Search results for ""Author Robin"

On the north end of Londonliesan old nonconformistburial ground named Bunhill Fields. Bunhill becamethefinal resting place for some of the most honored names of English Protestantism. Burialoutside the city walls symbolized that thoseinterredat Bunhill lived and died outside the English body politic.Bunhill, its location declares,isthe properhome for undomesticateddissenters. Amongmore than 120,000 graves, three monuments stand in the central courtyard: one for John Bunyan (1628â1688), a second for Daniel Defoe (1660?â1731), and a third for William Blake (1757â1827). Undomesticated Dissent asks, "why these three monuments?" The answer, as Curtis Freeman leads readers to discover, is anidea as vitalandtransformative for public life today as itwasunsettling and revolutionary then. To telltheuntoldtaleof the Bunhill graves,Freeman focuseson the three classic texts by Bunyan, Defoe, and Blakeâ The Pilgrim's Progress , Robinson Crusoe , and Jerusalem âas testaments of dissent. Their enduring literary power, as Freeman shows,derives from theiroriginal political and religious contexts.But Freeman also traces theabidingpropheticinfluenceof these texts,revealingthe confluence of great literature and principled religiousnonconformityin the checkered story of democraticpoliticalarrangements. Undomesticated Dissent provides a sweeping intellectual history of the public virtue of religiously motivated dissent from the seventeenth century to the present, by carefully comparing, contrasting, and then weighing the various types of dissentâevangelicaland spiritual dissent (Bunyan), economic and social dissent (Defoe),radical andapocalyptic dissent (Blake). Freemanoffersdissentingimaginationasagenerative source for democracy, as well as a force forresistancetothe coercivepowers of domestication.By placing Bunyan, Defoe, and Blake within an extended argument about the nature and ends of democracy, Undomesticated Dissent reveals howthese three mentransmittedtheirdemocratic ideas across the globe,hidden within the text of their stories. Freemanconcludes thatdissent, so crucial to the establishing of democracy, remainsequally essential for its flourishing. Buried deep intheirfull narrative of religion and resistance, the three monuments at Bunhill together declare that dissent is not disloyalty, and that democracy depends on dissent.

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'A riotous delve into the dark medical world of Restoration London' - S.G. MACLEAN 'An infectious read, packed with atmosphere and colourful characters' - OSCAR DE MURIEL 'A gripping whodunnit with a sinister twist' - JENNIFER RYAN ________________________________________ WHO WOULD MURDER THE DYING... London, 1665. Hidden within the growing pile of corpses in his churchyard, Rector Symon Patrick discovers a victim of the pestilence unlike any he has seen before: a young woman with a shorn head, covered in burns, and with pieces of twine delicately tied around each wrist and ankle. Desperate to discover the culprit, Symon joins a society of eccentric medical men who have gathered to find a cure for the plague. Someone is performing terrible experiments upon the dying, hiding their bodies amongst the hundreds that fill the death carts. Only Penelope - a new and mysterious addition to Symon's household - may have the skill to find the killer. Far more than what she appears, she is already on the hunt. But the dark presence that enters the houses of the sick will not stop, and has no mercy... This hugely atmospheric and entertaining historical thriller will transport readers to the palaces and alleyways of seventeenth-century London. Perfect for fans of Laura Shepherd-Robinson, Andrew Taylor and C.J. Sansom. ________________________________________ 'A sickening, desperate London, wonderfully evoked. A terrific read!' - ALIX NATHAN 'A rollicking, roistering tale with humour horror and human decency at its dark heart' - KATE GRIFFIN 'Brilliantly convincing and thrillingly infectious' - S.W. PERRY 'A gorgeous, darkly witty novel that transports readers to the London of Charles II' - MARIAH FREDERICKS 'Dark, haunting and unexpectedly witty' - SUSAN ELIA MACNEAL

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On Sacred Ground explores the literature of the Northwest, the area that extends from the Pacific Ocean to the Rocky Mountains, and from the forty-ninth parallel to the Siskiyou Mountains. The Northwest exhibits astonishing geographical diversity and yet the entire bioregion shares a similarity of climate, flora, and fauna. For Nicholas O’Connell, the effects of nature on everyday Northwest life carry over to the region's literature. Although Northwest writers address a number of subjects, the relationship between people and place proves the dominant one, and that has been true since the first tribes settled the region and began telling stories about it, thousands of years ago. Indeed, it is the common thread linking Chief Seattle to Theodore Roethke, Narscissa Whitman to Ursula K. Le Guin, Joaquin Miller to Ivan Doig, Marilynne Robinson to Jack London, Betty MacDonald to Gary Snyder. Tracing the history of Pacific Northwest literary works--from Native American myths to the accounts of explorers and settlers, the effusions of the romantics, the sharply etched stories of the realists, the mystic visions of Northwest poets, and the contemporary explosion of Northwest poetry and prose--O’Connell shows how the most important contribution of Northwest writers to American literature is their articulation of a more spiritual human relationship with landscape. Pacific Northwest writers and storytellers see the Northwest not just as a source of material wealth but as a spiritual homeland, a place to lead a rich and fulfilling life within the whole context of creation. And just as the relationship between people and place serves as the unifying feature of Northwest literature, so also does literature itself possess a perhaps unique ability to transform a landscape into a sacred place.

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'Teeming with details of the Brontës, of the times and the city, this is such a pleasurable read' - NB Magazine 'Captivating' - Crime Monthly'Filled with twists, turns and Gothic touches, and a strong feminist streak' - Bradford TelegraphThe Brontë sisters' first poetry collection has just been published, potentially marking an end to their careers as amateur detectors, when Anne receives a letter from her former pupil Lydia Robinson.Lydia has eloped with a young actor, Harry Roxby, and following her disinheritance, the couple been living in poverty in London. Harry has become embroiled with a criminal gang and is in terrible danger after allegedly losing something very valuable that he was meant to deliver to their leader. The desperate and heavily pregnant Lydia has a week to return what her husband supposedly stole, or he will be killed. She knows there are few people who she can turn to in this time of need, but the sisters agree to help Lydia, beginning a race against time to save Harry's life.In doing so, our intrepid sisters come face to face with a terrifying adversary whom even the toughest of the slum-dwellers are afraid of . . . The Red Monarch.Praise for Bella Ellis and the series:'Evocative and utterly enchanting' Sarah Hilary'Bella Ellis is a very special talent' Angela Clarke'Brilliantly entertaining and original' C.L. Taylor'More heart-warming than blood-chilling' Sunday Express'Ellis's writing flows beautifully' Yorkshire Magazine'Elegant, witty and compulsively readable - I think the Brontë sisters would have been delighted' Rosie Walsh'A breath-taking concept . . . Fun, charming and intriguing' Araminta Hall'A delight' Wall Street Journal

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The incredible new book in Louise Penny's #1 bestselling Chief Inspector Gamache series.When Chief Inspector Armand Gamache is asked to provide crowd control at a statistics lecture given at the Université de l'Estrie in Quebec, he is dubious. Why ask the head of homicide to provide security for what sounds like a minor, even mundane lecture?But dangerous ideas about who deserves to live in order for society to thrive are rapidly gaining popularity, fuelled by the research of the eminent Professor Abigail Robinson. Yet for every person seduced by her theories there is another who is horrified by them. When a murder is committed days after the lecture, it's clear that within crowds can lie madness.To uncover the truth, Gamache must put his own feelings about the divisive Professor to one side. But with her ideas gaining ground, the line separating good and evil, right and wrong, is quickly blurring - especially when the case leads unexpectedly close to home ...PRAISE FOR LOUISE PENNY AND THE INSPECTOR GAMACHE SERIES:'Louise Penny is one of the greatest crime writers of our times' DENISE MINA'She makes most of her competitors seem like wannabes' THE TIMES'Gamache has become to Canada what Hercule Poirot is to Belgium' THE NEW YORK TIMES'Louise Penny twists and turns the plot expertly tripping the reader up just at the moment you think you might have solved the mystery' DAILY EXPRESS'The series is deep and grand and altogether extraordinary . . . Miraculous' WASHINGTON POST'No one does atmospheric quite like Louise Penny.' ELLY GRIFFITHS'An absolute joy' IRISH TIMES

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The eighteenth-century verse epistle, argues William Dowling, was an attempt to solve in literary terms the dilemma of solipsism as raised by Locke and Hume. The focus of The Epistolary Moment is on internal audience in poetry--the audience "inside" the poem, created by its discourse and belonging to its world--as this divides in epistolary poetry into a double or simultaneous register of address: the audience directly addressed by the letter-writer, and an epistolary audience listening in on the exchange from a point external to the discourse of the speaker but internal to the discourse of the poem. Epistolary audience lies, contends The Epistolary Moment, at the heart of an Augustan theory of poetry as ideological intervention, poems as symbolic acts with enormous consequences in the domain of the real. The emergence of the verse epistle as the dominant form in eighteenth-century poetry thus takes as its ultimate context the origins of eighteenth-century solipsism in a degraded modernity symbolized by Sir Robert Walpole and his Robinocracy, the demonic representatives of a new money or market society arising from the ruins of organic or traditional community. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This book provides the first sustained philosophical treatment of Pope Francis’s Laudato Si’ and articulates a theology of creation to recover our place within the cosmos. In the encyclical Laudato Si’, Pope Francis discerns beneath the imminent threat of ecological catastrophe an existential affliction of the human person, who is lost in the cosmos, increasingly alienated from self, others, nature, and God. Pope Francis suggests that one must reimagine humanity’s place in the created cosmos. In this ambitious and distinctive contribution to theological aesthetics, Thomas S. Hibbs provides the basis for just such a recovery, working from Laudato Si' to develop a philosophical and theological diagnosis of our ecological dislocation, a narrative account of the sources of the crisis, and a vision of the way forward. Through a critical engagement with the artistic theory of Jacques Maritain, Hibbs shows how certain strains of modern art both capture our alienation and anticipate visions of recovered harmony among persons, nature, and God. In the second half of the book, in an attempt to fulfill Pope Francis’s plea for an “aesthetic education” and to apply and test Maritain’s theory, Hibbs examines the work of poets and painters. He analyzes the work of poets Robinson Jeffers and William Everson, and considers painters Georges Roualt, a friend to Maritain, and Makoto Fujimura, whose notion of “culture care” overlaps in suggestive ways with Francis’s notion of integral ecology. Throughout this tour de force, Hibbs calls for a commitment to an “ecological poetics,” a project that responds to the crisis of our times by taking poets and painters as seriously as philosophers and theologians.

