Search results for ""author dick"

This book combines subtle readings of eight classic films (Casablanca, Vertigo, The Seventh Seal, Freud, Persona, Children of Paradise, Shakespeare in Love, and 8 ½) with memories and associations that make it possible for both the author and his readers to understand why he sees movies as he does.

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Patrick McGrath is the author of two short story collections and nine novels, including the international bestseller, Asylum. He is also the author of Writing Madness, a collection of his short fiction and selected non-fiction. His novel Trauma was shortlisted for the Costa Novel Award and Spider was filmed by David Cronenberg from McGrath's adaptation. He co-edited an influential anthology of short fiction, The New Gothic, and recent non-fiction includes introductions to The Monk, Moby Dick and Barnaby Rudge. Patrick McGrath lives in Manhattan and London.

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Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one’s own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 1987–2009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their work—reflexive practices that also unite these filmmakers—these women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which women’s participation and recognition of their achievements have historically been lower than that of their male counterparts.

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This study of the British Unitarians is the story of this groupOs thirty year war against the Omaster sin of the worldO_ American slavery. Focusing on the group known as the Garrisonians, the author examines their racial views, their attitudes toward the Civil War, their relations with the American antislavery movement, and the difficult problem of the relation between religious commitment and social activism.

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This is a study of the changing relationship between two of the most important political figures of the first decades of the twentieth century. The author contrasts their backgrounds and training, their mind-sets, and their understanding of the power of the president to understand how they came to a parting of the ways.

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From Collins Classics and the author of ‘The Great Gatsby’ a marriage unravels in this autobiographical tale. ‘Sometimes it is harder to deprive oneself of a pain than of a pleasure.’ Set on the French Riviera in the 1920s, American Dick Diver and his wife Nicole are the epitome of chic, living a glamorous lifestyle and entertaining friends at their villa. Young film star Rosemary Hoyt arrives in France and becomes entranced by the couple. It is not long before she is attracted to the enigmatic Dick, but he and his wife hold dark secrets and as their marriage becomes more fractured, Fitzgerald laments the failure of idealism and the carefully constructed trappings of high society in the Roaring Twenties.

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n The Fortress of American Solitude: Robinson Crusoe and Antebellum Culture, Shawn Thomson analyzes a wide range of antebellum literature offering critiques of the Robinson Crusoe story and its attendant myths. Through the lens of the Crusoe typos, Thomson explores the underlying tensions within bourgeois culture between the restraints of the home and freedoms of the open world. Thomson argues that Robinson Crusoe functioned to normalize the maturation process for boys as they directed their adolescence toward greater expressions of autonomy and self-reliance and allowed women to enter into this masculine territory and understand the landmarks of mens lives. In examining a wide range of major authors, including Herman Melville, Frederick Douglass, James Fenimore Cooper, Elizabeth Stoddard,and Emily Dickinson as well as non-canonical authors and newspaper accounts of the period, Thomson demonstrates the power of the Crusoe topos as an animating construct of nineteenth-century United States culture.

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An insight into the design, construction and operation of the German Army's Second World War medium battle tank, When Hitler unleashed Operation Barbarossa against the Soviet Union in June 1941, the 23-tonne Panzer III was in the vanguard of the German assault. It saw widespread use during the Second World War in campaigns that included Poland, France, the Soviet Union, the Balkans, North Africa and Normandy. Centrepiece of the Haynes Panzer III Tank Manual is the Bovington Tank Museum's PzKpfw III Ausf L, which has been restored to running condition. Full coverage is given of the tank's design, construction, war service and the restoration of the Tank Museum's Ausf L version., Authors: Dick Taylor is a former British Army Challenger tank commander and now works fulltime as an author specialising in armoured fighting vehicles. Dick is author of the Haynes Challenger 1 MBT Manual and the forthcoming Chieftain Tank Manual. Mike Hayton is workshop manager at the Tank Museum and was closely involved in the restoration of the Panzer III to running order. He is co-author of the Haynes Tiger Tank Manual.

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This volume offers the first translation into English of two seminal works by the seventeenth-century French woman author, Marie-Catherine Desjardins, better known as Madame de Villedieu. The first of these works, Lettres et billets galants (Love Notes and Letters), was published in 1668 and contains her most intimate letters to her lover, Antoine de Villedieu. The second work, Le Portefeuille (The Letter Case), which appeared in 1674, is an epistolary novel composed of a series of ten letters from the Marquis de Naumanoir to a nobleman in the provinces. These letters recount in a delightfully playful manner the amorous misadventures and intrigues of a half-dozen Parisian socialites. This work's close ties in terms of content and form to the publication of Villedieu's Lettres et billets galants six years earlier make it a perfect complement. The author's introduction offers not only a critical interpretation of these works but stresses the importance of the publication of Desjardins' authentic correspondence as a turning point in her career and key to her later works. Lettres et billets galants, published by Claude Barbin, sparked public interest in the identity of the author. It soon became known that the writer was none other than the immensely popular novelist Marie-Catherine Desjardins, and that her letters to her lover, whose name she would later appropriate as her nom de plume, had been published against her wishes. The publisher's only concession was to have them appear anonymously, thereby losing the advantage of Villedieu's name, but gaining readership through public interest in this authentic correspondence. The author was incredulous and indignant. She argued that these letters, which had not been intended for publication, lacked the polish of her other works. Lettres et billets galants (Love Notes and Letters) serves as a key, however, to the interpretation of subsequent writings. After 1668 Villedieu's authorial stance shifts markedly, as she attempts to regain

