Search results for ""Intellect""

How would you write if there were no tomorrow? How would you see the world differently? The elegance of Douglas Lowry's writing is testimony to the intertwining of all the worlds of arts and music, including poetry, and is a curated gift to those who love the arts, whether philosophers, wits, or anyone who loves a good read. Poetry is a way of looking into someone's soul. The original poems in this book were written over several years by Douglas Lowry, emeritus dean of the Eastman School of Music, and scattered throughout his many computers, iPads, and journals. They have been in safekeeping there since his death in 2013. Receiving a diagnosis of multiple myeloma created a sense of urgency. While a great musician and scholar was dying, he might have hoped, but never imagined, that any of his literary works would be published. It was said of Lowry that "he displayed a wide-ranging intellect, a fluent way with words, a remarkable range of artistic and scientific references, and a fine sense of humor." In one of Lowry's many speeches he talked of "the theatre of ideas; not just musical ideas inspired by somebody else's musical ideas, but the mosh pit of literature, visual art, drama; of the sciences, of social friction, of politics; in short, the mosh pit of the human condition." These poems cover all of that and more. His tentacles of interest reached every corner of the human condition, delusions, fantasies, memorable characters in literature, mythology, and life experiences. Music, of course, was paramount (with a dose of irreverence) but also the pleasures of literature, history of the ancients, family, nature, and thoughts on life, death, meaning, and the divine. Toward the end, resignation set in with his realization, "days and nights aren't nearly as immortal as they used to be, are they?"

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Catholic philosophical anthropologists have defended views of the human person on which we are not reducible to anything non-personal. For example, it is not the case that we are nothing but matter, souls, or parts of society. Nevertheless, most Catholic anthropologies have been reductionistic in other ways. Mark K. Spencer presents a philosophical portrait of human persons on which we are entirely irreducible to anything non-personal, by synthesizing claims from many strands of the Catholic tradition. These include Thomism, Scotism, phenomenology, personalism, nouvelle théologie, analytic philosophy, Greek and Russian thought, and several others. It adjudicates among these traditions' claims by considering whether they are grounded in how we appear in experience and whether they are non-reductionistic. While many metaphysical claims about persons are defended, the picture that ultimately results is one on which persons are best grasped not through abstract concepts but through aesthetic perception, as unique kinds of beauty.This portrait also shows how we have many irreducible parts, principles, and powers. Various chapters explore the irreducibility of our subjectivity, senses, intellect, freedom, and affections, and of our souls, bodies, acts of existence, and activities. Readers will also find explorations of divine simplicity and causality, the nature of matter, organisms, and artifacts, all of which must be understood to fully grasp our own irreducibility. In considering how to synthesize various traditions' claims, the book also offers new solutions to a number of prominent debates in contemporary Catholic philosophy. These include debates over natural law, the natural desire to see God, the separated soul, the nature of gifts, integralism and personalism, idealist and realist phenomenology, and various scholastic accounts of the act of existence. The picture of persons thereby developed helps the reader to perceive persons more perfectly.

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The emotional First Sister trilogy comes to a sensational climax in this final installment, and is a must-read for science fiction fans everywhere.Astrid is finally free of the Sisterhood, yet her name carries notoriety. Those she's inspired call her the Unchained; those who want her voiceless once more, the Heretic. Now Astrid uses her knowledge of the Sisterhood's inner workings against them, aiding the moonborn in raids, all the while exploring the mysteries of her forgotten past.Meanwhile, The Sisterhood, thrives under the newly appointed Mother Lilian I, who's engaged in highstakes politics to rebuild the Sisterhood in her own image. The evil of the Sisterhood can't be purged with anything less than fire . . .Hiro val Akira is a rebel without an army. As protests rock the streets of Cytherea, Hiro moves in the shadows, driven by grief and vengeance, as they hunt the man responsible for all their pain: their father . . . Transformed by the Genekey virus, Luce navigates the growing schism within the Asters on Ceres. Hurting in her new body, she works to bridge two worlds seemingly intent on mutual destruction. All while mourning her fallen brother, though Lito sol Lucius's memory may ultimately live on.Yet Souji val Akira stands in judgment on them all, plotting the future for the entirety of humanity, and running out of time before war erupts between the Icarii and Geans. But can even the greatest human intellect outwit the Synthetics?Praise for Linden A. Lewis'Wonderfully imaginative and gripping'R.F. Kuang, author of The Poppy War'Ridiculously readable'April Genevieve Tucholke, author of The Boneless Mercies'A must-read'Audrey Coulthurst, author of Of Fire and Stars'As stylish as it is substantial'NPR

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Professor Stephen Hawking is generally considered to have been one of the world's greatest thinkers. Here, his phenomenal bestseller A Brief History of Time is illustrated to bring his theories to life in a clear, captivating and visually engaging way.'This book marries a child's wonder to a genius's intellect. We journey into Hawking's universe, while marvelling at his mind' - The Sunday Times'Stephen Hawking can explain the complexities of cosmological physics with an engaging combination of clarity and wit...' - Observer'Exceptional writing explaining the mysteries and beauty of our universe. The book is very fascinating and highly enjoyable. Highly recommended' - ***** Reader review'This book is mind blowing' - ***** Reader review'A masterpiece' - ***** Reader review********************************************************************************************Was there a beginning of time? Could time run backwards? Is the universe infinite or does it have boundaries?These are just some of the questions considered in the internationally acclaimed masterpiece by the world-renowned physicist Professor Stephen Hawking.It begins by reviewing the great theories of the cosmos from Newton to Einstein, before delving into the secrets which still lie at the heart of space and time, from the Big Bang to black holes, via spiral galaxies and strong theory. To this day A Brief History of Time remains a staple of the scientific canon, and its succinct and clear language continues to introduce millions to the universe and its wonders.In this edition, Professor Hawking explains his complex theories through a fresh visual dimension. Over 150 stunning colour illustrations have been specially commissioned for this purpose to help the reader understand what have become popular mythic images of our century, but which nonetheless remain difficult, abstract ideas to grasp.This stunning gift edition also includes a new appendix with updates to the text and tributes to Stephen Hawking.

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Masterworks in process improvement and quality technology-- by George Box and friends George Box has a unique ability to explain complex ideas simply and eloquently. This revised edition of his masterworks since 1982 clearly demonstrates the range of his wit and intellect. These fascinating readings represent the cornerstones in the theory and application of process improvement, product design, and process control. Readers will gain valuable insights into the fundamentals and philosophy of scientific method using statistics and how it can drive creativity and discovery. The book is divided into five key parts: * Part A, Some Thoughts on Quality Improvement, concerns the democratization of the scientific method and, in such papers as "When Murphy Speaks--Listen," advises managers to view operation of their processes as ongoing opportunities for improvement. * Part B, Design of Experiments for Process Improvement, illustrates the enormous advantages offered by experimental design in the pursuit of better products and processes. * Part C, Sequential Investigation and Discovery, shows how sequential assembly of designs allows the experimenter to match the difficulty of the problem with the effort needed to solve it. * Part D, Control, describes application of feedback control in the Statistical Process Control (SPC) environment. A simple graphical technique using Box-Jenkins charts is set forth to appropriately adjust processes to target. * Part E, Variance Reduction and Robustness, demonstrates how the existence of more than one source of variation may be used to achieve products robust to the environment in which they must function and emphasizes the importance of error transmission and data transformation in producing robust assemblies. A Foreword by Dr. J. Stuart Hunter allows readers to gain insight into the workings of a remarkable mind and explains how these ideas can greatly catalyze their efforts in process improvement.

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The Liber de causis (De causis et processu universitatis a prima causa), a monotheistic reworking of Proclus’ Elements of Theology, was translated from Arabic into Latin in the twelfth century, with an attribution to Aristotle. Considering this Neoplatonic text a product of Aristotle's school and even the completion of Aristotle’s Metaphysics, Albert the Great concluded his series of Aristotelian paraphrases by commenting on it. To do so was to invite controversy, since accidents of translation had made many readers think that the Liber de causis taught that God made only the first creature, which in turn created the diverse multitude of lesser things. Thus, Albert’s contemporaries in the Christian West took the text to uphold the supposedly Aristotelian doctrine that from the One only one thing can emanate—a doctrine they rejected, believing as they did that God freely determined the number and kinds of creatures. Albert, however, defended the philosophers against the theologians of his day, denying that the thesis "from the One only one proceeds" removed God’s causality from the diversity and multiplicity of our world. This Albert did by appealing to a greater theologian, Pseudo-Dionysius the Areopagite, and equating the being that is the subject of metaphysics with the procession of Being from God's intellect, a procession Dionysius described in On the Divine Names. Creation as Emanation examines Albert's reading of the Liber de causis with an eye toward two questions: First, how does Albert view the relation between faith and reason, so that he can identify creation from nothing with emanation from God? And second, how does he understand Platonism and Aristotelianism, so that he can avoid the misreadings of his fellow theologians by finding in a late-fifth-century Neoplatonist the key to Aristotle’s meaning?

