Search results for ""Author Victoria"

'He gave orders that they were not to get any hot glum pudding in flames, for fear the spirits in their innards might catch fire'The Steel Flea is an uproarious and alcohol-soaked shaggy-dog story from one of Russia's great comic masters.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Nikolay Leskov (1831-1895). Leskov's works are available in Penguin Classics in Lady Macbeth of Mtsensk and Other Stories and Russian Short Stories from Pushkin to Buida.

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Exactly who ÊwasÊ Jack the Ripper the infamous Victorian serial killer? ÊJack the Ripper FAQÊ explores this question in depth with a thorough overview not only of the world's most notorious serial killer but also of the cultural impact that remains as powerful more than 130 years on from his murderous spree. Every murder attributed to him is discussed in depth together with a number more that may have been his work; the book also details the myriad different suspects that have been mentioned over the years.ÞÊJack the Ripper FAQÊ investigates the world in which the Ripper operated with chapters discussing the factors that made it possible for him to act with such apparent impunity. Also covered are the policemen who tried to capture him the journalists who tried to illustrate his motives and the private investigators who raised theories that are still being discussed today.ÞThe book also revisits the movies novels and comic books that have tried to solve the mystery. But still the inescapable fact is we still do we not know who the Ripper was!

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British Literature and the Life of Institutions charts a literary prehistory of the welfare state in Britain around 1900, but it also marks a major intervention in current theoretical debates about critique and the dialectical imagination. By placing literary studies in dialogue with political theory, philosophy, and the history of ideas, the book reclaims a substantive reformist language that we have ignored to our own loss. This reformist idiom made it possible to imagine the state as a speculative and aspirational idea--as a fully realized form of life rather than as an uninspiring ensemble of administrative procedures and bureaucratic processes. This volume traces the resonances of this idiom from the Victorian period to modernism, ranging from Mary Augusta Ward, George Gissing, and H. G. Wells, to Edward Carpenter, E. M. Forster, and Virginia Woolf. Compared to this reformist language, the economism that dominates current debates about the welfare state signals an impoverishment that is at once intellectual, cultural, and political. Critiquing the shortcomings of the welfare state comes naturally to us, but we often struggle to offer up convincing defences of its principles and aims. This book intervenes in these debates by urging a richer understanding of critique: if we want to defend the state, Kohlmann argues, we need to learn to think about it again.

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Drawing on the figure and discourses of the Victorian fin-de-siècle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period. It shows how these writers challenged, resisted, adapted and negotiated traditional ideas with their own versions of new motherhood, with needs for identities and experiences beyond maternity. Tracing the period from the end of the nineteenth century through the twentieth, this study explores how some of the numerous elements and forces we identify with modernism are manifested in equally diverse and often competing representations of mothers, mothering and motherhood. It investigates how historical personages and fictional protagonists used and were constructed within textual spaces where they engaged critically with the maternal as institution, identity and practice, from perspectives informed by gender, sexuality, nationhood, race and class. The matrifocal literatures examined in this book exemplify how feminist motherhoods feature as a prominent thematic of the long modernist era and how rebellious New Woman mothers provocatively wrote maternity into text and history.

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The railway station is one of England’s most distinctive and best-loved building-types. Yet over the past century the nation’s stations have often been overlooked or dismissed, and have suffered accordingly. Today a new interest in railways – fuelled by the need for sustainability, by a growing awareness of the realities of transport economics and by the dedication of enthusiastic volunteers at heritage railways across the country – has sparked a renaissance for the historic railway station and a new appreciation of the aesthetic virtues and regeneration potential of imaginative station architecture. The English Railway Station is an accessible, engaging and comprehensively illustrated general history of the architectural development and social history of the British railway station, from the dawn of the Railway Age to the ravages of the 1960s and the station’s rebirth at the end of the 20th century. It traces how the station evolved into a recognisable building type, examines the great cathedrals and the evocative country stations of the Victorian era, and looks at how the railway station has, over the last fifty years, regained its place at the heart of our communities.

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Authentic historical costume is essential for any performance, to instantly communicate a period, a social standing, an occupation or an identity. The responsibility of this representation lies with the costume maker, in their knowledge of the design and their accuracy of construction. The Costume Maker's Companion serves as an aide memoire, to novice and experienced makers alike, covering the common garments of the Medieval, Tudor, Jacobean, Restoration, Regency and Victorian eras of British history. Learn the key styles and fashions of each period before step-by-step tutorials and detailed orders of work illustrate the costume construction process for eight popular garments, from the designer's drawing through to the finished piece. This book also covers working with a costume designer; key processes and equipment; flat pattern manipulations; cutting a pattern on the stand; taking a pattern from an existing garment; costume details, including goldwork and flounces and finally, making accessories, including gauntlets, corsets and ruffs. Logically divided by historical period and supported by over 400 photographs, sketches and diagrams, this book will develop the confidence of any costume maker to take on new projects and expand their knowledge.

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In the eighteenth century, it would not have been impossible to encounter an elephant or a kangaroo making its way down the Strand, heading towards the menagerie of Mr. Pidcock at the Exeter Change. Pidcock's was just one of a number of commercial menagerists who plied their trade in London in this period the predecessors to the zoological societies of the Victorian era. As the British Empire expanded and seaborne trade flooded into London's ports, the menagerists gained access to animals from the most far-flung corners of the globe, and these strange creatures became the objects of fascination and wonder. Many aristocratic families sought to create their own private menageries with which to entertain their guests, while for the less well-heeled, touring exhibitions of exotic creatures both alive and dead satisfied their curiosity for the animal world. While many exotic creatures were treasured as a form of spectacle, others fared less well turtles went into soups and civet cats were sought after for ingredients for perfume. In this entertaining and enlightening book, Plumb introduces the many tales of exotic animals in London.

