lee, Alvin Lee, John Lennon, Phil Manzanera, Hank Marvin, John McLaughlin, Tony McPhee, Micky Moody, Jimmy Page, Alan Parker, Mike Pender, Andy Powell, Keith Richards, Mick Ronson, Mick Taylor, Pete Townshend, Bert Weedon, Ronnie Wood.

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Steve Davis was just a rookie from Plumstead, south London, learning how to play from an old book his snooker-obsessed father had given him, when an encounter with Barry Hearn changed his life forever. With his backing, Steve began touring the country in a clapped-out car as an amateur. Challenging established professionals and winning titles, supported by his loyal following the Romford Roar, it wasn’t long before he progressed to the world’s stage.By the eighties, Steve had helped transform a previously shady sport into a national obsession. He and a cast of legends such as Ray Reardon, Dennis Taylor and Alex Higgins, with other young guns like Jimmy White, were doing silent battle in front of huge audiences. Tens of millions of viewers would witness the nail-biting conclusions of his world championship finals; this was snooker’s golden era.The man behind the ‘boring’ tag has always been the sport’s smartest and sharpest man. With his cool, obsessive approach, Steve rewrote the rule book and became untouchably the best player in the world and the best paid sportsman in the country. Interesting lays it all bare: what it was like to win in those pressure-cooker situations; how to cope at the top, when everyone wants you to lose; and how you deal with the moment when a man comes along who is finally better than you. This is a memoir that closely evokes the smoke-filled atmosphere of those arenas, the intrigue behind the scenes and the personal psychology and sacrifice that is required to stay at the top of such an exacting sport.

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During the first quarter-century of the Cold War, upholding human rights was rarely a priority in U.S. policy toward Latin America. Seeking to protect U.S. national security, American policymakers quietly cultivated relations with politically ambitious Latin American militaries—a strategy clearly evident in the Ford administration's tacit support of state-sanctioned terror in Argentina following the 1976 military coup d’état. By the mid-1970s, however, the blossoming human rights movement in the United States posed a serious threat to the maintenance of close U.S. ties to anticommunist, right-wing military regimes.The competition between cold warriors and human rights advocates culminated in a fierce struggle to define U.S. policy during the Jimmy Carter presidency. In The Fate of Freedom Elsewhere, William Michael Schmidli argues that Argentina emerged as the defining test case of Carter’s promise to bring human rights to the center of his administration’s foreign policy. Entering the Oval Office at the height of the kidnapping, torture, and murder of tens of thousands of Argentines by the military government, Carter set out to dramatically shift U.S. policy from subtle support to public condemnation of human rights violation. But could the administration elicit human rights improvements in the face of a zealous military dictatorship, rising Cold War tension, and domestic political opposition? By grappling with the disparate actors engaged in the struggle over human rights, including civil rights activists, second-wave feminists, chicano/a activists, religious progressives, members of the New Right, conservative cold warriors, and business leaders, Schmidli utilizes unique interviews with U.S. and Argentine actors as well as newly declassified archives to offer a telling analysis of the rise, efficacy, and limits of human rights in shaping U.S. foreign policy in the Cold War.

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Real heroes never die. But they do get grouchy in middle age. The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik’s beautiful long-lost daughter. With the land’s heroic hunks busy drooling all over themselves, there’s only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude. Normally politics are the least of his concerns, but after everyone in the neighboring kingdom of Farrawee comes down with a severe case of being dead, Dungar learns that the masquerading princess not only is behind the carnage but also has similar plans for his own hometown. Together with the only person senseless enough to tag along, an eccentric and arguably insane hobo named Jimminy, he journeys out into the world he’s so pointedly tried to avoid as the only hope of defeating the most powerful person in it. That is, if he can survive the pirates, cultists, radical Amazonians, and assorted other dangers lying in wait along the way. Logan J. Hunder’s hilarious debut blows up the fantasy genre with its wry juxtaposition of the fantastic and the mundane, proving that the best and brightest heroes aren’t always the best for the job.

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“An introduction to the varieties of qualitative research in psychology is long overdue, and Parker’s book should with its broad scope, accessible style, and controversial viewpoints on trends of the current qualitative wave, have a wide audience.” Steinar Kvale, Aarhus University, Denmark“This is a wonderful, insightful and necessary book…It takes students through this complex terrain in a clear, readable and yet challenging way.”Bronwyn Davies, University of Western Sydney, Australia“This book makes important contributions to theoretical, political and methodological debates on qualitative and action oriented research.”Bernardo Jiménez-Domínguez, Universidad de Guadalajara, Mexico"For me personally, the book worked very well, I very much appreciated the fact that the book went beyond a presentation of 'the state of the art', and that it offered new ideas and suggestions about how to take qualitative research further."Qualitative Research in PsychologyThis book is designed as a practical guide for students that is also grounded in the latest developments in theory in psychology. Readers are introduced to theoretical approaches to ethnography, interviewing, narrative, discourse and psychoanalysis, with each chapter on these approaches including worked examples clearly structured around methodological stages. A case is made for new practical procedures that encourage students to question the limits of mainstream psychological research methods. Resource links guide students to theoretical debates and to ways of making these debates relevant to a psychology genuinely concerned with critical reflection and social change. The book includes numerous boxes that clearly outline: Key issues in the development, application and assessment of qualitative research methods Current debates and problems with particular qualitative methods taught in psychology Summaries of methodological stages and points to be aware of in the marking of practical reports in relation to specific methods Coverage of ethical issues, reflexivity and good report writing Qualitative Psychology is essential reading for students of psychology and other related social sciences who want a polemical account that will also serve as a well-balanced and rigorous introduction to current debates in qualitative psychology.

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Football and television have been intertwined in culture for more than half a century and Brian Barwick has played a massive role in the continuing liaison between them. Watching The Match tells the story of how football on television became a national obsession. The first live football match in England was the 1938 FA Cup final, and the winning goal was a penalty in the last minute of extra time - proof if ever it was needed that football can deliver the dramatic like no other sport. The BBCs Match of the Day, the first dedicated football highlights show, was first aired in August 1964. The FA Cup Final, for years the only match shown live, suddenly became an all-day event with ITV's FA Cup Wrestling Special FA Cup Final going up against the BBC's It's An FA Cup Knock-out. The 1966 World Cup brought live international matches into the public's home for the first time and the BBC coverage of the final will forever be remembered by Kenneth Wolstenholme's legendary, "Some people are on the pitch ...they think it's all over ...here comes Hurst ...it is now!" Soon commentators, presenters and analysts such as Wolstenholme, Barry Davies, John Motson, Brian Moore, Martin Tyler, Keith Macklin, Gerald Sinstadt, Jimmy Hill, Brian Clough and Terry Venables became national figures and their sucessors, Gary Lineker, Gabby Logan, Jeff Stelling, Adrian Chiles, more so. Satellite television has moved football into a new stratosphere with almost 40 per cent of all Premier League matches shown live every season and the FA's sale of broadcast rights in 2012 for that league alone brought in GBP3 billion. Watching The Match is full of a fascinating story, personal anecdotes and interviews from in front of and behind the cameras, spanning 75 years. Written by a man who has held every important post in football television, this is a must-read book for all football fans.

