Search results for ""author victoria"

Scotland still has hundreds of miles of `dismantled railways', the term used by Ordnance Survey, and the track beds give scope for many walks. Some track beds have been `saved' as Tarmacadam walkway/cycleway routes while others have become well-trodden local walks. The remainder range from good, to overgrown, to well-nigh impassable in walking quality. This book provides a handy guide to trackbed walks with detailed information and maps. It is enhanced by numerous black and white old railway photographs, recalling those past days, and by coloured photographs that reflect the post-Beeching changes. The integral hand-crafted maps identify the old railway lines and the sites of stations, most of which are now unrecognisable. The `Railway Age' is summarised and describes the change from 18th century wagon ways and horse traction to the arrival of steam locomotives c.1830. The fierce rivalry that then ensued between the many competing companies as railway development proceeded at a faster pace is recounted. Although walkers may be unaware of the tangled history of the development of the railway system during the Victorian era, many will have heard of, or experienced, the drastic 1960s cuts of the Beeching axe. However, in more recent times Scotland has experienced a railway revival - principally in the Greater Glasgow area but with new stations and station re-openings elsewhere. The long awaited 30-mile Borders Railway from Edinburgh to Tweedbank, the longest domestic railway to be built in Britain for more than a century, is something on a very different scale. Early passenger numbers have exceeded expectations and towns served by the line have seen significant economic benefits. Many railway enthusiasts cling to the hope that more lines will be reinstated. Meanwhile, those walks offer a fascinating and varied selection of routes that can fill an afternoon, a day or a long weekend - an ideal opportunity to get walking!

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River Song has many ways to amuse herself away from her husband. And with access to the Doctor’s diary, she knows exactly when he might be around, and when best to slip in unnoticed and liberate valuable trinkets…But first of all, she must ensure he makes it out of Totters Lane alive! An Unearthly Woman by Matt Fitton. Coal Hill School has a new member of staff: an educated woman, who seems to specialise in every subject. Meanwhile, teachers Ian Chesterton and Barbara Wright have concerns over the behaviour of one of their pupils. Susan Foreman is intrigued by Dr Song, but something else is stalking her in the darkness and fog of London, 1963… The Web of Time by John Dorney. The capital has been evacuated. Monsters stalk the Underground. For River, it’s the perfect opportunity to steal a priceless artwork, so long as she can avoid looters, soldiers and an alien invasion. With the gallant Captain Knight at her side, River faces the Great Intelligence and its Yeti army. But her biggest challenge may be keeping time itself on track. Peepshow by Guy Adams. Miniscope parts fetch quite a price on the open market – luckily, River knows where she can find one that’s about to be decommissioned. Unfortunately, this particular miniscope is chock-full of aliens, as well as unsuspecting Earthlings. River must face a carnival of monsters before she can claim her prize – across miniature habitats, Ogrons, Sontarans and Drashigs await! The Talents of Greel by Paul Morris. River visits Victorian London on the trail of anachronistic technology. But when young women are stolen from the streets, she takes a stand. River’s investigation leads to theatre impresario Henry Gordon Jago, and his latest star act: LiH’Sen Chang and the unnerving Mr Sin. But if River’s going undercover at the Palace Theatre, she needs to have a song…CAST: Alex Kingston (River Song), Claudia Grant (Susan Foreman), Jamie Glover (Ian Chesterton), Jemma Powell (Barbara Wright), Lizzie Stables (Sheila Page), Edward Dede (Lloyd Walker), Owen Aaronovitch (Mr Newbold), Ralph Watson (Captain Ben Knight), Kathryn Drysdale (Erin Harris), Mandi Symonds (Maude), Sam Clemens (Corporal Buscombe), Clive Wood (Dibbsworth), Dan Starkey (Commander Sturmm), Guy Adams (Ogrons), Christopher Benjamin (Henry Gordon Jago), Nicholas Goh (Li H’Sen Chang), Angus Wright (Magnus Greel), Milly Thomas (Celestine Sorbonne), John Paul Connolly (Casey). Other parts played by members of the cast.

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A valentine to the tradition of bridesmaids dresses, You Can Wear it Again is a survey of 50 years of bridal attendant fashion. 90 photos of real-life weddings reveal the crossroads where fashion trends and the bride's fantasies intersect, which could mean packs of wedding attendants done up in anything from floor-length shiny yellow taffeta gowns to full Victorian costume, replete with parasols. Bursting with hundreds of dresses, miles of tulle, acres of flowers and countless floppy hats, You Can Wear It Again is an homage to the bridesmaid experience.

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Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. A complex and profound book, The Tale of Two Cities explores the consequences of tyranny, fate and self-sacrifice. With much of the narrative played out in Paris, during the French Revolution Dickens examines the interplay between personal action, and the flow of history. Dr Manette, having travelled to Paris finds himself imprisoned in the Bastille for 18 brutal years, unable to see his kind and loving daughter Lucy. On his eventual return to London the two of them become witnesses in a treason case against Charles Darney who is accused of giving secrets to the French. Lucy finds a way of exonerating him, Darney falls in love with her and by some strange twist of fate he finally reveals the terrible secret that his own uncle was responsible for Manette's years in the Bastille. Manette is shocked but eventually persuaded by Darney's sincerity and true love for this daughter, so he allows them to marry, bringing happiness finally to them all.

