Search results for ""Author Merchant"

In this extensively revised and updated second edition of her classic ethnography, Lynn Stephen explores the intersection of gender, class, and indigenous ethnicity in southern Mexico. She provides a detailed study of how the lives of women weavers and merchants in the Zapotec-speaking town of Teotitlán del Valle, Oaxaca, have changed in response to the international demand for Oaxacan textiles. Based on Stephen’s research in Teotitlán during the mid-1980s, in 1990, and between 2001 and 2004, this volume provides a unique view of a Zapotec community balancing a rapidly advancing future in export production with an entrenched past anchored in indigenous culture.Stephen presents new information about the weaving cooperatives women have formed over the last two decades in an attempt to gain political and cultural rights within their community and standing as independent artisans within the global market. She also addresses the place of Zapotec weaving within Mexican folk art and the significance of increased migration out of Teotitlán. The women weavers and merchants collaborated with Stephen on the research for this book, and their perspectives are key to her analysis of how gender relations have changed within rituals, weaving production and marketing, local politics, and family life. Drawing on the experiences of women in Teotitlán, Stephen considers the prospects for the political, economic, and cultural participation of other indigenous women in Mexico under the policies of economic neoliberalism which have prevailed since the 1990s.

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From one of twentieth-century China's greatest writers and the author of Lust, Caution, this is an unforgettable story of a love affair set in 1930s Shanghai. Manzhen is a young worker in a Shanghai factory, where she meets Shijun, the son of wealthy merchants. Despite family complications, they fall in love and begin to dream of a shared life together - until circumstances force them apart. When they are reunited after a separation of many years, can they start their relationship again? Or is it destined to be the romance of only half a lifetime? This affectionate and captivating novel tells the moving story of an enduring love affair, and offers a fascinating window onto Chinese life in the first half of the twentieth century.Eileen Chang was born in Shanghai in 1920. She studied literature at the University of Hong Kong but returned to Shanghai in 1941 during the Japanese occupation, where she established her reputation as a literary star. She moved to America in 1955 and died in Los Angeles in 1995.Karen S. Kingsbury taught and studied in Chinese-speaking cities for nearly two decades, and currently lives in Pennsylvania, USA. She has translated Love in a Fallen City for Penguin Classics, as well as other essays and stories by Chang.'A giant of modern Chinese literature' The New York Times'Eileen Chang is the fallen angel of Chinese literature' Ang Lee'A dazzling and distinctive fiction writer' New York Times Book Review'Chang's world is a stark and mysterious place where people strive to find their way in love but often fail under the pressures of family, tradition, and reputation' New Yorker

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Packed with rich detail and analysis of what often transpired when merchant ships were sunk by U-boats, this dramatic book highlights the hazards of World War II at sea. At its center, James P. Duffy relates the story of the sinking of the British liner Laconia by the German U-boat U-156. On September 12, 1942, as Laconia sailed crowded with 1,800 Italian prisoners of war, 103 Polish soldiers, 286 mostly severely wounded British military personnel, 80 civilians, and 463 officers and crew, she was hit by two torpedoes fired by U-156. Laconia’s captain ordered the vessel abandoned, and within an hour, she sank. Perhaps surprisingly, the German U-boat then surfaced and sent a signal that brought two other U-boats, an Italian submarine, and three Vichy French warships to assist with rescue operations.The rescue operation by German ships and the subsequent bombing raid by Allied aircraft are both compelling stories and events that had major repercussions for the conduct of the war. In the wake of the incident, German admiral Karl Dönitz issued instructions known as the Laconia Order demanding that all attempts to rescue survivors from Allied merchant ships be ended. The order provoked an international outcry against inhumane treatment of survivors stranded at sea. After the war, Dönitz was charged with and acquitted of war crimes in connection with this order.

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Muslims and the Making of Modern Europe shows that Muslims were citizens of modern Europe from its beginning and, in the process, rethinks Europe itself. Muslims are neither newcomers nor outsiders in Europe. In the twentieth century, they have been central to the continent's political development and the evolution of its traditions of equality and law. From 1878 into the period following World War II, over a million Ottoman Muslims became citizens of new European states. In Muslims and the Making of Modern Europe, Emily Greble follows the fortunes and misfortunes of several generations of these indigenous men, women and children; merchants, peasants, and landowners; muftis and preachers; teachers and students; believers and non-believers from seaside port towns on the shores of the Adriatic to mountainous villages in the Balkans. Drawing on a wide range of archives from government ministries in state capitals to madrasas in provincial towns, Greble uncovers Muslims' negotiations with state authorities--over the boundaries of Islamic law, the nature of religious freedom, and the meaning of minority rights. She shows how their story is Europe's story: Muslims navigated the continent's turbulent passage from imperial order through the interwar political experiments of liberal democracy and authoritarianism to the ideological programs of fascism, socialism, and communism. In doing so, they shaped the grand narratives upon which so much of Europe's fractious present now rests. Muslims and the Making of Modern Europe offers a striking new account of the history of citizenship and nation-building, the emergence of minority rights, and the character of secularism.

