Search results for ""liverpool university press""

In the wake of the Good Friday Agreement, the redevelopment of the former Girdwood Army Barracks in North Belfast was hailed as a ‘symbol of hope’ for Northern Ireland. It was a major investment in a former conflict zone and an internationally significant peacebuilding project. Instead of adhering to the tenets of the Agreement, sectarianism dominated the regeneration agenda. Throughout the process, politicians, community groups and paramilitaries wrangled over the site’s future, and territorial contest won out over housing need. After eleven years of negotiation and £11.7 million, the EU-funded Girdwood Community Hub opened its doors to the public in 2016, but its impact has been underwhelming. The Hub’s redevelopment is a microcosm of the peace process itself, and the ways in which post-Agreement politics have failed to deliver a ‘shared future’ for the people of Northern Ireland, twenty-five years on. This ethnography provides a lively account of Girdwood’s redevelopment and a wry critique of the fractious political context around it. Through flânerie and encounter, the author brings us across peace walls, into community meetings and behind the scenes of decision-making in Northern Ireland. Girdwood’s story also sheds light on how power, politics and territory intersect in divided cities globally.

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This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.

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Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. The years following the Second World War saw an exponential increase in the translation of contemporary foreign poetry in Italy. The practice was at its most prevalent in the 1950s and 1960s, when publishing houses across the board almost doubled the number of foreign poetry titles in their catalogues. This remarkable phenomenon, however, has received scant critical attention, which has been limited to an aesthetic perspective. Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field, 1939–1977 is one of the first studies to examine the sociological significance of publishing poetry translations. Drawing on untapped archival materials, it investigates from an interdisciplinary perspective the processes and products of poetry translation, and how they impacted on publishing, cultural, literary, and political dynamics in Italy. It explores the internal reconfiguration of Italian culture, and how Italy sought to position itself in the world, without neglecting the contradictions of national and transnational cultural networks and movements. The book argues that translation was a means to modify power relationships in the field of poetry publishing and the contemporary literary arena; this ultimately changed the map of Italian cultural production and its transnational networks, thus anticipating the further developments provoked by globalisation in the 1980s.

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The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.

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A play about defiance of systemic racism. Juan de Mérida, an Afro-Spanish soldier aspires to social advancement in the Netherlands during the Eighty Years' War (1566-1648). His main enemies are not Dutch rebels but his white countrymen, whom he defeats at every attempt to humiliate him. In this play one encounters military culture, upward mobility, mistaken identities, defying destiny, royal pageantry, swordfights, cross-dressing, revenge, homosexual anxiety, and inter-racial marriage. Andrés de Claramonte’s El valiente negro en Flandes (c.1625) is an Afrodiasporic play that enjoyed great success and multiple stagings in Spain and in Latin America. Its 1938 negrista performance in Havana, Cuba, and Frantz Fanon’s Black Skin, White Masks, attest to the power of this play to illuminate contemporary racial dynamics. This is the first annotated, critical edition and English translation of El valiente negro en Flandes with a comprehensive introduction, three critical essays, the critical apparatus comparing the eleven extant versions of the play, and an appendix with alternative scenes and related historical documents. A tool for scholars of early modern European literature and a pedagogical aid to discuss the early discourses on Blackness in Spain and its trans-Atlantic empire.

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Marvels of Medicine makes a compelling case for including sixteenth century medical and surgical writing in the critical frameworks we now use to think about a genealogy of cultural expression in Latin America. Focusing on a small group of practitioners who differed in their levels of training, but who shared the common experience of having left Spain to join colonial societies in the making, this book analyses the paths their texts charted to attitudes and political positions that would come to characterize a criollo mode of enunciation. Unlike the accounts of first explorers, which sought to amaze audiences back in Europe with descriptions of strange and astonishing lands, these texts instead engaged the marvellous in an effort to supersede it, stressing the value of sensorial experience and of verifying information through repetition and demonstration. Vernacular medical writing became an unlikely early platform for a new form of regionally anchored discourse that demanded participation in a global intellectual conversation, yet found itself increasingly relegated to the margins. In responding to that challenge, anatomical treatises, natural histories and surgical manuals exceeded the bounds set by earlier templates becoming rich, hybrid narratives that were as concerned with science as with portraying the lives and sensibilities of women and men in early colonial Mexico.

