Search results for ""author charlotte"

An absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era—Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley—as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, beginning with Anna Laetitia Barbauld and running through to Thomas Lovell Beddoes and John Clare. In its central section ‘Readings’ it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive and accessible analyses. In addition, the authors provide a full introduction, a detailed historical and cultural timeline, biographies of the poets whose works are featured in the “Readings” section, and a helpful guide to further reading. The Romantic Poetry Handbook is an ideal text for undergraduate and postgraduate study of British Romantic poetry. It also will appeal to every reader with an interest in the Romantics and in poetry generally.

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Betrothed to Prince Asbert of the great kingdom of Noston, Claire is shocked when the engagement is suddenly annulled. More than that, the new consort to the throne is none other than her sister, Charlotte! As the daughter of the now disgraced duke and scorned as a villainess, Claire leaves everything she knows and sets out on a journey to find her true self.But wait, isn't that's the plot of the game "Upstart ♡ ETERNAL LOVE" on its hardest difficult setting...?

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‘A timely, gripping and morally complex thriller’ MAIL ON SUNDAY Two women are found dead. Both had a secret. Both had a choice. Artemis leaves her home in Greece to start a shiny new life with her wealthy husband, Clive Witherall, in 1990s London. Finally she has escaped the ghosts of her past. Until she is discovered hanging from the stairs of their beautiful family home. Two decades later, the apparent suicide of heiress Anna Witherall uncannily mirrors Artemis’ mysterious death. What is the web of deceit that binds these two women? And what deadly secrets were they hiding? ‘Philby is a skilled and evocative writer’ FINANCIAL TIMES ‘Seriously stylish’ LUCY FOLEY ––––––––––––––––––––––––––––––– ‘I’m addicted to the deadly glamour of Charlotte Philby’s novels’ ERIN KELLY ‘Gripping’ CRIME MONTHLY ‘A page-turning thriller … Philby has created a new sort of spy novel – approaching this world of skulduggery and intrigue from an entirely unique perspective. This is a clever, gripping, unsettling and thoroughly entertaining read’ HOLLY WATT ‘Her thrillers have been a game-changer for the spy novel’ DAILY EXPRESS ‘A gripping novel that spans decades and continents’ DAILY MIRROR ‘A stylish, heart-racing thriller’ YOU MAGAZINE, MAIL ON SUNDAY ‘Brilliant’ BELLA MAGAZINE Following on from Part of the Family and A Double Life, this finely worked novel concludes Charlotte Philby’s triptych about the choices women might make when under pressure’ THE TIMES

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Contains the complete volumes 15-16!Things might be working out for Rio. Revenge is his at last; his heroic deeds have been rewarded with a place in Galarc Castle and the honorable duty of protecting the royal siblings. Trouble brews regardless—an unexpected visitor with a cryptic agenda, a string of unsettling international incidents, and the politically complicated advances of Princess Charlotte.Meanwhile, Liselotte tangles with a romantic debacle of her own as Sakata sets his sights on her!

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From the adrenaline-filled 24 Hours of Le Mans to the legendary Goodwood Festival of Speed, Lake Como’s famed Concorso d’Eleganza Villa d’Este to the premier Monterey Car Week, the collector car calendar and market has shown one of the most extraordinary growth trajectories of recent years. As thousands flock to specialized meet ups, rallies, auctions, and Concours d’Elegance around the globe, asking prices for the rarest motors have revved higher and higher. So much so, that the value of the 100 cars included in this book exceeds a staggering $1 billion. For the seasoned car collector or the awestruck newcomer, this double-volume is the unrivaled collector car anthology. Curating 100 of the most exquisite, remarkable, and desirable cars of all time to tell a spellbinding story of automotive design-and-engineering endeavor in the tireless pursuit of ever-greater performance both on and off the track, from the first Indy 500-winning 1910 Marmon Wasp to the futuristic 2020 Aston Martin Valkyrie. Laps ahead of any generic catalog, this superlative volume exudes authority and elegance, settling for nothing less than the very best of the best, and presenting each model with the lavish spreads it deserves, complete with stunning imagery taken by the world’s leading car photographers alongside rare archival treasures, from original factory photos to famous motorsports event posters. Each entry is also accompanied by expert descriptive texts and specs, detailing each car’s make, model, year, engine size, horsepower, top speed, transmission, and all-important production numbers. By passionately tapping into their transatlantic expertise and insider knowledge of car auctions, museums, and collections around the world, design authors Charlotte and Peter Fiell survey the autoworld's finest cars of all time. Their carefully curated selection spans the whole history of the automobile, taking in such rare models as a 1912 Stutz Model A Bearcat, as well as lesser-known jewels such as the astonishing 1937 Talbot-Lago T150-C SS “Goutte d’Eau” Coupé by Figoni et Falaschi. This definitive compendium includes a foreword from Rob Myers, the founder of RM Sotheby’s, and includes an introduction from the authors that gives a unique perspective on the ins and outs of car collecting at the highest level. The main content is interspersed with interviews with Dr. Frederick Simeone, founder of the Simeone Foundation Automotive Museum; The Duke of Richmond and Gordon, founder of the Goodwood Festival of Speed and Goodwood Revival; Sandra Button, Chairman of the Pebble Beach Concours d'Elegance; John Collins, leading dealer of historic Ferraris; and Shelby Myers, global head of Private Sales at RM Sotheby’s, which offer key personal insights into the car-collecting world.