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The Liber de causis (De causis et processu universitatis a prima causa), a monotheistic reworking of Proclus’ Elements of Theology, was translated from Arabic into Latin in the twelfth century, with an attribution to Aristotle. Considering this Neoplatonic text a product of Aristotle's school and even the completion of Aristotle’s Metaphysics, Albert the Great concluded his series of Aristotelian paraphrases by commenting on it. To do so was to invite controversy, since accidents of translation had made many readers think that the Liber de causis taught that God made only the first creature, which in turn created the diverse multitude of lesser things. Thus, Albert’s contemporaries in the Christian West took the text to uphold the supposedly Aristotelian doctrine that from the One only one thing can emanate—a doctrine they rejected, believing as they did that God freely determined the number and kinds of creatures. Albert, however, defended the philosophers against the theologians of his day, denying that the thesis "from the One only one proceeds" removed God’s causality from the diversity and multiplicity of our world. This Albert did by appealing to a greater theologian, Pseudo-Dionysius the Areopagite, and equating the being that is the subject of metaphysics with the procession of Being from God's intellect, a procession Dionysius described in On the Divine Names. Creation as Emanation examines Albert's reading of the Liber de causis with an eye toward two questions: First, how does Albert view the relation between faith and reason, so that he can identify creation from nothing with emanation from God? And second, how does he understand Platonism and Aristotelianism, so that he can avoid the misreadings of his fellow theologians by finding in a late-fifth-century Neoplatonist the key to Aristotle’s meaning?

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Science and technology are the most potent influences driving the modern world. Most science is done in laboratories but, apart from a generalized image of an anonymous building populated by white-coated figures, few people outside the sciences have any idea how such places come into existence or how they work. This memoir approaches both issues from the author's personal experience. Peter Day's career took him to many countries and laboratories, including the Royal Institution in London, arguably the oldest continuously operating laboratory in the world - and, of course, much else besides. He looks at a selection of these places through the eyes of an 'incomer', trying to understand how they came into being and what makes them tick. He was the first member of his family to go to university and introductory chapters sketch his early life in a small Kentish village and tortuous route into science, along with vignettes of Oxford 50 years ago, a long-lost world. Laboratories, like most other human constructs, are brought into being through the ambition and hubris of individuals, kept going by intellect and sharp elbows, and sometimes brought low by blind egoism. This book shares examples of all these traits of humanity, observed, if not by an outsider then certainly by an incomer. Peter Day is an internationally recognised materials chemist who has received numerous honorary Fellowships, degrees and Academy memberships. From a small village in Kent, his career took him to Oxford and industrial research laboratories in the USA, followed by Directorship of a European institute in France and the Royal Institution in London. As well as many technical papers he has published books and articles about the practise of science, people who carry it out and organisations where it is done.

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Rudolf Steiner's third great lecture course to physicians has a completely different character to his previous presentations. Delivered in response to a group of young doctors - who approached Steiner with the specific request for a course that would be 'quite intimate', but should not contain anything ' - which appealed only to knowledge and the intellect' - it offers unique, groundbreaking insights into the practice and art of healing. Steiner speaks about the influence of cosmic and earthly forces - the periphery and centre - on the human being. Proper understanding of these processes enables the physician to comprehend the actions of plants and minerals used in anthroposophic medicines, and thus to prescribe appropriate and individually specific remedies. Steiner paints a picture of the human being as a complex confluence of the forces of heredity, forces from the cosmos, and an individual's unique spiritual nature. The physician has to understand these relationships in order to be able to help effectively when they are out of balance. Steiner stresses the importance of personal development for physicians, and offers plentiful instructions for a meditative practice intrinsic to their work. Among a wealth of other topics, Steiner addresses inflammation and excessive growth; the nature of scarlet fever and measles; the importance of a child's food and breast milk; the functions of the liver, heart, head and skeleton; the incarnation process; karma as a guide for the physician; morality as a force streaming in from the cosmos; the cosmic trinity of Saturn, Sun and Moon in the healthy and sick human being; and the involvement of the heart in thinking. Included here are Rudolf Steiner's answers to questions, and the first newsletter from the Medical Section, with a key meditation for physicians. This volume also features 18 full colour plates of Rudolf Steiner's blackboard drawings, a comprehensive introduction, index and notes.

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Named one of "10 Must-Read Career and Leadership Books For 2022" by ForbesThe ultimate guide to the essentials of strategy and management, from one of the world's top business thinkers.Over a stellar career, Roger Martin has advised the CEOs of some of the world's most successful companies. From the beginning, he noted that almost every executive he talked to had a "model"—a framework or way of thinking that guided their strategy and activities. But these models tended to become automatic, so much so that when one didn't work, the typical response was just to apply it again—with greater enthusiasm.Martin took a fresh, critical approach to helping. When company leaders came to him with fundamental questions—How do you decide where to play and how to win? What is the key to shaping and changing corporate culture? How can you design a successful, sustainable innovation process?—his first response was to break the spell of the current model with a memo articulating a new way to think about the problem at hand and a more powerful and effective way to successfully overcome it.Over time, these ideas worked their way into Martin's many Harvard Business Review articles. Now, for the first time, they appear together in A New Way to Think. With his trademark incisive intellect and clarity, Martin covers the entire breadth of the management landscape—illuminating the true nature of competition, explaining how company success revolves around customers, revealing how strategy and execution are really the same thing, and much more.Reading like a series of one-on-one sessions with one of the world's leading business thinkers, A New Way to Think is an essential guide for any current or aspiring business leader.

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A richly-detailed and compelling historical saga for fans of Dilly Court, Sheila Newberry and Rosie Goodwin! Una Kelly has grown up to be a rough-and-tumble grifter, able to filch a pocketbook in five seconds flat. But when another con-woman pins her for a murder she didn’t commit, Una is forced to flee. Running from the police, Una lies her way into an unlikely refuge: the nursing school at Bellevue Hospital. Based on Florence Nightingale’s nursing principles, Bellevue is the first school of its kind in the country. Where once nurses were assumed to be ignorant and unskilled, Bellevue prizes discipline, intellect, and moral character, and only young women of good breeding need apply. At first, Una balks at her prim classmates and the doctors’ endless commands. Yet life on the streets has prepared her for the horrors of injury and disease found on the wards, and she slowly gains friendship and self-respect. Just as she finds her footing, Una’s suspicions about a patient’s death put her at risk of exposure, and will force her to choose between her instinct for self-preservation, and exposing her identity in order to save others… Readers love this book: ‘Definitely a book worth reading…I loved the plot and got caught up in it’ Mary ‘Different to anything I've read recently…Great characters and a gripping story, this book had it all’ Wendy ‘So much more than your usual historical saga…Great storyline and I really enjoyed the character of Una and her fight to better herself from humble beginnings’ Angela ‘The cover says that lovers of Dilly Court would enjoy this book…I for one did…as well as enjoyable I also found myself learning a lot too!!!’ Liza

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In Georgian London: Into the Streets, Lucy Inglis takes readers on a tour of London's most formative age - the age of love, sex, intellect, art, great ambition and fantastic ruin. Travel back to the Georgian years, a time that changed expectations of what life could be. Peek into the gilded drawing rooms of the aristocracy, walk down the quiet avenues of the new middle class, and crouch in the damp doorways of the poor. But watch your wallet - tourists make perfect prey for the thriving community of hawkers, prostitutes and scavengers. Visit the madhouses of Hackney, the workshops of Soho and the mean streets of Cheapside. Have a coffee in the city, check the stock exchange, and pop into St Paul's to see progress on the new dome.This book is about the Georgians who called London their home, from dukes and artists to rent boys and hot air balloonists meeting dog-nappers and life-models along the way. It investigates the legacies they left us in architecture and art, science and society, and shows the making of the capital millions know and love today.'Read and be amazed by a city you thought you knew' Jonathan Foyle, World Monuments Fund'Jam-packed with unusual insights and facts. A great read from a talented new historian' Independent'Pacy, superbly researched. The real sparkle lies in its relentless cavalcade of insightful anecdotes . . . There's much to treasure here' Londonist'Inglis has a good ear for the outlandish, the farcical, the bizarre and the macabre. A wonderful popular history of Hanoverian London' London HistoriansIn 2009 Lucy Inglis began blogging on the lesser-known aspects of London during the Eighteenth Century - including food, immigration and sex - at GeorgianLondon.com. She lives in London with her husband. Georgian London is her first book.

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Ours is an age full of desires but impoverished in its understanding of where those desires lead—an age that claims mastery over the world but also claims to find the world as a whole absurd or unintelligible. In The Vision of the Soul, James Matthew Wilson seeks to conserve the great insights of the western tradition by giving us a new account of them responsive to modern discontents. The western— or Christian Platonist— tradition, he argues, tells us that man is an intellectual animal, born to pursue the good, to know the true, and to contemplate all things in beauty. Wilson begins by reconceiving the intellectual conservatism born of Edmund Burke’s jeremiad against the French Revolution as an effort to preserve the West’s vision of man and the cosmos as ordered by and to beauty. After defining the achievement of that vision and its tradition, Wilson offers an extended study of the nature of beauty and the role of the fine arts in shaping a culture but above all in opening the human intellect to the perception of the form of reality. Through close studies of Theodor W. Adorno and Jacques Maritain, he recovers the classical vision of beauty as a revelation of truth and being. Finally, he revisits the ancient distinction between reason and story-telling, between mythos and logos, in order to rejoin the two. Story-telling is foundational to the forms of the fine arts, but it is no less foundational to human reason. Human life in turn constitutes a specific kind of form—a story form. The ancient conception of human life as a pilgrimage to beauty itself is one that we can fully embrace only if we see the essential correlation between reason and story and the essential convertibility of truth, goodness and beauty in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson’s book invites its readers to a renewal of the West’s intellectual tradition.