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Kit Blakemore is ready to live again. After her husband died while serving in the military, she was in a haze of grief. Now she wants to reclaim her former self-finish her degree and find a better career to provide for their sweet little boy, Oliver. To do that, she'll need to sell her late husband's dilapidated Victorian in Seashell Harbor. But first, Kit intends to give Ollie the kind of unforgettable seaside summer she had growing up, making lifelong memories and friendships.Of course, nothing goes exactly as she planned. Ollie is struggling with his confidence, and frankly, so is Kit. But everything changes when her husband's best friend, Alex de la Cruz, returns to town, offering to help her renovate. She doesn't expect Alex to temporarily move in...or for him to bond with Ollie...or for her numb heart to begin thawing. Slowly he's helping Kit and Ollie heal, and it scares her to death.Kit swore she wouldn't leave herself open to the pain of loss again. But if she's going to teach her son to be brave and move forward, Kit must first face her own fears.

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'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil GaimanFor fans of the BBC's Inside Number 9 and The League of GentlemenAickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream. Dark Entries was first published in 1964 and contains six curious and macabre stories of love, death and the supernatural, including the classic story 'Ringing the Changes'. Robert Aickman (1914-1981) was the grandson of Richard Marsh, a leading Victorian novelist of the occult. Though his chief occupation in life was first as a conservationist of England's canals he eventually turned his talents to writing what he called 'strange stories.' Dark Entries (1964) was his first full collection, the debut in a body of work that would inspire Peter Straub to hail Aickman as 'this century's most profound writer of what we call horror stories.'

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Ninth House meets The Dead and the Dark in this gothic dark academia novel that delves into the human capacity for great love, great art, and great evil. Magni animi numquam moriuntur. Great minds never die. The students in Corbin College’s elite academic society, Magni Viri, have it all—free tuition, inspirational professors, and dream jobs once they graduate. When first-gen college student Tara is offered a chance to enroll, she doesn’t hesitate.Except once she’s settled into the gorgeous Victorian dormitory, something strange starts to happen. She’s finally writing, but her stories are dark and twisted. Her dreams feel as if they could bury her alive. An unseen presence seems to stalk her through the halls. And a chilling secret awaits Tara at the heart of Magni Viri—one that just might turn her nightmares into reality; one that might destroy her before she has a chance to escape. All That Consumes Us will pull readers into a hypnotizing, dark reverie that blurs the lines of reality and shows that the addictive nature of ambition—and its inevitable price—always claims its due.

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The fascinating history of poetry anthologies and their influence on British society and culture over the last four centuries. For hundreds of years, anthologies have shaped the way we encounter literature. Eighteenth-century children and young women were introduced to the 'safe' bits of Shakespeare or Milton through censored collections; Victorian working-class men and women enrolled at adult learning institutions to be taught from The Golden Treasury; First World War soldiers nursed copies of The Oxford Book of English Verse in the trenches; pop-loving teenagers growing up in the 1960s got their first taste of the counterculture from the bestselling The Mersey Sound. But anthologies aren't just part of literary history. Over the centuries, they have influenced the course of British social change, redrawing the map of 'high' and 'low' culture, generating conversations around politics, morality, class, gender and belief. The Treasuries, by the literary scholar and journalist Clare Bucknell, reveals the extraordinary amount we can learn about our history from the anthologies that brought readers together and changed the way they thought.

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Discover a chilling twentieth century classic, delving into the dark and complex heart of childhood'Some people are coming here today, now you will have a companion.'But young Edmund Hooper doesn't want anyone else in Warings, the rambling Victorian house he shares with his widowed father. Nevertheless Charles Kingshaw and his mother are soon installed and Edmund sets about persecuting his fearful new playmate.From the dusty back rooms of Warings through the gloomy labyrinth of Hang Wood to the very top of Leydell Castle, Edmund pursues Charles, the balance of power slipping back and forth between bully and victim. With their parents oblivious, the situation speeds towards a crisis...Darkly claustrophobic and morally ambiguous, Susan Hill weaves a classic tale of cruelty, power, and the dangerous games we play as children.'A brilliant tour de force' Guardian'Equalled for poignancy and horror only in Lord of the Flies' Sunday Telegraph'Delves beneath the surface of complex young minds, exposing not only their vulnerabilty and tenderness, their cruelty and malevolence, but also how parents end up turning a blind eye to their pain' Anita Sethi

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Whether you are visitor, vacationer, or resident, this tour book will be your indispensable guide to the history and charm of Cape May Point, New Jersey, as you stroll past its wonderful collection of nineteenth-century cottages. Three walking tours encompass more than 70 of Cape May Point’s earliest buildings – each illustrated in full color with engaging descriptions of their architectural features. Each tour is a delightful way to spend a leisurely hour or so. Additionally, two-dozen rare photographs portray handsome houses that did not survive the ravages of development and storms that devastated one-fifth of the original community. Ten “top pick” contemporary homes are also featured and described. If you cannot tell a baluster from a bargeboard, have no fear. The fully illustrated glossary interprets any professional jargon so that you will soon become knowledgeable about domestic Victorian architecture. Cape May Point attracts many for its delightful cottages, intimate scale, gracious town plan, and preserved natural beauty. How did this combination happen? And what are the distinctive architectural results? This book will tell you and present the magic of Cape May Point. Read and explore.

