Search results for ""author pierre"

Sean Hannan offers a new interpretation of Augustine of Hippo’s approach to temporality by contrasting it with contemporary accounts of time drawn from philosophy, political theology, and popular science. Hannan argues that, rather than offering us a deceptively simple roadmap forward, Augustine asks us to face up to the question of time itself before we take on tasks like transforming ourselves and our world. Augustine discovered that the disorientation we feel in the face of change is a symptom of a deeper problem: namely, that we cannot truly comprehend time, even while it conditions every facet of our lives. This book puts Augustine into creative conversation with contemporary thinkers, from Pierre Hadot and Giorgio Agamben to Steven Pinker and Stephen Hawking, on questions such as the definition of time, the metaphysics of transformation, and the shape of history. The goal is to learn what Augustine can teach us about the nature of temporality and the possibility of change in this temporal world of ours.

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A bold synthesis of ancient sacred science, modern physics, and neuroscience designed to open access to higher consciousness• Explores how esoteric teachings from India and Tibet offer specific methods for tuning and directing consciousness to reach higher stages of awareness • Presents a wide-ranging collection of practical techniques, as well as numerous figures and diagrams, to facilitate navigation of altered states of consciousness and heightened mystical states • Develops an integrated structural map of higher consciousness by viewing Tibetan and Indian Tantra through the work of Steiner, Gurdjieff, Teilhard de Chardin, Aurobindo Ghose, and quantum physicists Planck and Bohm Throughout the millennia shamans, saints, and yogis have discovered how the brain-mind can be reprogrammed to become a powerful instrument facilitating access to higher states of consciousness. In particular, the written Tantric texts of India and Tibet describe, in extraordinarily precise detail, interior transformations of conscious energy along with numerous techniques for stimulating, modulating, and transforming consciousness to reach increasingly higher states and stages of awareness. In this in-depth examination of esoteric Tantric practices, Shelli Renée Joye, Ph.D., presents a wide-ranging collection of psychophysical techniques integrating Tibetan Vajrayana and Patañjali’s yoga to induce altered states of consciousness for the exploration of heightened mystical states. Sharing numerous figures and diagrams, she shows how these theories and techniques are not only fully supported by modern biophysics, brain science, and quantum physics but are also in line with the work of Rudolf Steiner, G. I. Gurdjie , Pierre Teilhard de Chardin, Aurobindo Ghose, Max Planck, and David Bohm. e author also shares insights from her own personal practices for consciousness exploration, which include prayer, mantra, emptying the mind, psychedelics, yoga, and visualization of interior physiology.Offering a structural map of the dynamics of consciousness, Joye reveals that one can develop new ways of tuning and directing consciousness to reach extraordinary modes of being and intense levels of lucid awareness, the requisites for the direct exploration of supersensible dimensions and sailing in the ocean of consciousness.

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This introductory text explores the lives of 100 Black women and their unique and meaningful legacies upon the history, society, and culture of the USA. Today, the names and remarkable achievements of Black women such as Maya Angelou, Serena Williams, Michelle Obama, and Oprah Winfrey are well known to many Americans. Yet throughout American history, many lesser-known Black women like them have made invaluable contributions to sports, science, the arts, medicine, politics, and civil rights. Josephine St. Pierre Ruffin, who published the first newspaper written for and by African American women, championed the cause of women''s suffrage. Matilda Sissieretta Jones, whose father was an enslaved person, toured Europe and performed at the White House in front of four different presidents as one of the great sopranos of her generation. Augusta Savage, overcoming racism and sexism, became one of the most celebrated sculptors in history. This book serves as an important reminder

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In 1969, Prime Minister Pierre Trudeau passed a law legalizing abortion in Canada. But making abortion legal did not guarantee women access to these services. In many communities around the country, women have had to travel great distances and at great personal expense to exercise their legal right to an abortion. Others have taken matters into their own hands, often with devastating consequences. In No Choice, Kate McKenna offers a firsthand account of Prince Edward Island’s refusal to bring abortion services to the Island, and introduces us to the courageous women who struggled for over thirty years to change this. With a very vocal Right to Life movement that used small town gossip, political pressure and the force of the Catholic Church to silence the pro-choice movement, the struggle seemed to be over before it even began. But everything changed in 2016.

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This book draws connections between Paulo Freire and some of the most influential critical scholars of the 20th century. Each chapter pairs Freire with one of eleven critical scholars, giving a biographical summary and expanding the shared themes in their work. The critical theorists covered are: Mikhail Bakhtin, Pierre Bourdieu, Enrique Dussel, Frantz Fanon, Michel Foucault, Nancy Fraser, Erich Fromm, Antonio Gramsci, Jürgen Habermas, bell hooks and Iris Young. The book takes up Freire’s invitation to use his perspective as a lens into different contexts and offers an expanded look at Freire’s contribution to critical theory. While introducing the connections between Freire and other critical scholars the book reveals the importance of Freire’s work to political sociology, critical race theory, decolonial theory, feminist theories and critical linguistics.