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I have used the materials contained in this book extensively in a major trade-related capacity, building a technical training program for trade officials and business people in six countries in Southeast Asia to great effect. The book fills an important gap in the existing literature on the subject and links international economic policy to practical hands on international business management. It underlines the importance of understanding the increasingly complex nature of international markets and offers useful options for mitigating their risk.'- Wayne Robinson, Estey Centre for Law and Economics in International Trade, CanadaThis MBA textbook provides a guide to the international institutions, both public and private, that exist to regulate and facilitate international business. William Kerr and Nicholas Perdikis explain how international business decision making should take into account the ideas and institutions that make up the international commercial environment, such as why trade theories are important to business; the ways in which governments can restrict trade; the role of international trade rules in reducing risk; the threats that anti-dumping and countervail actions pose; the pros and cons of operating multilaterally; the role of trading houses and the advantages of using private sector institutions to settle international business disputes.Key features include:- Economic theory presented in a business-friendly style;- Major arguments in international trade theory outlined and critically assessed;- An explanation of the role and rules of international organizations, such as the WTO- Barriers to trade and how they can affect competitiveness;- An exploration of the organizational choices (e.g. direct exporting, becoming a multinational, joint ventures, etc.) open to those participating in international business; and- Discussion of the international private sector arrangements which ensure payment, facilitate the movement of products and resolve disputes.This book will be essential reading for senior executives needing to familiarize themselves with the international commercial environment. It will also be an excellent resource for executive and international MBAs, as well as upper level international business students.Contents: Introduction 1. Why Study the Global Business Environment? 2. International Trade and Economic Theory 3. The Great Debate - Free Trade Versus Protectionism 4. The Search for Orderly system for Trade 5. Regional Trade Associations 6. Institutions of the Multilateral Trading System 7. Orderly Markets 8. How Countries Restrict Trade 9. Control of the Use of Trade Barriers 10. 'Fair' Trade 11. National Firms and Transnational Firms 12. Private Firms and State Trading Agencies 13. Production Firms and Trading Houses 14. Financing International Transactions 15. Moving Products Between Countries 16. The Settlement of International Disputes 17. Facing the Future 18. Issues for the International Trading System Exercise Glossary Index

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From acclaimed Nigeria-born, Brooklyn-based poet Uche Nduka, a book of love poems written with compact elegance and vivid eroticism.Facing You is a collection of love lyrics, as well as an exploration of what goes into making the public and private self, from acclaimed Nigerian American poet Uche Nduka. Passionate and erotic, Facing You resists being hermetically sealed within the relationship, and is subject to the intrusions of “the dubious world”: war, exile, protest, and police violence intrude but cannot defeat Nduka’s expressions of desire, where reality and surreality are one."For decades, Uche Nduka’s refulgent poetry has shone out amid the various national and cultural contexts in which he has found himself, from Nigeria to Germany to Brooklyn. The brief poems of Facing You showcase Nduka at his most iconic. Casual and elemental, Surreal and Blue, these poems are like fuses: exactly equal to their tasks. Facing You proves the pliant strength of the lyric, its ability, in a handful of blunt and turning lines, to reverse reality with the ease of an upraised mirror. Nduka’s poetry models the principle of agile, flamelike survival amid this most leaden of worlds."—Joyelle McSweeney"Uche Nduka’s lyrical abstractions are razor sharp and lighting fast. Each poem turns several corners in the blink of an eye. A Nigerian-American poet by way of Germany and Holland, Nduka has honed his genius on the whetting stones of a tri-continental cosmopolitanism. His voice is both courtly and sensual, and his poems as frankly sexual as they are defiantly explosive. Like Rimbaud, Nduka sings the pride of exile, the debauchery of imagination, with wile and wit. We are lucky to have him."—Kit Robinson"It’s not enough to be in love. These poems want to lose themselves in you. In Facing You, Uche Nduka conjures up the kind of romance that ends up in movies and songs––a love so strong you dissolve into your lover. At the same time, Nduka’s short and leaping phrases play hard to get. Just when you think you might be closer to making contact, he pivots, leaving you to feel like a rug has been pulled out from under you. What do we make of this push-and-pull dynamic from a speaker who says, 'I need a hell of a lot / of love to run my life on'? I think it means that Nduka’s poems understand how difficult intimacy is, how it can feel like chasing a dream, how it requires constant courage to overcome the fear of being hurt: 'You must have the guts / to tear absence apart.' It’s much easier to run away. Facing You lives in the gap between the desire for intimacy and intimacy itself, the exact place where meaning-making both comes to be and breaks down. It holds us suspended between language and sense, speech-sounds and communication, where we can feel the full brunt of our yearning."—Anaïs Duplan

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Table of Contents Preface and Acknowledgments Abbreviations KEYNOTE ADDRESS - Yannis HAMILAKIS, Time, Performance, and the Production of a Mnemonic Record: From Feasting to an Archaeology of Eating and Drinking I. FEASTS FOR THE GODS: FEASTING PRACTICES AND RELIGIOUS ASPECTS - Jennifer WILSON, What Were the Women Doing While the Men Were Eating and Drinking? The Evidence of the Frescoes - Anna SIMANDIRAKI, The Minoan Body as a Feast - Bernice JONES, Anthropomorphic Vessels at the Feast: Evidence for Dress or Ornament? - Brent DAVIS, Libation and the Minoan Feast - David COLLARD, Possible Alternatives to Alcohol: The Contextual Analysis of Poppy-shaped Jugs from Cyprus and the Aegean - Dora CONSTANTINIDIS, From Fields to Feasts: Interpreting Aegean Architecture and Iconography in Relation to Feast Preparations - Janice L. CROWLEY, In Honour of the Gods ' But Which Gods? Identifying Deities in Aegean Glyptic - Helene WHITTAKER, The Role of Drinking in Religious Ritual in the Mycenaean Period - Elizabeth SHANK, Decorated Dining Halls - Gullog NORDQUIST, Feasting: Participation and Performance II. FEASTS FOR THE HUMANS: COOKING, FOOD AND WINE - Sarah P. MORRIS, Wine and Water in the Bronze Age: Fermenting, Mixing and Serving Vessels - Thomas M. BROGAN and Andrew J. KOH, Feasting at Mochlos? New Evidence for Wine Production, Storage and Consumption from a Bronze Age Harbor Town on Crete? - Rachel FOX, Tastes, Smells and Spaces: Sensory Perceptions and Mycenaean Palatial Feasting - Bartlomiej LIS, Cooked Food in the Mycenaean Feast ' Evidence from the Cooking Pots - Julie HRUBY, You Are How You Eat: Mycenaean Class and Cuisine IIIa. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM CRETE - Philip P. BETANCOURT, David S. REESE, Louise L. VERSTEGEN, and Susan C. FERRENCE, Feasts for the Dead: Evidence from the Ossuary at Hagios Charalambos - Luca GIRELLA, Feasts in 'transition'? An overview of feasting practices during MM III in Crete - Loeta TYREE, Athanasia KANTA and Harriet Lewis ROBINSON, Evidence for Ritual Eating and Drinking: A View from Skoteino Cave - Judith REID, Dinnertime at Kato Zakro - Jan DRIESSEN, Alexandre FARNOUX and Charlotte LANGOHR, Favissae. Feasting Pits in LM III - Quentin LETESSON and Jan DRIESSEN, From 'Party' to 'Ritual' to 'Ruin' in Minoan Crete: The Spatial Context of Feasting IIIb. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM THE MAINLAND - Jennifer O'NEILL, Utility and Metaphor: The Design of The House of Tiles at Lerna - Kim S. SHELTON, Drinking, Toasting, Consumption and Libation: Late Helladic IIIA Pottery and a Cup for Every Occasion - Salvatore VITALE, Ritual Drinking and Eating at LH IIIA2 Early Mitrou, East Lokris. Evidence for Mycenaean Feasting Activities? - Gisela WALBERG and David S. REESE, Feasting at Midea IV. IMAGES OF THE FEAST: ICONOGRAPHY - Ingo PINI, Are there any Representations of Feasting in the Aegean Bronze Age? - Fritz BLAKOLMER, Processions in Aegean Iconography II: Who are the Participants? - Susan C. FERRENCE, Is There Iconography of the Minoan Feast? - Marcia NUGENT, Picturing the Feast ' Recipes as Art. Botanic Motifs of the Late Bronze Age Cycladic Islands V. FEASTS ABROAD: COMPARATIVE EVIDENCE FROM THE EASTERN MEDITERRANEAN - Jennifer M. WEBB and David FRANKEL, Fine Ware Ceramics, Consumption and Commensality: Mechanisms of Horizontal and Vertical Integration in Early Bronze Age Cyprus - Kathryn O. ERIKSSON, Feasting as Part of the Multiculturalism of Late Bronze Age Cyprus - Alison SOUTH, Feasting in Cyprus: a View from Kalavasos - Louise A. HITCHCOCK, Architectures of Feasting - Karen Polinger FOSTER, A Taste for the Exotic - Ann E. KILLEBREW and Justin LEV-TOV, Early Iron Age Feasting and Cuisine: an Indicator of Philistine-Aegean Connectivity? - Aren M. MAEIR, Aegean Feasting and other Indo-European Elements in the Philistine Household -Assaf YASUR-LANDAU, Hard to Handle: Aspects of Organization in Aegean and Near Eastern Feasts VI. FEASTS IN THE TEXTS: THE WRITTEN RECORD - John G. YOUNGER, Food Rations and Portions in Cretan Hieroglyphic Documents - Ioannis FAPPAS, The Use of Perfumed Oils during Feasting Activities: A Comparison of Mycenaean and Near Eastern Written Sources - Stavroula NIKOLOUDIS, Bulls and Belonging: Another Look at PY Cn 3 - Thomas G. PALAIMA, The Significance of Mycenaean Words Relating to Meals, Meal Rituals, and Food - Vassilis P. PETRAKIS, E-ke-ra2-wo A wa-na-ka: The Implications of a Probable Non-Identification for Pylian Feasting and Politics - Cynthia W. SHELMERDINE, Host and Guest at a Mycenaean Feast - Jorg WEILHARTNER, Some Observations on the Commodities in the Linear B Tablets Referring to Sacrificial Banquets AFTERTHOUGHT - Thomas G. PALAIMA, A New Linear B Inscription from the Land Down Under: AUS HO(ME) Bo 2008