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This is the fantastical, yet real, story of the merchants of Bethlehem, the young men who traveled to every corner of the globe in the nineteenth century. These men set off on the backs of donkeys with suitcases full of crosses and rosaries, to return via steamship with suitcases stuffed with French francs, Philippine pesos, or Salvadoran colones. They returned with news of mysterious lands and strange inventions—clocks, trains, and other devices that both befuddled and bewitched the Bethlehemites. With newfound wealth, these merchants built shimmering pink mansions that transformed Bethlehem from a rural village into Palestine's wealthiest and most cosmopolitan town. At the center of these extraordinary occurrences lived Jubrail Dabdoub. The Lives and Deaths of Jubrail Dabdoub tells the story of Jubrail's encounters, offering a version of Palestinian history rarely acknowledged. From his childhood in rural Bethlehem to later voyages across Europe, East Asia, and the Americas, Jubrail's story culminates in a recorded miracle: in 1909, he was brought back from the dead. To tell such a tale is to delve into the realms of the fantastic and improbable. Through the story of Jubrail's life, Jacob Norris explores the porous lines between history and fiction, the normal and the paranormal, the everyday and the extraordinary. Drawing on aspects of magical realism combined with elements of Palestinian folklore, Norris recovers the atmosphere of late nineteenth-century Bethlehem: a mood of excitement, disorientation, and wonder as the town was thrust into a new era. As the book offers an original approach to historical writing, it captures a fantastic story of global encounter and exchange.

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In this third volume of a planned five-volume series, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but also in a world-historical context. Written during the second half of the sixteenth century and first published in 1618, The Plum in the Golden Vase is noted for its surprisingly modern technique. With the possible exception of The Tale of Genji (ca. 1010) and Don Quixote (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in earlier Chinese fiction, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth. Replete with convincing portrayals of the darker side of human nature, it should appeal to anyone interested in a compelling story, compellingly told.

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Ironclads and Columbiads recounts the exciting battles and events that shook the coast of North Carolina during America's bloodiest war. Throughout the Civil War, North Carolina's coast was of great strategic importance to the Confederacy. Its well-protected coastline offered a perfect refuge for privateers who sallied forth and captured so many Union merchant vessels in the early days of the war that maritime insurance companies in the North went into a panic, forcing the government to mount an expedition against Cape Hatteras. North Carolina's coastal counties and the state's coastal railroad system were vital to the feeding and resupply of Robert E. Lee's army. And even after the tightening blockade and powerful Federal assaults closed off the ports of Charleston, New Orleans, and Mobile, Wilmington continued to provide a haven for blockade runners. That city eventually became the most strategically important location in the entire Confederacy. To subdue Fort Fisher, which stoutly defended Wilmington, the Union was forced to assemble what was then the largest naval and amphibious landing force in American history. William R. (Bill) Trotter is an essayist, book reviewer, and author of The Civil War in North Carolina and A Frozen Hell, among other books, as well as several short stories and novellas, and has twice been nominated for the Bram Stoker Award. He wrote a monthly column called "The Desktop General" for PC Gamer magazine until 2004. He was the first recipient of the North Carolina English Teachers' Association "Lifetime Achievement Award." He lives in Greensboro, NC.

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Examines the efforts to bring political order to the English empire through projects of environmental improvement When Charles II ascended the English throne in 1660 after two decades of civil war, he was confronted with domestic disarray and a sprawling empire in chaos. His government sought to assert control and affirm the King’s sovereignty by touting his stewardship of both England’s land and the improvement of his subjects’ health. By initiating ambitious projects of environmental engineering, including fen and marshland drainage, forest rehabilitation, urban reconstruction, and garden transplantation schemes, agents of the English Restoration government aimed to transform both places and people in service of establishing order. Merchants, colonial officials, and members of the Royal Society encouraged royal intervention in places deemed unhealthy, unproductive, or poorly managed. Their multiple schemes reflected an enduring belief in the complex relationships between the health of individual bodies, personal and communal character, and the landscapes they inhabited. In this deeply researched work, Kate Mulry highlights a period of innovation during which officials reassessed the purpose of colonies, weighed their benefits and drawbacks, and engineered and instituted a range of activities in relation to subjects’ bodies and material environments. These wide-ranging actions offer insights about how restoration officials envisioned authority within a changing English empire. An Empire Transformed is an interdisciplinary work addressing a series of interlocking issues concerning ideas about the environment, governance, and public health in the early modern English Atlantic empire.

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The New York Times BestsellerFrom the prize-winning, bestselling author of Say Nothing and Empire of Pain, twelve enthralling stories of skulduggery and intrigue by one of the most decorated journalists of our time.'Eminently bingeable, religiously fact-checked and seductively globetrotting' - The ObserverPatrick Radden Keefe’s work has been recognized by prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize and the Baillie Gifford in the UK, for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from the New Yorker. As Keefe observes in his preface: ‘They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.’Keefe explores the intricacies of forging $150,000 vintage wines; examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist; spends time in Vietnam with Anthony Bourdain; chronicles the quest to bring down a cheerful international black-market arms merchant; and profiles a passionate death-penalty attorney who represents the ‘worst of the worst’, among other bravura works of literary journalism.The appearance of his byline in the New Yorker is always an event; collected here for the first time readers can see how his work forms an always enthralling yet also deeply human portrait of criminals and rascals, as well as those who stand up to them.

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Geoffrey Chaucer might be considered the quintessential English writer, but he drew much of his inspiration and material from Italy. In fact, without the tremendous influence of Francesco Petrarch and Giovanni Boccaccio (among others), the author of The Canterbury Tales might never have assumed his place as the ‘father’ of English literature. Nevertheless, Richard Owen’s Chaucer’s Italy begins in London, where the poet dealt with Italian merchants in his roles as court diplomat and customs official. Next Owen takes us, via Chaucer’s capture at the siege of Rheims, to his involvement in arranging the marriage of King Edward III’s son Lionel in Milan and his missions to Genoa and Florence. By scrutinising his encounters with Petrarch, Boccaccio, and the mercenary knight John Hawkwood – and with vividly evocative descriptions of the Arezzo, Padua, Florence, Certaldo, and Milan that Chaucer would have encountered – Owen reveals the deep influence of Italy’s people and towns on Chaucer’s poems and stories. Much writing on Chaucer depicts a misleadingly parochial figure, but as Owen’s enlightening short study of Chaucer’s Italian years makes clear, the poet’s life was internationally eventful. The consequences have made the English canon what it is today.

