Search results for ""author charles""

"Handy writes with the eloquence of simplicity and his gift tous is an enjoyable, profound, and reliable guide toward meaning anddirection."--Max De Pree, author of Leading without Powerand chairman emeritus, Herman Miller Inc. Charles Handy's reflections on work and life have earned himlegions of fans throughout the world. His previous books havetogether sold over a million copies. And his "Thought for the Day"series on BBC radio is celebrated throughout the U.K. Now presentand future fans in America can sample what his BBC listeners haveenjoyed for so long. Waiting for the Mountain to Moveincludes the gifted commentator's best essays, culled from tenyears of radio broadcasts. These succinct writings draw poignantlessons from everyday occurrences and cause us to examine ourlives, our institutions, and our society in a different andrevealing light. NOT FOR SALE OUTSIDE NORTH AMERICA

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This volume explores the troubled eighteenth century in Iran, between the collapse of the Safavids and the establishment of the new Qajar dynasty in the early decades of the nineteenth century. Despite the striking military successes of Nader Shah, to defeat the Afghan invaders, drive back the Ottomans in the west, and launch campaigns into India and Central Asia, Iran steadily lost territory in the Caucasus and the east, where Persian arms failed to recover lands lost to the Afghans and the Ozbeks. The chapters of this book cover the continuity and change over this transitional period from a range of perspectives including political history, historiography, art and material culture. They illuminate the changes in Iran’s internal conditions, including the legitimising legacy of the Safavid period in court chronicles, the rise of Nader Shah and his influence on the idea of Iran, as well as the art of successive dynasties competing for power and prestige. The volume also addresses Iran’s changed international situation by examining relations with Russia, Britain and India, the result of which would contribute to its re-emergence with a curtailed presence in the new world order of European dominance.

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Surfacing from the literary underground, Bukowski's wild and immortal stories have become cult favourites. This collection of anecdotal short stories demonstrates Bukowski's compelling semi-autobiographical style and his mastery of visceral language and the depiction of seamy underworlds. Focusing on themes that recur throughout his work, from Los Angeles and bar culture to alcoholism, gambling, sex and violence, these pieces also introduce unexpected elements of fantasy and surrealism.

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On 16 May 1943, nineteen Lancaster aircraft from the RAF’s 617 Squadron set off to attack the great dams in the industrial heart of Germany. Flying at a height of 60ft, they dropped a series of bombs which bounced across the water and destroyed two of their targets, thereby creating a legend. The one-off operation combined an audacious method of attack, technically brilliant flying and visually spectacular results. But while the story of Operation Chastise is well known, most of the 133 ‘Dambusters’ who took part in the Dams Raid have until now been just names on a list. They came from all parts of the UK and the Commonwealth and beyond, and each of them was someone’s son or brother, someone’s husband or father. This is the first book to present their individual stories and celebrate their skill, heroism and, for many, sacrifice.

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The end of the Second World War not only brought peace to a war-weary population but also delivered a plethora of surplus transport aircraft, crew and engineers, which could be easily and cheaply repurposed to ‘lift’ the mood of the British population. The dream of sun-drenched beaches in exotic places suddenly became a reality for thousands of pioneering tourists taking advantage of the air-travel revolution of the 1950s. From their humble beginnings flying holidaymakers to campsites in Corsica in war-surplus Dakota aircraft to today’s flights across the globe in wide-bodied Airbuses, Flying To The Sun narrates the development of Britain’s love-hate relationship with holiday charter airlines. Whilst many readers today will be more familiar with names like Ryanair and Easyjet than Clarksons or Dan-Air, this charming book serves as a fond reminder of those enterprising airlines and companies that ushered a new age of travel.