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Lords and Masters is a work of fiction, but with mastery and style Macdonell uses his undoubted journalistic skill to unmask much that was unpleasant in the West End Society circles of the early 1930s. He exposes the hypocrisy of the monied class and with biting satire weaves a tale of intrigue, turning it into a thriller. His character depiction of the unscrupulous war-profiteer Sir Montagu Anderton-Mawle is a masterpiece and his ability to so ably define all that is wrong in the world - as relevant today as it was in the 1930s - reveals a genius in the art of narrative composition. Although written in 1936, Macdonell was early in seeing that war was becoming inevitable and in Lords and Masters he foresaw with frightening prescience how events would unfold. He was correct in foreseeing the attack on Singapore, but was happily wrong in regard to Japanese attacks on San Francisco and Montreal. The book is built around the character of James Hanson, a steel millionaire, and the cynical manoeuvrings of those who would seek to profiteer out of human misery. James' youngest daughter, Veronica, is a Nazi-lover, presumably modelled on Unity Mitford. "Veronica, dear," said Mrs. Hanson admiringly, "aren't you being a little impertinent?" "No, seriously, Daddy, that atrocity stuff is all rot. Hitler wouldn't allow it for a moment. He isn't that sort of man. A few Jews have been beaten up perhaps, but that's nothing. Veronica, who heartily despised the physical appearance of any male under about six-foot-three, was not so narrow-minded as to despise male intelligence simply because it was encased in a relatively dwarfish body. After all, no one could call the Fuehrer particularly handsome, and yet what a mammoth intellect he had got! Dr. Goebbels was positively ugly, but look how he scattered the non-Aryans with his inner fires of patriotism and genius! Happily for Macdonell, England was not invaded in 1940, otherwise he might have been on the list of those to be rounded up.

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Published in its entirety for the first time, a candid conversation with Susan Sontag at the height of her brilliant career“A humanizing interview with the late cultural icon, who was often perceived as a fiercely aggressive and polarizing intellect.”—Kirkus Reviews Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Published more than three decades later, this book provides the entire transcript of Sontag’s remarkable conversation, accompanied by Cott’s preface and recollections. Sontag’s musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist." “I really believe in history, and that’s something people don’t believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I’ve read Nietzsche.” “There’s no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life.”

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This in-depth study examines the social, religious, and philosophical thought of Simone Weil. Simone Weil for the Twenty-First Century presents a comprehensive analysis of Weil’s interdisciplinary thought, focusing especially on the depth of its challenge to contemporary philosophical and religious studies. In a world where little is seen to have real meaning, Eric O. Springsted presents a critique of the unfocused nature of postmodern philosophy and argues that Weil’s thought is more significant than ever in showing how the world in which we live is, in fact, a world of mysteries. Springsted brings into focus the challenges of Weil’s original (and sometimes surprising) starting points, such as an Augustinian priority of goodness and love over being and intellect, and the importance of the Crucifixion. Springsted demonstrates how the mystical and spiritual aspects of Weil’s writings influence her social thought. For Weil, social and political questions cannot be separated from the supernatural. For her, rather, the world has a sacramental quality, such that life in the world is always a matter of life in God—and life in God, necessarily a way of life in the world. Simone Weil for the Twenty-First Century is not simply a guide or introduction to Simone Weil. Rather, it is above all an argument for the importance of Weil’s thought in the contemporary world, showing how she helps us to understand the nature of our belonging to God (sometimes in very strange and unexpected ways), the importance of attention and love as the root of both the love of God and neighbor, the importance of being rooted in culture (and culture’s service to the soul in rooting it in the universe), and the need for human beings to understand themselves as communal beings, not as isolated thinkers or willers. It will be essential reading for scholars of Weil, and will also be of interest to philosophers and theologians.

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ONE OF THE NEW YORKER'S BEST BOOKS OF THE YEARCHOSEN BY PITCHFORK AS ONE OF THE TEN BEST MUSIC BOOKS OF 2023ONE OF LOUDER THAN WAR'S BEST BOOKS OF THE YEARLONGLISTED FOR THE PLUTARCH AWARD"It takes a great journalist to find the stories behind the mysteries we carry. Howard Fishman has done that with his superb examination of Connie Converse." - Ken Burns"Nothing short of remarkable." - Publishers Weekly"A massive and fascinating feat." - MOJO MagazineThe true story of Connie Converse - a mid-century New York singer and songwriter, who mysteriously disappeared - and one writer's quest to understand her life.When musician and New Yorker contributor Howard Fishman first heard a Connie Converse recording, he was convinced she could not be real. Her music was too out of place for the 1950s to make sense - a singer who bridged the gap between traditional Americana, pop standards, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell.Fishman was determined to know more about this artist and how she slipped through the cracks of music history but there was one problem: in 1974, at the age of fifty, Converse simply drove off one day and was never heard from again.After a dozen years of research, Fishman expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person.It is by turns a hopeful, inspiring, melancholy, and chilling story of dark family secrets, taciturn New England traditions, a portrait of 1950s Greenwich Village, of a visionary intellect and talent, and a woman who fiercely strove for independence when the odds were against her. Who was this overlooked trailblazer, how did she come to make such complex and arresting music, and can Fishman discover what happened to the artist who disappeared?

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Finalist for the 2020 Lambda Literary Award in Gay Memoir/Biography A revelatory memoir about sex, oppression, and the universal struggle for justice.From his time as a child in 1960s India, Siddharth Dube knew that he was different. Reckoning with his femininity and sexuality—and his intellect—would send him on a lifelong journey of discovery: from Harvard classrooms to unsafe cruising sites; from ivory-tower think-tanks to shantytowns; from halls of power at the UN and World Bank to jail cells where sexual outcasts are brutalized. Coming of age in the earliest days of AIDS, Dube was at the frontlines when that disease made rights for gay men and for sex workers a matter of basic survival, pushing to decriminalize same-sex relations and sex work in India, both similarly outlawed under laws dating back to British colonial rule. He became a trenchant critic of the United States’ imposition of its cruel anti-prostitution policies on developing countries—an effort legitimized by leading American feminists and would-be do-gooders—warning that this was a 21st century replay of the moralistic Victorian-era campaigns that had spawned endless persecution of countless women, men, and trans individuals the world over. Profound, ferocious, and luminously written, An Indefinite Sentence is both a personal and political journey, weaving Dube’s own quest for love and self-respect with unforgettable portrayals of the struggles of some of the world’s most oppressed people, those reviled and cast out for their sexuality. Informed by a lifetime of scholarship and introspection, it is essential reading on the global debates over sexuality, gender expression, and of securing human rights and social justice in a world distorted by inequality and right-wing ascendancy.

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Reinhard Hütter’s main thesis in this third volume of the Sacra Doctrina series is that John Henry Newman, in his own context of the nineteenth century, a century far from being a foreign one to our own, faced the same challenges as we do today; the problems then and now differ in degree, not in kind. Hence, Newman’s engagement with these problems offers us a prescient and indeed prophetic diagnosis of what these problems or errors, if not corrected, will lead to—consequences which have more or less come to pass—and, furthermore, an alternative way which is at once thoroughly Catholic and holds contemporary relevance.The introduction offers a survey of Newman’s life and works and each of the subsequent four chapters addresses one significant aspect of Christianity that is not only contested or rejected by secular unbelief, but also has a counterfeit for which not only Christians, but even Catholics have fallen. The counterfeit of conscience is the “conscience” of the sovereign subject (Ch. 1); the counterfeit of faith is the “faith” of one who does not submit to the living authority through which God communicates but rather adheres to the principle of private judgment in matters of revealed religion(Ch.2); the counterfeit of doctrinal development is twofold: (i) paying lip service to development while only selectively accepting its consequences on the grounds of a specious antiquarianism and (ii) invoking development theory to justify all sorts of contemporary changes according to the present Zeitgeist (Ch. 3). Finally, the counterfeit of the university are all those “universities” whose end is not to educate and thereby to perfect the intellect, but rather to feed more efficiently the empire of desire that is informed by the techno-consumerism of today (Ch. 4). John Henry Newman on Truth and its Counterfeits concludes with an epilogue on Hütter’s journey to Catholicism.

