Search results for ""Collective""

'Deserves to be an instant classic. I haven’t loved a book this much in a long time . . . What Strange Paradise . . . reads as a parable for our times . . . Such beautiful writing . . . This is an extraordinary book.' – New York TimesFrom the widely acclaimed author of American War, Omar El Akkad, a beautifully written, unrelentingly dramatic and profoundly moving novel that brings the global refugee crisis down to the level of a child’s eyes.More bodies have washed up on the shores of a small island. Another over-filled, ill-equipped, dilapidated ship has sunk under the weight of its too-many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives in their homelands. And only one had made the passage: nine-year-old Amir, a Syrian boy who has the good fortune to fall into the hands not of the officials, but of Vänna: a teenage girl, native to the island, who lives inside her own sense of homelessness in a place and among people she has come to disdain. And though Vänna and Amir are complete strangers and don’t speak a common language, Vänna determines to do whatever it takes to save him. In alternating chapters, we learn the story of Amir’s life and of how he came to be on the boat; and we follow the duo as they make their way towards a vision of safety. But as the novel unfurls, we begin to understand that this is not merely the story of two children finding their way through a hostile world. Omar El Akkad's What Strange Paradise is the story of our collective moment in this time: of empathy and indifference, of hope and despair – and of the way each of those things can blind us to reality, or guide us to a better one.

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A hands-on tool for intuitively connecting with the healing wisdom of plant spirits. Plants are gifts from the Earth, each playing their individual sound in the collective symphony of nature. Essential oils contain their condensed wisdom and spirit, and through the practice of aromatherapy we can use essential oils to influence the spiritual, mental, and physical levels of our being. With this 40-card oracle deck, Dennis Moeck and Ulrike Annyma Kern present a hands-on way to intuitively select essential oils for healing or connecting to a plant’s spirit. Aromatherapist Moeck provides wisdom-filled messages and healing guidance from the plant spirits, while Kern’s delicate illustrations let the souls of these healing plants and herbs speak, conveying the love and energy of the natural realms. Both sides of the cards include text. One side shares original wisdom about the spiritual healing power and message of each plant, surrounded by Kern’s evocative plant spirit art. The other side shares an affirmation that engages the oil’s power, followed by a description of its spiritual and physical effects along with practical application tips that tell you where and how to use the essential oil. This side also provides the associated chakra and important keywords that resonate with this plant and its oil, revealing where the plant’s soul wants to support you. The deck also includes a booklet that shares guidance on using essential oils safely and explains how to use the cards on a therapeutic level, for aromatherapy practice, and as an oracle, including sample card spreads. Embedded with the spirits of the plants, these cards energetically convey their precious essences, bringing you deeper insight and guidance for using essential oils on your path to spiritual and physical wellbeing.

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Pres de deux siecles de collecte et de recherche sur les formes narratives orales et ecrites berberes sont examines dans ce travail qui offre une reflexion limpide et prenante sur la formation du champ des etudes berberes. Les materiaux litteraires produits par les Imazighen (Berberes) dans le Maghreb et en Europe sont donc presentes tandis que l'on rend compte de l'acquisition des textes et de leur analyse et interpretation. La premiere partie illustre le travail de collecte effectue dans la periode coloniale ainsi que la multiplication des etudes et des perspectives dans la periode contemporaine. L'ouvrage traite aussi de la creation d'un espace linguistique et culturel multilingue, mais coherent dans son developpement, en proposant l'exemple de " l'espace litteraire kabyle " comme espace litteraire et culturel multilingue dans lequel les auteurs donnent expression a l'identite individuelle et collective (affirmee, critiquee, rejetee) fondee sur les liens familiaux, le pays, et la langue. Un panorama des aires les plus 'exploitees' et de celles ou la collecte et la recherche sont encore dans un etat presque initial conclue la premiere partie. Des aspects centraux de la composition narrative berbere sont consideres dans la seconde partie : les divers types d'analyse des recits et le systeme litteraire, la production ecrite ancienne et actuelle, les relations de genre feminin/masculin dans les recits oraux et ecrits ainsi que la 'grande division' entre les etudes berberes et les etudes francophones. Le dernier chapitre s'ouvre sur les developpements recents de l'ecriture en " tarifit " et " tachelhyt " au Maroc et la nouvelle production immigree aux Pays-Bas dans leurs liens avec d'autres formes de la production culturelle (theatre, films, videos, et Internet) cree au Maroc, en Algerie, et par la diaspora berbere en Europe.

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Members of the Association for the Study of Travel in Egypt and the Near East (ASTENE), founded in 1997, continue to research, hold international conferences, and publish books and essays in order to reveal the lives, journeys and achievements of these less well-known men and women who have made such a contribution to the present day historical and geographical knowledge of this region of the world and who have also given us a better understanding of its different peoples, languages and religions. The men and women from the past who are written about in this volume are a mixture of the incredibly rich or the very poor, and yet they have one thing in common, the bravery to tackle an adventure into the unknown without the certainty they would ever return home to their families. Some took up the challenge as part of their job or to create a new business, one person travelled to learn how to create and manage a harem at his house in London, others had no choice because as captives in a military campaign they were forced to make journeys into Ottoman controlled lands not knowing exactly where they were, yet every day they were looking for an opportunity to escape and return to their homes, while hoping the next person they met would guide them towards the safest route. Apart from being brave, many of these men and women travellers have something else in common: they and others they encountered have left a collective record describing their travels and their observations about all manner of things. It is these forgotten pioneers who first gathered the facts and details that now fill numerous modern guidebooks, inflight magazines and websites.

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Presents a thematic collection of papers dealing with the Stone Age and Bronze Age archaeology of the Ionian Sea, situated off the south western Balkan peninsula. It is based on an international conference held in Athens, Greece in January 2020.The eastern Ionian occupies a geographically complex area, which since the Pleistocene has undergone significant alterations due to tectonic activity and sea-level fluctuations. This dynamic environment, where islands, mainland, and sea intertwined to present different landscapes and seascapes to the human communities exploring the region at different times in the past, provides an ideal setting for their study from a diachronic perspective.This book deals thematically with the processes of circulation of people, materials, artefacts and ideas by examining patterns of settlement, burial and multi-layered interconnections between the different communities via land and sea. It investigates aspects of regional and interregional communication, isolation, collective memory and the creation of distinct identities within and between different cultural and social groups. It focuses on the islands of the Central Ionian Sea, offering new data from excavations and surveys on Zakynthos, Kefalonia, Ithaki and the smaller islands of the Inner Ionian Archipelago between Lefkada and Akarnania. The cultural interchange between the islands and the continental coasts is reflected in the volume with the addition of chapters dealing with contemporary sites in west Greece and southeast Italy.The Ionian, often regarded as 'at the fringes' of the Aegean, the Balkan and the central Mediterranean archaeological discourse, has lately offered new and exciting data that not only enrich but also alter our perceptions of mobility, settlement and interaction. The collection of papers in this book enhances theoretical discussions by offering a geographically and culturally comparative approach, ranging from the earliest Palaeolithic evidence of human presence in the region to the end of the Bronze Age.

