Search results for ""author william"

'I dislike the idea of being a religious poet. I would prefer to be a poet for whom religious things mattered intensely.' In the poems collected in this book, Rowan Williams writes of many things. He visits the Holy Land, commemorates the deaths of parents and close friends, explores elements of ancient Celtic culture; poems are inspired by works of art, landscapes rural and urban, and historical figures from Tolstoy to Simone Weil. What connects poem to poem is the poet's vividly sensual language, his formal mastery, and how he can address, specifically and particularly, what matters most intensely. 'Earth is a hard text to read', writes Welsh poet Waldo Williams in a poem translated here. For Rowan Williams, this very reading is the task of the poet.

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Exploring design works ranging from furniture and temporary art installations to interior design and architecture by CL3, founded by William Lim, and related studios Lim + Lu and Open UU, this book presents a fresh consideration of the essence of contemporary Asian design and how it has evolved over the past few decades. The projects selected share a sensitivity to Asian qualities: a deep appreciation of site and context, craft and design details, with imaginative architectural responses delivering a reinterpretation of cultural heritage and traditions. The book includes a contextual essay by Hong Kong-based architecture critic and author Catherine Shaw, a foreword by architecture and design curator Aric Chen, and a chapter dedicated to conversations on the modern interpretation of eastern aesthetics and the unique experience of designing for a new Asia between William Lim, Swedish museum director, art critic and writer Lars Nittve, and Shanghai-based architect Lyndon Neri. The projects are presented in a clear, vibrant graphic style designed by William Lim and artist and graphic designer Stanley Wong, aka anothermountainman, to evoke an Asian quality. Each chapter includes a text by William Lim and features original conceptual sketches, photographs, floor plans, and drawings.

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Originally published in 1933. As mediaeval society was dominated by the feudal caste, a biography that depicts the position, activities, manners, and thoughts of a member of that class might do much to elucidate the history of the period. This is what Sidney Painter had in mind when he wrote a William Marshal: Knight-Errant, Baron, and Regent of England. The subject has proved a peculiarly fortunate one. The fourth son of John fitz Gilbert, marshal of the king's court, William for the first forty years of his life was a landless knight who devoted most of his time and energy to tournaments. In the year 1189 by his marriage to the daughter and heiress of Earl Richard of Pembroke, William became a great feudal lord with fiefs in Normandy, England, Wales, and Ireland. Thus his biography depicts the two extremes of feudal society—the landless knight and the rich baron. Finally in 1216 he was chosen regent of England for the young king, Henry III, and his biography becomes for three years the history of England.

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A brilliant new biography of the mystic poet and artist William Blake - and the first to explore both his struggle to make a name for himself in a society unable to appreciate his genius and his startlingly original quest for spiritual truth.'And did those feet in ancient time ...' The hymn 'Jerusalem', with its famous words by William Blake, stirs our hearts with its evocation of a new holy city built in 'England's green and pleasant land'. Equally popular, and adored by children, is the address to 'Tyger Tyger burning bright,/ In the forests of the night.' Writing of this calibre - heartfelt, vivid and profound - makes Blake one of the best-loved poets writing in English. Yet he was also a visionary artist. To follow Blake into his fascinating labyrinth of thought and feeling you need a guide who not only is deeply knowledgeable about Blake's life and times, but also shares Blake's values. That guide is Tobias Churton. Until now, Blake the guru has been lost under a myriad of inadequate biographies, college dissertations and arts commentaries, by people who have missed the luminescent keys to Blake's symbolism and liberating spirit and the essence of his titanic spiritual effort. In Jerusalem Churton creates an enthralling tapestry out of the threads of Blake's spiritual quest, as well as his struggle to put bread on his table. He conjures a superb portrait of Blake's London, and in particular the rivalries of the cultural community in which the poet-artist was usually misunderstood, and often cruelly abused. For some, Blake is a 'romantic poet' whose plain language, simple verse forms and sympathy with everyday humanity is deeply moving. To others, he is a revolutionary, an angry Cockney rebel with ideas about free sex. This biography, the first to show Blake in all his glory, is essential for those who seek spiritual awakening and an antidote to both materialism and to the commercialization of wonder.