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The story of extraordinary women who lost their way - their sense of self, their identity, their freedom - and found it again through walking in the wild. 'Moving and memorable' Virginia Nicholson, author of How Was It for You?'A triumph ... I felt as though I were being lifted, carried up to peaks' Charlotte Peacock, author of Into the Mountain: A Life of Nan Shepherd'A beautiful and meditative memoir' Publishers WeeklyFor centuries, the wilds have been male territory, while women sat safely confined at home. But not all women did as they were told, despite the dangers; history reveals women for whom rural walking became inspiration, consolation and liberation.In this powerful and deeply inspiring book, Annabel Abbs uncovers women who refused to conform, who recognised a biological, emotional and artistic need for wilderness, water and desert - and who took the courageous step of walking unpeopled and often forbidding landscapes.Part wild-walk, part memoir, Windswept follows an exhilarating journey from Abbs's isolated, car-less childhood to her walking the remote paths trodden by extraordinary women, including Georgia O'Keeffe in the empty plains of Texas and New Mexico, Nan Shepherd in the mountains of Scotland, Gwen John following the Garonne, Simone de Beauvoir in the mountains and forests of France and Daphne du Maurier along the River Rhone. A single question pulses through their walks: How does a woman change once she becomes windswept?

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'This book is an absolute must-have - add style, organization and a whole sense of calm to your home with their amazing advice.' - Amanda HoldenJust two years ago, busy mums Gemma and Charlotte decided to join their fashion and interior heads together to form a unique service to organise homes with some serious style. In their debut book, Style Sisters, they show us how to stylishly rearrange and declutter our homes to reap the incredible visual and emotional benefits.The Style Sisters will take you through your home room by room, showing you how to declutter, organise and style it with ease. Their aim is to make you feel good, equip you with the timeless approach to cutting out the clutter that weighs you down and make room for clarity, space and zen, amidst a non-stop modern life where it's nearly impossible to fit anything in.Packed with Gemma and Charlotte's top tips and tricks, home hacks, timed detox challenges and a sprinkling of their personal hilarious and heart-warming anecdotes from their job, Style Sisters will put you on the path to living a stylish and organised life.'Style Sisters came into our house, helped make it a home and changed our lives for the better. They are so brilliant at what they do.' - Rochelle Humes'I am obsessed by everything these girlies do. They have so many space-saving and organizing tips that you just don't think of yourself.' - Vogue Williams

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In Feminist Reflections on Childhood, Penny Weiss rediscovers the radically feminist tradition of advocating for the liberatory treatment of youth. Weiss looks at both historical and contemporary feminists to understand what issues surrounding the inequality experienced by both women and children were important to the authors as feminist activists and thinkers. She uses the writings of Mary Wollstonecraft, Elizabeth Cady Stanton, and Simone de Beauvoir to show early feminist arguments for the improved status and treatment of youth. Weiss also shows how Charlotte Perkins Gilman, a socialist feminist, and Emma Goldman, an anarchist feminist, differently understood and re-visioned children’s lives, as well as how children continue to show up on feminist agendas and in manifestos that demand better conditions for children’s lives.Moving to contemporary theory, Feminist Reflections on Childhood also looks at how feminist disability theory is well-positioned to recognize the voices of children, and how queer theory provides lessons on contemporary trends that provide visions and strategies for more constructive adult-child relations. Weiss, who includes her own experiences as a mother and foster mother throughout the book, closes her distinctively feminist takes on childhood with a consideration of speculative fiction stories that offer examples of what feminists think makes childhood (un)livable.

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For centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare’s Henry V, Michael Ross asks why writers employ “foreign” phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of “foreign elements,” rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross’s readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.

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In June 1916, a young woman named Charlotte Reid is found murdered in a cinema. Harvery Marmion and Joe Keedy are assigned the task of finding the killer who so elusively fled in the dark. Before long, two more victims, of striking similarity but differing backgrounds, are found dead around the city. Meanwhile, miles from home, Marmion's son Paul prepares for life on the front line as he marches towards the Battle of the Somme.

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From a bestselling author in Mexico comes her English-language debut—an enthralling historical novel about the tragic reign of Empress Carlota of Mexico. It’s 1863. Napoleon III has installed a foreign monarch in Mexico to squash the current regime. Maximilian von Habsburg of Austria accepts the emperor’s crown. But it is his wife, the brilliant and ambitious Princess Charlotte, who throws herself passionately into the role. Known to the people as Empress Carlota, she rules deftly from behind the scenes while her husband contents himself with philandering and decorating the palace. But Carlota bears a guilty secret. Trapped in a loveless marriage, she’s thrown herself into a reckless affair. Desire has blinded Carlota to its consequences, for it has left her vulnerable to her sole trusted confidante. Carlota’s devious lady-in-waiting has political beliefs of her own—and they are strong enough to cause her to betray the empress and join a plot to depose her from the throne. As Carlota grows increasingly, maddeningly defenseless, both her own fate and that of the empire are at stake. A sweeping historical novel of forbidden love, dangerous secrets, courtly intrigue, and treachery, The Empress passionately reimagines the tragic romance and ill-fated reign of the most unforgettable royal couple of nineteenth-century Europe during the last throes of the Second Empire.