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Be prepared for the rapidly changing world of nursing.The rapid transformations in health care and the impact of the pandemic have created new challenges and new opportunities for nursing and nurses. Explore the evolution and history of nursing and the important issues and trends shaping the nursing profession today. From assuring the delivery of high-quality health care to management methods and techniques through preparing for the Next Generation NCLEX®, you’ll be better prepared for the transition to professional practice and equipped with the skills to succeed and thrive. Updated & Revised! Focus on the important issues and trends shaping the nursing profession today, including healthcare reform, the pandemic, race, culture, racial disparity privilege, women and men’s health issues, disparity of the LGBTQ+ population, and cultural humility New Chapter! Next Generation NCLEX®: What You Need to Know introducing the new question types and the new AACN Essentials Expanded! Coverage of the nursing process/problem-based nursing, intergenerational issues in nursing, the interprofessional team and role, and palliative care Expanded! A deeper exploration and analysis of the issues through multiple points-of-view Expanded! Coverage of the pandemic and disaster planning Expanded! More case studies, vignettes, and end-of-chapter critical-thinking exercises Thought-provoking tools to promote critical thinking, including “Issues in Practice” Case Studies with correlating “Questions for Thought,” “Issues Now” Case Studies,” What Do You Think” questions, and “Critical-Thinking Exercises” at the end of each chapter NCLEX-style review questions at the end of each chapter with answers and rationales in an appendix Need-to-know information on the transition from student nurse to graduate nurse, including preparing a professional resume, fine tuning interview skills, and preparing a portfolio Two bonus chapters online, How to Take and Pass Tests and Governance and Collective Bargaining

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From nationalbestselling author and humanitarian Zainab Salbi, a powerful look at what happens when we heal our shadows and align with our core values. "May this book help create bridges to a much bigger and kinder world." —Gloria Steinem, author of My Life on the Road and Revolution from Within "If you want to know what true self-power is, then read this book. It will open your inner eye to the beauty of your own being." —Deepak Chopra, MD, author of The Healing Self and The Seven Spiritual Laws of Success How can we transform our collective fear and the deep divisions between us into meaningful change? In Freedom Is an Inside Job, bestselling author, humanitarian, and TV personality Zainab Salbi shares that to transform our outer world, we must turn towards our inner world. After years of working as a successful CEO and change-maker, Salbi realized that if she wanted to confront and heal the shadows of the world, she needed to face her own shadows first. Holding nothing back, Salbi shares pivotal moments from her personal life alongside poignant and fascinating stories from her encounters around the world. Through her stories, we learn that if we want to create real change, we need to heal the inconsistencies within our own values, actions, and goals. As Salbi explores her own riveting journey to wholeness, readers learn how embarking on such a journey enables each of us to create the world we want to live in. "So long as we are conflicted within, we will continue to have conflict without," writes Salbi. "If we want to change the world, we need to begin with ourselves. This is the path to freedom."

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This accessible legal history describes how the Second Amendment has been interpreted throughout most of American history and shows that today's gun-rights advocates have drastically departed from the long-held interpretation of the constitutional right to bear arms. This illuminating study traces the transformation of the right to arms from its inception in English and colonial American law to today's impassioned gun-control debate. As historian and legal scholar Patrick J. Charles shows, what the right to arms means to Americans, as well as what it legally protects, has changed drastically since its first appearance in the 1689 Declaration of Rights. Armed in America explores how and why the right to arms transformed at different points in history. The right was initially meant to serve as a parliamentary right of resistance, yet by the ratification of the Second Amendment in 1791 the right had become indispensably intertwined with civic republicanism. As the United States progressed into the 19th century the right continued to change--this time away from civic republicanism and towards the individual-right understanding that is known today, albeit with the important caveat that the right could be severely restricted by the government's police power. Throughout the 20th century this understanding of the right remained the predominant view. But working behind the scenes was the beginnings of the gun-rights movement--a movement that was started in the early 20th century through the collective efforts of sporting magazine editors and was eventually commandeered by the National Rifle Association to become the gun-rights movement known today. Readers looking to sort through the shrill rhetoric surrounding the current gun debate and arrive at an informed understanding of the legal and historical development of the right to arms will find this book to be an invaluable resource.

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There has been a recent trend in history to interpret the rise and fall of great powers in terms of economics, or demographics, or geography. This is not always true, as this book proves, because sometimes pure military skill can propel a nation to prominence, if it is simply able to crush all its opponents on a battlefield. No better example arises than that of Sweden beginning in the 17th century, which held supremacy over northern Europe for 100 years without any technological, geographic or demographic advantages at all.This fascinating book describes how the Swedes first arrived in continental Europe during the 30 Years War, under their king Gustavus Adolfus. Just in time to roll back the reactionary Catholic tide and buttress the Lutherans, the Swedes proved more innovative in battle than their opponents, using the new arm of artillery plus tactical formations to establish supremacy on the battlefield. This horrific war still exists in collective memory as the worst travail in German history, even worse than the world wars; however along with the salvation of Protestantism the emergence of the Swedes as a power to be reckoned with meant new geopolitical complications for the existing powers of Europe.Adolphus was eventually killed in battle, but a successor, Charles XII, renewed Swedish aggression - this time for the object of conquest - as he found that no army on the Continent could stand against his legions from the north. As later military leaders would find, however, the conquest of Russia comprised a considerable overreach, and Charles was eventually trapped and defeated deep in the Ukraine, at Poltava.In this work renowned military historian Henrik O. Lunde unveils a fascinating chapter in the foundation of Western history that is seldom seen or recognized by English or American readers.

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Art photographs of strikingly beautiful and austere shrines of saints and pilgrimage sites erected by the Uyghurs (a mystic, pacifistic branch of Islam) in the deserts of Western China that are threatened by that country's rapid development will appeal to all interested in art, Central Asia, and Chinese or Islamic culture. Lisa Ross's ethereal photographs of Islamic holy sites were created over the course of a decade on journeys to China's Xinjiang region in Central Asia, historically a cultural crossroads but an area to which artists and researchers have generally been denied access since its annexation in 1949. These monumental images show shrines created during pilgrimages, many of which have been maintained continuously over several centuries; visitation to the tombs of saints is a central aspect of daily life in Uyghur Islam, and its pilgrims ask for intercession for physical, mental, and spiritual ailments. The shrines, adorned with small devotional offerings that mark a prayer or visit, are poignant representations of collective memory and a pacifistic faith, and endure despite vulnerability to natural forces of sand, heat, and powerful winds. Their simplicity and austerity as captured by Ross invoke ideas of spirituality, eternity, and transcendence. Three essays—by a historian of Central Asian Islam, a Uyghur folklorist, and the curator of an accompanying exhibition at the Rubin Museum of Art—situate the photographic content in context. This volume emerges at a critical time, as modernization and new policies for development of China's far west bring about rapid, extreme, and irrevocable change; the region is its largest source of untapped natural gas, oil, and minerals. Many of the sites in Ross's work are threatened by political and economic pressures—her images are valuable, therefore, not only for their intrinsic beauty, but as an important record of a rich and vibrant culture.

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In this “engrossing peek into a little-known chapter of World War II, and one family’s harrowing tale of finding the lost pieces of its own history” (Karen Abbott, New York Times bestselling author of Liar Temptress Solider Spy), a woman sets out to track down the descendants of the Jewish family her grandmother helped hide seventy years earlier. Yvette Manessis Corporon grew up listening to her grandmother’s stories about how the people of the small Greek island Erikousa hid a Jewish family—a tailor named Savvas and his daughters—from the Nazis during World War II. Nearly 2,000 Jews from that area died in the concentration camps, but even though everyone on Erikousa knew Savvas and his family were hiding on the island, no one ever gave them up, and the family survived the war. Years later, Yvette couldn’t get the story of the Jewish tailor out of her head. She decided to track down the man’s descendants—and eventually found them in Israel. Their tearful reunion was proof to her that evil doesn’t always win. But just days after she made the connection, her cousin’s child was gunned down in a parking lot in Kansas, a victim of a Neo-Nazi out to inflict as much harm as he could. Despite her best hopes, she was forced to confront the fact that seventy years after the Nazis were defeated, remainders of their hateful legacy still linger today. As Yvette and her family wrestled with the tragedy in their own lives, the lessons she learned from the survivors of the Holocaust helped her confront and make sense of the present. In beautiful interweaving storylines, the past and present come together in a nuanced, heartfelt “story of compassion and collective resistance” with “undeniable emotional power” (Kirkus Reviews).