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The Osage Orange Tree, a never-before-published story by beloved poet William Stafford, is about young love complicated by misunderstanding and the insecurity of adolescence, set against the backdrop of poverty brought on by the Great Depression. The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk--and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford's. In the tradition of the work of great fiction writers like Steinbeck, O'Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

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'Action-packed and panoramic.' Observer'Magnificent . . . there won't be a finer piece of Scottish fiction published this year.' Big Issue 'A galloping and impressively wide-ranging read.' Herald (Scotland) 'Gripping.' Times Literary Supplement 1956, the Scottish Highlands: Aaron and Robbie, a schoolmaster's son and a farmer's boy, are fast friends with a shared passion for diving, but very divergent ideas of what they will do with their lives.Meanwhile, Mark and Ally, bright pupils at Edinburgh's grandest private school, are aspiring to make change in the world - one through high finance, the other on the political stage.And Joseph, heir to an Aberdeen trawler-fishing dynasty, is brooding over whether his true ambitions are set higher than his father's succession plan.For each of them, the discovery of oil under the North Sea will make their dreams achievable. But behind the promise and temptation of 'black gold,' there is a price to be paid; and they will discover that oil can overthrow relationships, turn friends into foes, and even put lives in peril.

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The landmark text that has served generations of obstetrician-gynecologists—fully updated with the most current perspectives of the fieldWilliams Obstetrics has defined the discipline for generations of obstetrician-gynecologists. Written by authors from the nationally renowned University of Texas Southwestern Medical Center and Parkland Hospital, the new edition of this authoritative, evidence-based work maintains its trademark comprehensive coverage and applicability at the bedside, while offering the most current information and insights.The culmination of a century of clinical thought, Williams Obstetrics, 26th Edition delivers expert coverage of obstetrical complications, such as preterm labor, pregnancy-related hypertension, infection, and hemorrhage. It additionally offers foundational content on reproductive anatomy, physiology, and prenatal care. The authors have enhanced this edition with 1,000+ full-color illustrations, plus an increased emphasis on the fast-growing subspecialty of Maternal-Fetal Medicine.No other text matches the long-established scientific rigor and accessibility of Williams Obstetrics. With its state-of-the-art design and review of the newest advances and protocols, this not-be-missed clinical companion brings positive outcomes within reach.New and updated content includes: Increased focus on Maternal-Fetal Medicine Greater coverage of hypertension and hemorrhage Deeper insights into in-utero complications Expanded fetal t section includes cutting-edge fetal imaging, genetics, prenatal diagnosis, and fetal disorders and therapy Basic science, physiology of labor, preterm labor updated with contemporaneous publications in the literature More obstetrical sonography figures Eye-catching illustrations, including updated graphs, sonograms, MRIs, photographs, and photomicrographs

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William Clarke of Prestonpans, Scotland, joined the 2nd Royal North British Dragoons, the Scots Greys, in 1803\. Clarke had risen to the rank of sergeant by the time the regiment was ordered to Belgium on the news that Napoleon had escaped from Elba. Forming part of what became known as the Union Brigade, the Scots Greys played a key role in Napoleon s defeat at Waterloo. The John Rylands Library, Manchester, recently acquired William Clarke s 600-page, hand-written memoir describing his enlistment and military career, the highlight of which was the Waterloo campaign, which he describes in unusual detail in the vernacular of the day, presented and annotated by the renowned historian Garth Glover. Thanks to this rare discovery, the reader can follow the movements of the Scots Greys at every stage of the action throughout the three days from Quatre-Bras to that climatic encounter on the Mont St Jean. Clarke naturally portrays the charge of the Union Brigade in dramatic and heroic terms, but he claims that the man who led the charge, Major General William Ponsonby, was killed by a musket ball and not cut down by French cavalry, as is usually stated, for recklessly charging too far. After the battle, Clarke was part of the Burial Party. He then graphically describes the sad scene as he does the trail of the defeated French army as the pursuing Prussians cut a merciless path on their way to Paris. A Scots Grey at Waterloo provides the reader with an exceptionally in-depth account of the actions of the cavalry at Waterloo that will mark this memoir out as one of the most significant to have been published in the last 200 years.