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A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This book is the first life history of a Northwest Coast Indian woman. Florence Davidson, daughter of noted Haida carver and chief Charles Edenshaw, was born in 1896. As one of the few living Haida elders knowledgeable bout the culture of a bygone era, she was a fragile link with the past. Living in Masset on the Queen Charlotte Islands, some fifty miles off the northwest coast of British Columbia, Florence Davidson grew up in an era of dramatic change for her people. On of the last Haida women to undergo the traditional puberty seclusion and an arranged marriage, she followed patterns in her life typical of women of her generation. Florence’s narrative -- edited by Professor Blackman from more than fifty hours of tape recordings -- speaks of girlhood, of learning female roles, of the power and authority available to Haida women, of the experiences of menopause and widowhood. Blackman juxtaposes comments made by early observes of the Haida, government agents, and missionaries, with appropriate portions of the life history narrative, to portray a culture neither traditionally Haida nor fully Canadian, a culture adapting to Christianity and the imposition of Canadian laws. Margaret Blackman not only preserves Florence Davidson’s memories of Haida ways, but with her own analysis of Davidson’s life, adds significantly to the literature on the role of women in cross-cultural perspective. The book makes an important contribution to Northwest Coast history and culture, to the study of culture change, to fieldwork methodology, and to women’s studies.

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It’s fun to draw your own portrait! Follow one girl as she shows how she can make her own self-portrait with collage materials in this wordless instruction book by Charlotte Guillain. Lilac/Band 0 books are wordless books that tell a story through pictures and are designed to develop understanding about how stories work. Text type: A simple non-fiction book. Children can recap the stages on pp.14-15 Curriculum links: Art and Design: Self Portrait

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Candlelight is hygge; the smell of freshly brewed coffee is hygge; the feel of crisp, clean bed linen is hygge; dinner with friends is hygge. 'Hygge', pronounced 'hoo-ga', is a Danish philosophy that roughly translates to 'cosiness'. But it is so much more than that. It's a way of life that encourages us to be kinder to ourselves, to take pleasure in the modest, the mundane and the familiar. It is a celebration of the everyday, of sensual experiences rather then things. It's an entire attitude to life that results in Denmark regularly being voted one of the happiest countries in the world. So, with two divorces behind her and her 50th birthday rapidly approaching, journalist Charlotte Abrahams ponders whether it's hygge that's been missing from her life. Is it a philosophy we can all embrace? In a society where lifestyle trends tend to centre on deprivation - be it no sugar, no gluten, no possessions - what does cherishing yourself actually mean? And will it make her happy? In Hygge, Charlotte Abrahams weaves the history of hygge and its role in Danish culture with her own attempts, as an English woman, to embrace a more hygge life. In this beautifully written and stylishly designed book, she examines the impact this has on her home, her health, her relationships and, of course, her happiness. Light a candle, pour yourself a glass of wine, and get ready to enjoy your more hygge life.

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"Without a doubt, Christi Nogle is one of my favorite new voices in horror. Her fiction is by turns devastating, horrifying, and beyond beautiful. With her collection, The Best of Our Past, the Worst of Our Future, she's created something truly remarkable, the kind of horror that's filled with grit and heart. Don't miss this book; it's sure to be one of the very best collections of 2023."- Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens and Reluctant Immortals The Best of Our Past, the Worst of Our Future collects Christi Nogle’s finest psychological and supernatural horror stories. Their rural and small-town characters confront difficult pasts and look toward promising but often terrifying futures. The pieces range in genre from psychological horror through science fiction and ghost stories, but they all share fundamental qualities: feminist themes, an emphasis on voice, a focus on characters’ psychologies and a sense of the gothic in contemporary life. Stories here may recall Charlotte Perkins Gilman’s “The Yellow Wallpaper,” Shirley Jackson’s “The Renegade,” or Kelly Link’s “Stone Animals.”

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When former heavyweight champion Jim Jeffries came out of retirement on the fourth of July, 1910 to fight current black heavywight champion Jack Johnson in Reno, Nevada, he boasted that he was doing it "for the sole purpose of proving that a white man is better than a negro". Jeffries, though, was trounced and Whites everywhere rioted. The furor, the author of this work seeks to demonstrate, was part of two fundamental and volatile national obsessions: manhood and racial dominance. In turn-of-the-century America, cultural ideals of manhood changed profoundly, as Victorian notions of self-restrained, moral manliness were challenged by ideals of an aggressive, overtly sexualized masculinity. Gail Bederman traces this shift in values and shows how it brought together two seemingly contradictory ideals: the unfettered virility of racially "primitive" men and the refined superiority of "civilized" white men. Focusing on the lives and works of four very different Americans - Theodore Roosevelt, educator G. Stanley Hall, Ida B. Wells, and Charlotte Perkins Gilman - she explores the ideological, cultural, and social interests these ideals came to serve.

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A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective ‘Resistance’ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, ‘All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.’