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Beginning in the year of Prince’s birth, 1958, with the recording of Minnesota’s first R&B record by a North Minneapolis band called the Big Ms, Got to Be Something Here traces the rise of that distinctive sound through two generations of political upheaval, rebellion, and artistic passion.Funk and soul become a lens for exploring three decades of Minneapolis and St. Paul history as longtime music journalist Andrea Swensson takes us through the neighborhoods and venues, and the lives and times, that produced the Minneapolis Sound. Visit the Near North neighborhood where soul artist Wee Willie Walker, recording engineer David Hersk, and the Big Ms first put the Minneapolis Sound on record. Across the Mississippi River in the historic Rondo district of St. Paul, the gospel-meets-R&B groups the Exciters and the Amazers take hold of a community that will soon be all but erased by the construction of I-94. From King Solomon’s Mines to the Flame, from The Way in Near North to the First Avenue stage (then known as Sam’s) where Prince would make a triumphant hometown return in 1981, Swensson traces the journeys of black artists who were hard-pressed to find venues and outlets for their music, struggling to cross the color line as they honed their sound. And through it all, there’s the music: blistering, sweltering, relentless funk, soul, and R&B from artists like Maurice McKinnies, Haze, Prophets of Peace, and The Family, who refused to be categorized and whose boundary-shattering approach set the stage for a young Prince Rogers Nelson and his peers Morris Day, André Cymone, Jimmy Jam, and Terry Lewis to launch their careers, and the Minneapolis Sound, into the stratosphere. A visit to Prince’s Paisley Park and a conversation with the artist provide a rare glimpse into his world and an intimate sense of his relationship to his legacy and the music he and his friends crafted in their youth.

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Improvisation rattles some listeners. Maybe they’re even suspicious of it. John Coltrane’s saxophonic flights of fancy, Jimi Hendrix’s feedback drenched guitar solos, Ravi Shankar’s sitar extrapolations—all these sounds seem like so much noodling or jamming, indulgent self-expression. “Just” improvising, as is sometimes said. For these music fans, it seems natural that music is meant to be composed. In the first book of its kind, John Corbett’s A Listener’s Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse— found all around the world— to make up music on the spot. Corbett equips his reader for a journey into a difficult musical landscape, where there is no steady beat, no pre-ordained format, no overarching melodic or harmonic framework, and where tones can ring with the sharpest of burrs. In “Fundamentals,” he explores key areas of interest, such as how the musicians interact, the malleability of time, overcoming impatience, and watching out for changes and transitions; he grounds these observations in concrete listening exercises, a veritable training regime for musical attentiveness. Then he takes readers deeper in “Advanced Techniques,” plumbing the philosophical conundrums at the heart of free improvisation, including topics such as the influence of the audience and the counterintuitive challenge of listening while asleep. Scattered throughout are helpful and accessible lists of essential resources—recordings, books, videos— and a registry of major practicing free improvisors from Noël Akchoté to John Zorn, particularly essential because this music is best experienced live. The result is a concise, humorous, and inspiring guide, a unique book that will help transform one of the world’s most notoriously unapproachable artforms into a rewarding and enjoyable experience.

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This Handbook presents state-of-the-art methodological guidance and discussion of international practice related to the integration of biodiversity and ecosystem services in impact assessment, featuring contributions from leading researchers and practitioners the world over. Its multidisciplinary approach covers contributions across five continents to broaden the scope of the field both thematically and geographically. A multifaceted variety of case studies provide examples of the use of information on biodiversity and ecosystem services in different types of impact assessment to improve decisions at all levels, from strategic choices to individual projects. In addition to its discussion of how biodiversity and ecosystem services can improve the salience and effectiveness of impact assessment, this Handbook presents a range of applications and possible solutions to challenges in key policy and planning sectors, including urban development, land use, energy, marine areas, infrastructure, agriculture, forestry, health and tourism. This Handbook's combination of cutting-edge literature and methodological guidance supports researchers, practitioners and students in developing and implementing biodiversity and ecosystem services-inclusive impact assessment processes, which can contribute to better decisions about the use of our lands and waters. As such it will appeal not only to scholars of impact assessment but of environmental sciences, environmental engineering, natural sciences, planning and economics as well.Contributors include: C. Albert, A. Antón, M. Ashley, J. Azcarate, B. Balfors, S. Brownlie, L. Bulling, C. Cortinovis, R.T.T. Forman, S. Frank, C. Fürst, D. Geneletti, J. Goldstein, T. Hooper, P. Horwitz, M. Hughes, P. Itkonen, M. Jimenez, M. Karlson, L. Karrasch, C.M. Kennedy, J.M. Kiesecker, J. Köppel, L. Kopperoinen, O. Langmead, D. Maia de Souza, L. Mandle, L. Milà i Canals, U. Mörtberg, D. Newsome, S. Odelius Gordon, M.W. Parkes, K. Pietzsch, F. Pietzsch, A. Rajvanshi, D. Roe, D.A. Rozas Vásquez, M. Ruckelshaus, H. Tallis, L. Tardieu, F. Teillard, J. Treweek, J. Wu, L. Zardo

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Tyler Merritt's video "Before You Call the Cops" has been viewed millions of times. He's appeared on Jimmy Kimmel and Sports Illustrated and has been profiled in the New York Times. The viral video's main point-the more you know someone, the more empathy, understanding, and compassion you have for that person-is the springboard for this book. By sharing his highs and exposing his lows, Tyler welcomes us into his world in order to help bridge the divides that seem to grow wider every day. In I Take My Coffee Black, Tyler tells hilarious stories from his own life as a black man in America. He talks about growing up in a multi-cultural community and realizing that he wasn't always welcome, how he quit sports for musical theater (that's where the girls were) to how Jesus barged in uninvited and changed his life forever (it all started with a Triple F.A.T. Goose jacket) to how he ended up at a small Bible college in Santa Cruz because he thought they had a great theater program (they didn't). Throughout his stories, he also seamlessly weaves in lessons about privilege, the legacy of lynching and sharecropping and why you don't cross black mamas. He teaches readers about the history of encoded racism that still undergirds our society today. By turns witty, insightful, touching, and laugh-out-loud funny, I Take My Coffee Black paints a portrait of black manhood in America and enlightens, illuminates, and entertains-ultimately building the kind of empathy that might just be the antidote against the racial injustice in our society.

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On the fortieth anniversary of the Camp David Accords, a groundbreaking new history that shows how Egyptian-Israeli peace ensured lasting Palestinian statelessnessFor seventy years Israel has existed as a state, and for forty years it has honored a peace treaty with Egypt that is widely viewed as a triumph of U.S. diplomacy in the Middle East. Yet the Palestinians—the would-be beneficiaries of a vision for a comprehensive regional settlement that led to the Camp David Accords in 1978—remain stateless to this day. How and why Palestinian statelessness persists are the central questions of Seth Anziska’s groundbreaking book, which explores the complex legacy of the agreement brokered by President Jimmy Carter.Based on newly declassified international sources, Preventing Palestine charts the emergence of the Middle East peace process, including the establishment of a separate track to deal with the issue of Palestine. At the very start of this process, Anziska argues, Egyptian-Israeli peace came at the expense of the sovereignty of the Palestinians, whose aspirations for a homeland alongside Israel faced crippling challenges. With the introduction of the idea of restrictive autonomy, Israeli settlement expansion, and Israel’s 1982 invasion of Lebanon, the chances for Palestinian statehood narrowed even further. The first Intifada in 1987 and the end of the Cold War brought new opportunities for a Palestinian state, but many players, refusing to see Palestinians as a nation or a people, continued to steer international diplomacy away from their cause.Combining astute political analysis, extensive original research, and interviews with diplomats, military veterans, and communal leaders, Preventing Palestine offers a bold new interpretation of a highly charged struggle for self-determination.