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In the late seventeenth century, France prided itself for its rationality and scientific achievements. Yet it was then that Raphaël Lévy, a French Jew, was convicted, tortured, and executed for an act he did not commit, a fiction deriving from medieval anti-Jewish myth: the ritual murder of a Christian boy to obtain blood for satanic rituals. When Lévy was accused of the ritual murder, it was the first accusation of blood libel for a century. Lévy's trial, however, became a forum for anti-Jewish accusations, and although the Holy Roman Emperor and a representative of King Louis XIV both tried to intervene, they were ignored by the parliament of Metz. Pierre Birnbaum explores the cultural, political, and personal elements that led to the accusation and shows that the importance of this story goes beyond local history: at a critical moment in the construction of the nation-state, France was unable to impose its conception of law and order on local officials. Birnbaum reveals the echoes of Lévy's trial in the Dreyfus Affair and suggests that, amid the contemporary retreat of the state and the accompanying explosion of prejudice and violence, it is time to remember the tragic fate of Raphaël Lévy.

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The revered tradition of botanical illustration dates back to the Renaissance. It emerged from the desire to catalog nature in its unpredictable splendor, and the process demanded the most precise and talented of artists.With a remarkable skill that captured the most intricate subjects in nature, Pierre-Joseph Redouté is widely considered the best painter and engraver of botanical illustration. Working from live plants rather than from the herbarium specimens gave his watercolors unusual subtlety and freshness. He was also an innovator in printing techniques, introducing stipple-engraving to France, always striving for greater exactitude in his art. Redouté fortuitously acquired some of the most influential patrons of the time, including Marie Antoinette and Empress Josephine Bonaparte, thus ensuring that his work was well-funded and displayed.His impressive col

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In 1988, the renowned sociologist Pierre Bourdieu and the leading historian Roger Chartier met for a series of lively discussions that were broadcast on French public radio. Published here for the first time, these conversations are an accessible and engaging introduction to the work of these two great thinkers, who discuss their work and explore the similarities and differences between their disciplines with the clarity and frankness of the spoken word.Bourdieu and Chartier discuss some of the core themes of Bourdieu’s work, such as his theory of fields, his notions of habitus and symbolic power and his account of the relation between structures and individuals, and they examine the relevance of these ideas to the study of historical events and processes. They also discuss at length Bourdieu’s work on culture and aesthetics, including his work on Flaubert and Manet and his analyses of the formation of the literary and artistic fields. Reflecting on the differences between sociology and history, Bourdieu and Chartier observe that while history deals with the past, sociology is dealing with living subjects who are often confronted with discourses that speak about them, and therefore it disrupts, disconcerts and encounters resistance in ways that few other disciplines do.This unique dialogue between two great figures is a testimony to the richness of Bourdieu’s thought and its enduring relevance for the humanities and social sciences today.

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In the wake of the Dreyfus affair and the Shoah, many French intellectuals have maintained rich and complex relationships with Judaism, beyond as well as within the religious dimension. Whether they approach it via history, philosophy, biblical studies or sociology, or following a personal itinerary, many contemporary intellectuals are deeply involved in Jewish culture. Interviewed at length by Elisabeth Weber, this volume presents the meditations of seven well-known French thinkers on the special relations of their own intellectual pursuit to Judaism. As memory or as the place of “circumfession” (in Jacques Derrida's words), as the symbol of the “unrepresentable” (Jean-François Lyotard) or as the witness, according to Emmanuel Levinas, to a “biblical humanity,” Judaism is continually engaged in renewing and displacing contemporary thought. The volume includes interviews with: Pierre Vidal-Naquet, Jacques Derrida, Rita Thalmann, Emmanuel Levinas, Léon Poliakov, Jean-François Lyotard, and Luc Rosenzweig.

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Around the globe, contemporary protest movements are contesting the oligarchic appropriation of natural resources, public services, and shared networks of knowledge and communication. These struggles raise the same fundamental demand and rest on the same irreducible principle: the common. In this exhaustive account, Pierre Dardot and Christian Laval show how the common has become the defining principle of alternative political movements in the 21st century. In societies deeply shaped by neoliberal rationality, the common is increasingly invoked as the operative concept of practical struggles creating new forms of democratic governance. In a feat of analytic clarity, Dardot and Laval dissect and synthesize a vast repository on the concept of the commons, from the fields of philosophy, political theory, economics, legal theory, history, theology, and sociology. Instead of conceptualizing the common as an essence of man or as inherent in nature, the thread developed by Dardot and Laval traces the active lives of human beings: only a practical activity of commoning can decide what will be shared in common and what rules will govern the common’s citizen-subjects. This re-articulation of the common calls for nothing less than the institutional transformation of society by society: it calls for a revolution.

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While Eugenio Calabi is best known for his contributions to the theory of Calabi-Yau manifolds, this Steele-Prize-winning geometer’s fundamental contributions to mathematics have been far broader and more diverse than might be guessed from this one aspect of his work. His works have deep influence and lasting impact in global differential geometry, mathematical physics and beyond. By bringing together 47 of Calabi’s important articles in a single volume, this book provides a comprehensive overview of his mathematical oeuvre, and includes papers on complex manifolds, algebraic geometry, Kähler metrics, affine geometry, partial differential equations, several complex variables, group actions and topology. The volume also includes essays on Calabi’s mathematics by several of his mathematical admirers, including S.K. Donaldson, B. Lawson and S.-T. Yau, Marcel Berger; and Jean Pierre Bourguignon. This book is intended for mathematicians and graduate students around the world. Calabi’s visionary contributions will certainly continue to shape the course of this subject far into the future.

