Search results for ""author robin"

Dundee were the punch-drunk underdogs when they chased European Cup glory after winning the league in 1962. AC Milan, Benfica and Real Madrid were at the peak of their powers and Ipswich would represent England after winning the league under Alf Ramsey. Dundee were about to enter a new world of glamour. Expectations were so low that just ten Dundee fans put their names forward for a special flight to mark the club's first venture into the unknown. The Dark Blues were up for the fight though, and destroyed Cologne 8-1 in a blitzkrieg at Dens Park that left the German Embassy reeling. In the week they shared the same bill as boxing legends Sonny Liston and Sugar Ray Robinson, the British Army rescued Dundee from a mass riot with as many punches thrown in the return leg. As this remarkable Cinderella story unfolded, fans of city rivals Dundee United were soon hitch-hiking across the continent to watch Dundee as they came close to conquering Europe, before it all ended in brawls, bribes and broken dreams.

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An atmospheric new Fry and Cooper thriller for fans of Peter Robinson and Reginald Hill. On a rain-swept Derbyshire moor, hounds from the local foxhunt find the body of a well-dressed man whose head has been crushed. Yet an anonymous caller reports the same body lying half a mile away. Called in to investigate the discovery, detectives DS Diane Fry and DC Ben Cooper become entangled in the violent world of hunting and hunt saboteurs, horse theft and a little-known sector of the meat trade. As Fry follows a complex trail of her own to unravel the shady business interests of the murder victim, Cooper realizes that the answer to the case might lie deep in the past. History is everywhere around him in the Peak District landscape - particularly in the ‘plague village’ of Eyam, where an outbreak of Black Death has been turned into a modern-day tourist attraction. But, even as the final solution is revealed, both Fry and Cooper find themselves having to face up to the disturbing reality of the much more recent past.

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Trouble is afoot in the remote Scottish fishing village of Stoyre, where the inhabitants are acting kind of... fishy. On a routine visit, Hamish Macbeth finds the pub empty, the church unexpectedly full, and the very air permeated with fear. Then an explosion levels a holiday cottage which the locals call 'an act of God'. Hamish has another theory, one that will make the national news. With the help of sharp-eyed journalist Elspeth Grant and Lugs (his dog) he begins to winkle out the truth. But Hamish's best laid plans soon go awry when an old friend dies, a scandalous rumour erupts, and someone close to his heart may be lost forever...Praise for the Hamish Macbeth series:The much-loved Hamish Macbeth series. beguiling blend of wry humour and sharp observations about rural life. - Good Book Guide.It's always a special treat to return to Lochdubh. - New York Times Book Review.The detective novels of M C Beaton, a master of o.utrageous black comedy, have reached cult status. - Anne Robinson, The Times

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No.1 international bestseller Jeffery Deaver returns with a stunning thriller – the first in an exciting series featuring enigmatic investigator Colter Shaw. Escape or die trying… Three people are kidnapped across California. Sophie is locked inside a derelict warehouse. Henry is abandoned in remote woodland. Elizabeth is trapped inside a sinking ship. They are alive, but don’t have much time to live… Only one man can save them: unique investigator Colter Shaw. He’s an expert tracker with a forensic mind, but this will be a test even for him. Because this killer isn’t following the rules; he’s changing them. One murder at a time… ‘No one in the world does this kind of thing better than Deaver’ Lee Child Deaver’s most riveting, most twisty, most unputdownable novel yet’ Karin Slaughter ‘Deaver grips from the very first line and never lets up’ Peter James ‘The very definition of a page-turner’ Ian Rankin ‘Lightning-fast and loaded with twists’ Harlan Coben ‘With The Never Game you know you are in the hands of a master’ Peter Robinson

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Striking new readings of Montaigne's works, focussing on such concepts as scepticism and tolerance. Montaigne's Essais (1580-1592) are one of the most remarkable works of the European Renaissance. The Essais' innovative open-mindedness is at odds with the dogmatism and intolerance of their times, the decades of civil and religious wars in France, and their tolerant and searching human questions and ethics of difference remain compelling for twenty-first century readers. But the sceptical open-endedness that vitalizes this writing is also often troubled and troubling: personal losses and the collapse of cultural ideals moved Montaigne to write, and their attendant anxieties are not resolved into tranquil reflection. Unsettling Montaigne reassesses Montaigne's scepticism. Informed by psychoanalytic and related theory, its close attention to Montaigne's complex uses of metaphor illuminates the psychic economy of his scepticism and tolerance and their poetics, while new readings ofhis Essais and other texts reveal the significance of disquieting questions, thought and affect for the ethos his writing fosters. The analysis deals with figures such as cannibals and cannibalism, hunger, shaking, tickling, place, the brother, and haunting in Montaigne's exploration of concepts which tested his understanding and self-understanding. The volume also demonstrates how figuration supports openness to difference for both writer and readers, and is fundamental to this writing's aesthetic, psychic and ethical creativity. Elizabeth Guild lectures in French at the University of Cambridge, and is a Fellow of Robinson College.

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While Jackie Robinson’s 1947 season with the Brooklyn Dodgers made him the first African American to play in the Major Leagues in the modern era, the rest of Major League Baseball was slow to integrate while its Minor League affiliates moved faster. The Pacific Coast League (PCL), a Minor League with its own social customs, practices, and racial history, and the only legitimate sports league on the West Coast, became one of the first leagues in any sport to completely desegregate all its teams. Although far from a model of racial equality, the Pacific Coast states created a racial reality that was more diverse and adaptable than in other parts of the country.The Integration of the Pacific Coast League describes the evolution of the PCL beginning with the league’s differing treatment of African Americans and other nonwhite players. Between the 1900s and the 1930s, team owners knowingly signed Hawaiian players, Asian players, and African American players who claimed that they were Native Americans, who were not officially banned. In the post–World War II era, with the pressures and challenges facing desegregation, the league gradually accepted African American players. In the 1940s individual players and the local press challenged the segregation of the league. Because these Minor League teams integrated so much earlier than the Major Leagues or the eastern Minor Leagues, West Coast baseball fans were the first to experience a more diverse baseball game.

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The economics of growth has come a long way since it regained center stage for economists in the mid-1980s. Here for the first time is a series of country studies guided by that research. The thirteen essays, by leading economists, shed light on some of the most important growth puzzles of our time. How did China grow so rapidly despite the absence of full-fledged private property rights? What happened in India after the early 1980s to more than double its growth rate? How did Botswana and Mauritius avoid the problems that other countries in sub--Saharan Africa succumbed to? How did Indonesia manage to grow over three decades despite weak institutions and distorted microeconomic policies and why did it suffer such a collapse after 1997? What emerges from this collective effort is a deeper understanding of the centrality of institutions. Economies that have performed well over the long term owe their success not to geography or trade, but to institutions that have generated market-oriented incentives, protected property rights, and enabled stability. However, these narratives warn against a cookie-cutter approach to institution building. The contributors are Daron Acemoglu, Maite Careaga, Gregory Clark, J. Bradford DeLong, Georges de Menil, William Easterly, Ricardo Hausmann, Simon Johnson, Daniel Kaufmann, Massimo Mastruzzi, Ian W. McLean, Lant Pritchett, Yingyi Qian, James A. Robinson, Devesh Roy, Arvind Subramanian, Alan M. Taylor, Jonathan Temple, Barry R. Weingast, Susan Wolcott, and Diego Zavaleta.