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Social class remains a fundamental presence in British life in the twenty-first century. It is woven into the very fabric of social and political discourse, undiminished by the end of mass industry; unaugmented despite the ascendancy of 'ordinary working people' and other substitute phrases. Absent from this landscape, however, is any compelling Marxist expression or analysis of class. In Class Matters, Charles Umney brings Marxist analysis out of the 19th century textiles mill, and into the call centres, office blocks and fast food chains of modern Britain. He shows how core Marxist concepts are vital to understanding increasing pay inequality, decreasing job security, increasing routinisation and managerial control of the labour process. Providing a critical analysis of competing perspectives, Umney argues that class must be understood as a dynamic and exploitative process integral to capitalism - rather than a descriptive categorisation - in order for us to better understand the gains capital has made at the expense of labour over the last four decades.

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A Year of Evocative Card Art and Tantalizing Tarot Tips

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The Cosmos Explained is an exciting and beautifully designed book that charts the life of our universe from the Big Bang to the present day and beyond. Starting with the moment of the Big Bang—at exactly one ten-millionth of a trillionth of a trillionth of a trillionth of a second—this book charts a history of space and time all the way through the evolution of our solar system, the birth of stars and the formation of life on Earth, to the future of our galaxy and beyond. With deeply insightful and fascinating text by Hayden Planetarium Associate Professor Charles Liu, who also hosts the immensely popular StarTalk podcast, this book is an accessible and enthralling gateway into the mysteries of space, time and the universe.Pinpoint exactly where you are in space and time using the timeline at the bottom of every page, and explore the history of the cosmos and the science behind it through beautiful telescope images and striking illustrations. Packaged in a unique retro design that reflects the 1960s cosmonaut era but still feels modern and relevant today, this title is as rich with information as it is with stunning visualisations of the concepts and bodies detailed within.An ideal gift for anyone interested in space or curious about the cosmos, The Cosmos Explained is a unique and entertaining timeline of life, the universe, and everything!

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Collected in this volume are fifteen essays, previously published in a wide variety of journals, on the pastoral poetry of Theocritus and Virgil. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This work is a comprehensive study of Han Yu (768-824), a principal figure in the history of the Chinese Confucian tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Charles Siewert presents a distinctive approach to consciousness that emphasizes our first-person knowledge of experience and argues that we should grant consciousness, understood in this way, a central place in our conception of mind and intentionality. Written in an engaging manner that makes its recently controversial topic accessible to the thoughtful general reader, this book challenges theories that equate consciousness with a functional role or with the mere availability of sensory information to cognitive capacities. Siewert argues that the notion of phenomenal consciousness, slighted in some recent theories, can be made evident by noting our reliance on first-person knowledge and by considering, from the subject's point of view, the difference between having and lacking certain kinds of experience. This contrast is clarified by careful attention to cases, both actual and hypothetical, indicated by research on brain-damaged patients' ability to discriminate visually without conscious visual experience--what has become known as "blindsight." In addition, Siewert convincingly defends such approaches against objections that they make an illegitimate appeal to "introspection." Experiences that are conscious in Siewert's sense differ from each other in ways that only what is conscious can--in phenomenal character--and having this character gives them intentionality. In Siewert's view, consciousness is involved not only in the intentionality of sense experience and imagery, but in that of nonimagistic ways of thinking as well. Consciousness is pervasively bound up with intelligent perception and conceptual thought: it is not mere sensation or "raw feel." Having thus understood consciousness, we can better recognize how, for many of us, it possesses such deep intrinsic value that life without it would be little or no better than death.

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In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.

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Charles Taylor delves into the poetry of the Romantics and their heirs, a foundation of his distinctive philosophy of language. Taylor holds that Romantic poetry responded to disenchantment: with old cosmic orders depleted, artists groped to articulate new meanings by bringing connections to life rather than merely reasoning abstractly about life.