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Northumberland is the ‘Land of the Far Horizon’ and England’s most northerly county. It was once a place of industrial innovation and manufacturing, literally fuelled by the coal brought up from its depths. Now Northumberland is a quieter place, loved by residents and visitors alike for its rolling hills and long, sandy beaches, as well as its charming towns and villages. With this book in hand, meet Grace Darling, a Victorian heroine who took to storm-tossed seas to help rescue survivors of a terrible shipwreck; visit Amble, the ‘Friendliest Port’, and discover its connection to the Mauretania, once the fastest passenger ship to sail the Atlantic; and take in Turner’s View, an atmospheric stretch of coastline that was a lifelong inspiration to Britain’s greatest landscape painter. You can also take a walk to the top of Cheviot, the county’s highest mountain and what was once a massive and very active volcano; and then top it off in the tranquil setting of St Cuthbert’s Island, where the eponymous saint went to get away from the strangely hectic whirl of monastic life. Written by a proud northerner, this book will help you discover the more offbeat corners of Northumberland, and appreciate its many treasures.

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We all know about giving and receiving gifts: they can be touching or puzzling, either strengthening bonds of friendship or becoming a burden. Gifts are an integral part of human societies and this volume explores how, over the centuries, books and writing describe gifts in all their complexity, but also become precious gifts themselves. In a series of thought-provoking essays, richly illustrated from the Bodleian Library’s collections and beyond, the contributors illuminate some of the striking ways in which writing interacts with those fundamental impulses to give, receive and reciprocate. Each chapter draws on a particular perspective, including archaeology and religion, history, literature and anthropology. From an ancient Sumerian tablet recording the founding of a temple to contemporary children’s literature that highlights the pleasures and troubling histories of exchange and inheritance, the dynamics of the gift are at work across space and time. This book features gorgeous medieval manuscripts, gifts made by and for Queen Elizabeth I, Victorian Christmas tales and a mysterious Scottish book sculpture. Stories of sacrifice, love, loyalty and friendship are woven into these books and objects, showing the ongoing power of the gift to shape the stories we tell about ourselves.

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Invented to entertain Alice Liddell on boat-trips down the river Thames in Oxford, Alice’s Adventures in Wonderland has become one of the most famous and influential works of children’s literature of all time. It is hard to imagine Alice’s Adventures in Wonderland without picturing the illustrations made by Sir John Tenniel for the first edition of the story. Sir John Tenniel (1820–1914) was the principal satirical cartoonist for Punch magazine for over fifty years and much in demand as an illustrator in Victorian Britain. At Lewis Carroll’s request, he illustrated the first edition of Alice’s Adventures in Wonderland, published by Macmillan in 1865. In 1889, he made coloured versions of the drawings for The Nursery Alice, an adaptation of the story created especially for 0-5 year-olds. Ten years later, Gertrude E. Thompson modified Tenniel’s illustrations for a card entitled ‘The New and Diverting Game of Alice in Wonderland’. These unforgettable illustrations, including the Mad Hatter, the Mock Turtle and the Queen of Hearts, among many others, are featured in these special journals. Beautifully produced in hardback with lined paper, coloured page edges, ribbon marker and printed endpapers, this Alice in Wonderland journal is the perfect gift for Wonderland fans.

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Invented to entertain Alice Liddell on boat-trips down the river Thames in Oxford, Alice’s Adventures in Wonderland has become one of the most famous and influential works of children’s literature of all time. It is hard to imagine Alice’s Adventures in Wonderland without picturing the illustrations made by Sir John Tenniel for the first edition of the story. Sir John Tenniel (1820–1914) was the principal satirical cartoonist for Punch magazine for over fifty years and much in demand as an illustrator in Victorian Britain. At Lewis Carroll’s request, he illustrated the first edition of Alice’s Adventures in Wonderland, published by Macmillan in 1865. In 1889, he made coloured versions of the drawings for The Nursery Alice, an adaptation of the story created especially for 0-5 year-olds. Ten years later, Gertrude E. Thompson modified Tenniel’s illustrations for a card entitled ‘The New and Diverting Game of Alice in Wonderland’. These unforgettable illustrations, including the Mad Hatter, the Mock Turtle and the Queen of Hearts, among many others, are featured in these special journals. Beautifully produced in hardback with lined paper, coloured page edges, ribbon marker and printed endpapers, this Alice in Wonderland journal is the perfect gift for Wonderland fans.

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Where in the world do passenger planes land on the beach each day? Where might you search for the world’s most famous underwater monster? Where would you find a capital city with more listed buildings than anywhere else in the world? Yes, in Scotland of course. The airport runway on the island of Barra is, simply, the beach. People still flock to Loch Ness in the hope of seeing the Loch Ness Monster. And Edinburgh has more listed buildings than any other capital city. Scotland is a fascinating exploration of the most beautiful country of the British Isles. From the pretty Georgian streets of Edinburgh’s New Town to the Victorian grandeur and Art Deco delights of Glasgow, from the remote islands in the Hebrides to the bustle of the Edinburgh Festival, from Europe’s oldest tree (a 3,000-year old twisted yew) to the majesty of Glenfinnan viaduct – made even more famous by the Harry Potter films – the book is packed with 200 spectacular colour photographs. Presented in a landscape format and with captions explaining the story behind each entry, Scotland is a stunning collection of images celebrating this beautiful country.

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Lisa Quine, known for her breathtaking, hand-lettered murals and dazzling vintage-style fonts shows readers the easy way to create unique hand-drawn typefaces. Hand lettering has exploded in popularity, whether displayed online, used for signage and branding, or in personal art, and vintage lettering openings up a world of possibilities. Readers learn Art Deco and Art Nouveau style fonts, how to add Victorian flourishes, and how to incorporate florals into their letters. Lisa breaks down each font, no matter how elaborate, and makes it approachable for readers of all levels by starting simple and adding variations and embellishments step-by-step. Readers can practice directly on the special art paper as they work through the book. At the end of each chapter, readers create a beautiful hand-lettered composition, incorporating everything they've learned into an inspiring hand lettered quote, complete with illustrated embellishments. Lisa's amazing artwork will inspire readers to use their lettering skills to make posters, cards, gift tags or other custom hand lettered pieces for any occasion. This book will have 20 illustrated projects.