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Finalist for the 2021 National Book Award (Fiction)"It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew."As a girl, Zorrie Underwood's modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt's extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

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This Library of America volume collects 367 letters written by Theodore Roosevelt between 1881 and 1919, as well as four of his most famous speeches, creating a vivid portrait of the public career and the private thoughts of an unparalleled man.Addressed to his family, as well as a wide range of correspondents that includes Jacob Riis, Florence Kelley, Rudyard Kipling, Georges Clemenceau, Henry Cabot Lodge, John Hay, Owen Wister, Upton Sinclair, Edwin Arlington Robinson, Alfred Thayer Mahan, Oliver Wendell Holmes, and Franklin Delano Roosevelt, Roosevelt’s letters demonstrate the astonishing range of his interests and deeds and reveal the personal dimensions of one of our greatest statesmen.Roosevelt describes climbing the Matterhorn, hunting grizzly bears and cougars, reading Anna Karenina while pursuing thieves through the Dakota wilderness, playing with his children, mediating the 1902 anthracite coal strike and the Russo-Japanese War, visiting Panama during the digging of the canal, and being shot while running for president in 1912. The letters records his expert knowledge of birds and wildlife, his fascination with history and historical writing, his changing views on race and the conflict between business and labor, his concerns about declining birth rates and the corrupting influence of luxury, his contempt for impractical reformers and pacifists, and his disappointment and rage at the failings of William Howard Taft and Woodrow Wilson. And, most poignantly, they reveal the pride and worry Roosevelt felt when his sons went off to battle in World War I, and the profound grief he experienced when his youngest child was killed.Also included are four speeches: “The Strenuous Life,” a defense of American rule in the Philippines (1899); “National Duties,” which popularized the phrase “speak softly, and carry a big stick” (1901); “Citizenship in a Republic,” with its famous praise of “the man in the arena” (1910); and “The New Nationalism,” which signaled Roosevelt’s break with Taft’s conservatism (1910).LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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"If the dying body makes us flinch and look away, struggling not to see what we have seen, the lost body disappears from cultural view, buried along with the sensory traces of its corporeal presence."—from the Introduction American popular culture conducts a passionate love affair with the healthy, fit, preferably beautiful body, and in recent years theories of embodiment have assumed importance in various scholarly disciplines. But what of the dying or dead body? Why do we avert our gaze, speak of it only as absence? This thoughtful and beautifully written book—illustrated with photographs by Shellburne Thurber and other remarkable images—finds a place for the dying and lost body in the material, intellectual, and imaginary spaces of contemporary American culture. Laura E. Tanner focuses her keen attention on photographs of AIDS patients and abandoned living spaces; newspaper accounts of September 11; literary works by Don DeLillo, Donald Hall, Sharon Olds, Marilynne Robinson, and others; and material objects, including the AIDS Quilt. She analyzes the way in which these representations of the body reflect current cultural assumptions, revealing how Americans read, imagine, and view the dynamics of illness and loss. The disavowal of bodily dimensions of death and grief, she asserts, deepens rather than mitigates the isolation of the dying and the bereaved. Lost Bodies will speak to anyone imperiled by the threat of loss.

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"We thought the study of women would be a temporary phase; eventually we would all go back to our disciplines."—Gloria Bowles, From the AfterwordSince the 1970s, Women's Studies has grown from a volunteerist political project to a full-scale academic enterprise. Women's Studies on Its Own assesses the present and future of the field, demonstrating how institutionalization has extended a vital, ongoing intellectual project for a new generation of scholars and students.Women’s Studies on Its Own considers the history, pedagogy, and curricula of Women’s Studies programs, as well as the field’s relation to the managed university. Both theoretically and institutionally grounded, the essays examine the pedagogical implications of various divisions of knowledge—racial, sexual, disciplinary, geopolitical, and economic. They look at the institutional practices that challenge and enable Women’s Studies—including interdisciplinarity, governance, administration, faculty review, professionalism, corporatism, fiscal autonomy, and fiscal constraint. Whether thinking about issues of academic labor, the impact of postcolonialism on Women’s Studies curricula, or the relation between education and the state, the contributors bring insight and wit to their theoretical deliberations on the shape of a transforming field.Contributors. Dale M. Bauer, Kathleen M. Blee, Gloria Bowles, Denise Cuthbert, Maryanne Dever, Anne Donadey, Laura Donaldson, Diane Elam, Susan Stanford Friedman, Judith Kegan Gardiner, Inderpal Grewal, Sneja Gunew, Miranda Joseph, Caren Kaplan, Rachel Lee, Devoney Looser, Jeanette McVicker, Minoo Moallem, Nancy A. Naples, Jane O. Newman, Lindsey Pollak, Jean C. Robinson, Sabina Sawhney, Jael Silliman, Sivagami Subbaraman, Robyn Warhol, Marcia Westkott, Robyn Wiegman, Bonnie Zimmerman

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'Every new Agatha Raisin escapade is a total joy' ASHLEY JENSEN'No wonder she's been crowned Queen of Cosy Crime' MAIL ON SUNDAY'A Beaton novel is like The Archers on speed' DAILY MAIL'The detective novels of M C Beaton have reached cult status' THE TIMESNothing could be more relaxing or sedate than a quiet game of bowls on a pristine bowling green bathed in the sunshine of an English summer's afternoon in the Cotswolds - unless there's a dead body lying on the grass.Agatha Raisin becomes embroiled in a turmoil of jealousy and lies when the tranquility of her local bowls club explodes into a storm of accusation and intrigue - and murder. Her private life is no less turbulent when a past suitor reappears just as her ex-husband seems intent on rekindling their romance, and her close friend, Bill Wong, is in danger of losing the woman he loves.Events take an even darker turn when Agatha realises that, in pursuing the bowling green killer, she is putting her own life in danger...Praise for M. C. Beaton's Agatha Raisin mysteries:'Irresistible, unputdownable, a joy' Anne Robinson'Full of perfectly pitched interest, intrigue, and charm' Lee Child'Agatha is like Miss Marple with a drinking problem, a pack-a-day habit and major man lust. In fact, I think she could be living my dream life' Entertainment Weekly'M. C. Beaton's imperfect heroine is an absolute gem' Publishers Weekly'[Agatha] is a glorious cross between Miss Marple, Auntie Mame, and Lucille Ball . . . She's wonderful' St. Petersburg Times'Few things in life are more satisfying than to discover a brand-new Agatha Raisin mystery' Tampa Tribune-Times'Beaton has a winner in the irrepressible, romance-hungry Agatha' Chicago Sun-Times

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Literature not only represents Canada as "our home and native land" but has been used as evidence of the civilization needed to claim and rule that land. Indigenous people have long been represented as roaming "savages" without land title and without literature. Literary Land Claims: From Pontiac's War to Attawapiskat analyzes works produced between 1832 and the late 1970s by writers who resisted these dominant notions. Margery Fee examines John Richardson's novels about Pontiac's War and the War of 1812 that document the breaking of British promises to Indigenous nations. She provides a close reading of Louis Riel's addresses to the court at the end of his trial in 1885, showing that his vision for sharing the land derives from the Indigenous value of respect. Fee argues that both Grey Owl and E. Pauline Johnson's visions are obscured by challenges to their authenticity. Finally, she shows how storyteller Harry Robinson uses a contemporary Okanagan framework to explain how white refusal to share the land meant that Coyote himself had to make a deal with the King of England. Fee concludes that despite support in social media for Theresa Spence's hunger strike, Idle No More, and the Indian Residential School Truth and Reconciliation Commission, the story about "savage Indians" and "civilized Canadians" and the latter group's superior claim to "develop" the lands and resources of Canada still circulates widely. If the land is to be respected and shared as it should be, literary studies needs a new critical narrative, one that engages with the ideas of Indigenous writers and intellectuals.