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Few can match Charles Rosen's cultivation and discernment, whether as pianist, music historian, or critic. Here he gives us a performance of literary criticism as high art, a critical conjuring of the Romantic period by way of some of its central texts."What is the real business of the critic?" Rosen asks of George Bernard Shaw in one of his essays. It is a question he answers throughout this collection as he demonstrates and analyzes various critical approaches. In writing about the Romantic poets Lord Byron, William Wordsworth, William Cowper, and Friedrich Hölderlin, he examines the kind of criticism which attempts to uncover concealed code. He investigates the relationship between Romantic aesthetic theory and artworks, and explores the way Romantic art criticism has been practiced by critics from Friedrich Schlegel to Walter Benjamin. In essays on Honoré de Balzac, Robert Schumann, Gustave Flaubert, and others, he highlights the intersections between Romantic art and music; the artist's separation of life and artistic representations of it; and the significance of the established text.With an apt comparison or a startling juxtaposition, Rosen opens whole worlds of insight, as in his linking of Caspar David Friedrich's landscape painting and Schumann's music, or in his review of the theory and musicology of Heinrich Schenker alongside the work of Roman Jakobson.Throughout this volume we hear the voice of a shrewd aesthetic interpreter, performing the critic's task even as he redefines it in his sparkling fashion.

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'Bah,'said Scrooge, 'Humbug.'But that was before he was presented with visions of Christmas Past, Christmas Present and Christmas Yet to Come, which gave him a whole new lease of life:'I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the World!'Old Ebenezer Scrooge is too mean to spend money on coals for the fire in his counting-house, where his clerk Bob Cratchit shivers in the winter cold. Declining an invitation to his nephew Fred's Christmas party, and refusing to give money to charity, he is ready for his usual miserly Christmas in his cold, dingy apartment. But that night, the ghost of his dead partner Jacob Marley appears and tells him to expect a visit from three spirits over the next three nights . . .Liberty of London and Faber & Faber both offer peerless quality and unrivalled originality. Liberty of London's patterned, print and floral fabrics are world famous. This partnership brings together the best writers with one of the foremost design teams to create books that will be coveted by artistic shoppers and book lovers the world over.

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During the era of French colonial rule in Indochina, as many as two hundred thousand Indochinese sojourned in France. Subjects and Sojourners is a vivid and comprehensive social, cultural, and political history of this diverse group, which ranged from ruling monarchs to the most marginal laborers. Drawing from a range of rich but underused archives, Charles Keith explores how French colonialism extended Indochina's colonial society into France, where Indochinese subjects studied, labored, fought, and lived in imperial spaces and contexts that were profoundly different from those they had left behind. Time in France transformed these sojourners, and when they returned to Indochina, they in turn transformed colonial society. Indochinese, in short, did not simply encounter France in the colony: they went and lived it for themselves.

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Charles Tilly, in this eloquent manifesto, presents a powerful new approach to the study of persistent social inequality. How, he asks, do long-lasting, systematic inequalities in life chances arise, and how do they come to distinguish members of different socially defined categories of persons? Exploring representative paired and unequal categories, such as male/female, black/white, and citizen/noncitizen, Tilly argues that the basic causes of these and similar inequalities greatly resemble one another. In contrast to contemporary analyses that explain inequality case by case, this account is one of process. Categorical distinctions arise, Tilly says, because they offer a solution to pressing organizational problems. Whatever the "organization" is--as small as a household or as large as a government--the resulting relationship of inequality persists because parties on both sides of the categorical divide come to depend on that solution, despite its drawbacks. Tilly illustrates the social mechanisms that create and maintain paired and unequal categories with a rich variety of cases, mapping out fertile territories for future relational study of durable inequality.

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A modern presentation of theoretical solid state physics that builds directly upon Kittel's Introduction to Solid State Physics. Treats phonon, electron, and magnon fields, culminating in the BCS theory of superconductivity. Considers Fermi surfaces and electron wave functions and develops the group theoretical description of Brillouin zones. Applies correlation functions to time-dependent effects in solids, with an introduction to Green's functions. With 110 problems, the text is well-suited for the classroom or for self-instruction.