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'A galloping good yarn, as fast paced as any horse race an utterly entertaining' 5***** Reader Review'Fast paced action from start to finish, Dick Francis is the champion author' 5***** Reader Review'A keep you up all night book, I could hardly bear to put this down' 5***** Reader Review______At midnight, Neil Griffon's home is broken into and he is abducted by masked men.When he wakes up, hours later, Neil discovers that unless he cooperates, his kidnappers will destroy his father's racing stable, his precious horses and even Neil himself.Returning to the stables, Neil can tell no one about his ordeal, or his kidnappers' threats of violence if he does not comply with their demands.Trapped, Neil refuses to surrender - and devises an ingenious scheme to beat his kidnappers at their own game . . .Packed with intrigue and hair-raising suspense, Bonecrack is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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A tale loved by many from one of Britain's best-known authors, this wonderful new edition of The Sheep-Pig comes with a delightful introduction by Michael Morpurgo.The Sheep-Pig is one of Dick King-Smith's most famous tales. It shot to further fame when the film adaptation, Babe, was released in 1995.'Why can't I learn to be a Sheep-Pig?'When Babe, the little orphaned piglet, is won at a fair by Farmer Hogget, he is adopted by Fly, the kind-hearted sheep-dog. Babe is determined to learn everything he can from Fly. He knows he can't be a sheep-dog. But maybe, just maybe, he might be a sheep-pig.'An unexpectedly thrilling, funny charmer of a book' - Guardian'Dick King-Smith is a huge favourite with children' - Observer***Winner of the Guardian Fiction Award***Dick King-Smith served in the Grenadier Guards during the Second World War, and afterwards spent twenty years as a farmer in Gloucestershire, the country of his birth. Many of his stories are inspired by his farming experiences. He wrote a great number of children's books, including The Sheep-Pig (winner of the Guardian Award and filmed as Babe), Harry's Mad, Noah's Brother, The Queen's Nose, Martin's Mice, Ace, The Cuckoo Child and Harriet's Hare (winner of the Children's Book Award in 1995). In 2009 he was made an OBE for services to children's literature. Dick King-Smith died in 2011 at the age of eighty-eight.

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Take a journey to Château-de-la-Motte Husson in the spellbinding memoir from Sunday Times bestselling authors, Dick and Angel Strawbridge.Dick and Angel recount the newest and biggest challenges they faced on the journey to transforming their once derelict and abandoned château in France''s Pays de la Loire into a thriving family home and sustainable business.When the Covid-19 pandemic engulfs the world, the château faces a new challenge and the Strawbridges must find ways to adapt in order to keep their dream life in France alive. From the cancellation of the wedding season to finding new ways to complete renovations, living in an isolated bubble whilst continuing to film their TV series through to life after the pandemic, this is Dick and Angel at their most honest and heartfelt, revealing many details never seen on TV.As entertaining, warm and irresistible as ever, Join Dick and Angel on their remarkable journey to find their family''s fo

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A Handful of Mischief: New Essays on Evelyn Waugh is a collection of essays based on presentations at the Evelyn Waugh Centenary Conference at Hertford College, Oxford, in 2003. There are twelve different essays by authors from various countries, including Australia, Canada, Russia, the United Kingdom, and the United States. The essays cover a wide range of material, from Waugh's early novel Black Mischief (1932) to his last travel book, A Tourist in Africa (1960). In addition to essays on well-known novels such as Scoop (1938), Brideshead Revisited (1945), and Helena (1950), the collection includes papers on Waugh's library, his changing conception of Oxford, his writing about religious conversion, and his role in the British evacuation of Crete in 1941. The authors approach Waugh and his work in various ways, and innovative essays explore sovereignty, post-colonialism, and adaptation for radio. Contributors: Baron Alder, Peter G. Christensen, Robert Murray Davis, Marcel DeCoste, Patrick Denman Flanery, Donat Gallagher, Irina Kabanova, Dan S. Kostopulos, Lewis MacLeod, John W. Mahon, Richard W. Oram, Ann Pasternak Slater, John Howard Wilson.

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This book draws upon letters, diaries, memoirs, book reviews, and newspaper articles to present a picture of James Boswell from the vantage point of those who knew him best. We hear what family, friends, rivals, critics, and satirists thought of the man who produced such notable works as An Account of Corsica,The Journal of a Tour to the Hebrides with Samuel Johnson, and The Life of Samuel Johnson. Few major authors have generated such wildly fluctuating estimates over the years as Boswell. Both as a writer and as a man, he has stirred debate for more than two centuries. Scholars and critics have long differed, for instance, as to whether his Life of Johnson, published in 1791, is the finest biography in English or just "a pretty book" of questionable accuracy. One commentator recently maintained that his published journals are 'the greatest English autobiographical epic,' while another has dismissed them as the 'diary of a nobody.' Boswell has been acclaimed the greatest of modern biographers, but also attacked as a mere sycophant and fool. James Boswell: As His Contemporaries Saw Him reveals how contemporaries responded to the mans multifaceted talents and personality, and it reveals how estimates of James Boswell fluctuated just as wildly in his day as in ours.