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For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

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For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

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Film noir is one of the most enduring and popular genres in cinema. But it did not spring up spontaneously fully formed. Rather its origins can be traced to sources as varied as Victorian literature German Expressionism and American art and photography. In this comprehensive collection of essays that's packed with illustrations and artwork a team of eminent scholars and film writers present thorough analyses of the influence of prototypes on the classic period of film noir.ÞSome essays focus on particularly influential genres such as the rogue cop film and gothic thrillers; while others discuss the choices of individual filmmakers including John Ford and Alfred Hitchcock in their most well-loved films.ÞThe editors and all of the featured contributors ä Sheri Chinen Biesen Todd Erickson Richard Edwards Julie Grossman Robert Miklitsch Homer Pettey Robert Porfirio Tom Ryall Marlisa Santos Jesse Schlotterbeck and Tony Williams ä are noted scholars in the field of film noir most of whom have written book-length studies of their own.ÞFrom the gangster and horror genres to social realism and Hitchcock's spy films of the 1930s ÊFilm Noir PrototypesÊ offers compelling accounts of the genre's influences. As befits the topic over 300 illustrations keyed to the text capture the richness and breadth of the classic period's imagery.

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Dr. Watson was the chronicler of every Sherlock Holmes adventure published in The Strand magazine between 1887 and 1927. He reported them with honesty in the bluff, army-style of a military doctor, so frank in their account of human behaviour that they were too risqué for the morals of Victorian England. George Newnes, the editor, purged each story before its publication. Newnes also replaced Watson’s jocular illustrations with Sidney Paget’s more innocuous portrayals. Newnes deleted everybody’s backgrounds but in these accounts Watson reveals Holmes’s family: his father, Professor Julian Cornelius Bortzoy Holmes; his wife, Wendy; his sister, Rachel, as well as Mycroft. Watson also exposes Mrs. Hudson’s property empire and he tells us how Professor Moriarty became “the Napoleon of crime.” Some of this new material is shocking, even by today’s standards! Book 3 synopsis, The formidable Miss Mary Sutherland consults Sherlock Holmes about a mysterious and elusive suitor. She tells her story from Watson's ancient Egyptian chair, the Mummy Couch, but he is more worried about her hefty derriere breaking the antique heirloom than her missing lover. Later on, Watson is introduced to Holmes's parents for the first time and discovers he has an amorous admirer in Sherlock and Mycroft's sister, Rachel.

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Small home gardens are growing in popularity, and miniature terrariums are the easiest and least expensive indoor garden of all. The beautiful photos in this book show you how to add a whimsical touch of green to any space: at work, at home, in your dorm room—even in your car!Terrarium gardening offers unlimited gardening possibilities, even when space is limited. Although terrariums have been around since Victorian times, Japanese garden design has perfected the art form with a modern and minimalist twist. The container gardening trend fits well with the small-space living concept refined in Japan and elsewhere. This terrarium gardening book, from the green division of Japan''s Actus Interiors, features step-by-step instructions to guide you through each stage of the process: Choosing and Mixing soils Finding unusual containers Caring for plants Showing off the finished product! All the plants used in this book

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English art critic John Ruskin was one of the great visionaries of his time, and his influential books and letters on the power of art challenged the foundations of Victorian life. He loved looking. Sometimes it informed the things he wrote, but often it provided access to the many topographical and cultural topics he explored--rocks, plants, birds, Turner, Venice, the Alps. In The Art of Ruskin and the Spirit of Place, John Dixon Hunt focuses for the first time on what Ruskin drew, rather than wrote, offering a new perspective on Ruskin's visual imagination. Through analysis of more than 150 drawings and sketches, many reproduced here, he shows how Ruskin's art shaped his writings, his thoughts, and his sense of place.

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Public Property was Andrew Motion's first collection of poetry after being appointed Poet Laureate. In it, he negotiates the very space of poetry, moving between private and public realms, pondering each from the other's borders. In the opening series of idylls he conjures the expeditionary narratives of a rural childhood, in scenes as precisely remembered as they are irretrievable. Elsewhere he reconsiders moments from the Victorian past from reticent and surprising angles, and elsewhere again he tackles distinctly contemporary themes and situations. The final section of the book contains a number of elegies and love poems, written in a variety of lyric forms, which provoke concerns that are among the most critical in poetry: What is public art? To whom do our most private sentiments belong?

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The Irish potato famine of the 1840s, perhaps the most appalling event of the Victorian era, killed over a million people and drove as many more to emigrate to America. It may not have been the result of deliberate government policy, yet British ‘obtuseness, short-sightedness and ignorance’ – and stubborn commitment to laissez-faire ‘solutions’ – largely caused the disaster and prevented any serious efforts to relieve suffering. The continuing impact on Anglo-Irish relations was incalculable, the immediate human cost almost inconceivable. In this vivid and disturbing book Cecil Woodham-Smith provides the definitive account.‘A moving and terrible book. It combines great literary power with great learning. It explains much in modern Ireland – and in modern America’ D.W. Brogan.