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“In recent years,” writes TransAfrica executive director Randall Robinson in the preface to this volume, “there has been no graver moral-political crisis facing the world than apartheid.” For that reason, the prospect of representative democracy in South Africa ranks as one of the most extraordinary sociopolitical achievements of the late twentieth century. Throughout much of the era of repressive white rule, the United States has maintained a complex and often supportive geopolitical and economic relationship with South Africa’s notorious apartheid regime. As that regime comes to its inevitable end, the role of U.S. policy—from the Sharpeville massacre in 1960 to the release of African National Congress leader Nelson Mandela in 1990—can now be examined and understood. South Africa and the United States: The Declassified History makes available, for the first time, the most important internal U.S. government documents on U.S. policy toward South Africa over the last thirty years. Obtained by the National Security Archive through the Freedom of Information Act, this rich and revealing collection includes formerly top secret presidential decision directives, CIA memoranda, State Department policy papers, embassy cables, Defense Intelligence Agency assessments, and other recently declassified documents. Taken together, they dramatically record years of U.S. efforts to prop up the Afrikaner regime, and the evolution of Washington’s policies in the face of mounting domestic and international opposition to the world’s last racially based political system. Among the many revelations in this remarkable volume are details of the Reagan administration’s secret propaganda plan to defuse public and congressional support for economic sanctions; the U.S. role in the development of South Africa’s nuclear weapons capability; and Henry Kissinger’s controversial diplomatic and covert campaigns throughout the southern African region. The context for the declassified documents in South Africa and the United States is provided by concise, authoritative essays on U.S. sanctions policy, the history of nuclear collaboration, and U.S. reaction to upheavals in Angola, Mozambique, and elsewhere in the region. To supplement the narrative and the documents, the volume also provides an in-depth chronology and comprehensive glossaries. The result is an accessible and intriguing documentary history of one of the most significant international issues of our time.

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A Forest on Many Stems: Essays on the Poet’s Novel provides a unique entrance to the rare prose of many remarkable modern and contemporary poets including Etel Adnan, Renee Gladman, Langston Hughes, Kevin Killian, Alice Notley, Fernando Pessoa, Rainer Maria Rilke, Leslie Scalapino, Jack Spicer, and Jean Toomer, whose approaches to the novel defy conventions of plot, character, setting, and action. Contributors: Brian Blanchfield, Anne Boyer, John Keene, Mónica de la Torre, Cedar Sigo, and C. D. Wright bring a variety of insights, approaches, and writing styles to the subject with creative and often surprising results. Kazim Ali on Fanny Howe Dan Beachy-Quick on W.G. Sebald Edmund Berrigan on Ted Berrigan Brian Blanchfield on Aaron Kunin Rachel Blau DuPlessis on Gertrude Stein Julia Bloch on Gwendolyn Brooks Anne Boyer on Elizabeth Barrett Browning Traci Brimhall on Hilda Hilst Vincent Broqua on Stacy Doris Brandon Brown on Kevin Killian Lee Ann Brown on Carla Harryman Angela Carr on Nicole Brossard Julie Carr on Lyn Hejinian Norma Cole on Emmanuel Hocquard Brent Cunningham on Laura Moriarty Mónica de la Torre on Martín Adán Marcella Durand on Robert Creeley Patrick Durgin on Tan Lin & Pamela Lu Norman Fischer on Phillip Whalen C.S. Giscombe on Audre Lorde Judith Goldman on Leslie Scalapino Carla Harryman on Gail Scott Jeanne Heuving on Theresa Hak Kyung Cha Laura Hinton on Alice Notley Daniel Katz on Jack Spicer John Keene on Fernando Pessoa Karla Kelsey on Barbara Guest Aaron Kunin on Lewis Carroll Sonnet L’Abbé on M. NourbeSe Philip Abigail Lang on Jacques Roubaud Kimberly Lyons on Mina Loy W. Jason Miller on Langston Hughes Mette Moestrup on Ingeborg Bachmann Laura Moriarty on Keith Waldrop Laura Mullen on Bhanu Kapil Denise Newman on Inger Christensen Aldon Lynn Nielsen on Amiri Baraka Geoffrey G. O’Brien on John Ashbery & James Schuyler Jena Osman on Thalia Field Julie Patton on Jean Toomer Elizabeth Robinson on Rosmarie Waldrop Jennifer Scappettone on H.D. Susan Scarlata on Forrest Gander Brandon Shimoda on Etel Adnan Cedar Sigo on Eileen Myles Sasha Steensen on Anne Carson Donna Stonecipher on Peter Waterhouse Brian Teare on Rainer Maria Rilke Tyrone Williams on Nathaniel Mackey C.D. Wright on Michael Ondaatje Lynn Xu on Ben Lerner Rachel Zolf on Juliana Spahr

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Develop a strong understanding of legal issues and recent developments in Public Law Constitutional and Administrative Law, 10th Edition, by Alex Carroll is a popular, student-friendly text that can be relied upon to give you a solid understanding of the essential legal and political issues that underpin the British system of government and the rights and freedoms of those subject to it. Designed specifically for LLB students, its content provides an effortless knowledge both of modern controversies and other key topics falling within Public law. Some of the recent developments given detailed consideration include: • The European Union (Withdrawal) Act 2018; • The EU- UK Withdrawal Agreement 2020; • The EU (Withdrawal Agreement) Act 2021; • The convention of Ministerial responsibility in the Brexit crisis; • The role of referendums in the British political and constitutional system; • Enhanced coverage and analysis of the doctrines of the Rule of Law, the Separation of Powers, and the Sovereignty of Parliament; • Parliamentary Privilege and the meaning of parliamentary proceedings (R ( Miller) v The Prime Minister [2019]); • Contempt of Parliament and government failure to comply with resolutions of the House of Commons; • Suspension of sittings of the House of Commons for improper purposes. Abuse of the prerogative (R (Miller) v The Prime Minister [2019]); • Brexit and refusal of the Royal Assent; • Public bodies, liability in negligence (Poole Borough Council v GN and Another [2019]); • Liability of the police in damages, (Robinson v Chief Constable of West Yorkshire [2018]); • Electronic surveillance. Legality (Big Brother Watch v United Kingdom [2019]); • Kidnapping and the right to life (Olewnik-Cieplinska v Poland [2019]); • Detention of football fans to prevent breaches of the peace. Legality (SV and A v Denmark [2018]); • State of emergency, Turkish insurrection and the imprisonment of political dissidents (Alparslan v Turkey [2019]); • Civil Partnerships and mixed sex couples (Steinfeld and Keiden v Secretary of State for International Development [2018]) ; • Police retention of DNA samples and profi les. Legality (Gaughran v United Kingdom [2020]); • Legality of pro-life protest (Dulgheriu v London Borough Council [2019]). Alex Carroll, MPhil, LLB, Cert Ed, was formerly Senior Lecturer in Law at Manchester Metropolitan University. He has also taught at the University of Manchester, Keele University and the University of Hong Kong.

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If Harvard can be said to have a literature all its own, then few universities can equal it in scope. Here lies the reason for this anthology—a collection of what Harvard men (teachers, students, graduates) have written about Harvard in the more than three centuries of its history. The emphasis is upon entertainment, upon readability; and the selections have been arranged to show something of the many variations of Harvard life.For all Harvard men—and that part of the general public which is interested in American college life—here is a rich treasury. In such a Harvard collection one may expect to find the giants of Harvard’s last 75 years—Eliot, Lowell, and Conant—attempting a definition of what Harvard means. But there are many other familiar names—Henry Dunster, Oliver Wendell Holmes, James Russell Lowell, Henry Adams, Charles M. Flandrau, William and Henry James, Owen Wister, Thomas Wolfe, John P. Marquaud. Here is Mistress Eaton’s confession about the bad fish served to the wretched students of Harvard’s early years; here too is President Holyoke’s account of the burning of Harvard Hall; a student’s description of his trip to Portsmouth with that aged and Johnsonian character, Tutor Henry Flynt; Cleveland Amory’s retelling of the murder of Dr. George Parkman; Mayor Quiney’s story of what happened in Cambridge when Andrew Jackson came to get an honorary degree; Alistair Cooke’s commentary on the great Harvard–Yale cricket match of 1951. There are many sorts of Harvard men in this book—popular fellows like Hammersmith, snobs like Bertie and Billy, the sensitive and the lonely like Edwin Arlington Robinson and Thomas Wolfe, and independent thinkers like John Reed. Teachers and pupils, scholars and sports, heroes and rogues pass across the Harvard stage through the struggles and the tragedies to the moments of triumph like the Bicentennial or the visit of Winston Churchill.And speaking of visits, there are the visitors too—the first impressions of Harvard set down by an assortment of travelers as various as Dickens, Trollope, Rupert Brooke, Harriet Martineau, and Francisco de Miranda, the “precursor of Latin American independence.”For the Harvard addict this volume is indispensable. For the general reader it is the sort of book that goes with a good living-room fire or the blissful moments of early to bed.

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The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers. The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe. Here are Rumi and Rilke on the rose; Herrick and Louise Glück on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Brontë on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock... Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world. Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.

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Romantic love has challenged and vexed feminist thought from its origins. Judging from the shelves of books advising women on love problems, there seems to be an ongoing difficulty in maintaining equality in romantic relationships. Does romance weaken or empower women? Why do women seem overwhelmingly attracted to romantic love in spite of raised consciousness in other areas of life that is a legacy of feminism? Have women always been seen as the sex which most seeks love and is best suited for love? These are some of the questions Women and Romance: A Reader seeks to address in bringing together a collection of texts specifically focused on the subject of women's conflicted but powerful urge to experience the pleasure and endure the pain of romantic love. The first anthology of its kind, Women and Romance includes historical as well as contemporary selections, personal letters as well as theoretical essays, and social science perspectives as well as literary criticism of the novel and the popular mass-market romance. Wiesser lays out in systematic order for the first time the varying viewpoints and conflicted history of feminist views on romance, from Mary Wollstonecraft and Emma Goldman to Germaine Greer and Lillian Faderman. Introductions to each entry and section clarify the emerging themes of each era and of separate disciplines, while representing the views of traditionalists and anti-romance second-wave feminists alike. Contributors include: Charlotte Bronte, Barbara Bross, Eliza Southgate Bowne, Rita Mae Brown, Andreas Capellanus, Patricia Hill Collins, Simone de Beauvoir, Christine Delphy, Emily Dickinson, George Eliot, Lillian Faderman, Shulamith Firestone, Moderata Fonte, Mary Gaitskill, Charlotte Perkins Gilman, Emma Goldman, Vivian Gornick, Germaine Greer, Lynne Harne, bell hooks, Karen Horney, Carolyn Heilbrun, Audre Lorde, Tania Modleski, Gloria Naylor, Mary Poovey, Janice Radway, William Robinson, Jean-Jacques Rousseau, Jane Rule, Barbara Ryan, Ann Snitow, Elizabeth Cady Stanton, Gloria Steinem, Mary Wollstonecraft, Victoria Woodhull, Virginia Woolf.