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As its title suggests, The Critical Waltz: Essays on the Work of Dorothy Parker focuses on the writing, rather than the life, of one of the twentieth century's most famous underappreciate authors. Although Parker (1893-1967) is known as the caustic wit of the Jazz Age, her work embodies a range of sensibilities informed by the twin tensions of modernism and feminism. What is the significance of Parker's work? This is the question that The Critical Waltz begins to answer by offering the first collection of criticism about Parker's writing. Five new essays, as well as two student essays, join thirteen essays published in journals and books since 1977. Organized into four parts - Modernist Contexts, Feminist Issues, Classroom Encounters, and Conversations - the arrangement of this volume reflects three broad categories that have emerged int eh critical discussion of Parker's work since the late 1970s, followed by an interview and letters in which Parker speaks for herself. Parker's waltz offers a metaphor for the kind of interpretive work, ongoing since the lat 1970s and offering at times contrasting views, about Parker's writing. This 'new critical' work of another order produces an exchange of ideas that deepens our understanding of Parker's texts and her place in literary history, rather than a premature dismissal based on New Critical standards alone. Scholars, teachers, and general readers alike will benefit from the perspectives offered in The Critical Waltz.

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This is a comprehensive critical edition of Eliza’s Babes, a text which has not been republished since its appearance in 1652. It supplies readers with an original-spelling copytext derived from the two extant originals. The copytext is preceded by a substantial introduction in which the editor explains the form and function of the text and defines the religiopolitical position of the author, as well as showing her aesthetic tastes and influences. There follows a comprehensive commentary section that supplies textual notes and extensive contextual material for Eliza’s poems and prose meditations.

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This critical volume focuses on the issue of continuity and discontinuity ofthe Christian concept of theosis, or deification, in the intellectual history of ideas. It addresses the origin, development, and function of theosis from its antecedents in ancient Greek philosophy to its nuanced use in contemporary theological thought. Often seen as a heresy in the Protestant West, the revival of interest in deification in both lay and scholastic circles heralds a return to foundational understandings of salvation in the Christian church before the divisions of East and West, Catholic and Protestant. The five sections of this work, written by scholars from the Eastern Orthodox, Roman Catholic, and Protestant traditions, introduce and summarize the nature and function of deification and then lead the reader through four general historical periods of development: Greek and New Testament, Patristic, Medieval and Reformation, and Modern thought. This multi-author work accomplishes what no single author could: it treats the various visions and trajectories of deification that have emerged over the span of a millennium in the various Christian traditions, resulting in a sweeping yet thorough and distinctive contribution to scholarly and informed lay discussion of theosis.

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This book presents two unpublished plays by the English radical, John Thelwall (1764-1834), who, as a leading member of the prorevolutionary London Corresponding Society, was tried and acquitted of high treason in 1794. A close friend of Coleridge, Thelwall was a prolific man of letters who produced novels, poetry, journalism, criticism, scientific and political essays, and autobiography. Both plays, libretti for the London theater, are especially topical today as popular literary forms to polemicize critical issues of race, empire, revolution, and sexuality. Incle and Yarico (1787) comically treats the well-known eighteenth-century love story of Inkle and Yarico, in which an English merchant betrays and sells into slavery an Indian maiden, and innocent 'Noble Savage.' The play may well be the earliest drama penned specifically in the cause of abolition. The Incas (1792) allegorizes the French Revolution and the English suppression of dissent in portraying a confrontation between the Europeans and the New World. Drawing upon and extending the precepts of Enlightenment radicalism, Thelwall undermines the justifications for empire. These manuscript plays, recovered from library archives at Yale University and the British Library, add to the growing canon of an author whose reputation continues to be augmented by new discoveries and fresh insights. In separate introductions and explanatory notes, the editors contextualize each play in terms of the London theater, the slave trade controversy, representations of race, and opposition to empire.

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Narrative Fissures: Reading and Rhetoric is a guide to applied rhetorical criticism of narrative in diverse fields such as cultural studies, ethnography, psychotherapy, historiography, critical legal studies, education, communication, and medicine. The book offers an interdisciplinary toolbox for reading and writing by mapping textual sites as fissures, points of entry for critical reading. These fissures range from short phrases analyzed in the introduction to the fissures of prefacing, framing, textual voices, and gaps discussed in relation to individual texts in part I. Theoretical understanding of rhetorical analysis is combined with technical application of the concept of fissures to suggest methods of reflectively reflexive reading. This section of the book demonstrates techniques of textual entry and analytic anchoring, looking at framing, vocal multiplicity, and narrative time in relation to reader response. Part II shifts perspective to look at writing, exploring ethnography through the concept of fissures in order to suggest methods and uses for reflectively reflexive writing in diverse fields. The critical reading skills surveyed in part I are translated into writing strategies rebalancing the narrative hierarchies of traditional author-informant-reader relations. The final section of the book considers the ethical implications of narrative choices through focus on a single key fissure - narrative resolution - in three similarly situated contemporary fictions. The aim of this last and most tentative section of the book is to provoke thought and invite discussion of the important and under-theorized ethical aspects of narrative. In its structure of progressively tentative consideration of reading, writing, and ethics, Narrative Fissures is also rhetorically self-reflexive, enacting, together with its reader, applications and implications of contemporary thought on narrative.