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From antiquity, when the Great Pyramid was revered as a wonder of the ancient world, to the Cleopatra of Shakespeare’s stage, and from the medieval Arab scholars who sought hieroglyphs’ mystical wisdom, to the biblical stories still told today, Visions of Ancient Egypt explores how ongoing engagement with ancient Egypt has shaped centuries of art and design. Accompanying a ground-breaking exhibition, it unpicks the constructed fantasies of this ancient civilisation and charts how ancient Egypt’s iconic motifs and visual style have been re-imagined over time – revealing not just an enduring artistic fascination with Egypt, but a story of how Egypt’s own heritage has been reinvented and appropriated by different cultures over time, and a history closely entwined with imperial conquest and colonial politics.Beautifully illustrated throughout and with contributions by leading scholars, this book explores the imagined construction of ancient Egypt promoted through painting, sculpture, photography, architecture and film, as well as design, fashion and jewellery. It traces the journey across time, beginning with the ancient Romans who looted Egyptian monuments and adopted Egyptian gods into their Pantheon; to Napoleon Bonaparte’s invasion of Egypt, and the elite taste for all things Egyptian it prompted; as well as the Victorian creation of an Orientalist fantasy popularised at World Fairs. Presented in a nuanced way, the story is not Eurocentric. For the first time, it also places Egypt’s own story firmly into the narrative, exploring for example Egyptian artists’ responses to nationalist calls for independence spurred by the discovery of Tutankhamun’s tomb in 1922, while also addressing the popular impact of the ‘Tutmania’ craze in the West and its influence on Art Deco. The book also examines the enduring appeal of ancient Egypt in global contemporary art, across media from painting and sculpture, to film and multimedia installations. Artists both within and beyond Egypt continue to look to its ancient imagery to make statements about heritage, identity and race.The book invites readers to debate and to discuss this complex history of the construction of ancient Egypt in art and design, and to ask who these visions serve – both then and now.

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'I LOVE THE BOOK... A BRILLIANT READ' Chris Evans, Radio 2 Breakfast ShowALSO OUT NOW: THE MYSTERIUM, the must-have follow-up to The Odditorium'This book, that I approached with caution, turns out to be magnificent. Tested it with the Moondog entry. Passed A+' Danny Baker, Radio 5LiveA CELEBRATION OF CURIOSITY AND OBSESSIONStep into a world of gloriously unpredictable characters such as Ivor Cutler, Quentin Crisp, Joe Orton, Reginald Bray, Ken Campbell, Screaming Lord Sutch, Sun Ra, Buckminster Fuller, Timothy Leary and Ayn Rand.The Odditorium is a playful re-telling of history, told not through the lens of its victors, but through the fascinating stories of a wealth of individuals who, while lesser-known, are no less remarkable.Throughout its pages you'll learn about the antics and adventures of tricksters, eccentrics, deviants and inventors. While their stories range from heroic failures to great hoaxes, one thing unites them - they all carved their own path through life. Each protagonist exemplifies the human spirit through their dogged determination, willingness to take risks, their unflinching obsession and, often, a good dollop of eccentricity.Learn about Reginald Bray (1879-1939), a Victorian accountant who sent over 30,000 singular objects through the mail, including himself; Muriel Howorth (1886-1971), the housewife who grew giant peanuts using atomic energy; and Elaine Morgan (1920-2013), a journalist who battled a tirade of prejudice to pursue an aquatic-based theory of human evolution, which is today being championed by David Attenborough. While many of us are content to lead a conventional life, with all of its comfort and security, The Odditorium reminds us of the characters who felt compelled to carve their own path, despite risking ostracism, failure, ridicule and madness. Outsider artists, linguists, scientists, time travellers and architects all feature in The Odditorium, each of whom risked ostracism, ridicule and even madness in pursuit of carving their own esoteric path, changing the world in wonderful ways.'BRAMWELL CLEARLY HAS AN EYE FOR THE ODDBALL AND ARCANE' The Guardian

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“The definitive city child’s edition.” —The New York Times Book Review “Lobel’s paintings are gentle and reassuring…she has captured with richness and simplicity the joy and love of the holiday season.” —School Library Journal (starred review) Caldecott Honoree and beloved illustrator Anita Lobel pairs her beautiful drawings with the beloved Christmas poem, “The Night Before Christmas,” in this classic picture book that your family will treasure for years to come. ‘Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse… Since it was first published nearly 200 years ago “The Night Before Christmas” has enchanted readers young and old with the story of St. Nicholas landing on a snowy roof, climbing down the chimney, and filling all of the stockings with gifts before riding off in his sleigh, wishing “Happy Christmas to all, and to all a good night!” Anna Lobel’s stunning, richly detailed illustrations for the poem have been cherished by families for over thirty years. Portraying a lush Victorian New York setting, children are snug in their beds, a cat is asleep under the tree, and the quiet city is blanketed with snow. As Santa Claus leaves the city after delivering gifts, he flies over a stunning moonlit Brooklyn Bridge. This beautiful, brand-new edition has been lovingly restored and is a gift that will be treasured year after year.