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Ab 1789 brachen auch Künstler im Zuge der Emigration zahlreicher Menschen aus Frankreich auf. Die meisten trieb der Niedergang des Kunstmarkts außer Landes, als unausweichliche Folge politischer Instabilität. Doch die Dynamik der Radikalisierung nach innen und des Krieges nach außen ließ Arbeitsmigration und Exil ineinander übergehen. Ob nun offiziell als Emigranten geführt oder nicht: Künstler wie Elisabeth Vigée-Lebrun, Jean-Laurent Mosnier, Henri-Pierre Danloux und Louis Gauffier behaupteten sich während des Jahrzehnts der Französischen Revolution erfolgreich in Rom, Florenz, London, Hamburg und Sankt Petersburg. Der Band unternimmt die erste Gesamtbetrachtung der transnationalen Œuvres dieser »artistischen Wanderer« zwischen Transfer, Akkulturation und Innovation.

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A posthumous collection of writings by Deleuze, including letters, youthful essays, and an interview, many previously unpublished.Letters and Other Texts is the third and final volume of the posthumous texts of Gilles Deleuze, collected for publication in French on the twentieth anniversary of his death. It contains several letters addressed to his contemporaries (Michel Foucault, Pierre Klossowski, François Châtelet, and Clément Rosset, among others). Of particular importance are the letters addressed to Félix Guattari, which offer an irreplaceable account of their work as a duo from Anti-Oedipus to What is Philosophy? Later letters provide a new perspective on Deleuze's work as he responds to students' questions.his volume also offers a set of unpublished or hard-to-find texts, including some essays from Deleuze's youth, a few unusual drawings, and a long interview from 1973 on Anti-Oedipus with Guattari.

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Bill Buford, an enthusiastic, if rather chaotic, home cook, was asked by the New Yorker to write a profile of Mario Batali, a Falstaffian figure of voracious appetites who runs one of New York's most successful three-star restaurants. Buford accepted the commission, on the condition Batali allow him to work in his kitchen, as his slave.He worked his way up to 'line cook' and then left New York to learn from the very teachers who had taught his teacher: preparing game with Marco Pierre White, making pasta in a hillside trattoria, finally becoming apprentice to a Dante-spouting butcher in Chianti.Heat is a marvellous hybrid: a memoir of Buford's kitchen adventures, the story of Batali's amazing rise to culinary fame, a dazzling behind-the-scenes look at a famous restaurant, and an illuminating exploration of why food matters. It is a book to delight in, and to savour.

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Combining new approaches with a groundbreaking historical synthesis, this accessible work is the most thorough and up-to-date general history of French Indochina available in English. Unique in its wide-ranging attention to economic, social, intellectual, and cultural dimensions, it is the first book to treat Indochina's entire history from its inception in Cochinchina in 1858 to its crumbling at Dien Bien Ph in 1954 and on to decolonization. Basing their account on original research as well as on the most recent scholarship, Pierre Brocheux and Daniel Hemery tell this story from a perspective that is neither Eurocentric nor nationalistic but that carefully considers the positions of both the colonizers and the colonized. With this approach, they are able to move beyond descriptive history into a rich exploration of the ambiguities and complexities of the French colonial period in Indochina. Rich in themes and ideas, their account also sheds new light on the national histories of the emerging nation-states of Vietnam, Laos, and Cambodia, making this book essential reading for students, scholars, and general readers interested in the region, in the Vietnam War, or in French imperialism, among other topics. Caption translations provided in part by Nina Fink.

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Big art for little hands, this enchanting activity book allows young artists to explore the world's masterpieces on their own terms and with plenty of space to color outside the lines. This delightful coloring book introduces children to one of the world's most celebrated artists, Pierre-Auguste Renoir. The French artist was a leading figure in the development of the Impressionist style. Most often focusing on people, his paintings are notable for their vibrant light and saturated color. In characteristic Impressionist style, Renoir created the details of a scene through light touches of color. The warm colors of Renoir's style made his paintings some of the most wellknown and frequently reproduced works in the history of art. Brimming with beautiful illustrations of Renoir's masterpieces, this engaging activity book will inspire learning and creativity in children, and will encourage young readers to make their own Renoir-like creations.

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“Going my way?” asked John Turner’s campaign brochure in 1962, “my way is the Liberal way.” It was, that is, until Pierre Trudeau came to power. Turner was his party’s star apprentice in the Liberal art of managing a heterogeneous nation through brokerage politics, but in the 1968 election Canadians opted instead for a newly minted celebrity leader for a re-imagined nation.A political biography extraordinaire, Elusive Destiny reveals the inner workings of the Liberal Party in its heyday as charted through the meteoric rise and fall of John Napier Turner. It highlights Turner’s vision for the country and tallies the political price he paid when he deviated from the Trudeau legacy on matters such as language rights, social spending, and Quebec. It also provides a new perspective on federal politics from the 1960s through the 1980s while giving John Turner his rightful place in Canadian history.