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These poems are alive with electricity, pulsating with a frequency that vibrates throughout. In a journey from there to here, The Bone Library examines and interprets all of human life. Throughout the collection Jenni Fagan responds to broader themes of identity, of place, of love and the unloved. Written in the old Dick Vet Bone Library during the author’s time as writer-in-residence there, this is a vivid exploration that is honest and searching and cuts to the very core of what it is to be alive.

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A dazzling speculative novel of 'counterfactual history' from one of America's most highly-regarded science fiction authors, Philip K. Dick's The Man in the High Castle includes an introduction by Eric Brown in Penguin Modern Classics.Philip K. Dick's acclaimed cult novel gives us a horrifying glimpse of an alternative world - one where the Allies have lost the Second World War. In this nightmare dystopia the Nazis have taken over New York, the Japanese control California and the African continent is virtually wiped out. In a neutral buffer zone in America that divides the world's new rival superpowers, lives the author of an underground bestseller. His book offers a new vision of reality - an alternative theory of world history in which the Axis powers were defeated - giving hope to the disenchanted. Does 'reality' lie with him, or is his world just one among many others?Philip Kindred Dick (1928-82) was born in Chicago in 1928. His career as a science fiction writer comprised an early burst of short stories followed by a stream of novels, typically character studies incorporating androids, drugs, and hallucinations. His best works are generally agreed to be The Man in the High Castle and Do Androids Dream of Electric Sheep?, the inspiration for the movie Blade Runner.If you enjoyed The Man in the High Castle, you might like Yevgeny Zamyatin's We, also available in Penguin Classics.'The most brilliant science fiction mind on any planet'Rolling Stone'Dick's finest book, and one of the very best science fiction novels ever published'Eric Brown

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Some of Mencken’s most interesting letters were written to George Sterling, a pupil of Ambrose Bierce. The correspondence—which survives nearly intact on both sides—covers a wealth of subjects, including Mencken’s editorship of the Smart Set (1914-23) and American Mercury (1924-26), mutual colleagues (Bierce, Theodore Dreiser, Jack London, Sinclair Lewis), and most entertainingly, each author’s flagrant flouting of Prohibition as well as Sterling’s carnal adventures with a variety of women in California. These letters shed a vivid light on the literary, political, social, and cultural temper of the Jazz Age.

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Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou’s The True Saint Genesius with Jean-Paul Sartre’s Kean and Jean Genet’s The Blacks; Pierre Corneille’s L’Illusion comique with Tony Kushner’s The Illusion; Gian Lorenzo Bernini’s The Impresario with Luigi Pirandello’s theater-in-theater trilogy; Shakespeare’s Hamlet with Pirandello’s Henry IV and Tom Stoppard’s Rosencrantz and Guildenstern are Dead; Molière’s Impromptu de Versailles with “impromptus” by Jean Cocteau, Jean Giraudoux, and Eugène Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.

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The book reflects on the life and work of a significant poet, public figure, and influential commentator of the cultural, social, and political history of Greece post-World War II: Manolis Anagnostakis (1925–2005). It considers his oeuvre in relation to the work of his peers and to traditions of writing, both Greek and non-Greek, as it challenges the assumptions and determinations of his critics. The volume explores the author’s sustained reflection on what it is poetry “does,” if anything, and how it goes about this at different historical moments. It does so through the framework of his political and social perspectives as well as against principles of committed action, above all, to leftist ideas and movements. For Anagnostakis is vitally important for thinking about the relation of politics to poetics and the complex, and in some quarters contradictory, relation of leftist politics and the travails of (euro)communism to poetry and literature. This analysis, therefore, coincides with the larger questioning of the role for the Left post-1989. The volume focuses not only on the poet’s canonical poetry up to 1971, but also on the period of his subsequent, self-imposed “silence” and his other “meta-poetic” writings after that date. Two of Anagnostakis’s previously unavailable late collections and a posthumously published interview with the poet appear here in English translation for the very first time. Coming but a few years after the poet’s death in 2005, this rare book-length study of a single Greek poet (other than Cavafy) features articles by leading critics from the American academy. Like Anagnostakis’s own work, these contributions represent a diverse range of approaches and voices: at turns essayistic, impressionistic, and creative, and, at others, scholarly, punctilious, and critical.