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Part of the Norton Library series The Norton Library edition of The Strange Case of Dr. Jekyll & Mr. Hyde features the text of the first (1886) British edition. A thorough introduction by Caroline Levine discusses the contexts and structure of Stevenson’s thrilling horror, highlighting the literary achievements of “a fable that lies nearer to poetry than to ordinary prose fiction” (Vladimir Nabokov). Other selections include “Picturesque Notes on Edinburgh,” “The Body-Snatcher,” “Markheim,” and “The Bottle Imp.” The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime. Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence. Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed. An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition. About the Editor: Caroline Levine is David and Kathleen Ryan Professor of the Humanities and Professor of English at Cornell University. She has written three books: The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003), Provoking Democracy: Why We Need the Arts (2007), and Forms: Whole, Rhythm, Hierarchy, Network (2015). She is the nineteenth-century editor for the Norton Anthology of World Literature.

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For nearly 100 years, the question has repeatedly been asked: who was ‘Jack the Ripper’? The real question that should be answered, however, is why? Why were five poor, defenceless women savagely murdered in the slums of Whitechapel in the autumn of 1888? Credible Victorian sources including an Old Etonian police chief (Sir Melville Macnaghten), a famous writer on true crime (George R. Sims), a Conservative MP (Henry Farquharson) and, most incriminatingly, members of the killer’s own family knew that ‘Jack the Ripper’ was Montague John Druitt. He escaped earthly justice by drowning himself in the Thames. This book answers the question of why in 1888 Druitt, a barrister, part-time teacher and first-class cricketer, killed and mutilated women driven into prostitution through social neglect. Compiled from years of meticulous research, The Escape of Jack the Rippermoves from the suffering of impoverished Whitechapel to genteel London society, picturesque Dorset, the Inner Temple and the anonymity of the private asylums of France and England. The struggle of Druitt’s desperate, respectable family to cover up for their dead Montie, whilst preventing any innocent person being hanged for his crimes, is told here. In the Edwardian era, Sir Melville and G. R. Sims ensured that the public understood that the long-deceased Whitechapel fiend was neither poor nor an immigrant, but rather a product of the British establishment. The photographs include the newly discovered last known image of Druitt.

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Encuadernación: Rústica.Colección: Clásicos del fondo.La llegada a The Glen Tower de Jessie, joven ahijada de Griffith, un anciano caballero inglés que comparte esta casa de campo con sus dos hermanos, también viejos y solos en el mundo, hace que la vida de estos caballeros se ponga súbitamente patas arriba. Lo que en principio no parecía más que un estorbo acaba convirtiéndose en una auténtica aventura, ya que los tres ancianos tendrán que ingeniárselas para que su invitada, una joven vivaracha y algo superficial, prolongue su estancia en su hogar. Con este fin, urden un plan magistral: entretener a la muchacha contándole una historia diferente cada noche, como si de un moderno Decamerón Victoriano se tratase.Y así, la trama principal, con la hermosa campiña inglesa como telón de fondo magníficamente descrita, sirve para desgranar diez narraciones distintas en las que el autor despliega su gran maestría literaria al tocar todo tipo de géneros, desde la novela de misterio al

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Inmerso desde la niñez en los engreídos mercantilismo y materialismo de la época victoriana, Edward Carpenter recoge en Mis días y mis sueños las memorias de toda una vida, una colección de notas autobiográficas que pasan revista a sus años de formación, sus inquietudes, sus amistades, sus viajes y su obra poética y filosófica a lo largo de las convulsas décadas de las que fue testigo. El libro no solo resume con notable concisión el pensamiento del autor sino que ofrece una visión íntima de las personalidades y los movimientos sociales que conoció de primera mano. El relato de sus impresiones, salpicado de anécdotas y abundante en sutiles matices, permite al lector vislumbrar los entresijos de una sociedad que aborrecía y contra la que siempre tuvo que bregar para no hundirse en el conformismo y el estancamiento, para Carpenter los peores enemigos de todo individuo; y también percibir la exquisita sensibilidad de una alma que presencia el devenir de la humanidad de su tiempo con la mi

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The title of J.K. Daniels’s first book, Wedding Pulls, comes from a Victorian custom that persists in the American South: charms pulled from a wedding cake by the unmarried attendants are said to predict who will marry next and who never, who will be richer and who poorer. Sensual and sonically-charged, these poems interrogate what it means to be wedded, lawfully or not, and to have and hold, or not, until death do us part. In personas from Eurydice to Eve to Alice B. Toklas, the poems complicate the traditional notions, the “meager plot,” of marriage and family while exploring the enduring pull of intimacy. Inspired by Shakespeare and Stein, Gerard Manley Hopkins and Harryette Mullen, these witty poems riff on art and myth, and the fate that is family. Wedding Pulls is the winner of the 2015 New Southern Voices Poetry Book Prize.

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This highly readable and informative collection of the best of British art showcases magnificent portraits by Thomas Gainsborough and Stanley Spencer; landscapes by J. M. W. Turner and David Hockney; satire by William Hogarth and Gilbert & George; sculpture by Henry Moore and Rachel Whiteread; and the latest works by Grayson Perry and Damien Hirst. Each artist is presented in a double-page spread that features a major work, details from the work, a brief biography and fascinating insights into the artist's life and times. Lucinda Hawksley's engaging survey compares the skill of the Elizabethan miniaturists and the magnificence of the High Victorians with the grit of post-war British modernists and the best of the Young British Artists, whose fearless approach to controversial themes make them worthy inheritors of the great traditions of British art.