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The spectacular 1848 escape of William and Ellen Craft (1824–1900; 1826–1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his “master’s” devoted slave valet; both travelled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts’ activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts’ only book, their memoir, Running a Thousand Miles for Freedom, published in 1860.Yet as this study of key moments in the Crafts’ public lives argues, the early print archive—newspapers, periodicals, pamphlets, legal documents—fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences’ changing reactions to them. By discussing such events as the 1878 court case that placed William’s character and reputation on trial, this book also invites readers to reconsider the Crafts’ triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early

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Collecting Nobel Laureate William S. Vickrey's articles on macroeconomic theory and policy written towards the end of his career, this volume demonstrates his enduring commitment to full employment and price stability, and his rejection of conventional macroeconomic theorizing. William Vickrey never lost hope that sensible macroeconomic policy could be understood and implemented, a faith inspired by his humanistic vision of a better world for all and his belief that common sense would ultimately prevail.Advocating sensible economic policies, this collection will offer much of value to heterodox and orthodox economists, graduate economics students and also policymakers.

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In the second edition of Sacred Passion, biographer Gregory Wolfe chronicles the artistic career of William Schickel (1919-2009) in the years since the original 1998 publication of this book by the University of Notre Dame Press. There are two new chapters, one on Schickel's recent contributions to the built environment in several communities, and the other on his recent paintings. There are 70 new color images, in addition to the 189 from the first edition, many of which have been replaced or enhanced. William Schickel was born in Stamford, Connecticut in 1919 and raised in Ithaca, New York. He graduated from the University of Notre Dame in 1944. His graduation project was the sculptural fountain "Living Water," now in the university's grotto. In a consistently productive career spanning more than six decades, Schickel has combined his skills as a sculptor, architectural designer, furniture designer, stained-glass artist, and painter with his deep personal faith to bring a healing vision to a number of American communities. In addition to his many paintings and ritual arts creations, Schickel's public works include the renovation of Gethsemani Abbey in Kentucky, for which he received the American Institute of Architects' Gold Medal Award; the Duchesne Memorial Shrine in St. Charles, Missouri; the Miami Valley Hospital Chapel in Dayton, Ohio; the "Rotunda of Creation" in the Cincinnati Center for Health and Wellness; the renovation of the Bellarmine Chapel in Cincinnati; the "Journeying with Christ" mural in the St. John Neumann Church in Canton, Michigan; and the Larry Hoffsis stained-glass window in the Epiphany Lutheran Church near Dayton, Ohio. Celebrating an artist of extraordinary faith, power, creativity, and dedication, the second edition of Sacred Passion is a tribute to William Schickel and his achievements.

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Hemostasis and Thrombosis as only Williams can cover itIN FULL COLOR!Featuring twenty-five clinically relevant chapters originally appearing in Williams Hematology, Ninth Edition – many carefully updated by the original authors to reflect the latest developments -- this concise, full-color resource delivers comprehensive and up-to-date coverage of hemostasis and thrombosis. The result of this unique compilation is a focused, timely resource that will be of particular value to advanced medical students who seeks a more detailed review of hematology than generally presented in second year medical school, medicine and pediatric residents, and hematology/oncology fellows faced with patients with bleeding and clotting disorders on a myriad of medications, and physicians of all levels of life-long learning who wish to remain current with anticoagulant and anti-platelet therapies.

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This volume, continuing the series of great medieval bishops' registers, offers material valuable for both religious and social history. The register of Archbishop William Melton is one of the largest and most comprehensive to survive. Its backbone is the institution of clergy and licences to them, papal provisions and ordination of vicars and chantries, but it also contains a wealth of material for social history. During the period it covers, the East Riding of Yorkshire was flourishing, and a number of entries in the register reflect the challenges which the newly-founded town of Kingstonupon Hull was causing for the existing parochial structure. The archbishop is shown anathematizing malefactors who stole his swans and invaded his liberties in Beverley and the river Hull, and demanding the return of stolen woolon behalf of a merchant whose ship had been wrecked in the river Humber. The register also covers the origins of one of the last monasteries to be founded in medieval England, Haltemprice, and reveals the shortcomings of monks andnuns as well as secular clergy and members of the laity; more widely, many entries reflect the tensions between outlying vills and chapelries and their mother churches. The text is presented here with introduction, apparatus, and notes which elucidate the entries. David Robinson, until his retirement County Archivist of Surrey, was awarded his PhD from the University of Cambridge.