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Americans and other English speakers have long associated the name of Hans Christian Andersen exclusively with fairy tales for children. Danes and other Scandinavians, however, have preserved an awareness that the fairy tales are but part of an extensive and respectable lifework that embraces several other literary forms. Moreover, they have never lost sight of the fact that the fairy tales themselves address adults no less than children. Significantly, many of Andersens coevals in the U.S. knew of his broader literary activity and the sophistication of his fairy tales. Major authors and critics commented on his various works in leading magazines and books, establishing a noteworthy corpus of criticism. One of them, Horace E. Scudder, wrote a seminal essay that surpassed virtually all contemporary writing on him in any language. The basic purpose of this study, the first of its kind, is to trace the course of American Andersen criticism over the second half of the nineteenth century and to view it in several American contexts. The introduction sets the parameters of the study, interalia posing a number of questions that serve as guidelines for reading. For instance, how does the (in part) retrospective criticism of the early 1870s compare with that of the later 1840s? To what extent did Americans view Andersen as a writer for adults as well as for children? Chapter 1 presents a statistical overview of American Andersen criticism, seeking to show which works were reviewed when and how often as well as in which magazines and with what frequency. The chapter also highlights works that were not reviewed, suggesting the possible impact on Americans' view of Andersen.

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Master the art of seasonal celebration with over 100 delicious recipes, beautiful crafts and inspiring gardening projects from Sunday Times bestselling authors Dick and Angel StrawbridgeDrawing on their many years of hosting friends, family and guests at Château-de-la-Motte Husson , this book is Dick and Angel''s definitive guide to creating magical and unforgettable celebrations in your very own home.Whether it''s enjoying the blossoming of spring with a delicious Easter lunch, soaking up the joys of summer with picnics and outdoor games, harvesting the bounty of the garden produce in autumn or creating an unforgettable family Christmas during winter, Dick and Angel have it covered. Packed full of fun and creative ideas - as well as plenty of tips and tricks for giving it a go yourself - you''ll find something here for every occasion.It''s time to have a go at celebrating the Château way!

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What forms can religious experience take in a world without cult or creed? Organized religion is notably absent from J. R. R. Tolkien's Secondary Universe of elves, dwarves, men and hobbits despite the author's own deep Catholic faith. Tolkien stated that his goal was 'sub-creating' a universe whose natural form of religion would not directly contradict Catholic theology. Essays in Light Beyond All Shadows examine the full sweep of Tolkien's legendarium, not only The Lord of the Rings but also The Hobbit, The Silmarillion and The History of Middle-Earth series plus Peter Jackson's film trilogy. Contributions to Light Beyond All Shadows probe both the mind of the maker and the world he made to uncover some of his fictional strategies, such as communicating through imagery. They suggest that Tolkien's Catholic imagination was shaped by the visual appeal of his church's worship and iconography. They seek other influences in St. Ignatius Loyola's meditation technique and St. Philip Neri's 'Mediterranean' style of Catholicism. They propose that Tolkien communicates his story through Biblical typology familiar in the Middle Ages as well as mythic imagery with both Christian and pagan resonances. They defend his 'comedy of grace' from charges of occultism and Manichaean dualism. They analyze Tolkien's Christian friends the Inklings as a supportive literary community. They show that within Tolkien's world, Nature is the Creator's first book of revelation. Like its earlier companion volume, The Ring and the Cross, edited by Paul E. Kerry, scholarship gathered in Light Beyond All Shadows aids appreciation of what is real, meaningful, and truthful in Tolkien's work.

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The ever-proliferating views of Chaucer's texts amount in part to disagreements about who or what determines his narratives: lifelike characters, doctrinal principles, the cycles of history, material conditions, the prototypical subject, the reader, even the text itself. In Chaucer's Agents, Carolynn Van Dyke shifts our focus from any particular kind of cause to the representation of cause itself that is, to agency. 'Agency' is widely used but seldom defined. Indeed, academic writers use it in contrary ways. To linguists, philosophers, and most social scientists, it means the power to initiate actions, but economists and legal scholars define it as delegated power. Defining 'agency' broadly as the capacity to cause action, Van Dyke argues that the words opposing uses reveal a fundamental ambiguity: agency is always double, autonomous and subordinate. That doubleness was particularly evident in late-medieval England. Political and ecclesiastical rulers aggrandized power with instruments that weakened it. Philosophers denied reality of universal ideas but acknowledged their force as mental representations. Textual scholars and poets simultaneously downplayed and emphasized human authorship. Chaucer responded to those fluctuations by modeling them. His works deploy an exceptional range of agents, from lifelike peasants to transcendent personifications, and the kind of agency continually changes both within and among individual texts. Chaucer's Agents draws on medieval and modern theories of agency to provide fresh readings of the major Chaucerian texts. Collectively, those readings aim to illuminate Chaucer's responses to two great problems of agency: the degree to which human beings and forces qualify as agents, and the equal reference of 'agent' to initiators and instruments. Each chapter surveys medieval conceptions of the agency in question: allegorical realities, intelligent animals, pagan gods, women, and the author and then follows that kind of agent through representative Chaucerian texts.