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Explores how American Indian artists have responded to the pervasive misunderstanding of indigenous peoples as cultural minorities in the United States and Canada Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization. Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production. It then explores the responses of indigenous artists who take advantage of the ongoing popular interest in Native American culture and art while offering narratives of the political histories of their nations in order to resist multicultural incorporation. Each chapter of Indians Playing Indian showcases a different medium of contemporary indigenous art—museum exhibition, cinema, digital fine art, sculpture, multimedia installation, and literary fiction—and explores specific rhetorical strategies artists deploy to forestall multicultural misrecognition and recover political meanings of indigeneity. The sites and artists discussed include the National Museum of the American Indian in Washington, DC; filmmakers at Inuit Isuma Productions; digital artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.

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**FEATURED ON COMEDY CENTRAL'S "TALES FROM THE TRIP" YOUTUBE SERIES** The Wild Kindness: A Psilocybin Odyssey is the lyrical, unforgettable memoir of Bett Williams's relationship with psilocybin mushrooms, otherwise known as magic mushrooms. In pursuit of self-healing, she begins experimenting with mushrooms in solitary ceremonies by the fire. Word soon gets out about her New Mexican desert mushroom farm, though, and people arrive in droves. Not long after, the police read her her Miranda Rights, her relationships fall out of whack, and her dog Rosie just might be CIA. On a quest to find help through the psychedelic community, Bett is led to Cleveland to meet Kai Wingo, an African American leader within a high-dose psilocybin community, and to Huautla de Jiménez, home of well-known, well-respected curandera María Sabina. Back home, Bett begins a solid ritual practice with the help of her partner and friends, bearing in mind the medicine's indigenous roots and power to transform one's life. Amidst the mainstream flood of New Age practices and products, The Wild Kindness: A Psilocybin Odyssey is a dreamlike reminder that psilocybin mushrooms are a medicine of the people, not to be neatly packaged, marketed, or appropriated. Bett Williams brings to the table one of the best overviews of contemporary psychedelic culture in a long time. —THE EROWID REVIEW In general, this is a balm. It is the polar opposite of that Michael Pollan book. —GOSSAMER Like any good memoirist, Williams performs surgery on herself and holds up each organ for inspection...This is a book that requires you to “go with the flow,” but the flow is awfully inviting. —MOLLY YOUNG, Vulture

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Jesse Dayton's story reads like a who's who of American music. In his debut memoir Beaumonster, Dayton reveals the stranger-than-fiction encounters and outlandish experiences that have ensued across his wide-ranging career. After sneaking into night clubs to play gigs in his youth, eighteen-year-old Dayton and his trio began packing clubs and theaters across Houston, Dallas, and Austin. His first solo record which featured great luminaries like Doug Sahm, Flaco Jiménez, and Johnny Gimble, hit number one on the Americana radio charts and then he was off to the races- touring the world solo and with punk legends Social Distortion and the Supersuckers. While doing press in Nashville, he caught the attention of Waylon Jennings and was whisked off to Woodland Studios, where he was greeted by none other than Johnny Cash, who told Dayton, "We've been waiting for you."Since then, Dayton's ride across the entertainment industry, traversing genres and formats, has only gotten wilder. Whether it's playing guitar on records and film with the likes of Cash, Ray Price, Willie Nelson, Johnny Bush, Glen Campbell and Duff McKagan; writing and recording soundtracks for horror director/rockstar Rob Zombie; directing Malcolm McDowell and Sid Haig in his own horror movie; filling in for the iconic punk band X's guitarist; joining Ryan Bingham on tour; or the many solo and guest projects he continues to work on, Dayton is down to leave his mark, making Beaumonster a uniquely entertaining tale that will impress new and old fans alike.

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Everyone from Sir Paul McCartney and Jimmy Page to Queens of the Stone Age now relishes the chance to share a stage with Dave Grohl and his legendary Foo Fighters. The question is: why? Musical depth? Not really. Major success? Well, yes. Despite no longer shifting albums in the same quantity as they did twenty years ago, this band can still fill stadiums the world over (when Dave's not breaking his leg, of course).Long before Kurt Cobain blew his brains out in 1994, Dave Grohl was planning for a life after Nirvana. The unflinching bright sunlight to Cobain's permanent midnight darkness, Grohl had come from a similar broken home to his erstwhile band leader, but came out of the experience differently - brimming with positivity and a shrewd grasp of opportunities in the music industry.Did Grohl merely take the sonic blueprint of Nirvana and embellish it with a more life-affirming pop sheen? Of course he did. Every band in America that sold over a million records in the post-grunge 90s did the same. The difference was that Grohl had real credibility. And he knew it.With exclusive testimony from true insiders (including Krist Novoselic, Grohl's bass-playing partner in Nirvana, ex-girlfirends, record company executives, tour photographers and confidantes), this book is an exploration of the real story behind Grohl and the Foo Fighters - the only serious literary biography of the group and its leader, one of the most famous and critically bulletproof rock figures of the 21st century.

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Microgrids are the most innovative area in the electric power industry today. Future microgrids could exist as energy-balanced cells within existing power distribution grids or stand-alone power networks within small communities. A definitive presentation on all aspects of microgrids, this text examines the operation of microgrids – their control concepts and advanced architectures including multi-microgrids. It takes a logical approach to overview the purpose and the technical aspects of microgrids, discussing the social, economic and environmental benefits to power system operation. The book also presents microgrid design and control issues, including protection and explaining how to implement centralized and decentralized control strategies. Key features: original, state-of-the-art research material written by internationally respected contributors unique case studies demonstrating success stories from real-world pilot sites from Europe, the Americas, Japan and China examines market and regulatory settings for microgrids, and provides evaluation results under standard test conditions a look to the future – technical solutions to maximize the value of distributed energy along with the principles and criteria for developing commercial and regulatory frameworks for microgrids Offering broad yet balanced coverage, this volume is an entry point to this very topical area of power delivery for electric power engineers familiar with medium and low voltage distribution systems, utility operators in microgrids, power systems researchers and academics. It is also a useful reference for system planners and operators, manufacturers and network operators, government regulators, and postgraduate power systems students. CONTRIBUTORS Thomas Degner Aris Dimeas Alfred Engler Nuno Gil Asier Gil de Muro Guillermo Jiménez-Estévez George Kariniotakis George Korres André Madureira Meiqin Mao Chris Marnay Jose Miguel Yarza Satoshi Morozumi Alexander Oudalov Frank van Overbeeke Rodrigo Palma Behnke Joao Abel Pecas Lopes Fernanda Resende John Romankiewicz Christine Schwaegerl Nikos Soultanis Liang Tao Antonis Tsikalakis

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In 2012, President Obama announced that the United States would spend the next thirteen years - through November 11, 2025 - commemorating the 50th Anniversary of the Vietnam War, and the American soldiers, "more than 58,000 patriots," who died in Vietnam. The fact that at least 2.1 million Vietnamese - soldiers, parents, grandparents, children - also died in that war will be largely unknown and entirely uncommemorated. And U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this appalling disconnect of consciousness lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. It is a campaign of patriotic conceit superbly chronicled by John Marciano in The American War in Vietnam: Crime or Commemoration?A devastating follow-up to Marciano's 1979 classic Teaching the Vietnam War (written with William L. Griffen), Marciano's book seeks not to commemorate the Vietnam War, but to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the "Noble Cause principle," the notion that America is "chosen by God" to bring democracy to the world. Marciano writes of the Noble Cause being invoked unsparingly by presidents - from Jimmy Carter, in his observation that, regarding Vietnam, "the destruction was mutual," to Barack Obama, who continues the flow of romantic media propaganda: "The United States of America ...will remain the greatest force for freedom the world has ever known."The result is critical writing and teaching at its best. This book will find a home in classrooms where teachers seek to do more than repeat the trite glorifications of U.S. empire. It will provide students everywhere with insights that can prepare them to change the world.