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"Bill Westbrook's follow-up to The Bermuda Privateer is buoyed by details of history and seamanship that will delight any fan of saltwater yarns and explosive action."—Broos Campbell author of the Matty Graves Novels That dashing British privateer Nicholas Fallon is back again, helping himself to a fistful of mayhem in The Black Ring . The year is 1798. The African slave trade is in brutal flower, and the great powers are fighting for control of the Caribbean's immensely profitable sugar plantations. Nico, meanwhile, has been trying his damnedest to become a salt merchant under Ezra Somers, father of the beautiful Elinore. But when an urgent request arrives from Admiral Davies of the Leeward Island Station, Ezra and Elinore give Nico their blessing to head off in search of plunder and adventure. Sailing aboard the American-built topsail schooner Rascal , Nico takes on the job of slipping a secret agent into Cuba, but soon becomes entangled in numerous dangers—or opportunities, as he likes to call them. There's an escaped slave trying to burn every stalk of sugarcane in Cuba, a pirate running riot with a flotilla of "little wolves," an admiral's lady that needs a bit of rescuing, and a French plot that threatens Britain's very presence in the islands.

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Thomas Gresham was arguably the first true wizard of global finance. He rose through the mercantile worlds of London and Antwerp to become the hidden power behind three out of the five Tudor monarchs. Today his name is remembered in economic doctrines, in the institutions he founded and in the City of London's position at the economic centre of the earth. Without Gresham, England truly might have become a vassal state. His manoeuvring released Elizabeth from a crushing burden of debt and allowed for vital military preparations during the wars of religion that set Europe ablaze. Yet his deepest loyalties have remained enigmatic, until now. Drawing on vast new research and several startling discoveries, the great Tudor historian John Guy recreates Gresham's life and singular personality with astonishing intimacy. He reveals a calculating survivor, flexible enough to do business with merchants and potentates no matter their religious or ideological convictions. Yet his personal relationships were disturbingly transactional. He was a figure of cold unsentimentality even to members of his own family. Elizabeth I found herself at odds with Gresham's ambitions. In their collisions and wary accommodations, we see our own conflicts between national sovereignty and global capital foreshadowed. A story of adventure and jeopardy, greed and cunning, loyalties divided, mistaken or betrayed, this is a biography fit for a merchant prince.

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Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music’s illegibility rather than come to terms with its actual effects. In Broken Harmony Joseph M. Ortiz revises our understanding of music’s relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged. Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare’s plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter’s Tale) and Milton’s A Maske, Ortiz challenges the consensus that music’s affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music’s function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.

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Philip Hook takes the lid off the world of art dealing to reveal the brilliance, cunning, greed and daring of its practitioners. In a richly anecdotal narrative he describes the rise and occasional fall of the extraordinary men and women who over the centuries have made it their business to sell art to kings, merchants, nobles, entrepreneurs and museums. From its beginnings in Antwerp, where paintings were sometimes sold by weight, to the rich hauteur of the contemporary gallery in London, Paris and New York, art dealing has been about identifying what is intangible but infinitely desirable, and then finding clients for whom it is irresistible. Those who have purveyed art for a living range from tailors, spies and the occasional anarchist to scholars, aristocrats, merchants and connoisseurs, each variously motivated by greed, belief in their own vision of art and its history, or simply the will to win. The cast of characters includes Paul Durand-Ruel, the Impressionists' champion; Herwath Walden, who first brought Modernism into the limelight; Daniel-Henry Kahnweiler, high priest of Cubism; Leo Castelli, dealer-midwife to Abstract Expressionism and Pop Art; and Peter Wilson, the charismatic Sotheby's chairman who made the auction room theatre. Philip Hook's history is one of human folly, greed and duplicity, interspersed with ingenuity, inspiration and acts of heroism. Rogues' Gallery is learned, witty and irresistibly readable.

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An international collection of the traditional tales that inspired some of Shakespeare's greatest playsShakespeare knew a good story when he heard one, and he wasn't afraid to borrow from what he heard or read, especially traditional folktales. The Merchant of Venice, for example, draws from "A Pound of Flesh," while King Lear begins in the same way as "Love Like Salt," with a king asking his three daughters how much they love him, then banishing the youngest when her cryptic reply displeases him. This unique anthology presents more than forty versions of folktales related to eight Shakespeare plays: The Taming of the Shrew, The Comedy of Errors, Titus Andronicus, The Merchant of Venice, All's Well That Ends Well, King Lear, Cymbeline, and The Tempest. These fascinating and diverse tales come from Europe, the Middle East, India, the Caribbean, and South America, and include stories by Gerald of Wales, Marie-Catherine d'Aulnoy, Jacob and Wilhelm Grimm, Giambattista Basile, J. M. Synge, Zora Neale Hurston, Italo Calvino, and many more. Organized by play, each chapter includes a brief introduction discussing the intriguing connections between the play and the gathered folktales. Shakespeare and the Folktale can be read for the pure pleasure these lively tales give as much as for the insight into Shakespeare's plays they provide.