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In 1804, Haiti declared its independence from France to become the world’s first ‘black’ nation state. Throughout the nineteenth century, Haiti maintained its independence, consolidating and expanding its national and, at times, imperial projects. In doing so, Haiti joined a host of other nation states and empires that were emerging and expanding across the Atlantic World. The largest and, in many ways, most powerful of these empires was that of Britain. Haiti in the British Imagination is the first book to focus on the diplomatic relations and cultural interactions between Haiti and Britain in the second half of the nineteenth century. As well as a story of British imperial aggression and Haitian ‘resistance’, it is also one of a more complicated set of relations: of rivalry, cultural exchange and intellectual dialogue. At particular moments in the Victorian period, ideas about Haiti had wide-reaching relevancies for British anxieties over the quality of British imperial administration, over what should be the relations between ‘the British’ and people of African descent, and defining the limits of black sovereignty. Haitians were key in formulating, disseminating and correcting ideas about Haiti. Through acts of dialogue, Britons and Haitians impacted on the worldviews of one another, and with that changed the political and cultural landscapes of the Atlantic World.

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Located some 600 miles from the coast of India, Sentinel Island is the home of the last people entirely cut off from the modern world, the Sentinelese. No one knows where they come from, what language they speak, their beliefs. Only one thing is certain: for centuries they have violently rejected outsiders who set foot on their island, including Venetian travellers, British colonists, shipwrecked Chinese, Malaysian poachers, European monarchs, or American missionaries. Sentinel Island tells the story of this people and of Krish and Markus, two friends who have little in common other than their fascination with this forbidden island. One is an anthropologist of Indian origin in a badly fraught marriage to an American woman; the other an unmarried New York editor, heir to an enormous fortune built in the art market. Swept up in a grand adventure, Sentinel Island is the story of peoples in far-flung places, friendship, class relations, contemporary America, the gradual unravelling of an interracial marriage—and the story of globalization and those who attempt to escape it.

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The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, or editor. General Editors: Frances Dickey and Julia E. Daniel Editorial Advisory Board: Jewel Spears Brooker, Ronald Bush, David E. Chinitz, Robert Crawford, Anthony Cuda, John Haffenden, Benjamin Lockerd, Gabrielle McIntire, John D. Morgenstern, Jahan Ramazani, Christopher Ricks, Ronald Schuchard, Vincent Sherry, Jayme Stayer, John Whittier-Ferguson

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Evolving from simple designs on a small scale through to becoming massive features dominating skylines and becoming local landmarks. Each chapter take a different perspective, covering the different types, the varying landscapes they inhabited, their place in society, the engineers who designed them and the people who built them.

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This interdisciplinary collection focuses on the history of the future and in particular how Irish people in the nineteenth century thought about their future, in many different ways and contexts.

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From Wild Tales to Zama, Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s.

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Sounds Senses is about what happens to the francophone postcolonial condition when sound is taken as a point of departure for engaging cultural production.

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An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century. As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped into oblivion. Late Victorian Literary Collaboration investigates the factors that made the period so conducive to collaboration, tracing the reasons for its success and subsequent decline. Drawing on a vast range of original sources, the book discusses and compares different models of collaborati

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In 1234, four mendicant friars arrived in the Byzantine city of Nicaea to discuss the possibility of a union between the Greek and Roman Churches. Brought together, these sources represent the largest collection of material describing any dialogue between the churches in the thirteenth century.

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Pearl is a moving elegy written in the late fourteenth century, in which a grief-stricken narrator struggles to come to terms with the death of his baby daughter. He meets her, now transformed into a beautiful young lady, in a dream, where she attempts to bring him to understand the place of death in the divine plan, and where he is granted a sight of the heavenly Jerusalem. Pearl is celebrated as a jewel among medieval poems, although it is the most challenging of the four works by the anonymous author of Sir Gawain and the Green Knight.This new critical edition is designed to offer the maximum support for the reader of the poem. The text is accompanied by a close translation, and each of the twenty sections of the poem is provided with an introductory headnote as well as a running commentary. A general introduction supplies the necessary background information, on manuscript and authorship, form and structure, sources and influences, style, vocabulary and verse-form. The bibliography selects the most significant of the extensive critical studies. Written for both the specialist and the general reader, this book is an essential guide to this profound and complex poem. Designed as a replacement for E. V. Gordon’s standard edition of 1953 this is the only edition of Pearl to be accompanied by a literal translation and a full literary commentary and is the fruit of the author's 40 years of teaching medieval literature.

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During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption, or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication; discusses the medium and materiality of the message; considers how writing and printing were deployed in the construction of personal and cultural identities; and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth-century. In combination the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider-world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society of the Enlightenment.