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'An absolute joy from the first page to the last' Jen DeLucaOne of Bustle's Best Books of 2020Marcus has a secret. While he may be the star of the biggest show on TV, he's also a prolific fan fiction writer. Through his stories, Marcus releases his frustrations with the show, but if anyone ever found out about his online persona, he'd be fired. Immediately.April has secrets of her own. A hardcore fan of Marcus's show, she's long hidden her fanfic and cosplay hobby from her 'real life' - but not anymore. When she dares to post her latest costume creation on Twitter, her plus-size take goes viral. And when Marcus asks her out to spite her critics, truth officially becomes stranger than (fan) fiction . . .On their date, Marcus quickly realises that he wants much more from April than a one-time publicity stunt. But with so many secrets between them, can they ever stop hiding, or will a match made in fandom never make it in real life?With romance, amazing chemistry, fandom, and body positivity, Spoiler Alert is perfect for fans of Talia Hibbert and Abby Jimenez.Praise for Olivia Dade:'Spoiler Alert is a delight. April and Marcus will melt your heart' Jenny Holiday'A gentle, funny, and sexy romance that captivated me from the first page and kept me enthralled to the very (happy) end' Mia Sosa'Olivia Dade's warm and witty voice makes this book an absolute joy to read . . . I'm very much looking forward to whatever Dade writes next' Lucy Parker'With richly drawn characters you'll love to root for, Olivia Dade's books are a gem of the genre - full of humour, heart and heat' Kate Clayborn'Olivia Dade perfectly captures fandom, love, and acceptance in this incredible, delightful novel. I loved every page!' Jessie Mihalik'Romance gold . . . a sparkling jolt of fangirling, body-positive swoons' Entertainment Weekly

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A new look at the drama that lay behind the end of the war in the Pacific Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender that formally ended the war in the Pacific brought to a close one of the most cataclysmic engagements in history. Behind it lay a debate that had been raging for some weeks prior among American military and political leaders. The surrender fulfilled the commitment that Franklin Roosevelt had made in 1943 at the Casablanca conference that it be "unconditional." Though readily accepted as policy at the time, after Roosevelt's death in April 1945 support for unconditional surrender wavered, particularly among Republicans in Congress, when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. Germany's unconditional surrender in May 1945 had been one thing; the war in the pacific was another. Many conservatives favored a negotiated surrender. Though this was the last time American forces would impose surrender unconditionally, questions surrounding it continued through the 1950s and 1960s--with the Korean and Vietnam Wars--when liberal and conservative views reversed, including over the definition of "peace with honor." The subject was revived during the ceremonies surrounding the 50th anniversary in 1995, and the Gulf and Iraq Wars, when the subjects of exit strategies and "accomplished missions" were debated. Marc Gallicchio reveals how and why the surrender in Tokyo Bay unfolded as it did and the principle figures behind it, including George C. Marshall and Douglas MacArthur. The latter would effectively become the leader of Japan and his tenure, and indeed the very nature of the American occupation, was shaped by the nature of the surrender. Most importantly, Gallicchio reveals how the policy of unconditional surrender has shaped our memory and our understanding of World War II.

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The Continental Congress, meeting in Philadelphia in the winter of 1776, received an urgent message. Please fix upon some particular color for a flag. It was from an understandably exasperated George Washington. The Continental Armies had taken the field under a babble of emblems and devices. Even the Grand Union flag that flew over naval vessels confused the issue with its display of the crosses of the British flag in its canton. So, at Washington's request, Congress wrestled with the design, and on June 14, 1777, almost a year after the signing of Declaration of Independence, on the date still celebrated as Flag Day, the United States finally had a flag all its own. Every era has a flag story to tell. Suffragettes, Know-Nothings, babies, Boy Scouts, and the Ku Klux Klan have all claimed it as their own. It flies in moments of victory, on Iwo Jima during World War II, and in moments of profound sorrow, when America grieved for the victims of 9/11. Old Glory: Unfurling History describes the histories and myths surrounding the flag of the United States of America from its revolutionary birth to the present day, and is lavishly illustrated from the collections of the Library of Congress. Karal Ann Marling is professor of Art History and American Studies at the University of Minnesota. She has published extensively, and her recent books include: George Washington Slept Here, Graceland: Going Home with Elvis, and Illusions of Eden: Visions of the American Heartland.

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Nineteen seventy-seven. New York City. Dark. Dangerous. Thrilling. Punk Rock. Blondie. David Bowie. Drinking. Drugs. Happening at the speed of light.ÞSeventeen-year old Laura quaking within her skin while the bursting punk rock revolution explodes around her starts a band with her teenage friends called the Student Teachers. She's the drummer. They play legendary clubs ä CBGB Max's Kansas City Hurrah ä they rehearse madly write songs and tour the East Coast.ÞAll between final exams at school.ÞIn comes Jimmy Destri from Blondie. He thinks the Student Teachers are terrific! And then ä he falls in love with Laura. He pulls her into the glamorous life of Blondie and introduces her to David Bowie. Bowie takes an interest in Laura's band attends their rehearsals and sets them up to open for Iggy Pop at the Palladium on Halloween 1979. It's exhilarating! It's the beginning of amazing success in rock 'n' roll!ÞUntil it all comes to a stunning stop.ÞAfter playing a show at Town Hall in 1980 Laura is diagnosed with multiple sclerosis. Does it all fall apart?ÞLater at a dinner with Bowie he whispers something to Laura. And it helps her save her life.ÞIn prose that flows like music Laura Davis-Chanin presents a rich work of narrative nonfiction that is not only deeply personal but also revealing of the punk rock heyday in New York City. Infused with rare photographs this book is a journey through a unique ephemeral life experience.

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Clear, concise yet comprehensive, World War II in Minutes is the quickest way to understand the greatest conflict in human history. From its causes to its aftermath, this book details in 200 mini-essays every key event of the war, including the rise of Hitler, the Dunkirk evacuation, The Battle of Britain, Pearl Harbor, Midway and Iwo Jima, the sieges of Leningrad and Stalingrad, the bombings of Hiroshima and Nagasaki, D-Day and the fall of Berlin, and much much more.Covers all aspects of World War II: origins and politics; major battles; great leaders; weapons and technology; civilian life and atrocities; turning points and surrenders; and the reverberations of the war through history. Illustrated with 200 contemporary photographs, images and maps.Includes entries on: The Path to War; The Versailles Treaty; The Spanish Civil War; Mussolini and the rise of Fascism; Adolf Hitler, Winston Churchill, FDR and Joseph Stalin; The Sino-Japanese War; The Blitz; U-boat warfare and Enigma; The Desert War; Operation Barbarossa; The Battle of Moscow; Resistance and collaboration; The Final Solution; Colditz; Coral Sea and Guadalcanal; The Dambusters; The bombing of Dresden; Alamein; Kursk; Montgomery, Zhukov, Rommel and Eisenhower; Operation Overlord; The liberation of Paris; The battle of the Bulge; The Yalta Conference, The Berlin bunker; The battle for Okinawa; Kamikazes; The atomic bomb; Casualties of war; War crimes trials and The Cold War.