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A Brief History of Entrepreneurship charts how the pursuit of profit by private individuals has been a prime mover in revolutionizing civilization. Entrepreneurs often butt up against processes, technologies, social conventions, and even laws. So they circumvent, innovate, and violate to obtain what they want. This creative destruction has brought about overland and overseas trade, colonization, and a host of revolutionary technologies-from caffeinated beverages to the personal computer-that have transformed society. Consulting rich archival sources, including some that have never before been translated, Carlen maps the course of human history through nine episodes when entrepreneurship reshaped our world. Highlighting the most colorful characters of each era, he discusses Mesopotamian merchants' creation of the urban market economy; Phoenician merchant-sailors intercontinental trade, which came to connect Africa, Asia, and Europe; Chinese tea traders' invention of paper money; the colonization of the Americas; and the current "flattening" of the world's economic playing field. Yet the pursuit of profit hasn't always moved us forward. From slavery to organized crime, Carlen explores how entrepreneurship can sometimes work at the expense of others. He also discusses the new entrepreneurs who, through the nascent space tourism industry, are leading humanity to a multiplanetary future. By exploring all sides of this legacy, Carlen brings much-needed detail to the role of entrepreneurship in revolutionizing civilization.

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In Accounting for Dante, Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes—namely, merchants and notaries—as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, these newly educated readers were full participants in an emergent vernacular literature, demonstrating at times a marked degree of sophistication in their choices of which lyric poems to include in their personal anthologies. Adapting their methods of memorializing contracts and keeping accounts to the collecting of medieval Italian poetry, these urban readers and writers made copying Italian poetry a crucial aspect of how they understood and represented themselves as individuals and communities. Steinberg describes how notaries and merchants transcribed Dante's poetry in nontraditional formats, such as in the archival documents of the Memoriali bolognesi and the register-book Vaticano Latino 3793. In bringing to light evidence of the urban reception of the early Italian lyric, Justin Steinberg restores the political, social, and historical contexts in which Dante would have understood the poetic debates of his day. He also examines how Dante continuously responded in his literary career—from the Vita Nuova, to the De Vulgari eloquentia, to the Commedia—to the interpretations and misinterpretations of his early lyrics by this municipal audience.

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In Brokering Empire, E. Natalie Rothman explores the intersecting worlds of those who regularly traversed the early modern Venetian-Ottoman frontier, including colonial migrants, redeemed slaves, merchants, commercial brokers, religious converts, and diplomatic interpreters. In their sustained interactions across linguistic, religious, and political lines these trans-imperial subjects helped to shape shifting imperial and cultural boundaries, including the emerging distinction between Europe and the Levant. Rothman argues that the period from 1570 to 1670 witnessed a gradual transformation in how Ottoman difference was conceived within Venetian institutions. Thanks in part to the activities of trans-imperial subjects, an early emphasis on juridical and commercial criteria gave way to conceptions of difference based on religion and language. Rothman begins her story in Venice’s bustling marketplaces, where commercial brokers often defied the state’s efforts both to tax foreign merchants and define Venetian citizenship. The story continues in a Venetian charitable institution where converts from Islam and Judaism and their Catholic Venetian patrons negotiated their mutual transformation. The story ends with Venice’s diplomatic interpreters, the dragomans, who not only produced and disseminated knowledge about the Ottomans but also created dense networks of kinship and patronage across imperial boundaries. Rothman’s new conceptual and empirical framework sheds light on institutional practices for managing juridical, religious, and ethnolinguistic difference in the Mediterranean and beyond.

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Perhaps the most successful historical romance since GONE WITH THE WIND, DESIREE is the bestselling novel of Napoleon's first love. All the passions and intrigues of Bonaparte's court are seen through the eyes of a silk merchant's daughter from Marseilles, a young woman who became Napoleon's fiancee and, ultimately, the Queen of Sweden. 'An astonishing story told with verve and a swift, fluent and deeply feminine charm. The Napoleonic background is vivid and accurate' Evening Standard First published in 1953.

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In this revealing social history, Daniel Thomas Cook explores the roots of children’s consumer culture—and the commodification of childhood itself—by looking at the rise, growth, and segmentation of the children’s clothing industry. Cook describes how in the early twentieth century merchants, manufacturers, and advertisers of children’s clothing began to aim commercial messages at the child rather than the mother. Cook situates this fundamental shift in perspective within the broader transformation of the child into a legitimate, individualized, self-contained consumer.The Commodification of Childhood begins with the publication of the children’s wear industry’s first trade journal, The Infants’ Department, in 1917 and extends into the early 1960s, by which time the changes Cook chronicles were largely complete. Analyzing trade journals and other documentary sources, Cook shows how the industry created a market by developing and promulgating new understandings of the “nature,” needs, and motivations of the child consumer. He discusses various ways that discursive constructions of the consuming child were made material: in the creation of separate children’s clothing departments, in their segmentation and layout by age and gender gradations (such as infant, toddler, boys, girls, tweens, and teens), in merchants’ treatment of children as individuals on the retail floor, and in displays designed to appeal directly to children. Ultimately, The Commodification of Childhood provides a compelling argument that any consideration of “the child” must necessarily take into account how childhood came to be understood through, and structured by, a market idiom.

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The fourth edition of Merchandise Buying and Management has been updated to cover the most current information on merchandising and retailing. Written for college-level courses dealing with retail buying and the management for retail inventories, the text covers topics relevant to future buyers and store management personnel. The material is presented within the context of a contemporary retail environment—with examples from both fashion and non-fashion retailers—in which buyers often act as fiscal managers as well as product developers, and store managers play important roles in sales productivity and assortment planning. Retail technology is a theme that runs throughout the book, tied to topics such as space management, electronic data exchange, point-of-sale systems, and floor ready merchandise.