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This book examines how the hierarchical structures of taste implied by the term middlebrow were negotiated by the best-selling novelist, Warwick Deeping (1877 - 1950). Deeping is the focus for three reasons: he was immensely popular, prolific, and his popularity was perceived by such critics as Q. D. Leavis as a threat to the "sensitive minority". His sixty-eight novels from 1903 to 1950 give the cultural historian the unusual opportunity of tracing the develpment of an author's attempts to protect both himself and his readers from a process of cultural devaluation. After 1925, the best-selling Sorrell and Son and its successors established "a" Deeping as a product about which both admirers and detractors had certain expectations. His response to these provides an exemplary site within which to examine how cultural distinctions were being negotiated and contested in Britain between the two World Wars. The introduction traces the genealogy of Dr. Grover's theoretical approach. The theories of the Frankfurt school and of Pierre Bourdieu do not account adequately for the generation of texts in response to perceived cultural hierarchies. Deeping's texts are increasingly explicit in the ways they dramatize and address their own questionable cultural status. Grover uses this self-consciousness to test the limits of the usefulness of available theories of cultural production. Chapter 1 historicizes the emergenceof the term middlebrow, contrasting its use on either side of the Atlantic to demonstrate class and cultural context. Chapter 2 shows how Deeping represented his own class positioning as bestselling author. Chapter 3 examines a group of novels, preceding Sorrell and Son and before the term middlebrow had currency, in which the writer is depicted as feminized and declassified. Chapter 4 concerns the reception of Sorrell and Son and Deeping's fictionalization of its reception. The final chapter deals with the animosity to which Sorrell's success exposed the culturally beleaguered Deeping

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When Mary finds her little brother Billy seems floating above his bed, with his nose, tummy and toes touching the ceiling, she is astounded. Never before has anyone in Mary's family been able to fly - even though their name is Bird! It is an engaging tale from everybody's favourite animal author Dick King-Smith.

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ANDREW M. BUTLER is Senior Lecturer in Media and Cultural Studies at Canterbury Christ Church University, UK. He is the co-editor of The Routledge Companion to Science Fiction (2009), and author of The Pocket Essential Philip K. Dick (2007) and Solar Flares: Science Fiction in the 1970s (2012).

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What a father will do to fight the mental illness that has destroyed his son.What does a father do when hope is gone that his only son can ever lead anything close to a “normal” life? That’s the question that haunted Dick Russell in the fall of 2011, when his son, Franklin, was thirty-two. At the age of seventeen, Franklin had been diagnosed with schizophrenia. For years he spent time in and out of various hospitals, and even went through periods of adamantly denying that Dick was actually his father.A mixed-race child, Franklin was handsome, intelligent, and sensitive until his mental illness suddenly took control. After spending the ensuing years trying to build some semblance of a normal father-son relationship, Dick was invited with his son, out of the blue, to witness the annual wildlife migration on Africa’s Serengeti Plain. Seizing this potential opportunity to repair the damage that both had struggled with, after going through two perilous nights together in Tanzania, ultimately the two-week trip changed both of their lives.Desperately seeking an alternative to the medical model’s medication regimen, the author introduces Franklin to a West African shaman in Jamaica. Dick discovers Franklin’s psychic capabilities behind the seemingly delusional thought patterns, as well as his artistic talents. Theirs becomes an ancestral quest, the journey finally taking them to the sacred lands of New Mexico and an indigenous healer. For those who understand the pain of mental illness as well the bond between a parent and a child, My Mysterious Son shares the intimate and beautiful story of a father who will do everything in his power to repair his relationship with a young man damaged by mental illness.

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Bloodline is the new Dick Francis novel from bestseller, Felix Francis. When Mark Shillingford commentates on a race in which his twin sister Clare, an accomplished and successful jockey, comes in third, he can't help but be suspicious. As a professional race-caller, he knows she should have won. Did she lose on purpose? Was the race fixed? Why on earth would she do something so out of character? That night, Mark confronts Clare with his suspicions, but she storms off after an explosive argument. It's the last time Mark sees her alive. Hours later, Clare jumps to her death from the balcony of a London hotel . . . or so it seems. Devastated by her death, and almost overcome with guilt, Mark goes in search of answers. What led Clare to take her own life? Or was it not suicide at all . . .?Felix Francis is the younger son of thriller-writing legend, Dick Francis, with whom he co-wrote the four most recent Dick Francis Novels, Dead Heat, Silks, Even Money and Crossfire, with Felix taking an increasingly greater role in the writing. Sadly Dick died in February 2010 but his work will live on through Felix. Gamble was Felix's first solo Dick Francis Novel.Praise for the Dick Francis novels:'The Francis flair is clear for all to see' Daily Mail'The novel confirms Francis's seat at the head of crime fiction' Racing Post'From winning post to top of the bestseller list, time after time' Sunday Times Felix trained as a physicist and spent seventeen years teaching A level physics before taking on the role as manager to his father, and then as author. He lives in Oxfordshire.

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Sh*t Rough Drafts collects hilariously bad or misguided early drafts of classic books, screenplays, poetry and contemporary literature as imagined by author Paul Laudiero. Harry Potter, The Great Gatsby, Braveheart, Jaws, Fifty Shades of Grey, Moby Dick and more are all revealed as the funny and frightful works they could have been in these short smart parodies presented as actual typed or handwritten pages by the authors themselves.