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The King of Nashville, Tony Brown, offers a rare photographic journey through his 40-year career--including historical pictures and contemporary portraits of rock, country, and gospel music legends--in which he produced hundreds of #1 country songs that are beloved by millions.From a child pianist banging out hymns in his family's gospel band, to playing keys for Elvis Presley, to producing a string of million-selling hits for artists like George Strait, Reba McEntire, and Trisha Yearwood, Tony Brown's storied career has left a singular impression on American music.Known as the King of Nashville, Tony is adored by the mega-artists whose sounds he was instrumental to crafting, the city he's proud to call home, the millions of fans of of his over 100 number 1 singles, and the aspiring musicians he continues to inspire.The President of MCA Records for nearly two decades and co-founder of Universal South Records, Tony is also referred to as the founder of Americana music, who shook the scene with his edgy signing choices of Steve Earle and Lyle Lovett, before producing a Golden Era of country music from the eighties to the two-thousands, achieving over 100 million in sales.His life, musical legacy, and friendships are celebrated in this keepsake coffee table book, including rare behind-the-scenes images. It also includes contemporary, artful shots of 40 musical greats beloved to Tony, all featured in a French Renaissance chair that has been traveled countrywide for them to pose in, bringing out each of these legends' unique personalities.Included are historical or contemporary photos of artists such as Elvis, Lisa Marie Presley, George Strait, Reba McEntire, Cyndi Lauper, Steve Earle, Lyle Lovett, Trisha Yearwood, Lionel Richie, Jimmy Buffet, and many more.

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Mediation has become a common technique for terminating violent conflicts both within and between states; while mediation has a strong record in reducing hostilities, it is not without its own problems. In The Mediation Dilemma, Kyle Beardsley highlights its long-term limitations. The result of this oft-superficial approach to peacemaking, immediate and reassuring as it may be, is often a fragile peace. With the intervention of a third-party mediator, warring parties may formally agree to concessions that are insupportable in the long term and soon enough find themselves at odds again. Beardsley examines his argument empirically using two data sets and traces it through several historical cases: Henry Kissinger’s and Jimmy Carter’s initiatives in the Middle East, 1973–1979; Theodore Roosevelt’s 1905 mediation in the Russo-Japanese War; and Carter’s attempt to mediate in the 1994 North Korean nuclear crisis. He also draws upon the lessons of the 1993 Arusha Accords, the 1993 Oslo Accords, Haiti in 1994, the 2002 Ceasefire Agreement in Sri Lanka, and the 2005 Memorandum of Understanding in Aceh. Beardsley concludes that a reliance on mediation risks a greater chance of conflict relapse in the future, whereas the rejection of mediation risks ongoing bloodshed as war continues. The trade-off between mediation’s short-term and long-term effects is stark when the third-party mediator adopts heavy-handed forms of leverage, and, Beardsley finds, multiple mediators and intergovernmental organizations also do relatively poorly in securing long-term peace. He finds that mediation has the greatest opportunity to foster both short-term and long-term peace when a single third party mediates among belligerents that can afford to wait for a self-enforcing arrangement to be reached.

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In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

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What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life, philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually is: a work in progress, a journey and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Heidegger, he shows us where to find the significance of our lives: in the way we live them. May starts by looking at the fundamental fact that life unfolds over time, and as it does so, it begins to develop certain qualities, certain themes. Our lives can be marked by intensity, curiosity, perseverance, or many other qualities that become guiding narrative values. These values lend meanings to our lives that are distinct from but also interact with the universal values we are taught to cultivate, such as goodness or happiness. Offering a fascinating examination of a broad range of figures from music icon Jimi Hendrix to civil rights leader Fannie Lou Hamer, from cyclist Lance Armstrong to The Portrait of a Lady's Ralph Touchett to Claus von Stauffenberg, a German officer who tried to assassinate Hitler May shows that narrative values offer a rich variety of criteria by which to assess a life, specific to each of us and yet widely available. They offer us a way of reading ourselves, who we are, and who we might like to be. Clearly and eloquently written, A Significant Life is a recognition and a comfort, a celebration of the deeply human narrative impulse by which we make even if we don't realize it meaning for ourselves. It offers a refreshing way to think of an age-old question, of quite simply, what makes a life worth living.

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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On the afternoon of August 15, 1969, Richie Havens took the stage at the Woodstock Music and Art Fair, welcoming a crowd of several hundred thousand to the green fields of Max Yasgur's farm. Havens was the first act - the legendary festival, years in the making, was finally beginning. Nothing would be the same after. But the story of the legendary festival begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz and who eventually found his way to Florida, where he opened a head shop and produced his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others. In the late '60s, after settling in Woodstock, he began to envision a music and arts festival where folks could come and stay for a few days amid the rural beauty of upstate New York. The idea crystallized when Lang talked it over with Artie Kornfeld, a songwriter and A and R man, and with two other young men they formed Woodstock Ventures. They booked talent, from Janis Joplin and the Who to the virtually unknown Santana and Crosby, Stills and Nash; won over agents and promoters; brought in the Hog Farm commune to set up campgrounds; hired a peacekeeping force; took on fleets of volunteers; appeased the Yippies; and, were run out of one town and found another site weeks before the festival. On the ground with the talent, the townspeople, and his handpicked crew, Lang had a unique and panoramic perspective of the festival. Enhanced by interviews with others who were central to the making of the festival, "The Road to Woodstock" tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.

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This run of stories featuring Tom Baker as the Fourth Doctor features four stories, loosely connected as the Doctor finds himself the target of an enemy. This set contains: The Sinestran Kill by Andrew Smith. When the Doctor decides to trace an anomalous energy signature on twentieth century Earth, he stumbles into an assassination attempt. Gangland thugs are trying to murder a seemingly innocent shopkeeper, and it’s only the intervention of the Doctor and Ann Kelso – a WPC who happens to be on the scene – that prevents a tragedy. But why do the gangsters want the shopkeeper dead? And what does this have to do with alien technology? The first stages of a grand conspiracy are about to be revealed. And finding the answers will take Ann Kelso on a journey like no other. Planet of the Drashigs by Phil Mulryne. When the TARDIS lands on an alien planet, the Doctor’s intentions to show Ann Kelso an advanced future society are thrown into disarray. Because they have arrived on DrashigWorld - a park where every known species of the terrifying predators has been gathered together to entertain and thrill the public. The familiar wetland Drashigs, the albino burrowing Drashigs of the desert, and deadliest of all, the tiny Emerald Drashigs of the rain forests. And it’s not the best day to have arrived. The park has been shut down due to a visitor fatality. A Galactic Attractions inspector is on site meaning everyone is extremely tense and under pressure. It’s exactly the right circumstances in which someone might make a mistake. And on Drashigworld, mistakes are deadly. The Enchantress of Numbers by Simon Barnard and Paul Morris. The TARDIS lands in the grounds of Newstead Abbey, Nottinghamshire, in 1850. Mistaken for a medic and his maid, the Doctor and Ann are brought to meet Ada Lovelace - the mother of computing and daughter of Lord Byron - who has recently fallen ill. But the travellers are not here by chance. Something odd is happening on Earth, and they’ve determined that this place is the centre of it. Strange figures are walking the land. Strange figures wearing bird-like masks. What do they want with Ada? And how will it change the future of humanity? The False Guardian by Guy Adams. Ann Kelso doesn’t like mysteries. Keen to investigate the trail of the Sinestrans, she sets the TARDIS on a new course... but flies into danger. Arriving on a desolate world that the Doctor finds somehow familiar, the TARDIS crew discover that something is wrong with time. The inhabitants of an unusual complex are experimenting at the command of their enigmatic director... somebody who has quite a strong grudge against the Doctor.Facing an old foe who was presumed dead, the travellers are soon trapped in a diabolical scheme. But is it just the tip of the iceberg? Planet of the Drashigs features the eponymous flesh-eating monsters for the first time on audio, after their fan favourite debut in the Jon Pertwee story The Carnival of Monsters! CAST: Tom Baker (The Doctor), Jane Slavin (WPC Ann Kelso), John Leeson (K9), Frank Skinner (DCI Scott Neilson), Glynis Barber (Kathy Blake), Finty Williams (Ada Lovelace), Fenella Woolgar (Vanessa Seaborne), Ewan Bailey (Hugo Blake), Nicholas Khan (Jimmy Lynch), Leon Williams (Tony Reynolds), Jeremy Clyde (Lord Braye), Lizzie Roper (Trencher), Andrew Ryan (Titus Wayland), Andrew Havill (Colonel Wildman), Eve Webster (Hettie / Lady Cleverley), Barnaby Edwards (Mr. Hobhouse), Glen McCready (Edvard Scheutz /Lord Byron / Harry), John Shrapnel (Nigel Colloon), Anna Acton (Brox), Blake Ritson (Elmore), Roger May (Mac Foley), Tracy Wiles (Drones). Other parts played by members of the cast.