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Navigating the seemingly competing claims of human reason and divine revelation to truth is without a doubt one of the central problems of medieval philosophy. Medieval thinkers argued a whole gamut of positions on the proper relation of religious faith to human reason. Thinking Through Revelation attempts to ask deeper questions: what possibilities for philosophical thought did divine revelation open up for medieval thinkers? How did the contents of the sacred scriptures of Judaism, Christianity, and Islam put into question established philosophical assumptions? But most fundamentally, how did not merely the content of the sacred books but the very mode in which revelation itself is understood to come to us – as a book ""sent down"" from on high, as a covenant between God and his people, or as incarnate person - create or foreclose possibilities for the resolution of the philosophical problems that the Abrahamic revelations themselves raised? Robert Dobie explores these questions by looking in detail at the thought of three of the most important philosopher-theologians of the Middle Ages: Averroes, Moses Maimonides, and Thomas Aquinas, each working within the Islamic, Jewish, and Christian traditions respectively. Of particular interest are two questions central to medieval thought: in what sense is the world ""created"" and what is the proper nature and ontological status of the human intellect? These two problems took on such importance in this period, this book argues, because they forced medieval philosophers and theologians to confront the degree to which the revelation they considered authoritative made possible their resolution. Thus, these medieval thinkers show thinkers today what possibilities are available for navigating the age-old question of the proper relation between faith and reason in a world where questions of the rationality of religious faith – especially from an inter-faith perspective – are not diminishing but increasing in importance.

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Jan-Heiner Tück presents a work that explores the sacramental theology, lived spirituality, and Eucharistic poetry of the Church’s doctor communis, St. Thomas Aquinas. Although Aquinas’ Eucharistic poetry has long occupied an important place in the Church’s liturgical prayer and her repertoire of sacred music, the depth of these poems remains hidden until one grasps the rich sacramental theology underlying it. Consequently, Tück first offers a detailed but approachable primer of Aquinas’ theology of the sacraments, before diving deeply into the Angelic Doctor’s theology and poetry of the Eucharist. The Scriptural accounts stand at the heart of the systematic framework developed by Aquinas, and thus significant attention is devoted to showing the harmony between the accounts of Christ’s passion and the detailed exposition of the Summa theologiae. Moreover, the Eucharistic controversies of the ninth and eleventh centuries provide the contrapuntal context in which Aquinas did his thinking, praying, and writing. Not surprisingly, therefore, the response he crafts to these controversies draws upon both speculative powers and contemplative prayer, brought together in the unity of Aquinas’ theology and spirituality. The net result is a twofold treasure for the Church: a careful systematic presentation of Eucharistic theology and the lived devotional expression of the same in the carefully constructed—and now much beloved—stanzas of Pange lingua gloriosi, Lauda Sion, Adoro te devote, etc. By revealing the lively interplay of the saint’s powerful speculative intellect and a heart steeped in love for the Eucharistic Lord, Tück offers a sophisticated exposition of Aquinas’ Eucharistic poetry and the roots it sinks into a wider theological framework. Finally, the contemporary significance and power of Aquinas’ work is drawn out, not only in the rarefied realm of intellectual inquiry but also in the everyday expanse of ordinary life.

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In thirteen original essays, eminent scholars of the history of philosophy and of contemporary philosophy examine weakness of will, or incontinence - the phenomenon of acting contrary to one's better judgment. The volume covers all major periods of western philosophy, from antiquity through the Middle Ages and the modern period down to the present.Alfred Mele and Alasdair MacIntyre examine weakness of will from a contemporary perspective. Mele addresses the issue from the vantage point of Libertarianism. MacIntyre argues against the widespread view that actions that are out of character require special explanation, and reinterprets weakness of will as a failure to use moral lapses for moral progress. The other authors critically engage accounts of weakness of will by past philosophers: Kenneth Dorter writes on Plato, Terence H. Irwin on Aristotle, Lloyd Gerson on Plotinus, James Wetzel on Augustine, Denis J. M. Bradley on Aquinas, Tobias Hoffmann on Henry of Ghent, Giuseppe Mazzotta on Dante, Ann Hartle on Montaigne, John C. McCarthy on Descartes, Thomas E. Hill Jr. on Kant, and Tracey B. Strong on Nietzsche.The philosophical examination of weakness of will highlights central problems of action theory, such as the connections between desire, conviction, and action, between intellect and will, and between rationality and emotions. It also addresses important ethical issues such as the diversity of character dispositions, moral progress and moral education, the limits of virtue, and moral responsibility.The historical and contemporary perspectives offered in this volume will enrich current debates, not only by suggesting answers, but also by broadening the usual range of questions about weakness of will. Owing to the intimate connection of the topic with other key themes in moral philosophy, the historical and thematic studies contained in this book also provide an overview of moral philosophy as a whole.

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Winner of the 2009 International Conference on Romanticism's Jean-Pierre Barricelli Award for the best book in Romanticism studies As the mental faculty that mediates between self and world, mind and body, the senses and the intellect, imagination is indispensable for modern models of subjectivity. From René Descartes's Meditations to the aesthetic and philosophical systems of the Romantic period, to think about the subject necessarily means to address the problem of imagination. In close readings of Descartes, Kant, Fichte, Hardenberg (Novalis) and Coleridge, and with a sustained return to the origins of the discourse about imagination in Greek antiquity, Alexander Schlutz demonstrates that neither the unity of the subject itself, nor the unity of the philosophical systems that are based on it, can be conceptualized without recourse to imagination. Yet, philosophers like Descartes and Kant must deny imagination any such foundational role because of its dangerous connection to the body, the senses and the unruly passions, which threatens the desired autonomy of the rational subject. The modern subject is simultaneously dependent upon and constructed in opposition to imagination, and the resulting ambivalence about the faculty is one of the fundamental conditions of modern models of subjectivity. Schlutz's readings of the Romantic poet-philosophers Coleridge and Hardenberg highlight that also their texts are not free of fears about the faculty's disruptive potential and its connection to the body. While imagination is now openly enlisted to produce the aesthetic unity of subjectivity, it still threatens to unravel and destroy a subject that needs to keep the body and its desires at bay in order to secure its rational and moral autonomy. The dark abyss of a self not in control of its thoughts, feelings, and desires is not overcome by the philosophical glorification of the subject's powers of imagination.

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Peering through the windows of private homes and Assembly Rooms alike, this book shines a new light on the middle classes during the long eighteenth century. Enlightenment thinking - the drive for order, organisation and rationality - was an underlying motive force in England's eighteenth century, influencing middle class thinking with regard to the running and improvement of business.In the same way, it shaped their choice of leisure activities. As many turned their backs on blood sports, they found that music, conversation and cards embodied rational enjoyment and exercise of human intellect and ability. For the middle classes, card play made use of skills they had in hand and could be justified on the basis of teaching the young their numbers and the importance of accounting for money lost and won. The careful score-keeping, the accounting for sums won and lost, and the order and discipline of these players' favourite card games echoed and suited their tidy lives. As important participants in polite society on the strength of their new wealth and theirincreasing social prominence, the middle classes embraced the agreeable pastimes of gentility while rejecting its dangerous extremes. Card play became a means of forming and reinforcing social and commercial bonds within complex webs of family and business circles. As they tugged the fashionable activity of gaming onto their own playing-field from the high-risk arena of the aristocracy, the middle classes were imposing order on disorder, subjecting a reckless activity to new restraints. Drawing on the personal papers of the commercial and professional classes of eighteenth-century England, A Sixpence at Whist tells the stories of these men and women at play. JANETE. MULLIN is Lecturer in History at St. Thomas University and the University of New Brunswick, both in Fredericton, N.B., Canada.

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Known for his ultraconservatism and eccentricity, Gu Hongming (1857-1928) remains one of the most controversial figures in modern Chinese intellectual history. A former member of the colonial elite from Penang who was educated in Europe, Gu, in his late twenties, became a Qing loyalist and Confucian spokesman who also defended concubinage, footbinding, and the queue. Seen as a reactionary by his Chinese contemporaries, Gu nevertheless gained fame as an Eastern prophet following the carnage of World War I, often paired with Rabindranath Tagore and Leo Tolstoy by Western and Japanese intellectuals. Rather than resort to the typical conception of Gu as an inscrutable eccentric, Chunmei Du argues that Gu was a trickster-sage figure who fought modern Western civilization in a time dominated by industrial power, utilitarian values, and imperialist expansion. A shape-shifter, Gu was by turns a lampooning jester, defying modern political and economic systems and, at other times, an avenging cultural hero who denounced colonial ideologies with formidable intellect, symbolic performances, and calculated pranks. A cultural amphibian, Gu transformed from an "imitation Western man" to "a Chinaman again," and reinterpreted, performed, and embodied "authentic Chineseness" in a time when China itself was adopting the new identity of a modern nation-state. Gu Hongming's Eccentric Chinese Odyssey is the first comprehensive study in English of Gu Hongming, both the private individual and the public cultural figure. It examines the controversial scholar's intellectual and psychological journeys across geographical, national, and cultural boundaries in new global contexts. In addition to complicating existing studies of Chinese conservatism and global discussions on civilization around the World War I era, the book sheds new light on the contested notion of authenticity within the Chinese diaspora and the psychological impact of colonialism.