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Toward a posthumanist art and ethologyThe Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds. Though critical of art works involving animals that are unreflective and exploitative, Gerspacher’s exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings.

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Economic sociology has gone through an explosive development, both in the United States and in Europe, in recent years. These new developments are well represented in this work. Articles by key economic sociologists, such as Mark Granovetter, Pierre Bourdieu and Viviana Zelizer, have been included as well as studies by members of a new and rising generation. The topics that are covered include several classical ones, which modern economic sociologists have worked on for a long time, such as firms, markets, networks and the economics/sociology interface. During the last few years several studies have also appeared which deal with new areas, such as finance, law and economics, and entrepreneurship. The reader will finally also be able to follow recent advances in the understanding of the classics in economic sociology, including Weber, Schumpeter and Polanyi. The result is a colourful and unorthodox two volume collection which will be of interest to scholars and researchers alike.

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Something to be happy about: This mesmerizing bestseller is revised and updated. Originally published 25 years ago (happy anniversary!) from a list that Barbara Ann Kipfer started making as a child, it’s the book that marries obsession with happiness. And it now has 4,000 fresh and more current reasons to be happy:Rabbit tracks in the snow.Kiteboarding and kitesurfing.Caramel gelato.Scoring super-high on a Scrabble turn.Babies burping.Summer storms.White cupcakes with multicolored sprinkles.Big red barns.20 minutes all to yourself. No opinions, no explanations, no asides, no footnotes, editorializing, or proselytizing. Just the simple premise of a list of things that make us smile. With its chunky shape, striking black-and-white cover, and 100 whimsical illustrations by Pierre Le-Tan, the new 14,000 Things is an irresistible catalog of good thoughts completely updated to reflect today’s world—and an uplifting gift for people of all moods and all ages.

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Francois Meyer was awakened very early on to the appeal of contemporary art; his father was a great collector. Even as a child, Meyer would accompany his father to art galleries and auctions. Meyer began his photography career at world-renowned Swiss photographers Boissonas. Here, he developed a love of photography, portraiture in particular, and has, over the years, gone on to photograph some of the world's best-known and best loved artists. Included in this stunning book are portraits of Max Bill, Fernando Botero, Francesco Clemente, Sonia Delaunay, Helen Frankenthaler, April Gornik, David Hockney, JonOne, Wilfredo Lam, Roy Lichtenstein, Marilyn Minter, Beverley Pepper, Pierre & Giles, Kurt Sonderborg, Andy Warhol, and Yan Pei-Ming to name just a few. This book tells the story of the forty-year career of a passionate art collector and photographer.

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The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition. Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramos Bennett, LeGrace Benson, Ira Kincade Blake, Jack S. Blocker, Jr., Sharon Aneta Bryant, Michael J. C. Echeruo, Peter P. Ekeh, Patience Elabor-Idemudia, David Evans, Robert Elliot Fox, Andrea Frohne, Joseph E. Inikori, Joyce Ann Joyce, Joseph McLaren, Charles Martin, Ali A. Mazrui, Pierre-Damien Mvuyekure, Nkiru Nzegwu, Isidore Okpewho, Oyekan Owomoyela, Laura J. Pires-Hester, Richard Price, Sally Price, Jean Rahier, Sandra L. Richards, Elliott P. Skinner, Alvin B. Tillery, Jr., Keith Q. Warner, Maureen Warner-Lewis, and Kimberly Welch.

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In 1988, the renowned sociologist Pierre Bourdieu and the leading historian Roger Chartier met for a series of lively discussions that were broadcast on French public radio. Published here for the first time, these conversations are an accessible and engaging introduction to the work of these two great thinkers, who discuss their work and explore the similarities and differences between their disciplines with the clarity and frankness of the spoken word.Bourdieu and Chartier discuss some of the core themes of Bourdieu’s work, such as his theory of fields, his notions of habitus and symbolic power and his account of the relation between structures and individuals, and they examine the relevance of these ideas to the study of historical events and processes. They also discuss at length Bourdieu’s work on culture and aesthetics, including his work on Flaubert and Manet and his analyses of the formation of the literary and artistic fields. Reflecting on the differences between sociology and history, Bourdieu and Chartier observe that while history deals with the past, sociology is dealing with living subjects who are often confronted with discourses that speak about them, and therefore it disrupts, disconcerts and encounters resistance in ways that few other disciplines do.This unique dialogue between two great figures is a testimony to the richness of Bourdieu’s thought and its enduring relevance for the humanities and social sciences today.