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'The undisputed champion of South African crime. Meyer grabs you by the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson ***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters. Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland. Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him. The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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Baseball is a game of incredible moments, awe-inspiring feats, and dramatic finishes. But not all of these events actually impacted the game itself or the players still to come. Moments such as Lou Gehrig’s last Opening Day appearance, the very first All-Star game, or Mickey Mantle’s first game to hit home runs from both sides of the plate are iconic not because they were game-changing plays, but because they affected the course of baseball history. In 50 Moments That Defined Major League Baseball, Rocco Constantino provides a fresh history of the national pastime by recounting the most extraordinary and iconic moments—both renowned and obscure—that shaped the game as it moved from the Dead Ball Era, through World War II, and on to the modern era. Events include Jackie Robinson’s first All-Star Game, Babe Ruth’s 50th home run in his first season as a Yankee, Hank Aaron’s first career home run, and many more. Highlighting these moments are Constantino’s exclusive interviews with over 50 former Major League Baseball players, managers, and umpires, as they candidly share their memories and provide commentary on these impactful events. Many of the players interviewed played in the World Series or an All-Star Game, including Rod Carew, Fred Lynn, Shawn Estes, and Jeff Montgomery. 50 Moments That Defined Major League Baseball features rarely seen historic photographs of baseball immortals and modern photos of today’s stars. With two bonus chapters that include first-hand entertaining anecdotes from baseball icons and moving statements about those who helped them reach the sport’s pinnacle, this book is an engaging read for baseball fans and historians alike.

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'The undisputed champion of South African crime. Meyer grabs you but the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters.Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland.Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him.The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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BLOOPER: BALL SQUIRTS THROUGH BILLY BUCKNER'S LEGS. BLUNDER: BILLY BUCKNER'S MANAGER LEFT HIM IN THE GAME. Baseball bloopers are fun; they're funny, even. A pitcher slips on the mound and his pitch sails over the backstop. An infielder camps under a pop-up...and the ball lands ten feet away. An outfielder tosses a souvenir to a fan...but that was just the second out, and runners are circling the bases (and laughing). Without these moments, the highlight reels wouldn't be nearly as entertaining. Baseball blunders, however, can be tragic, and they will leave diehard fans asking why...why...why? Rob Neyer's Big Book of Baseball Blunders does its best to answer all those whys, exploring the worst decisions and stupidest moments of managers, general managers, owners, and even commissioners. As he did in his Big Book of Baseball Lineups, Rob Neyer provides readers with a fascinating examination of baseball's rich history, this time through the lens of the game's sometimes hilarious, often depressing, and always perplexing blunders. · Which ill-fated move cost the Chicago White Sox a great hitter and the 1919 World Series? · What was Babe Ruth thinking when he became the first (and still the only) player to end a World Series by getting caught trying to steal? · Did playing one-armed Pete Gray in 1945 cost the Browns a pennant? · How did winning a coin toss lead to the Dodgers losing the National League pennant on Bobby Thomson's "Shot Heard 'round the World"? · How damaging was the Frank Robinson-for-Milt Pappas deal, really? · Which of Red Sox manager Don Zimmer's mistakes in 1978 was the worst? · Which Yankees trade was even worse than swapping Jay Buhner for Ken Phelps? · What non-move cost Buck Showalter a job and gave Joe Torre the opportunity of a lifetime? · Game 7, 2003 ALCS: Pedro winds up to throw his 123rd pitch...what were you thinking? These are just a few of the legendary (and not-so-legendary) blunders that Neyer analyzes, always with an eye on what happened, why it happened, and how it changed the fickle course of history. And in separate chapters, Neyer also reviews some of the game's worst trades and draft picks and closely examines all the teams that fell just short of first place. Another in the series of Neyer's Big Books of baseball history, Baseball Blunders should win a place in every devoted fan's library.

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What makes a work of art a masterpiece? Discover the answers in the fascinating stories of how these artworks came to be and the circumstances of their long-lasting impact on the world. Beginning with Botticelli’s The Birth of Venus, we travel through time and a range of styles and stories – including theft, scandal, artistic reputation, politics and power – to Warhol’s Campbell’s Soup Cans, challenging the idea of what a masterpiece can be, and arriving in the twenty-first century with Amy Sherald’s portrait of Michelle Obama, a modern-day masterpiece still to be tested by time. Each artwork has a tale that reveals making a masterpiece often involves much more than just a demonstration of artistic skill: their path to fame is only fully disclosed by looking beyond what the eye can see. Rather than trying to describe the elements of greatness, Making a Masterpiece takes account of the circumstances outside the frame that contribute to the perception of greatness and reveals that the journey from the easel to popular acclaim can be as compelling as the masterpiece itself.Featuring:Birth of Venus, Sandro BotticelliMona Lisa, Leonardo da VinciJudith Beheading Holofernes, Artemisia GentileschiGirl with a Pearl Earring, Johannes VermeerUnder the Wave off Kanagawa, Katsushika HokusaiFifteen Sunflowers, Vincent van GoghPortrait of Adele Bloch-Bauer I (Woman in Gold, Gustav KlimtAmerican Gothic, Grant WoodGuernica, Pablo PicassoSelf-Portrait with Thorn Necklace and Hummingbird, Frida KahloCampbell’s Soup Cans, Andy WarholMichelle LaVaughn Robinson Obama, Amy Sherald Discover the stories of how, why and what makes a masterpiece in this compelling and comprehensive title.

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Her image appeared in periodicals and advertisements roughly twenty times daily; she rivaled FDR and Edward VIII as the most photographed person in the world. Her portrait brightened the homes of countless admirers: from a black laborer’s cabin in South Carolina and young Andy Warhol’s house in Pittsburgh to FBI Director J. Edgar Hoover’s recreation room in Washington, DC, and gangster “Bumpy” Johnson’s Harlem apartment. A few years later her smile cheered the secret bedchamber of Anne Frank in Amsterdam as young Anne hid from the Nazis. For four consecutive years Shirley Temple was the world’s box-office champion, a record never equaled. By early 1935 her mail was reported as four thousand letters a week, and hers was the second-most popular girl’s name in the country. What distinguished Shirley Temple from every other Hollywood star of the period—and everyone since—was how brilliantly she shone. Amid the deprivation and despair of the Great Depression, Shirley Temple radiated optimism and plucky good cheer that lifted the spirits of millions and shaped their collective character for generations to come. Distinguished cultural historian John F. Kasson shows how the most famous, adored, imitated, and commodified child in the world astonished movie goers, created a new international culture of celebrity, and revolutionized the role of children as consumers. Tap-dancing across racial boundaries with Bill “Bojangles” Robinson, foiling villains, and mending the hearts and troubles of the deserving, Shirley Temple personified the hopes and dreams of Americans. To do so, she worked virtually every day of her childhood, transforming her own family as well as the lives of her fans.

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Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.

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“Bali, Engle, and Murray have produced a highly accessible introduction to the techniques and evidence of modern empirical asset pricing. This book should be read and absorbed by every serious student of the field, academic and professional.” Eugene Fama, Robert R. McCormick Distinguished Service Professor of Finance, University of Chicago and 2013 Nobel Laureate in Economic Sciences “The empirical analysis of the cross-section of stock returns is a monumental achievement of half a century of finance research. Both the established facts and the methods used to discover them have subtle complexities that can mislead casual observers and novice researchers. Bali, Engle, and Murray’s clear and careful guide to these issues provides a firm foundation for future discoveries.” John Campbell, Morton L. and Carole S. Olshan Professor of Economics, Harvard University “Bali, Engle, and Murray provide clear and accessible descriptions of many of the most important empirical techniques and results in asset pricing.” Kenneth R. French, Roth Family Distinguished Professor of Finance, Tuck School of Business, Dartmouth College “This exciting new book presents a thorough review of what we know about the cross-section of stock returns. Given its comprehensive nature, systematic approach, and easy-to-understand language, the book is a valuable resource for any introductory PhD class in empirical asset pricing.” Lubos Pastor, Charles P. McQuaid Professor of Finance, University of Chicago Empirical Asset Pricing: The Cross Section of Stock Returns is a comprehensive overview of the most important findings of empirical asset pricing research. The book begins with thorough expositions of the most prevalent econometric techniques with in-depth discussions of the implementation and interpretation of results illustrated through detailed examples. The second half of the book applies these techniques to demonstrate the most salient patterns observed in stock returns. The phenomena documented form the basis for a range of investment strategies as well as the foundations of contemporary empirical asset pricing research. Empirical Asset Pricing: The Cross Section of Stock Returns also includes: Discussions on the driving forces behind the patterns observed in the stock market An extensive set of results that serve as a reference for practitioners and academics alike Numerous references to both contemporary and foundational research articles Empirical Asset Pricing: The Cross Section of Stock Returns is an ideal textbook for graduate-level courses in asset pricing and portfolio management. The book is also an indispensable reference for researchers and practitioners in finance and economics. Turan G. Bali, PhD, is the Robert Parker Chair Professor of Finance in the McDonough School of Business at Georgetown University. The recipient of the 2014 Jack Treynor prize, he is the coauthor of Mathematical Methods for Finance: Tools for Asset and Risk Management, also published by Wiley. Robert F. Engle, PhD, is the Michael Armellino Professor of Finance in the Stern School of Business at New York University. He is the 2003 Nobel Laureate in Economic Sciences, Director of the New York University Stern Volatility Institute, and co-founding President of the Society for Financial Econometrics. Scott Murray, PhD, is an Assistant Professor in the Department of Finance in the J. Mack Robinson College of Business at Georgia State University. He is the recipient of the 2014 Jack Treynor prize.