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In a cultural landscape dominated by hot takes and petty polemics, The Point stands for something different. Informed by the conviction that humanistic thinking has relevance for everyday life, the magazine has long maintained a rare space for thoughtful dialogue between a wide range of political views, philosophical perspectives, and personal experiences: its contributors include liberals and conservatives, philosophers and activists, Marxists and Catholics, New Yorkers and Midwesterners. A little more than a decade since its founding on the campus of the University of Chicago, it offers a unique and revelatory look at the changing face of America, one that speaks not only to way American minds have been forced to "open" by a decade of trauma and transformation, but also to the challenge of remaining open to our fellow citizens during our deeply divided present. Featuring award-winning and highly acclaimed essays from The Point's first ten years, The Opening of the American Mind traces the path of American intellect from the magazine's inception in 2009, when Barack Obama was ascending the steps of the White House, to the brink of the 2020 election. The essays, chosen both for the way they capture their time and transcend it, are assembled into five sections that address cycles of cultural frustrations, social movements, and the aftermath of the 2016 election, and provide lively, forward-looking considerations of how we might expand our imaginations into the future. Spanning the era of Obama and Trump, Occupy Wall Street and Black Lives Matter, #MeToo and renewed attention to reparations, this anthology offers critical reflections on some of the decade's most influential events and stands as a testament to the significance of open exchange. The intellectual dialogue provided by The Point has never been more urgently needed, and this collection will bring the magazine's vital work to an even broader readership.

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“Mixing Romance and Mystery in a Fizzy 1930s Cocktail!”“A fun and spunky heroine, a plot involving an old castle in Strasbourg make this a fast-paced, delightful read.”—Rhys Bowen, New York Times best-selling author“A fabulously entertaining novel, start to finish.”—Hall Ways, Lonestar Literary Life“Romantic, sexy, and fulfilling. Henrietta and Clive Howard finally live out their unbridled passion for each other’s intellect and charm—while solving a case!”—Rebecca Rosenberg, author of Champagne WidowsClive and Henrietta return to Europe in an attempt to resurrect their failed honeymoon. While in London, they are approached by their old friend, Inspector John Hartle, who convinces them to search for the missing panel of the Ghent Altarpiece, a famous Renaissance painting, of which Hitler’s top men are also in pursuit.Meanwhile, back in Chicago, Oldrich Exley threatens to cut off financial support for the entire Von Harmon brood if Elsie continues with her plan to marry Gunther—a situation made worse by the sudden appearance of one Heinrich Meyer, who claims to be little Anna’s father and threatens to take her away. Desperate, Elsie seeks the help of Clive’s sister, Julia, who is herself the victim of domestic abuse and who has fallen under the spell of a handsome Texas millionaire bent on acquiring a rare painting from the Howard collection.Clive and Henrietta’s search takes them to Chateau du Freudeneck in Strasbourg, France—the ancient seat of the Von Harmons and home to three eccentric distant relatives. What begins as a wild goose chase turns decidedly more deadly when several Nazi officers also arrive at the chateau in search of a “valuable item.” When Henrietta and Clive attempt to flee after Henrietta uncovers a shocking truth, they are forced to trust themselves to a suspicious French servant who seems all-too willing to help . . .

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How do we understand the notions of the beautiful, the true, and the good, and how do they help us to know, to understand? Philosopher Robert E. Wood considers appeal respectively to the heart, to the intellect, and to the will. In our minds, their interplay beckons each of us to assimilate one’s past, and look forward towards further endeavours. They also set up what Wood calls a ""dialogical imperative"" to speak from where we stand and to stand in place of the Other, the person facing us, as well. The order follows Plato's claim that the love of Beauty is the light of the Good that grounds our pursuit of the True.Human experience, according to Wood, has a ""magnetically bipolar"" character, rooted in organically based desires. Yet that experience is aimed, through the all-encompassing notion of Being, at the absolute totality of what is. The notion of Being affords a distance that grounds both understanding and choice. Culture enters in as well. Its developments, initially empty in relation to the totality, come to occupy the space of meaning between the here-and-now and the totality. Each human being's genetic endowments interplay with one's cultural shaping. Taking them up, each individual sets up a unique field of attractions and repulsions belonging to the heart as one’s radically individual center.Wood proceeds from this phenomenological basis to consider key thinkers from Heraclitus and Parmenides, to Heidegger, Buber, and Marcel. He seeks, in this collection of essays from the past forty years, to develop a ""fusion of horizons"" with them, as part of an on-going broader philosophical dialogue that constitutes the history of thought, now and to come.

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In Plato's Republic, Socrates contends that philosophers make the best rulers because only they behold with their mind's eye the eternal and purely intelligible Forms of the Just, the Noble, and the Good. When, in addition, these men and women are endowed with a vast array of moral, intellectual, and personal virtues and are appropriately educated, surely no one could doubt the wisdom of entrusting to them the governance of cities. Although it is widely—and reasonably—assumed that all the Republic’s philosophers are the same, Roslyn Weiss argues in this boldly original book that the Republic actually contains two distinct and irreconcilable portrayals of the philosopher. According to Weiss, Plato’s two paradigms of the philosopher are the "philosopher by nature" and the "philosopher by design." Philosophers by design, as the allegory of the Cave vividly shows, must be forcibly dragged from the material world of pleasure to the sublime realm of the intellect, and from there back down again to the "Cave" to rule the beautiful city envisioned by Socrates and his interlocutors. Yet philosophers by nature, described earlier in the Republic, are distinguished by their natural yearning to encounter the transcendent realm of pure Forms, as well as by a willingness to serve others—at least under appropriate circumstances. In contrast to both sets of philosophers stands Socrates, who represents a third paradigm, one, however, that is no more than hinted at in the Republic. As a man who not only loves "what is" but is also utterly devoted to the justice of others—even at great personal cost—Socrates surpasses both the philosophers by design and the philosophers by nature. By shedding light on an aspect of the Republic that has escaped notice, Weiss’s new interpretation will challenge Plato scholars to revisit their assumptions about Plato’s moral and political philosophy.

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'I always knew he was quite creative, but I had no idea he was so reckless' Lord Sugar 'The thinking woman's Bakewell tart ... Witty, interesting and underpinned by a sharp intellect' Jo Brand 'This book is a total delight - as wise and witty and surprising as the man himself' Gyles Brandreth When Nick Hewer first appeared on our TV screens in The Apprentice in 2005, he had thought he was heading towards a quiet retirement after a long and successful career in PR and marketing. Little did he realise that appearing on the show with Lord Sugar and Margaret Mountford would mean that his life was about to be transformed. Quickly, he became a regular presence in our homes, renowned for his wry sense of humour and his astute insights. But the story of how the current host of Countdown came to this point has remained largely unknown – until now. In My Alphabet, Nick Hewer takes us through an A to Z of some of the most remarkable and entertaining events his life, covering everything from his Boyhood in Swindon, when he took his Dinky toys on a most unexpected journey, to Regrets, and an episode that ended in a kidnapping. With chapters on subjects from Tottenham Hotspur to one on Underwear, there is sure to be something for all tastes within these pages. My Alphabet builds up into a brilliant and fascinating self-portrait, taking the reader on a remarkable journey that will inform, entertain and move you. We get to see behind the scenes on The Apprentice and Countdown, and much else besides. Self-deprecating and witty, Nick Hewer has written a brilliant book his many fans are sure to treasure.

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The rich and fascinating life of Lou Andreas-Salome (1861-1937) has been reconstructed by Professor Binion on a vast documentary basis, and his findings contradict all earlier versions of her life. Frau Lou was a woman of prodigious intellect, a woman of letters, and a powerful personality. She was closely linked with many of the great cultural figures of the time, often before they achieved recognition. This was the case with Nietzsche, Rilke, Freud, Ferdinand Tonnies, Gerhart Hauptmann, Arthur Schnitzler, and Martin Buber. Frau Lou not only relates but interprets Lou's life, and the point of the book is to discover how the works of the mind, whether scientific or imaginative, arise out of personal experience. Contents: I. Father and Father-God. II. God's Vicar, Gillot. III. After Gillot. IV. The Unholy Trinity. V. From Pillar to Post. VI. "A Pity Forever." VII. Lou Without Nietzsche. VIII. The Wayward Disciple. IX. Rites of Love. X. Super-Lou and Raincr. XI. Russia In, Raincr Out. XII. Idly Busy. XIII. At Freud's Elbow. XIV. A Personalized Freudianism. XV. Theorizing for Freud. XVI. Living for Freud. XVII. Aside from Freud. XVIII. Revamping the Past. XIX. "Homecoming." XX. A Retrospect. XXI. Beyond Frau Lou. Bibliography. Index. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The flame of rebellion burns across the solar system in this dazzling conclusion to Linden A. Lewis's stunning First Sister trilogy perfect for fans of Red Rising, The Handmaid's Tale, and The Expanse.'Wonderfully imaginative and gripping'R.F. Kuang, Sunday Times bestselling author of BabelAstrid is finally free of the Sisterhood, yet her name carries on. She's called the Unchained by those she's inspired and the Heretic by those who want her voiceless once more. Now Astrid uses knowledge of the Sisterhood's inner workings against them, aiding the moonborn in raids against abbeys and Cathedrals, all the while exploring the mysteries of her forgotten past. The Sisterhood is thriving under the newly appointed Mother Lilian I, now rebuilding the Sisterhood in her own image. But the evil of the Sisterhood can't be purged with anything less than fire.... Hiro val Akira is a rebel without an army, a Dagger without a Rapier. As protests rock the streets of Cytherea, Hiro moves in the shadows, driven by grief and vengeance, as they hunt the man responsible for all their pain: their father.... Transformed by the Genekey virus, Luce navigates the growing schism within the Asters on Ceres. Hurting in her new body, she works to bridge two worlds seemingly intent on mutual destruction. All while mourning her fallen brother, though Lito sol Lucius's memory may yet live on. Yet Souji val Akira stands in judgment on them all, plotting the future for all of humanity, and running out of time before war erupts between the Icarii and Geans. But can even the greatest human intellect outwit the Synthetics?Praise for Linden A. Lewis'Ridiculously readable'April Genevieve Tucholke, author of The Boneless Mercies'A must-read'Audrey Coulthurst, author of Of Fire and Stars'As stylish as it is substantial'NPR