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A captivating trio of sensual romances, linking the tales of wicked rakes and the flawless aristocratic young women whose hearts - and bodies - they melt. . . In Stolen Pleasures, Olivia Merrick, a merchant's daughter, finds out that her new husband, Sebastian Blake, is actually high-seas pirate Captain Phoenix, but will she make him walk the plank, or enjoy this newly discovered dangerous side?In Lucien's Gamble sparks fly when Lucien Remington, a debauched libertine, finds the untouchable Lady Julienne La Coeur dressed as a man in his gentleman's club. And in Her Mad Grace Hugh La Coeur, the Earl of Montrose, shelters from a snowstorm in an eerie mansion owned by a mad duchess. But her companion, fiercely independent Charlotte, might just keep him warm in the night . . . Praise for Sylvia Day, bestselling author of the sensational Crossfire series:'Move over Danielle Steel and Jackie Collins, this is the dawn of a new Day' Amuse 'Several shades darker and a hundred degrees hotter than anything you've read before' Reveal***Previously published as Bad Boys Ahoy***

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'[This] emotionally riveting debut novel focuses on several dynamic women in a wealthy suburb of Paris and a tragic event that changes their lives. Bestor-Siegal had me at Paris and she never let go. The Caretakers is extraordinary' Laura Dave, #1 New York Times bestselling author of The Last Thing He Told MeIn a smart Parisian suburb, in the wake of the Paris 2015 terrorist attacks, an au pair is arrested after the sudden and suspicious death of her nine-year-old charge...The truth behind what happened is unravelled through six women: Geraldine, a heartbroken French teacher who struggles to connect with her vulnerable students; Lou, an incompetent au pair fired by the family next door; Charlotte, a chilly socialite and reluctant mother; Holly, an anxious au pair who yearns to feel at home in Paris; Nathalie, an isolated French teenager desperate for her mother's attention; and finally, Alena, the au pair accused of killing a child. All of them play a part in nine-year-old Julien's death...For fans of Celeste Ng's Everything I Never Told You and Liane Moriarty's Big Little Lies, The Caretakers is a compulsive and gripping read about who takes care of children, the yearning for belonging that extends beyond the homes left behind, and issues of identity, privilege, and class in both American and French culture.

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The literary response to the dawning cult of wakefulness A turn-of-the-century influx of new technologies and the enormous impact of the electric light transformed not only individual sleeping habits but the ways American culture conceived and valued sleep. Hannah L. Huber analyzes the works of Henry James, Edith Wharton, Charles Chesnutt, and Charlotte Perkins Gilman to examine the literary response to the period’s obsession with wakefulness. As these writers blurred the separation of public and private space, their characters faced exhaustion in a modern world that permeated every moment of their lives with artificial light, traffic noise, and the social pressure to remain active at all hours. The implacable cultural clock and constant stress over physical limitations had an even greater impact on marginalized figures. Huber pays particular attention to how these writers rebutted Americans’ confidence in the body’s ability to conquer sleep with vivid portraits of the devastating consequences of sleep disruption and deprivation. The author also provides a website and text visualization tool that offers readers an interdisciplinary, deconstructed analysis of the book’s primary texts. The website can be found at: https://sleepfictions.org/sleep/scalar/index

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What exactly is rape? And how is it embedded in society?Hilkje Charlotte Hänel offers a philosophical exploration of the often misrepresented concept of rape in everyday life, systematically mapping out and elucidating this atrocious phenomenon. Hänel proposes a theory of rape as a social practice facilitated by ubiquitous sexist ideologies. Arguing for a normative cluster model for the concept of rape, this timely intervention improves our understanding of lived experiences of sexual violence and social relations within sexist ideologies.

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Find out how several amazing animals have adapted to life in the world’s toughest and most hostile places. This fascinating information book by Charlotte Guillain shows the extreme features the animals have developed to survive, and is packed with impressive photographs and facts. Collins Big Cat Progress books are specifically designed for children at Key Stage 2 who have a Key Stage 1 reading level, giving them age-appropriate texts that they can read, building their confidence and fostering positive attitudes towards reading. Text type: An information book Curriculum links:

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'Thoughtful, lucid and blessedly free of therapese . . . Weber's book is a powerful snapshot into the little bombs going off in the lives and homes of those around us' SUNDAY TIMES'Finely crafted, profound and always generous . . . Made me feel excited to be alive' NATASHA LUNNOur secret wants and desires are often hidden in a box. But what happens when you lift the lid? Chloe is beautiful and fiercely bright, but her thirst for alcohol and attention is insatiable.Sara resents being tied down to anything, but part of her craves stability.Elliot is secretly grieving the death of his famous lover and feels like he's invisible.The lives and problems of psychotherapist Charlotte Fox Weber's clients vary, but all are united by a common question: what do I really want?In What We Want, Charlotte Fox Weber takes us on a journey through twelve universal wants and desires - love, power, sex, attention, and more - bringing us behind the closed doors of her practice. As she gently guides her clients towards a deeper understanding of themselves, she invites them - and us - to find a fuller way of living.What We Want is at once a fly-on-the-wall look at what binds us all, an expression of the profound importance of understanding and articulating our desires, and a practical toolkit for living well.