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A TODAY and LGBTQ Reads Most Anticipated Book of 2023 • A Goodreads Buzziest Debut Novel of the New Year • An Electric Lit Most Anticipated LGBTQ+ Book of Spring 2023 • A Bustle Most Anticipated Book of Spring & Summer 2023 • A Nylon April 2023 Must-Read Book • An Ebony Required Reading Pick for AprilFor fans of Bolu Babalola and Tia Williams comes a “tender, soulful, and sexy” (Phoebe Robinson) debut novel about finding love in an unexpected place.Elsie is a sexy, funny, and fiercely independent woman in south London. But several things in her life have gone terribly wrong. She’s estranged from her family; is failing to make it as a poet; and has just been evicted from her social housing. As fierce and independent as she is, even Elsie must admit that being a carefree 28-year-old is proving difficult—and that she’s running out of options.Juliet, her best friend since childhood, has always been Elsie’s lifeline. So even though they haven’t spoken in months, Elsie is soon snuggled up on Juliet’s couch, back at home among the mismatched cushions and knit blankets. Between their reruns of Drag Race and nights smoking on the balcony, something surprising begins to glimmer in Elsie’s heart. And as the days turn into weeks and then months, this feeling quickly becomes too fierce to ignore. Will Elsie be brave enough to open herself up to love? Featuring the poetry of Kai-Isaiah Jamal, Rosewater is a deliciously steamy queer romance from a bold new voice. An electric and captivating debut, Elsie’s story teaches us that sometimes home is not always where we are, but who we are with . . ."Simmering." —New York Times“Sensuous.” —Electric Lit“As buzzy as it gets.” —no kill magazine“Fresh, zesty, and sexy.” —Bernardine Evaristo“Sensuous, urgent, and pulsating with youth.” —Xochitl Gonzalez“I laughed, I cried, couldn't put it down.” —Monica Heisey

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Women in contemporary Greek society have been conventionally depicted as oppressed and socially inferior, circumscribed in behavior and segregated from the world of men. In 1967 Ernestine Friedl's classic article, "The Position of Women: Appearnce and Reality," argued that this view was overly simplified and that in Greek villages women in fact exercise power in household decisions and in determining the economic and marital future of their children. Since that article, feminists and anthropologists have continued to discuss the appearances of prestige vs. the realities of power. In this volume scholars form a variety of backgrounds return the debate to the setting of Greece for the first time since Friedl's work. Introduced by Jill Dubisch, the book contains eight original essays and a republication of the Friedl article.Among other topics, the essays examine changes now occurring in Greek gender roles, the ways women deal with oppression and act as mediators between the domestic sphere and life outside the home, and the extension of the language and symbolism of gender beyond male and female roles. The contributors are Juliet du Boulay, Anna Caraveli, Muriel Dimen, Jill Dubisch, Michael Herzfeld, Robinette Kennedy, Elftherios Pavlides and Jana Hesser, and S.D. Salamone and J.B. Stanton.Jill Dubisch is Associate Professor of Anthropology at the University of North Carolina in Charlotte.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"A must for anyone interested in the Roman Empire and its impact on world history."—Tony Robinson, star of Blackadder and Time Team This entertaining and informative guide is the perfect introduction to the amazing world of ancient Rome and its emperors, epic wars, awesome architecture, heroes, and villains. With a complete rundown of Roman history alongside fascinating insights into the lives of everyday Romans, you'll discover the amazing people and events involved in the rise and fall of one of the greatest of all ancient civilizations and how its influence is felt around the world today. If you've tuned into any of several TV shows focused on Rome and want to learn more about this fascinating part of history, The Romans For Dummies is the book for you. Schoolteachers and lecturers looking for light-hearted inspiration for lessons will also benefit from this riotous Roman adventure chronicling the rise and fall of the Empire. The Romans For Dummies is an accessible guide written in plain English giving you the fascinating facts of this ancient civilization. You'll learn about the following (and more): How Roman society was divided into classes The assemblies that ruled Rome Why villas were important to the Romans Details about the Roman army, including a Roman soldier's equipment The wonder of Roman architecture, cities, roads, aqueducts, and sewers Everything you ever wanted to know about gladiators and then some The importance of Roman temples, shrines, and the gods How Rome became a republic, an empire, and then collapsed Additionally, you'll learn about turning points in Roman history, (mostly) good and (some) bad Romans, Rome’s greatest enemies, and great places to visit you won’t want to miss on your next Roman holiday. Grab a copy of The Romans For Dummies to discover this and so much more. Guy de la Bédoyère is a historian, archaeologist, and Roman expert, he is well known for his numerous books and appearances on TV, especially Channel 4's Time Team.

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MAJOR STREAMING NEWS TO COME'Koenig's insouciant style and sharp thinking pack a very hefty punch' The Times'A superb thriller that will have everyone gasping' David Baldacci'Badass and brilliant' Chris Whitaker'A blistering barnstormer of an action thriller, this demands to be read' Heat Magazine ' "Thrill-ride" gets tossed around a little too generously these days, but Craven has written one. A highly entertaining, brilliantly violent tale, full of unforgettable set-pieces' Peter Swanson'A superbly executed thriller with intelligence, wit, humour and rib cracking action' Amer AnwarFive million reasons why Ben Koenig had to disappear. Only one to bring him back . . .Ben Koenig is a ghost. He doesn't exist any more.Six years ago it was Koenig who headed up the US Marshal's elite Special Ops group. They were the elite unit who hunted the bad guys - the really bad guys. They did this so no one else had to. Until the day Koenig disappeared. He told no one why and he left no forwarding address. For six years he became a grey man. Invisible. He drifted from town to town, state to state. He was untraceable. It was as if he had never been.But now Koenig's face is on every television screen in the country. Someone from his past is trying to find him and they don't care how they do it. In the burning heat of the Chihuahuan Desert lies a town called Gauntlet, and there are people in there who have a secret they'll do anything to protect. They've killed before and they will kill again.Only this time they've made a mistake. They've dismissed Koenig as just another drifter - but they're wrong. Because Koenig has a condition, a unique disorder that makes it impossible for him to experience fear. And now they're about to find out what a truly fearless man is capable of. Because Koenig's coming for them. And hell's coming with him . . .Praise for Fearless:'Fearless is a terrific thriller, full of action, twists and turns and a very unusual hero' - Peter Robinson 'Blistering pace and all-out action, impossible to put down, impossible to forget. If you like Reacher, you'll LOVE this' - Chris Whitaker 'Adrenalin-fuelled plotting, hard-charging characters, and small-town evil... this is a thriller with all the right ingredients. And yeah, Reacher fans, you're gonna love this too' - Vaseem Khan'An absolutely stunning thriller, a total blast, and the most fun I've had speed-turning pages in ages.' - Simon Toyne 'If you haven't read any M. W. Craven yet, fix that immedi

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“Full of tips and tricks on how to look at the world with a curious eye, it’s a brilliant way to breathe creativity (back) into our lives.” – Flow magazine“Crammed with practical ideas, inspirational images & creative exercises, Conscious Creativity leads the reader through the process of establishing what kind of creative you are...”–Mslexia“The purpose of this book is to enable you to look at things in an alternative and more substantial way, so that you arrive at composition through genuine interest.”–Juno magazine“Philippa Stanton is passionate about people connecting to their innate creativity and has distilled these incredible techniques and ideas on how we can tap into that. Philippa is a massively successful Instagramer at @5ftinf and yet she is only too aware how these little two dimensional squares can limit our experiences and restrict our creativity, so it’s not without a little irony that she’s written a book to encourage people to step away from their screens and connect more with the 3D world. It’s a fascinating subject and I wholeheartedly recommend the book for anyone who’s working in the creative industry or is curious about the world around them.”–Sophie Robinson (DIY SOS, The Great British Interior Design Challenge, This Morning)Unlock your creative potential with Conscious Creativity: a practical, playful guide bursting with inspiration to help bring more colour into to your life. There is creativity in all of us, but it can easily be buried beneath our everyday concerns or need a spark to bring it back to life. Whether you’ve lost your mojo or just need some fresh ideas, artist and photographer Philippa Stanton’s lively guide will stimulate your imagination and reinvigorate your creative life.Engage your curiosity and connect your observations to your creative practice with activities such as: Noticing all the hues of one colour you can see around you Creating an abstract textured image using herbs, spices and other dry ingredients from your kitchen cupboards Collecting shadows: photograph hidden shapes and dark spaces that you haven’t noticed before Conscious Creativity will help you open your senses to the beauty you may not notice every day, and show you how to capture it. Simple, engaging exercises that encourage observation and experimentation will give you an insight into your own aesthetics as you take a conscious step to note the colours, shapes, shadows, sounds and textures that fill your world, and how they make you feel.Bursting with practical ideas and inspirational images, embrace the joy of creating, and learn to use your natural curiosity to take a leap into the most creative time of your life. If you like this, you might also like Creative Flow and Nature Tonic.

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'Tis the season for finding love… and the perfect bookWith just two weeks until Christmas, everything in Clove Lore should be perfect. But the latest holidaymaker to the Borrow a Bookshop is feeling far from festive…Icelandic ex-bookseller Magnús Sturluson might be surrounded by love stories in the Bookshop, but he’s nursing a sadness that not even fiction can fix.When Alexandra Robinson finds herself stranded in Clove Lore, she finds a safe place to hide from heartbreak. After all, all that’s waiting for her at home is a cheater boyfriend and the memories of her parents. As Alex finds herself embraced by the quirky village community, she finds her tough exterior thawing – and as she grows closer to Magnús, she finds an equally soft heart under his gruff shell.It seems that Clove Lore is working its magic once again – until a great flood on Christmas Eve brings devastation in its wake. It’s up to Magnús and Alex to batten down the hatches and help bring the village back together again, while also introducing the locals to the Icelandic tradition of the jólabókaflóð – Yule book flood – where families and friends gather on Christmas Eve to exchange books and read together.But can Magnús and Alex truly rescue the ruins of the village, and salvage their Christmas spirit? Or is there another complication lurking even closer than they thought?A totally uplifting read that will lighten the winter gloom, for fans of Jenny Colgan and Trisha Ashley. Booklovers will adore this seasonal treat!Readers are loving Christmas at the Borrow a Bookshop…‘The best holiday for every bookworm…Warm, cosy and full of Christmas atmosphere.’ ⭐⭐⭐⭐⭐ Reader Review‘This was such a sweet and uplifting story. A story about instant connection, friendship, strength, hope, and love.’ ⭐⭐⭐⭐⭐Reader Review‘The perfect holiday read to curl up next to a fire with a cup of cocoa!’⭐⭐⭐⭐⭐Reader Review'Absolutely adored this...Likeable characters and a wonderful storyline that I enjoyed! Add this book to your Christmas reads!’⭐⭐⭐⭐⭐Reader Review'A perfect cozy read when the weather is cold and you just want to snuggle up with a sweet book! Loved it!’ ⭐⭐⭐⭐⭐Reader Review‘I read it in one sitting; couldn't seem to put it down!...An absolute joy.’ ⭐⭐⭐⭐⭐Reader Review‘Bookshops + Romance + Christmas...What more could you want out of a romance novel?! VERY sweet and VERY good.’ ⭐⭐⭐⭐⭐Reader Review‘A fabulous Christmas read, full of romance, friendships, community and family...Joyful Christmas escapism. Recommended’⭐⭐⭐⭐⭐Reader Review