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This thoughtful guide offers a framework for creating and sustaining learning organizations where both students and educators can truly thrive.For years, schools have worked to ensure that students develop their social-emotional learning skills, which research shows can benefit not only students' well-being, but also their academic achievement. Until now, however, developing these skills in adults has not received the same emphasis in schools, despite evidence that they are just as helpful for advancing professional practice. With Still Learning: Strengthening Professional and Organizational Capacity, educator and author Allison Rodman, founder of the Learning Loop, seeks to correct this oversight so that teachers, administrators, and other school leaders can thrive both individually and collectively.Rodman offers a comprehensive "Framework for Educator Capacity Building" that sequences, defines, and outlines key concepts and strategies in five disciplines: attunement, alignment, perspective, collective efficacy, and organizational learning. In this essential resource, you'll findProtocols, checklists, reflection exercises, and myriad other practical tools for supporting educators' social-emotional development and strengthening professional and organizational capacity.Data and examples from decades of research into the benefits of and best practices related to capacity building.Lessons and insights from real-life educators.Recommended resources for further exploration.You'll also be able to access editable PDF versions of many of the tools and resources within the book to support and enhance your reflection, learning, and action planning.The evidence is clear: Social-emotional development is a must not just for students, but for educators, organizations, and systems as well. Still Learning has everything you need to ensure that the adults in your school or district implement and sustain healthy practices to benefit themselves, their colleagues, and their students.

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During William L. Dwyer's fifteen-year tenure as a U.S. District Court judge, he presided over many complex and groundbreaking cases. In one of his most controversial rulings, he engaged environmentalists and the timber industry in a heavily publicized and emotionally fraught battle over the territory of the northern spotted owl, ultimately approving the bird for “threatened species” status and forcing the Forest Service to substantially reduce logging in owl-habitat areas. Before his appointment to the district court in 1987, Dwyer had spent more than thirty years as a trial lawyer, never shying away from the most difficult cases. He argued the libel suit of accused Communist sympathizer John Goldmark; he represented newspaper employees in the contested proposal for a joint-operating agreement between the Seattle Times and Seattle Post-Intelligencer; and he brought a suit against baseball's American League that resulted in the return of the Mariners to Seattle. The fifteen speeches in this volume cover a span from 1978 to 2002 and reveal the breadth and scope of Dwyer's legal wisdom. He championed libraries as keepers of our language, ideas, and history; he taught students the history and philosophy of litigation; and he challenged members of the legal profession to do more pro bono work. His respect for the rule of law and his belief in the necessary contribution of lawyers to society come through clearly in his own words, whether he was speaking to the American Library Association, the Federal Bar Association, or first-year law students. The volume includes several speeches that express Dwyer's hopes for the American legal system. “If we use our heads,” Dwyer avers, “we have the collective ability to survive and to let the rest of life survive with us.”

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At the dawn of the twenty-first century, all of us consider ourselves to be citizens of something-–but of what? Nation-states? Regions? Ethnic groups? Corporations? An accomplished set of meditations by one of Europe's leading Americanists, Them and Us is a rich comparative study of European and American cultural traditions and their influence on conceptions of community. In contrast with the ethnic and nationalist allegiances that historically have splintered Europe, Rob Kroes identifies a complex of cultural practices that have mitigated against ethnically rooted divisions in the United States. He argues that the American approach–-articulated by a national rhetoric emphasizing openness rather than closure, diversity rather than uniformity--has much to offer a Europe where the nationalist and ethnic conflicts that spawned two world wars continue to sow terror and destruction. Kroes discusses European and American attitudes toward the welfare state, the human rights tradition in the United States, and the role of regionalism in shaping conceptions of national identity. He also considers new, transnational forms of cultural membership that are emerging to take the place of nation-based citizenship. He contends that the frame of reference Europeans now use to make sense of their collective situation draws on ingredients provided by the worldwide dissemination of American mass culture. He investigates the way this emerging world culture, under American auspices, affects the way people in their local and national settings structure their sense of the past and conceive of their citizenship. Imagining a new set of cultural relationships that could serve as the basis for global citizenship, Them and Us is an insightful consideration of the types of solidarity that might weave humankind together into a meaningful community.

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This book bridges the gap between knowledge management and technology. It embraces the complete lifecycle of knowledge, information, and data from how knowledge flows through an organization to how end users want to handle it and experience it. Whether your intent is to design and implement a single technology or a complete collection of KM systems, this book provides the foundations necessary for success. It will help you understand your organization’s needs and opportunities, strategize and prioritize features and functions, design with the end user in mind, and finally build a system that your users will embrace and which will realize meaningful business value for your organization. The book is the culmination of the authors’ collective careers, a combined sixty years of experience doing exactly what is detailed in this book. Their guidance has been honed by their own successes and failures as well as many others they have researched in order to provide a comprehensive study on KM transformations and the technologies that help to enable them. They have successfully applied this knowledge as the founders and leaders of the world’s largest dedicated knowledge management consultancy, which runs these projects for many of the world’s most complex organizations. They are writing as practitioners directly to other practitioners with the intent to enable them to apply and benefit from their knowledge and experience.“Compelling reading for KM practitioners looking to ensure their technology decisions support their business and organizational objectives.” - Margot Brown, Director of Knowledge Management, World Bank Group "We are two years into our KM Transformation and if I’d had this book beforehand, it would have made the journey smoother and faster! This is a great playbook for how to plan, organize, and execute a KM transformation." - Stephanie Hill, Senior Director, Global Customer Services, PayPal

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An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed,shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.

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MALAPROP Theatre is an award-winning collective of Irish theatremakers, who seek to challenge, delight and speak to the world we live in (even when imagining different ones). This volume brings together four of their bold, playful and genre-spanning plays, all premiered at the Dublin Fringe Festival between 2017 and 2023. In Everything Not Saved, ex-lovers argue about when they were happiest, police officers rewrite history, and Rasputin dances like no one’s watching. Oh, and also the Queen is there. Before You Say Anything questions how everyone can be safe at the same time. A time-travelling set of interweaving stories exploring injustice, freedom and bravery. Where Sat the Lovers is about codes, hallucinations, Isaac Newton, war crimes, seeing meaning where there's none and vice versa. In an age of misinformation, how do you know if you know the right things? HOTHOUSE tackles climate breakdown with big ideas, a lot of laughs, and some truly grotesque cabaret numbers. Cruise ships, horny/murderous songbirds, fecund/fatalistic rabbits, loving/bruising parents and Minnie Riperton all make an appearance in this play with songs, which asks if things can ever get better. MALAPROP Theatre are Carys D. Coburn, John Gunning, Breffni Holahan, Molly O'Cathain, Maeve O'Mahony, Claire O'Reilly and Carla Rogers. 'MALAPROP have quickly distinguished themselves as one of Ireland's most exciting emerging companies' Ruth McGowan, Director, Dublin Fringe Festival (2018-23) 'A company of real ambition. One which is using theatrical form to grapple with the complexities of a world where the ground is constantly shifting beneath our feet and where what we believe can be recalibrated not just on a daily basis but minute by minute' Lyn Gardner, Stage Door 'Reminiscent of early Caryl Churchill... this is thinking theatre at its best' Irish Independent

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Two years ago, at the United Nations in New York, activists and diplomats banned nuclearweapons. This book covers the story of their collective activism—a story of courage and hope, as well as lessons learned, that will hopefully inform and inspire others working for social justice.The story of banning the bomb belongs to these diplomats, along with activists who brought alegacy of protest and vision for an alternative future to the international table. This is, ultimately, a story of resistance and of movement building. It is a story of people saying, “¡Ya basta!,” enough, to the nuclear-armed governments. But this movement did not just reject what the nuclear-armed were offering. It consciously, creatively, and collectively sought to build something new—to generate and promote ideas, arguments, and frameworks that would disrupt mainstream myths and narratives about nuclear weapons, institute new international norms and laws, and ultimately set in place key mechanisms for the abolition of the atomic bomb.I was directly involved in this work as an activist with one of the partner organizations of ICAN. I represented my organization, the Women’s International League for Peace and Freedom (WILPF), on ICAN’s International Steering Group. The steering group is the policy-making body of ICAN, a group of ten activist organizations from around the world that works with ICAN’s staff team to lead the campaign. As a genderqueer feminist peace activist, I tried to promote a feminist vision of both process and product in my work with ICAN—to bring theories and experiences of feminist and queer activists to the task of banning nuclear weapons. The nuclear weapon policy and discourse space is one that commonly reeks of toxic masculinity.