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A book of moral and religious reflections written by a Carolingian noblewoman for her teenage son in the middle of the 9th century. Intended as a guide to right conduct, the book was to be shared in time with William's younger brother. Dhuoda's situation was poignant. Her husband, Bernard, the count of Septimania, was away and she was separated from her children. William was being held by Charles the Bald as a guarantee of his father's loyalty, and the younger son's whereabouts were unknown. As war raged in the crumbling Carolingian Empire, the grieving mother, fearing for the spiritual and physical welfare of her absent sons, began in 841 to write her loving counsel in a handbook. Two years later she sent it to William. The book memorably expresses Dhuoda's maternal feelings, religious fervor and learning. In teaching her children how they might flourish in God's eyes, as well as humanity's, Dhuoda reveals the authority of Carolingian women in aristocratic households. She dwells on family relations, social order, the connection between religious and military responsibility, and, always, the central place of Christian devotion in a noble life. One of the few surviving texts written by a woman in the Middle Ages, Dhuoda's ""Liber manualis"" was available in only two faulty Latin manuscripts until a third, superior one was discovered in the 1950s. This English translation is based on the 1975 critical edition and French translation by Pierre Riche. Now available for the first time in paperback, it includes an afterword written by Carol Neel that takes into account recent scholarship and the 1991 revised edition of Riche's text.

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William Bell Scott’s screen, The King’s Quair, was commissioned by James Leathart, an important collector of Pre-Raphaelite art. The beautifully decorated folding screen took as its inspiration The Kingis Quair, a 15th-century Scots poem attributed to James I of Scotland. Depicting key scenes from the king’s 18-year imprisonment in Windsor Castle, it is adorned by exquisite botanical details and gold leaf. Split into three parts, this book reveals the history of the screen’s commission, details the remarkable imagery of the screen itself, and finally situates the screen in its historical context by explaining the fascinating personal relationships that were the backdrop to its creation, including Scott’s relationship with the artist and heiress Alice Boyd. Drawing together the chivalric medieval tale of an imprisoned, love-struck king with the vibrancy of the Pre-Raphaelite social circles in which Scott moved, the reader is given a vivid picture of how this captivating artwork was created. Illustrated with new photography of the screen, this book is a vital new part of the story of British, as well as Scottish art.

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These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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EMBROIDERED JOURNAL – The William Morris Strawberry Thief B5 Handmade Embroidered Journal features one of Morris's iconic patterns with bright colors derived from nature. The embroidered areas on the front and back cover create extra depth and add a bespoke feel to this stylish notebook. MULTIFUNCTIONAL – Handmade on recycled paper, this luxurious textured notebook contains 100 lined pages, making it as practical as it is beautiful. Whether you use this multifunctional notebook at school, work, or home, it’s just the right size to be perfectly portable. You can use it to take notes, doodle, store shopping lists, or simply to collect your thoughts. PERFECT FOR GIFTING – From back to school, to new job celebrations, or just because, this William Morris Journal makes a chic gift for any occasion. GALISON – Since 1979, our vision at Galison has been to inspire people by bringing art into daily life with home office supplies, hom

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William Henry Fox Talbot - a scientist, mathematician, author and artist - is credited with being the inventor of photography as we know it. In mid-1834 he began to experiment with light-sensitive chemistry, and in January 1839 he announced his invention of the photogenic drawing, two weeks after Louis-Jacques Mande Daguerre's daguerreotype process debuted in France. Talbot's improved process, the calotype, was introduced in 1840. This invention, which shortened exposure times and facilitated making multiple prints from a single negative, became the basis for photography as it is practised today. The Getty Museum's collection of photographs includes approximately 350 by Talbot, and approximately 50 are reproduced here in colour with commentary on each image by Larry J. Schaaf. Schaaf also provides an introduction to the volume and a chronological overview of the artist's life. This volume includes an edited transcript of a colloquium on Talbot's career with participants Schaaf, Michael Ware, Geoffrey Batchen, Nancy Keeler, James Fee, Weston Naef and David Featherstone.