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'A dramatic, warm-hearted, wonderfully written read.' DAILY MAIL 'Gorgeous' GOOD HOUSEKEEPING'A gripping read' HELLO!Sunday Times bestseller Rachel Hore’s captivating new novel of secrets, loss and betrayal - set on the beautiful Cornish coast during World War Two and the heady days of the 1960s. When talented musician Gray Robinson persuades Belle to abandon her university studies and follow him to Silverwood, home to an artistic community on the Cornish coast, Belle happily agrees even though they’ve only just met. She knows she is falling in love, and the thought of spending a carefree summer with Gray is all she can think about. But being with Gray isn’t the only reason Belle agrees to accompany him to Silverwood. Why does the name Silverwood sound so familiar? What is its connection to a photo of her as a baby, taken on a nearby beach? And who is Imogen Lockhart, a wartime nurse who lived at Silverwood many years ago? As the summer months unfold, Belle begins to learn the truth – about secrets from the past that have been kept hidden, but also about the person she wants to be. 'A glorious story, The Hidden Years steals your heart. I loved it!' LIZ FENWICK 'Gripping and beautifully written' KATE FURNIVALL 'An intriguing dual timeline story set in beautiful Cornwall and brimming with sense of place. A gorgeous tale, I raced through the pages!' TRACY REESSecrets from the past, unravelling in the present… Uncovering secrets that span generations, Rachel delivers intriguing, involving and emotive narrative reading group fiction like few other writers can.

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In 2008 the level of poets of colour published by major presses was less than 1%. By 2020 it was over 20%. The Complete Works Poetry – an initiative spearheaded by Booker Prize winner Bernardine Evaristo – played a significant role in this change. Supporting 30 poets from 2008 through to 2020, The Complete Works produced an unprecedented number of prizewinners, including the Forward Prizes (3), T.S. Eliot Prize (2), Ted Hughes Award (2), Somerset Maugham Award, Dylan Thomas Prize, Rathbones Folio Prize and Sunday Times Young Writer of the Year Award. TCW Fellows have also gone on to judge every major poetry award, and to take on significant roles in academia and translation, publishing over 40 collections. The Complete Works has become the most successful collective ever formed in British poetry. Mapping the Future offers new work by all 30 writers the programme has supported, including Warsan Shire, Raymond Antrobus, Mona Arshi, Roger Robinson, Inua Ellams, Malika Booker, Sarah Howe, Will Harris, Kayo Chingonyi, Jay Bernard, Yomi Sode and Karen McCarthy Woolf. It also includes highly personal and politically engaged essays re-drawing the map of British poetry by 10 of the 30 poets, touching on some of the most significant topics of our time. Mapping the Future is not just a magnificent anthology of some of the best UK poets, it is also an exploration on how poetry in Britain has become much more inclusive over the past 15 years: what has been won, and what is still being fought for. This anthology offers a timely insight into British poetry and how the voice of the ‘other’ continues to take centre-stage in pivotal times. Mapping the Future is edited by poet Karen McCarthy Woolf, editor of the second two Ten anthologies in The Complete Works series, with Dr Nathalie Teitler, director of The Complete Works.

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This is the first major anthology of Irish American poetry. It breaks new ground in the field of Irish American literary scholarship by collecting for the first time the work of over two hundred Irish American poets, as well as other American poets whose work enjoins Irish American themes. What does it mean to be an Irish American poet? The Book of Irish American Poetry answers this question by drawing together the best and most representative poetry by Irish Americans and about Irish America that has been written over the past three hundred years. The question is not merely rhetorical, claims Daniel Tobin in the introduction, for it raises the issue of a certain kind of imaginative identity that has rarely, if ever, been adequately explored. This anthology brings together exemplary poetry of the "populist period"of Irish American verse (in particular the work of poets such as John Boyle O'Reilly), with the work of those Irish Americans who have made an indelible imprint on American poetry: Robinson Jeffers, Marianne Moore, Louise Bogan, John Berryman, Thomas McGrath, John Montague, Robert Creeley, Frank O'Hara, Ted Berrigan, Charles Olson, Galway Kinnell, X. J. Kennedy, and Alan Dugan, among others. Finally, the anthology includes distinctive poems by contemporary Irish Americans whose work is most likely to stand the test of time: poets such as Tess Gallagher, Alice Fulton, Brendan Galvin, Marie Howe, Susan Howe, Billy Collins, Michael Ryan, Richard Kenney, and Brigit Pegeen Kelly. The poems in this collection cut across the broad spectrum of American poetry and place Irish Americans within every notable school of American poetry, from modernism to confessionalism and the Beats, from formalism to imagism, and from projectivism to the New York School and Language poets. The Book of Irish American Poetry recovers many poets who have been forgotten and places already notable figures in American poetry within the context of a distinctively Irish American tradition. This important work of literary scholarship will dominate the field for years to come.

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*** THE NEW YORK TIMES NUMBER ONE BESTSELLER ***'Enthralling ... With beautifully drawn characters, this is crime writing of the highest order' DAILY MAIL'A satisfying and multi-layered mystery, in Penny's excellent series' IRISH INDEPENDENT'Louise Penny is on peak form ... a grown-up, timely thriller that considers the nature of cowardice ... merges the personal and professional life of her detective with equal skill and wit' THE TIMES'A great sense of place and characterisation ... very much a book that will make you think' SHOTSWhen Chief Inspector Armand Gamache is asked to provide crowd control at a statistics lecture given at the Université de l'Estrie in Quebec, he is dubious. Why ask the head of homicide to provide security for what sounds like a minor, even mundane lecture? But dangerous ideas about who deserves to live in order for society to thrive are rapidly gaining popularity, fuelled by the research of the eminent Professor Abigail Robinson. Yet for every person seduced by her theories there is another who is horrified by them. When a murder is committed days after the lecture, it's clear that within crowds can lie madness. To uncover the truth, Gamache must put his own feelings about the divisive Professor to one side. But with her ideas gaining ground, the line separating good and evil, right and wrong, is quickly blurring - especially when the case leads unexpectedly close to home ...PRAISE FOR LOUISE PENNY AND THE INSPECTOR GAMACHE SERIES:'Louise Penny is one of the greatest crime writers of our times' DENISE MINA 'She makes most of her competitors seem like wannabes' THE TIMES'Gamache has become to Canada what Hercule Poirot is to Belgium' THE NEW YORK TIMES'Louise Penny twists and turns the plot expertly tripping the reader up just at the moment you think you might have solved the mystery' DAILY EXPRESS'The series is deep and grand and altogether extraordinary . . . Miraculous' WASHINGTON POST'No one does atmospheric quite like Louise Penny.' ELLY GRIFFITHS'An absolute joy' IRISH TIMES