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An award-winning historian of religion examines the role a “messiah” plays in Western culture, from its pre-Christian roots to modern interpretations of a savior. Over the centuries, people have longed for a messiah, whether a religious figure such as Jesus, a political leader, or even in popular culture. The messianic quest emerges most acutely during difficult times when people experience a sense of powerlessness and desperation. But the concept of a messiah—a savior—has its root in the writings of ancient Judaism and early Christianity, evolving from an anointed leader to universal savior. Wilson turns to a little understood pre-Christian text, “The Psalms of Solomon,” which set the stage for messianic expectation just prior to the birth of Jesus. Known today only to a handful of scholars—in marked contrast to the “Song of Solomon”—these important pslams were composed not by a King, but by a devout 1st century BCE Jew who witnessed terrible atrocities under brutal Roman rule. This crucial work encourages us to ask: what is a messiah? Who is a messiah? How would we recognized one should he or she appear? And what is a messiah supposed to do? In his own lifetime, Jesus directed his followers to search for “the messiah within” in his parables. Later, Paul changed the concept of “the messiah,” to “the Christ,” when presenting his message to Gentiles instead of Jews. Jesus was no longer a Jewish messiah but a Hellenistic divine avatar. In Searching for the Messiah, Wilson reveals how this collective search for messiahs throughout modern human history has been fundamentally flawed. Jesus himself rejected the idea of an external fixer, instead formulating his teachings to focus on the role of the individual, their choices, and their actions. Searching for the Messiah is revelatory and illuminating work of scholarship that will challenge and inspire.

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This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983) as an exemplar and reading her alongside prominent contemporaries: Brecht, Carpentier, and Spivak. In the twentieth century, leftist authors around the world understood their writing as an act of solidarity, but their common project was obscured by the end of the Cold War and the dismantling of socialist states. This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983), one of the most important German writers of her time, as an exemplar. Like other leftist authors in other languages and contexts, Seghers emphasized how people are implicated in global economic inequality and efforts to change it. Writing to Change the World introduces Seghers's concept of solidarian authorship by telling the story of an award, still in existence today, that she bequeathed to support East German and Latin American authors. The book then follows the history of the idea by reading Seghers alongside prominent contemporaries: the German playwright and poet Bertolt Brecht in the 1930s, the Cuban novelist Alejo Carpentier in the 1960s, and the Indian scholar and theorist Gayatri Chakravorty Spivak in the 1980s. These writers thematized and critiqued solidarity, often by depicting characters who forge connections across borders. In doing so, they also commented on the literary institutions that fostered their own work. Providing new evidence for Seghers's global relevance beyond German literature, Writingto Change the World argues for the continued significance of solidarity both as a model of global authorship and as a framework for analysis of world literature. In doing so, it refocuses attention on global structures of inequality and collective imaginings of a better world. Marike Janzen is Assistant Professor of Humanities and Courtesy Assistant Professor of Germanic Languages and Literatures at the University of Kansas.

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Bolívar Echeverría was one of the leading philosophers and critical theorists in Latin America and his work on capitalism and modernity offers a distinctive account, informed by the experiences of Latin American societies, of the social and historical forces shaping the modern world. For Echeverría, capitalism and modernity do not coincide: modernity is a long-term historical phenomenon that involved a new set of relations between human beings and nature and between the individual and the collective, while capitalism is a particular form in which modernity has been realized. As Marx showed, capitalism is a mode of reproduction that involves the growing commodification of social life – everything, even human labor power itself, is turned into a commodity. Echeverría introduces the notion of blanquitud or “whiteness” to capture the new form of identity that is brought into being by the totalizing and homogenizing character of capitalism. While blanquitud includes certain ethnic features, it is not so much an ethnic category as an ethical and cultural one, referring to a type of human being, homo capitalisticus, which threatens to spread throughout the world, overcoming and integrating identities that might otherwise resist it. But capitalism is not the only form of modernity – there are alternative modernities. In the final part of the book Echeverría explores the baroque as a characteristic of Latin American identity and sees it as a way of theatricalizing and transforming reality that takes some distance from Eurocentric paradigms and resists the homogenizing forces of capitalism. Echeverría’s analysis of the dynamics of capitalism and modernity represents one of the most important contributions to critical theory from a Latin American perspective. It will be of great interest to students and scholars of critical theory and postcolonial theory and anyone concerned with the global impact of capitalism on social and cultural life.

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World War I was a catastrophe for the lands that would become Lebanon. With war came famine, and with famine came unspeakable suffering, starvation, and mass death. For nearly four years the deadly crisis reshaped society, killing untold thousands and transforming how people lived, how they interacted, and even how they saw the world around them. Famine Worlds peers out at the famine through their eyes, from the wealthy merchants and the dwindling middle classes, to those perishing in the streets. Tylor Brand draws on memoirs, diaries, and correspondence to explore how people negotiated the famine and its traumas. Many observers depicted society in collapse—the starving poor became wretched victims and the well-fed became villains or heroes for the judgment of their peers. He shows how individual struggles had social effects. The famine altered beliefs and behaviors, and those in turn influenced social relationships, policies, and even the historical memory of generations to come. More than simply a chronicle of the Great Famine, however, Famine Worlds offers a profound meditation on what it means to live through such collective trauma, and how doing so shapes the character of a society. Brand shows that there are consequences to living amid omnipresent suffering and death. A crisis like the Great Famine is transformative in ways we cannot comprehend. It not only reshapes the lives and social worlds of those who suffer, it creates a particular rationality that touches the most fundamental parts of our being, even down to the ways we view and interact with each other. We often assume that if we were thrust into historic calamity that we would continue to behave compassionately. Famine Worlds questions such confidence, providing a lesson that could not be more timely.

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An irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like Gilmore Girls and This Is Us After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are? Revisiting soothing network dramedies like Parenthood,Gilmore Girls, This Is Us, and their late-80s precursor, thirtysomething, Normporn mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Karen Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. Normporn allows us to process how the intimate traumas of everyday life depicted on certain TV shows—of love, life, death, and loss—are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic. Normporn asks, what are queers to do—what is anyone to do, really—when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as—or precisely because—it lulls us into a sense of boredom and stability that we never thought we could want or have. .