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A biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance.Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.

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From the celebrated author of American Philosophy: A Love Story and Hiking with Nietzsche, a compelling introduction to the life-affirming philosophy of William JamesIn 1895, William James, the father of American philosophy, delivered a lecture entitled "Is Life Worth Living?" It was no theoretical question for James, who had contemplated suicide during an existential crisis as a young man a quarter century earlier. Indeed, as John Kaag writes, "James's entire philosophy, from beginning to end, was geared to save a life, his life"—and that's why it just might be able to save yours, too. Sick Souls, Healthy Minds is a compelling introduction to James's life and thought that shows why the founder of pragmatism and empirical psychology—and an inspiration for Alcoholics Anonymous—can still speak so directly and profoundly to anyone struggling to make a life worth living.Kaag tells how James's experiences as one of what he called the "sick-souled," those who think that life might be meaningless, drove him to articulate an ideal of "healthy-mindedness"—an attitude toward life that is open, active, and hopeful, but also realistic about its risks. In fact, all of James's pragmatism, resting on the idea that truth should be judged by its practical consequences for our lives, is a response to, and possible antidote for, crises of meaning that threaten to undo many of us at one time or another. Along the way, Kaag also movingly describes how his own life has been endlessly enriched by James.Eloquent, inspiring, and filled with insight, Sick Souls, Healthy Minds may be the smartest and most important self-help book you'll ever read.

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This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism’s erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt’s profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art.

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This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism’s erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt’s profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art.

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Since ascending onto the world stage in the 1990s as one of the premier bassists and composers of his generation, William Parker has perpetually toured around the world and released over forty albums as a leader. He is one of the most influential jazz artists alive today. In Universal Tonality historian and critic Cisco Bradley tells the story of Parker’s life and music. Drawing on interviews with Parker and his collaborators, Bradley traces Parker’s ancestral roots in West Africa via the Carolinas to his childhood in the South Bronx, and illustrates his rise from the 1970s jazz lofts and extended work with pianist Cecil Taylor to the present day. He outlines how Parker’s early influences—Ornette Coleman, John Coltrane, Albert Ayler, and writers of the Black Arts Movement—grounded Parker’s aesthetic and musical practice in a commitment to community and the struggle for justice and freedom. Throughout, Bradley foregrounds Parker’s understanding of music, the role of the artist, and the relationship between art, politics, and social transformation. Intimate and capacious, Universal Tonality is the definitive work on Parker’s life and music.

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William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented-until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs.A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution-and the way you hear its music.

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Policy Analysis and Public Choice is an important selection of articles written by William A. Niskanen over the last thirty years. The volume represents two quite different disciplines to which Niskanen has made a major contribution: policy analysis and public choice. It also includes his major essays on proprietary studies as well as many of his professional papers written for an academic audience.Part I details Niskanen's important contribution to policy analysis. The diverse topics discussed include: defence spending and resource allocation, trade policy, crime and drug policy, and welfare and the culture of poverty. Part II is concerned with public choice and political economy, in particular the liberal economic order, bureaucracy, democratic government and progressive taxation. The volume also includes an autobiographical summary focusing on the complementary nature of his work on policy analysis and public choice, and a number of commentaries that reflect Niskanen's unique professional background and perspective. Policy Analysis and Public Choice will be of special interest to those interested in public choice, public policy, political economy and political science.

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William H. Johnson painted his Fighters for Freedom series in the mid-1940s as a tribute to African American activists, scientists, teachers, and performers as well as international heads of state working to bring peace to the world. He celebrated their accomplishments even as he acknowledged the realities of racism, violence, and oppression they faced and overcame. Some of his Fighters — Harriet Tubman, George Washington Carver, Marian Anderson, and Mohandas Gandhi — are familiar historical figures; others are less well-known individuals whose determination and sacrifice have been eclipsed over time. Johnson elevates their lives visually, offering historical insights and fresh perspectives. Through their stories he suggests that the pursuit of freedom is an ongoing, interconnected struggle, with moments of both triumph and tragedy, and he invites us to reflect on our own struggles for justice today. In Fighters for Freedom Johnson reminds us that individual achievement and commitment to social justice are at the heart of the American story.