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'A woman. On the line in Gallery Two of all places. I never thought I'd see the day. This is progress, my dear.' It's 1874, and Elizabeth Thompson stuns the artistic establishment with her painting The Roll Call. Five years later, she falls two votes short of becoming the first woman elected to the Royal Academy. In between, she shoulders the hopes and dreams of female artists across the country, while fighting for her place at a table full of top hats, neckties and mutton chop beards. A thrilling collision of music hall, cabaret and drag king swagger, Modest tells the true story of a pioneering megastar of the Victorian art scene. Written by Ellen Brammar and with music by Rachel Barnes, it was first produced in 2023 by Middle Child in collaboration with Milk Presents at Hull Truck Theatre before touring.

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Past into Print explores history books and periodicals as sites of conflict and compromise in order to question how and why historical knowledge is created. Using primary documents and the history books of the period, Leslie Howsam combines two distinct strands of scholarship: the history of the book and publishing and the development of history as a scholarly discipline.Howsam examines the relationships of historians and their publishers through correspondence and readers reports to reveal the assumptions that drove historical projects, which in turn came to shape the careers of writers, the reputations of publishing houses, and the values of a discipline. The first systematic exploration of the publishing history of history, Past into Print uncovers the ways in which historical writing was mediated by the book trade and traces how mid-Victorian narrative certainties gave way to twentieth-century disciplinary anxieties.

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Welcome to the Dark. We are all familiar with tropes of the horror genre: slasher and victims, demon and the possessed. Bloody screams, haunted visions, and the peddler of wares we aren't sure we can trust. In this young adult horror anthology, fans of Jordan Peele, Lovecraft Country, and Horror Noire will get a little bit of everything they loveand a lot of what they fearthrough a twisted blend of horror lenses, from the thoughtful to the terrifying. From haunted, hungry Victorian mansions, temporal monsterinfested asylums, and ravaging zombie apocalypses, to southern gothic hoodoo practitioners and cursed patriarchs in search of Black Excellence, All These Sunken Souls features the chilling creations of acclaimed bestsellers and hot new talents. - - - - - ContributorsKalynn Bayron @KalynnBayronAshia Monet @AshiaMonetLiselle Sambury @LiselleSamburySami Ellis @themoosefJoel Rochester @fictionalfatesJoelle Wellington @joelle_wellingBrent C. Lambert @BrentCLambertDonyae Coles @

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Winding its way from Winchester to Canterbury, through the counties of Hampshire, Surrey and Kent, can still be found one of England’s most ancient trackways. Well trodden and beloved of walkers throughout southern England, the Pilgrims’ Way serves as a hidden by-way linking those that travel along it with some of the countries oldest cathedrals, castles and abbeys, yet it remains an enigma to many of those who regularly follow its tracks. From the Neolithic through to the Victorian pilgrimists, Derek Bright brings together a mass of evidence and re-evaluates how we should view this ancient trackway that Ivan D. Margary described as one of the most important in Britain. Using evidence of roadside crime, prohibitive legislation, and the everyday hazards facing wayfarers, he makes decisive arguments for how the road has served travellers over time.

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With the country’s oldest university and the ruins of both a magnificent castle and one of the grandest cathedrals of medieval Europe, St Andrews is one of the most beautiful and historic places in Scotland. But it’s also one of the most haunted. Here are investigations into St Andrews’ most famous ghost (the White Lady) and its most famous paranormal location (the Haunted Tower, with its real-life Victorian mystery of mummified bodies); the numerous phantoms, historical and contemporary, that appear to cluster around the medieval quarter of The Pends and St Leonard’s School; and spectres of castle and cloister, town and gown. There is also the Pitmilly House poltergeist, whose fire-raising activities resulted in a payout by an insurance company. Join paranormal expert Geoff Holder in an exploration of the darker side of St Andrews.

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In AD 43, the Romans landed an invasion force on the shores of Britain that heralded the beginnings of recorded British history and laid the cultural foundations of today’s national identity. Yet despite the crucial importance of this event, the actual location of the landings remains unclear. From Victorian antiquarians to today’s modern scholars and archaeologists, there has been much written over the years with regard to this particular question, with Richborough in Kent and Chichester in Sussex proposed as contemporary favourites. Whilst still being universal in its approach, this book is less reliant on archaeology or literary records to support its conclusions, and instead places greater emphasis on the practical problems the Romans faced in deciding on a landing site. The result is a book which presents a straightforward and logical study which can be readily appreciated by both the general reader and the specialist alike.