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Michel Paradis’s Last Mission to Tokyo, a “superb” (The Wall Street Journal) and “engrossing...richly researched” (The New York Times Book Review) account of a key but underreported moment in World War II: The Doolittle Raids and the international war crimes trial in 1945 that defined the Japanese-American relations and changed legal history.In 1942, freshly humiliated from the attack on Pearl Harbor, the United States was in search of a plan. President Roosevelt, determined to show the world that our nation would not be intimidated or defeated by enemy powers, demanded recommendations for a show of strength. Jimmy Doolittle, a stunt pilot with a doctorate from MIT, came forward and led eighty young men, gathered together from the far-flung corners of Depression-era America, on a seemingly impossible mission across the Pacific. Sixteen planes in all, they only had enough fuel for a one-way trip. Together, the Raiders, as they were called, did what no one had successfully done for more than a thousand years. They struck the mainland of Japan and permanently turned the tide of the war in the Pacific. Almost immediately, The Doolittle Raid captured the public imagination, and has remained a seminal moment in World War II history, but the heroism and bravery of the mission is only half the story. In Last Mission to Tokyo, Michel Paradis reveals the dramatic aftermath of the mission, which involved two lost crews captured, tried, and tortured at the hands of the Japanese, a dramatic rescue of the survivors in the last weeks of World War II, and an international manhunt and trial led by two dynamic and opposing young lawyers—in which both the United States and Japan accused the other of war crimes—that would change the face of our legal and military history. Perfect for fans of Lucky 666 and Nuremberg: Infamy on Trial, Last Mission to Tokyo is an unforgettable war story-meets-courtroom-drama that “captures the reader with the first sentence and never lets go” (John Grisham).

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Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender formally ended the war in the Pacific and brought to a close one of the most cataclysmic engagements in history, one that had cost the lives of millions. VJ--Victory over Japan--Day had taken place two weeks or so earlier, in the wake of the dropping of the atomic bombs on Hiroshima and Nagasaki and the entrance of the Soviet Union into the war. In the end, the surrender itself fulfilled the commitment that Franklin Roosevelt had made that it be "unconditional," as had been the case with Nazi Germany in May, 1945. Though readily accepted as war policy at the time, after Roosevelt's death in April 1945, popular support for unconditional surrender wavered, particularly when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. The ending of the war in Europe spurred calls in Congress, particularly among anti-New Deal Republicans, to shift the American economy to peacetime and bring home troops. Even after the atomic bombs had been dropped, Japan continued to seek a negotiated surrender, further complicating the debate. Though this was the last time Americans would impose surrender unconditionally, questions surrounding it continued at home through the 1950s and 1960s, when liberal and conservative views reversed, and particularly in Vietnam and the definition of "peace with honor." It remained controversial through the ceremonies surrounding the 50th anniversary and the Gulf War, when the subject revived. In Unconditional, which publishes in time for the 75th anniversary of the surrender, Bancroft Prize co-winner Marc Gallicchio offers a narrative of the surrender in its historical moment, revealing how and why the event unfolded as it did and the principle figures behind it, including George C. Marshall and Douglas MacArthur, who would effectively become the leader of Japan during the American occupation. It also reveals how the policy underlying it remained controversial at the time and in the decades following, shaping our understanding of World War II.

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Japan's World Heritage Sites presents the exquisite temples, shrines, gardens, castles and natural wonders found throughout Japan which have now been declared UNESCO World Heritage Sites. This new edition has more convenient size and includes many newly-designated UNESCO sites including: Christian Sites in Nagasaki that tell the extraordinary story of Japan's Christians who continued to practice their faith in secret under penalty of death during Japan's feudal era Meiji Industrial Sites which tell of the nation's rapid modernization during the Meiji period The Munakata Shrine to seafaring deities on a forbidding island The Tomioka Silk Mill which became a leader in Japan's export drive The National Museum of Western Art, an architectural gem designed by Le Corbusier Japan expert John Dougill personally traveled to each of these sites to research this book. He tells how his journey led him from the sub-Arctic island of Hokkaido to the sub-tropical islands of the Okinawan archipelago and beyond. Tag along as he describes each place in loving detail and talks about its special historical and cultural features, including: Mount Fuji, Japan's tallest and most sacred volcano. Located on Honshu Island near Tokyo, Mt. Fuji is considered the sacred center of Japan. Himeji Castle, a monument from Japan's long feudal history. Also known as Egret Castle, because it looks like a bird taking off in flight. Horu-ji Temple, the world's oldest surviving wooden structure—a center of Buddhist learning that still serves as a seminary and monastery The Hiroshima Peace Memorial or Atomic-Bomb Dome—one of the few structures to partially survive the atomic blast in 1945 The Ogasawara Islands, a remote archipelago of over 30 islands including Iwo Jima, that is home to rare wildlife and spectacular scenery. Readers will learn how Japan became involved with the World Heritage Sites program back in 1993, the importance of these designations, and their popularity in Japan and abroad today. Whether you are planning to travel to Japan or just enjoy learning more about this history of this unique land, Japan's World Heritage Sites is sure to inspire.

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Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere.With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.

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A female professor, a super maximum security prisoner, and how Shakespeare saved them bothShakespeare professor and prison volunteer Laura Bates thought she had seen it all. That is, until she decided to teach Shakespeare in a place the bard had never been before—supermax solitary confinement.In this unwelcoming place, surrounded by inmates known as the worst of the worst, is Larry Newton. A convicted murderer with several escape attempts under his belt and a brilliantly agile mind on his shoulders, Larry was trying to break out of prison at the same time Laura was fighting to get her program started behind bars.A testament to the power of literature, Shakespeare Saved My Life is a remarkable memoir. Fans of Orange is the New Black (Piper Kerman), A Place to Stand (Jimmy Baca) and I Couldn't Help Myself (Wally Lamb) will be be inspired by the story of the most unlikely friendship, one bonded by Shakespeare and lasting years—a friendship that would, in the end, save more than one life.What readers are saying about Shakespeare Saved My Life:"I was tremendously moved by both the potential impact of Shakespeare and learning on human beings and the story of this one man.""This is one of the most extraordinary books I've ever read.""I have never read a book that touched me as much as this memoir.""It is a challenging and remarkable story.""I loved this book so much. It changed my life." What reviewers are saying about Shakespeare Saved My Life:"You don't have to be a William Shakespeare fan, a prisoner, or a prison reformer to appreciate this uplifting book. "Shakespeare Saved My Life" also reveals many important truths ... about the meaning of empathy in our dealings with others"—Finger Lake Times"Shakespeare Saved My Life touches on the search for meaning in life, the struggles that complicate the path to triumph and the salvation that can be found in literature's great works ... An inspiring account."—Shelf Awareness"Opening the mind's prison proves enormously gratifying, not to mention effective ... brave, groundbreaking work"—Publishers Weekly"An eye-opening study reiterating the perennial power of books, self-discipline, and the Bard of Avon."—Kirkus"A powerful testament to how Shakespeare continues to speak to contemporary readers in all sorts of circumstances."—Booklist