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The Dark Side of Japan is a collection of folk tales, black magic, protection spells, monsters and other dark interpretations of life and death from Japanese folklore. Much of the information comes from ancient documents, translated into English here for the first time. Antony Cummins has also searched the now forgotten Victorian volumes on Japanese mythology and explains recent academic research on Japan for the non-expert. Antony has transformed the complex information into a modern rendering, with stories and details that let a modern reader enter into the world of the forgotten legends of old Japan and the superstitions that colour them, some of which still exist today. The Dark Side of Japan is profusely illustrated, with drawings showcasing the ‘hellish’ concepts within. And remarkably hellish they are, too. Consider the kappa: ‘goblin-like creatures that have the body of a child, the face of a tiger adorned with a beak and the shell of a turtle. They drag people into rivers and ponds and drown them. If a woman gives birth to a kappa baby after being raped, the baby is hacked to death.’

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Liverpool was a small port on the River Mersey in the medieval period, but started to grow rapidly in the eighteenth century, benefitting from the expanding transatlantic trade. Wealthy merchants built large houses and invested in the city. During the Victorian age, Liverpool was the second largest city in England and there was a massive programme of civic building to demonstrate Liverpool’s standing. The city drew in people from around Britain and further afield and although it suffered heavily during the Second World War, when it was targeted for aerial bombardment by the Luftwaffe because of the importance of its docks and associated industries, and then in the post-war decades as docks declined, it is today a culturally vibrant city. Although much of old Liverpool was lost in the destruction of war and in the attempts to modernise the city post-war, it is once again a thriving commercial centre that is proud of its heritage. Liverpool: The Postcard Collection takes the reader on an evocative journey into Liverpool’s past through a selection of old postcards from the late nineteenth century to the 1940s, which offer a fascinating window into the history of this dynamic city.

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'We must learn to love, learn to be kind, and this from our earliest youth ... Likewise, hatred must be learned and nurtured, if one wishes to become a proficient hater'This volume contains a selection of Nietzsche's brilliant and challenging aphorisms, examining the pleasures of revenge, the falsity of pity, and the incompatibility of marriage with the philosophical life.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Friedrich Nietzsche (1844-1900). Nietzsche's works available in Penguin Classics are A Nietzsche Reader, Beyond Good and Evil, Ecce Homo, Human, All Too Human, On the Genealogy of Morals, The Birth of Tragedy, The Portable Nietzsche, Thus Spoke Zarathustra, Twilight of Idols and Anti-Christ.

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En una época de renovado interés por los imperios, este estimulante libro analiza la compleja relación entre la Biblia y la aventura colonial, y examina algunos aspectos que habitualmente se omiten de esa relación. Entre ellos, destacan las reescrituras no convencionales de la historia evangélica de Jesús realizadas por Thomas Jefferson y el rajá Rammohun Roy; el destino de los textos bíblicos utilizados por los predicadores victorianos para fortalecer los objetivos imperiales británicos tras el levantamiento registrado en la India en 1857; la utilización político-cultural del Antiguo Testamento cristiano, primero por los invasores para criticar las ceremonias y ritos de los templos, y, luego, por los invadidos para avalar la tradición de los templos despreciada por los misioneros; las hermenéuticas disidentes de James Long y de William Colenso enfrentadas y aliadas a la vez con las ambiciones coloniales; y, por último, el hábil despliegue sedicioso de citas bíblicas en dos novelas col

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No quiero que vengas, escribe el joven Edmund Hooper en una nota para Charles Kingshaw. Pero Kingshaw y su madre, ama de llaves, ya han tomado la decisión de trasladarse a vivir con Hooper y su padre en Warings, una fea y aislada casa victoriana en el campo.Kingshaw es sensible, amable y débil, y se sabe en terreno extraño. Hooper es astuto, manipulador y bravucón, y para él, Kingshaw es un intruso, alguien a quien perseguir constante aunque sutilmente hasta hacer de su vida un infierno; enseguida, Kingshaw se da cuenta de que el más minúsculo y ordinario objeto en manos de Hooper puede convertirse en algo terrorífico. En el bosque de Hang Word, por un breve lapso de tiempo, sus papeles se invertirán, pero Kingshaw sabe que Hooper nunca lo dejará en paz, que no podrá ganar, no sin un último y definitivo golpe de suerte. Hooper también lo sabe. Lo peor está por venir.Susan Hill nos narra, en esta extraordinaria y trágica novela, o que parece la simple historia de dos niños aislado

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Este íntimo retrato de las hermanas Brontë, construido a partir de sus objetos personales, aporta un nuevo y original enfoque en la inagotable tarea de conocer más sobre su extraordinario legado literario.En esta biografía única y detallada de una familia literaria que ha cautivado a los lectores durante casi dos siglos, la experta en literatura victoriana Deborah Lutz arroja una nueva luz sobre las vidas complejas y fascinantes de las Brontë a partir de aquello que vistieron, cosieron, escribieron y dibujaron. A medida que se desvelan las historias de estos objetos tan significativos en su casa de Haworth, la autora nos sumerge en una recreación del día a día de las hermanas y, siguiendo un orden cronológico, nos hace partícipes de los acontecimientos más relevantes de sus biografías: la muerte de su madre, los reinos imaginarios de sus escritos infantiles, su época trabajando como institutrices y sus denodados esfuerzos por dejar huella en el mundo de las letras.Desde los libro

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Sir W.S. Gilbert (1836-1911) and Sir Arthur Sullivan (1842-1900) are best remembered today for the fourteen Savoy comic operas on which they collaborated between 1871 and 1896. But Gilbert also dominated the British dramatic stage for more than 30 years, and Sullivan was recognized at an early age as the composer of serious works. This book identifies 968 articles, monographs, and dissertations by and about Gilbert and Sullivan. Works of history and analysis cover their lives, their separate and joint professional careers, and the Victorian world in which they lived and worked. Dillard also identifies and describes the products of their genius_poems, plays, librettos, and musical scores. He has examined over 90% of the entries to ensure the existence of the items cited and the accuracy of information about them.