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Walsall is probably the world`s greatest centre of the saddlery trade. The town's craftsmen began to specialise in making bits, stirrups and spurs in the Middle Ages. Developing into fully fledged makers of saddlery and harness, by the end of the nineteenth century there were over a hundred firms exporting their products throughout the British Empire and beyond. The Walsall firms flourished as horses were so vital to everyday life in Victorian Britain. They also emerged as major supplier of military saddlery and harnesses, with one company supplying an astonishing 100,000 saddles for the British army in the First World War. The twentieth century saw the rise of light leathergoods, such as handbags, cases and gloves. With the coming of the motor car these products became the mainstay of the Walsall leather industry.

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The River Thames above London underwent a dramatic transformation during the Victorian period, from a great commercial highway into a vast conduit of pleasure. Pleasure Boating on the Thames traces these changes through the history of the firm that did more than any other on the waterway to popularise recreational boating. Salter Bros began as a small boat-building enterprise in Oxford and went on to gain worldwide fame, not only as the leading racing boat constructor, but also as one of the largest rental craft and passenger boat operators in the country. Simon Wenham’s illustrated history sheds light on over 150 years of social change, how leisure developed on the waterway (including the rise of camping), as well as how a family firm coped with the changes brought about by industrialisation – a business that, today, still carries thousands of passengers a year.

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There was a faint rustling sound, like some small silk thing blown in a gentle breeze. He sat up straight, stark and scared, and a small wooden voice spoke in the stillness. "Pa-pa," it said, with a break between the syllables. From living dolls to spirits wandering in search of solace or vengeance, the ghostly youth is one of the most enduring phenomena of supernatural fiction, its roots stretching back into the realms of folklore and superstition. In this spine-tingling new collection Jen Baker gathers a selection of the most chilling hauntings and encounters with ghostly children, expertly paired with notes and extracts from the folklore and legends which inspired them. Reviving obscure stories from Victorian periodicals alongside nail- biting episodes from master storytellers such as Elizabeth Gaskell, M. R. James and Margery Lawrence, this is a collection by turns enchanting, moving and thoroughly frightening.

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The design revolutions of the early 20th century were woven into the very fabric of the carpets and rugs of that era. Carpets of the Art Deco Era, previously published as Art Deco and Modernist Carpets and now reissued in PLC, is the first in-depth history on the subject. It charts the evolution of carpet design out of the floral effusions of the Victorian salons and into the angular elegance of Art Deco and bold abstraction of Modernism popularized by the machine age. Such artists and designers as Picasso, Poiret, Gray, Delaunay, Matisse, Klee, and many more advanced the designs going on underfoot, making these rugs extremely collectible artworks in their own right. Generously sized and beautifully illustrated with over 250 colour photographs, here are Art Deco carpets at their most glorious.

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Who said Christmas has to be all pine boughs and poinsettias? Not Currier & Ives, clearly, who published this breathtakingly colourful greenhouse fantasy of a generous holiday bouquet. Taken from the collection of John Derian, A Merry Christmas joyously transcends the clichéd palette of greens and reds. As you put it together petal by petal, you can imagine the delight of receiving this basket of living jewels on a snowy Victorian December day. John Derian is an artist and designer whose work with printed images of the past transports the viewer to another time and place. His line of 1,000-piece puzzles are produced with great care and quality to ensure hours of pure pleasure, from spreading out the pieces to admiring the finished work.Featuring:1,000 full-colour interlocking piecesArt print with puzzle imageFinished puzzle is 26 3/8 x 18 7/8

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The mysterious black C-Bean is a remarkable device which, as Alice and her classmates discovered in SeaBEAN (the first book in The SeaBEAN Trilogy), knows just about everything and can take them anywhere in the world. But now it's broken and stranded on the rocks on the remote Scottish island of St Kilda. When Karla Ingermann, the C-Bean's designer, turns up from Germany to try to fix it, they perform a factory reset, which accidentally sends it back in time, and Alice's world is thrown into disarray. Chased by Victorian police, attacked by an enemy submarine, imprisoned with a madwoman, summoned to rescue a dying pilot and fired at by government agents, Alice, together with her parrot, her dog and her new wartime companions, embarks on a journey through time, uncovering dark secrets from St Kilda's past and safeguarding the future before it's too late.

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Through 100 groundbreaking dresses, The Dress traces the past and present influences and reinterpretations in clothing design. From the Victorian crinoline to Vivienne Westwood's mini-crini of 1985, from Herve Leger's 1985 bandage dress to Christopher Kane's 2006 neon version, each landmark dress gives examples of how fashion ideas have been reborn and referenced throughout time by designers.By making connections between designers and across decades, the book allows the reader to discover the breadth of influence in this field, the magic of inspired originality from fashion designers and an overview of fashion history. From beaded and bias-cut to frou-frou to corseted, Chanel to Yves Saint Laurent, laced to bustled, each dress tells a fashion story through anecdotes and analysis, with historic and cross-cultural references, beautiful imagery, and immaculate referencing.

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Winner of The Sunday Times CNA Literary Awards. Shortlisted for the Walter Scott PrizeTorn from his parents and tribe as a boy in the 1870s, Stephen Mzamane is picked by the Anglican church to train at the Missionary College in Canterbury to be a rural preacher in Southern Africa’s Cape Colony.He is a brilliant success but troubles stalk him: his unresolved relationship with his family and people, the condescension of church leaders towards their own native pastors, and That Woman—seen once in a photograph and never forgotten.And now he has to find his mother and take her a message that will break her heart.In this raw and compelling story, Marguerite Poland employs her considerable experience as a writer and specialist in South African languages to recreate the polarised, duplicitous world of Victorian colonialism and its betrayal of the very people it claimed to be enlightening.