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In order to truly understand data signals transmitted by satellite, one must understand scintillation theory in addition to well established theories of EM wave propagation and scattering. Scintillation is a nuisance in satellite EM communications, but it has stimulated numerous theoretical developments with science applications. This book not only presents a thorough theoretical explanation of scintillation, but it also offers a complete library of MATLAB codes that will reproduce the book examples. The library includes GPS coordinate manipulations, satellite orbit prediction, and earth mean magnetic field computations. The subect matter is for EM researchers; however, also theory is relevant to geophysics, acoustics, optics and astoronomy.

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Why do individuals and groups hold distinctive theological views? Why do these beliefs change? In what ways do theological interpretations influence concepts of spiritual and political justice? How and why do these concepts of justice affect policy preferences held by religious liberals and conservatives? Much has recently been written about the relationship between power, conservative politics, and evangelical religious groups, but very little attention has been paid to so-called "progressive" religious groups among Protestants, Catholics, and Jews and their relationship to political thought and action.This wide-ranging and interdisciplinary work, ideal for use in college courses on religion and social issues, explores the impact of theological interpretations about God, the individual, society, church, and government on attitudes toward procedural and distributive justice. Major issues revolve around civil liberties, sexual choice, gender equality, world peace, prison reform, and income distribution

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The introspective hero of Wings of Fire and A Test of Wills (Edgar Award nominee) returns in Search the Dark, a provocative mystery by Charles Todd. Inspector Ian Rutledge, haunted by memories of World War I and the harrowing presence of Hamish, a dead soldier, is a superb characterization of a man whose wounds have made him a stranger in his own land. (The New York Times Book Review)A dead woman and two missing children bring Inspector Rutledge to the lovely Dorset town of Singleton Magna, where the truth lies buried with the dead. A tormented veteran whose family died in an enemy bombing is the chief suspect. Dubious, Rutledge presses on to find the real killer. And when another body is found in the rich Dorset earth, his quest reaches into the secret lives of villagers and Londoners whose privileged positions and private passions give them every reason to thwart him. Someone is protecting a murderer. And two children are out ther

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At once engaging, personal, and analytical, this book provides the intellectual resources for the critical understanding of art Charles Harrison’s landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.

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An enthusiast’s guide to exploring historic houses of England, this informative book, now in paperback, also enables readers to discover more about the history of their own houses. Users can learn to interpret domestic architecture, identify period styles, uncover the origins of a building, and understand why rooms are arranged in particular sequences, why window and chimney designs change through history, or why staircases are presented in a certain fashion. Color photography and informative line drawings illustrate the explanations and provide a rich visual history of domestic architecture from the earliest surviving dwellings to the most avant-garde developments.

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From “the man on whom nothing was lost,” a unique guide to the elements of statecraft, presented through spirited interpretations of classic literary works “The international world of states and their modern system is a literary realm,” writes Charles Hill in this powerful work on the practice of international relations. “It is where the greatest issues of the human condition are played out.”A distinguished lifelong diplomat and educator, Hill aims to revive the ancient tradition of statecraft as practiced by humane and broadly educated men and women. Through lucid and compelling discussions of classic literary works from Homer to Rushdie, Grand Strategies represents a merger of literature and international relations, inspired by the conviction that “a grand strategist . . . needs to be immersed in classic texts from Sun Tzu to Thucydides to George Kennan, to gain real-world experience through internships in the realms of statecraft, and to bring this learning and experience to bear on contemporary issues.”This fascinating and engaging introduction to the basic concepts of the international order not only defines what it is to build a civil society through diplomacy, justice, and lawful governance but also describes how these ideas emerge from and reflect human nature.

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The New Paradigm in Architecture tells the story of a movement that has changed the face of architecture over the last forty years.The book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design—more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.This book, the first to explore the broad issue of Postmodernism, has fostered its growth in other fields such as philosophy and the arts. First written at the start of an architectural movement in the mid-1970s, it has been translated into eleven languages and has gone through six editions. Now completely rewritten and with two new chapters, this edition brings the history up to date with the latest twists in the narrative and the turn to a new complexity in architecture.