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Forgiving the Gift challenges the tendency to reflexively understand gifts as exchanges, negotiations, and circulations. Lawrence reads plays by Christopher Marlowe and William Shakespeare as informed by an early modern belief in the possibility and even necessity of radical generosity, of gifts that break the cycle of economy and self-interest.The prologue reads Marlowe’s Dr. Faustus to show how the play aligns gift and grace, depicting Faustus’s famous bond as the instrument simultaneously of reciprocal exchange and of damnation. In the introduction, the author frames his argument theoretically by placing Marcel Mauss’s classic essay, “The Gift,” into dialogue with Jacques Derrida, Emmanuel Levinas, and Paul Ricoeur to sketch two very different understandings of gift-giving. In the first, described by Mauss, the gift becomes a covert form of exchange. Though Mauss contrasts the gift economy with the market economy, his description of the gift economy nevertheless undermines his own project of discovering in it a basis for social solidarity. In the second understanding of gift exchange, derived from the philosophy of Levinas, the gift expresses the radical asymmetry of ethical concern.Literature and philosophy scholars alike will benefit from the original readings of The Merchant of Venice, Edward II, King Lear, Titus Andronicus, and The Tempest, which constitute the body of the text. These readings find in the plays a generosity that exceeds the social practice of gift-giving, because extraordinarily generous acts of friendship or filial affection survive the collapse of social norms. Antonio in Merchant and the title character in Edward II practice a friendship whose extravagance marks its excess. Lear, on the other hand, brings about his tragedy by attempting to reduce filial love to debt. Titus also discovers a love excessive to social convention when rape and mutilation annihilate his daughter’s cultural value. Finally, Prospero in The Tempest sacrifices power and even his own life for the love of his daughter, giving a gift rendered asymmetrical by both its excess and its secrecy.While proposing new readings of works of Renaissance drama, Forgiving the Gift also questions the model of human life from which many contemporary readings, especially those characterized as new historicist or cultural materialist, grow. In so doing, it addresses questions of how we are to understand literary texts—and how we are to live with others in the world.

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Visual Merchandising and Display, Seventh Edition, focuses on all aspects of visual merchandising and display, from classic techniques to the latest developments. Using hundreds of global examples, this text shows how a retailer can optimize its image with its target market by adding interest to window and interior displays. The book includes updated chapters on lighting, fixtures, and interactive media; expanded sections on store planning, CAD programs, floor plans, and planograms; and a new section called Tools for Getting the Job.New to this Edition:- Contains six new case studies and extensively revised and updated images- New section Tools for Getting the Job in Chapter 27 includes tips for creating your own website and using platforms like Behance to showcase your portfolio -Updated and new Go Green boxes discuss current topics in sustainability and visual merchandising Visual Merchandising and Display STUDIO-Study smarter with sel

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This Naoki Prize-winning work is a personal yet precise account of the lives of working women in the Edo period (1600-1868). In the latter half of the Edo period, the warrior caste was finding itself pushed out of the top echelons of society by the rising merchant class, and repeated famines swept the countryside. Against this backdrop, a small number of women vigorously built themselves independent lives with unusual careers--working as designers of ornamental hairpins, or even scribes--in the male-dominated society of the day. The stories in The Budding Tree recount the conditions in which these women lived.

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Here in a single, thoroughly updated volume, is everything you must know to develop a menu that will dramatically enhance a restaurant's image. The Fourth Edition addresses the full spectrum of restaurant establishments and the entire gamut of menu possibilities from the perspective of design.

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Lutz’s parents refuse to accept him becoming a merchant and he runs away from home after they argue. News of the dispute quickly reaches the Gilberta Company, and only when Myne and the High Priest arrange a mediation between the involved parties do they reach a resolution.With peace finally restored, Myne can focus on making books again... Or can she? After taking Wilma and Rosina as attendants, she finds herself dealing with yet another war of words!Follow Myne’s latest adventures in this biblio-fantasy by book lovers, for book lovers!

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The Jew of Malta, written around 1590, can present a challenge for modern audiences. Hugely popular in its day, the play swings wildly and rapidly in genre, from pointed satire, to bloody revenge tragedy, to melodramatic intrigue, to dark farce and grotesque comedy. Although set in the Mediterranean island of Malta, the play evokes contemporary Elizabethan social tensions, especially the highly charged issue of London's much-resented community of resident merchant foreigners. Barabas, the enormously wealthy Jew of the play's title, appears initially victimized by Malta's Christian Governor, who quotes scripture to support the demand that Jews cede their wealth to pay Malta's tribute to the Turks. When he protests, Barabas is deprived of his wealth, his means of livelihood, and his house, which is converted to a nunnery. In response to this hypocritical extortion, Barabas launches a horrific (and sometimes hilarious) course of violence that goes well beyond revenge, using murderous tactics that include everything from deadly soup to poisoned flowers. The play's sometimes complex treatment of anti-Semitism and its relationship to Shakespeare's Merchant of Venice remain matters of continuing scholarly reflection. This new edition is expertly edited with an accompanying introduction that addresses issues of performance, cultural and historical context, interpretation and the key themes explored by the play. Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary and guiding the reader to a deeper understanding and appreciation of the play. This edition provides: A clear and authoritative text Detailed on-page commentary notes A comprehensive, illustrated introduction to the play’s historical, cultural and performance contexts A bibliography of references and further reading