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Evolving from the horse-drawn stage coaches that they soon eclipsed, railway carriages steadily grew in sophistication so that by the end of the nineteenth century the railway passenger travelled in comfortable rolling stock of a design familiar to many until the 1960s. While modern trains look different from those built more than a century ago, even today the facilities are not so dissimilar from those enjoyed by our Victorian ancestors. This book describes the development of the railway carriage from those early days to the present, highlighting some of the key developments in the history, design and construction of carriages. It also looks at the innovations that made life easier for the passenger, such as the introduction of heating, lavatories and restaurant and buffet facilities, as well as the differences in comfort between the various classes of traveller.

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Enjoy outdoor living to the fullest with these functional and decorative furniture projects for deck, patio, yard and garden. From Adirondack chairs, patio bars and picnic tables to showcase Victorian trellises and planters, the experts at American Woodworker provide complete plans and instructions for building great-looking pieces that will beautify your outdoor space. Expert advice on finishing and varnishing ensures that your durable wooden furniture will stand up to the elements for years to come. How to Make Outdoor & Garden Furniture offers 23 do-it-yourself projects for both novice and experienced woodworkers. Superb step-by-step photographs and excellent working drawings help ensure success for both amateur and experienced builders. Each project takes from just a few hours to a weekend to complete, making this book an ideal resource for transforming your outdoor decor.

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When a ghost ship is spotted on the horizon one spring evening, bookseller Eleanor Mace decides to investigate the myths and legends of Combemouth, the Devon seaside town where she runs The Reading Room. As Eleanor digs deeper into the town's history, she becomes intrigued by a Victorian crime report that seems to have unexpected links to the present day. As Eleanor begins to uncover the truth she has an unexpected challenge on her own horizon. Daniel - her husband of six months - is determined that they give up their separate homes and find a new place together. But Eleanor adores her cottage by the sea and resists, guaranteeing that things turn a little frosty as the summer begins. A celebrity book launch, an exploding dress and some salsa-dancing pensioners make this a mystery with a difference.

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A complete history of women’s football, from its Victorian games beginning in 1881, to the plans for England to host the Euro Finals in England 2022, this book demonstrates how women’s football began as a professional sport, and has only recently returned to these professional roots in the UK. This is because there was a fifty-year Football Association ‘ban’ on women playing on pitches affiliated to the governing body in England. The other British associations followed suit. Why was women’s football banned in 1921? Why did it take until 1969 for a Women’s Football Association to form? Why did it take until 1995 for England to qualify for a Women’s World Cup? Answers to these key questions are supplemented across the chapters by personal accounts of the players who defied the ban, at home and abroad, along with the personal costs, and rewards, of being footballing pioneers.

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August 2020 marked the fortieth anniversary of the opening of the first section of the Tyne & Wear Metro between Haymarket and Tynemouth. It is an exciting time for the system, with a new fleet of trains about to be ordered, and extensions to the network being proposed. This book explores the decline of the BR suburban lines that were replaced, the phased opening of the new system from 1980, and subsequent extensions. It also looks at those being considered in the future. The successful integration of the Metro with bus and ferry services is considered, alongside the inclusivity of the railway’s design, which allows disabled people unprecedented access to public transport. It also illustrates Metro’s unique combination of brand-new tunnels, spectacular viaducts and underground stations, taking in the magnificent Victorian infrastructure of the former North Eastern Railway and Blyth & Tyne Railway.

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* THE INSTANT SUNDAY TIMES BESTSELLER * 'An enthralling read' GUARDIAN 'A thrilling blend of fantasy and horror, richly imagined and masterfully executed' SFX 'Terrific . . . A book that creeps up on you, wearing brass knuckles' CONN IGGULDEN _______________ The first in a captivating new historical fantasy series, ORDINARY MONSTERS introduces the Talents with a catastrophic vision of the Victorian world, and the gifted, broken children who must save it. There in the shadows was a figure in a cloak, at the bottom of the cobblestone stair, and it turned and stared up at them as still and unmoving as a pillar of darkness, but it had no face, only smoke . . . 1882. North of Edinburgh, on the edge of an isolated loch, lies an institution of crumbling stone, where a strange doctor collects orphans with unusual abilities. In London, two children with such powers are hunted by a figure of darkness – a man made of smoke. Charlie Ovid discovers a gift for healing himself through a brutal upbringing in Mississippi, while Marlowe, a foundling from a railway freight, glows with a strange bluish light. When two grizzled detectives are recruited to escort them north to safety, they are confronted by a sinister, dangerous force that threatens to upend the world as they know it. What follows is a journey from the gaslit streets of London to the lochs of Scotland, where other gifted children – the Talents – have been gathered at Cairndale Institute, and the realms of the dead and the living collide. As secrets within the Institute unfurl, Marlowe, Charlie and the rest of the Talents will discover the truth about their abilities and the nature of the force that is stalking them: that the worst monsters sometimes come bearing the sweetest gifts. _______________ 'A dazzling mountain of wild invention, Dickensian eccentrics, supernatural horrors and gripping suspense' JOE HILL 'Expansive in scope and storytelling, Ordinary Monsters builds an electrifying Victorian world' CARI THOMAS J.M. Miro's book 'Ordinary Monsters' was a #5 Sunday Times bestseller w/e 04-06-2022.