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The surprising roots of the self-defense movement and the history of women’s empowerment. At the turn of the twentieth century, women famously organized to demand greater social and political freedoms like gaining the right to vote. However, few realize that the Progressive Era also witnessed the birth of the women’s self-defense movement. It is nearly impossible in today’s day and age to imagine a world without the concept of women’s self defense. Some women were inspired to take up boxing and jiu-jitsu for very personal reasons that ranged from protecting themselves from attacks by strangers on the street to rejecting gendered notions about feminine weakness and empowering themselves as their own protectors. Women’s training in self defense was both a reflection of and a response to the broader cultural issues of the time, including the women’s rights movement and the campaign for the vote. Perhaps more importantly, the discussion surrounding women’s self-defense revealed powerful myths about the source of violence against women and opened up conversations about the less visible violence that many women faced in their own homes. Through self-defense training, women debunked patriarchal myths about inherent feminine weakness, creating a new image of women as powerful and self-reliant. Whether or not women consciously pursued self-defense for these reasons, their actions embodied feminist politics. Although their individual motivations may have varied, their collective action echoed through the twentieth century, demanding emancipation from the constrictions that prevented women from exercising their full rights as citizens and human beings. This book is a fascinating and comprehensive introduction to one of the most important women’s issues of all time. This book will provoke good debate and offer distinct responses and solutions.

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A riveting portrait of how one community used the power of culture to restore their lives and social connections in the years after a devastating natural disaster Natural disasters and other such catastrophes typically attract large-scale media attention and public concern in their immediate aftermath. However, rebuilding efforts can take years or even decades, and communities are often left to repair physical and psychological damage on their own once public sympathy fades away. Connecting After Chaos tells the story of how people restored their lives and society in the months and years after disaster, focusing on how New Orleanians used social media to cope with trauma following Hurricane Katrina. Stephen F. Ostertag draws on almost a decade of research to create a vivid portrait of life in “settling times,” a term he defines as a distinct social condition of prolonged insecurity and uncertainty after disasters. He portrays this precarious state through the story of how a group of strangers began blogging in the wake of Katrina, and how they used those blogs to put their lives and their city back together. In the face of institutional failure, weak authority figures, and an abundance of chaos, the people of New Orleans used social media to gain information, foster camaraderie, build support networks, advocate for and against proposed policies, and cope with trauma. In the efforts of these bloggers, Ostertag finds evidence of the capacity of this and other forms of cultural work to motivate, guide, and energize collective action aimed at weathering the constant instability of extended recovery periods. Connecting After Chaos is both a compelling story of a community in crisis and a broader argument for the power of social media and cultural cooperation to create order when chaos abounds.

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Addressing in depth the reality that women of color, particularly Black women, face compounded exploitation and economic inequality within the neoliberal university.More Black women are graduating with advanced degrees than ever before. Despite the fact that their educational and professional opportunities should be expanding, highly educated Black women face strained and worsening economic, material, and labor conditions in graduate school and along their academic career trajectory. Black women are less likely to be funded as graduate students, are disproportionately hired as contingent faculty, are trained and hired within undervalued disciplines, and incur the highest levels of educational debt. In Lean Semesters, Sekile M. Nzinga argues that the corporatized university—long celebrated as a purveyor of progress and opportunity—actually systematically indebts and disposes of Black women's bodies, their intellectual contributions, and their potential en masse. Insisting that "shifts" in higher education must recognize such unjust dynamics as intrinsic, not tangential, to the operation of the neoliberal university, Nzinga draws on candid interviews with thirty-one Black women at various stages of their academic careers. Their richly varied experiences reveal why underrepresented women of color are so vulnerable to the compounded forms of exploitation and inequity within the late capitalist terrain of this once-revered social institution.Amplifying the voices of promising and prophetic Black academic women by mapping the impact of the current of higher education on their lives, the book's collective testimonies demand that we place value on these scholars' intellectual labor, untapped potential, and humanity. It also illuminates the ways past liberal feminist "victories" within academia have yet to become accessible to all women. Informed by the work of scholars and labor activists who have interrogated the various forms of inequity produced and reproduced by institutions of higher education under neoliberalism, Lean Semesters serves as a timely and accessible call to action.

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A guide to putting cognitive diversity to work Ever wonder what it is that makes two people click or clash? Or why some groups excel while others fumble? Or how you, as a leader, can make or break team potential? Business Chemistry holds the answers. Based on extensive research and analytics, plus years of proven success in the field, the Business Chemistry framework provides a simple yet powerful way to identify meaningful differences between people’s working styles. Who seeks possibilities and who seeks stability? Who values challenge and who values connection? Business Chemistry will help you grasp where others are coming from, appreciate the value they bring, and determine what they need in order to excel. It offers practical ways to be more effective as an individual and as a leader. Imagine you had a more in-depth understanding of yourself and why you thrive in some work environments and flounder in others. Suppose you had a clearer view on what to do about it so that you could always perform at your best. Imagine you had more insight into what makes people tick and what ticks them off, how some interactions unlock potential while others shut people down. Suppose you could gain people’s trust, influence them, motivate them, and get the very most out of your work relationships. Imagine you knew how to create a work environment where all types of people excel, even if they have conflicting perspectives, preferences and needs. Suppose you could activate the potential benefits of diversity on your teams and in your organizations, improving collaboration to achieve the group’s collective potential. Business Chemistry offers all of this--you don’t have to leave it up to chance, and you shouldn’t. Let this book guide you in creating great chemistry!

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An exploration of Francophone African literary imaginations and expressions through the lens of Afrofuturism Generally attributed to the Western imagination, science fiction is a literary genre that has expressed projected technological progress since the Industrial Revolution. However, certain fantastical elements in African literary expressions lend themselves to science fiction interpretations, both utopian and dystopian. When the concept of science is divorced from its Western, rationalist, materialist, positivist underpinnings, science fiction represents a broad imaginative space that supersedes the limits of this world. Whether it be on the moon, under the sea, or elsewhere within the imaginative universe, Afrofuturist readings of select films, novels, short stories, plays, and poems reveal a similarly emancipatory African future that is firmly rooted in its own cultural mythologies, cosmologies, and philosophies. Isaac Joslin identifies the contours and modalities of a speculative, futurist science fiction rooted in the sociocultural and geopolitical context of continental African imaginaries. Constructing an arc that begins with gender identity and cultural plurality as the bases for an inherently multicultural society, this project traces the essential role of language and narrativity in processing traumas that stem from the violence of colonial and neocolonial interventions in African societies. Joslin then outlines the influential role of discursive media that construct divisions and create illusions about societal success, belonging, and exclusion, while also identifying alternative critical existential mythologies that promote commonality and social solidarity. The trajectory proceeds with a critical analysis of the role of education in affirming collective identity in the era of globalization; the book also assesses the market-driven violence that undermines efforts to instill and promote cultural and social autonomy. Last, this work proposes an egalitarian and ecological ethos of communal engagement with and respect for the diversity of the human and natural worlds.

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We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants’ Revolt to the English Civil War. The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation—the process by which one could become a vessel for divine violence—and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic’s claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism’s tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.

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Rotary Devotion was written during a long period witnessing the collapse of democracy and the rise of fascism in the United States. The poems attempt to redeem time by surrendering to imagination, trusting the necessity of that process. As process, imagination changes as it transforms object and subject. The instability motivates the language within poems and between them. No persona is immune to this uncertainty, any attachment can be sacrificed. Likewise, any word might be summoned to the moment shaped by the grammar enough to cohere. In this engagement, the guiding concerns are sensation of the world and how best to love, the former to stay oriented, the latter to justify the effort. Body engages world on behalf of imagination which regards the two with suspicion but interest. However reluctantly, the body lives in the world under constant threat, the sensation of uniqueness in the individual a consciousness of the collective body’s crisis as threat to its own survival. What is imagination’s responsibility? How can poems be made? Writing poems, fixing words, is a kind of death the poems themselves consider. Imagination is the lively necessary. It moves through parts of the world and absorbs what nurtures it—the stubborn genius of homo erectus, remembered light in a photograph, music found and made, poem after poem considered, eternal weather, imagining history as it happens, what matters and what dies to other forms of matter. These poems offer intimate companionship to the reader’s own voice, twin at times, antagonist at others, always a necessary and loving duet sharing genius and awe beyond personal identity which imagination knows as a barrier to love as much as an enticement. Irony is all the solace some poems offer, other times it allows a deeper vision of unity that begins where poems end.