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Q is the Quadrille, danced at our party R for the Reindeer, of Santa Claus hearty This very special picture book is an unusual and utterly enchanting ABC entirely devoted to the theme of Christmas. Each of the twenty-six images opens a window onto festive celebration, from the lighting of the candles on the tree, to bell-ringing, ice skating and making jam tarts. The images are of superb quality, bringing to life each event with vivid strokes and colour. The accompanying verses tell simply but engagingly of the round of joyful activities which delighted young children. Together, they tell a narrative story of a child’s Victorian Christmas, celebrated in the splendour and cosiness of the family home. First printed in 1894, this beautiful book is sure to become a new children’s classic, evoking Christmas of a bygone era with tremendous appeal and unrivalled charm.

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What is steampunk and why are people across the globe eagerly embracing its neo-Victorian aesthetic? Aesthetic program, literary genre, philosophy, and subculture, Steampunk embraces a universal vision that questions our relationship with time itself. This book provides a deep dive into the movement's relationship to current philosophical trends and the relationship of the individual to the networked world. At once explanation, history, interpretation, and wide-ranging survey, the book brings in perspectives from cultural and literary studies, art history and aesthetics, to reveal the wide-reaching potential of Steampunk as genre and sensibility.Connecting high and popular culture, this book demonstrates how Steampunkegalitarian, inclusive, optimisticpresents a universal vision of the future. It provides readers with an understanding of significant issues in philosophical thought whilst relating these to the important role that visual culture plays in contemporary soc

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Using over 200 evocative images, this book documents the people and places of Burslem, the mother town of the potteries. The birthplace of Josiah Wedgwood has been home to the greatest international names in ceramics, from Davenport to Royal Doulton, just a few household names whose dinner services, tea-sets and drawing room ceramic art pieces have graced the tables of the world's rich and poor alike. The Burslem Angel and the Old Fire Station are featured, as well as many of the grand Victorian buildings and the factories, schools, churches of the area. Many significant events are recorded, including the Sneyd Pit disaster of 1942. Compiled by members of the Burslem History Club, this pictorial history offers a reminder of another age and provides a valuable insight into how people lived and worked in this industrial community.

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Asked what problems most perplexed "young men at present" Arthur Hugh Clough (1819-1861) replied "a growing sense of discrepancy". His wry and wise poetry explores the tensions of a time of radical changes in the religious, political and literary landscape. He had a sharp eye for absurdity. Clough was a writer of wide interests and liberal sympathies, vividly idiomatic and sensuous, delighting in the detail and variety of everyday life. His technical dexterity is a delight: the poems encompass satire and lyric, dialogue, plot and contemporary reference. His narrative poem "The Bothie of Tober-Na-Vuolich" and the epistolary "Amours de Voyage" have the momentum and social precision of novels, capturing a precise image of the Victorian world of the 1840s. This volume includes a selection of the full range of Clough's poetry, with a detailed introduction and annotations by Shirley Chew.

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Over 300 postcards and engaging text present Maryland's beach resorts of yesteryear. Before the completion of the Chesapeake Bay Bridge and improved highways, the Chesapeake Bay was dotted with many beach resorts. By the 1890s, the two most popular beaches in Maryland were Betterton and Tolchester Beach. It was a time when going to the beach meant an excursion boat ride across the bay. Betterton's heyday was from the 1890s to the 1940s, when Betterton's Victorian wooden hotels were booked solid and served home cooked meals all summer. From its beginnings as a small picnic ground in the 1870s, Tolchester Beach grew to become the Chesapeake Bay's biggest and best-known amusement park and bathing beach until 1962. This book is a must read for beach lovers, historians, and postcard collectors alike.