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A 2013 CASEY Award Finalist for Best Baseball Book of the Year and a Booklist Top Ten Sports Book of the Year When baseball swept America in the years after the Civil War, independent, semipro, and municipal leagues sprouted up everywhere. With civic pride on the line, rivalries were fierce and teams often signed ringers to play alongside the town dentist, insurance salesman, and teen prodigy. In drought-stricken Bismarck, North Dakota during the Great Depression, one of the most improbable teams in the history of baseball was assembled by one of the sport's most unlikely champions. A decade before Jackie Robinson broke into the Major Leagues, car dealer Neil Churchill signed the best players he could find, regardless of race, and fielded an integrated squad that took on all comers in spectacular fashion. Color Blind immerses the reader in the wild and wonderful world of early independent baseball, with its tough competition and its novelty. Dunkel traces the rise of the Bismarck squad, focusing on the 1935 season and the first National Semipro Tournament. This is an entertaining, must-read for anyone interested in the history of baseball. "A tale as fantastic as it is true." --Boston Globe

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We are told modernity's end will destabilize familiar ways of knowing, doing, and being, but are these changes we should dread-or celebrate? Four significant events (and the iconic images that represent them) catalyze this question: the consecration of openly gay Episcopalian bishop Gene Robinson, the mistreatment of prisoners at Abu Ghraib prison, the politicization of the death of Terri Schiavo, and the disastrous response to Hurricane Katrina. Framed by an original appropriation of Michel Foucault, and drawing on resources in visual culture theory and the history of photography, Ellen T. Armour explores the anxieties, passions, and power dynamics bound up in the photographic representation and public reception of these events. Together, these phenomena expose modernity's benevolent and malevolent disruptions and reveal the systemic fractures and fissures that herald its end, for better and for worse. In response to these signs and wonders, Armour lays the groundwork for a theology and philosophy of life better suited to our (post)modern moment: one that owns up to the vulnerabilities that modernity sought to disavow and better enables us to navigate the ethical issues we now confront.

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The music of ‘Motown’ needs no introduction. Berry Gordy’s record label became a style unto itself, producing hit after suave, sassy and sophisticated hit, and shaped the careers of so many of the greatest musicians of all time. The label produced more US number-one hits than the Beatles, Elvis Presley, the Rolling Stones and the Beach Boys combined. Now, and with fresh new insights and an incredible visual narrative, the official, visual history of this momentous contribution to music and American culture is told in full. This book delves deep into the success stories of Motown’s powerhouse creative team, including the Holland-Dozier-Holland triumvirate, and unpicks backstories of the Motown musicians envied by many, and covered by the rest. The roster includes Stevie Wonder, Marvin Gaye, Diana Ross & the Supremes, Smokey Robinson & The Miracles, the Jackson 5, The Temptations and Martha Reeves & The Vandellas. Motown: The Sound of Young America is dense with information and materials gathered from the personal accounts and archives of many of the key players. It is a spectacular labour of love befitting an incredible story.

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It can be hell in high water! Drowned brides are like buses: nothing for ages, then two come along at the same time ...! Abandoned by husband James, Agatha hops on a plane to the South Pacific, hoping to mend her broken heart. But there she meets a happy honeymooning couple, for whom disaster strikes when, tragically, the bride drowns. Back home, alarm bells start ringing for Agatha when a woman, dressed in a wedding gown, is swept down river. The police say suicide, but Agatha, spurred on by recent memories, particularly her own disastrous marriage, sets out to prove them wrong. Praise for the Agatha Raisin series: 'Sharp, witty, hugely intelligent, unfailingly entertaining, delightfully intolerant and oh so magnificently non-PC, M.C. Beaton has created a national treasure' Anne Robinson 'M.C. Beaton's imperfect heroine is an absolute gem' Publishers Weekly 'The Miss Marple-like Raisin is a refreshing, sensible, wonderfully eccentric, thoroughly likeable heroine' Booklist 'Once started, you'll have a job to put it down until you've finished' Amazon reader, Kent 'Another wonderful tale about Agatha and her chums ...Long live Aggie!' Bookworm, Essex

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The Craft is an indispensable guide to both the ‘how’ and ‘why’ of poetic craft in the 21st century, and essential writing-desk companion for poets at all stages. The book covers practical techniques – the nuts of bolts of putting poems together, mastering poetic forms such as sonnets, sestinas, prose poems and golden shovels, how to choose titles for your poems and the art of long sequences. It also explores the idea of ‘craft’ itself - knowing how pentameters dance is important, but by no way is it the only dimension of ‘craft’ that the poet starting out today has to consider. What about sound and the skills involved in performing your work? What about truth and fabrication, and the ethics of using real life in your work? What about the politics of the word ‘craft’ itself? With essays on poetry from Moniza Alvi, Dean Atta, Liz Berry, Caroline Bird, Malika Booker, Debjani Chatterjee, Jane Commane, Rishi Dastidar, Carrie Etter, Will Harris, Tania Hershman, Peter Kahn, Gregory Leadbetter, Karen McCarthy Woolf, Roy McFarlane, Harry Man, Claire Pollard, Peter Raynard, Roger Robinson, Jacqueline Saphra, Joelle Taylor, Marvin Thompson, Julia Webb, and Antosh Wojcik.

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The first novel in the grittily authentic Karen Sharpe series.The 8th April 1996 was a bad day for Karen Sharpe, the eighth anniversary of something so deeply buried she had hoped to forget it ever happened. Each year she tries to cope in whatever way she can. Most years she turns to booze. But this year that wasn't going to work. Sometime after midnight her DS and partner, is executed in a military style killing, whilst his pretty 21-year-old informant, ends up on a South Pennine moor with bullets through her face and chest. Karen had been due to meet both when drink and memories intervened, preventing her from getting there. As the investigation begins, odd details keep forcing Karen to examine her own unclear memories. As she follows her instincts, and some very disturbing clues embedded in her own secret history, she must confront her past and act quickly if she is to prevent the seed of destruction planted eight years before from wreaking devastating and brutal consequences.Fans of Peter Robinson, David Baldacci and Linwood Barclay will love John Connor!