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In the quarter-century since his first book, Killing the Hidden Waters, was published in 1977, Charles Bowden has become one of the premier writers on the American environment, rousing a generation of readers to both the wonder and the tragedy of humanity's relationship with the land. Revisiting his earliest work with a new introduction, "What I Learned Watching the Wells Go Down," Bowden looks back at his first effort to awaken people to the costs and limits of using natural resources through a simple and obvious example—water. He drives home the point that years of droughts, rationing, and even water wars have done nothing to slake the insatiable consumption of water in the American West. Even more timely now than in 1977, Killing the Hidden Waters remains, in Edward Abbey's words, "the best all-around summary I've read yet, anywhere, of how our greed-driven, ever-expanding urban-industrial empire is consuming, wasting, poisoning, and destroying not only the resource basis of its own existence, but also the vital, sustaining basis of life everywhere."

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The title of Charles Taliaferro’s book is derived from poems and stories in which a person in peril or on a quest must follow a cord or string in order to find the way to happiness, safety, or home. In one of the most famous of such tales, the ancient Greek hero Theseus follows the string given him by Ariadne to mark his way in and out of the Minotaur’s labyrinth. William Blake's poem “Jerusalem” uses the metaphor of a golden string, which, if followed, will lead one to heaven itself. Taliaferro extends Blake’s metaphor to illustrate the ways we can link what we see, feel, and do with deep spiritual realities. Taliaferro offers a foundational case for the recognition of the experience of the eternal God of Christianity, in which God is understood as the fount of all goodness and the subject and object of our best love, revealed through scripture, tradition, philosophical reflection, and encountered in everyday events. He addresses philosophical obstacles to the recognition of such experiences, especially objections from the “new atheists,” and explores the values involved in thinking and experiencing God as eternal. These include the belief that the eternal goodness of God subordinates temporal goods, such as the pursuit of fame and earthly glory; that God is the essence of life; and that the eternal God hallows domestic goods, blessing the everyday goods of ordinary life. An exploration of the moral and spiritual riches of the Christian tradition as an alternative to materialism and naturalism, The Golden Cord brings an originality and depth to the debate in accessible and engaging prose.

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Charles B. Strozier's college lost sixty-eight alumni in the tragedy of 9/11, and the many courses he has taught on terrorism and related topics since have attracted dozens of survivors and family members. A practicing psychoanalyst in Manhattan, Strozier has also accepted many seared by the disaster into his care. In some ways, the grief he has encountered has felt familiar; in other ways, unprecedented. Compelled to investigate its unique character further, he launched a fascinating study into the conscious and unconscious meaning of the event, both for those who were physically close to the attack and for those who witnessed it beyond the immediate space of Ground Zero. Based on the testimony of survivors, bystanders, spectators, and victim's friends and families, Until the Fires Stopped Burning brings much-needed clarity to the conscious and unconscious meaning of 9/11 and its relationship to historical disaster, apocalyptic experience, unnatural death, and the psychological endurance of trauma. Strozier interprets and contextualizes the memories of witnesses and compares their encounter with 9/11 to the devastation of Hiroshima, Auschwitz, Katrina, and other events Kai Erikson has called a "new species of trouble" in the world. Organizing his study around "zones of sadness" in New York, Strozier powerfully evokes the multiple places in which his respondents confronted 9/11 while remaining sensitive to the personal, social, and cultural differences of these experiences. Most important, he distinguishes between 9/11 as an apocalyptic event (which he affirms it is not;rather, it is a monumental event), and 9/11 as an apocalyptic experience, which is crucial to understanding the act's affect on American life and a still-evolving culture of fear in the world.