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En un siècle marqué par d’incessantes querelles théologiques et d’innombrables conflits armés, auxquels s’ajoutent des tensions entre l’Église, l’État et le parti des « Philosophes », les correspondances constituent un lieu privilégié pour observer les mécanismes de surveillance. De fait, parmi les lettré·es du dix-huitième siècle, la communication épistolaire s’inscrit au cœur de la vie quotidienne. Familière avec cette surveillance, l’élite des Lumières s’amuse d’ailleurs souvent des missives décachetées, quand elle ne se moque pas directement des indiscrets, les enjoignant même à poursuivre leur lecture. Documents à la fois publics et privés, littéralement situées au carrefour de toutes les formes d’activités, ces lettres sont parfois détruites, perdues ou oubliées. Alors que certaines demeurent à jamais scellées ou muettes, d’autres font partie du patrimoine littéraire européen. Que ce soit dans des lettres amicales, des correspondances diplomatiques ou dans des rapports de police, on dissimule et (se) surveille. Aussi les huit articles qui composent ce volume proposent-ils une traversée épistolaire du dix-huitième siècle européen en s’intéressant à des personnages oubliés ou célèbres, voire à des inconnus, qui tous ont dû écrire leurs correspondances en surveillant ou en se sachant épiés. -- In a century marked by innumerable armed conflicts and incessant theological quarrels, including tensions between the Church, the State and the Philosophes, literary correspondence provides a privileged site via which to examine the mechanisms of surveillance. Epistolary communication was at the heart of daily life among the eighteenth-century literati. Familiar with methods of surveillance, the Enlightenment elite often amused themselves by sending unsealed missives, or else directly mocked those with prying eyes, even urging them to continue reading. Both public and private documents, located at the crossroads of all forms of activity, these letters have at times been destroyed, lost or forgotten. While some remain forever sealed or silenced, others form part of Europe's literary heritage. Whether in letters between friends, diplomatic correspondence or police reports, one conceals and surveils oneself. The eight articles that constitute this volume offer an epistolary journey through eighteenth-century Europe by focusing on forgotten or famous people, even unknowns, all of whom must have written their correspondence while watching or knowing that they were being watched.

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The book is the first to detail the 170-year evolution of the powered bulk carriers which continue to have a major role in the world’s trades and economies. Their design and technological development is traced from the screw colliers of the 1850s which revolutionised the British coastal coal trade. The same engineering principles were applied to produce ocean-going steam and later motor tramps. By the end of the 19th century, the capabilities and economies of these ‘black freighters’ had captured from the sailing ship much of the world’s trade in bulk commodities. In the second half of the 20th century, the tramps in turn evolved into multi-purpose, dry bulk carriers. These workhorses of the sea transport commodities including metallic ores, grain, coal, timber and other minerals. Quantities of up to 400,000 tons are carried in the largest, specialised ore carriers. In a parallel development, applying the same technical principles produced smaller yet efficient steam and later motor coasters which came to dominate short sea shipping. The book concludes with a discussion of how the economies of transportation provided by bulk carriers have had profound effects on industrialisation, globalisation and the world’s economy, and discusses the environmental impact of these ships.

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This volume presents the first study, critical edition, and translation of one of the earliest works by Richard Rolle (c. 1300-1349), a hermit and mystic whose works were widely read in England and on the European continent into the early modern period. Rolle’s explication of the Old Testament Book of Lamentations gives us a glimpse of how the biblical commentary tradition informed what would become his signature mystical, doctrinal, and reformist preoccupations throughout his career. Rolle’s English and explicitly mystical writings have been widely accessible for decades. Recent attention has turned again to his Latin commentaries, many of which have never been critically edited or thoroughly studied. This attention promises to give us a fuller sense of Rolle’s intellectual, devotional, and reformist development, and of the interplay between his Latin and English writings.Richard Rolle: On Lamentations places Rolle’s early commentary within a tradition of explication of the Lamentations of Jeremiah and in the context of his own career. The edition collates all known witnesses to the text, from Dublin, Oxford, Prague, and Cologne. A source apparatus as well as textual and explanatory notes accompany the edition.