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What percentage of the printed and online media is dedicated to celebrity culture today? A tricky calculation; but there is no doubt that the percentage was pretty high when mass media first acquired a recognisably modern form in the Regency period. Peter James Bowman shows how, following the outrageous fame of Lord Byron, an interest in the foibles rather than the achievements of prominent individuals was kindled and sustained by newspapers, satirical prints and society gossip. Here are five pen-portraits of colourful men and women who played leading roles in their day but whose reputations subsequently faded, figures who for this reason better represent their age than those whose importance transcends it. Their peculiar spheres of activity – the stage, politics, diplomacy, art, literature and fashion – are also explored. Harriot Mellon, the illegitimate daughter of a wardrobe-keeper in a company of strolling players, married the elderly banker Thomas Coutts; seven years later, she was the richest widow in the land and a target of ferocious abuse. Dorothea Lieven, the Russian ambassador’s wife, used her intellect, dignity and a talent for flattery to entrance numerous statesmen and become a force in British politics. Richard Grenville, Duke of Buckingham, was a corrupt parliamentarian who squandered a vast income and caused the decline of the mighty Grenville dynasty. Lady Charlotte Bury was mocked by Thackeray as ‘Lady Flummery’ because of her execrable novels – but she was a great beauty who married for love not once, but twice. Sir Thomas Lawrence deserved his eminence as an artist, but had to use all his charm and courtliness to conceal the potentially explosive secrets of his private life. Here is a cast of characters to savour, one that reveals the realities of the period as no Austen novel could.

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Carpeta para tercero de primaria, 7-8 aÑos, del Plan DinÁmico Lector. Permite mejorar la comprensiÓn lectora y dinamiza la lectura mediante aprendizaje competencial. Esta carpeta incluye: • 3 libros: “El manubrio lila”, “PapÁ, dibÚjame un cuento” y “¡Vaya lÍo con el chocolate!”. Son tres libros muy distintos, que facilitan el descubrimiento de varios gÉneros literarios: policÍaco, fantasÍa y humor. • Un cuaderno de entretenimiento, recomendado para desarrollar la curiosidad, mejorar el intelecto y la concentraciÓn de los niÑos con actividades adaptadas para tercero de primaria. • 3 propuestas didÁcticas: una para cada libro: Hechas para mejorar la comprensiÓn lectora siguiendo los estÁndares internacionales PIRLS. Incluyen preguntas para reforzar otros conceptos acadÉmicos curriculares. AdemÁs, adquiriendo la carpeta tambiÉn se puede acceder al siguiente material digital: • Un solucionario de las propuestas didÁcticas. Cada solucionario Incluye tres actividades para trabajar valores • Un vÍdeo en el que el autor de cada libro cuenta anÉcdotas del libro. • Una actividad de dinamizaciÓn de la lectura: Se dan pautas detalladas para realizar una yincana literaria. Folder for the third grade, 7-8 years, of the Dynamic Reading Plan. It allows to improve reading comprehension and makes reading more dynamic through competence learning. This folder includes: • 3 books: “The lilac handle”, “Dad, draw me a story” and “What a mess with the chocolate!”. They are three very different books, which facilitate the discovery of various literary genres: detective, fantasy and humor. • An entertainment notebook, recommended to develop curiosity, improve intellect and concentration of children with activities adapted for third grade. • 3 didactic proposals: one for each book: Made to improve reading comprehension following the international PIRLS standards. They include questions to reinforce other academic curricular concepts. In addition, acquiring the folder you can also access the following digital material: • A solution of the didactic proposals. Each solution includes three activities to work values ​​• A video in which the author of each book tells anecdotes about the book. • An activity to stimulate reading: Detailed guidelines are given to carry out a literary gymkhana.

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Carpeta para segundo de primaria, 6-7 aÑos, del Plan DinÁmico Lector. Permite mejorar la comprensiÓn lectora y dinamiza la lectura mediante aprendizaje competencial. Esta carpeta incluye: • 3 libros: “Pascual el dragÓn descubre África”, “El pirata que no sabÍa decir la r” y “PequeÑÍn”. Se incrementa gradualmente el nivel de dificultad lectora. • Un cuaderno de entretenimiento, recomendado para desarrollar la curiosidad, mejorar el intelecto y la concentraciÓn de los niÑos con actividades adaptadas para segundo de primaria. • 3 propuestas didÁcticas: una para cada libro: Hechas para mejorar la comprensiÓn lectora siguiendo los estÁndares internacionales PIRLS. Incluyen preguntas para reforzar otros conceptos acadÉmicos curriculares. AdemÁs, adquiriendo la carpeta tambiÉn se puede acceder al siguiente material digital: • Un solucionario de las propuestas didÁcticas. Cada solucionario Incluye tres actividades para trabajar valores • Un vÍdeo en el que el autor de cada libro cuenta anÉcdotas del libro. • Una actividad de dinamizaciÓn de la lectura: Mediante la resoluciÓn de una serie de pistas, se podrÁ solucionar un acertijo. Folder for second grade, 6-7 years, of the Dynamic Reading Plan. It allows to improve reading comprehension and makes reading more dynamic through competence learning. This folder includes: • 3 books: “Pascual the dragon discovers Africa”, “The pirate who did not know how to say the r” and “Little boy”. The level of reading difficulty is gradually increased. • An entertainment notebook, recommended to develop curiosity, improve intellect and concentration of children with activities adapted for second grade. • 3 didactic proposals: one for each book: Made to improve reading comprehension following the international PIRLS standards. They include questions to reinforce other academic curricular concepts. In addition, acquiring the folder you can also access the following digital material: • A solution of the didactic proposals. Each solution includes three activities to work values ​​• A video in which the author of each book tells anecdotes about the book. • An activity to stimulate reading: By solving a series of clues, a riddle can be solved.

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Angelo Tasca, a pivotal figure in 20th-century Italian political history, and indeed European history, is frequently overshadowed by his Fascist opponent Mussolini or his Socialist and Communist colleagues (Gramsci and Togliatti). Yet, as Emanuel Rota reveals in this captivating biography, Tasca—also known as Serra, A. Rossi, André Leroux, and XX—was in fact a key political player in the first half of the 20th century and an ill-fated representative of the age of political extremes he helped to create. In A Pact with Vichy, readers meet the Italian intellect and politician with fresh eyes as the author demystifies Tasca’s seemingly bizarre trajectory from revolutionary Socialist to Communist to supporter of the Vichy regime. Rota demonstrates how Tasca, an indefatigable cultural operator and Socialist militant, tried all his life to maintain his commitment to scientific analysis in the face of the rise of Fascism and Stalinism, but his struggle ended in a personal and political defeat that seemed to contradict all his life when he lent his support to the Vichy government. Through Tasca’s complex life, A Pact with Vichy vividly reconstructs and elucidates the even more complex networks and debates that animated the Italian and French Left in the first half of the 20th century. After his expulsion from the Italian Communist Party as a result of his refusal to conform to Stalinism, Tasca reinvented his life in Paris, where he participated in the intense political debates of the 1930s. Rota explores how Tasca’s political choices were motivated by the desperate attempt to find an alternative between Nazism and Stalinism, even when this alternative had the ambiguous borders of Vichy’s collaborationist regime. A Pact with Vichy uncovers how Tasca’s betrayal of his own ideal was tragically the result of his commitment to political realism in the brief age of triumphant Fascism. This riveting, perceptive biography offers readers a privileged window into one of the 20th century’s most intriguing yet elusive characters. It is a must-read for history buffs, students, and scholars alike.