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Populism in politics and policy orientations in law have thrown the jurisdiction of the academy and the disciplines of interpretation into disarray. Critique flounders in abstraction and negativity, law loses itself in particularity. Administering Interpretation brings together philosophers, humanists, and jurists from both continental and Anglophone jurisdictions to reassess the status and trajectory of interpretative theory as applied in the art of law. Tracking the thread of philosophical influences upon the community of legal interpretation, the essays move from the translation and wake of Derrida to the work of Agamben, from deconstruction to oikononmia. Sharing roots in the philological excavation of the political theology of modern law, contributors assess the failure of secularism and the continuing theological borrowings of juridical interpretation. The book brings contemporary critique to bear upon the interpretative apparatuses of exclusion, the law of spectacular sovereignty, and the bodies that lie in its wake. Contributors: Giovanna Borradori, Marinos Diamantides, Allen Feldman, Stanley Fish, Pierre Legrand, Bernadette Meyler, Michel Rosenfeld, Bernhard Schlink, Jeanne Schroeder, Laurent de Sutter, Katrin Trüstedt, Marco Wan

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The Stahl House: Case Study House #22, The Making of a Modernist Icon is the official autobiography of this world renowned architectural gem by the family that made it their home. Considered one of the most iconic and recognizable examples of mid-century modern homes in the world, it was first envisioned by the owner’s Buck and Carlotta Stahl, designed by architect Pierre Koenig, and immortalized by photographer Julius Shulman. This 1960 glass-and-steel home in the Hollywood Hills has come to embody the idealism of a generation in search of the American dream. As one of the Case Study Houses designed between 1945 and 1966 under the vision of John Entenza and ARTS & ARCHITECTURE magazine, this was an affordable yet progressive design experiment to address the postwar housing shortage. The result—a two-bedroom, 2,200-square-foot house with glass walls that disappear into a 270-degree panorama of Los Angeles—became Koenig's pièce de résistance. The Stahl House broke rules, defied building codes that discouraged building on cliffs, and expanded the possibilities of residential architecture. The glass walls blurred the boundary between indoors and outdoors. The building seemed to merge with the city itself, the lines of the structure aligning with the geometry of the city's gridded streets. "Los Angeles becomes an extension of the house and vice versa," Koenig said. "The house is just a part of the city." The book shares the never-before-told inside story by the Stahl family's adult children who grew up there and still graciously give home tours to fans from around the world. Through extensive research and interviews, historical information and personal photos are featured. This includes Buck Stahl's initial vision of the home with his own DIY schematic model for how to build on the complicated site. It also includes blueprints, floor plans, and sketches by Pierre Koenig, as well as Julius Shulman’s renowned photographs. Additionally, photographs of the house used in high-end, fashion ad campaigns and film and television are also included, cementing The Stahl House’s prominence in contemporary culture.

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Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations. This biography makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community.

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Leo Bersani's career spans more than fifty years and extends across a wide spectrum of fields-including French studies, modernism, realist fiction, psychoanalytic criticism, film studies, and queer theory. Throughout this new collection of essays that ranges, interestingly and brilliantly, from movies by Claire Denis and Jean-Luc Godard to fiction by Proust and Pierre Bergounioux, Bersani considers various kinds of connectedness. Thoughts and Things posits what would appear to be an irreducible gap between our thoughts (the human subject) and things (the world). Bersani departs from his psychoanalytic convictions to speculate on the oneness of being - of our intrinsic connectedness to the other that is at once external and internal to us. He addresses the problem of formulating ways to consider the undivided mind, drawing on various sources, from Descartes to cosmology, Freud, and Genet and succeeds brilliantly in diagramming new forms as well as radical failures of connectedness. Ambitious, original, and eloquent, Thoughts and Things will be of interest to scholars in philosophy, film, literature, and beyond.

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Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an “Eastern Approach” into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.

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An essential reference, this gorgeous book documents the magnificent botanical prints produced by notable artists of the 17th through the turn of the 20th centuries. Celebrated artists include Basil Besler, Maria Sybilla Merian, Mark Catesby, Georg Ehret, George Brookshaw, Robert John Thornton, Pierre Joseph Redoutè, and many others. Illustrated with over 300 full-color images of original and valuable botanical prints, this book fills a void in the literature, as few good botanical references remain in print. The text recounts the fascinating lives and passions of the artists and their patrons, the technical advances in printmaking, and the history and cultural influences that shaped the depiction of flowers, plants, and trees. Also discussed are many variables affecting the values of original antique botanical prints including condition, rarity, historical significance, and aesthetic appeal. A range of prices is included to guide you in your collecting and a section on framing, displaying, and proper storage makes this an indispensable reference. A fascinating book for collectors of botanical prints, gardeners, and those interested in the history of flowers.

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This history covers the filmmaking tradition often referred to as cinema militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers specialises), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinelutte, Les groupes medvedkine, Atelier de recherche cinematographique, Cinethique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.

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After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brébiette, Jean I Le Blond, and Charles David represented the human figure as a performer acting out a social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of such contemporary roles. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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Peral Vega explores the importance of Pierrot as a symbol of failure in matters of love in García Lorca's imagery and his literary and personal life. Academic research has paid little attention to the importance of the figure of Pierrot in García Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, García Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth,García Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El público. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both García Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dalí, which can be presented in theatrical terms: Harlequin (Dalí) / Pierrot (García Lorca). Emilio Peral Vega is Associate Professor of Spanish Literature at the Universidad Complutense de Madrid.