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Only a few studies have dealt in depth with how, let alone why, Nordic academia and its learned cosmopolitan legacy were challenged and transformed as a consequence of the political claims of the patria. While studies of eighteenth-century learning have mainly pinpointed the role of enlightenment movements and ideas in the downfall of the early modern Republic of Letters, this study asserts the importance of universities by demonstrating that these centuries-old institutions were both the main carriers of ideas of learned cosmopolitanism and eventually also the main critics of this ethos. The work explores how new governmental reforms and growing patriotic sentiments consolidated the state and university in new shared endeavours of ‘utility for the fatherland’, and how this development gradually replaced the centuries-old European academic cohesion with a system of competing national academic entities. In doing so, this work adds to our understanding of the learned world in the Nordic region and its relation to concurrent societal and political developments in the long eighteenth century. The book complements the new and more dynamic approaches to the history of universities by combining prosopographical methods, quantitative analysis and geo-visualisations with institutional and socio-cultural source material from various universities. The work takes a comparative and ‘democratic’ approach, as it also deals with the less well-known members of the Nordic learned elite, with several universities in different political and cultural settings.

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What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later.This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.

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This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.

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During the First World War approximately 210,000 Irish men and a much smaller, but significant, number of Irish women served in the British armed forces. All were volunteers and a very high proportion were from Catholic and Nationalist communities. This book is the first comprehensive analysis of Irish recruitment between 1914 and 1918 for the island of Ireland as a whole. It makes extensive use of previously neglected internal British army recruiting returns held at The National Archives, Kew, along with other valuable archival and newspaper sources.There has been a tendency to discount the importance of political factors in Irish recruitment, but this book demonstrates that recruitment campaigns organised under the auspices of the Irish National Volunteers and Ulster Volunteer Force were the earliest and some of the most effective campaigns run throughout the war. The British government conspicuously failed to create an effective recruiting organisation or to mobilise civic society in Ireland. While the military mobilisation which occurred between 1914 and 1918 was the largest in Irish history, British officials persistently characterised it as inadequate, threatening to introduce conscription in 1918.This book also reflects on the disparity of sacrifice between North-East Ulster and the rest of Ireland, urban and rural Ireland, and Ireland and Great Britain.

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Speculative Epistemologies is about truth effects in sf, which stands for both science fiction and speculative fiction. It examines six narratives, one from each decade from the 1960s to the 2010s, that challenge dominant assumptions about the normal, the possible, and the real. It asks what the patterns of overlap and interference generated by texts located in border territories that make their identification as sf problematic, and sometimes controversial, can reveal about the dynamics of sf’s multiple subcultures (e.g. professionals, academics, and fans); the complexity of the genre’s communities of practice and their routes of production, distribution, and reception; and the genre’s shifting position within a broadly conceived field of literary and cultural production. The “speculative epistemologies” in these stories are counter-hegemonic ways of knowing, ways of imagining knowing differently, and the focus of this study is their effect on the formation of identities and communities. Combining the methods of genre theory, reception theory, and the sociology of cultural production, the readings of these six narratives trace a history of sf’s increasingly feminist, racially and ethnically diverse, philosophically ambitious, and politically engaged character from the 1960s to the present.

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Messengers of Empire: Print and Revolution in the Atlantic World examines how news and information moved across the Atlantic world during the Age of Sail. It provides a ground-breaking look at how the French Revolutionary Wars impacted the development of communication channels, such as the creation of regular postal services in the Caribbean and increased reliance on local printers to produce print matter faster and more effectively. With the onset of war between the British Empire and French overseas empire, improved communications became a critical factor for military success, prompting developments on both sides. This included the surge in Caribbean printing operations, as well as the copper plating of packet boats to decrease the time it took for mail to cross the Atlantic Ocean in either direction. This book provides a unique inter-imperial comparison, revealing key differences and similarities between Britain and France in terms of how information circulation was crucial to the operation of empire. It consults a range of archival sources that have rarely, if ever, been used before, including correspondence dispatches, newspapers, almanacs, public notices, and even documents detailing secret society meetings. In doing so, this book reveals how imperial communication networks functioned at the ground level, as well as who were the gatekeepers of information in areas far removed from the metropoles.

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This book uncovers the complex interconnections between politics and finance in the midst of the French Revolution. Charting the trajectories of members of the financial elite between London, Paris and Amsterdam, this study reveals the ever-shifting relationship between market actors and the political world.The French Revolution paved the way for bankers, especially those working in international finance, to occupy a new position within not only the economic framework of the time but also on the political stage. The profession of banker went through a series of transitions in its relationship with the political authorities. These changes affecting the social, economic and political status of bankers led to increasingly active interactions between politics and finance that have become a feature of our modern societies.Using a transnational and interdisciplinary approach, this book highlights how during the Age of Revolution there emerged a dynamic which is still present today: the financial world and the sphere of politics became strongly intermixed while actors from both sides made efforts to overpower their counterparts. In this way, it provides an ideal perspective for bridging the gap that has long separated economic from cultural history in the study of the French Revolution.