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The Penguin English Library Edition of Lady Audley's Secret by Mary Elizabeth Braddon'Lady Audley uttered a long, low, wailing cry, and threw up her arms above her head with a wild gesture of despair'In this outlandish, outrageous triumph of scandal fiction, a new Lady Audley arrives at the manor: young, beautiful - and very mysterious. Why does she behave so strangely? What, exactly, is the dark secret this seductive outsider carries with her? A huge success in the nineteenth century, the book's anti-heroine - with her good looks and hidden past - embodied perfectly the concerns of the Victorian age with morality and madness.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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From reviews of The Cornell Yeats series:"For students of Yeats the whole series is bound to become an essential reference source and a stimulus to important critical re-readings of Yeats's major works. In a wider context, the series will also provide an extraordinary and perhaps unique insight into the creative process of a great artists."—Irish Literary Supplement"I consider the Cornell Yeats one of the most important scholarly projects of our time."—A. Walton Litz, Princeton University, coeditor of The Collected Poems of William Carols Williams and Personae: The Shorter Poems of Ezra Pound"The most ambitious of the many important projects in current studies of Yeats and perhaps of modern poetry generally.... The list of both general and series editors, as well as prospective preparers of individual volumes, reads like a Who's Who of Yeats textual studies in North America. Further, the project carries the blessing of Yeats's heirs and bespeaks an ongoing commitment from a major university press.... The series will inevitably engender critical studies based on a more solid footing than those of any other modern poet.... Its volumes will be consulted long after gyres of currently fashionable theory have run on."—Yeats Annual (1983)Yeats first expressed interest in producing translations of Greek classical plays in March of 1903, in the early days of establishing the Abbey Theatre in Dublin. But not until two decades later did he turn his hand to creating his own versions of Sophocles' Oedipus the King and Oedipus at Colonus. Working from Victorian translations into English and French by classicists R. C. Jebb and Paul Masqueray, he completed Oedipus the King in the fall of 1926 and Oedipus at Colonus a year later. The second play, like the first, he gave directly to the Abbey players, prompting him to revise and hone his texts through many versions to achieve his stated goal of putting the play "into simple speakable prose" that he hoped would be his "contribution to the Abbey Repertory." The play had a successful run in September of 1927 but was not published until 1934.The edition presents photographs and transcriptions of three revised typescripts that Yeats prepared and extensively revised over a period of eight-and-a-half months and a reading text based on the first publication of the play, which is presented with an apparatus of collations from the many proofs for three different intended publications. Included also are photographs and transcriptions of the verse choruses, except for the two appearing in The Tower (1928), also in this series; an appendix of other typescripts and proofs that invite detailed treatment; and a brief account of the music written for the play by Lennox Robinson, who was also its first director. The texts are prefaced by a census of manuscripts, an introduction discussing Yeats's development of the play, and a chronology of composition.

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As one of the world's foremost interior designers, Tricia Guild has a passionate belief that the way we choose to live has a significant impact on our well-being and happiness. The homes that we live in, the things that we surround ourselves with, and the everyday choices we make, can profoundly affect our outlook and positivity. It is no surprise, then, that Tricia practises what she preaches: she finds it impossible to separate her work as a designer from other aspects of her life, and she believes that, in seeking creative inspiration in each experience, especially in enjoying the things that bring pleasure to our lives, we can perfect the art of living. For Tricia, Italy is a particularly enduring passion: the culture, landscape, architecture, food and music all strike a creative chord. She has had a house there for many years. The last home was a rustic farmhouse, but when Tricia and her family began the search for a new property, she knew it would be decidedly different. In this new Italian home, Tricia found the perfect opportunity to create a contemporary interior reflecting a love of modernity and simplicity that has evolved over the years. In Tricia's view, modernity does not mean a lack of colour, pattern or texture; a contemporary interior can be both decorative and minimal - in fact, a confident use of colour and pattern can be the very thing that makes it even more wonderful. Here, working with the architect Stephen Marshall and the garden designer Arne Maynard, Tricia has created a special home - a contemporary interpretation of the local vernacular - that represents her kind of modern. In In My View, Tricia charts the creation of her stunning Italian home set amid verdant oil groves. We are taken on an extensive tour of the breathtaking property, right from the entrance steps and the rooms/spaces in the main house to the outdoor dining areas, studio, guest accommodation, kitchen garden and pool house. Stephen and Arne offer insight into their collaboration with Tricia, describing, among other things, the selection of materials - local stone, concrete, glass and galvanized metal - for the house, and the planting on the terraces and around the rolling lawns of the garden. Local artisans and craftspeople also played a crucial role in bringing this truly magnificent yet relaxing and comfortable home to life. Tricia also presents her new London home - a Victorian townhouse in a corner plot, where, with the same team of Stephen and Arne - she set about creating an urban retreat comprising three distinct areas to accommodate living, dining and resting. While life in Italy for Tricia is about seasonality and nature, her life in London is centred on her work at Designers Guild, the company she founded in 1970. Her London home therefore is, she says, `sharply experimental', her version of a lab, where she tests designs and assesses how colours work together. In this section of the book, Tricia provides a glimpse of working life and the design process at the company headquarters in west London. Throughout the book, Tricia shares the moodboards that helped her to realize her dream homes in Italy and London. For Tricia, moodboards are vital in the early stages of any project, large or small, because they help to stimulate the creative process, even define how one wishes to live, by establishing the language, rhythm and style of each space. The choices that one makes here, the process of selection and careful editing, lie at the heart of finding one's own style. In My View reveals the personal choices have shaped the way Tricia lives now, and will inspire the reader to develop their individual style and thus create their own special view.

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This book discusses the cultural intentions of the founders of the first thoroughly commercial republic, the United States. The typical book on 'the culture' takes the view that commercial republicanism is the enemy of culture; this book tells a much more complex story, and measures the benefits and deficits of commercial republicanism in a way that does not sleight the very substantial achievements of commercial republicanism. The book looks at several critics of the commercial republic, 'left' and 'right'. These writers include Emerson, Whitman, Carlyle, Ruskin, Dewey, and Pound. The book concludes with chapters on two very different writers who take a comprehensive view of culture, nature, and the commercial republic: Allan Bloom and Jane Austen. Contents: Acknowledgments; Preface; Introduction: The Statesmanlike Sources of American Culture; Victorians Contra Commerce; Natural Right and the American Intellectual; American Historicist-Poets: Holmes and Whitman; An American Fascist: Ezra Pound; The American Left and the Culture of Sophistry; An American Philosopher?; The Politics of Self-Knowledge: Mansfield Park and the Refounding of the English Aristocracy; Conclusion: The Arts of Satiation; Endnotes; Index; Biographical Note.