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David and Charlotte Bailey are back with a new book focusing on the different ways to cook natural, unrefined and unprocessed vegetarian food on a grill. Exploring a growing market for cooking vegetarian food outdoors, David and Charlotte bring their expertise and show you a wide variety of techniques and recipes for a vegetarian friendly barbecue menu. Fresh Veggie BBQ also includes more practical elements of barbecuing, such as an exploration of the different woods to use, the basics of how to build and light a fire, the different equipment available and variations for charcoal, gas and indoor cooking. So whether cooking on gas, burying packed parcels into hot coals or serving up the perfect summer salad, you’ll be able to create a delicious summer feast. Celebrating a healthy outdoors lifestyle with rustic, unfussy food and lots of charred, smoked, woody and robust flavours that meat-eaters and vegans alike will devour, recipes include Sticky Tempeh ‘Ribs’, Miso-glazed Aubergine, Shiitake and Smoked Tofu Skewers, Ember-roasted Pumpkin Tagine and Chipotle Barbecue Sauce. For ease of use, chapters focus on the different techniques for cooking with open heat to produce starters, mains and desserts. So whether you have a Dutch oven (Cauldron/Potjie Pot), Skillet/Chapa Barbecue grate, want to cook with skewers or use the cooling embers and ash, you’ll know exactly where to turn to. There are also chapters on Salads, Sauces and Sides and Drinks to make your veggie BBQ sizzle!

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From the beginning of his career, Swiss theologian Karl Barth (1886-1968) was often in conflict with the spirit of his times. While during the First World War German poets and philosophers became intoxicated by the experience of community and transcendence, Barth fought against all attempts to locate the divine in culture or individual sentiment. This freed him for a deep worldly engagement: he was known as "the red pastor," was the primary author of the founding document of the Confessing Church, the Barmen Theological Declaration, and after 1945 protested the rearmament of the Federal Republic of Germany. Christiane Tietz compellingly explores the interactions between Barth's personal and political biography and his theology. Numerous newly-available documents offer insight into the lesser-known sides of Barth such as his long-term three-way relationship with his wife Nelly and his colleague Charlotte von Kirschbaum. This is an evocative portrait of a theologian who described himself as "God's cheerful partisan," who was honored as a prophet and a genial spirit, was feared as a critic, and shaped the theology of an entire century as no other thinker.

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Follow one girl as she visits the park at different points of the year, collecting objects and pictures for her scrapbook to show the differences between the seasons. Wonderfully illustrated in vivid colours by Christine Jenny, this non-fiction book is written by Charlotte Raby. What would you put in your seasons scrapbook? Pink B/Band 1B books offer simple, predictable text with familiar objects and actions Children can re-cap the changing seasons on pages 14–15. Text type: A non-fiction recount Curriculum links: Geography: Weather around the world

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Loyal, honest and, above all, principled. There is no finer detective in Victorian London than Thomas Pitt.It is 1896, and Thomas Pitt is in charge of Special Branch. He is beginning to understand the power he now commands, but is still ill at ease at the glittering events he and his wife Charlotte must attend. During a lavish party at the Spanish Embassy, a policeman breaks into Pitt's conversation with investor Rawdon Quixwood to break the terrible news that Quixwood's wife, Catherine, has been viciously assaulted at their home, and left for dead. Worse still, it appears that the assailant was someone she had trusted as she opened the door to the attacker herself.At the same party, Charlotte sees Angeles Castelbranco, an ambassador's daughter, flinch in fear at the teasing of some young men. A few days later, Angeles flees from the same group and, in her terror, falls from a window - what could have caused her to take that fatal step?Pitt and his friend Victor Narraway vow to uncover the unspoken truth behind these two women's deaths. But as they investigate, deception and violence get ever nearer and danger is only ever one step away...

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"Without a doubt, Christi Nogle is one of my favorite new voices in horror. Her fiction is by turns devastating, horrifying, and beyond beautiful. With her collection, The Best of Our Past, the Worst of Our Future, she's created something truly remarkable, the kind of horror that's filled with grit and heart. Don't miss this book; it's sure to be one of the very best collections of 2023."- Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens and Reluctant Immortals The Best of Our Past, the Worst of Our Future collects Christi Nogle’s finest psychological and supernatural horror stories. Their rural and small-town characters confront difficult pasts and look toward promising but often terrifying futures. The pieces range in genre from psychological horror through science fiction and ghost stories, but they all share fundamental qualities: feminist themes, an emphasis on voice, a focus on characters’ psychologies and a sense of the gothic in contemporary life. Stories here may recall Charlotte Perkins Gilman’s “The Yellow Wallpaper,” Shirley Jackson’s “The Renegade,” or Kelly Link’s “Stone Animals.”

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'Brilliantly entertaining and original' C.L. Taylor'A standout book' Rosie WalshFrom the Sunday Times-bestselling author Rowan Coleman, comes a special new series featuring the Brontë sisters, written under the name Bella EllisYorkshire, 1845, and dark rumours are spreading across the moors. Everything indicates that Mrs Elizabeth Chester of Chester Grange has been brutally murdered in her home - but nobody can find her body.As the dark murmurs reach Emily, Anne and Charlotte Brontë, the sisters are horrified, yet intrigued. Before they know it, the siblings become embroiled in the quest to find the vanished bride, sparking their imaginations but placing their lives at great peril . . .Loved The Vanished Bride? Pre-order The Diabolical Bones, the next book in the Brontë Mysteries series now!Praise for The Vanished Bride:'Evocative and utterly enchanting' Sarah Hilary'A gripping, twisty mystery' Angela Clarke'A splendid adventure' Guardian'A treat from start to finish' Jane Casey'Happily, more Brontë mysteries are to be expected' TLS