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"This much needed book . . .is a creative, helpful, and hopeful contribution at a time when we are especially challenged to bridge cultures in the pursuit of mutual understanding and peace." —Jimmy Carter, Nobel Peace Laureate In our global society, challenging conflicts abound in personal, business, government, and international settings. Many of these conflicts are complicated by layers of miscommunication, cultural misunderstandings, and completely different ways of looking at the world. These conflicts cannot be solved by goodwill or sincere intentions alone. In our multicultural world, we need new tools to address gaps in communication and understanding and the conflicts that flow from them. Bridging Cultural Conflicts answers this need in groundbreaking ways that cut through complexity, replacing confusion with clarity. It introduces mindful awareness, cultural fluency, and conflict fluency as tools for decoding and moving through intercultural conflicts, and for deepening and integrating change. The book shows how fluency with culture and conflict can be learned through attention and practice, just as we would internalize a new language. As fluency is acquired, a process called dynamic engagement is presented to help prevent intercultural conflict, limit its escalation, and transform it into a learning experience. Michelle LeBaron's approach in Bridging Cultural Conflicts is human, practical, and adaptable to a wide range of interpersonal, community, organizational, and political conflicts. Drawing from her work as an attorney, mediator, scholar, and internationally acclaimed consultant, Michelle combines the dynamism of Western approaches to conflict resolution with the insight and balance of Eastern approaches. In the process, she offers a wide array of creative strategies and usable tools. As we urgently seek better ways to work and live together and to address the issues that divide us, this timely book inspires flexibility, creativity, and hope.

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Infamous Criminals Caught in True Crime Cases Actors, musicians, TV personalities, and other public figures in the spotlight aren’t always who they appear to be. You might be surprised by just how many have led nefarious, double lives, and have become infamous criminals!Power, status, and a rich lifestyle aren’t barriers to criminal behavior. Yes, people from all walks of life commit crimes. But the people featured here are not your typical neighbors or subway passengers—they are household names and Hollywood stars. Get the stories behind these public figures, both contemporary and historical, who have traveled down the murky pathway toward criminal activity. After committing their crimes, the world may have kept on turning, but their legacies as infamous criminals remain strong worldwide. This book offers a fascinating assortment of true crime cases from around the world and from various time frames. Like the previous anthologies in The Best New True Crime Stories series, this volume contains all new and original nonfiction accounts penned by international writers from across the literary spectrum, including true crime, crime fiction, and journalism.Inside, you’ll find: True crime cases that would make any true crime addict scream in delightful horror The stories of Hollywood stars and famous criminals who went down the wrong path Encounters that feature the cases of infamous criminals like Robert Blake, Jimmy Savile, Fatty Arbuckle and more If you enjoyed Mitzi’s last book in her series, The Best New True Crime Stories: Unsolved Crimes & Mysteries, and books like American Predator, and The Family Next Door, then you’ll love The Best New True Crime Stories: Crimes of Famous & Infamous Criminals.

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Even in Chicago, a city steeped in mob history and legend, the Family Secrets case was a true spectacle when it made it to court in 2007. A top mob boss, a reputed consigliere, and other high-profile members of the Chicago Outfit were accused in a total of eighteen gangland killings, revealing organized crime’s ruthless grip on the city throughout the 1960s, 1970s, and 1980s. Painting a vivid picture of murder, courtroom drama, family loyalties and disloyalties, journalist Jeff Coen accurately portrays the Chicago Outfit’s cold-blooded--and sometimes incompetent--killers and their crimes in the case that brought them down. In 1998 Frank Calabrese Jr. volunteered to wear a wire to gather evidence against his father, a vicious loan shark who strangled most of his victims with a rope before slitting their throats to ensure they were dead. Frank Jr. went after his uncle Nick as well, a calculating but sometimes bumbling hit man who would become one of the highest-ranking turncoats in mob history, admitting he helped strangle, stab, shoot, and bomb victims who got in the mob’s way, and turning evidence against his brother Frank. The Chicago courtroom took on the look and feel of a movie set as Chicago’s most colorful mobsters and their equally flamboyant attorneys paraded through and performed: James “Jimmy Light” Marcello, the acting head of the Chicago mob; Joey “the Clown” Lombardo, one of Chicago’s most eccentric mobsters; Paul “the Indian” Schiro; and a former Chicago police officer, Anthony “Twan” Doyle, among others. Re-creating events from court transcripts, police records, interviews, and notes taken day after day as the story unfolded in court, Coen provides a riveting wide-angle view and one of the best accounts on record of the inner workings of the Chicago syndicate and its control over the city’s streets.

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The gripping, forgotten tale of Ira Hayes-a Native American icon and World War II legend that spent the latter half of his life haunted by being a war hero. IRA HAYES tells the story of Ira Hamilton Hayes from the perspective of a Native American combat veteran of the Vietnam generation. Hayes, along with five other Marines, was captured in Joe Rosenthal's iconic photograph of raising the stars and stripes on Mount Suribachi during the battle for the Japanese Island of Iwo Jima. The photograph was the inspiration and model for the U.S. Marine Corps War Memorial in Arlington. Between the time he helped raise that flag and his death-and beyond-he was the subject of more newspaper columns than any other Native person. He was hailed as a hero and maligned as a chronic alcoholic unable to take care of himself. IRA HAYES will explore these fluctuating views of Ira Hayes. It will reveal that they were primarily the product of American misconceptions about Native people, the nature of combat, and even alcoholism. Like most surviving veterans of combat, Ira did not think of himself as a heroic figure. There can be no doubt that Ira suffered from PTSD, which is a compound of survivor's guilt, the shock of seeing death, especially of one's friends, and the isolation brought on by feeling that no one could understand what he had been through. Ira's life has been a subject of two motion pictures and a television drama. All these dramas sympathize with him, but ultimately fail to see his binge drinking as his way of temporarily escaping the melancholy, the rage he felt, his sense of betrayal, and the sheer boredom of peacetime. IRA HAYES breaks apart the complexities of Ira's short life in honor of all Native veterans who have been to war in the service of the United States. This is equally their story.

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NATIONAL BESTSELLERAN NPR BEST BOOK OF THE YEAR“Ozzi’s reporting is strong, balanced and well told...a worthy successor to its obvious inspiration, Michael Azerrad’s 2001 examination of the ’80s indie underground, Our Band Could Be Your Life.”—New York Times Book ReviewA raucous history of punk, emo, and hardcore’s growing pains during the commercial boom of the early 90s and mid-aughts, following eleven bands as they “sell out” and find mainstream fame, or break beneath the weight of it all.Punk rock found itself at a crossroads in the mid-90’s. After indie favorite Nirvana catapulted into the mainstream with its unexpected phenomenon, Nevermind, rebellion was suddenly en vogue. Looking to replicate the band’s success, major record labels set their sights on the underground, and began courting punk’s rising stars. But the DIY punk scene, which had long prided itself on its trademark authenticity and anti-establishment ethos, wasn’t quite ready to let their homegrown acts go without a fight. The result was a schism: those who accepted the cash flow of the majors, and those who defiantly clung to their indie cred.In Sellout, seasoned music writer Dan Ozzi chronicles this embattled era in punk. Focusing on eleven prominent bands who made the jump from indie to major, Sellout charts the twists and turns of the last “gold rush” of the music industry, where some groups “sold out” and rose to surprise super stardom, while others buckled under mounting pressures. Sellout is both a gripping history of the music industry’s evolution, and a punk rock lover’s guide to the chaotic darlings of the post-grunge era, featuring original interviews and personal stories from members of modern punk’s most (in)famous bands: Green Day Jawbreaker Jimmy Eat World Blink-182 At the Drive-In The Donnas Thursday The Distillers My Chemical Romance Rise Against Against Me!