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Since the last Ice Age, the only safe route into Canada's interior during the winter started at the Bay of Fundy and followed the main rivers north to the St. Lawrence River through what is now New Brunswick. Aboriginal people used this route as a major highway in all seasons and the great imperial powers followed their lead. The Grand Communications Route, as it was then called, was the only conduit for people, information and goods passing back and forth between the interior settlements and the wider world and became the backbone of empire for both England and France in their centuries of warfare over this territory. It was Joseph Robineau de Villebon, a commandant in Acadie, who first made strategic use of the route in time of war because he understood its importance in the struggle for North America. A strategic link between the Atlantic colonies and Quebec, the French made extensive use of the route to communicate and move troops between the northern settlements and Fort Beauséjour, Louisbourg, and Port-Royal. The British put great effort into maintaining and fortifying the route, building major coastal forts at Saint John to guard its entrance and erecting garrisons and blockhouses all along the way to the St Lawrence, first as a defence against the French and then to ward off the Americans. The route also played a key role in the American Revolution as well as the Aroostook War of 1839 that saw bodies of troops lining each side of the border extending from St. Andrews (NB) and Calais (ME) to Madawaska. In 1842, the Grand Communications Route and the Webster-Ashburton Treaty determined the location of the Canada—US border. It is still in use today: the Trans-Canada Highway and Route 7 follow its path. As well as telling the story of the Grand Communications Route from the earliest human habitation of the area, The Road to Canada describes the historic sites, forts, blockhouses and other historic remains that can still be visited today, including Martello Tower (Saint John), the Fort Hughes blockhouse (Oromocto), the Fort Fairfield blockhouse (Fort Fairfield, ME), Le Fortin du Petit-Sault (Edmundston), the Fort Kent blockhouse (Fort Kent, ME) and Fort Ingall (Cabano, QC). The Road to Canada is volume 5 in the New Brunswick Military Heritage Series.

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'This book is SO good! Anybody going camping, staying local, this is an absolute MUST!' Zoe Ball, Radio 2 'I LOVE THIS BOOK' Chris Evans, Virgin Radio Breakfast Show 'Wilderness Chef is a poetic meditation on escape and cooking elegant food in the wild' Phil Robinson, The Times 'This cookbook should be your top pick for flavoursome food in the open air' METRO 'Packed with ideas and simple, tasty and largely healthy [food]' i newspaper 'Ingenious ways to conjure a feast whether you’re out camping, on a long hike or enjoying a day at the beach' The Sun The first cookbook from outdoors legend Ray Mears, Wilderness Chef shows you how to cook delicious, flavoursome food in the open air, whether in the wilderness or your own garden. Ray Mears has spent his life travelling the world, living with and learning from trackers, adventurers and indigenous peoples in the desert, the rainforests and the Arctic north. In this book he shares a delicious array of his most popular recipes, tried-and-tested for all levels of skill and in all conditions whether in the garden or the wild, from quick and tasty meals to opulent gourmet feasts. Opening with advice on setting up your outdoor kitchen, Ray shows how to light a fire, cook in ashes and leaves, steam, smoke and build a simple ground oven. He then shares his fabulous and enjoyable recipes, including: - easy ideas that children and grownups can try (campfire s'mores, wilderness hot dog, egg on a stick) - gourmet meals (Italian hunter's rabbit, succulent split-stick roasted salmon) - recipes learned from bushmen and indigenous peoples (potjiekos, canoe country pancakes, fragrant and intense Gurkha curry) Woven throughout are colourful stories of Ray’s cooking around the world, from baking a birthday cake using ingredients sourced in the rainforest, to pulling a giant Emu leg drumstick out of a ground oven built by a Pitjantjatjara elder in the Central Australian desert. Gather round an open fire. Share delicious food inspired by the outdoors and infused with age-old wisdom. This is living. This is the way of the wilderness chef.

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Through over 700 exquisite photographs and evocative text written by Danish gardening celebrity Claus Dalby, explore the history and development of the beloved cottage garden design style. In the pages of The Cottage Garden, you’ll first draw inspiration from the stories and landscapes of generations of famous cottage gardeners, including Gertrude Jekyll, Vita Sackville-West, William Robinson, Margery Fish, and Tasha Tudor. Then, meet modern cottage gardeners from around the globe who combine billowing masses of flowers such as poppies, delphinium, lupines, foxgloves, peonies, roses, lilies, and many more to create dreamy landscapes infused with the romance and wildness of cottage-style gardening. You’ll find no formal lines, rigid rules, or perfect spacing in the cottage garden. Instead, the form is organic and purposefully unstructured. Plants self-sow here and there, bulbs pop up and spread unrestricted, and everything appears casual; though as you’ll come to learn through Dalby’s words, it is all done with great intent. Overflowing with textures and colors, the cottage gardens featured throughout this book in hundreds of full-color photographs are found in places as diverse as Germany, Sweden, Denmark, England, and the United States. The accompanying text is derived from Dalby’s personal visits to these gardens, along with his intimate interviews with the resident gardeners. Dalby provides useful details about the design, development, and continued evolution of cottage gardens. He shares the stories of these breathtaking modern cottage gardens in a way that allows you to glean inspiration you can use to create a cottage garden of your own, whether large or small. The gardens profiled in these pages exhibit the essential foundational elements and principals of well-designed cottage gardens. Whether home is in the countryside or a suburban subdivision, the profiled gardens will serve as both muse and motivation for the creation of a classic backyard cottage garden in your own space. This gorgeous tome is sure to become the bible of this much-adored classic garden design style.Also by Claus Dalby:Containers in the Garden

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Acting wasn't a long-held childhood dream for Larry Lamb, instead his childhood memories are filled with recollections of his parents continuously fighting. His mother and father were totally mismatched, the only thing they shared in common was their children and life in the Lamb household veered from laughter and happy moments to hysterical outbursts and terrifying episodes. Larry, the eldest of three children was only too often caught in the middle and found himself at the centre of his father's raging anger, tormented by a man who struggled with the enormity of fatherhood. When his parents' marriage finally broke down, Larry's mother moved out along with her baby daughter and as they grew up, Larry and his brother, Wesley, lived with their father, seeing their mother and sister only in rushed meetings at bus stops and in public parks. For years Larry didn't know where his mum lived and he didn't dare talk of her at home, his mother's presence left a gaping hole. As soon as Larry was old enough, he left home. Putting as much distance as he could between himself and his volatile childhood, he set off on a journey that would take him to work as an encyclopaedia salesman in Germany, in the oil business in Libya and Nova Scotia until he found himself starring on Broadway. In time it would take him to Hollywood too and bring him leading roles on the Square in Eastenders and in Billericay in the much-loved comedy Gavin and Stacey. Along the way Larry wasn't just trying to make his own way in the world, he was seeking the close female companionship he'd missed out on with his mother too. After a series of relationships, he found himself back in England and father to George. Facing fatherhood was a pivotal moment, so easily he could have fallen into the ways of his own father but whilst his marriage to George's mother didn't last, he couldn't let the same mistakes be repeated again and he vowed to have the relationship with his son that he'd never been able to have with his father. Mummy's Boy is by turns heartrending as Larry recalls the relationship broken beyond repair with his father, searingly honest as he describes the effect his childhood had in later life and hugely entertaining as he tells captivating tales of making it as an actor, breaking out from his little world in Essex and finding himself in a new life on stage and screen. 'What a life! I loved it. Almost as good as sitting with him and listening to his stories.' Rob Brydon 'A wonderful story of survival against the odds told with compassion and humour. This is so much more than a showbiz autobiography.' Anne Robinson 'Mummy's Boy manages to be touching, funny and uniquely warm all at once. A must-read.' Best

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Queen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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Praise for Competing for Capital "An indispensable guide for investor relations and communication counselors alike. With more individual investors in the market than ever before, this book makes navigating the new regulatory playing field much more possible--and makes clear the path to victory." --Michael W. Robinson Director, Levick Strategic Communications; Former Director of Public Affairs and Policy, U.S. Securities and Exchange Commission (SEC); Director of Media Relations, NASD "More than simply writing a textbook on IR, Bruce Marcus shares his wealth of experience and critical viewpoint with those seeking to understand a fast-changing profession." --June Filingeri President of Comm-Partners LLC, Investor Relations Consultant, and Educator "Bruce Marcus puts some solid ground under the shifting landscape of being an investor relations professional. A must-read primer for public companies." --Robert C. Roeper Managing Director, VIMAC Ventures, LLC "As the song lyrics go, 'everything old is new again,' but this time with a vengeance. Disclosure has always been the touchstone of securities laws, but now more disclosure is required on a real-time basis with heightened accountability. Competing for Capital is a must-read for those in the securities industry, providing insights into securities markets, the information age and technology, and their impact on the job of investor relations professionals. Investors come in all shapes and sizes from around the globe, and investor relations personnel have their work cut out for them to provide clear, comprehensible, and comprehensive information, accessible to the novice and sophisticate alike. Competing for Capital shows them the way." --Donna L. Brooks, Esq. Partner, Shipman & Goodwin, LLP "Competing for Capital puts our recent turbulent financial marketplace in context, provides solid information for both new and experienced investor relations practitioners, and offers insights into the future of IR--all in Bruce Marcus's easy-reading style." --Dixie Watterson IR consultant, Communica Partners "Competing for Capital aptly illustrates how investor relations has become a major corporate responsibility in generating trust, and how the profession must realize now more than ever that the needs of investors have changed because of technology, regulation, and globalization." --Mark Kollar Managing Director, Cubitt Jacobs & Prosek