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Filling the gap between the mathematical literature and applications to domains, the authors have chosen to address the problem of wave collapse by several methods ranging from rigorous mathematical analysis to formal aymptotic expansions and numerical simulations.

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Are you really surprised to discover that a woman might have a mind of her own?When Lélio thinks he can ditch and cash in on the rich woman he has promised to marry, in order to become the husband of an even wealthier 'girl from Paris', he enlists the help of his attractive new friend, the Chevalier.What he doesn't know is that the Chevalier is none other than this same 'girl from Paris' disguised as a man, and that her project is to publicly expose the depths of his sexual cynicism.A self-declared 'modern', Marivaux is a pioneer in the exploration of human feeling, asking in this play not only what do we hide from others? - but what are we hiding from ourselves?Martin Crimp's version of Pierre Marivaux's The False Servant received its premiere at the National Theatre, London, in 2004 and was revived at the Orange Tree Theatre, London, in June 2022. 'Marivaux's scepticism, irony and fascination with money and sex make him seem peculiarly modern.' Guardian'Thrills, chills, and belly laughs - this addictively adult comedy has got the lot.' Daily Telegraph

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Bitter, brownish and sticky, opium - the sap of the opium poppy, Papaver somniferum - has been cultivated from the earliest of times. Known to the Greeks as opos or opion, as afiun in Persian and Arabic, and Fu-yung in Chinese, it is a substance that is at once both a palliative and a poison. Its exotic origins, its literary associations and the properties that were frequently, if erroneously, attributed to it have ensured the continuing air of mystery that has long surrounded it. In 'Opium', Pierre-Arnaud Chouvy reveals the fascinating history of this powerful and addictive drug and its long association with civilisation down the centuries. He explores the changing fortunes of the modern day trade in illicit opium, especially in the remote and inaccessible regions of Asia known as the Golden Triangle and Golden Crescent, the major opium-producing areas of the world today. He reveals how, when and why illicit opium production emerged, what sustains it, and why a century of global measures has failed to eradicate it. The result is a compelling account of our continuing fascination with a narcotic as old as humanity itself and a powerful insight into the complexities and difficulties of the politics and economics of the poppy in Asia and the world today.

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Where They Need Me examines the work of Haitian health professionals in humanitarian aid encounters. Haiti is the target of an overwhelming number of internationally funded health projects. While religious institutions sponsor a number of these initiatives, many are implemented within the secular framework of global health. Pierre Minn illustrates the divergent criteria that actors involved in global health use to evaluate interventions' efficacy. Haitian physicians, nurses, and administrative staff are hired to carry out these global health programs, distribute or withhold resources, and produce accounts of interventions' outcomes. In their roles as intermediaries, Haitian clinicians are expected not only to embody the humanitarian projects of foreign funders and care for their impoverished patients but also to act as sources of support for their own kin networks, while negotiating their future prospects in a climate of pronounced scarcity and insecurity. In Where They Need Me, Minn argues that a serious consideration of these local health care providers in the context of global health is essential to counter simplistic depictions of clinicians and patients as heroes, villains, or victims as well as to move beyond the donor-recipient dyad that has dominated theoretical work on humanitarianism and the gift.

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The Journal of Medieval Military History continues to consolidate its now assured position as the leading academic vehicle for scholarly publication in the field of medieval warfare. Medieval Warfare The articles here offer a wide range of approaches to medieval warfare. They include traditional studies of strategy (on Baybars) and the logistics of Edward II's wars, as well as cultural history (an examination of chivalry in Guy of Warwick) intellectual history (a broad analysis of strategic theory in the Middle Ages), and social history (on knightly training in arms). The Hundred Years War is studied using cutting-edge methodology (data-drivenanalysis of skirmishes) and by tackling relatively new areas of inquiry (environmental history). There is also a close reading of Carolingian documents, which sheds new light on armies and warfare in the time of Charles the Great. Contributors: Ronald W. Braasch III, Pierre Galle, Walter Goffart, Carl I. Hammer, John Hosler, Rabei G. Khamisy, Ilana Krug, Danny Lake-Giguère, Brian Price.

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Biologists, historians, lawyers, art historians, and literary critics all voice arguments in the critical dialogue about what constitutes evidence in research and scholarship. They examine not only the constitution and "blurring" of disciplinary boundaries, but also the configuration of the fact-evidence distinctions made in different disciplines and historical moments; the relative function of such concepts as "self-evidence," "experience," "test," "testimony," and "textuality" in varied academic discourses; and the way "rules of evidence" are themselves products of historical developments.The essays and rejoinders are by Terry Castle, Lorraine Daston, Carlo Ginzburg, Ian Hacking, Mark Kelman, R. C. Lewontin, Pierre Vidal-Naquet, Mary Poovey, Donald Preziosi, Simon Schaffer, Joan W. Scott, Eve Kosofsky Sedgwick, and Barbara Herrnstein Smith.The critical responses are by Lauren Berlant, James Chandler, Jean Comaroff, Arnold I. Davidson, Harry D. harootunian, Elizabeth Helsinger, Thomas C. Holt, Francoise Meltzer, Robert J. Richards, Lawrence Rothfield, Joel Snyder, Cass R. Sunstein, and William Wimsatt.