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In today’s world, the lines between Europe and the Middle East, between Christian Europeans and Muslim immigrants in their midst, seem to be hardening. Alarmist editorials compare the arrival of Muslim refugees with the “Muslim conquest of 711,” warning that Europe will be called on to defend its borders. Violence and paranoia are alive and well in Fortress Europe. Against this xenophobic tendency, The Feeling of History examines the idea of Andalucismo—a modern tradition founded on the principle that contemporary Andalusia is connected in vitally important ways with medieval Islamic Iberia. Charles Hirschkind explores the works and lives of writers, thinkers, poets, artists, and activists, and he shows how, taken together, they constitute an Andalusian sensorium. Hirschkind also carefully traces the various itineraries of Andalucismo, from colonial and anticolonial efforts to contemporary movements supporting immigrant rights. The Feeling of History offers a nuanced view into the way people experience their own past, while also bearing witness to a philosophy of engaging the Middle East that experiments with alternative futures.

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As important to modern world views as any work of Darwin, Marx, or Freud, Lyell's Principles of Geology has never before been available in paperback. In this third and final volume, Charles Lyell (1797-1875) devotes much attention to the "syntax of geology," that is, to a way of reconstructing the geological past on the basis of the "grammar" of the present processes he has described in the earlier volumes. He defines four periods of the Tertiary—Newer Pliocene, Older Pliocene, Miocene, and Eocene—and argues that the deposits dating from each period demonstrate the uniformity of processes and environments throughout the Tertiary, and indeed in earlier periods of earth history. Martin J. S. Rudwick has compiled a bibliography giving full references for the sources Lyell cites in all three volumes of the Principles.

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Keil's classic account of blues and its artists is both a guide to the development of the music and a powerful study of the blues as an expressive form in and for African American life. This updated edition explores the place of the blues in artistic, social, political, and commercial life since the 1960s. "An achievement of the first magnitude...He opens our eyes and introduces a world of amazingly complex musical happening."--Robert Farris Thompson, Ethnomusicology

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Charles Bernstein is our postmodern jester of American poesy, equal part surveyor of democratic vistas and scholar of avant-garde sensibilities. In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language and between everyday life and its adversaries. "Attack of the Difficult Poems", his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art. Applying an array of essayistic styles, "Attack of the Difficult Poems" ardently engages with the promise of its title. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature's place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner. From blues artists to Tin Pan Alley song lyricists to second wave modernist poets, "Attack of the Difficult Poems" sounds both a battle cry and a lament for the task of the language maker and the fate of invention.

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HarperCollins is proud to present its new range of best-loved, essential classics. 'Please, sir, I want some more.' An orphan boy of seemingly no consequence goes on an adventure that will change his life forever. Fleeing a cruel workhouse, Oliver finds himself taken under the wing of the Artful Dodger and caught up with a group of pickpockets in London. Navigating the seedy underbelly of the capital, Oliver’s innocence is never corrupted as he struggles to find a loving family of his own. Dickens’ scathing attack on the harshness of Victorian poverty features some of his most memorable and enduring villains – the fiendish Fagin and monstrous Bill Sikes – and is a classic tale of good versus evil.

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HarperCollins is proud to present its new range of best-loved, essential classics. 'Take nothing on its looks; take everything on evidence. There's no better rule' Pip is an orphan without any expectations – he has no name, no fortune and no prospects. It is only when he begins to visit Miss Havisham, elderly, rich and reclusive, and her adopted niece Estella, that he begins to hope for something better. And when it is revealed that Pip has inherited a large sum of money from a mysterious benefactor, he begins an adventure that will change his life forever. Epic and memorable, Pip's quest to find the truth about himself is a classic coming-of-age tale and one of Dickens’ most enduring and popular novels.

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It’s Christmas Eve. Scrooge is an old man who hates Christmas and loves work and money. He does not want to share Christmas with anyone. But then he is visited by four ghosts. Who are the ghosts? What do they say to Scrooge? And what will happen when he wakes up on Christmas day?