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For fans of Colleen Hoover and Rosie Walsh: this book will break your heart... then put it back together. Two years together. Twenty years apart. One day to change their story. Benjamin's world is turned upside down the day he meets Clara. Instinctively, he knows that she is his person and he is hers, but the events of one devastating night will take their lives in very different directions. 20 years later, a bombing is reported in the city where Clara and Ben met, and she is pulled back to a place she tries not to remember and the first love she could never forget. Searching for Ben, Clara prays that twenty years of silence is about to end. But is it too late to put right what went wrong? This is not a love story. But it is a story of first love, of the mistakes people make, and the lengths they'll go to put things right. Praise for The One That Got Away: 'Evocative and beautifully written... I defy anyone who has experienced the heartbreak of first love not to cry when they read it.' Nikki Smith, author of Look What You Made Me Do 'Captures masterfully the magic and devastation of first love... A powerful exploration of the relationships that shape us, this is a nostalgic, fierce and utterly spellbinding read.' Holly Miller 'A powerful page-turner that perfectly portrays the destruction and jealousy of a relationship between two damaged young people, too inexperienced to deal with the intensity of their feelings. A tense, gripping read – I loved it.' Sarah Stovell, author of Other Parents 'So poignant. I really enjoyed immersing myself in Clara and Benjamin's story of love and loss. Wonderfully written. A definite five star read.' Karen Hamilton, author of The Ex-Husband 'A brave, emotional and authentic love story, thrumming with suspense. I could barely breathe by the end!' Amy Heydenrych, author of Chasing Marian 'Moving and gripping.' Eva Woods, author of How To Be Happy 'Absorbing, touching and wise – I raced through it.’ Rebecca Wait, author of I'm Sorry You Feel That Way 'Do not let this one get away. It will steal your heart.' Lesley Kara, author of The Dare 'A beautifully crafted dark love story that tears at the heart but then gently patches it back together. I loved it!' Louise Fein, author of The Hidden Child 'Twisty and poignant and beautifully written... Will stay with you long after the final page.' Caroline Hulse, author of The Adults 'I couldn't put it down. Packed full of depth, character and realism.' L.C. North, author of The Ugly Truth 'The kind of book I'm always searching for... A stunning love story that had my heart racing from the first chapter.' Carley Fortune, author of Every Summer After 'Charlotte writes poignantly – and so searingly – about the visceral intensity of first love. Clara and Benjamin come alive on the page... You can't tear your eyes away from them. Wow. What a wonderful book.' Lizzy Barber, author of Out of Her Depth

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‘Charlotte Dennett has written an excellent book summarizing the geopolitics of the Middle East historically through to current events. . . . This is an amazing piece of historical writing. . . . Students, foreign affairs “experts” and officials should have this work as required reading.’—Jim Miles, Palestine Chronicle Part personal pilgrimage, part deft critique, Dennett’s insightful reportage examines what happens to international relations when oil wealth hangs in the balance, and she shines a glaring light on what so many have actually been dying for. In 1947, Daniel Dennett, America’s sole master spy in the Middle East, was dispatched to Saudi Arabia to study the route of the proposed Trans-Arabian Pipeline. It would be his last assignment. A plane carrying him to Ethiopia went down, killing everyone onboard. Today, Dennett is recognised by the CIA as a ‘Fallen Star’ and an important figure in US intelligence history. Yet the true cause of his death remains clouded in secrecy. In Follow the Pipelines, investigative journalist Charlotte Dennett digs into her father’s postwar counterintelligence work, which pitted him against America’s wartime allies – the British, French and Russians – in a covert battle for geopolitical and economic influence in the Middle East. Through stories and maps, she reveals how feverish competition among superpower intelligence networks, military and Big Oil interests have fueled indiscriminate attacks, misguided foreign policy and targeted killings that continue to this day. Follow the Pipelines also brings new questions to the fore: To what lengths has the United States negotiated with the Taliban, Al Qaeda and ISIS to secure Big Oil’s holdings in Syria, Iraq, Afghanistan and Yemen? Was the Pentagon’s goal of defeating ISIS a fraudulent pretext for America’s occupation of Syrian eastern provinces and a land grab for oil? Did the infamous double agent Kim Philby, who worked for the British while secretly spying for the Russians, have anything to do with Dennett’s death? Why have the US and China made North Africa the next major battleground in the Great Game for Oil? Charlotte Dennett delivers an irrefutable indictment of these devastating external forces and demonstrates how decades of brutal violence have shaped the Middle East and birthed an era of endless conflict – all for oil.