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The emergence of literature in eighteenth-century France changes our understanding of when, how and why modern ideas of literature emerged in France. Using a unique blend of literary and digital methods, it argues that it was in the mid eighteenth century, rather than the nineteenth (as many have claimed), that the word ‘littérature’ first came to refer to a canon of classics, an aesthetically pleasing text, and a subject that could be studied in schools. These ideas, the book shows, were propelled by a forgotten quarrel about how to reform literary teaching in the Ancien Régime boys’ collèges.Stretching back to the sixteenth century and forward to the nineteenth, the book explores the pre-histories of the modern ideas of ‘littérature’ that were propelled by this debate, as well as their afterlives in works by La Harpe and Staël, and in teaching practices in the Imperial lycées. One of the first studies to use social network analysis to map an early modern debate, the book shows that Rousseau was not straightforwardly ‘the’ central actor in eig teenth-century debates about education. And it draws on new archival research to reveal that the Ecole royale militaire (founded by Louis XV in 1751) was one of the first institutions to teach something called ‘la littérature française’.Ultimately, by intertwining the histories of education, quarrels and intellectual networks, this book tells a new story about how France became the famously literary nation it is today.

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Work and labour are fundamental to an understanding of Roman society. In a world where reliable information was scarce and economic insecurity loomed large, social structures and networks of trust were of paramount importance to the way work was provided and filled in. Taking its cue from New Institutional Economics, this book deals with the wide range of factors shaping work and labour in the cities of Roman Italy under the early empire, from families and familial structures, to labour collectives, slavery, education and apprenticeship. To illuminate the complexity of the market for labour, this monograph offers a new analysis of the occupational inscriptions and reliefs from Roman Italy, placing them in the wider context by means of documentary evidence like apprenticeship contracts, legal sources, and material remains. This synthesis therefore provides a comprehensive analysis of the ancient sources on work and labour in Roman urban society, leading to a novel interpretation of the market for work, and a fuller understanding of the daily lives of nonelite Romans. For some of them, work was indeed a source of pride, whereas for others it was merely a means to an end or a necessity of life.

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This book reconceives the rewriting of Byzantine hagiography between the eighth and fourteenth centuries as a skilful initiative in communication and creative freedom, and as a form of authorship. Three men – Makarios (late C13th-C14th), a monk; Constantine Akropolites (d.c.1324), a statesman; and an Anonymous educated wordsmith (c. C9th) – each opted to rewrite the martyrdom of a female virgin saint who suffered and died centuries earlier. Their adaptations, respectively, were of St. Ia of Persia (modern-day Iran), St. Horaiozele of Constantinople, and St. Tatiana of Rome. Ia is described as a victim of the persecutions of the Persian Shahanshah, Shapur II (309–79 C.E), Horaiozele was allegedly a disciple of St Andrew and killed anachronistically under the emperor Decius (249–51 C.E), and Tatiana, we are told, was a deaconess, martyred during the reign of emperor Alexander Severus (222–35 C.E). Makarios, Akropolites, and the Anonymous knowingly tailored their compositions to influence an audience and to foster their individual interests. The implications arising from these studies are far-reaching: this monograph considers the agency of the hagiographer, the instrumental use of the authorial persona and its impact on the audience, and hagiography as a layered discourse. The book also provides the first translations and commentaries of the martyrdoms of these virgin martyrs.

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Though forced displacement constituted a central and pervasive feature of the Northern Ireland ‘Troubles’ effecting tens of thousands of citizens, remarkably it has been afforded little more than a footnote or fleeting reference in most accounts of the conflict. This book seeks to ‘end the silence’ surrounding this neglected and ubiquitous aspect of the conflict. Based on 88 in-depth qualitative interviews with victims and survivors, and extensive secondary research, this fascinating study provides the first comprehensive examination of forced displacement in Northern Ireland. The analysis presented captures the unique perspectives of those forcibly uprooted over the course of the 30-year conflict and places on historical record their stories and experiences. This thought-provoking work challenges and broadens prevailing understandings of conflict-related violence, harm, and loss in Northern Ireland to demonstrate the centrality of forced movement, territory, and demographics to the roots and subsequent trajectory of the Troubles. In doing so, it shows that to fully understand the eruption and outplaying of the Troubles and its elusive peace, engagement with and understanding of the legacy of forced displacement is crucial.