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Song Cycle: vive la vélorution! is the third in a hugely successful series of 40-minute grand-scale choral works with jazz quintet by acclaimed British composer Alexander L'Estrange. It marked the grand départ of the 2014 Tour de France and, in addition to the quintet (with jazz trumpet and flute), features bicycle bells and pumps! The ten cycling-themed songs [eight originals and two arrangements] take audiences on an exhilarating bicycle ride across hill and dale, celebrating both the appeal of this most energy-efficient mode of transport and the beauty of our natural surroundings. Song Cycle encompasses an impressive variety of musical styles including pastiche Victorian music hall, folk, minimalism, barbershop, musical theatre and, of course, jazz. If you loved Zimbe! and Ahoy! and are looking for an SATB and (optional) Children’s Choir choral work to wow your next audience with, look no further than Song Cycle: vive la vélorution! Vocal scores can also be hired, along with the full score and set of band parts (hire@fabermusic.com). Children’s Choir resources, along with CDs, part-learning MP3s and more, can be found at https://www.alexanderlestrange.com/song-cycle.

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In a melding of the fun style of the 'Style Me Vintage' series with a traditional cookery book, Style Me Vintage: Tea Parties is a vintage and thematic take on a traditional afternoon tea book. The current trend for retro styled events and afternoon tea parties is as much about styling as it is about food and drink and this book will show you just how to achieve your own perfect event. Split into themed tea parties, it will show how to create your tea party: dress your table, decorate your room, do your invitations, costume suggestions, and offer key recipes for food and drink within each theme. Themes include: a Victorian Tea Party (lace aplenty and dainty cakes), an Edwardian Breakfast (country house pastries and breakfast cocktails), a 1920's Speakeasy (cocktails in tea cups and recipes for jazz babies), a 1930's Cocktail Party (silk, tweed, champagne with elegance), a 1940's Picnic (fiery ginger beer anyone?), a 1950's Street Party (bunting and finger food). With advice on scaling up into a tea party for many – or down to an intimate tea for two, you can't go wrong.

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Within weeks of Thomas Hardy’s return to his native Dorchester in June 1883, he began to compile his ’Facts’ notebook, which he kept up throughout the years when he was writing some of his major work - The Mayor of Casterbridge, The Woodlanders, Tess of the d’Urbervilles and Jude the Obscure. From his intensive study of the Dorset County Chronicle for 1826-1830, he noted and summarised into 'Facts' (with the help of his first wife, Emma) hundreds of reports, many of them suggestive 'satires of circumstance', for possible use in his fiction and poems. Along with extensive reading in memoirs and local histories, this immersion in the files of the old newspaper involved him in a wider experience - the recovery and recognition of the unstable culture of the local past in the post-Napoleonic war years before his birth in 1840, and before the impact of the modernising of the Victorian era. 'Facts' is thus a unique document amongst Hardy's private writings and is here for the first time edited, the text transcribed in 'typographical facsimile' form, together with substantial annotation of the entries and critical and textual introductions.

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The cross-country Ruabon to Barmouth railway was originally built to fulfil the desire of connecting the town of Llangollen with the rest of the rapidly expanding network. The local Victorian promoters received the backing of the Great Western Railway, which had an ambitious plan to reach the Cambrian Coast and tap into the slate quarries around Snowdonia. As time was to prove, the GWR was to be temporarily thwarted by the construction of a branch inland from Barmouth by the rival Cambrian Railway, resulting in an end-on connection between the two railways in the market town of Dolgelly. The route developed into an important artery across rural Wales, bringing in its wake a revolution in agriculture, industry and daily life. Holiday traffic became big business, tapping into the big conurbations of Liverpool, Manchester and Birmingham. The route would ultimately succumb to the Beeching axe during the 1960s, but even this did not go to plan following severe flooding a few weeks prior! Volume One explores the eastern half of the route, encompassing the towns of Ruabon, Llangollen, Corwen and Bala, and a brief introduction to the fundamentals of railway travel. The perfect companion for anyone visiting the preserved Llangollen Railway.

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Sheds light on the history of East Devon's churches from the Middle Ages onwards, illustrating the ways in which parish churches were transformed in the late nineteenth century. In the mid nineteenth century the Devon antiquarian James Davidson visited all of East Devon's churches and made detailed notes about their buildings, fabric and fittings. His notes are an eyewitness record of the state of these parish churches at the time before changes in liturgy and fashion in the later Victorian period brought about irreplaceable change. Davidson's descriptions highlight what has been lost from the archaeological record and allow us to make comparisons with the churches today. In this way they shed light on the history of East Devon's churches from the Middle Ages onwards and illustrate the ways in which parish churches were transformed in the late nineteenth century. Davidson's records of memorials and inscriptions in the churches also provide rich and fascinating material for research into local history, social history and family history from the fifteenth to the nineteenth centuries and illustrate changing attitudes to death and commemoration.

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The people of Oxfordshire certainly know how to enjoy themselves, and take part in many varied and remarkable customs, sports and traditions that are held annually around the county. Some of these, like the May Morning and Beating the Bounds, go back for centuries but have been altered and adapted over the years. Others are relatively recent revivals, such as the agricultural show at Thame, which is Victorian in origin. The last fifty years has seen an unprecedented number of new celebrations, which have become traditions in their own right. Foremost among these are the Cropredy and Towersey folk festivals. Above all, these events are community-based and often also charity fund-raisers. Some of those featured here include the Bampton Great Shirt race, egg jarping at Chinnor, the Banbury Hobby Horse festival, Abingdon Morris Dancers Mock Mayor Elections, the Pumpkin Club, and the pub game Aunt Sally, which is virtually unknown outside of the county, among many others. Illustrated with 180 superb photographs, this book features funfairs and fêtes, celebrations and carnivals, games and shows, each one a unique celebration of Oxfordshire’s heritage.