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The first stage of the physics of long, flexible chains was pioneered by eminent scientists such as Debye, Kuhn, Kramers, and Flory, who formulated the basic ideas. In recent years, because of the availability of new experimental and theoretical tools, a second stage of the physics of polymers has evolved. In this book, a noted physicist explains the radical changes that have taken place in this exciting and rapidly developing field. Pierre-Gilles de Gennes points out the three developments that have been essential for recent advances in the study of large-scale conformations and motions of flexible polymers in solutions and melts. They are the advent of neutron-scattering experiments on selectively deuterated molecules; the availability of inelastic scattering of laser light, which allows us to study the cooperative motions of the chains; and the discovery of an important relationship between polymer statistics and critical phenomena, leading to many simple scaling laws. Until now, information relating to these advances has not been readily accessible to physical chemists and polymer scientists because of the difficulties in the new theoretical language that has come into use. Professor de Gennes bridges this gap by presenting scaling concepts in terms that will be understandable to students in chemistry and engineering as well as in physics.

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The Sociology of Literature is a pithy primer on the history, affordances, and potential futures of this growing field of study, which finds its origins in the French Enlightenment, and its most salient expression as a sociological pursuit in the work of Pierre Bourdieu. Addressing the epistemological premises of the field at present, the book also refutes the common criticism that the sociology of literature does not take the text to be the central object of study. From this rebuttal, Gisèle Sapiro, the field's leading theorist, is able to demonstrate convincingly one of the greatest affordances of the discipline: its in-built methods for accounting for the roles and behaviors of agents and institutions (publishing houses, prize committees, etc.) in the circulation and reception of texts. While Sapiro emphasizes the rich interdisciplinary nature of the approach on display, articulating the way in which it draws on literary history, sociology, postcolonial studies, book history, gender studies, and media studies, among others, the book also stands as a defense of the sociology of literature as a discipline in its own right.

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What makes Oiseaux exotiques so important is that it is arguably the first of Messiaen's major works to create a successful synthesis between his music and his passion for ornithology. The earliest composition to use birdsong to a significant extent was the Quatuor pour la fin du Temps (1940-41). A newspaper interview a few years later (France-Soir, 1948) demonstrates Messiaen's growing desire to move away from the stylization that had characterized the Quatuor towards a much greater realism, based on a close observation of birds in their natural habitat. At the same time, Messiaen continued to regard birdsong as music - and divinely inspired music at that - a belief that led for a time to an obsession with truth-to-nature. Against this background, Oiseaux exotiques proves to be a landmark, the work in which Messiaen the musician began to regain the upper hand over Messiaen the ornithologist. The introductory chapter (Chapter 1) outlines the background to Oiseaux exotiques, discussing Messiaen's relations with the 1950s avant garde - in particular with his former pupil Pierre Boulez - and his involvement with the concerts of the Domaine musical, for which Oiseaux exotiques was composed. In Chapter 2, access to Messiaen's sketches enables the authors to analyse his compositional methods in unprecedented detail; a generous number of music examples refer to birdsong recordings actually used by Messiaen (which can be heard on the accompanying CD), and trace step-by-step the evolution of musical ideas from first notation to finished score. Chapter 3 provides a commentary on the music, investigating issues of continuity and texture, and revealing the processes underlying the score's dazzling profusion. In two further chapters Peter Hill and Nigel Simeone recount the reception history of Oiseaux exotiques, and compare recorded interpretations, taking as their point of departure the historic premiere, included in full on the CD. Finally, the Conclusion considers

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Multinational Firms and International Relocation addresses the impact of inward foreign direct investment on the host country and the extent to which it displaces jobs at home. Multinational firms in the United States, Japan and the European Union are focused on by a distinguished group of international business scholars who include Giovanni Balcet, Pierre-Andre Buigues, Wong Yu Ching, John H. Dunning, Edward M. Graham, F. Harianto, Thomas Hatzichronglou, Alexis Jacquemin, Terutomo Ozawa, E. Safarian, Philippe Saucier, Yoko Sazanami and Hideki Yamawaki. Issues addressed include European industrial relocations in low wage countries, US direct investments abroad, the strategies of Japanese multinationals, the impact of foreign investment on the domestic manufacturing industry of OECD countries, and multinationals and technology diffusion in South East Asia.International business scholars, business strategists and policy makers will welcome Multinational Firms and International Relocation for the combination of insights and analysis it offers on the strategies of multinational firms, the impacts of their relocation policies and the evolution of the delocalization debate.

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Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive source book on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings - a video artist herself - reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, "pictures of nothing," but rather amorphous, ungovernable spaces that encourage contemplation and innovation. In explorations of the work of celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists, this volume presents fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art.