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THE COMMODIFICATION GAP ‘In an elegant and careful theoretical analysis, this book demonstrates how gentrification is always entwined with institutions and distinctive contextual processes. Matthias Bernt develops a new concept, the “commodification gap”, which is tested in three richly researched cases. With this, the concept of gentrification becomes a multiplicity and the possibility of conversations across different urban contexts is expanded. A richly rewarding read!’ —Jennifer Robinson, Professor of Human Geography, University College London, UK ‘Urban studies has reached a stalemate of universalism versus particularism. Matthias Bernt is breaking out of this deadlock by being very precise about what exactly is universal and what is not – and how one can conceptualize both. The Commodity Gap is a key contribution to not only gentrification studies, but also to comparative urbanism and urban studies at large.’ —Manuel B. Aalbers, Division of Geography & Tourism, KU Leuven, Belgium The Commodification Gap provides an insightful institutionalist perspective on the field of gentrification studies. The book explores the relationship between the operation of gentrification and the institutions underpinning - but also influencing and restricting - it in three neighborhoods in London, Berlin and St. Petersburg. Matthias Bernt demonstrates how different institutional arrangements have resulted in the facilitation, deceleration or alteration of gentrification across time and place. The book is based on empirical studies conducted in Great Britain, Germany and Russia and contains one of the first-ever English language discussions of gentrification in Germany and Russia. It begins with an examination of the limits of the widely established “rent-gap” theory and proposes the novel concept of the “commodification gap.” It then moves on to explore how different institutional contexts in the UK, Germany and Russia have framed the conditions for these gaps to enable gentrification. The Commodification Gap is an indispensable resource for researchers and academics studying human geography, housing studies, urban sociology and spatial planning.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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The quintessential adventure story that first established pirates in the popular imagination, Robert Louis Stevenson's Treasure Island is edited with an introduction by John Seelye in Penguin Classics.When a mysterious sailor dies in sinister circumstances at the Admiral Benbow inn, young Jim Hawkins stumbles across a treasure map among the dead man's possessions. But Jim soon becomes only too aware that he is not the only one who knows of the map's existence, and his bravery and cunning are tested to the full when, with his friends Squire Trelawney and Dr Livesey, he sets sail in the Hispaniola to track down the treasure. With its swift-moving plot and memorably drawn characters - Blind Pew and Black Dog, the castaway Ben Gunn and the charming but dangerous Long John Silver - Stevenson's tale of pirates, treachery and heroism was an immediate success when it was first published in 1883 and has retained its place as one of the greatest of all adventure stories.In his introduction John Seelye examines Stevenson's life and influences and the novel's place within adventure fiction. This edition also includes Stevenson's essay on the composition of Treasure Island.Robert Louis Stevenson (1850-1894) was born in Edinburgh, the son of a prosperous civil engineer. Although he began his career as an essayist and travel writer, the success of Treasure Island (1883) and Kidnapped (1886) established his reputation as a writer of tales of action and adventure. Stevenson's Calvinist upbringing lent him a preoccupation with predestination and a fascination with the presence of evil, themes he explored in The Strange Case of Dr Jekyll and Mr Hyde (1886), and The Master of Ballantrae (1893).If you enjoyed Treasure Island, you might like Daniel Defoe's Robinson Crusoe, also available in Penguin Classics.

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In There’s a Disco Ball Between Us, Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.

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How does an immortal deal with death?What can an ancient Time Lord teach us about real human nature?Why does the Doctor say he and Freud “got on very well”?How do the Daleks and Cybermen reflect concerns about losing our humanity?And what new challenges loom ahead when the Doctor regenerates as a woman?Hailed as the “most successful sci-fi series ever made” (Guinness World Records), Doctor Who has been a cult-classic for more than half a century. And though time may not be the boss—Rule 408—as times change, so too do social norms and psychological challenges, which have paved the way for a new kind of Doctor who can appeal to the modern viewer.Revised and updated for our changing times, the second edition of Doctor Who Psychology: Times Change explores the alien in us all. Travis Langley’s fascinating in-depth collection delves into the psychology behind the time-traveling Doctor in his many iterations—as men and women—as well as his companions and his foes. With a foreword by Third Doctor Companion Katy Manning, an introduction to the second edition, and new interviews with actors who have played Doctors new and old, Doctor Who Psychology: Times Change travels through the how and why of Who. Contributors to the second edition include:Jenna Busch * Erin Currie * Jim Davies * Kristin Erickson * Wind Goodfriend * Daniel Hand * David Kyle Johnson * Billy San Juan * Deirdre Kelly * Alan Kistler * Travis Langley * Katy Manning * Justine Mastin * Matt Munson * Miranda Pollock * Stephen Prescott * Sarita Robinson * Aaron Sagers * Daniel Saunders * Janina Scarlet * William Sharp

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Dominic Sandbrook's magnificent account of the late 1970s in Britain The late 1970s were Britain's years of strife and the good life. They saw inflation, riots, the peak of trade union power - and also the birth of home computers, the rise of the ready meal and the triumph of a Grantham grocer's daughter who would change everything. Dominic Sandbrook recreates this extraordinary period in all its chaos and contradiction, revealing it as a turning point in our recent history, where, in everything from families and schools to punk and Doctor Who, the future of the nation was being decided.'Magnificent ... if you lived through the late Seventies - or, for that matter, even if you didn't - don't miss this book' Mail on Sunday'Sandbrook has created a specific style of narrative history, blending high politics, social change and popular culture ... always readable and assured ... [A] splendid book' Stephen Robinson, Sunday Times'[Sandbrook] has a remarkable ability to turn a sow's ear into a sulk purse. His subject is depressing, but the book itself is a joy ... Sandbrook is, without doubt, superb ... Seasons in the Sun is a familiar story, yet seldom has it been told with such verve' Gerard DeGroot, Seven'A brilliant historian ... I had never fully appreciated what a truly horrible period it was until reading Sandbrook' A. N. Wilson, Spectator'Nuanced ... Sandbrook has rummaged deep into the cultural life of the era to remind us how rich it was, from Bowie to Dennis Potter, Martin Amis to William Golding' Damian Whitworth, The Times'Sharply and fluently written ... entertaining ... By making you quite nostalgic for the present, Sandbrook has done a public service' Evening Standard

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An appeal for the importance of theory, utopia, and close consideration of our contemporary dark times What does any particular theory allow us to do? What is the value of doing so? And who benefits? In Invoking Hope, Phillip E. Wegner argues for the undiminished importance of the practices of theory, utopia, and a deep and critical reading of our current situation of what Bertolt Brecht refers to as finsteren Zeiten, or dark times.Invoking Hope was written in response to three events that occurred in 2016: the five hundredth anniversary of the publication of Thomas More’s Utopia; the one hundredth anniversary of the founding text in theory, Ferdinand de Saussure’s Course in General Linguistics; and the rise of the right-wing populism that culminated in the election of Donald Trump. Wegner offers original readings of major interventions in theory alongside dazzling utopian imaginaries developed from classical Greece to our global present—from Theodor Adorno, Ernst Bloch, Alain Badiou, Jacques Derrida, Fredric Jameson, Sarah Ahmed, Susan Buck-Morss, and Jacques Lacan to such works as Plato’s Republic, W. E. B. Du Bois’s John Brown, Isak Dinesen’s “Babette’s Feast,” Kim Stanley Robinson’s 2312, and more. Wegner comments on an expansive array of modernist and contemporary literature, film, theory, and popular culture.With Invoking Hope, Wegner provides an innovative lens for considering the rise of right-wing populism and the current crisis in democracy. He discusses challenges in the humanities and higher education and develops strategies of creative critical reading and hope against the grain of current trends in scholarship.

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As part of Motown’s legendary songwriting and production team of Holland-Dozier-Holland, Lamont Dozier is responsible for such classics as “Baby I Need Your Loving,” “You Can’t Hurry Love,” “I Can’t Help Myself (Sugar Pie, Honey Bunch),” “Stop! In the Name of Love,” “Heat Wave,” “Baby Love,” “It’s the Same Old Song,” “Nowhere to Run,” “You Keep Me Hanging On,” “Reach Out I’ll Be There,” “How Sweet It Is (To Be Loved by You),” and many more. After leaving Motown, he continued to make his mark as an influential songwriter, artist, and producer with hits such as “Give Me Just a Little More Time,” “Band of Gold,” and “Two Hearts,” a chart-topping Phil Collins single that earned the pair an Academy Award nomination and a Grammy win. In How Sweet It Is Lamont takes us behind the scenes of the Motown machine, sharing personal stories of his encounters with such icons as Diana Ross, Marvin Gaye, Stevie Wonder, Smokey Robinson, and Berry Gordy. He reveals the moments that inspired some of his timeless songs—and pulls back the curtain on the studio secrets that helped him and his colleagues create “the sound of young America.” From his early years of struggle growing up in Detroit to the triumphs and tragedies that have marked his personal and professional path, at the center of Lamont’s story is the heart of a true songwriter. Though he’s racked up well over 100 Top 10 singles on the Billboard charts, been inducted into Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and has been named among Rolling Stone magazine’s “100 Greatest Songwriters of All Time,” Lamont continues to write music every day. Having pursued the mystery of the songwriting muse for many years, his stories are interwoven with invaluable insights and wisdom on the art and craft of songwriting that will inspire the creative spark in all of us.