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This study of a thirteenth-century dwelling on Egypt's Red Sea Coast draws on multiple lines of evidence--including texts excavated at the site--to reconstruct a history of the structure and the people who dwelt within. The inhabitants participated in Nile Valley-Red Sea-Indian Ocean trade, transported Ḥāǧǧ pilgrims, sent grain to Mecca and Medina, and wrote sermons and amulets for the local faithful. These activities are detailed in the documents and fleshed out in the botanical, faunal, artifact, and stratigraphic evidence from the University of Chicago's excavations (1978-82). This compound eventually consisted of two houses and a row of storerooms and became the centre of mercantile activity at Quseir al-Qadim. Over time, as the number of named individuals who received shipping notes addressed to the "warehouse of Abū Mufarij" increased, living rooms and storerooms were added to accommodate this expansion of commerce. While most merchants were dealing in textiles, dates, and grains, additional commodities traded included perfumes, gemstone-decorated textiles, resist-dyed textiles, and porcelains. Specialist studies by Steven Goodman on the avian faunal remains and Wilma Wetterstrom on the macrobotanical finds reveal that the compound's occupants enjoyed a diet of chicken and Nile Valley produce such as grapes and watermelon, and they were supplemented by high-priced imports: nuts and fruits from around the Mediterranean, along with medicinal plants from as far away as India, indicate the wealth and status of this family of merchants. The evidence from this small portion of Quseir al-Qadim yields a rich local story that is a microcosm of Nile Valley-Red Sea-Indian Ocean trade under the last Ayyubid sultans of Egypt.

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A charming retelling of this magical tale of power and justice. With Notes on Shakespeare and the Globe Theatre and Power in the Tempest. The tales have been retold using accessible language and with the help of Tony Ross's engaging black-and-white illustrations, each play is vividly brought to life allowing these culturally enriching stories to be shared with as wide an audience as possible.Have you read all of The Shakespeare Stories books? Available in this series: A Midsummer Night's Dream, Macbeth, Romeo and Juliet, The Tempest, Hamlet, Twelfth Night, Antony and Cleopatra, Much Ado About Nothing, The Merchant of Venice, Henry V, Julius Caesar, As You Like It, Othello, The Taming of the Shrew, Richard III, and King Lear.

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Selected for the USCG Commandant's 2018 Reading List Never to Return is the harrowing tale of the torpedoing and sinking of a Coast Guard ship and the loss of 171 Coast Guardsmen off the coast of Iceland during WWII. The USS Leopold was a U.S. Coast Guard destroyer escort in a convoy of merchant ships carrying war materiel to England, on the lookout for the deadly U-boat wolf packs lurking in the North Atlantic. The Leopold was largely unarmored, lightly armed, and no match for the U-255’s torpedoes. Never to Return is the story of gunner Sparky Nersasian and his shipmates’ struggles to survive the Leopold’s sinking.

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The Myuri mercenary band--a troop named for one of Holo's old comrades. In order to find them, Lawrence and Holo make for Lesko, a town dominated by the copper-trading Debau Company. Rumors of the Debau Company's schemes to both open more mines and seize control of the northern lands swirl, along with rumors that they're concentrating military power in the town in preparation. But when Lawrence and Holo arrive in Lesko, they discover a surprisingly cheerful and peaceful place. What is really happening? Find out as the final act of Holo the Wisewolf and Lawrence the traveling merchant's long journey draws close to its end!

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With the rise of digital media, promotion remains a key element at each step of the merchandising process to communicate a clear message about a product, brand, or retailer to the end user. Promotion strategies that were once limited to traditional media—print ads, radio or TV commercials—must now integrate digital media and more innovative means of communication through social media to stay relevant. The third edition of Promotion in the Merchandising Environment explains the process of promotion and the promotion mix tools used for creating successful campaigns. With expanded coverage of digital media, updated examples and images of retail advertisements and promotional activities in each streamlined chapter, students will gain a full understanding of how to create a successful promotion campaign for retail products. New to This Edition ~Updated chapter-opening vignettes relate the content of each chapter to the industry ~Now in full color with 60% new photographs, advertisements, charts and graphs ~New Chapter 3 “The Creative Process in Promotion” explains how the elements and principles of design are used in promotional activities and illuminates the creative relationship between retailers and advertising agencies ~New Chapter 8 “New Media” covers interactive retailing, e-commerce, and social media, such as Facebook, Twitter, Instagram, and Pinterest ~New end-of-chapter checklists for easy review of content and a new term-long advertising brand campaign assignment ~Emphasizes the concept of integrated marketing communications (IMC), the effects of consumers’ changing attitudes and how changes in technologies and distribution channels are driving communication and fashion promotion today ~Coverage has been streamlined to 14 concise chapters Instructor Resources ~Instructor's Guide with Test Bank provides suggestions for planning the course and using the text in the classroom, supplemental assignments, lecture notes, and sample test questions ~PowerPoint presentations include images from the book and provide a framework for lecture and discussion

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3et in the Malay Archipelago, where Conrad spent much of his youth as an officer in the British Merchant Navy, VICTORY is a sombre yet brilliant study of good and evil in Conrad's mature manner. The characteristic theme of a man reaching out from his apparently total solitude in sympathy for another human being is explored through the story of Axel Heyst's attempt to rescue a girl from the machinations of a brutal gang. Conrad's extraordinary blend of moral profundity, pathos and bitter irony is conjured up in prose which is at once atmospheric and inimitable. The book is published to coincided with the film staring Rufus Sewell Sam Neill, William Defoe and Irene Jacob

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The Blacketts have cast long shadows over the region's history as Newcastle merchants, miners, the builders of Wallington Hall and political figures in the 1600s and 1700s. Yet historians over the years have previously found it hard to get out from those shadows and to see more than the silhouettes of myth. Greg Finch's flowing account of the first three Sir William Blacketts, based on extensive new research, now dispels those myths. He reveals a vivid story of a dramatic rise from modest origins, the opening up of the regional lead industry, the creation and operation of a huge business and the crises that followed during a turbulent century of conflict and progress.