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Immortal Wishes is a powerful ethnographic rendering of religious experiences of landscape, healing, and self-fashioning on a northern Japanese sacred mountain. Working at the intersection of anthropology, religion, and Japan studies, Ellen Schattschneider focuses on Akakura Mountain Shrine, a popular Shinto institution founded by a rural woman in the 1920s. For decades, local spirit mediums and worshipers, predominantly women, have undertaken extended periods of shugyo (ascetic discipline) within the shrine and on the mountain's slopes. Schattschneider argues that their elaborate, transforming repertoire of ritual practice and ascetic discipline has been generated by complex social and historical tensions largely emerging out of the uneasy status of the surrounding area within the modern nation's industrial and postindustrial economies.Schattschneider shows how, through dedicated work at the shrine including demanding ascents up the sacred mountain, the worshipers come to associate the rugged mountain landscape with their personal biographies, the life histories of certain exemplary predecessors and ancestors, and the collective biography of the extended congregation. She contends that this body of ritual practice presents worshipers with fields of imaginative possibilities through which they may dramatize or reflect upon the nature of their relations with loved ones, ancestors, and divinities. In some cases, worshipers significantly redress traumas in their own lives or in those of their families. In other instances, these ritualized processes lead to deepening crises of the self, the accelerated fragmentation of local households, and apprehension of possession by demons or ancestral forces. Immortal Wishes reveals how these varied practices and outcomes have over time been incorporated into the changing organization of ritual, space, and time on the mountainscape. For more information about this book and to read an excerpt, please click here.

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In Politics without a Past Shari J. Cohen offers a powerful challenge tocommon characterizations of postcommunist politics as either a resurgence ofaggressive nationalism or an evolution toward Western-style democracy. Cohendraws upon extensive field research to paint a picture of postcommunistpolitical life in which ideological labels are meaningless and exchangeableat will, political parties appear and disappear regularly, and citizensremain unengaged in the political process. In contrast to the conventional wisdom, which locates the roots of widespread intranational strife in deeply rooted national identities from the past, Cohen argues that a profound ideological vacuum has fueled destructive tension throughout postcommunist Europe and the former Soviet Union. She uses Slovakia as a case study to reveal that communist regimes bequeathed an insidious form of historical amnesia to the majority of the political elite and the societies they govern. Slovakia was particularly vulnerable to communist intervention since its precommunist national consciousness was so weak and its only period of statehood prior to 1993 was as a Nazi puppet-state. To demonstrate her argument, Cohen focuses on Slovakia’s failure to forge a collective memory of the World War II experience. She shows how communist socialization prevented Slovaks from tying their individual family stories—of the Jewish deportations, of the anti-Nazi resistance, or of serving in the wartime government—to a larger historical narrative shared with others, leaving them bereft of historical or moral bearings.Politics without a Past develops an analytical framework that will be important for future research in Eastern Europe, the former Soviet Union, and beyond. Scholars in political science, history, East European and post-Soviet studies will find Cohen’s methodology and conclusions enlightening. For policymakers, diplomats, and journalists who deal with the region, she offers valuable insights into the elusive nature of postcommunist societies.

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What is an author? What is a text? At a time when the definition of "text" is expanding and the technology whereby texts are produced and disseminated is changing at an explosive rate, the ways "authorship" is defined and rights conferred upon authors must also be reconsidered. This volume argues that contemporary copyright law, rooted as it is in a nineteenth-century Romantic understanding of the author as a solitary creative genius, may be inapposite to the realities of cultural production. Drawing together distinguished scholars from literature, law, and the social sciences, the volume explores the social and cultural construction of authorship as a step toward redefining notions of authorship and copyright for today's world.These essays, illustrating cultural studies in action, are aggressively interdisciplinary and wide-ranging in topic and approach. Questions of collective and collaborative authorship in both contemporary and early modern contexts are addressed. Other topics include moral theory and authorship; copyright and the balance between competing interests of authors and the public; problems of international copyright; musical sampling and its impact on "fair use" doctrine; cinematic authorship; quotation and libel; alternative views of authorship as exemplified by nineteenth-century women's clubs and by the Renaissance commonplace book; authorship in relation to broadcast media and to the teaching of writing; and the material dimension of authorship as demonstrated by Milton's publishing contract.Contributors. Rosemary J. Coombe, Margreta de Grazia, Marvin D'Lugo, John Feather, N. N. Feltes, Ann Ruggles Gere, Peter Jaszi, Gerhard Joseph, Peter Lindenbaum, Andrea A. Lunsford and Lisa Ede, Jeffrey A. Masten, Thomas Pfau, Monroe E. Price and Malla Pollack, Mark Rose, Marlon B. Ross, David Sanjek, Thomas Streeter, Jim Swan, Max W. Thomas, Martha Woodmansee, Alfred C. Yen

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François Truffaut called Night and Fog “the greatest film ever made.” But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film—let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, “that the worst had only just taken place.” An engrossing account of the genesis, production, and legacy of Resnais’s incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on “resistance, liberation, and deportation” went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog—and whose slight error on one point gave purchase to the film’s detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film—a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film’s provenance and impact.A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.

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François Truffaut called Night and Fog “the greatest film ever made.” But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film—let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, “that the worst had only just taken place.” An engrossing account of the genesis, production, and legacy of Resnais’s incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on “resistance, liberation, and deportation” went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog—and whose slight error on one point gave purchase to the film’s detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film—a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film’s provenance and impact.A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.

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Universal Abandon was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.In recent years, the debate about postmodernism has become a full-blown, global discussion about the nature and future of society: it has challenged and redefined the cultural and sexual politics of the last two decades, and is increasingly shaping tomorrow's agenda. Postmodernist culture is a medium in which we all live, no matter how unevenly its effects are felt across the jagged spectrum of color, gender, class, sexual, orientation, region, and nationality. But it is also a culture that proclaims its abandonment of the universalist foundations of Enlightenment thought in the West. At a time when interests can no longer be universalized, the question arises: Whose interests are served by this "universal abandon"?Universal Abandon is the first volume in a new series entitled Cultural Politics, edited by the Social Text collective. This collection tackles a wider range of cultural and political issues than are usually addressed in the debates about postmodernism—color, ethnicity, and neocolonialism; feminism and sexual difference; popular culture and the question of everyday life—as well as some political and philosophical matters that have long been central to the Western tradition. Together, the contributors provide no consensus about the politics of postmodernism; they insist, rather, that "universal abandon?" remain a question and not an answer.The contributors: Anders Stephanson, Chantal Mouffe, Stanley Aronowitz, Ernesto Laclau, Nancy Fraser, Linda Nicholson, Meaghan Morris, Paul Smith, Laura Kipnis, Lawrence Grossberg, Abigail Solomon-Godeau, George Yudice, Jacqueline Rose, and Hal Foster.Andrew Ross teaches English at Princeton University and is the author of The Failure of Modernism.