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SHORTLISTED FOR THE 2022 T. S. ELIOT PRIZESHORTLISTED FOR THE 2023 RATHBONES FOLIO PRIZEA GUARDIAN AND FINANCIAL TIMES BOOK OF THE YEAR 'A wonder of a collection' Caleb Azumah Nelson'Thrilling ... once-in-a-generation' Jackie Kay'Genius ... tells a thousand stories in stunningly crafted verse' Nikita Gill'Remarkable, textured ... Yomi Sode is a beautiful storyteller' Candice Carty-Williams'Heartbreaking ... This debut is the living heart and soul of contemporary poetry' Pascale Petit'Vivid, beautiful and deeply moving' Rt Hon Diane Abbott MP'Yomi Sode writes with clarity, anger and love' Andrew Graham-Dixon'Searing, shimmering, brilliant' Yrsa Daley-Ward'A must for all lovers of poetry and its power' Roger Robinson'Manorism is a classic' Caleb FemiImpassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

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Introducing a posthumanist concept of nostalgia to analyze steadily widening themes of animality, home, travel, slavery, shopping, and war in U.S. literature after 1945 In the Anthropocene, as climate change renders environments less stable, the human desire for place underscores the weakness of the individual in the face of the world. In this book, Ryan Hediger introduces a distinctive notion of homesickness, one in which the longing for place demonstrates not only human vulnerability but also intersubjectivity beyond the human. Arguing that this feeling is unavoidable and characteristically posthumanist, Hediger studies the complex mix of attitudes toward home, the homely, and the familiar in an age of resurgent cosmopolitanism, especially eco-cosmopolitanism. Homesickness closely examines U.S. literature mostly after 1945, including prominent writers such as Annie Proulx, Marilynne Robinson, and Ernest Hemingway, in light of the challenges and themes of the Anthropocene. Hediger argues that our desire for home is shorthand for a set of important hopes worth defending—serious and genuine relationships to places and their biotic regimes and landforms; membership in vital cultures, human and nonhuman; resistance to capital-infused forms of globalization that flatten differences and turn life and place into mere resources. Our homesickness, according to Hediger, is inevitable because the self is necessarily constructed with reference to the material past. Therefore, homesickness is not something to dismiss as nostalgic or reactionary but is rather a structure of feeling to come to terms with and even to cultivate.Recasting an expansive range of fields through the lens of homesickness—from ecocriticism to animal studies and disability studies, (eco)philosophy to posthumanist theory—Homesickness speaks not only to the desire for a physical structure or place but also to a wide range of longings and dislocations, including those related to subjectivity, memory, bodies, literary form, and language.

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The End of the World and Other Teachable Moments follows the remarkable itinerary of Jacques Derrida’s final seminar, “The Beast and the Sovereign” (2001–3), as the explicit themes of the seminar—namely, sovereignty and the question of the animal—come to be supplemented and interrupted by questions of death, mourning, survival, the archive, and, especially, the end of the world. The book begins with Derrida’s analyses, in the first year of the seminar, of the question of the animal in the context of his other published works on the same subject. It then follows Derrida through the second year of the seminar, presented in Paris from December 2002 to March 2003, as a very different tone begins to make itself heard, one that wavers between melancholy and an extraordinary lucidity with regard to the end. Focusing the entire year on just two works, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s seminar of 1929–30, “The Fundamental Concepts of Metaphysics,” the seminar comes to be dominated by questions of the end of the world and of an originary violence that at once gives rise to and effaces all things. The End of the World and Other Teachable Moments follows Derrida as he responds from week to week to these emerging questions, as well as to important events unfolding around him, both world events—the aftermath of 9/11, the American invasion of Iraq—and more personal ones, from the death of Maurice Blanchot to intimations of his own death less than two years away. All this, the book concludes, makes this final seminar an absolutely unique work in Derrida’s corpus, one that both speaks of death as the end of the world and itself now testifies to that end—just one, though hardly the least, of its many teachable moments.

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Monty Newton and Rodolphe Lemoine must be two of the most outrageous conmen in history. When the Rajah Sir Hari Singh of Kashmir came to London in 1919, his first time in Europe, between visits to the King and Queen and the Prince of Wales he was introduced by his aide de camp to Mrs Maud (Maudie) Robinson. They became lovers and went to Paris for Christmas where they were ‘discovered’ in bed together. The Mayfair Mob had set the whole thing up. The Rajah’s aide de camp masterminded the scam and Sir Hari paid up to avoid citation in a divorce case. What happened next was sensational: a court case that gripped the world for eight days in 1924. The British government imposed the greatest secrecy on the scandal and kept files closed for a hundred years rather than the usual thirty. Monty was saved by the intervention of his partner in crime Lemoine, a German working for French intelligence, who - in 1931 - bought the working manuals of the new German Enigma encoding machine from a clerk, so that - in 1932 - a young Polish mathematician could crack the code. This is five years before Alan Turing even thought of studying cryptology. In between the greatest blackmail pay-out in history and buying the code, Chancers follows Newton and Lemoine around the world, from Monte Carlo to Mexico - always staying in the best hotels - as they con the rich and gullible out of their millions. During Barbara Jeffery’s research at the India Office Library and the National Archives she has unearthed an extraordinary story: one document was opened specially for her and she was obliged to read it in a locked room.

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The Updated and Expanded edition of The Art of Feminism charts the birth of the feminist aesthetic and its development over two centuries that have seen profound and fast-paced change in women's lives across the globe. Including over 350 remarkable artworks, ranging from political posters and graphics to stunning and provocative pieces of painting, sculpture, textiles, craft, performance, digital and installation art, the book begins with poster images produced by the Suffrage Atelier in the nineteenth century, moving on to developments of both World Wars before arriving at the `birth' of feminist art in the 1960s. More recent artworks describe the development of feminism from the fall of the Berlin Wall to the present day, including examples by Zanele Muholi, Paula Rego, Lenka Clayton, Sethembile Msezane, Andrea Bowers, Tanja Ostojic, Aliaa Magda Elmahdy and Zoe Leonard. Other featured artists include Valie Export, Ketty La Rocca, Ewa Partum, Carolee Schneemann, Sanja Ivekovic, Senga Nengudi, Eva Hesse, Lynda Benglis, Suzy Lake, Barbara Kruger, Sophie Calle, Nancy Spero, Marina Abramovic, Mary Kelly, Judy Chicago, Faith Ringgold and Sonia Boyce. UPDATED AND INCLUSIVE: This edition of the book features an even more diverse array of artists and artworks than the original, from the beautiful figurative paintings of Hungarian-Indian artist Amrita Sher-Gil to the thoroughly researched and extravagantly costumed self-portraits of American photographer Ayana Jackson. Edited by Helena Reckitt, with texts by Lucinda Gosling, Hilary Robinson and Amy Tobin, The Art of Feminism also includes a preface by Maria Balshaw, Director, Tate, and a foreword by Xabier Arakistain, former director of del Centro Cultural Montehermoso Kulturunea, Spain.