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This refresher reference volume features concise character and plot summaries for 12 of Shakespeare's best-known plays, drawn from the SparkNotes website and illustrated with colourful infographics. Each of the 12 chapters in this volume runs 6 to 8 pages of text taken from the SparkNotes website, and is illustrated with colourful infographics for easy consumption. The 12 plays featured six comedies and six tragedies are among the most famous and most taught of Shakespeare's dramas, including Hamlet, King Lear, Macbeth, Romeo and Juliet, The Taming of the Shrew, The Merchant of Venice, Othello, and Julius Caesar.

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The 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warships. Previously, these have generally covered plastic and resin models of 20th century subjects but, like the previous volume on Nelson's Victory, this is a radical departure - not only a period sailing ship but one for which kits are available in many different materials and scales. This requires some changes to the standard approach, but the main features of the series remain constant. Bounty, a merchant vessel purchased to undertake a special mission to the South Pacific, will always be remembered for the drama of the mutiny against Captain Bligh and his epic open-boat voyage that followed. The events inspired many books, and at least three major movies, and make the ship one of the most popular of all ship modelling subjects. Despite the ship's fame, and the vast range of kits it has inspired, there are question marks over many aspects of the vessel's fitting and, especially, how it was painted. This volume tackles these questions, reconstructing convincing colour schemes for the ship both as a merchant vessel and in naval service. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing, and provides hints on modifying and improving the basic kit, including the complexities of rigging. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and coverage concludes with a section on research references - books, monographs, large-scale plans and relevant websites. Following the pattern of the series, this book provides an unparalleled level of visual information - paint schemes, models, line drawings and photographs - and is simply the best reference for anyone setting out to model this famous ship..

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In this, the fourth book of Spellmount's Campaign in Context series, Rupert Matthews looks to the ill-fated invasion of England by King Philip II of Spain. The Armada of 22 warships and 108 converted merchant vessels sailed under the command of the Duke of Medina Sidonia in 1588, but found itself harried by storms, fireships, and the redoubtable English fleet. In The Spanish Armada, Rupert Matthews considers the characters of the commanders such as Francis Drake, Medina, and the opposing monarchs, and as with his previous titles in the series he carefully balances the evidence from textual sources with knowledge of the theatre and reconstructed weaponry in order to explain the events of the battle to the general reader, and the context in which it took place.

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Edward Rutherfurd's great Irish epic reveals the story of the people of Ireland through the focal point of the island's capital city. The epic begins in pre-Christian Ireland during the reign of the fierce and powerful High Kings at Tara, with the tale of two lovers, the princely Conall and the ravishing Deirdre, whose travails echo the ancient Celtic legend of Cuchulainn. From this stirring beginning, Rutherfurd takes the reader on a graphically realised journey through the centuries. Through the interlocking stories of a powerfully-imagined cast of characters - druids and chieftains, monks and smugglers, merchants and mercenaries, noblewomen, rebels and cowards - we see Ireland through the lens of its greatest city.

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A remarkable and ambitious novel whose central character is not a man or a woman, but the ancient New Forest of England.Few places lie closer to the heart of the nation's heritage than the New Forest. Now Edward Rutherfurd weaves its history and legends into compelling fiction, from the mysterious killing of King William Rufus to treachery and witchcraft, smuggling and poaching: this is an epic tale of well-born ladies, lowly woodsmen, sailors, merchants and Cistercian monks. The feuds, wars, loyalties and passions of generations reach their climax in a crime that shatters the decorous society of Jane Austen's Bath, and whose ramifications continue through the age of the Victorian railway builders to the ecologists of the present day.

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Were the Vikings, as contemporary description had it, a 'valiant, wrathful, foreign, purely pagan people' who swept in from the sea to plunder and slaughter? Or in the words of a Manx folksong 'ware-wolves keen in hungry quest', who lived and died by the sea and the sword. Or were they unusually successful merchants, extortionists, and pioneer explorers? This book, by leading international scholars, considers the latest research and presents a compelling picture of the Vikings and their age. Excavations as far apart as Dublin and Newfoundland, York and Kiev, provide fascinating archaeological evidence, expertly interpreted in this extensively illustrated book.

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Under a Yellow Sky paints a canvas of life aboard a Merchant Navy ship in the early 1970s. Simon, a dreamer who steps into this different world, uncovers much of the magic of the sea, although also encounters brutality, dizzying hard work and frightening bouts of violence. From the rigidity of naval college, to the debauchery of the East, this is a vivid portrait of a world now disappeared. A well-written book that will appeal to all who are interested in ships and shipping, modern and maritime history, and those who enjoy well-told traveler's tales of fascinating people and places.

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For centuries artists, diplomats, and merchants served as cultural intermediaries in the Mediterranean. Stationed in port cities and other entrepôts of the Mediterranean, these go-betweens forged intercultural connections even as they negotiated and sometimes promoted cultural misunderstandings. They also moved objects of all kinds across time and space. This volume considers how the mobility of art and material culture is intertwined with greater Mediterranean networks from 1580 to 1880. Contributors see the movement of people and objects as transformational, emphasizing the trajectory of objects over single points of origin, multiplicity over unity, and mutability over stasis.