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This edition provides both professional critics and casual readers with a methodical aid to appreciating what the author believes to be the most aesthetically eventful, unobtrusively playful, and undemanding complex long poem of the English Renaissance. Using line-by-line annotation, the edition strives to pay minute and continuous attention to the workings of the poem's dazzlingly protean wit, to its multiple, often breathtakingly artful, internal coherences. While the edition does all the usual work a scholarly annotation is expected to do, it is particularly focused on accomplishing what has not been done by previous Marvell scholarship: laying bare every instance of the poem's dynamic wit. In doing so, it, in particular, alerts Marvell's readers to such, for the most part, non-interpretive, aspects of the poem as associative connections operating on the periphery of one's conscious experience, palpable or merely hinted-at wordplay, coexisting multiple syntaxes, and patterns of formal and informal phonic coherence.

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Boredom is a prevalent theme in Herman Melville's works, but rather than amounting to a passing trend or an accent for drawing attention to the action that also permeates his work, this volume argues for the centrality of boredom in the writings. The author contends that in Melville's mature work, especially Moby Dick, boredom presents itself as an insidious presence in the lives of Melville's characters, until it matures from being a mere killer of time into a killer of souls.

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"Terra Incognita": D. H. Lawrence at the Frontiers consists of nine essays by scholars from five countries. They show how Lawrence explored the "terra incognita" not only of geography but also of consciousness and human relations. The 1920s emerge as a watershed in his work. These essays present the first criticism to utilize new texts and research in the final prose volumes of the Cambridge Lawrence Edition. This includes all the essays Lawrence wrote in America about Southwestern and Mexican Indians (Mornings in Mexico and Other Essays, 2009). Authors are Michael Hollington, Paul Poplawski, Judith Ruderman, Edina Pereira Crunfli, Jack Stewart, Keith Cushman, Tina Ferris, Julianne Newmark, and Hyde. Color illustrations are by Lawrence, Georgia O'Keeffe, and Dorothy Brett. The book will interest both general readers and scholars of Lawrence and twentieth-century literature.

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Fully revised Second Edition. With a new Introduction and Bibliography by Dick Collins. The exploits of Sweeney Todd, ‘The Demon Barber of Fleet Street’, have been recounted many times in plays, films and musicals, but the origins of the character largely were forgotten for many years. The String of Pearls - the original tale of Sweeney Todd, a classic of British horror - was first published as a weekly serial in 1846-7 by Edward Lloyd, the King of the Penny Dreadfuls. One of the earliest detective stories, it became an important source for Bram Stoker's Dracula, but it was after over 150 years of obscurity that it appeared first in book form in the Wordsworth edition published in 2005. The one great mystery that has surrounded the book is who the author was - or was it possibly the work of more than one man? In his new introduction to this fully revised second edition, Dick Collins, by means of detailed research of contemporary records, has established finally the identity of the creator of this legendary figure. So here is the original story of the terrifying owner of that famous London barber-shop, and the secret recipe for Mrs Lovett's delicious pies…

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This unique introduction explores Herman Melville as he described himself in Billy Budd-"a writer whom few know." Moving beyond the recurring depiction of Melville as the famous author of Moby-Dick, this book traces his development as a writer while providing the basic tools for successful critical reading of his novels. Offers a brief introduction to Melville, covering all his major works Showcases Melville's writing process through his correspondence with Nathaniel Hawthorne Provides a clear sense of Melville's major themes and preoccupations Focuses on Typee, Moby-Dick, and Billy Budd in individual chapters Includes a biography, summary of key works, interpretation, commentary, and an extensive bibliography.

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This unique introduction explores Herman Melville as he described himself in Billy Budd-"a writer whom few know." Moving beyond the recurring depiction of Melville as the famous author of Moby-Dick, this book traces his development as a writer while providing the basic tools for successful critical reading of his novels. Offers a brief introduction to Melville, covering all his major works Showcases Melville's writing process through his correspondence with Nathaniel Hawthorne Provides a clear sense of Melville's major themes and preoccupations Focuses on Typee, Moby-Dick, and Billy Budd in individual chapters Includes a biography, summary of key works, interpretation, commentary, and an extensive bibliography.

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Inspired by the Madres de la Plaza de Mayo's work for memory and justice, Cry for Me, Argentina is an interdisciplinary study that draws on Latin American literary, trauma, performance, and cultural studies to analyze the narrative of three Argentine women writers/activists - Aida Bortnik, Griselda Gambaro, and Tununa Mercado - whose work reveals the traumatic repercussions of the Dirty War (1976-83) and cultivates a narrative space for working through traumatic impact of the era: the grave losses of human life (30,000 disappeared individuals), the breakdown of civil liberties, and the ongoing struggles these problems have perpetuated. Dr. Levine argues that the work of all three authors emphasizes the imperative to restore the dialogical principal obliterated by repressive authoritarian regimes. By doing so within their narrative, they cultivate a performance space in which they incite the reader to participate in the process of mourning, working toward social justice and healing.

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From the authors of the highly successful Adventures Walks for Families In and Around London comes London Adventure Walks, offering 25 carefully devised, imaginative explorations of London - all starting from points easily accessible by public transport - specifically designed to appeal to children. Intriguing explorations of the historic (Tudor London/Dick Whittington/Fire of London/Florence Nightingale), literary (Dickens, Shakespeare, 101 Dalmatians, Paddington Bear), artistic and famous sights of the capital will draw them in and keep them enthralled.