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The year 1998 represents the hundredth anniversary of the U.S. invasion of Puerto Rico. Since that time, the “Puerto Rican archipelago” has come to extend from the island itself, up the Eastern seaboard, and as far west as California and Hawai’i. Puerto Rican Jam considers the issues unique to Puerto Rican culture and politics, issues often encapsulated in concerns about ethnicity, race, gender, and language. Discussions of Puerto Rican cultural politics usually fall into one of two categories, nationalist or colonialist. Puerto Rican Jam moves beyond this narrow dichotomy, elaborating alternatives to dominant postcolonial theories, and includes essays written from the perspectives of groups that are not usually represented, such as gays and lesbians, youth, blacks, and women. The essays propose different ways of conceptualizing the U.S.-Puerto Rican colonial relationship, thus opening new spaces for political, social, economic, and cultural agency for Puerto Ricans on both the island and the continent. Among the topics discussed are the limitations of nationalism as a transformative and democratizing political discourse, the contradictory impact of American colonialism, language politics, and the 1928 U.S. congressional hearings on women’s suffrage in Puerto Rico.A groundbreaking contribution to the study of colonialism, Puerto Rican Jam represents an important engagement with issues raised by American expansionism in the Caribbean. Contributors: Jaime E. Benson-Arias, U of Puerto Rico, Mayagüez; Arlene Dávila, Syracuse U; Chloé S. Georas, SUNY, Binghamton; Manuel Guzmán, CUNY Graduate Center; Gladys M. Jiménez-Muñoz, SUNY, Oneonta; Agustín Lao, SUNY, Binghamton; Yolanda Martínez-San Miguel, U of Puerto Rico; Mariano Négron-Portillo, U of Puerto Rico; José Quiroga, George Washington U; Raquel Z. Rivera, CUNY Graduate Center; Alberto Sandoval Sánchez, Mount Holyoke College; Kelvin A. Santiago-Valles, SUNY, Binghamton. Frances Negrón-Muntaner is a doctoral candidate in comparative literature at Rutgers University, as well as a poet and filmmaker. Ramón Grosfoguel is assistant professor of sociology at the State University of New York, Binghamton.

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Book Two of the Riftwar Legacy Continuing on from Feist’s bestselling Riftwar Saga comes a spellbinding adventure. Now in a brilliant new livery. ‘Feist writes fantasy of epic scope, fast-moving action and vivid – imagination’ Washington Post Fresh back from the front, another foe defeated, Prince Arutha arrives to find all is not well in Krondor. A series of apparently random murders has brought an eerie quiet to the city. Where normally the streets are bustling with merchants and tricksters, good life and night life, now there seems to be a self-imposed curfew at sundown. Mutilated bodies have been turning up in the sewers, the Mocker’ demense. The Thieves’ Guild has been decimated – men, women, children, it matters not. The head of the Mockers is missing, presumed dead. Those few who survived the terrible attacks are lying low. Very low. The Crawler, it seems, is back in town. And he’s being helped by others, more ruthless than he. Can it be the Nighthawks again? The Prince enlists his loyal Squire James to find out. If anyone can unravel what’s happening in the bowels of Krondor, he can. He knows the sewers like the back of his hand. After all, as Jimmy the Hand, he grew up there. Meanwhile, the retinue of the Duke of Olasko has arrived suddenly at the palace, a week ahead of schedule but with no apologies and many demands. They say they are here to hunt. But to hunt what? Pug’s son William, on his first posting as a knight-lieutenant, must escort them into the wilds. It should have been a straightforward mission…

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In June 1994 the United States went to the brink of war with North Korea. With economic sanctions impending, President Bill Clinton approved the dispatch of substantial reinforcements to Korea, and plans were prepared for attacking the North's nuclear weapons complex. The turning point came in an extraordinary private diplomatic initiative by former President Jimmy Carter and others to reverse the dangerous American course and open the way to a diplomatic settlement of the nuclear crisis. Few Americans know the full details behind this story or perhaps realize the devastating impact it could have had on the nation's post-Cold War foreign policy. In this lively and authoritative book, Leon Sigal offers an inside look at how the Korean nuclear crisis originated, escalated, and was ultimately defused. He begins by exploring a web of intelligence failures by the United States and intransigence within South Korea and the International Atomic Energy Agency. Sigal pays particular attention to an American mindset that prefers coercion to cooperation in dealing with aggressive nations. Drawing upon in-depth interviews with policymakers from the countries involved, he discloses the details of the buildup to confrontation, American refusal to engage in diplomatic give-and-take, the Carter mission, and the diplomatic deal of October 1994. In the post-Cold War era, the United States is less willing and able than before to expend unlimited resources abroad; as a result it will need to act less unilaterally and more in concert with other nations. What will become of an American foreign policy that prefers coercion when conciliation is more likely to serve its national interests? Using the events that nearly led the United States into a second Korean War, Sigal explores the need for policy change when it comes to addressing the challenge of nuclear proliferation and avoiding conflict with nations like Russia, Iran, and Iraq. What the Cuban missile crisis was to fifty years of superpower conflict, the North Korean nuclear crisis is to the coming era.

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A PITCHFORK MUSIC BOOK OF THE YEARA radical, literary and intimate insight into one of the twentieth century's most vital vocalists. 'Tongson serves up a number of astute observations about fantasy, projection, longing, normalcy, and aberrance.' MAGGIE NELSON'Deftly weaves memoir, history, and cultural criticism to highlight the dynamic relationship between artists and listeners.'PITCHFORKIn the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder.In Why Karen Carpenter Matters, Karen Tongson (whose parents named her after the pop icon) interweaves the story of the singer's rise to fame in the 1960s and '70s with her own trans-Pacific journey between the Philippines - where imitations of American pop styles flourished - and Karen Carpenter's home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly white-washed musical fantasies of 'normal love' have profound significance for her - as well as for other people of colour, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter's legacy.This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters' sound, while finding the beauty in the singer's all-too-brief life.'Engrossing . . . a triumphant delight.' 4COLUMNS'Heartfelt . . . excellent . . . breathtaking.' EXCLAIM!'Will resonate with readers who have never even heard of Carpenter.' LITERARY HUBMUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

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Camp David is American diplomacy's secret weapon. The home of the 2015 GCC and 2012 G8 summits, the 2000 Peace Summit, and the 1978 Peace Accords, the camp has played a vital role in American history over the past century, inviting Presidents and international leaders alike to converge, converse, and, perhaps most importantly, relax. A peaceful mountaintop setting, crucially removed from the constant scrutiny of the press, Camp David has served as both a site of critical diplomacy and unparalleled tranquility. It is where President and Mrs. Reagan rode horses through the mountains, where Gerald Ford could take a moment to jump on a trampoline with his daughter, where Nixon rode shotgun with Soviet President Leonid Brezhnev, and where Jimmy Carter could find the ultimate flight-sledding-only to break his clavicle two weeks before the end of his tenure. Under the pressure and stress, it is easy to forget that those occupying the highest seat in the land are, at the end of the day, human but at Camp David, we finally get to see these leaders at their most vulnerable, their most unguarded, and as their most true selves.

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