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From the Norman Invasion in 1066 to the eve of the First World War, Stick a Flag in It is a thousand-year jocular journey through the history of Britain and its global empire.The British people have always been eccentric, occasionally ingenious and, sure, sometimes unhinged – from mad monarchs to mass-murdering lepers. Here, Arran Lomas shows us how they harnessed those traits to forge the British nation, and indeed the world, we know today.Follow history’s greatest adventurers from the swashbuckling waters of the Caribbean to the vast white wasteland of the Antarctic wilderness, like the British spy who infiltrated a top-secret Indian brothel and the priest who hid inside a wall but forgot to bring a packed lunch. At the very least you’ll discover Henry VIII’s favourite arse-wipe, whether the flying alchemist ever made it from Scotland to France, and the connection between Victorian coffee houses and dildos.Forget what you were taught in school – this is history like you’ve never heard it before, full of captivating historical quirks that will make you laugh out loud and scratch your head in disbelief.

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In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontë, William Blake, Christina Rossetti, Emily Dickinson, Percy Shelley and many more.Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics and allegorical illustrations, mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works.Zanatelli is strongly influenced by the Arts and Crafts movement and the Pre-Raphaelites as well as eighteenth-century collage artist and creator of the Flora Delanica, Mary Delany, among others. Recurring themes in his work are romantic love, magical symbols, Victorian era craftsmanship, historical nun’s work and relics. Details of paintings, ancient fabrics, antique jewellery and miniatures are also returning elements as they often become an integral part of the inspiration for the collages themselves.This stunning book is full of intricate detail and brimming with romance, so you can return to its pages again and again.

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"Memories: A World Tour" takes you on a fascinating journey back through time to a pre-globalised world where regional customs and national cultures were as distinctive as they were diverse. From the bustling streets of Victorian London and the ruins of ancient Egypt to the temples of Japan and the tribesmen of New Guinea, this publication explores the world through a captivating collection of over 800 magic lantern slide images. From the 1870s to the 1930s, photographic magic lantern slide shows were a popular, entertaining and educative way for people to learn about the world beyond their own shores. From Cairo and Delhi to Adelaide and Cape Town, intrepid photographers travelled to all corners of the world to document its peoples and customs. For the first time these images have been brought together in a single publication and the result is a beautiful yet poignant echo of a lost world that at the same time conveys a powerful sense of shared humanity. "Memories: A World Tour" is an important primary source of historical information, which precisely and beautifully documents what the world was like before the advent of television and mass-travel.

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As recently as one hundred years ago British children existed in ways now unthinkable; boys as young as eight worked gruelling hours in unlit factories; girls were sold into sexual slavery with dolls still in their grasp; and boys at schools like Rugby and Harrow were brutally trained for their future at the helm of Britain's vast red empire. In Songs of Innocence Fran Abrams charts the transformation of childhood in the UK from early Victorian disagreements about child-rearing to the Scouts' very direct involvement in the First World War. Poignant first-hand accounts of poverty and deprivation as well as innocent pleasures carry the reader through a Dickensian landscape of urchins and Fauntleroys, the cosseted lives of Edwardian children to the self-sufficient charges of Baden-Powell. Fran Abrams draws distinctions along class lines and divisions such as town and country, Romantic and conservative, to achieve a historical perspective shows the progression of the idea of childhood through a century of massive social change brought about by urbanization, war and medico-psychological advances. Songs of Innocence employs searing personal testimony and immaculate research to provide a fascinating exposition of the past and a mirror for the present.

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From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.

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From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.

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Often identified with its lyric poetry, Romanticism has come to be dismissed by historicists as an ineffectual idealism. By focusing on Romantic narrative, noted humanist Tilottama Rajan takes issue with this identification, as well as with the equation of narrative itself with the governmental apparatus of the Novel. Exploring the role of narrativity in the works of Romantic writers, Rajan also reflects on larger disciplinary issues such as the role of poetry versus prose in an emergent modernity and the place of Romanticism itself in a Victorianized nineteenth century. While engaging both genres, Romantic Narrative responds to the current critical shift from poetry to prose by concentrating, paradoxically, on a poetics of narrative in Romantic prose fiction. Rajan argues that poiesis, as a mode of thinking, is Romanticism's legacy to an age of prose. She elucidates this thesis through careful readings of Shelley's Alastor and his Gothic novels, Godwin's Caleb Williams and St. Leon, Hays' Memoirs of Emma Courtney, and Wollstonecraft's The Wrongs of Woman. Rajan, winner of the Keats-Shelley Association's Distinguished Lifetime Award and a fellow of the Royal Society of Canada, is one of Romanticism's leading scholars. Effective, articulate, and readable, Romantic Narrative will appeal to scholars in both nineteenth-century studies and narrative theory.

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