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The question of why an individual would actively kill itself has long been an evolutionary mystery. Pierre M. Durand's ambitious book answers this question through close inspection of life and death in the earliest cellular life. As Durand shows us, cell death is a fascinating lens through which to examine the interconnectedness, in evolutionary terms, of life and death. It is a truism to note that one does not exist without the other, but just how does this play out in evolutionary history? These two processes have been studied from philosophical, theoretical, experimental, and genomic angles, but no one has yet integrated the information from these various disciplines. In this work, Durand synthesizes cellular studies of life and death looking at the origin of life and the evolutionary significance of programmed cellular death. The exciting and unexpected outcome of Durand's analysis is the realization that life and death exhibit features of coevolution. The evolution of more complex cellular life depended on the coadaptation between traits that promote life and those that promote death. In an ironic twist, it becomes clear that, in many circumstances, programmed cell death is essential for sustaining life.

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Paradise haunts the Biblical West. At once the place of origin and exile, utopia and final destination, it has shaped our poetic and religious imagination and informed literary and theological accounts of man’s relation with his creator, with language and history. For Kant, Paradise was the inaugural moment for the rise and progress of reason as the agency of human history, slowly but certainly driving humanity away from error and superstition. Nietzsche described it more somberly as the very embodiment of the conflict between humanity and its beliefs.In Earthly Paradise, Milad Doueihi contemplates key moments in the philosophical reception and uses of Paradise, marked by the rise of critical and historical methods in the Early Modern period. How do modern debates around the nature of evil, free will, and the origin of language grow out of the philosophical interpretations of Paradise as the site of human history? How do the reflections of Spinoza, Pierre Bayle, Leibniz, and their contemporaries inform our current ideas about the Biblical narrative of the Fall? Is Paradise the source of human error or an utopian vision of humanity itself?

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The possibility of a nuclear war that could destroy civilization has influenced the course of international affairs since 1945, suspended like a sword of Damocles above the heads of the world's leaders. The fact that we have escaped a third world war involving strategic nuclear weapons—indeed, that no atomic weapon of limited power has yet been used under battlefield conditions—seems nothing short of a miracle. Revisiting debates on the effectiveness and ethics of nuclear deterrence, Jean-Pierre Dupuy is led to reformulate some of the most difficult questions in philosophy. He develops a counterintuitive but powerful theory of apocalyptic prophecy: once a major catastrophe appears to be possible, one must assume that it will in fact occur. Dupuy shows that the contradictions and paradoxes riddling discussions of deterrence arise from the tension between two opposite conceptions of time: one in which the future depends on decisions and strategy, and another in which every occurring event is one that could not have failed to occur. Considering the immense destructive power of nuclear warheads and the almost unimaginable ruin they are bound to cause, Dupuy reaches a provocative conclusion: whether they bring about good or evil does not depend on the present or future intentions of those who are in a position to use them. The mere possession of nuclear weapons is a moral abomination.

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This issue of Political Power and Social Theory explores the changes in science associated with the rise of neoliberalism since the 1970s. The neoliberalization of science has complicated interactions among states, markets, and civil society, often in ways that challenge major assumptions underlying decades of research. The articles collected here break with older Mertonian sociologies of science and constructivist microsociologies of scientific knowledge to examine the mesolevel problem of the changing institutional contexts of "the scientific field" as originally identified by Pierre Bourdieu. Papers presented in Part I extend Bourdieu's relational approach to the broader set of interactions among scientific, regulatory, industry, and social movement fields. Part II extends Bourdieu's concern with order and the scientific habitus to the changing patterns of scientific practices under neoliberalism. By reconceptualizing the central problem for the social studies of science as the political sociological problem of field and interfield dynamics, the collected papers chart an important theoretical agenda for future research in the study of sciencesociety relations.

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An accessible and authoritative new history of French literature, written by a highly distinguished transatlantic group of scholars This book provides an engaging, accessible, and exciting new history of French literature from the Renaissance through the twentieth century, from Rabelais and Marguerite de Navarre to Samuel Beckett and Assia Djebar. Christopher Prendergast, one of today's most distinguished authorities on French literature, has gathered a transatlantic group of more than thirty leading scholars who provide original essays on carefully selected writers, works, and topics that open a window onto key chapters of French literary history. The book begins in the sixteenth century with the formation of a modern national literary consciousness, and ends in the late twentieth century with the idea of the "national" coming increasingly into question as inherited meanings of "French" and "Frenchness" expand beyond the geographical limits of mainland France. * Provides an exciting new account of French literary history from the Renaissance to the end of the twentieth century* Features more than thirty original essays on key writers, works, and topics, written by a distinguished transatlantic group of scholars* Includes an introduction and index The contributors include Etienne Beaulieu, Christopher Braider, Peter Brooks, Mary Ann Caws, David Coward, Nicholas Cronk, Edwin M. Duval, Mary Gallagher, Raymond Geuss, Timothy Hampton, Nicholas Harrison, Katherine Ibbett, Michael Lucey, Susan Maslan, Eric Mechoulan, Hassan Melehy, Larry F. Norman, Nicholas Paige, Roger Pearson, Christopher Prendergast, Jean-Michel Rabate, Timothy J. Reiss, Sarah Rocheville, Pierre Saint-Amand, Clive Scott, Catriona Seth, Judith Sribnai, Joanna Stalnaker, Aleksandar Stevi?, Kate E. Tunstall, Steven Ungar, and Wes Williams.

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