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‘[A] delightful hymn of praise to the most extraordinary of all the world's bird families – hummingbirds’ STEPHEN MOSS ‘A brilliant read’ MARK AVERY 'Ever thoughtful and engaging, Jon Dunn pursues these dazzling creatures through dust and jungle' BENEDICT ALLEN 'A warm-hearted and enthusiastic triumph of nature writing' TIM DEE _____________________ For centuries hummingbirds have captured our imaginations: revered by Native Americans, coveted by European collectors and admired worldwide for their jewel-like plumage, acrobatic flight and immense character. Though their renown extends throughout the world, hummingbirds are found exclusively in the Americas. Small in stature yet fiercely tenacious, they have conquered every habitat imaginable: from boreal woodlands to deserts, mangrove swamps to volcanic slopes, and on islands both tropical and sub-polar. The Glitter in the Green takes us on an unforgettable journey in search of the most remarkable examples of this wildly variable family. There’s the Bee Hummingbird in Cuba, the smallest species of bird to have ever lived; the diminutive Rufous Hummingbird, whose annual migration exceeds 3,000 miles; and the critically endangered Juan Fernández Firecrown, marooned on the remote Pacific island that inspired Robinson Crusoe. Jon Dunn brings us closer than ever before to these magnificent creatures, exploring a heady mix of rare birds, a history redolent with mythology, and the colourful stories of the people obsessed with hummingbirds through the ages. With great passion for his subject and a taste for adventure, Dunn transports us to wondrous landscapes from Alaska to Tierra del Fuego, and invites us into the kaleidoscopic world of the hummingbird – the bird that has won the hearts and minds of mankind for millennia.

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’You never knew what you were going to be confronted with when you went on Later…’ Nick Cave ‘Later… is a voyage of discovery for us as well as the viewers’ Dave Grohl Dave Grohl and Alicia Keys loved it, Björk treasured it, Ed Sheeran’s life was changed by it, Kano felt at home while Nick Cave was horrified but inspired, and they all kept coming back. This first-hand account of the BBC’s Later… with Jools Holland takes you behind the scenes of one of the world’s great musical meeting places. Legends including Sir Paul McCartney, Mary J. Blige and David Bowie found a regular welcome, alongside the next generation of superstars including Adele, Ed Sheeran and Amy Winehouse. Part of what has made the show so special is the format – all those bands, singers, stars and newbies brought together to listen as well as to perform in Jools’ circle of dreams. But there’s always been plenty of mayhem alongside the magic of convening a room full of musicians hosted by one of their own. Written by the show’s co-creator and 26-year showrunner, music journalist Mark Cooper, this is the story of how Later… grew into a musical and TV institution. It was Mark who had to explain to Jay-Z why he couldn’t just do his numbers and split, who told Seasick Steve why he had to play ‘Dog House Boogie’ on the Hootenanny and persuaded Johnny Cash that he simply had to come in, even when The Man in Black wasn’t feeling well. From Stormzy to Björk, from Smokey Robinson to Norah Jones, from Britpop to trip hop, here is the word on how Later… began, evolved and has endured, accompanied by exclusive interviews with some of the show’s regular stars as well as the unique pictorial record of Andre Csillag who photographed the show for over 20 years. A must-read for music fans everywhere, Later… with Jools Hollandpulls back the curtain on classic performances to reveal that the show is just as magical, if even more chaotic, than you imagined.

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'A definitive classic field guide [...] Its scope is as magnificent as our countryside itself.' BBC Countryfile Magazine'This book is perfect for anyone who’s travelled through the countryside, scratched their head, and thought, ‘what on earth is that thing?'''Tony RobinsonHave you ever driven past a lumpy, bumpy field and wondered what made the lumps and bumps? Or walked between two lines of grand trees and wondered when and why they were planted? Entertaining and factually rigorous, Hidden Histories has the answers and will help you decipher the story of Britain's landscape through the features you can see around you. In this spotter’s guide, Mary-Ann Ochota arms amateur explorers with the crucial information needed to understand the landscape and spot the human activities that have shaped our green and pleasant land. Photographs and diagrams point out specific details and typical examples to help the curious spotter understand what they’re looking at, or looking for. Specially commissioned illustrations bring to life the processes that shaped the landscape (from medieval ploughing to Roman road building). Stand-alone capsules explore interesting aspects of history (like the Highland Clearances or the coming of Christianity). Feature boxes provide definitions of jargon or handy references as required (like a glossary of what different field names mean). Each chapter culminates in a checklist of key details to look for, other things it might be, and gives details of where to find some of the best examples in Britain. From lumps and bumps to stones, lines and villages, Hidden Histories is the must-have spotter’s guide to the British landscape.

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I have used the materials contained in this book extensively in a major trade-related capacity, building a technical training program for trade officials and business people in six countries in Southeast Asia to great effect. The book fills an important gap in the existing literature on the subject and links international economic policy to practical hands on international business management. It underlines the importance of understanding the increasingly complex nature of international markets and offers useful options for mitigating their risk.'- Wayne Robinson, Estey Centre for Law and Economics in International Trade, CanadaThis MBA textbook provides a guide to the international institutions, both public and private, that exist to regulate and facilitate international business. William Kerr and Nicholas Perdikis explain how international business decision making should take into account the ideas and institutions that make up the international commercial environment, such as why trade theories are important to business; the ways in which governments can restrict trade; the role of international trade rules in reducing risk; the threats that anti-dumping and countervail actions pose; the pros and cons of operating multilaterally; the role of trading houses and the advantages of using private sector institutions to settle international business disputes.Key features include:- Economic theory presented in a business-friendly style;- Major arguments in international trade theory outlined and critically assessed;- An explanation of the role and rules of international organizations, such as the WTO- Barriers to trade and how they can affect competitiveness;- An exploration of the organizational choices (e.g. direct exporting, becoming a multinational, joint ventures, etc.) open to those participating in international business; and- Discussion of the international private sector arrangements which ensure payment, facilitate the movement of products and resolve disputes.This book will be essential reading for senior executives needing to familiarize themselves with the international commercial environment. It will also be an excellent resource for executive and international MBAs, as well as upper level international business students.Contents: Introduction 1. Why Study the Global Business Environment? 2. International Trade and Economic Theory 3. The Great Debate - Free Trade Versus Protectionism 4. The Search for Orderly system for Trade 5. Regional Trade Associations 6. Institutions of the Multilateral Trading System 7. Orderly Markets 8. How Countries Restrict Trade 9. Control of the Use of Trade Barriers 10. 'Fair' Trade 11. National Firms and Transnational Firms 12. Private Firms and State Trading Agencies 13. Production Firms and Trading Houses 14. Financing International Transactions 15. Moving Products Between Countries 16. The Settlement of International Disputes 17. Facing the Future 18. Issues for the International Trading System Exercise Glossary Index

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Big Sur embodies much of what has defined California since the mid twentieth century. A remote, inaccessible, and undeveloped pastoral landscape until 1937, Big Sur quickly became a cultural symbol of California and the West, as well as a home to the ultra-wealthy. This transformation was due in part to writers and artists such as Robinson Jeffers and Ansel Adams, who created an enduring mystique for this coastline. But Big Sur's prized coastline is also the product of the pioneering efforts of residents and Monterey County officials who forged a collaborative public/private preservation model for Big Sur that foreshadowed the shape of California coastal preservation in the twenty-first century. Big Sur's well-preserved vistas and high-end real estate situate this coastline between American ideals of development and the wild. It is a space that challenges the way most Americans think of nature, its relationship to people, and what in fact makes a place "wild." This book highlights today's complex and ambiguous intersections of class, the environment, and economic development through the lens of an iconic California landscape.