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In May 1997, the world watched as Garry Kasparov, the greatest chess player in the world, was defeated for the first time by the IBM supercomputer Deep Blue. It was a watershed moment in the history of technology: machine intelligence had arrived at the point where it could best human intellect.It wasn't a coincidence that Kasparov became the symbol of man's fight against the machines. Chess has long been the fulcrum in development of machine intelligence; the hoax automaton 'The Turk' in the 18th century and Alan Turing's first chess program in 1952 were two early examples of the quest for machines to think like humans -- a talent we measured by their ability to beat their creators at chess. As the pre-eminent chessmaster of the 80s and 90s, it was Kasparov's blessing and his curse to play against each generation's strongest computer champions, contributing to their development and advancing the field. Like all passionate competitors, Kasparov has taken his defeat and learned from it. He has devoted much energy to devising ways in which humans can partner with machines in order to produce results better than either can achieve alone. During the twenty years since playing Deep Blue, he's played both with and against machines, learning a great deal about our vital relationship with our most remarkable creations. Ultimately, he's become convinced that by embracing the competition between human and machine intelligence, we can spend less time worrying about being replaced and more thinking of new challenges to conquer.In this breakthrough book, Kasparov tells his side of the story of Deep Blue for the first time -- what it was like to strategize against an implacable, untiring opponent -- the mistakes he made and the reasons the odds were against him. But more than that, he tells his story of AI more generally, and how he's evolved to embrace it, taking part in an urgent debate with philosophers worried about human values, programmers creating self-learning neural networks, and engineers of cutting edge robotics.

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A rare and timely intervention from Kingsley Chiedu Moghalu, Deputy Governor of the Central Bank of Nigeria, on development in Africa.To many, Africa is the new frontier. As the West lies battered by financial crisis, Africa is seen as offering limitless opportunities for wealth creation in the march of globalization. But what is Africa to today's Africans? Are its economies truly on the rise? And what is its likely future?In this pioneering book, leading international strategist Kingsley Moghalu challenges conventional wisdoms about Africa's quest for growth. Drawing on philosophy, economics and strategy, he ranges from capitalism to technological innovation, finance to foreign investment, and from human capital to world trade to offer a new vision of transformation. Ultimately he demonstrates how Africa's progress in the twenty-first century will require nothing short of the reinvention of the African mindset. 'Africans seriously analyzing Africa's opportunities are all too rare. Kingsley Moghalu writes with insight and authority' Paul Collier'Savvy . . . distinguished' Mark Malloch-Brown 'Unique in the depth of its insight, the ambition of its scope, and the clarity of its argument. Kingsley Moghalu brings a remarkable intellect and his vast experience to this tour de force on Africa's economic transformation. This is a truly weighty contribution to understanding Africa's developmental dilemma and its quest for a more prosperous future' Ngozi Okonjo-Iweala'Insightful and analytical . . . sheds instructive light on Africa's position in the world. It is a testament to the palpable optimism that encompasses Africa while frankly addressing the myriad challenges that lie ahead for its economic transformation' Shashi TharoorKingsley Chiedu Moghalu is Deputy Governor of the Central Bank of Nigeria. He was the Founder and CEO of Sogato Strategies S.A., a global strategy and risk management consulting firm in Geneva, Switzerland. He has previously worked for the United Nations for 17 years in strategic planning, legal, development finance and executive management. His previous books include Global Justice and Rwanda's Genocide.

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In Creativity and Taoism, Chang Chung-yuan makes the elusive principle of Tao available to the western mind with objectivity, warmth, and depth of insight. It is an important contribution to the task of making the Taoist wisdom accessible to the western intellect' - Ira Progoff'No one can read Chang's book without experiencing a broadening of his mental horizons' - John C. H. Wu, Philosophy East and West'His interpretation of the Taoist roots of Ch'an has been presented with taste and learning that help to clear up many questions that must have occurred to anyone familiar with his subject. "The Spirit of the Valley" dwells in this quiet and gentle man who, as so rarely happens, actually embodies some of the philosophic traits of which he writes' - Gerald Sykes'If the end of reading is the enhancement of life, the enlargement of experience and understanding, then this book becomes an important step in that direction. Dr. Chang writes in a style both lucid and felicitous. He displays with becoming modesty a mastery of the field, its development and its ideas... There is hardly a page which does not give pleasure' - Robert R. Kirsh, Los Angeles Times'Professor Chang's study, a brilliant exposition and analysis, is concerned with the relevance and applicability of the Taoist view in Chinese artistic and intellectual creativity. Few other works facilitate so sensitive an understanding of creative impulse and expression in Chinese culture' - Hyman Kublin, Library JournalSimultaneously accessible and scholarly, this classic book considers the underlying philosophy and the aesthetics of Chinese art and poetry, the expression of the Taoist approach to existence. Chapters cover everything from the potential of creativity to the way tranquillity is reflected in Chinese poems and painting. Chung-yuan Chang's deceptively simple and always lucid narrative explores the relationship between the Tao and the creative arts, introducing classic paintings and poems to bring Taoism to life.

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The 18th-century meets the sharp blade of forensic science...The death of Lord Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man - except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist and pioneering forensic detective from Philadelphia.Against his better judgment he agrees to examine Sir Edward's decomposing corpse, and soon learns that it is not only the dead but also the living to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies...Praise for Tessa Harris:'A densely plotted yarn about a crafty 18th-century poisoner wreaking havoc on the Oxfordshire estate of a noble family . . . we await - indeed, demand - the sequel' New York Times Book Review'Harris' research is meticulous. The results are a historical CSI with a romance and excellent mystery' Romantic Times'Populated with real historical characters and admirably researched, Harris's novel features a complex and engrossing plot' Library Journal'The author will have you flipping the pages at each unexpected turn in the plot. The novel is an absorbing read with a shocking twist at the end' Historical Novel Society'Well-rounded characters, cleverly concealed evidence, and an assured prose style point to a long run for this historical series' Publishers Weekly Starred Review'The exceptionally strong historical background in this 1780s London-set novel makes it impossible to put down. With each book, the mysteries have become stronger . . . Silkstone is an admirable character and he captures readers' emotional interest' RT Book ReviewsThe Dr Thomas Silkstone Mysteries:The Anatomist's ApprenticeThe Dead Shall Not RestThe Devil's BreathThe Lazarus CurseShadow of the RavenSecrets in the Stones

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A must-read for anyone who makes business decisions that have a major financial impact. As the recent collapse on Wall Street shows, we are often ill-equipped to deal with uncertainty and risk. Yet every day we base our personal and business plans on uncertainties, whether they be next month’s sales, next year’s costs, or tomorrow’s stock price. In The Flaw of Averages, Sam Savage­known for his creative exposition of difficult subjects­ describes common avoidable mistakes in assessing risk in the face of uncertainty. Along the way, he shows why plans based on average assumptions are wrong, on average, in areas as diverse as healthcare, accounting, the War on Terror, and climate change. In his chapter on Sex and the Central Limit Theorem, he bravely grasps the literary third rail of gender differences. Instead of statistical jargon, Savage presents complex concepts in plain English. In addition, a tightly integrated web site contains numerous animations and simulations to further connect the seat of the reader’s intellect to the seat of their pants. The Flaw of Averages typically results when someone plugs a single number into a spreadsheet to represent an uncertain future quantity. Savage finishes the book with a discussion of the emerging field of Probability Management, which cures this problem though a new technology that can pack thousands of numbers into a single spreadsheet cell. Praise for The Flaw of Averages “Statistical uncertainties are pervasive in decisions we make every day in business, government, and our personal lives. Sam Savage’s lively and engaging book gives any interested reader the insight and the tools to deal effectively with those uncertainties. I highly recommend The Flaw of Averages.” —William J. Perry, Former U.S. Secretary of Defense “Enterprise analysis under uncertainty has long been an academic ideal. . . . In this profound and entertaining book, Professor Savage shows how to make all this practical, practicable, and comprehensible.” —­Harry Markowitz, Nobel Laureate in Economics

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Equipoise, Kathleen Halme's second book of poems. Based in fact on the North Carolina coastline, the climate of these poems is one abundant with sun, salt water, and the paradoxical shore. Equally at home in formal meter and free verse, Halme explores the balancing pull of forces and discovers a refreshing version of mindfulness in daily life. Despite contemporary trends of cynicism and despair, Halme braves happiness. Even as she acknowledges that "We all live in fear/of shoreless feelings," such anxiety succumbs to her inclusive vision: "We are in the soup, singular/and swimming, roiling/with the isopods and copepods./ . . . We are delicious, surrendered to shells and jellies,/ every one soaking in sun."For readers eager to experience "the ache of paradise," these poems chart consciousness with obvious pleasure: "Are you not a lucky one/you who hear your own mind think." But here is an intellect made lyrical. To celebrate the sensual core of experience, Halme's seemingly spare language is lush with assonance. In these poems, vowels have a cumulative effect, resounding, finally, in a grandiose vocative o of astonishment and joy.Kathleen Halme's first book of poetry, Every Substance Clothed, winner of the 1995 University of Georgia Press Contemporary Poetry Series competition, was awarded the Balcones Poetry Prize. She completed her MFA in Creative Writing at the University of Michigan, where her work was awarded the Hopwood Creative Writing Award. Halme is a 1997-98 recipient of a National Endowment for the Arts Poetry Fellowship. She is associate professor of English at Western Washington University in Bellingham."Here is a volcanically poised and deliciously balanced book of meditative graces, of provisional lyric holdings, of sumptuous meditations shored against the ruins."-Edward Hirsch"Most prominent is Halme's sensual commitment to language; her poems resonate with a phonetic lushness illuminating her intelligent imagery. These poems are enjoyable most notably for the pleasure of pure sound. . . . Gently peppered into her poems are flavors of mysticism, portrayed by an efficient and clever selection of words, which result in a pleasurable and unexpected unfolding. Overall, these poems