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The influence of gays and lesbians on language, literature, theater, poetry, dance, music, and the arts is unmeasurable. In the era before AIDS, gay and lesbian culture had a defining, if unrecognized, influence on American life, an influence that is only now being acknowledged. This reissue of the classic anthology, Lavender Culture, serves as a provocative, dynamic, and wide-ranging reminder of American gay and lesbian culture in the days before the status of gay people received widespread attention in the media, religion, and politics, before Newsweek saw it fit to feature a cover story on LESBIANS, and before gays and lesbians took center stage in America's cultural landscape. Here we find the young, assertive voices of such activists, authors, and artists as Rita Mae Brown, Barbara Grier, John Stoltenberg, Julia Penelope, Andrea Dworkin, Andrew Kopkind, Jane Rule, Arthur Bell, Charlotte Bunche, and dozens more. Including essays on such diverse subjects as gay bath houses, the gay male image in classical ballet, images of gays in rock music, Judy Garland, lesbian humor, sports and machismo, the growing business of women's music, and the Cleveland bar scene in the 1940s, Lavender Culture, with new introductory essays by the editors and Cindy Patton, offers a panoply of gay and lesbian life, tracing the current influence and visibility of gay and lesbian culture back to its origins.

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We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Bronte, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority.

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The first comprehensive biography of Mary Granville Delany—the artist and court insider whose flower collages, in particular, continue to inspire widespread admiration “Biographer Clarissa Campbell Orr immerses you in the minutiae of Mary’s life.”—Constance Craig-Smith, Daily Mail Mary Granville Delany (1700–1788), perhaps best known simply as Mrs Delany, is best remembered for her captivating paper collages of flowers, but her artistic flourishing came late in life. This nuanced, deeply researched biography pulls back the lens to place Delany’s art in the broader context of her family life, relationships with royalty, and her endeavor to live as an independent woman. Clarissa Campbell Orr, a noted authority on the eighteenth century court, charts Mary Delany’s development from a young woman at the heart of elite circles to beloved godmother and celebrated collagist. Orr traces the varied connections Mary Delany fostered throughout her life and which influenced her intellectual and artistic development: she was friends with prominent figures such as Methodist leader, John Wesley, composer G. F. Handel, the writer Jonathan Swift, and England’s leading patron of science, Margaret Bentinck, Duchess of Portland. Mrs Delany reveals its subject to be far more than a widow befriended by George III and Queen Charlotte; she is, instead, restored to her proper place in the era’s aristocratic society –and as a ground-breaking artist.

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From the brilliant author of the Fox Family saga comes a new spin-off novel, following Bertie's journey to become a pilot as she takes to the skies in Cornwall1930, Cornwall. Bertie Fox has had her dreams of motorcycle racing cut short by a life-changing accident, but now her thrill-seeking ambitions have turned towards the skies. Along with her two friends, Gwenna and Tory, Bertie's joined the flight training school on Pencarrack Moor.When a fourth girl moves onto the base, it's clear she's hiding something from her fellow pilots, even as they try to earn her trust. But the more they get to know the secretive Irene, the more they suspect she might be just as dangerous as she is mysterious.Soon, the three young women uncover something more sinister than they could have imagined. As they're drawn into a complex web, dark pasts and uncertain futures threaten them all - and the Pencarrack girls must learn who they can trust, before it's too late...Set against the dramatic Cornish coastline, this absorbing tale of friends and secrets will delight fans of Rosie Goodwin and Evie Grace.Praise for Terri Nixon:'A brilliant read' RoNA award-winning, bestselling novelist Tania Crosse'Love, loss and old rivalries are skilfully woven against an atmospheric coastal backdrop holding a promise of new beginnings. A five star page turner from the start' Kay Brellend, author of A Workhouse Christmas'I guarantee their story will stay with you long after you have finished reading this beautifully written book' Lynne Francis, author of A Maid's Ruin'A moving story of tragedy, deception and one woman's determination to protect her family. I couldn't put it down!' Charlotte Betts, author of The Light Within Us

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He gave her everything. But can she trust him?'Get ready for a creepy, twisty ride' HeatLauren can't wait to leave London for a fresh start in the countryside with her new partner Paul and his two young children. She never thought she'd be so lucky. A dream glass house in the woods, a ready-made family, a second chance. But as dark rumours swirl about their new home, Lauren begins to question their happily-ever-after. When they met, she was at her most vulnerable. She would trust Paul with her life. But should she?'Tense, creepy and utterly chilling' Charlotte Duckworth'I devoured it in a single sitting' Charlotte Philby'Sly, tense and heartbreaking' L V Matthews'Unputdownable' Harriet Walker READERS LOVE WHAT SHE LEFT BEHIND'Gripping, tense and chilling' 5* reader review'Heart-pounding' 5* reader review'Couldn't put it down' 5* reader review'A really brilliant thriller' 5* reader review'Oh my god, this book blew me away!' 5* reader review

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Best friends Charlotte and Mia are training to become Secret Princesses, magical princesses with the power to make wishes come true!Layla would love to be on a gymnastics team, but horrid Princess Poison has taken her lucky charm! Can the girls show her you don't need luck when you have friendship? Have you read all four books in series four: The Sapphire Collection? Fashion Fun Brilliant Bake-off Gymnastics Glory Picture Perfect

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A deliciously funny and sage guide to midlife - an unscientific, flaws-and-all account of one woman's adventures and misadventures through the dark comedy of the wilderness years. Through her own experiences as a fifty-something woman, and those of her three sisters, her indomitable mum and rebellious auntie, Charlotte tackles the big questions every woman seeks answers to at this time of our lives - chiefly: How the hell am I going to get over being young in a world obsessed with youth? Written with warmth, wisdom and irreverence this guide to midlife is perfect for readers of Nora Ephron, Caitlin Moran and India Knight.