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In the heady days after World War II, the nation was ready for excitement and heroes, and a city—New York—was eager for entertainment. Baseball provided the heroes, and the Yankees, the Giants, and the Dodgers—with their rivalries, their successes, their stars—provided the show. New York City Baseball recaptures the extraordinary decade of 1947–1957, when the three New York teams were the uncrowned kings of the city. In those ten years, Casey Stengel’s Bronx Bombers went to the World Series seven times; “Joltin’” Joe DiMaggio stepped gracefully aside to make room for a young slugger named Mickey Mantle; Bobby Thomson hit “the shot heard ’round the world”; and the Brooklyn Dodgers achieved the impossible by beating the Yankees in the 1955 World Series. Over the decade, the teams averaged an astounding 90 wins against 63 losses a season, making it, according to The New York Times, “a helluva ten years.” Including a new introduction to the 2013 edition and rare interviews with Monte Irvin, Rachel Robinson (Jackie's widow), Mel Allen, Duke Snider, Eddie Lopat, Phil Rizzuto, and many more, this book is a must-have for those who want to experience baseball’s golden age.

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The story of hugely ambitious and risky long-distance private voyages, only one of which brought huge returns for investors. The three great privateering expeditions into the South Sea, which set out, respectively, in 1703, led by William Dampier; in 1708, led by Woodes Rogers; and in 1719, led by George Shelvocke, were costly and ambitious long distance voyages, carrying great risk for their investors but promising great reward. This book tells the story of the voyages and their impact. It argues that, far from being anachronistic activities more in keeping with an earlier age,as some scholars have asserted, the voyages were significant events and had a huge impact - on politicians, influencing future maritime and naval strategy; on investors, swelling enthusiasm for the South Sea Company which ended in the disastrous Bubble; and in literature, where the narratives of the voyages became an important source for some of the greatest literature of the period, including Robinson Crusoe, Gulliver's Travels and The Rime of the Ancient Mariner. The book provides a great deal of original detail about the voyages, including the difficulties of undertaking such lengthy expeditions, unrest among the crews, and financial details of investmentsand returns - and losses. Tim Beattie completed his doctorate at the University of Exeter.

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Cold-blooded murder heats up Agatha's summer holiday! Agatha travels to Cyprus, only to contend with her estranged fiance, an egregious group of truly terrible tourists, and a string of murders. . .In this sixth entertaining outing Agatha leaves the sleepy Cotswold village of Carsely to pursue love - and finds a murderer. Spurned at the altar, she follows her fleeing fiancé James Lacey to Cyprus, where, instead of enjoying the honeymoon they'd planned, they witness the killing of an obnoxious tourist in a disco. Intrigue and a string of murders surround the unlikely couple, in a plot as scorching as the Cypriot sun! Praise for the Agatha Raisin series:'M. C. Beaton's imperfect heroine is an absolute gem.' Publishers Weekly'The detective novels of M. C. Beaton, a master of outrageous black comedy, have reached cult status.' The Times"Anyone interested in a few hours" worth of intelligent, amusing reading will want to make the acquaintance of Mrs. Agatha Raisin." The Cleveland Pain Dealer"M C Beaton has created a new national treasure... the stories zing along and are irresistible, unputdownable, a joy... Agatha Raisin is The Strongest Link." Anne Robinson'Being a cranky, middle-aged female myself, I found Agatha charming!' Amazon customer review'I dream of being able to speak out like Aggie . . . she's a heroine!' A. Lucas, Essex, reader review

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Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society? This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like A League of their Own (1992) and Sugar (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like The Natural that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela. The Baseball Film charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from Bull Durham (1988) to The Bad News Bears (1976), this book offers an essential look at one of the most cinematic of all sports.

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“Page for page, The Summer Game contains not only the classiest but also the most resourceful baseball writing I have ever read.”—New York Times Book ReviewThe Summer Game, Roger Angell’s first book on the sport, changed baseball writing forever. Thoughtful, funny, appreciative of the elegance of the game and the passions invested by players and fans, it goes beyond the usual sports reporter’s beat to examine baseball’s complex place in our American psyche.Between the miseries of the 1962 expansion Mets and a classic 1971 World Series between the Pirates and the Orioles, Angell finds baseball in the 1960s as a game in transition—marked by league expansion, uprooted franchises, the growing hegemony of television, the dominance of pitchers, uneasy relations between players and owners, and mounting competition from other sports for the fans’ dollars.Willie Mays, Roberto Clemente, Brooks Robinson, Bob Gibson, Sandy Koufax, Carl Yastrzemski, Tom Seaver, Jim Palmer, and Casey Stengel are seen here with fresh clarity and pleasure. Here is California baseball in full flower, the once-mighty Yankees in collapse, baseball in French (in Montreal), indoor baseball (at the Astrodome), and sweet spring baseball (in Florida)—as Angell observes, “Always, it seems, there is something more to be discovered about this game.”

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No wonder she's been crowned Queen of Cosy Crime' Mail on SundayThe 26th outing for the Highland's most famous PC: Hamish Macbeth In the south of Scotland, residents get their chimneys vacuum-cleaned. But in the isolated villages in the very north of Scotland, the villagers rely on the services of the itinerant sweep, Pete Ray, and his old-fashioned brushes. Pete is always able to find work in the Scottish highlands, until one day when Police Constable Hamish Macbeth notices blood dripping onto the floor of a villager's fireplace, and a dead body stuffed inside the chimney. The entire town of Lochdubh is certain Pete is the culprit, but Hamish doesn't believe that the affable chimney sweep is capable of committing murder. Then Pete's body is found on the Scottish moors, and the mystery deepens. Once again, it's up to Hamish to discover who's responsible for the dirty deed - and this time, the murderer may be closer than he realizes.Praise for the Hamish Macbeth series:'[A] beguiling blend of wry humour and sharp observations about rural life' Good Book Guide'It's always a special treat to return to Lochdubh' New York Times Book Review'The detective novels of M C Beaton, a master of outrageous black comedy, have reached cult status' - Anne Robinson, The Times

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Good communication is central to all relationships, yet the unpredictability of interpersonal exchanges can cause significant anxiety for autistic people and create a barrier to successful communication. Understanding Me, Understanding You is a guide for anyone working with and supporting autistic people. The aim is to encourage the reader to consider how they can create 'autistic spaces' where there is predictability and trust, enabling autistic people to engage, contribute and grow. It seeks to promote mutual understanding, starting by encouraging the reader to understand themselves, their own beliefs and attitudes and the way that this can influence their behaviour; and then to understand another and, in turn, help them to understand. At its foundation is the 'Triad of Understanding', a beautifully simple model for successful communication conceived together by social work practitioner, Dr Jackie Robinson, and three autistic co-researchers over a three year period. Jackie successfully created an autistic space that allowed the autistic co-researchers to flourish and achieve. This communication model underpins all three sections of the guide, which includes specific guidance for professionals in different fields and tools to facilitate the move towards mutual understanding. CPD accredited: 'This well-written and informative book has learning value for the target audience. It has clear content and progress.'

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