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'A writer of genius' - William Dalrymple'Remarkable' - Kwame Anthony Appiah'Utterly captivating' - Anthony DoerrCan anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing.It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect.Travelling through Classical Greece, Ashoka's India, Tang dynasty China, and many other epochs, this triumphal new history reveals the crossing points which have not only inspired the humanities, but which have made us human.

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The relationship between Thomas Jefferson and William Short, the eldest son of an established Virginia family and relative of Martha Jefferson, began as a patron-protégé arrangement conventional for the era. Jefferson encouraged Short's legal career and gave him his first legal work. Thus began a bond of forty years that that both men characterized in paternal and filial terms and that sheds considerable light on the enigmatic Founding Father. In the aftermath of Jefferson's precipitous "flight from Monticello," Short underwrote substantial short-term loans to him. Jefferson took the younger man to France as his private secretary in 1784 but, quickly concluding that his moral well-being and political judgment were at risk, he urged Short to return to America and settle down. Short, however, wished to pursue a foreign service career and a long affair with a French aristocrat. Jefferson wanted Short to embrace a Virginia way of looking at the world, even buying him a farm near Monticello. Short resisted--and rejected Jefferson's ideas about slavery, economics, marriage, the practice of democratic government, and republican morality, but without rejecting his "friend and father." He showed little respect for Jefferson's political achievements, viewing him as a well-meaning "visionary," yet he was conscious of living in the statesman's shadow. William Short was not Thomas Jefferson's intellectual equal, was not a political collaborator, and never became a neighbor, yet the elder man invested considerable emotional energy and time in his "adoptive son," even during his vice-presidency and presidency. By efficiently managing the younger man's financial affairs Jefferson enabled his extended stay in France, but also diverted Short's money for his own use. Although he believed Short's political judgment had been clouded by his enjoyment of French society and savagely criticized his reaction to the French Revolution, he never gave up on Short the private individual. Heir through Hope reveals a figure who served as a unique sounding board to a Founder, while underscoring the distinct ways Jefferson envisioned the United States' destiny vis à vis Europe. Fascinating in its own right, their complex relationship highlights the tensions between the founding generation and its successors while illuminating the operation of political power in early national America and Revolutionary Europe.

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Solider, politician, miner, pioneer, scion of a Founding Father, William Stephen Hamilton led a prolific life. Rough Diamond: The Life of Colonel William Stephen Hamilton examines the tumultuous early Republic period of American history through the life of Alexander Hamilton's son.Born in New York in 1797, the fifth son of Alexander Hamilton, he was only seven when his father was infamously killed in a duel with Vice President Aaron Burr. After resigning from West Point, Hamilton moved to frontier Illinois in 1817. The famous name of Hamilton that may have acquired him rank and prestige at one time was meaningless in a Midwestern frontier society driven by the Jacksonians. Yet, despite being hurled into a clash of economic, political, and cultural cultures, Hamilton determined to live his life by his own rules. A veteran of the Winnebago and Black Hawk Wars, Hamilton was elected to the Illinois House of Representatives before moving to the Wisconsin territory, where he founded the mining town of Hamilton's Diggings (Wiota, WI). When gold was discovered in California in 1848, he traveled west, where he would die in Sacramento in 1850.In Rough Diamond: The Life of Colonel William Stephen Hamilton, author A. K. Fielding expands the story of the Hamilton family. Hamilton's life offers a firsthand account of the formation of the Midwestern states, the realities of life on the frontier, and mass migration caused by the California Gold Rush.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the Foiled Quarto Journals combine high-quality production and FSC pages with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, list-makers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.A NEW SERIES. The Quarto format is named after the earliest form of European printed publication, dating back to the 1400s when Gutenberg invented the first moveable-type printing press, heralding a revolution in mass communication, spreading ideas of literature, science and philosophy of the Renaissance. We celebrate this with our range of fine art and contemporary illustrations.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spe

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