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Called a madman by some, a genius by others, and an enigma by nearly everyone, Nikola Tesla was possibly the greatest inventor the world has ever known. He was, without a doubt, a trail blazer who created astonishing, sometimes world-transforming, devices that were virtually without theoretical precedent. It was Tesla who introduced us to the fundamentals of robotry, computers, and missile science and helped pave the way for such space-age technologies as satellites, microwaves, beam weapons, and nuclear fusion. Yet, Tesla still remains one of the least-recognized scientific pioneers in history.Certainly he was one of the strangest of scientists - almost supernaturally gifted, erratic, flamboyant, and neurotic nearly to the point of madness. A dandy and popular man-about-town, he was admired by men as diverse as George Westinghouse and Mark Twain and adored by scores of society beauties. Yet his bewildering array of compulsions and phobias extended from such mundane subjects as food and clean linen to pearls and women's ears. He was fond of creating violent, neighborhood-threatening electrical storms in his apartment laboratory and once nearly knocked down a tall building by a attaching a mysterious "black box" to its side. ( He claimed he could have destroyed the entire planet with a similar device.) And because he kept so few notes, to this day we can only guess at the details of many of the fantastic scientific projects that occupied this fevered intellect.Margaret Cheney has written the definitive in-depth biography of this astonishing figure. From Tesla's childhood in Yugoslavia to his death in New York in the 1940's, Cheney both paints a compelling human portrait and chronicles a lifetime of discoveries that radically altered - and continue to alter - the world we live in. Cheney also casts important light on one of the central mysteries associated with Tesla - the whereabouts of the famous "missing scientific papers" that vanished at the time of the inventor's death. Tesla is a riveting journey into the mind and life of the eccentric wizard who was Edison's enemy, Mark Twain's friend, J.P Morgan's client, and hero and mentor to many of the 20th century's most famous scientists.

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When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to ""Exiles and Homecomings: A Biography of Es'kia Mphahlele"", the idea of Mphahlele's death was remote and poetic. The title, ""Bury Me at the Marketplace"", suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa's public sphere. That death has now come and we mourn it. Manganyi's words at the time have acquired a new significance: in the symbolic marketplace, he noted, 'the drama of life continues relentlessly and the silence of death is unmasked for all time'. The silence of death is certainly unmasked in this volume, in its record of Mphahlele's rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa's literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele's own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele's correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele's personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele's mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell's insightful explanatory notes.

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In this comparative and hybrid study, Reginald A. Wilburn offers the first scholarly work to theorize African American authors’ rebellious appropriations of Milton and his canon. Wilburn engages African Americans’ transatlantic negotiations with perhaps the preeminent freedom writer in the English tradition.Preaching the Gospel of Black Revolt contends that early African American authors appropriated and remastered Milton by completing and complicating England’s epic poet of liberty with the intertextual originality of repetitive difference. Wilburn focuses on a diverse array of early African American authors, such as Phillis Wheatley, Frances Ellen Watkins Harper, Frederick Douglass, and Anna Julia Cooper. He examines the presence of Milton in their works as a reflection of early African Americans’ rhetorical affiliations with the poet’s satanic epic for messianic purposes of freedom and racial uplift.Wilburn explains that early African American authors were attracted to Milton because of his preeminent status in literary tradition, strong Christian convictions, and poetic mastery of the English language. This tripartite ministry makes Milton an especially indispensible intertext for authors whose writings and oratory were sometimes presumed beneath the dignity of criticism. Through close readings of canonical and obscure texts, Wilburn explores how various authors rebelled against such assessments of black intellect by altering Milton’s meanings, themes, and figures beyond orthodox interpretations and imbuing them with hermeneutic shades of interpretive and cultural difference. However they remastered Milton, these artists respected his oeuvre as a sacred yet secular talking book of revolt, freedom, and cultural liberation.Preaching the Gospel of Black Revolt particularly draws upon recent satanic criticism in Milton studies, placing it in dialogue with methodologies germane to African American literary studies. By exposing the subversive workings of an intertextual Middle Passage in black literacy, Wilburn invites scholars from diverse areas of specialization to traverse within and beyond the cultural veils of racial interpretation and along the color line in literary studies.

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'(A)sensational book by one of our greatest and best-loved historians... Astoundingly good.' - Alison Weir 'Masterful, captivating, page-turning, this is solid gold history at its best.' - Nicola Tallis'(A) thought-provoking, impeccably researched, and moving account uncovering how Anne's family, intellect, and tragedy shaped Elizabeth I's extraordinary career.' - Gareth Russell'Her extensive research... reveals them as the most dazzling female double act in history.' - Sarah Gristwood'Incredibly well-researched, elegantly written, and overall genuinely ground-breaking,' - Estelle ParanqueOne of the most extraordinary mother and daughter stories of all time - Anne Boleyn, the most famous of Henry VIII's wives and her daughter Elizabeth, the 'Virgin Queen'.Anne Boleyn is a subject of enduring fascination. By far the most famous of Henry VIII's six wives, she has inspired books, documentaries and films, and is the subject of intense debate even today, almost 500 years after her violent death. For the most part, she is considered in the context of her relationship with Tudor England's much-married monarch. Dramatic though this story is, of even greater interest - and significance - is the relationship between Anne and her daughter, the future Elizabeth I.Elizabeth was less than three years old when her mother was executed. Given that she could have held precious few memories of Anne, it is often assumed that her mother exerted little influence over her. But this is both inaccurate and misleading. Elizabeth knew that she had to be discreet about Anne, but there is compelling evidence that her mother exerted a profound influence on her character, beliefs and reign. Even during Henry's lifetime, Elizabeth dared to express her sympathy for her late mother by secretly wearing Anne's famous 'A' pendant when she sat for a painting with her father and siblings.Piecing together evidence from original documents and artefacts, this book tells the story of Anne Boleyn's relationship with, and influence over her daughter Elizabeth. In so doing, it sheds new light on two of the most famous and influential women in history.

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A comprehensive introduction to today's M&A strategies Make the Deal is a direct and accessible guide to striking a powerful M&A deal. Merging business, finance, and law, this insightful examination of M&A strategy is designed to help you understand M&A negotiations and the ways in which the final outcome affects your financial future. A general overview of an acquisition agreement framework segues into a more detailed discussion of different deal structures, including stock sales, mergers, asset sales, and complex structures, giving you the information you need to know when each one applies best in practice. You'll gain insight into real-world negotiations and the delicate balancing act that occurs as each party attempts to maximize value and minimize risk, and learn the potential pitfalls that can occur. Negotiation statistics and samples from actual contracts back the war stories throughout, and reinforce the idea that there's no single perfect solution. As a topic of study, M&A is constantly evolving; in practice, it changes at the speed of light. Staying ahead of the market is the single most critical element of making the best deal, and the strategy that worked for one deal most likely won't work for the next. Instead of simply providing a list of strategies that have worked in the past, this book shows you why they worked, so you can tailor your strategy specifically to your next deal. Learn how M&A contract terms affect economic outcomes Examine the techniques and mechanics of today's acquisition agreements Develop a legal framework that supports your business strategy Follow the ups and downs that arise in real-world cases A successful M&A transaction requires both attention to detail and a big picture view, combined with skill, intellect, and ingenuity. Make the Deal brings it all together to show you how to run the table and come away with a win.

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As seen in USA Today's hottest releases and The Washington Post's 10 New Books Spotlight“Sarah Wilson is a force of nature – quite literally. She has taken her pain and grief about our sick and troubled world and alchemized it into action, advocacy, adventure, poetry, and true love.” — ELIZABETH GILBERTWake up and reclaim your one wild and precious life. New York Times bestselling author Sarah Wilson shows you how in this radical spiritual guidebook, the book we need NOW.Many of us are living with the sense that things are not right with the world and are in a state of spiritual PTSD. We have retreated, morally and psychologically; we are experiencing a crisis of disconnection—from one another, from our true values, from joy, and from life as we feel we are meant to be living it. Sarah Wilson argues that this sense of despair and disconnection is ironically what unites us—that deep down, we are all feeling that same itch for a new way of living. Drawing on science, literature, philosophy and the wisdom of some of the world’s leading experts, and her personal journey, Wilson offers a hopeful path forward to the life we love. En route, she shows us how to wake up and reconnect with life using “wild practices” that include:· Hike. Embrace the “walking cure” as great minds throughout history have.· Go to your edge. Do what scares you and embrace discomfort daily.· #Buylesslivemore. Break the cycle of mindless consumption and get light with your life.· Become a soul nerd. Light up your intellect with the arts.· Get “full-fat spiritual”. Have an active practice and use it to change the world.· Practice wild activism. Through sustained, non-violent protest we can create our better world. The time has come to boldly, wildly imagine better. We are being called upon, individually and as a society, to forge a new path and to find a new way of living. Will you join the journey?

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