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‘A true master of British crime writing’ RICHARD OSMAN 'The brilliant Savernake is a fascinatingly enigmatic character.' WASHINGTON POST A superb Golden Age mystery packed with twists, from the winner of the Diamond Dagger 2020 ENGLAND, 1930. Grieving widows are a familiar sight on London's Necropolis Railway. So when an elegant young woman in a black veil boards the funeral train, nobody guesses her true purpose. But Rachel Savernake is not one of the mourners. She hopes to save a life – the life of a man who is supposed to be cold in the grave. But then a suspicious death on the railway track spurs her on to investigate a sequence of baffling mysteries: a death in a blazing car; a killing in a seaside bungalow; a tragic drowning in a frozen lake. Rachel believes that the cases are connected – but what possible link can there be? Rich, ruthless and obsessed with her own dark notions of justice, she will not rest until she has discovered the truth. To find the answers to her questions she joins a house party on the eerie and remote North Yorkshire coast at Mortmain Hall, an estate. Her inquiries are helped – and sometimes hindered – by the impetuous young journalist Jacob Flint and an eccentric female criminologist with a dangerous fascination with perfect crimes... Mortmain Hall is at once a gripping thriller and a classic whodunit puzzle: a Golden Age Gothic mystery, perfect for fans of Agatha Christie and Dorothy L. Sayers. Reviews for Mortmain Hall: 'Maintains a cracking pace... Elegant period escapism' Mail on Sunday 'A classic whodunit' Daily Express 'Rachel Savernake is on spectacular form... A Miss Marple for the 21st century' Daily Mail 'Martin Edwards is a guru of the Golden Age... His work pays homage to the intricate puppetry and byzantine plotting popular in the period' The Times Reviews for Martin Edwards: 'Superb – a pitch-perfect blend of Golden Age charm and sinister modern suspense, with a main character to die for. This is the book Edwards was born to write' Lee Child 'Edwards has managed, brilliantly, to combined a Golden Age setting with a pace that is bang up-to-date. A great sense of the era observed through a cut-throat-sharp eye, every page dripping with brilliant period authenticity' Peter James 'A ripping tale of retribution and rough justice, set against a finely realised 1930s London. It reads as if Ruth Rendell were channelling Edgar Wallace' Mick Herron 'Gripping' Peter Robinson

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Collected stories from renowned and emerging voices writing fiction, poetry, and dramatic prose in the aftermath of 9/11 New York is a city of writers. And when the city was attacked on 9/11, its writers began to do what writers do, they began to look and feel and think and write, began to struggle to process an event unimaginable before, and even after, it happened. The work of journalists appeared immediately, in news reports, commentaries, and personal essays. But no single collection has yet recorded how New York writers of fiction, poetry, and dramatic prose have responded to 9/11. Now, in 110 Stories, Ulrich Baer has gathered a multi-hued range of voices that convey, with vivid immediacy and heightened imagination, the shock and loss suffered in September. From a stunning lineup of 110 renowned and emerging writers-including Paul Auster, Lynne Sharon Schwartz, Edwidge Danticat, Vivian Gornick, Phillip Lopate, Dennis Nurkse, Melvin Bukiet, Susan Wheeler-these stories give readers not so much an analysis of what happened as the very shape and texture of a city in crisis, what it felt like to be here, the external and internal damage that the city and its inhabitants absorbed in the space and the aftermath of a few unforgettable hours. As A.M. Homes says in one of the book's eyewitness accounts, "There is no place to put this experience, no folder in the mental hard drive that says, 'catastrophe.' It is not something that you want to remember, not something that you want to forget." This collection testifies to the power of poetry and storytelling to preserve and give meaning to what seems overwhelming. It showcases the literary imagination in its capacity to gauge the impact of 9/11 on how we view the world. Just as the stories of the World Trade towers were filled with people from all walks of life, the stories collected here reflect New York's true diversity, its boundless complexity and polyglot energy, its regenerative imagination, and its spirit of solidarity and endurance. The editor’s proceeds will be donated to charity. Cover art donated by Art Spiegelman. List of Contributors: Humera Afridi, Ammiel Alcalay, Elena Alexander, Meena Alexander, Jeffery Renard Allen, Roberta Allen, Jonathan Ames, Darren Aronofsky, Paul Auster, Jennifer Belle, Jenifer Berman, Charles Bernstein, Star Black, Breyten Breytenbach, Melvin Jules Bukiet, Peter Carey, Lawrence Chua, Ira Cohen, Imraan Coovadia, Edwidge Danticat, Alice Elliot, Eric Darton, Lydia Davis, Samuel R. Delany, Maggie Dubris, Rinde Eckert, Janice Eidus, Masood Farivar, Carolyn Ferrell, Richard Foreman, Deborah Garrison, Amitav Ghosh, James Gibbons, Carol Gilligan, Thea Goodman, Vivian Gornick, Tim Griffin, Lev Grossman, John Guare, Sean Gullette, Jessica Hagedorn, Kimiko Hahn, Nathalie Handal, Carey Harrison, Joshua Henkin, Tony Hiss, David Hollander, A.M. Homes, Richard Howard, Laird Hunt, Siri Hustvedt, John Keene, John Kelly, Wayne Koestenbaum, Richard Kostelanetz, Guy Lesser, Jonathan Lethem, Jocelyn Lieu, Tan Lin, Sam Lipsyte, Phillip Lopate, Karen Malpede, Charles McNulty, Pablo Medina, Ellen Miller, Paul D. Miller/DJ Spooky, Mark Jay, Tova Mirvis, Albert Mobilio, Alex Molot, Mary Morris, Tracie Morris, Anna Moschovakis, Richard Eoin Nash, Josip Novakovich, Dennis Nurkse, Geoffrey O'Brien, Larry O'Connor, Robert Polito, Nelly Reifler, Rose-Myriam Réjouis, Roxana Robinson, Avital Ronell, Daniel Asa Rose, Joe Salvatore, Grace Schulman, Lynne Sharon Schwartz, Dani Shapiro, Akhil Sharma, Suzan Sherman, Jenefer Shute, Hal Sirowitz, Pamela Sneed, Chris Spain, Art Spiegelman, Catharine R. Stimpson, Liz Swados, Lynne Tillman, Mike Topp, David Trinidad, Val Vinokurov, Chuck Wachtel, Mac Wellman, Owen West, Rachel Wetzsteon, Susan Wheeler, Peter Wortsman, John Yau, Christopher Yu.

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Whether you want to hike the soaring peaks of Torres del Paine, soak in the hot springs of Pucón or lose yourself in Santiago's fine arts museums, your DK Eyewitness travel guide makes sure you experience all that Chile and Easter Island has to offer.Framed by the Atacama Desert, the Andes and the Pacific Ocean, Chile is blessed with wonderful scenery at every turn. And it's not just a feast for the eyes: the country's dramatic landscape is a playground for epic climbs, electrifying surfs and thrilling white-water rafting. Simpler pleasures are also offered in abundance - think world-class wine-tasting, stargazing in the desert and fascinating ancient sites.Our updated 2022 travel guide brings Chile and Easter Island to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the country's iconic buildings and neighbourhoods. DK Eyewitness Chile and Easter Island is your ticket to the trip of a lifetime. Inside DK Eyewitness Chile and Easter Island you will find: - A fully-illustrated top experiences guide: our expert pick of Chile and Easter Island's must-sees and hidden gems- Accessible itineraries to make the most out of each and every day- Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money- Colour-coded chapters to every part of Chile and Easter Island, from Santiago to Central Valley, Northern Patagonia to Tierra del Fuego- Practical tips: the best places to eat, drink, shop and stay- Detailed maps and walks to help you navigate the region country easily and confidently - Covers: Santiago, Central Valley, Norte Grande and Norte Chico, Lake District and ChiloéNorthern Patagonia, Southern Patagonia and Tierra del Fuego, Easter Island and Robinson Crusoe IslandAbout DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie. A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class.Bold and insightful, brilliant in its intimacy and universality, this landmark anthology honours the talents of African daughters and the inspiring legacy that connects them-and all of us.The New Daughters of AfricaDiane AbbottYassmin Abdel-MagiedLeila AboulelaAyobami AdebayoSade AdeniranChimamanda Ngozi AdichieZoe AdjonyohPatience AgbabiAgnès AgbotonCandace AllenLisa Allen-AgostiniEllah Wakatama AllfreyAndaiyeHarriet AnenaJoan Anim-AddoMonica Arac de NyekoYemisi AribisalaYolanda Arroyo PizarroAmma AsanteMichelle AsantewaNana Asma'uSefi AttaAyesha Harruna AttahGabeba BaderoonYaba BadoeYvonne Bailey-SmithDoreen BainganaEllen Banda-AakuAngela BarryMildred K. BaryaJackee Budesta BatandaSimi BedfordLinda BellosJay BernardMarion BethelAma BineyJacqueline BishopMalorie BlackmanTanella BoniMalika BookerNana Ekua Brew-HammondBeverley BryanAkosua BusiaCandice Carty-WilliamsRutendo ChabikwaBarbara Chase-RiboudPanashe ChigumadziGabrielle CivilMaxine Beneba ClarkeAngela CobbinahCarolyn CooperJuanita CoxMeta Davis CumberbatchPatricia CumperStella DadzieYrsa Daley-WardNana-Ama DanquahEdwidge DanticatNadia DavidsTjawangwa DemaYvonne Denis RosarioAnni DomingoNah DoveEdwige-Renée DroCamille T. DungyAnaïs DuplanReni Eddo-LodgeAida EdemariamEsi EdugyanSummer EdwardYvvette EdwardsZena EdwardsSafia ElhilloZetta ElliottNawal El SaadawiDiana EvansBernardine EvaristoEve L. EwingDeise Faria NunesDiana FerrusNikky FinneyAminatta FornaIfeona FulaniVangile GantshoRoxane GayDanielle Legros GeorgesPatricia Glinton-MeicholasHawa Jande GolakaiWangui wa GoroBonnie GreerJane Ulysses GrellRachel Eliza GriffithsCarmen Harriszakia henderson-brownJoanne C. HillhouseAfua HirschZita HolbourneNalo HopkinsonRashidah IsmailiNaomi JacksonSandra Jackson-OpokuDelia Jarrett-MacauleyMargo JeffersonBarbara JenkinsCatherine JohnsonEthel Irene KabwatoElizabeth KeckleyFatimah KelleherDonika KellyAdrienne KennedySusan Nalugwa KiguliRosamond S. KingDonu KogbaraLauri KubuitsileGoretti KyomuhendoBeatrice LamwakaPatrice LawrenceAndrea LevyLesley LokkoKaren LordKaren Ládípò ManyikaRos MartinLebogang MashileIsabella MatambanadzoNomaVenda MathianeImbolo MbueMaaza MengisteArthenia Bates MillicanBridget MinamoreNadifa MohamedNatalia MolebatsiWame MolefheAja MonetSisonke MsimangBlessing MusaririGlaydah NamukasaMarie NDiayeJuliana Makuchi Nfah-AbbenyiWanjiku wa NgugiKetty NivyabandiElizabeth NunezSelina NwuluTrifonia Melibea ObonoNana Oforiatta AyimIrenosen OkojieNnedi OkoraforJuliane Okot BitekChinelo OkparantaYewande OmotosoMakena OnjerikaChibundu OnuzoTess OnwuemeYvonne Adhiambo OwuorLouisa Adjoa ParkerDjaimilia Pereira de AlmeidaAlake PilgrimWinsome PinnockHannah Azieb PoolOlúmìdé Pópó?láClaudia RankineH. Cordelia RaySarah Parker RemondFlorida Ruffin RidleyZandria F. RobinsonZuleica Romay GuerraAndrea Rosario-GborieLeone RossJosephine St. Pierre RuffinMinna SalamiMarina Salandy-BrownSapphireNoo Saro-WiwaTaiye SelasiNamwali SerpellKadija SesayClaire ShepherdVerene A. ShepherdWarsan ShireLola ShoneyinDorothea SmarttZadie SmithAdeola SolankeCelia SorhaindoAttillah SpringerAndrea StuartSuAndiValerie Joan TagwiraJennifer TeegeJean évenetNatasha TretheweyNovuyo Rosa TshumaHilda J. TwongyeirweChika UnigweYvonne VeraPhillippa Yaa de VilliersKit de WaalElizabeth Walcott-HackshawEffie Waller SmithRebecca WalkerAyeta Anne WangusaZukiswa WannerJesmyn WardVerna Allette WilkinsCharlotte WilliamsSue Woodford-HollickMakhosazana XabaTiphanie Yanique