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The Madrid train bombers, shoe-bomber Richard Reid, al-Qaeda in Iraq, and the 9/11 attacks—all were led by men radicalized behind bars. By their very nature, prisons are intended to induce transformative experiences among inmates, but today’s prisons are hotbeds for personal transformation toward terrorist beliefs and actions due to the increasingly chaotic nature of prison life caused by mass incarceration. In The Spectacular Few, Mark Hamm demonstrates how prisoners use criminal cunning, collective resistance and nihilism to incite terrorism against Western targets. A former prison guard himself, Hamm knows the realities of day-to-day prison life and understands how prisoners socialize, especially the inner-workings and power of prison gangs—be they the Aryan Brotherhood or radical Islam. He shows that while Islam is mainly a positive influence in prison, certain forces within the prison Muslim movement are aligned with the efforts of al-Qaeda and its associates to inspire convicts in the United States and Europe to conduct terrorist attacks on their own. Drawing from a wide range of sources—including historical case studies of prisoner radicalization reaching from Gandhi and Hitler to Malcolm X, Bobby Sands and the detainees of Guantanamo; a database of cases linking prisoner radicalization with evolving terrorist threats ranging from police shootouts to suicide bombings; interviews with intelligence officers, prisoners affiliated with terrorist groups and those disciplined for conducting radicalizing campaigns in prison—The Spectacular Few imagines the texture of prisoners’ lives: their criminal thinking styles, the social networks that influenced them, and personal “turning points” that set them on the pathway to violent extremism. Hamm provides a broad understanding of how prisoners can be radicalized, arguing that in order to understand the contemporary landscape of terrorism, we must come to terms with how prisoners are treated behind bars.

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For the average tourist, the history of Philadelphia can be like a leisurely carriage ride through Old City. The Liberty Bell. Independence Hall. Benjamin Franklin. The grooves in the cobblestone are so familiar, one barely notices the ride. Yet there are other paths to travel, and the ride can be bumpy. Beyond the famed founders, other Americans walked the streets of Philadelphia whose lives were, in their own ways, just as emblematic of the promises and perils of the new nation. Philadelphia Stories chronicles twelve of these lives to explore the city's people and places from the colonial era to the years before the Civil War. This collective portrait includes men and women, Black and white Americans, immigrants and native born. If mostly forgotten today, banker Stephen Girard was one of the wealthiest men ever to have lived, and his material legacy can be seen by visiting sites such as Girard College. In a different register, but equally impressive, were the accomplishments of Sarah Thorn Tyndale. In a few short years as a widow she made enough money on her porcelain business to retire to a life as a reformer. Others faced frustration. Take, for example, Grace Growden Galloway. Born to an important family, she saw her home invaded and her property confiscated by patriot forces. Or consider the life of Francis Johnson, a Black bandleader and composer who often performed at the Musical Fund Hall, which still stands today. And yet he was barred from joining its Society. Philadelphia Stories examines their rich lives, as well as those of others who shaped the city's past. Many of the places inhabited by these people survive to this day. In the pages of this book and on the streets of the city, one can visit both the people and places of Philadelphia's rich history.

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Solomon ibn Verga was one of the victims of the decrees expelling the Jews from Spain and Portugal in the 1490s, and his Shevet Yehudah (The Scepter of Judah, ca. 1520) numbered among the most popular Hebrew books of the sixteenth century. Its title page lured readers and buyers with a promise to relate "the terrible events and calamities that afflicted the Jews while in the lands of non-Jewish peoples": blood libels, disputations, conspiracies, evil decrees, expulsions, and more. The book itself preserves collective memories, illuminates a critical and transitional phase in Jewish history, and advances a new vision of European society and government. It reflects a world of renaissance, reformation, and global exploration but also one fraught with crisis for Christian majority and Jewish minority alike. Among the multitudes of Iberian Jewish conversos who had received Christian baptism by the end of the fifteenth century, ibn Verga experienced the destruction of Spanish-Portuguese Jewry just as the Catholic Church began to lose exclusive control over the structures of Western religious life; and he joined other Europeans in reevaluating boundaries and affiliations that shaped their identities. In A Historian in Exile, Jeremy Cohen shows how Shevet Yehudah bridges the divide between the medieval and early modern periods, reflecting a contemporary consciousness that a new order had begun to replace the old. Ibn Verga's text engages this receding past in conversation, Cohen contends; it uses historical narrative to challenge regnant assumptions, to offer new solutions to age-old problems, to call Jews to task for bringing much of the hostility toward them upon themselves, and to chart a viable direction for a people seeking a place to call home in a radically transformed world.

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For ethnic minorities in Europe separated by state borders—such as Basques in France and Spain or Hungarians who reside in Slovakia and Romania—the European Union has offered the hope of reconnection or at least of rendering the divisions less obstructive. Conationals on different sides of European borders may look forward to increased political engagement, including new norms to support the sharing of sovereignty, enhanced international cooperation, more porous borders, and invigorated protections for minority rights. Under the pan-European umbrella, it has been claimed that those belonging to divided nations would no longer have to depend solely on the goodwill of the governments of their states to have their collective rights respected. Yet for many divided nations, the promise of the European Union and other pan-European institutions remains unfulfilled. Divided Nations and European Integration examines the impact of the expansion of European institutions and the ways the EU acts as a confederal association of member states, rather than a fully multinational federation of peoples. A wide range of detailed case studies consider national communities long within the borders of the European Union, such as the Irish and Basques; communities that have more recently joined, such as the Croats and Hungarians; and communities that are not yet members but are on its borders or in its "near abroad," such as the Albanians, Serbs, and Kurds. This authoritative volume provides cautionary but valuable insights to students of European institutions, nations and nationalism, regional integration, conflict resolution, and minority rights. Contributors: Tozun Bahcheli, Zoe Bray, Alexandra Channer, Zsuzsa Csergő, Marsaili Fraser, James M. Goldgeier, Michael Keating, Tristan James Mabry, John McGarry, Margaret Moore, Sid Noel, Brendan O'Leary, David Romano, Etain Tannam, Stefan Wolff.

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In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? A New Nation of Goods highlights the significant role of provincial artisans in four crafts in the northeastern United States—chairmaking, clockmaking, portrait painting, and book publishing—to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth-century industrialization and the development of a middle-class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. A New Nation of Goods grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as historian David Jaffee vividly demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The richly illustrated book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.

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Founded during the Gold Rush years, the Chinese community of San Francisco became the largest and most vibrant Chinatown in America. For those Chinese traveling between the Old World and the New, San Francisco was a port of entry and departure. Many Chinese settled there, forming one of the oldest continuing ethnic communities in urban America. This is a detailed social and cultural history of the Chinese in San Francisco, relating the development of various social and cultural institutions, ranging from brothels to the powerful "Six Companies." The book recaptures in vivid detail not only the community's collective mentalities but also the lives of ordinary people—laborers, theater-goers, gamblers, and prostitutes. In so doing, the author achieves what has been missing from virtually all the historiographic writing on the Chinese in America—he brings to life individual personalities with their varying human qualities. The book shows the persistence of Chinese social patterns in San Francisco Chinatown, and demonstrates how the community helped shape white America's view of Asians in general and the development of race consciousness and strife. The author challenges several long-accepted views, such as the myth that the Chinese exodus to California in the mid-nineteenth century occurred mainly because of impoverishment in South China and the notion that the overwhelming majority of Chinese women in San Francisco were prostitutes. He also makes insightful comparisons of Chinese Americans with other ethnic groups. The book makes imaginative use of a wide range of materials, private and public, fictional and statistical, in both Chinese and English, produced by both pro- and anti-Chinese sources. Among these are Chinese-language newspapers (including their advertisements), handbills, personal diaries, and other cultural productions. The author offers multidisciplinary analyses of such documents, showing the possibilities of extracting rich historical information from texts created for very different purposes.