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Anita Brookner was known for writing boring books about lonely, single women. Misreading Anita Brookner unlocks the mysteries of the famously depressed Brookner heroine by creating entirely new ways to read six Brookner novels.Drawing on Brookner’s legacy as a renowned historian of French Romantic art and on diverse intertextual sources from Charles Baudelaire to Henry James, Renée Vivien and Freud, this book argues that Brookner’s solitary twentieth-century women can also be seen as variations of queer nineteenth-century male artist archetypes. Conjuring a cast of Romantic personae including the flâneur, the dandy, the aesthete, the military man, the queer, the analysand, the degenerate and the storyteller, it illuminates clusters of nineteenth-century behaviours which help decode the lives of Brookner’s twentieth-century women. This exploration of Brookner’s ‘performative Romanticism’ exposes new depths within her outsider introverts, who are revealed as a subversive blend of the historical, the contemporary, the masculine and the feminine.

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Empresses-in-Waiting comprises case studies of late antique empresses, female members of imperial dynasties, and female members of the highest nobility of the late Roman empire, ranging from the fourth to the seventh centuries AD.

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In most studies of British decolonisation, the world of labour is neglected, the key roles being allocated to metropolitan statesmen and native elites.

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Shame is one of the most frequent underlying emotions expressed throughout sub-Saharan African literature, yet studies of such literature almost universally ignore the topic in favour of a focus on the struggle for independence and the postcolonial situation, encompassing a search for individual, national, and ethnic identities and questions of corruption, changing gender roles, and conflicts between so-called tradition and modernity. Shame, however, is not antithetical to these investigations and, in fact, the persistent trope of shame undergirds many of them. This book locates these expressions of shame in sub-Saharan African literature and shows how its diverse literary representations underscore shame's function as a fulcrum in the mutual constitution of subject and community on the continent. Though shame research is dominated by Western definitions and theories, this study emphasizes the centrality of African conceptions of shame in ways that notions of Western subjectivity dismi

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This book proposes to examine French and Francophone intellectual history in the period leading to the decolonization of sub-Saharan Africa (1945-1960).

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The Atlantic Ocean not only connected North and South America with Europe through trade but also provided the means for an exchange of knowledge and ideas, including political radicalism.

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This book examines the representation of the female fertility cycle in contemporary Algerian, Mauritian, and French women's writing.

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Though forced displacement constituted a central and pervasive feature of the Northern Ireland ‘Troubles’ effecting tens of thousands of citizens, remarkably it has been afforded little more than a footnote or fleeting reference in most accounts of the conflict. This book seeks to ‘end the silence’ surrounding this neglected and ubiquitous aspect of the conflict. Based on 88 in-depth qualitative interviews with victims and survivors, and extensive secondary research, this fascinating study provides the first comprehensive examination of forced displacement in Northern Ireland. The analysis presented captures the unique perspectives of those forcibly uprooted over the course of the 30-year conflict and places on historical record their stories and experiences. This thought-provoking work challenges and broadens prevailing understandings of conflict-related violence, harm, and loss in Northern Ireland to demonstrate the centrality of forced movement, territory, and demographics to the roots and subsequent trajectory of the Troubles. In doing so, it shows that to fully understand the eruption and outplaying of the Troubles and its elusive peace, engagement with and understanding of the legacy of forced displacement is crucial.

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Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. In French literature, newspapers have typically had bad press. Throughout the nineteenth century, French poets and novelists depicted the rapid growth of the press as a corrupting behemoth that was swallowing up art and culture. And yet, towards the end of the century, some writers began to take a more ambivalent approach, pivoting between antipathy and enthusiasm for what had become a massified and ubiquitous cultural phenomenon. No-one truly escapes from journalism,' as Stéphane Mallarmé put it. Rather than cut themselves off from universal reportage', he and other leading modernists, including Guillaume Apollinaire and Marcel Proust, came to view newspapers as an essential forum for literary experimentation. Hustlers in the Ivory Tower explores how the French modernists used newspapers and large-circulation magazines as a literary laboratory' by publishing poetry and imaginative prose in the

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Books V-VI of Julius Caesar's The Gallic War narrate Caesar's campaigns in Britain, Gaul, andGermany in 55 and 54 BCE. A substantial introduction orients the reader to the historical and literary context of The Gallic War as well as to the complicated political and authorial career of Julius Caesar.

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