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This is the dramatic, often erratic, and at times unbelievable story of the fortunes and misfortunes over 900 years to the present day of one of England’s premier aristocratic families, who in 1661 were given the Earldom of Essex by Charles II. This fascinating, previously untold story begins just after the Norman Conquest with a Hugh Capel in AD 1100 and ends at the present day, with Frederick Paul de Vere Capell, 11th Earl of Essex and the future heir presumptive, William Jennings Capell, a former shelf stacker, who lives in Yuba City, California. Over a period of 400 years the Capell family built a fortune, and over the next 500 years lost it due to an incredible number of mistakes bad judgment calls, and misfortunes. Lord Arthur Capel, one of England’s richest men, changed sides from Parliament to support Charles I, and after a further series of poor decisions, was executed at Palace Yard, Westminster at the age of 41 in 1649 by the same executioner, using the same axe as had executed King Charles I barely three months earlier. His son, also Arthur Capel, created 1st Earl of Essex by Charles II became involved in a plot against the king, and was mysteriously found with his throat cut whilst awaiting trial in the Tower of London. Did he commit suicide to avoid the consequences of treason and to save the estates and titles for his son? Conspiracy theories abounded. The king commented sadly that he owed the Earl’s father had died for his father, and he owed him a life and would have spared him. Arthur’s young son became the 3rd Earl and went down in history as `the most debauched young man in London.’ The long-lived 5th Earl had numerous mistresses and, as a close friend of the debauched Prince Regent, shared a well-known courtesan, Mrs Robinson with the Prince. Unhappily married, with no legitimate male heir, living at the family seat, Cassiobury in Watford, at the age of 81 he married secondly a 44-year-old actress and died shortly afterwards, accompanied to the grave by some very irreverent press comments. The three-times-married 6th Earl, whose father was a bankrupt debauched gambler, had an illegitimate son, George Ingerfield Capel, who had an illegitimate daughter who was the mistress of the `Sundance Kid.’ The 7th Earl, in 1892 struggling to keep Cassiobury and the family fortunes together married a title-hunting American heiress, Adele Beach Grant, who was not really an heiress, and who became a member of the Edwardian `fast set’. Her alcoholic husband, known as `sulky’ stepped in front of a cab outside his London club in 1916 and was killed. Adele was found mysteriously dead in the bath in 1922. Her step-son the 8th Earl had eloped with and married young, and by the 1920s the extensive family estates had to be sold. The much-married 9th Earl died heirless in Bermuda in 1966. A contest broke out over whom should now inherit the titles. Robert Edward de Vere Capel, the next Earl, born in 1920 was the son of a railway parcel porter and was a Royal Air Force flight sergeant during the Second World War. He fought a dramatic battle to prove his right to the Earldom. His son, Frederick Paul de Vere Capell, the 11th Earl of Essex, who lives modestly not far from Lancaster, is a retired assistant schoolmaster and a classical music devotee. He has no children and unless the inheritance laws change, the title will one day go to his American cousins in Yuba City, California.

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“A compilation of leading Dada-influenced artists from around the world." ―TRIBE LA Magazine The 2022 edition of the world’s premiere journal of contemporary dada writing and art continues a revolutionary approach to creation, inspired by the Dada movement. These days you hear a lot about NET ZERO, in reference to steps being taken to combat climate change. NET ZERO refers to the balance between the amount of greenhouse gas produced and the amount removed from the atmosphere. At this time, NET ZERO is an ambition lacking absolute definition as corporate energy titans pledge distant adherence without clear or immediate commitments to act. In fact, these so-called “innovative” scions of wealth seem to not even be able to remove the layer of hot air greenhouse gases spewing from the mouths of the pundits and politicos pushing the affirmation of their endlessly pernicious promises. Enter NYET ZERO. With NYET ZERO, MAINTENANT 16 makes an artistic power grab using DADA—in the form of original art, poetry, and writing aimed at exposing the hypocrisy of the engine-idle rich on recycled paper. We can change the now with art and thought. Otherwise, the future has NOTENTIAL. When the corporate powers that be control all of the energy resources, Art Becomes A Necessity!!! Or as Tristen Tzara put it in his Dada Manifesto, “Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE!” For the first time since debuting in 2008, MAINTENANT 16 includes work from all seven continents on the planet, with more than 250 creators from 35 countries. The MAINTENANT series gathers the work of internationally-renowned contemporary Dada artists and writers. MAINTENANT 16 offers compelling proof that concepts of Dada continue to serve as a catalyst to creators more than a century later. Contributors to Maintenant 16 include: Derek Adams • Susan Shoshannah Adler • Jamika Ajalon • Ina Al-soqi • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Avelino de Araujo • Wayne Atherton • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Brent Bechtel • Peter Beda • Regina Lafay Bellamy • C. Mehrl Bennett • Carla Bertola • Volodymyr Bilyk • József Bíró • Lucy Jane Bledsoe • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • Bob Branaman • Kathy Bruce • Michael Lane Bruner • Imanol Buisan • Fork Burke • Billy Cancel • Angela Caporaso • Peter Carlaftes • Mutes César • Peter Ciccariello • Hal Citron • Lynette Clennell • Andrei Codrescu • Terese Coe • Roger Conover • Anthony Cox • Lars Crosby • Malik Ameer Crumpler • Tchello d’Barros • Wer Da • Steve Dalachinsky • Allison A. Davis • Heather Dawish • Holly Day • Quỳnh Iris de Prelle • Laylah DeLautréamont • Lily Despic • Sam Dodson • Bruce Louis Dodson • Gabriel Don • Carol Dorf • Robert Duncan • Malcolm Easton • Salvatore Esposito • Jeff Farr • Becky Fawcett • Federico Federici • Rich Ferguson • Cheryl J. Fish • Kathleen Florence • Giovanni Fontana • Robert C. Ford • Kofi Fosu Forson • Patrick Forsythe • Abigail Frankfurt • Dorothy Friedman • Thomas Fucaloro • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Anthony Gibbons • Mark Glista • Gemma Goette • Gustavo Gómez-Mejía • S.A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • Ana-Maria Guta • Janet Hamill • Bibbe Hansen • Jesper Hasseltoft • Heide Hatry • Erica ESH Henry • Aimee Herman • Jan Herman • Karen Hildebrand • Mark Hoefer • Lawrence Holzworth • Richard Humann • Matthew Hupert • Frie J. Jacobs • Ayushi Jain • Annaliese Jakimides • Mathias Jansson • Jerry T. Johnson • Boni Joi • Milana Juventa • Marina Kazakova • Anthony D. Kelly • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Hope Kroll • Paweł Kuczyński • Zygimantas Kudirka • Bénédicte Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Sarah Legow • Patricia Leonard • Linda Lerner • Martin H. Levinson • Alexander Limarev • Richard Loranger • Ruggero Maggi • Sara Maino • Gerard Malanga • Jaan Malin • Sophie Malleret • Mary Rose Manspeaker • Philippe Marcade • Fred Marchant • Eliette Markhbein • Bronwyn Mauldin • Jesse McCloskey • Philip Meersman • Lois Kagan Mingus • Charles Mingus III • Julian Mithra • Richard Modiano • Mike M. Mollett • Thurston Moore • Luiz Morgadinho • Alexander Nderitu • Dustin Nelson • J. D. Nelson • Karen Neuberg • Gerald Nicosia • Lance Nizami • Harry E. Northup • Anna Gabrielle O’Meara • Ruth Oisteanu • Valery Oisteanu • Suzi Kaplan Olmsted • Marc Olmsted • John Olson • Jane Ormerod • Yuko Otomo • Bibiana Padilla Maltos • Csaba Pal • Lisa Panepinto • Pamela Papino-Wood • Gay Pasley • John S. Paul • Oladipo Kehinde Paul • Giorgia Pavlidou • Puma Perl • Raymond Pettibon • Charles Plymell • Renaat Ramon • Nicca Ray • Mado Reznik • Travis Richardson • Wes Rickert • Benjamin Robinson • Radoslav Rochallyi • L. Rose • Alison Ross • Martina Salisbury • William Seaton • Jack Seiei • Silvio Severino • Susan Shup • Bertholdus Sibum • Paul Siegell • Denise Silk-Martelli • Zoltan Simon • Lily Simonson • Neal Skooter Taylor (LA Dada) • Angela Sloan • Valerie Sofranko • Paul Sohar • Pere Sousa • Orchid Spangiafora • Dd. Spungin • Marilyn Stablein • Laurie Steelink • J. J. Steinfeld • Christine Sloan Stoddard • Thomas Stolmar • Rich Stone • W. K. Stratton • Belinda Subraman • Kelly Talbot • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Anoek van Praag • Lynnea Villanova • Barbara Vos • Matina Vossou • Silvia Wagensberg • George Wallace • Scott Wannberg • Mike Watt • Poul R. Weile • Syporca Whandal • Brenda Whiteway • Maw Shein Win • A. D. Winans • Tracy Witt • Francine Witte • Jeffrey Cyphers Wright • Yaryan • Gerald Yelle • Karen Romano Young • Andrena Zawinski • Larry Zdeb • Nina Živančević • Joanie HF Zosike

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