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One of the most influential philosophers in the English-speaking world, Charles Taylor is internationally renowned for his contributions to political and moral theory, particularly to debates about identity formation, multiculturalism, secularism, and modernity. In Modern Social Imaginaries, Taylor continues his recent reflections on the theme of multiple modernities. To account for the differences among modernities, Taylor sets out his idea of the social imaginary, a broad understanding of the way a given people imagine their collective social life. Retelling the history of Western modernity, Taylor traces the development of a distinct social imaginary. Animated by the idea of a moral order based on the mutual benefit of equal participants, the Western social imaginary is characterized by three key cultural forms—the economy, the public sphere, and self-governance. Taylor’s account of these cultural formations provides a fresh perspective on how to read the specifics of Western modernity: how we came to imagine society primarily as an economy for exchanging goods and services to promote mutual prosperity, how we began to imagine the public sphere as a metaphorical place for deliberation and discussion among strangers on issues of mutual concern, and how we invented the idea of a self-governing people capable of secular “founding” acts without recourse to transcendent principles. Accessible in length and style, Modern Social Imaginaries offers a clear and concise framework for understanding the structure of modern life in the West and the different forms modernity has taken around the world.

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In this hauntingly beautiful volume, artist John A. Rice re-envisions Dickens's seemingly familiar Christmas classic as a true Victorian ghost story.The Victorians knew that the end of the year is a precipice, a time of change and transition. They captured the essence of this season the yearning for what is lost, the fear of the unknown, but also the hope for what is to come in the fantastical storytelling tradition known as the midwinter's tale. And of all such tales, the most famous is A Christmas Carol.In his new illustrated edition of A Christmas Carol, John A. Rice draws on the influence of Victorian Spiritualism and fin de siècle Symbolism to emphasise the deeper symbolism and spirituality of Dickens's novella. Through five absorbing full-page illustrations and a number of enchanting vignettes married to an elegant typographic design Rice reveals Scrooge's encounters with the spirits as a soul's journey from darkness to ligh

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In the aftermath of Jesus' resurrection, the testimonies of those who had followed him were so bold and powerful that they turned the world upside down. What would happen if we lived with that same kind of faith today?In the first century, believer didn’t just mean someone who heard and agreed with Jesus; it meant someone who acted on that belief. And when the outside world saw the faith of these new believers, they declared “they turned the world upside down” (Acts 17:6).In this follow-up to What If It's True? Charles Martin, a New York Times bestselling novelist, blends storytelling and teaching to explore the lives of the disciples in the aftermath of the Resurrection and as they spread the message of the Gospel and “turn the world upside down”, leading up to Paul’s ministry in Thessalonica. In his beloved lyrical style, Martin illuminates key moments from Scripture and shares stories from his own life as a disciple.Learn to become a believer who: Understands how the truth of Jesus’ life, death, and resurrection so powerfully reshaped history Uses the lives of the disciples as inspiration to be the light in a dark world Lives every moment with the disciples’ same world-changing faith today Filled with supporting Scripture and beautiful examples of prayers to offer as supplications before the throne of grace, this book will show you what our world could look like if we lived as the disciples did: with an unwavering confidence in the power and presence of God.

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Puffin Classics: the definitive collection of timeless stories, for every childRediscover the Puffin Classics collection and bring the best-loved classics to a new generation - including this charming edition A Christmas Carol complete with a bold new cover.Ebenezer Scrooge was a mean, miserable, bitter old man, until one Christmas Eve changed everything. . .Guided by three ghosts, Scrooge visits his past, present, and what could be to come should he not learn the true meaning behind Christmas.Will Scrooge learn to love Christmas and everyone around him?

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Cite Right is the perfect guide for anyone who needs to learn a new citation style or who needs an easy reference to Chicago, MLA, APA, AMA, and other styles. Each chapter serves as a quick guide that introduces the basics of a style, explains who might use it, and then presents an abundance of examples. This edition includes updates reflecting the most recent editions of The Chicago Manual of Style and the MLA Handbook. With this book, students and researchers can move smoothly among styles with the confidence they are getting it right.

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