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How does an actor embody a character? How do they use their body as an instrument of expression? Rethinking the Actor's Body offers an accessible introduction to the fields of neurophysiology and embodied knowledge through a detailed examination of what an actor does with their body. Built on almost a decade of conversations and public seminars by the author Dick McCaw in partnership with John Rothwell (Professor of Neurophysiology at University College London, UK), Rethinking the Actor's Body explores a set of questions and preoccupations concerning the actor’s body and examines overlaps in research and practice in the fields of actor training, embodied knowledge and neurophysiology.

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This study of color, space, and creativity focuses on texts by Virginia Woolf, D. H. Lawrence, Joyce Cary, Lawrence Durrell, and A. S. Byatt. The author examines Woolf's structural use of color in To the Lighthouse and Lawrence's colorful visualizing of place in Sea and Sardinia and the Letters. Lawrence interprets the creative process in Apocalypse, tracing spiral rhythms that culminate in vision, while Cary, in The Horse's Mouth, dramatizes an artist's vision of 'the world of colour'. Durrell expands the power of color through metaphor in his island scapes and in The Alexandria Quartet distills the city's ethos in a 'cyclorama' that fuses sensations and memories. The final four chapters focus on Byatt's novels, starting with the creative-critical dialectic of The Shadows of the Sun and hyper-intense perception in The Virgin in the Garden. Painting comes to full bloom in Still Life, where Van Gogh's study of a breakfast table inspires a surrogate writer to compare words and paint. In The Matisse Stories Byatt improvises on the artist's color combinations and compositional philosophy. Highlighting interactions of color, space, and creativity that take on ontological dimensions, Stewart's study will lead to ongoing reflections on the roles of color and space in modernist texts.

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Written by award-winning radio personality Dick Staub, this compelling book is filled with anecdotes from the Star Wars films that serve as a launching pad into rediscovering authentic Christianity. Christian Wisdom of the Jedi Masters also contains quotes from revered “Jedi Christians” such as Thomas Merton, Teresa of Avila, the Apostle Paul, G. K. Chesterton, and other theologians, mystics, writers, and philosophers. The author sheds new light on the struggles and challenges of living faithfully in postmodern life and offers a reintroduction to what C. S. Lewis and J. R. R. Tolkien called the “one true myth,” Christianity.

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The 35th anniversary of The Hodgeheg - a timeless classic tale for young children from the master of animal stories, Dick King-Smith. Includes an author profile and interview, and fun facts.'Sparkling humour and wonderful characters are Dick King-Smith's trademarks' - Books for Your ChildrenMax is a hedgehog who lives with his family in a nice little home, but it's on the wrong side of the road from the Park where there's a beautiful lily pond and plenty of juicy slugs, worms and snails!The busy road is dangerous but Max is determined to make his way across. If humans can do it, why can't hedgehogs? His first attempt ends in a nasty bump on the head and, when Max tries to speak, he realises his words are all mixed up. He is no longer a hedgehog but a hodgeheg! Still determined to fulfil his mission, Max discovers the best way to cross the road - with the help of the lollipop lady and some careful detective work . . .

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'Such clever writing, engaging flawed characters. Dick Francis never disappoints' 5***** Reader Review'A great read . . . Dick Francis pulls out all the stops' 5***** Reader Review'No one does mystery better than Francis. You just can't put the book down' 5***** Reader Review______Champion jockey Sid Halley retired from racing when his hand was smashed in a fall. Now he works as a private detective - which is proving to be no less dangerous to life and limb. Recuperating from a bullet wound, Sid is asked by his father-in-law to investigate some potentially shady activity involving Seabury racecourse and a ruthless property dealer. But the closer Sid gets to those determined to get their hands on Seabury, the more he finds himself in harm's way.The odds are against him - but that's exactly when Sid is at his best . . .Packed with intrigue and hair-raising suspense, Odds Against is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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This book provides readers with a critical analysis of the restorative justice efforts of the Ovaherero and Nama communities in Namibia, who contend that they should receive reparations for what happened to their ancestors during, and after the 1904–1908 German-Ovaherero/Nama war. Arguing that indigenous communities who once lived in a German colony called “German South West Africa” suffered from a genocide that could be compared to the World War II Holocaust Namibian activists sued Germany and German corporations in U.S. federal courts for reparations. The author of this book uses a critical genealogical approach to all of this “lawfare” (the politicizing of the law) in order to illustrate some of the historical origins of this quest for social justice. Portions of the book also explain some of the historical and contemporary realpolitik barriers that stood in the way of Ovaherero and Nama activists who were asking for acknowledgments of the “Namibian genocide,” apologies from German officials, repatriation of human remains from colonial times as well as restitution that might help with land redistribution in today’s Namibia. This book shows many of the difficulties that confront those indigenous communities who ask twenty-first century audiences to pay restitution for large-scale colonial massacres or imperial genocides that might have taken place more than a hundred years ago.

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