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With the collapse of the bipolar system of global rivalry that dominated world politics after the Second World War, and in an age that is seeing the return of "ethnic cleansing" and "identity politics," the question of violence, in all of its multiple ramifications, imposes itself with renewed urgency. Rather than concentrating on the socioeconomic or political backgrounds of these historical changes, the contributors to this volume rethink the concept of violence, both in itself and in relation to the formation and transformation of identities, whether individual or collective, political or cultural, religious or secular. In particular, they subject the notion of self-determination to stringent scrutiny: is it to be understood as a value that excludes violence, in principle if not always in practice? Or is its relation to violence more complex and, perhaps, more sinister? Reconsideration of the concepts, the practice, and even the critique of violence requires an exploration of the implications and limitations of the more familiar interpretations of the terms that have dominated in the history of Western thought. To this end, the nineteen contributors address the concept of violence from a variety of perspectives in relation to different forms of cultural representation, and not in Western culture alone; in literature and the arts, as well as in society and politics; in philosophical discourse, psychoanalytic theory, and so-called juridical ideology, as well as in colonial and post-colonial practices and power relations. The contributors are Giorgio Agamben, Ali Behdad, Cathy Caruth, Jacques Derrida, Michael Dillon, Peter Fenves, Stathis Gourgouris, Werner Hamacher, Beatrice Hanssen, Anselm Haverkamp, Marian Hobson, Peggy Kamuf, M. B. Pranger, Susan M. Shell, Peter van der Veer, Hent de Vries, Cornelia Vismann, and Samuel Weber.

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A collective biography of France's first generation of female secondary schoolteachers, this book examines the conflict between their public and private lives and places their new professional standing wtihin the political culture of the Third Republic. Jo Burr Margadant charts the responses of women who attended the nornmal school of Sevres during the 1880s to their roles as teachers and subordinates in the public school system, their plight as outsiders in the social community, and their gains toward educational reforms. These women emerge as pioneers struggling to forge careers in an elite profession, which was separate and inferior to its male equivalent and also controlled by men.Margadant explains that the first women teacher in girls' colleges and lycees were expected to project an intellectually assertive presence in the classroom while maintaining a maternal solicitude toward students and a modest, self-effacing style with superiors. Many who succeeded progressed to administrative jobs and, in some cases, filled official posts left vacant by men during the First World War. The author shows how these achievements led to the transformations of girls' secondary schools into replicas of those for boys and to equal treatment for women and men in the teaching profession.Jo Burr Margadant is Lecturer in History at Santa Clara University.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A New York Times Book Review Editors’ ChoiceWhy the conventional wisdom about the Arab Spring is wrongThe Arab Spring promised to end dictatorship and bring self-government to people across the Middle East. Yet everywhere except Tunisia it led to either renewed dictatorship, civil war, extremist terror, or all three. In The Arab Winter, Noah Feldman argues that the Arab Spring was nevertheless not an unmitigated failure, much less an inevitable one. Rather, it was a noble, tragic series of events in which, for the first time in recent Middle Eastern history, Arabic-speaking peoples took free, collective political action as they sought to achieve self-determination.Focusing on the Egyptian revolution and counterrevolution, the Syrian civil war, the rise and fall of ISIS in Syria and Iraq, and the Tunisian struggle toward Islamic constitutionalism, Feldman provides an original account of the political consequences of the Arab Spring, including the reaffirmation of pan-Arab identity, the devastation of Arab nationalisms, and the death of political Islam with the collapse of ISIS. He also challenges commentators who say that the Arab Spring was never truly transformative, that Arab popular self-determination was a mirage, and even that Arabs or Muslims are less capable of democracy than other peoples.Above all, The Arab Winter shows that we must not let the tragic outcome of the Arab Spring disguise its inherent human worth. People whose political lives had been determined from the outside tried, and for a time succeeded, in making politics for themselves. That this did not result in constitutional democracy or a better life for most of those affected doesn't mean the effort didn't matter. To the contrary, it matters for history—and it matters for the future.

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How the history of racism without visible differences between people challenges our understanding of the history of racial thinkingRacial divisions have returned to the forefront of politics in the United States and European societies, making it more important than ever to understand race and racism. But do we? In this original and provocative book, acclaimed historian Jean-Frédéric Schaub shows that we don't—and that we need to rethink the widespread assumption that racism is essentially a modern form of discrimination based on skin color and other visible differences. On the contrary, Schaub argues that to understand racism we must look at historical episodes of collective discrimination where there was no visible difference between people. Built around notions of identity and otherness, race is above all a political tool that must be understood in the context of its historical origins.Although scholars agree that races don't exist except as ideological constructions, they disagree about when these ideologies emerged. Drawing on historical research from the early modern period to today, Schaub makes the case that the key turning point in the political history of race in the West occurred not with the Atlantic slave trade and American slavery, as many historians have argued, but much earlier, in fifteenth-century Spain and Portugal, with the racialization of Christians of Jewish and Muslim origin. These Christians were discriminated against under the new idea that they had negative social and moral traits that were passed from generation to generation through blood, semen, or milk—an idea whose legacy has persisted through the age of empires to today.Challenging widespread definitions of race and offering a new chronology of racial thinking, Schaub shows why race must always be understood in the context of its political history.

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If legal scholar Richard Epstein is right, then the New Deal is wrong, if not unconstitutional. Epstein reaches this sweeping conclusion after making a detailed analysis of the eminent domain, or takings, clause of the Constitution, which states that private property shall not be taken for public use without just compensation. In contrast to the other guarantees in the Bill of Rights, the eminent domain clause has been interpreted narrowly. It has been invoked to force the government to compensate a citizen when his land is taken to build a post office, but not when its value is diminished by a comprehensive zoning ordinance.Epstein argues that this narrow interpretation is inconsistent with the language of the takings clause and the political theory that animates it. He develops a coherent normative theory that permits us to distinguish between permissible takings for public use and impermissible ones. He then examines a wide range of government regulations and taxes under a single comprehensive theory. He asks four questions: What constitutes a taking of private property? When is that taking justified without compensation under the police power? When is a taking for public use? And when is a taking compensated, in cash or in kind?Zoning, rent control, progressive and special taxes, workers’ compensation, and bankruptcy are only a few of the programs analyzed within this framework. Epstein’s theory casts doubt upon the established view today that the redistribution of wealth is a proper function of government. Throughout the book he uses recent developments in law and economics and the theory of collective choice to find in the eminent domain clause a theory of political obligation that he claims is superior to any of its modern rivals.

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In this characteristically graceful and provocative book, Jerome Bruner, one of the principal architects of the cognitive revolution, sets forth nothing less than a new agenda for the study of mind. According to Professor Bruner, cognitive science has set its sights too narrowly on the logical, systematic aspects of mental life—those thought processes we use to solve puzzles, test hypotheses, and advance explanations. There is obviously another side to the mind—a side devoted to the irrepressibly human acts of imagination that allow us to make experience meaningful. This is the side of the mind that leads to good stories, gripping drama, primitive myths and rituals, and plausible historical accounts. Bruner calls it the “narrative mode,” and his book makes important advances in the effort to unravel its nature.Drawing on recent work in literary theory, linguistics, and symbolic anthropology, as well as cognitive and developmental psychology, Professor Bruner examines the mental acts that enter into the imaginative creation of possible worlds, and he shows how the activity of imaginary world making undergirds human science, literature, and philosophy, as well as everyday thinking, and even our sense of self.Over twenty years ago, Jerome Bruner first sketched his ideas about the mind’s other side in his justly admired book, On Knowing: Essays for the Left Hand. Actual Minds, Possible Worlds can be read as a sequel to this earlier work, but it is a sequel that goes well beyond its predecessor by providing rich examples of just how the mind’s narrative mode can be successfully studied. The collective force of these examples points the way toward a more humane and subtle approach to the investigation of how the mind works.

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