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Title 46 presents regulations applied by the Coast Guard to merchant marine officers and seamen, uninspected vessels, tank vessels, load lines, marine engineering, documenting and measuring vessels, passenger vessels, cargo and miscellaneous vessels, offshore supply vessels, mobile offshore drilling units, electrical engineering, small passenger vessels, oceanographic vessels, occupational safety and health standards, and lifesaving systems. Maritime Administration regulations cover policies, practices and procedures, maritime carriers, subsidized vessels, vessel financing assistance, emergency operations, training, and ports. The Maritime Commission also holds the responsibility for maritime carriers, terminals, tariffs, domestic offshore commerce, and foreign commerce.

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The British and the Spanish had long been in conflict, often clashing over politics, trade, and religion. But in the early decades of the eighteenth century, these empires signed an asiento agreement granting the British South Sea Company a monopoly on the slave trade in the Spanish Atlantic, opening up a world of uneasy collaboration. British agents of the Company moved to cities in the Caribbean and West Indies, where they braved the unforgiving tropical climate and hostile religious environment in order to trade slaves, manufactured goods, and contraband with Spanish colonists. In the process, British merchants developed relationships with the Spanish—both professional and, at times, personal. The Temptations of Trade traces the development of these complicated relationships in the context of the centuries-long imperial rivalry between Spain and Britain. Many British Merchants, in developing personal ties to the Spanish, were able to collect potentially damaging information about Spanish imperial trade, military defenses, and internal conflict. British agents juggled personal friendships with national affiliation—and, at the same time, developed a network of illicit trade, contraband, and piracy extending beyond the legal reach of the British South Sea Company and often at the Company's direct expense. Ultimately, the very smuggling through which these empires unwittingly supported each other led to the resumption of Anglo-Spanish conflict, as both empires cracked down on the actions of traders within the colonies. The Temptations of Trade reveals the difficulties of colonizing regions far from strict imperial control, where the actions of individuals could both connect empires and drive them to war.

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In 1834, a young Chinese woman named Afong Moy arrived in America, her bound feet stepping ashore in New York City. She was both a prized guest and advertisement for a merchant firm--a promotional curiosity used to peddle exotic wares from the East. Over the next few years, she would shape Americans' impressions of China even as she assisted her merchant sponsors in selling the largest quantities of Chinese goods yet imported for the burgeoning American market. Americans views of the exotic Far East in this early period before Chinese immigration were less critical than they would later become. Afong Moy became a subject of poetry, a trendsetter for hair styles and new fashions, and a lucky name for winning racehorses. She met Americans face to face in cities and towns across the country, appearing on local stages to sell and to entertain. Yet she also moved in high society, and was the first Chinese guest to be welcomed to the White House. However, this success was not to last. As her novelty wore off, Afong Moy was cast aside by her managers. Though concerned public citizens rallied in support, her fame dwindled and she spent several years in a New Jersey almshouse. In the late 1840s, P.T. Barnum offered Afong Moy several years of promising renewal as the compatriot of Tom Thumb, yet this stint too was short-lived. In this first biography, Nancy E. Davis sheds light on the mystery of Afong Moy's life as a Chinese woman living in a foreign land.

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During the Second World War navies developed low visibility camouflage, applied to both the vertical and horizontal surfaces of their ships, in order to reduce visibility by blending in with the sea, or confuse the identity of a ship by applying obtrusive patters. In this volume by maritime artist Mal Wright, all the paint schemes that adorned the cruisers, minelayers and armed merchant cruisers of the Royal Navy and Commonwealth are depicted in detail, along with discussion on changes of armament and electronics that effected the outward appearance of each ship. Beginning with the older cruisers, the book goes on to cover all the other cruiser classes taking in heavy cruisers, prewar cruisers, prewar and wartime cruisers; a large part also covers minelayers and armed merchant vessels (AMCs). Where possible both sides of the ship are depicted. With 800 full colour illustrations, arranged by ship type rather than camouflage scheme, this book concentrates the clearest possible information into a single volume to provide a one-stop reference source. Many schemes would be difficult for any reader to unearth other than with the most intensive research, so this work is an invaluable tool for historians, collectors, modelmakers and wargamers. 'Overall, this is a very good book that brings the subject matter to life in a way that no previous work has done. Like its predecessor you can read it from cover to cover or dip into it to study a particular ship or class and it is a tribute both to Mal Wright's many years of research and his artwork. I thoroughly recommend it...' Australian Naval Institute

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The origins of 1/1250 and 1/200 scale models can be traced back to the first years of the twentieth century and their use as identification aids by the military during the First World War. When peace came the manufacturers aimed their increasingly sophisticated products at collectors, and ever since then acquiring, enhancing, modifying or scratch-building miniature ship models has been an avidly pursued hobby around the world. This new book focusses on models of the ships of the Second World War, probably the most popular subject for miniature model collectors, and the author, a well-known modeller himself, addresses all the practical issues that might confront those many collectors who like to enhance, convert, and modify their models, or even scratch-build models of ships not commercially available. The book covers both Allied and Axis warships, naval airplanes, merchant conversions and even an Italian armed schooner, and provides historic and technical information on the ships represented as well as practical advice on modelling them. The latter is extensive with twenty-five chapters covering everything from initial production techniques such as spin casting, silicon mould casting, resin casting, die-casting, plastic mould injection, and 3D printing through techniques for enhancing and modifying models to eventually researching and scratch-building an uncommon ship or type. The focus is always on particular vessels and the vast array covered by the author builds into a fascinating panorama of the vessels that fought across the world's oceans in that era. The combination of intriguing background and historical information, combined with detailed practical information and more than 300 stunning photographs will make this book irresistible to any collector or modeller and, indeed, to anyone with an interest in the navies of the Second World War.

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