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James Stirling (1924-1992) is acclaimed as the most influential and controversial modern British architect. His partnership with James Gowan (b. 1923) between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism.Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.Published for the Paul Mellon Centre for Studies in British Art

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Hay-on-Wye is world famous as the Town of Books. But when travel writer Oliver Balch moved there, it was not just the books he was keen to read, but the people too.After living in London and Buenos Aires, what will he make of this tiny, quirky town on the Welsh-English border? To help guide him, he turns to Francis Kilvert, a Victorian diarist who captured the bucolic rural life of his day. Does anything of Kilvert's world still exists? And could a newcomer ever feel they truly belong?With empathy and humour, Balch joins in the daily routines and lives of his fellow residents. What emerges is a captivating, personal picture of country life in the 21st century. Some things haven't altered for centuries, while others are changing at an alarming pace.Written with his trademark vivid, reportage style, Balch's journey sees him meet with a king and his courtiers, publicans, hippies, mayors, old widows and young farmers. In an increasingly mobile, urban world, Under the Tump is a timely, honest account of Balch's attempt to put down roots in a community not yet his own.

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British Conceptual artist John Stezaker is renowned for his innovative approach to found photographic imagery. This artist book focuses on his 'Crossing Over' series (2005–13), which reframes image fragments from postcards to stimulate new readings. Building upon Stezaker’s corresponding 'The 3rd Person Archive' series, the image fragments in this volume span the history of postcard production. Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker focuses on the female figure as well as notions of return and crossing back. Exploring time and memory, Crossing Over frames seemingly minor details, such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Exploring time and memory, Stezaker focuses on the female figure as well as notions of return and crossing back – framing seemingly minor details such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Reproduced at actual size, the 65 image fragments in this artist project are collected here for the first time.

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By the second half of the 1920s, old-fashioned Victorian morals had gone the way of starched collars and cruel corsets and a "no holds barred" attitude reigned in their place. "The Party of the Century" had begun in earnest and fashions responded by climbing to the knees! Using a combination of vintage images, professional photographs of existing garments, and period artists' illustrations, this comprehensive book presents a dazzling look at fashions from 1925 through 1929. Fashions for men, women, and children are featured, including evening andday wear, coats and jackets, lounge and resort wear, sports fashions, and lingerie. Whenever possible, styles are shown with their appropriate accessories, such as hats, shoes, purses, fans, parasols, and more. Fascinating timelines place the fashions in their proper settings describing each year's film, music, literary, and couture trends. Among the book's many highlights are rare French pochoir fashion plates and photos of an original haute couture Chanel evening gown. This in-depth look at one of our most exciting decades will appeal to fashion enthusiasts and history buffs alike. A companion volume covers the years 1920 to 1924.

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Togo Heihachiro (1848-1934) was born into a feudal society that had lived in seclusion for 250 years. As a teenage samurai, he witnessed the destruction wrought upon his native land by British warships. As the legendary Silent Admiral, he was at the forefront of innovations in warfare, pioneering the Japanese use of modern gunnery and wireless communication. He is best known as the Nelson of the East for his resounding victory over the Tsar's navy in the Russo-Japanese War, but he also lived a remarkable life studying at a British maritime college, witnessing the Sino-French War, the Hawaiian Revolution, and the Boxer Uprising. After his retirement, he was appointed to oversee the education of the Emperor, Hirohito. This new biography spans Japan's sudden, violent leap out of its self-imposed isolation and into the 20th century. Delving beyond Togo's finest hour at the Battle of Tsushima, it portrays the life of a diffident Japanese sailor in Victorian Britain, his reluctant celebrity in America where he was laid low by Boston cooking and welcomed by his biggest fan, Theodore Roosevelt , forgotten wars over the short-lived Republics of Ezo and Formosa, and the accumulation of peacetime experience that forged a wartime hero.

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’Gorgeous, an utter delight’ MARIAN KEYES ‘A charming debut that sparks with fun and fizz’ GOOD HOUSEKEEPING ’A must read!’ SOPHIE IRWIN ’Storytelling at its finest’ STYLIST A DAILY MAIL ‘novel to devour in 2023 Mrs Wood is London’s most celebrated medium. She’s managed to survive decades in the competitive world of contacting the Other Side, has avoided the dreaded slips that revealed others as frauds and is still hosting packed-out séances for Victorian high society. Yet, some of her patrons have recently cancelled their appointments. There are reports of American mediums nearly materialising full spirits and audiences are no longer satisfied with the knocking on tables and candle theatrics of years gone by. And then, at one of Mrs Wood’s routine gatherings, she hears something terrifying – faint, but unmistakable: a yawn. Mrs Wood needs to spice up her brand. She decides to take on Emmie, a young protégé, to join her show. But is Emmie Finch the naïve ingenue she seems to be? Or does she pose more of a threat to Mrs Wood’s reign and, more horrifyingly, her reputation than Mrs Wood could ever have imagined?

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The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family. Growing up in the 1830s, they were all gifted children, especially Richard, whose natural talent for draughtsmanship was matched by imaginative invention and a passion for legend and the grotesque. In 1842, when only eighteen, he created for his own delight a picture-book version of Jack The Giant Killer, writing the text by hand, and carefully placing on each page a water-colour illustration within a pictorial border. The new everyman edition has typeset the text for greater legibility and redesigned the book for contemporary appeal, while retaining Doyle's vivid and characterful illustrations, enlarged and enhanced by modern colour printing techniques. The result is a book that will satisfy the modern child's appetite for bloodthirsty exploits of wonder and magic, yet is at the same time a true collector's item for anyone interested in the history of children's book illustration.

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