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A bold and theatrically inventive adaptation of the literary classic that puts the interior life of the novel on stage. As a child, the orphaned Jane Eyre is taught by a succession of severe guardians to stifle her natural exuberance. A part of herself is locked away, out of view of polite society... until she arrives at Rochester's house as a governess to his young child. Soon Rochester's passionate nature reawakens Jane's hidden self, but darker secrets are stirring in the attic... Polly Teale's adaptation of Charlotte Bronte's Jane Eyre was first performed by Shared Experience Theatre Company in 1997.

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A marvelously bold interdisciplinary anthology, It Is Almost That collects works by women artists and writers who have constructed hybrid environments that merge image and text. The works in this collection are supremely imaginative in both form and content: from the semi-autobiographical novel painted by a young artist who died in the Holocaust (Charlotte Salomon) to Alison Knowles' computer-generated chance operation for "imagining" houses and their inhabitants; from the pseudo-scientific examination of a conversation between a mother and a daughter (Eleanor Antin) to the dark, comic interrogation of violence against women (Sue Williams); from the transformations of newspaper headlines (Suzanne Treister) to the probing of animal consciousness (Cole Swensen & Shari De Graw); from the body maps drawn by South African women with AIDS (Bambanani Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hiller). Other contributors to It Is Almost That include Fiona Banner, Louise Bourgeois, Theresa Hak Kyung Cha, Cozette de Charmoy, Ann Hamilton, Jane Hammond, Dorothy Iannone, Bhanu and Rohini Kapil, Helen Kim, Ketty La Rocca, Bernadette Mayer, Adrian Piper, Charlotte Salomon, Geneviève Seillé, Molly Springfield, Erica Van Horn & Laurie Clark, Carrie Mae Weems, Hannah Weiner and Unica Zürn.

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Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story 'The Yellow Wall-Paper', Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in this volume, along with a selection of Gilman's major short stories and her poems.

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Logically organized by taxonomic groups, this up-to-date text covers the diagnosis and treatment of all zoo animal species and free-ranging wildlife, including amphibians, reptiles, birds, mammals, and fish, unlikely to be seen by private practice veterinarians. Featuring full-color images, the consistent, user-friendly format supplies information on each animal's biology, unique anatomy, special physiology, reproduction, restraint and handling, housing requirements, nutrition and feeding, surgery and anesthesia, diagnostics, therapeutics, and diseases. Global authorship includes multinational contributors who offer expert information on different species from around the world. "This is a welcome update to an invaluable reference series; a must-have for any veterinary professional working largely in the zoo or wildlife field, and also recommended as a reference text for the library of any practice seeing unusual species on a regular basis, even if they already have an earlier volume."Reviewed by: Charlotte Day on behalf of The Veterinary Record, Oct 14 Global authorship includes internationally recognized authors who have contributed new chapters focusing on the latest research and clinical management of captive and free-ranging wild animals from around the world. Zoological Information Management System chapter offers the latest update on this brand new system that contains a worldwide wealth of information. General taxonomy-based format provides a comprehensive text for sharing information in zoo and wildlife medicine. Concise tables provide quick reference to key points in the references. NEW! All new authors have completely revised the content to provide fresh perspectives from leading experts in the field on the latest advances in zoo and wild animal medicine. NEW! Color images vividly depict external clinical signs for more accurate recognition and diagnosis.

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The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.

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The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.

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bVery Short Introductionsb: Brilliant, Sharp, Inspiring /b In 1816, when eighteen-year old Mary Godwin began writing Frankenstein, the idea that a woman could dream up such a tale was as far-fetched as raising a being from the dead. But Mary wasn't just any woman. The daughter of two notorious radicals, Mary had become an outcast from English society when she was only sixteen. A lifelong advocate for the rights of women, she refused to be governed by social conventions, running away with a married man, having children out of wedlock, and authoring books, stories, and essays that broke literary conventions. This Very Short Introduction explores the context, background, and important themes contained in Shelley's most famous novel, Frankenstein, as well as demonstrating the importance of her work after Frankenstein. Over the course of her long career, Shelley developed a distinctive voice, and a political and philosophical stance. Exploring key themes throughout Shelley's work, Charlotte Gordon shows how she devoted herself to the propositions her mother, Mary Wollstonecraft, outlined in A Vindication of the Rights of Woman: that women are equal to men; that all people deserve the same rights; that human reason and the capacity for love can reform the world; and that every person is entitled to justice and freedom. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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This Charlotte Bronte classic is brought to vibrant life by artist John M. Burns. His sympathetic treatment of Jane Eyre's life during the 19th century will delight any reader with its strong emotions and wonderfully rich atmosphere. Travel back to a time of grand Victorian mansions contrasted with the severest poverty and immerse yourself in this love story. It is presented in full colour graphic novel format wonderfully illustrated by legendary artist John M. Burns. It meets UK curriculum requirements. Teachers notes/study guides for KS2/KS3 available.

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Thanks to the technology left behind by the Martians and salvaged by the survivors, the British Empire has become a dominating world power once again, and has taken the fight back to the Martians! But an aging Robert Autumn knows there is more to this war than the propganda suggests. He sends journalist Charlotte Hemmingway undercover to Mars in order to discover the truth. What she discovers there is truly earth-shattering... This volume contains the very latest series of Scarlet Traces, which has never been collected before.

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